DISClaimer Single Reviews: Chris Stapleton Sings With Adele & Taylor Swift

Chris Stapleton

As the year winds down, country steps into the national spotlight.

The genre’s stars seem to be everywhere on TV specials and at media events these days. Which is the perfect time to be releasing headline-making new music.

Stepping up the the plate today are Alan Jackson, Old Dominion, Walker Hayes, Kameron Marlowe and Taylor Swift, all with superb fresh sounds. The Disc of the Day goes to Adele with our own Chris Stapleton, adding more than a little to the pop superstar’s performance.

I don’t know much about her, but the DISCovery Award winner is Madeline Edwards.

AMERICAN BLONDE / “Quicksand”
Writers: Jimmy Nash/Natalia Morris; Producer: Cliff Downs; Label: AB
– The Mississippi-bred Morris sisters are feisty and fierce on this downbeat rocker about a dissolving relationship. The tune is rather repetitive, but there’s plenty of energy and attitude.

ADELE & CHRIS STAPLETON / “Easy On Me”
Writers: Adele Adkins/Greg Kurstin; Producer: Greg Kurstin; Label: Columbia
– The simple piano-and-rhythm accompaniment stays in the background to let both voices shine in the spotlight on this stunning ballad. The harmony performance by Stapleton is exquisite. Supple, soulful and powerful. There are few vocalists who can stand toe-to-with Adele, but this mighty man can. And does.

DALLAS SMITH / “Hide From a Broken Heart”
Writers: Mark Holman/Lauren LaRue/Ernest Keith Smith/Geoff Warburton; Producer: Joey Moi; Label: Big Loud
– Smith was just named Canada’s country Entertainer of the Year for the third consecutive time. Judging by his current single, I can’t explain it. The formulaic song, jumbled production and generic vocal performance went in one ear and out the other.

WALKER HAYES / “AA”
Writers: Walker Hayes/Shane McAnally/Luke Laird; Producer: Joe Thibodeaux/Shane McAnally/Scott Johnson; Label: Monument Records
– Hardly anything in the lyric rhymes. The track is a looped groove. He doesn’t really sing. But you know what? As was the case with “Fancy Like,” this guy taps directly into a blue-collar mindset that is absolutely the Truth. He’s just trying to get along like an ordinary fella, resisting the lure of alcohol while raising his kids, making a living and loving his wife. I hear ya, bro.

MADELINE EDWARDS / “Best Revenge”
Writers: Joy Lippard Hanna/Klare Essad/Madeline Edwards; Producer: Gena Johnson; Label: ME
– She was the “unknown” in the vocal trio on the CMA Awards with Mickey Guyton and Brittney Spencer. Her sultry, midtempo single reveals a husky, throaty vocalist with a tremendous intimacy that communicates really well. The song is cool, too: “The best revenge is moving on.”

OLD DOMINION / “No Hard Feelings”
Writers: Matthew Ramsey/Trevor Rosen/Whit Sellers/Geoff Sprung/Brad Tursi/Shane McAnally; Producer: Old Dominion/Shane McAnally; Label: Arista
– Ridiculously catchy and utterly irresistible. If the rump-shaking rhythm doesn’t get you, the jaunty, melodic singing will. Galloping talent from the Vocal Group of the Year.

COLE SWINDELL & LAINEY WILSON / “Never Say Never”
Writers: Cole Swindell/Jessi Alexander/Chase McGill; Producer: Zach Crowell; Label: Warner
– Both singers are coming off huge hits (”Single Saturday Night” and “Things a Man Oughta Know,” respectively). This choppy, bombastic, loud effort doesn’t measure up to either of its predecessors. It also has one of those irritating, shrieking rock guitar solos. Pass.

HAILEY WHITTERS / “Heartland”
Writers: Hailey Whitters/Nicolle Galyon/Forest Whitehead; Producer: Jake Gear/Hailey Whitters; Label: Big Loud
– This troubadour has proved herself as a major talent over and over again. Her current tune is a winning meditation on life and love. As always, she is delightfully melodic and endearingly sincere. She has just landed a Song of the Year Grammy nomination as a co-writer on “A Beautiful Noise” (sung by Alicia Keys & Brandi Carlile). There are eight (!) writers credited on the song, so you know somebody is getting a free ride. I’m guessing it’s not her.

ALAN JACKSON / “Racing the Dark”
Writers: Alan Jackson/Mattie Jackson Selecman; Producer: Keith Stegall; Label: ACR/EMI
– Daughter Mattie wrote the lyrics, and daddy Alan put them to music and then recorded this extraordinary, beautifully country, vocal performance. It’s mini-masterpiece about healing, which is something Mattie has learned about following the tragic death of her husband. She also has an inspirational book exploring grief and God, titled Lemons on Friday.

KAMERON MARLOWE / “Steady Heart”
Writers: Kameron Marlowe/Jessi Alexander/Dan Isbell; Producer: Dann Huff; Label: Columbia
– OMG, how romantic is this? His soulful singing has always pierced my heart, but never more so than on this terrifically warm, tender paean to True Love. A song to make you dreamy, soft, grateful and swoony.

TAYLOR SWIFT & CHRIS STAPLETON / “I Bet You Think About Me”
Writers: Taylor Swift/Lori McKenna; Producer: Aaron Dessner/Taylor Swift; Label: Republic/MCA
– She’s the working-class gal who married the upper-crust dude, and it didn’t work out. Like, spectacularly wrong. So she wrote a song excoriating him (surprise). The hilarious video (directed by Blake Lively) is a fantastic mini movie. The previously unreleased song dates from her country-music days, and the addition of Stapleton’s harmony voice underscores the point.

CALLISTA CLARK / “Real To Me”
Writers: Callista Clark/Cameron Jaymes/Laura Veltz; Producer: Nathan Chapman; Label: Big Machine
– She sings so well. She’s only 18, and this soul-pop stomp points the way toward something more promising than her current radio tune.

Cole Swindell & Lainey Wilson Join Forces On Fiery Duet, ‘Never Say Never’ [Interview]

Grammy-nominated entertainer Cole Swindell and fast-rising, country songstress Lainey Wilson recently released their fiery new duet, “Never Say Never” via Warner Music Nashville.

For Swindell, the track is his 12th career single following his back-to-back No. 1 hits “Love You Too Late” and “Single Saturday Night.” Meanwhile, Wilson, who won the 2021 MusicRow Discovery Artist of the Year award, is coming off her Gold-certified, No. 1 debut single “Things A Man Oughta Know.”

Swindell co-wrote “Never Say Never” with Jessi Alexander and Chase McGill in 2018. The Zach Crowell-produced track blends Swindell and Wilson’s signature sounds, offering a perfect mixture of country twang and relatability with rocking guitar licks and powerful concert-ready production. The hard-hitting back and forth dialog finds the duo admitting that sometimes you just can’t walk away, even when you know you should.

“I don’t know anyone who hasn’t been in this situation at some point in time,” Wilson says. “I was telling Cole the other day, it’s like that piece of chocolate cake that you know you shouldn’t have but you take it anyway. We’ve all been there, so we can all relate even if you’ve never been in a relationship in your life.” She continues, “It’s hard sometimes to have a rocking song that’s also passionate, and I think this song does that. It makes you feel all the things. It makes you wanna say ‘Hell yeah!’ and it makes you want to kiss somebody.”

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Though the two artists have been long-time fans of each other, “Never Say Never” is their first collaboration. It is also Swindell’s first true duet from his seven year career.

“I wrote [the song] with two of our really good friends, Chase McGill and Jessi Alexander. I was in [Lainey’s] hometown in Louisiana playing the last show of the year a couple of years ago, and we wrote this song that weekend. We knew it was special and we could tell it was going to be a rocking song with a lot of energy, but the way we wrote it we knew it had to be a duet,” Swindell says. “We were trying to find the right person that could sing it and make it feel like it needed to. I’ve been a big fan of [Lainey’s] music, so when she popped into my head [we knew that she was it].”

“I take a whole lot of pride in my own songwriting and my own art. People pitch me things and I am a stickler, I’m not going to lie. It’s got to hit me right [in the heart]. It’s gotta make me feel something and it’s gotta make me feel like I wrote it,” Wilson explains. “I listened to the first verse and the chorus and I was like ‘Holy moly! This song is special and it made me feel something.’ I’ve been a fan of his for the longest time and look up to him as a songwriter, entertainer, and artist so I couldn’t say yes quick enough.”

Throughout his career, Swindell has racked up 10 No. 1 singles, multiple Gold and Platinum singles and albums, and nearly 4.5 billion career streams. However, upon its release to country radio, “Never Say Never” earned 91 first-day adds at Billboard and Country Aircheck/Mediabase, making it Swindell’s biggest add day so far in his career.

With “Never Say Never” now out into the world and gaining traction, Swindell and Wilson have many plans in the works and dreams for the project, including a cinematic, attention-grabbing music video and hopes of a 2022 award show performance.

“Never Say Never” is available everywhere now.

Jeff Krones Promoted To Co-Head Of CAA’s Nashville Music Office

Jeff Krones

Creative Artists Agency (CAA) has announced that veteran agent Jeff Krones has been promoted to Co-Head of CAA Nashville Music.

Krones works with some of CAA’s high-profile clients such as Dan + Shay, Twenty One Pilots, Brett Young, Needtobreathe, and NF, among many others. He has helped build out the agency’s broader country music roster, in addition to other areas. He joins Nashville Music Co-Heads Marc Dennis, Brian Manning, and Darin Murphy in his new role.

Krones began his career as an intern at CAA in 2004 and was promoted to Agent in 2007. He was elected to the Board of the Academy of Country Music in 2017, and has been featured in many distinguished lists from Pollstar and Billboard. Krones lended his expertise in a story about his client Dan + Shay’s return to the road for MusicRow‘s recently released Touring & Next Big Thing Issue.

“I’m honored to join my fellow Co-Heads in helping to build on our success in Nashville. As a team, we’re passionate about discovering, developing, and serving a wide range of artists that touch many different genres and cultures,” says Krones. “I’m fortunate to have spent my entire career at CAA, surrounded by the best agents, and I’m excited by the opportunity to help shape our future.”

Additionally, CAA announced that Bruno Del Granado has been promoted to Head of the agency’s global Latin Music touring group. Based in Miami, Del Granado joined the agency in 2013 from RM Entertainment Group, which he formed in partnership with Ricky Martin. Previously, he founded Entertainment Media Factory, Inc. a music, television, and film production and programming company specializing in content for Latin America, Europe, and Asia.

“Today’s appointments of two superbly talented new leaders attest to the tremendous momentum CAA is experiencing across our touring business,” shares CAA’s Head of Music, Rob Light. “Jeff and Bruno’s individual instincts, taste, and experience have made them world-class agents, and we look forward to them expanding their impact for clients and CAA in their new leadership roles.”

MusicRow Highlights Music Industry Leaders On The Rise With 2022 N.B.T. Industry Directory

Rising Nashville music industry leaders have been selected for MusicRow Magazine’s 2022 N.B.T. Industry Directory.

Now in its third year, MusicRow’s N.B.T. Industry Directory is the first and only list of its kind, showcasing Nashville music business professionals who occupy important roles at their respective companies. This class of professionals are on a trajectory of excellence to successfully lead the Nashville music industry into the future.

All members of the N.B.T. Industry Directory are featured in MusicRow’s current 2022 Touring & Next Big Thing Issue, which releases today (Nov. 30). Single copies of MusicRow’s Touring & Next Big Thing Issue are available for purchase at musicrow.com for $45, and are included with yearly MusicRow subscriptions.

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The 70 members of MusicRow Magazine’s 2022 N.B.T. Industry Directory are:

Melanie Ainsworth, Controller – Big Machine Label Group

Elise Anderson, Pres./Owner – Elicity Public Relations

Katie Barolak, Creative Dir. – Black River Entertainment

Elizabeth Black, VP of Operations – Musicians On Call

Shaina Botwin, Sr. Dir., A&R – Boom Music Group

Beth Brinker, Assoc. Dir. of Membership – ASCAP

AJ Burton, VP, Fluid Music Revolution – Fluid Music Revolution/Spirit Music Nashville

Justin Cahill, Music Agent – CAA

Jaclyn D. Carter, Vice President – Shore Fire Media

Julianne Cassidy, Publicist – Sweet Talk Publicity

Chase Chapman, Branch Manager & VP, Music Row Office – Regions Bank

Emily Cohen, Amazon Music’s Principal Music Curator – Amazon Music

Matt Cottingham, Associate – Ritholz Levy Fields LLP

Emily Craig, Creative Dir. – Sea Gayle Music

David DeVaul, Sr. VP Office Leader of Music, Sports, Entertainment – Pinnacle Financial Partners

Crystal Dishmon, Artist Manager – ShopKeeper Management

Nathan Drake, Associate – Loeb & Loeb

Blake Duncan, Creative Director – Combustion Music

Stevie Escoto, Managing Director – Girlilla Marketing

Chris Ferren, Manager – Fusion Music

Kenley Flynn, Sr. Dir., A&R – Sony Music Publishing Nashville

Lauren Funk, Sr. Creative Dir. – Endurance Music Group

Emily Furman, Sr. Dir. of Creative, Publishing – Creative Nation

Josh Garrett, Agent, Music – United Talent Agency (UTA)

Katie Germano, Music Agent – CAA

Melissa Goldberg, Sr. Dir., Digital and Social – CMT (ViacomCBS)

Amanda Good, Head of Marketing – AMG

Beth Hamilton, Music Agent – WME

Laura Hostelley, VP, Marketing – Triple Tigers Records

Nina Jenkins, Creative Dir. – Jody Williams Songs

Luke Jensen, VP, Promotion – Monument Records

Evyn Mustoe Johnston, Dir. of Membership – ASCAP

Jackie Jones, VP, Artist and Industry Relations – RIAA (Recording Industry Association of America)

Alison Junker, Artists & Label Partnerships, Manager – Spotify

Quinn Kaemmer, Sr. Publicity Mgr. – BBR Music Group

MaryAnn Keen, Assoc. Dir., Creative, Nashville – BMI

Jake Kennedy, Artist Manager – The Anvil

Katie Kerkhover, Sr. Creative Dir. – BMG

Erin Kidd, Creative Dir. – Play It Again Music Group

Roxy King, Dir., A&R – Universal Music Publishing Group

Lee Krabel, VP, Publishing – SMACKSongs

Olivia Laster, Dir., Marketing – Sony Music Nashville

Bailey Lathem, VP – City National Bank

Rory Levine, VP, Marketing & Digital Strategy & Engagement – Academy of Country Music

Keith Levy, Agent – Wasserman Music

Mark Logsdon, Executive Dir. – PLA Media

Nicole Marinake, Sr. Dir., Partnership Marketing – Sony Music Nashville

Catharine McNelly, Sr. Dir., Communications – Country Music Association

Carrie Murphy, Music Agent – WME

Matt Najdowski, Royalty Manager – Farris, Self & Moore

Emily Peacock, Creative Dir. – Tree Vibez Music

Wes Perry, Dir., Business Development – Live Nation

Vipin Reddy, Dir., Streaming Marketing – UMG Nashville

Carter Robinson, Sr. VP, Music Entertainment and Sports Group – Pinnacle Financial Partners

Sophia Sansone, Manager – Make Wake Artists

Diana Akin Scarfo, Dir. of International Digital Administration – SESAC

Dane Schmidt, Sr. Dir. of A&R – Sony Music Publishing Nashville

Ciara Shortridge, VP, Country Publishing/A&R – Curb | Word Entertainment

Breanna Sill, Dir. of Artist Development and Management – Truth Management

Bobby Simmons, Manager – Sandbox Entertainment Group

Jenni Tay, Dir., Streaming – Warner Music Nashville

Mary Lauren Teague, Assistant Professor – Belmont University / Manager – Dotted i Entertainment / Contract Attorney – Loeb & Loeb

Alina Thompson, Senior Manager, Artist Marketing & Industry Relations – SiriusXM/Pandora

Joshua Tomlinson, Dir., Creative, Nashville – BMI

Marissa Turk, Day-to-Day Manager – SMACK

Jennifer Turnbow, Chief Operating Officer – Nashville Songwriters Association International (NSAI)

Matt Turner, Sr. Dir., A&R – Concord Music Publishing

Alaina Vehec, Sr. Dir., Digital Sales and Streaming – Sony Music Nashville

Alec Vidmar, Agent, Music – United Talent Agency (UTA)

Bailey White, Manager of Promotion – Northeast – Black River Entertainment

MusicRow Unveils Next Big Thing Artists Class Of 2022

MusicRow is proud to reveal its list of artists, who in 2022, are predicted to become the Next Big Thing (NBT). The annual NBT list features 11 artists, who are each profiled in MusicRow‘s latest 2022 Touring & Next Big Thing print issue, which releases today (Nov. 1).

MusicRow‘s Next Big Thing Class of 2022 boasts a stand-out group of artists on the rise. They are diverse in sound, style, and level of success, but what they have in common is extraordinary talent and a passion for today’s ever-evolving country music format. These future stars will expand the boundaries of country music, carrying the torch of the format both to its fans and into the mainstream.

Single copies of MusicRow’s Touring & Next Big Thing print issue are available for purchase at musicrow.com for $45, and are included with yearly MusicRow subscriptions.

MusicRow Magazine’s 2022 Next Big Thing Artists:

Bexar

Warner Music Nashville | ARTIST MGMT | CAA | Reservoir (Chris Ryan) / UMPG Nashville (Logan Turner) | BMI

Rising country band Bexar is bringing a sound all their own to country music, drawing musical inspiration from Mumford & Sons, The Avett Brothers and Avicii. Their blend of country, which incorporates the pop potential of wooden instruments and organic soul, is on full display on their breakout single, “Again.” Bandmates Chris Ryan (lead vocals/ guitar) and Logan Turner (vocals/banjo/guitar) named Bexar—which is pronounced “bear”—after Bexar County, Texas, where Ryan spent much of his childhood.

The band’s recent Warner Music Nashville EP, a six-song project playfully titled Pronounced Bear, includes more stellar, genre-blending tracks such as “Key To Life” and “One Day.” Each song on the project was co-written by at least one band member, and was produced by award-winning producers Ross Copperman and Luke Laird. Bexar’s unique sound, derived from Texas country and Kentucky bluegrass, has resulted in 40 million streams since their 2018 self-released EP.

Their distinctiveness and obvious talent set them apart from their rising counterparts in the genre.

Cooper Alan

Cooped Up Records (co-owned with Victoria Shaw) | Fabulicious Music Publishing | SESAC

If there is one country artist who has mastered the TikTok launchpad to stardom, it’s undoubtedly the deep-voiced country crooner, Cooper Alan. At the beginning of quarantine, Alan had 10,000 followers across all of his social media platforms. Thanks to his social media strategy, talent and charisma, Alan is now one of the most followed country artists on TikTok, boasting over 5 million followers. He has parlayed that success into millions of streams on songs such as “New Normal,” “Tough Ones,” and “Too Soon.” Alan also collaborated with other TikTok stars to do an “In Real Life Tour,” further exemplifying his strategic use of the platform.

The North Carolina native cut his teeth as a performer in bars, honkytonks, and college parties. After graduating from UNC Chapel Hill, Alan moved to Nashville where he had the incredible luck of meeting hit songwriter/producer Victoria Shaw, who signed him to a publishing deal on the spot. Earlier this year Alan, an independent artist, announced his own Cooped Up Records, formed along with Shaw to support his music. Alan’s social media prowess and charm will assuredly propel him further into country stardom.

Callista Clark

Big Machine Label Group (Big Machine Records) | SB Projects | WME | Big Machine Music | BMI

At just 18 years old, bold singer-songwriter Callista Clark has formed a buzz around her within the Nashville music business. Clark came onto the scene with her heart on display on her debut collection, Real To Me, released via Big Machine Records.

The soulfulness in the Georgia native’s voice shines on the song “Real To Me,” while her pension for grit is highlighted on “Change My Mind” and her breakout hit “It’s Cause I Am.” Reminiscent of the confident songs of Jo Dee Messina, Clark is fully aware of her worth on “It’s Cause I Am,” singing “You want a one-dimensional woman, it’s okay, I understand / If I seem too complicated for ya, it’s ‘cause I am.” The track resonated with listeners, becoming one of country radio’s most successful new artist debuts of 2021.

Clark was discovered by Big Machine Label Group’s Scott Borchetta and Scooter Braun (SB Projects) via her inspiring videos online, which have amassed over 130 million views across all socials and YouTube. The young artist has a lot to say, and will continue to boldly lead the way for young female artists in the genre.

Hannah Dasher

WME | Sony Music Publishing Nashville | ASCAP

Hannah Dasher’s big personality, and even bigger hair, paired with her classic-country style and undeniable talent sets the H to the Damn to the D apart from the rest. Raised in Savannah, Georgia, Dasher grew up absorbing a diverse lineup of influences including Alan Jackson, Hank Williams Jr., Tom Petty, Eric Church, and Aretha Franklin.

After graduating from the University of Georgia, Dasher moved into a small attic apartment just off Music Row and began working five days a week at Bass Pro Shops, where she was eventually fired for writing songs on the job. Dasher signed a publishing deal soon-after and started opening for the likes of Bocephus, The Cadillac Three and Lynyrd Skynyrd.

She garnered an online following with her viral “Stand By Your Pan” TikTok series— named after the Tammy Wynette hit—where Dasher cooks up traditional Southern recipes with a twist. Shortly after going viral on the app, she released her collection The Half Record. Containing barn-burners such as “Leave This Bar,” funny little tunes like “Left Right,” and what ought to be her theme song, “You’re Gonna Love Me,” Dasher’s kaleidoscope personality shines on The Half Record.

Brooke Eden

BBR Music Group / BMG | Maximum Artist Group | Reservoir | BMI

Shimmery singer-songwriter Brooke Eden first signed her record deal with BBR Music Group in 2014. Though she released a few singles then, including her 2017 breakout single, “Act Like You Don’t,” Eden was not able to authentically be her true self until 2021. In early 2021, Eden reintroduced herself and offered new music after four years of finding love and acceptance that inspired her music both sonically and lyrically.

In a three-part reintroduction, styled by producer Jesse Frasure, Eden said goodbye to her painful past on “No Shade,” fell in love on “Sunroof,” and professed her love to her new partner on “Got No Choice.” All the while, Eden bravely let the world know that she was gay. Eden’s courage has been lauded and celebrated by many in the country music community.

In June, Trisha Yearwood surprised Eden on-stage at the Grand Ole Opry to perform Yearwood’s “She’s In Love With The Boy.” After Eden performed the first chorus alone, Yearwood appeared and the two did a gender flip of the song, continuing their historic duet as “She’s In Love With The Girl.” It’s no question that Eden is a torch-bearer for inclusion in country music. Her talent and authenticity will irrevocably impact country music and its future.

Willie Jones

Sony Music Nashville | The Penthouse | CAA | Warner Chappell Music Nashville | BMI

Willie Jones is on the forefront of the juncture of country and hip-hop. His catchy production paired with his country sensibilities have found fans in both genres. Born in Shreveport, Louisiana, Jones grew up singing in the church choir. He is very clearly influenced by gospel, R&B, hip-hop, and country.

Early in 2021, Jones released his debut album Right Now, containing ear-worms “Back Porch,” “Down For It,” and “Right Now,” and produced by hip-hop’s MyGuyMars and Mark Batson, as well as country  songwriter/producer Justin Ebach. The project garnered millions of streams, exemplifying the demand for his signature sound. In March, Jones signed a record deal with Sony Music Nashville.

Also on Jones’ Right Now album is “American Dream,” a song inspired by the unrest in the U.S. following the deaths of George Floyd and Breonna Taylor. Jones sings, “Proud to be a Black man livin’ in the land of the brave and the free / Yeah, I’m all-American and that American dream ain’t cheap.” Released to critical acclaim, “American Dream” illustrates Jones’ gift for packaging up deep themes in his delectable sound.

Ian Munsick

Warner Music Nashville | Not A Public Figure Management / Erv Woolsey Company | UTA | UMPG Nashville | BMI

Ian Munsick is breathing fresh Rocky Mountain air into country music. The Wyoming-born singer-songwriter’s brand of country is traditional with no shortage of fiddles, but also fresh and spellbinding. Munsick introduced himself as an independent artist in 2017 with a self-titled EP, building his fan-base with songs including “Horses Are Faster” and “Weakness.”

The determined young artist then brought a fully-formed album to Warner Music Nashville in 2020, prompting the label to sign him and release his full-length debut, Coyote Cry, this spring. Raised on a ranch playing music with his family band, Munsick cares deeply about the revitalization of modern western culture in country music. That is very evident on Coyote Cry with songs like its stomping romp about confidence called “Humble,” a Fleetwood Mac cover of “Dreams,” and a slow burner, “Come Home To You,” among other unique songs. Serving as a thesis to the project is “Long Haul,” a gorgeously lush track about Munsick’s love-affair for his home.

His unique brand of country is finding more fans on the road, as Munsick plays dates opening for label-mate Cody Johnson.

Lily Rose

Big Loud Records / Back Blocks Music and Republic Records | Back Blocks Music / Fusion Music | WME | UMPG Nashville / Back Blocks Music | BMI

Lily Rose burst onto the country scene with her moody, striking truth-bomb “Villain” in late 2020. Soon after it went viral on TikTok and hit the top of the iTunes all genre chart, Rose secured a record deal with Big Loud Records, Back Blocks Music and Republic Records.

Rose didn’t waste much time after getting her record deal, hitting listeners with quality song after quality song, including her reflective “Overnight Sensation,” flirty “Know My Way Around,” and heavy-hearted “Remind Me of You.” Rose’s songs, colored by country-inspired confessional language and smooth R&B influence, highlights the singer-songwriter’s ability to balance shimmery uniqueness with intimate relatability. In October, the Georgia native released her album, Stronger Than I Am, which has already amassed over 87 million global streams.

Rose will take her relatable songs and charisma to the road in 2022 on Chris Lane’s “Fill Them Boots Tour.” Her knack for approachable lyrics and hooky production will surely take Rose into further country stardom.

Brittney Spencer

Cohencidence Projects | UTA | BMI

Brittney Spencer graced her way into the Nashville music scene with authenticity and class. The Baltimore native went to MTSU to study music business, and earned some spots as a background singer with Christopher Cross and Carrie Underwood.

When she posted a cover of The Highwomen song “Crowded Table,” it caught the attention of members Amanda Shires and Maren Morris, who reposted the video and invited her to perform with them. Since then, Spencer has left audiences enthralled at every performance, building her fan base with her gorgeously powerful voice and thought-provoking lyrics. Her “Sober & Skinny” finds Spencer being honest with a partner, singing “when you get sober, I’ll get skinny.” Her “Sorrys Don’t Work No More” further highlights her intense depth as a songwriter.

Spencer will head out on her first headlining tour in December. She will also support Brett Eldredge and Reba McEntire on select dates in 2022, and undoubtedly earn many more new fans in her wake.

Tiera

Big Machine Label Group (The Valory Music Co.) | Olivia Hanceri, OH Creative Mgmt | WME | Songs & Daughters / Big Loud / Warner Chappell | BMI

Honey-voiced singer-songwriter Tiera is bringing soulful R&B into her brand of country music. Her talent was quickly noted by the industry, and Tiera became the flagship writer for Nicolle Galyon’s Songs & Daughters publishing company. A few months later, Tiera released the romantic “Found It in You.” Fans grabbed hold, which prompted the Alabama native to independently release her self-titled debut EP.

Tiera has a full-grasp on what she wants to sound like and what she wants to say, which is evident on “Not Your Girl.” She joins harmonies with Breland, a member of MusicRow’s Next Big Thing Class of 2021, on “Miles,” a country, R&B romp. Tiera’s full command of her sound attracted Big Machine Label Group, who signed her to The Valory Music Co. in August.

In addition to making music, Tiera hosts her own Apple Music Country Radio show. On The Tiera Show, she brings her unique perspective to country, and incorporates other sounds that influence her. Tiera is in her own lane, and we will definitely be seeing more of her in 2022.

Sam Williams

UMG Nashville (Mercury Nashville) | Missi Gallimore, T.R.U.T.H. Management | UTA | Truth or Dare / Warner Chappell Music | BMI

Not many have grown up the way Sam Williams did: as grandson of country pioneer Hank Williams and the son of outlaw legend Hank Williams Jr. While growing up in that country music dynasty has impacted Williams’ style, his music is very different from that of his father and grandfather’s.

As evidenced on his debut album, Glasshouse Children, Williams’ often profoundly country lyrics are draped in eclectic, polished production. The project offers songs about healing, growth, loss and redemption that show off Williams’ connection to country music’s roots and forward thinking approach to artistry. His sunny “Kids” invites Keith Urban to sing about wistful youth; while his reflective “Happy All The Time” features vocals from another country music icon, Dolly Parton.

In June, Williams announced he had signed a record deal with UMG’s Mercury Nashville. With the music industry deeply intrigued with his take on country music, Williams will surely be a part of the evolution of the genre.

On The Cover: Brett Eldredge Graces The Cover Of MusicRow’s 2022 Touring & Next Big Thing Issue

MusicRow Magazine has released its 2022 Touring & Next Big Thing Issue, with Warner Music Nashville’s Brett Eldredge gracing the cover with his holiday charm.

Eldredge recently released his second holiday record, Mr. Christmas, which includes two never-before-heard originals as well as many Christmas classics. The project follows the 2020 release of his original duet with Kelly Clarkson, “Under the Mistletoe,” and his acclaimed 2016 Christmas album Glow.

Since first coming onto the scene in 2014, the Platinum-selling recording artist has earned a plethora of honors, including CMA New Artist of the Year in 2014, BMI Song of the Year for “Beat of the Music” in 2015, and inclusion on a handful of top songs lists at the annual PRO music awards. From the RIAA, Eldredge has earned seven Platinum-certified singles, two Gold-certified singles, and two Gold-certified albums, as well as seen his singles hit the top of the country charts seven times.

The Touring & Next Big Thing Issue includes MusicRow’s eighth annual Next Big Thing class of artists, including Bexar (Warner Music Nashville), Cooper Alan (Cooped Up Records), Callista Clark (Big Machine Records), Hannah Dasher (Independent), Brooke Eden (BBR Music Group/BMG), Willie Jones (Sony Music Nashville), Ian Munsick (Warner Music Nashville), Lily Rose (Big Loud Records/ Back Blocks Music and Republic Records), Brittney Spencer (Independent), Tiera (The Valory Music Co.), and Sam Williams (Mercury Nashville).

This issue also features the N.B.T. Industry Directory Class of 2022, which spotlights rising Nashville music representatives who are having a major impact on the industry. These industry members occupy important roles at their respective companies, and are on a trajectory of excellence to successfully lead the Nashville music industry into the future.

This issue celebrates the return to the road as Dan + Shay execute their relaunched “The (Arena) Tour;” and also dives into the transition from TikTok to touring for the viral artists that were discovered during the COVID-19 pandemic. The 2022 Touring & Next Big Thing issue also catches up with Executive Vice President of Entertainment and Venues for Bridgestone Arena, David Kells, who pulls back the curtain on some of the hardships the Nashville arena faced over the last 18 months.

MusicRow also remembers Randy “Baja” Fletcher, a titan of the touring industry who tragically passed away in August, with a special tribute to his journey through the live entertainment space and his vast contributions to the industry. This issue also features a Q&A with WME’s Nate Towne about his evolution from working in the mailroom to becoming a Partner, and includes an article on the Nashville Number System and how it is used in modern day recording. Additionally, the 2022 Touring Directory is included in this issue, featuring contact information for touring transportation, production and insurance companies.

Single copies of MusicRow’s 2022 Touring & Next Big Thing Issue are available for purchase at musicrow.com for $45, and are included with yearly MusicRow memberships.

It’s Giving Tuesday: How Can You Give Back?

Today marks Giving Tuesday, the Tuesday after Thanksgiving in the United States. This day serves as a day of giving and MusicRow has rounded up a selection of some of the charities and organizations that support the Nashville music community.

See below for a list of organizations and how to donate.

ACM Lifting Lives

ACM Lifting Lives, the philanthropic arm of the Academy of Country Music, is dedicated to improving lives through the power of music. With donations and support from artists and fans, ACM Lifting Lives funds music health programs while also serving members of the music community who face unexpected hardships through its Diane Holcomb Emergency Relief Fund. With generous donations and the support of artists and fans, ACM Lifting Lives has funded national music therapy programs serving various mental and physical health organizations. Since 2006, the organization has given more than $9 million to more than 150 worthy causes.

ACM Lifting Lives also responded to the growing needs in the country music industry from COVID-19 by creating the ACM Lifting Lives COVID-19 Response Fund. This fund helps to alleviate the burden that many of the behind-the-scenes professionals, such as touring personnel, musicians, songwriters, and developing artists, are facing. To donate to ACM Lifting Lives or its COVID-19 Response Fund, click here.

Americana Music Association Foundation

Launched in 2020, the Americana Music Association Foundation (AMAF) aims to preserve and educate people about Americana music. Since its founding, the organization has raised COVID-19 funds in collaboration with The Bluegrass Situation. They have also formed a partnership with NYU Steinhardt by launching a special edition of WORDS & MUSIC, which featured guests Lori McKenna and Jonathan Taplin in virtual interviews. In October, Rosanne Cash was unveiled as the first Americana Artist-In-Residence at NYU Steinhardt where she will work with students in a series of lectures, workshops and classroom visits throughout the 2021-22 academic year.

The Foundation is in conversations with major museums and educational institutions around the country to create programming in line with its mission. To contribute to the Americana Music Association Foundation, click here.

 

CMA Foundation

Birthed from the passion of artists and industry professionals who first fell in love with music within the four walls of a classroom, the CMA Foundation began investing in music education in 2006. The Foundation, through partnerships within the country music community, provides students with the opportunity to participate in music education programs all across the country.

The CMA Foundation believes that music is an integral part of brain development, human connection, and stress relief. For students, music is an effective and invaluable tool to help improve academic achievement and social development, increase student participation and classroom engagement, and enhance social and emotional development. Throughout the last 15 years, the organization has been able to invest more than $27 million into the enrichment of music education programs. To donate to the CMA Foundation, click here.

Country Music Hall of Fame & Museum

At the heart of the Country Music Hall of Fame & Museum’s mission is education. During a time when music and music education are needed more than ever, the Museum doubled down on its commitment to connecting people everywhere with the art of songwriting. From curriculum-based school programs for students and teachers to music-making experiences for families, Museum educators offer unique resources across the United States, in Nashville neighborhoods, and inside the Museum’s walls.

Through giving from the country music industry and fans, many of these unique resources are available to participants at no cost. To donate to the Country Music Hall of Fame & Museum and its music education initiatives, click here.

International Bluegrass Music Association

The IBMA is the non-profit music association that connects, educates, and empowers bluegrass professionals and enthusiasts, honoring tradition and encouraging innovation in the bluegrass community worldwide. The IBMA Trust Fund was established in 1987 as a means to offer financial assistance to bluegrass music professionals and has given over $800,000 in direct aid to professionals in emergency need. The Fund helps eligible bluegrass professionals who are currently or have previously been significantly involved in the industry, including artists, composers, broadcasters, media representatives, event producers, agents, educators, managers, and employees of record companies. To donate to the IBMA Trust Fund, click here.

The IBMA Foundation helps individuals, organizations, foundations, and corporations work together in supporting the future of bluegrass music. Through grant-making, philanthropy, and planned giving, the foundation aims to share bluegrass with future generations. To donate to the IBMA Foundation, click here.

 

Music Health Alliance

Founded in January of 2013, Music Health Alliance aims to provide music industry members access to healthcare through services that protect, direct, and connect music professionals with medical and financial solutions. With this model, MHA allows the focus of the healthcare solution to be based solely on the client and their specific needs.

MHA has served over 13,000 music industry professionals and their families, and secured over $63 million in health care cost reductions to Heal the Music. To donate to Music Health Alliance, click here.

MusiCares

Founded by the Recording Academy in 1989, MusiCares aims to help the people behind the music that gives so much to the world. Offering preventive, emergency, and recovery programs, MusiCares is a safety net supporting the health and welfare of the music community. The organization assists music professionals through direct financial grant programs, networks of support resources, and tailored crisis relief efforts. To donate to MusiCares, click here.

This holiday season, MusiCares is also hosting a Peer-2-Peer fundraising campaign. Through this initiative people are able to start their own personal fundraisers in support of Help for the Holidays. For more information, click here.

Musicians Hall of Fame and Museum

The Musicians Hall of Fame and Museum serves to honor all great musicians and technicians, regardless of genre or instruments, through exhibiting the actual instruments that were used to record some of the most iconic songs in recorded history. The Musicians Hall of Fame and Museum also educates its visitors about the musicians who played on the sound tracks of their lives.

Through its patrons donations, the Hall is able to support dynamic exhibits and award-winning interactive features, education programs for children and youth, public programs featuring live performances by national and local artists, and interviews with music industry icons. To donate to the Musicians Hall of Fame and Museum, click here.

 

Musicians On Call

Musicians On Call is the nation’s leading provider of live music in hospitals. For over 20 years, MOC has brought live and recorded music to the bedsides of patients in healthcare facilities for children, adults, VA hospitals and hospices. Throughout COVID-19, MOC has launched and expanded its Virtual Bedside Performance Program and Music Pharmacy to serve the populations most in need during the pandemic.

MOC believes that all patients, families and caregivers should have access to and benefit from the healing power of live music. It has been demonstrated that music has a direct effect on people and can improve blood pressure, manage stress, alleviate pain and improve pain tolerance, and improve outlook and overall mood. To donate to Musicians On Call, click here.

Nashville Musicians Association Crisis Assistance Fund

As part of the Nashville Musicians Association, the Crisis Assistance Fund seeks to assist professional musicians in the Nashville area who have been adversely affected by the COVID-19 pandemic. Initially created after the 2010 Nashville Flood, the program was reactivated in early 2021 and distributed its first round of funds in August.

With hopes of a second distribution in the coming months, donations will go towards helping musicians who have lost work and need financial assistance. To donate to the Crisis Assistance Fund, click here.

Nashville Songwriters Foundation

Since 1970, the Nashville Songwriters Hall of Fame has enshrined some of the greatest writers to put words to music in Music City. Operated by the non-profit Nashville Songwriters Foundation, the Hall of Fame is dedicated to honoring Nashville’s rich songwriting legacy through preservation, celebration and education. In 2013, the Hall opened its Hall of Fame Gallery, located on the first floor of Nashville’s Music City Center. In addition to songwriting memorabilia, the gallery features interactive touch screens that allow visitors to access audio, video and other digital information about the history of Nashville songwriting and members of the Hall of Fame.

Through donations, the Nashville Songwriters Hall of Fame continues its mission to honor and preserve songwriting excellence. To donate to the Nashville Songwriters Hall of Fame, click here.

National Museum of African American Music

Opened in fall of 2020, the National Museum of African American Music is the only museum dedicated to preserving and celebrating the many music genres created, influenced, and inspired by African Americans. The museum’s collections share the story of the American soundtrack by integrating history and interactive technology to bring the musical heroes of the past into the present. NMAAM strives to educate the world, preserve the legacy, and celebrate the central role African Americans play in creating the American soundtrack.

In 2016, NMAAM created programs to further educate the community on the achievements and influences of African American music, reaching over 132,000 individuals across the country. To donate to the National Museum of African American Music and to support its education initiatives, click here.

Opry Trust Fund

Started in 1965 by the Grand Ole Opry, the Opry Trust Fund’s mission is to help those in the country music industry by offering financial assistance during their time of need. The Opry Trust Fund provides financial assistance in time of extraordinary need, emergency or catastrophe to individuals who are or have been employed full time in a facet of the country music industry, whether that’s as a performer, songwriter, publisher, radio, session musician, etc.

Since its inception, the Opry Trust Fund has distributed more than $4.8 million to assist with medical bills, living expenses, rent or mortgage payments, utilities, and more. To donate to the Opry Trust Fund, click here.

Porter’s Call

Porter’s Call is a non-profit based in Franklin, Tennessee that has provided recording artists free counsel, specifically attuned to their unique profession for over twenty years.

Today (Nov. 30) the organization announced Friends of Porter’s Call, a recurring giving program that invites donors to support the mission of Porter’s Call. Starting now, individuals are able to contribute donations ranging from $15 to $250 or more monthly. As a core component of the nonprofit’s ongoing fundraising initiatives, the program offers an accessible way for community members to give back. Donations ensure that the services of Porter’s Call can strategically meet the heightened need for free counseling and support.

To learn more and donate to Porter’s Call, please visit porterscall.com/friends.

Touring Professionals Alliance Relief Kitchen

The Touring Professionals Alliance (TPA) includes over 200 Production Managers, Tour Managers, Coordinators, Vendors, Accountants, and other committed industry professionals, all working together to find solutions for the music industry during the COVID-19 pandemic. The TPA strives to address the unique needs of the music community, specifically the touring industry, including assistance in finding aid for crew members facing economic hardship, health insurance, mental health issues, and more.

The Touring Professionals Alliance Kitchen program was launched last year as a direct result of the pandemic that left tens of thousands of touring professionals out of work. Through a grant from BMI, the Kitchen was able to provide over 100 music industry members with chef-driven, high-quality meals. To donate to the Touring Professionals Alliance or the Touring Professionals Alliance Relief Kitchen, click here.

Taylor Swift Leaps To The Top Of The MusicRow Top Songwriter Chart

Taylor Swift. Photo: Beth Garrabrant

Upon releasing the re-recorded version of her 2012 album, Red, Taylor Swift leaps to the top of the MusicRow Top Songwriter Chart this week. Swift has charted an astounding 21 of the 30 tracks from Red (Taylor’s Version).

Ashley Gorley takes the No. 2 position on the MusicRow Top Songwriter Chart this week. He is a co-writer on “Steal My Love” (Dan + Shay), “Take My Name” (Parmalee), “New Truck” (Dylan Scott), “You Should Probably Leave” (Chris Stapleton), “Sand In My Boots” (Morgan Wallen), “Beers On Me” (Dierks Bentley, Hardy & Breland), “Give Heaven Some Hell” (Hardy) and “Slow Down Summer” (Thomas Rhett).

Jesse Frasure, Jonathan Singleton and Michael Hardy complete the top five.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

Reba To Open New Restaurant, Bar & Live Music Venue In Oklahoma

Reba McEntire

During a show in her home state of Oklahoma this weekend, Reba McEntire revealed she is developing Reba’s Place, a restaurant, bar, live music venue and retail store set to open in Atoka, Oklahoma in 2022.

Rendering of Reba’s Place

Reba’s Place is being constructed in a century old Masonic Temple, and will feature two stories of dining space that opens up to a central stage which will regularly host live music performances. The style of the venue is influenced by Reba’s western heritage and includes a curated collection of memorabilia from the Country Music Hall of Fame member’s personal archives. Reba’s Place is created in partnership with the Choctaw Nation of Oklahoma and the city of Atoka.

“I’m very excited to be opening a place so close to my roots,” shares Reba. “The Choctaw Nation and the city of Atoka are wonderful partners and I can’t wait to welcome our first guests to Reba’s Place. We are working very hard to create something not only for the local community, but that will also bring in folks from across the country.”

As for the menu, Reba’s Place is set to include the “Fancy” steak dinner, street tacos, chicken fried steak and Reba’s personal favorite, pinto beans and corn bread. The menu also includes scratch-made versions of many of the dishes most popular in the region, alongside favorites from other areas including Nashville, New Orleans and Mexico.

The retail space will feature a combination of merchandise created just for this new venture alongside established Reba favorites.

Dustin Lynch & MacKenzie Porter Remain At No. 1 On MusicRow CountryBreakout Radio Chart

Dustin Lynch and MacKenzie Porter continue their reign on the MusicRow CountryBreakout Radio Chart this week, marking a two-week No. 1 for their duet “Thinking ‘Bout You.” Lynch is credited as a songwriter on the single alongside Andy Albert, Hunter Phelps, and Will Weatherly.

The duet originally appeared as a collaboration on Lynch’s album Tullahoma with Lauren Alaina. When Alaina wasn’t available to be a part of the single release, Lynch put a call out to the country music community for submissions for the part from up-and-coming female artists.

“I had my team remove all the names from the submissions and just number them so I wouldn’t be persuaded based on if I knew who it was, what camp they’re a part of, what they look like. On my first listen I ended up pointing to file number two or whatever it was. Two weeks later, I’m still listening through and keep coming back to it. It ended up being MacKenzie Porter,” Lynch explains. “We all gravitated to her performance, and I think there’s reason for that.” Click here to read MusicRow‘s full interview with Dustin Lynch.

Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.