Josh Phillips Tops MusicRow Top Songwriter Chart

Josh Phillips

Josh Phillips has claimed the No. 1 spot in this week’s MusicRow Top Songwriter Chart. Phillips’ only entry on the chart, “Dirt Cheap,” is solo-penned and recorded by Cody Johnson.

Ashley Gorley is No. 2 this week with “Bulletproof,” “Cowgirls,” “This Town’s Been Too Good To Us,” “World On Fire” and “Young Love & Saturday Nights.” With “Bulletproof,” “Chevrolet” and “Take Her Home,” Hunter Phelps sits at No. 3 this week.

Jessie Jo Dillon (No. 4) and Rocky Block (No. 5) round out the top five this week.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

Stagecoach Hosts Sold-Out 2024 Weekend [See Photos]

Reba McEntire & Miranda Lambert. Photo: D. Ernst, Courtesy of Stagecoach

Indio, California hosted a sold-out crowd for the three-day country music festival Stagecoach. One of the biggest country music festivals in the nation, the event also was livestreamed via Amazon Music the entire weekend.

Eric Church. Photo: J Mulka, Courtesy of Stagecoach

Eric Church was the first of the weekend’s headliners. Church gave fans a soulful, intimate performance, complete with a 16-person choir. Jelly Roll also performed on the Mane Stage, where he brought out T-Pain for a special performance. Other Friday (April 26) performers on the Mane Stage included Elle King, Hailey Whitters, Josh Abbott Band, Josh Ross, Ben Burgess and Lauren Watkins.

Jelly Roll was not the only one to bring out a friend to the stage, as Paul Cauthen brought out Lana Del Rey during his Palomino stage set. Legendary rock band Nickelback performed the Late Night in Palomino set, after Dwight Yoakam, Carin León and more treated the crowd to daytime sets. Diplo’s HonkyTonk also saw appearances from Cheat Codes, Young Gravy, Dixie D’Amelio, Maddie & Tae and more.

On Saturday (April 27), Tanner Adell, Casey Barnes, Kylie Morgan, Tenille Townes, Maddie & Tae, Ernest and Willie Nelson & Family all took the stage before Post Malone gave his set of country covers. During the set, he brought out Brad PaisleySara Evans and Yoakam. Miranda Lambert then took the stage to close out the night, giving a taste of her upcoming single “Wranglers,” and bringing out icon Reba McEntire.

Over in the Palomino tent, Charley Crockett, Leon Bridges and more warmed up the crowd before the late net set from Diplo, where he brought out Elle King, Hardy and Shaboozey. The Chainsmokers made their Stagecoach debut in front of a packed crowd at Diplo’s HonkyTonk, before Brandi Cyrus, Backwoods Barbie and DJ Rick Dominguez closed out the night.

Morgan Wallen. Photo: Courtesy of Stagecoach

Sunday (April 28), the last day of the festival, wrapped up with headliner Morgan Wallen on the Mane Stage. During his set, Wallen brought out Post Malone for their new collaboration “I Had Some Help.” Before Wallen came on, the crowd saw a performance from Hardy, where he brought out special guest Renee Blair. Bailey Zimmerman, Megan Moroney, Nate Smith, The War & Treaty, Ashley Cooke, Willie Jones and Dylan Schneider also all took the Mane Stage on Sunday.

Clint Black took on the Palomino tent during the day before The Beach Boys and Wiz Khalifa closed out the weekend. The Beach Boys brought out special guests John Stamos and Mark McGrath. Wiz Khalifa then brought out his friends Benji and Joel Madden of Good Charlotte. In Diplo’s HonkyTonk, the DJ brought out Marshmello and Cloonee for back-to-back sets, before Vavo and DJ Slim McGraw closed out the night.

Celebrity chef Guy Fieri once again brought Flavortown to Stagecoach. He was joined for cooking demonstrations by Jelly Roll, Cauthen, Black, Diplo, Rashad Jones, Chris Conger, Hardy and Zimmerman throughout the weekend.

T-Pain and Jelly Roll. Photo: J. Bernstein, Courtesy of Stagecoach

Lana Del Rey and Paul Cauthen. Photo: J Mulka, Courtesy of StageCoach

Brad Paisley and Post Malone. Photo: D Becerra, Courtesy of Stagecoach

The Chainsmokers and Shaboozey. Photo: M McDonald. Courtesy of Stagecoach

Renee Blair and Hardy. Photo: M McDonald, Courtesy of Stagecoach

Megan Moroney. Photo: A Casiano. Photo: Courtesy of Stagecoach

CMT Showcases Rising Female Star-Power At City Winery

Pictured (L-R, back row): Chapel Hart, Clare Dunn, Roberta Lea, Twinnie. (L-R, back row): Kylie Frey, Stephanie Quayle, HunterGirl, Priscilla Block, Leslie Fram, Abbey Cone. Photo: Gina Di Maio

CMT held their latest Next Women of Country showcase Wednesday night (April 24) at City Winery Nashville. Co-hosted by CMT’s Leslie Fram and UMG Nashville artist Priscilla Block, the evening featured performances from Abbey Cone, Chapel Hart, Clare Dunn, HunterGirl, Kylie Frey, Mackenzie Carpenter, Reyna Roberts, Roberta Lea, Stephanie Quayle and Twinnie. Block, along with Grammy-winning artist and CMT Next Women of Country mentor Colbie Caillat, also treated the crowd to a special performance.

Roberta Lea. Photo: Gina Di Maio

When welcoming the crowd, Fram shared, “We’ve been doing these Next Women of Country shows here at City Winery [for a while now] and they’ve been amazing to us. Everyone here is supporting women and female artists. That’s why we keep getting bigger and bigger.” 

Block, an alumni of the CMT Next Women of Country program, shared some words about her journey in Music City. “I’ve been in Nashville for 11 years now,” she said.You hope one day you can come here, be recognized by the industry [and selected as a] CMT Next Women of Country. It’s taken some time to get here, but I’m so thankful for the journey.”

Fram and Block then welcomed the first round of performers on stage, consisting of Carpenter, Roberts, Twinnie, Lea and Dunn. Each singer performed two songs each, and shared a little bit about their journey with the audience.

Up first was Carpenter, who has found great success as a songwriter in Nashville with cuts by Megan Moroney, Lily Rose and more. She reflected on her journey and told the story of getting her record deal with The Valory Music Co.

Carpenter’s first song, “Huntin’ Season,” got the crowd warmed up for the night. She also performed a love ballad dedicated to her husband called “Only Girl.” Carpenter shared she has new music on the way, and is performing at Stagecoach, opening for Cole Swindell and has some upcoming headlining dates in her home state of Georgia.

Before performing, Roberts was asked about how she landed on Beyoncé‘s “Blackbiird.” Roberts shared how she always believed it would happen. “In November of last year, I said, ‘God, can you please put me on a song with Beyoncé next year?’ I know that sounds pretty wild,” she admitted. “Here we are six months later and thankfully my prayers have been answered.” Roberts played the title track of debut album Bad Girl Bible, and an up-beat, catchy breakup anthem “Another Round.”

Twinnie. Photo: Gina Di Maio

Originally from the U.K., Twinnie now resides in Nashville full-time. While reflecting on her path to Music City, she recognized fellow performer Lea for her help in the journey.

I was coming back and forth for seven years, as I was with a label here at the time. I actually have to thank Ms. Roberta,” she said, addressing her. “I came to your release party and met Jamey Johnson. I sent him music and he made it happen. It’s just a true testament to how people have really shown up for me.” Twinnie’s first song was the sassy ballad “Girl In Your Songs.” She closed with a show of her powerful vocals on “Last Song.”

Up next was Lea, who has seen support from big artists such as Brandi Carlile and Allison Russell. When Fram asked about her sound, Lea shared, “Someone once told me [I sound like] ‘country neo-pop with a delicious folky flair,'” she said. “Music is an art. Art has multiple colors and multiple expressions, and that’s the way music should be.”

Lea released her debut album Too Much of a Woman in 2023, and her first song of the night was the album’s girl power anthem”Girls Trip.” She then finished her set off with another track from the record, “Dinner, Sunset, Nina Simone.”

Dunn was the final performer in the round. “I’ve been fortunate to be in the right place at the right time and fall into some cool stuff,” she shared with the crowd, adding that she got to tour with Bob Seger. She opened up her performance slot with sentimental track “Out of the Blue,” and closed round one with “Wasn’t Looking.”

Before the next round of performers from the CMT Next Women of Country Class of 2024, co-host Block returned to the stage to bring out Caillat, this year’s Next Women of Country mentor.

Priscilla Block and Colbie Calliat. Photo: Gina Di Maio

Caillat sang her hit song “Bubbly,” before turning it back over to Block for her current radio single “Good On You.” The crowd roared in admiration of the women.

The second round of performers included Next Women class-members Frey, Chapel Hart, Quayle, HunterGirl and Cone. First up was Frey, who has had 10 No. 1 hits on Texas radio.

Frey kicked off the round with her dynamic track “So You Think You Want A Cowboy?” and then shared emotional ballad “Woman Outta Love,” which dropped today (April 26). She spoke about growing up near Texas, which aided her in her journey to radio success in the Lone Star state.

Trio Chapel Hart received a big look in 2022 on America’s Got Talent, and have been building their momentum ever since. The three reflected on when they first showed up to the AGT set, “We were not ready for TV, but the minute that we started singing, every person that was there was [excited]. It was a moment of validation for us.” Chapel Hart shared their upcoming single “Perfect For Me” before going into fan-favorite “This Girl Likes Fords,” which they first debuted on AGT.

Quayle was up next. She got to share the exciting news that she is now a published author, with her book Why Do We Stay?: How My Toxic Relationship Can Help You Find Freedom due out on April 30. Quayle opened up her performance with “Charmed,” before sharing the powerful song she wrote to encapsulate her book, “Why Do We Stay?”

American Idol alum HunterGirl was next up. It’s scary sometimes just putting it all out there,” she shared about songwriting. “But with releasing my song, ‘Ain’t About You,’ I found that being as honest as possible—saying all the scary things about yourself—resonates more than the picture-perfect life.” She sang two unreleased tunes, “Clockwork” and “Bad Boy.”

Chapel Hart. Photo: Gina Di Maio

Closing out the night was Cone, who marked 10 years in Nashville this year. “I moved here when I was 16. I was lucky enough to get a publishing deal that young. I signed my first record deal a month before the pandemic,” she shared. “I ended up leaving the record label at the beginning of last year and have been a fully independent artist since then. It has been better for my creativity and also for my career. I had the biggest song I’ve ever had as an independent artist.”

Cone then shared her vulnerable track “Talk of the Town,” before closing the night with “If You Were a Song,” which currently has 16 million Spotify streams.

Ashley Cooke’s ‘Your Place’ Reaches No. 1 On The MusicRow Radio Chart

Ashley Cooke’s “Your Place” rises to No. 1 on the MusicRow CountryBreakout Radio Chart this week, jumping from No. 6 to the top spot and marking her first No. 1.

The track appears on Cooke’s Shot In The Dark album and was written by Cooke, Jordan Minton and Mark Trussell.

Cooke is currently on the road supporting Jordan Davis in his extended, sold-out “Damn Good Time” tour along with Mitchell Tenpenny. The tour is set to close on Oct. 20, 2024 at the Abbotsford Center in Abbotsford, British Columbia.

“Your Place” currently sits at No. 12 on the Billboard Country Airplay chart and No. 10 on the Mediabase chart. It marks Duncan Music Group’s 100th No. 1 single.

Click here to view the latest edition of the MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

DISClaimer Single Reviews: Unearthed Johnny Cash Track Is ‘Hearty And Satisfying’

Johnny Cash at Cash Cabin in Hendersonville, Tennessee. Photo: Alan Messer

It’s Ladies Day here at DISClaimer.

Leading the pack in this stack of sounds are Clare Dunn, Tiera Kennedy, Kylie Frey and Chapel Hart. They have the discs to beat.

But let’s be honest. Does anyone ever top The Man in Black? Johnny Cash wins the Disc of the Day prize.

The DISCovery Award goes to a hip-hop artist whose new music is veering into country music territory. That’s Virginia-born Shaboozey, who is gearing up for the release next month of an album titled Where I’ve Been Isn’t Where I’m Going.

DYLAN GOSSETT / “Somewhere Between”
Writer: Dylan Gossett; Producer: Eddie Spear; Label: Big Loud Texas/Mercury Records/Republic Records
– It’s a rumbling, riding-the-rails song with poetic images that pile up on each other but go nowhere. The Texan sings at the top of his range. He made some noise with a tune called “Coal” last year. This seems unlikely to duplicate that.

ZAC BROWN BAND & MAC MCANALLY / “Pirates & Parrots”
Writers: Andy Sheridan/Ben Simonetti/Drew Parker/Erik Dylan/Jonathan Singleton/Wyatt McCubbin/Zac Brown; Producers: Ben Simonetti/Zac Brown; Label: Home Grown Music/Warner Music Nashville
– This is eloquently sweet and touching as a eulogy for the departed Jimmy Buffett. It’s a dear farewell to a widely beloved music legend, and it hits an emotional bullseye. Strings sigh as the singers harmonize on the island vibe. “Adios, my friend/Anchor where that ocean ends/We’ll pick up where you left off/Strumming on a sailor’s song.”

KARLEY SCOTT COLLINS & CHARLES KELLEY / “How Do You Do That”
Writers: Karley Scott Collins/Tom Jordan/Charles Kelley/Jordan Reynolds; Producers: Nathan Chapman/Karley Scott Collins; Label: Sony Music Nashville
– Love her husky vocal and his pitch-perfect harmony work. Not crazy about the song or the too-busy, heavily electronic production.

JOHNNY CASH / “Well Alright”
Writer: Johnny Cash; Producers: Johnny Cash/John Carter Cash/David Ferguson/Josh Matas/Mike Daniel; Label: Mercury
– I’m really excited about the upcoming Cash album Songwriter (due June 28). It is comprised of 1993 song demos by the legend. He was in fine voice, and it has been surrounded by newly recorded, brilliant production by his talented son and his longtime studio confederate “Fergie” Ferguson. This advanced taste is a light-hearted ditty about finding love in a laundromat. The band, featuring Marty Stuart, kicks up some rockabilly stardust that echoes Cash’s early Sun singles. Hearty and satisfying.

SHABOOZEY / “A Bar Song (Tipsy)”
Writers: Collins Obinna Chibueze/Jerrel Jones/Joe Kent/Mark Williams/Nevin Sastry/Sean Cook; Producers: Sean Cook/Nevin Sastry; Label: American Dogwood/EMPIRE
– Guitar strums, hand claps, sing-along guys and a little whistling carry this jaunty, good-time, rhythm-happy drinking song. It quotes a little from the 2004 pop hit “Tipsy” by St. Louis hip-hopper J-Kwon. Shaboozey is a Nigerian American whose billing is derived from people mispronouncing his last name. You can also find him on two tracks on the Beyoncé album.

CHAPEL HART / “Perfect For Me”
Writers: Danica Hart/Devynn Hart/Trea Swindle/Leslie Satcher; Producers: none listed; Label: CH
– The America’s Got Talent trio just seems to go from strength to strength. Chapel Hart performs this dandy, blue-collar romance track with vim and verve. Taken from its Glory Days collection, the group showcased it at the 10th anniversary celebration of CMT’s Next Women of Country franchise this week at City Winery. I just love these gals.

LANCE COWAN / “This Heart of Mine”
Writer: Lance Cowan; Producers: Jason Stelluto/Scott Paschall; Label: Lantzapalooza Müzik
– This gentle, lovelorn ballad has a lovely, folkie quality. The single is drawn from an excellent, melody-rich album titled So Far So Good. Known for decades on Music Row as a publicist, Cowan is also a superb troubadour tunesmith. Start with this, then explore the many other fine audio textures on the collection.

HARDY / “Gin and Juice”
Writers: André Romell Young/Calvin Cordozar Broadus Jr./Daniel Webster/Harry Wayne Casey/Mark Adams/Raymond Guy Turner/Richard Finch/Stephen Washington/Steve Arrington; Producers: Joey Moi/Hardy; Label: Big Loud Records
– Our own Hardy was tapped by Snoop Dogg and Dr. Dre to re-imagine their 1994 Snoop hit to accompany the launch of a beverage named for it. The bouncy ditty threads the line between hillbilly and hip-hop.
TIERA KENNEDY / “I Ain’t A Cowgirl”
Writers: Tiera Kennedy/David Devaul/Joe Fox/Cameron Bedell; Producer: Cameron Bedell; Label: TK
– Her soft soprano begins this wistful meditation with simple acoustic-guitar accompaniment. Steel and strings quietly enter, backing her romantic musing as the track wafts along. Gorgeous, soothing listening. Kennedy’s profile got a bump up when she sang on “Blackbiird” with Beyoncé this month.
CLARE DUNN / “Wasn’t Looking”
Writers: Clare Dunn/Jeff Trott; Producer: Jeff Trott; Label: CD
– The title tune of Dunn’s new EP is a crunchy bopper with stacked vocal harmonies and irresistibly catchy hooks. Her throaty alto is a voice to cherish. She has been on the Nashville scene for a decade, but to date, the industry has not given this talented woman her due. Wake up, people.
DARRYL WORLEY, CHRIS JANSON & JUSTIN MOORE / “Tractor Time”
Writers: Darryl Worley/Phil O’Donnell; Producer: Phil O’Donnell; Label: The Valory Music Co.
– Here’s a summer anthem. Worley’s been working hard, and now it’s time for some relaxation. That means driving in circles out in the field, dontcha know. Each to his own therapy.
KYLIE FREY / “So You Think You Want A Cowboy”
Writers: Adam Wright/Kylie Frey/Neal Coty; Producers: Trent Willmon/Paul Worleyl; Label: Deep Frey’d Music
– This sprightly Texas two-stepper is a cautionary tune to the ladies. “You think you want a cowboy/Until you get a cowboy.” She’s hip to his heartbreaking ways. “If you’re lucky enough some day/He’s gonna saddle up and ride away.” Dancefloor ready.

Application Deadline Approaching For MusicRow’s 2024 Artist Roster Issue

Applications for MusicRow‘s upcoming Artist Roster print issue close TOMORROW (April 26). Previously included companies have been solicited separately.

This ultimate artist resource edition includes the Artist Roster company directory, featuring contact information and artist rosters for Nashville record labels, managers, publicists, lawyers, talent agents, publicity, artist services companies (business managers, digital music, legal, marketing, radio promotion and organizations), media and banking.

Click here to access the Artist Roster application.

For advertising opportunities in the Artist Roster issue, email Sherod Robertson at [email protected]. Rate card information is available here. For questions regarding the directory, email [email protected].

JUST IN: Reba McEntire To Host The 59th ACM Awards

Reba McEntire will host the 59th Academy of Country Music Awards on Thursday, May 16 at 7 p.m. CT. The show will stream live exclusively for a global audience on Prime Video from Ford Center at The Star in Frisco, Texas.

2024’s show will mark the 17th time McEntire has served as host. The 16-time ACM Award winner is also set to perform brand new music.

“I am tickled to pieces to get to host the ACM Awards for the 17th time!” shares McEntire. “What an honor to have been part of the past, present and now the future of the Academy of Country Music with Amazon Prime Video. I can’t wait to get to Texas and see everybody May 16th!”

“We are thrilled for the homecoming of Reba to the ACM Awards stage for the 17th time! There is simply no one better to continue to elevate this show in our new global streaming era with Amazon Prime Video,” says ACM CEO Damon Whiteside. “No one has a deeper and richer history with the Academy than Reba, from her many years hosting the ACM Awards, and from her 16 ACM Awards wins including Entertainer of the Year and two ACM anniversary Milestone Awards. With exciting new music coming, extensive television presence and a worldwide fanbase, Reba’s back and better than ever!”

A limited number of tickets for the 59th ACM Awards are available for purchase on SeatGeek. Click here to see the nominees for the 2024 ACM Awards.

MusicRow Magazine’s Sherod Robertson Honored With NSAI Champion Award

MusicRow Owner/Publisher Sherod Robertson is presented with the Champion’s Award by NSAI and Bart Herbison. Photo: Courtesy of NSAI

At their annual “World’s Largest No. 1 Party” on Tuesday (April 23), the Nashville Songwriters Association International (NSAI) gave MusicRow Magazine Owner/Publisher Sherod Robertson the Champion Award. The honor goes to a person who shows unwavering support of songwriters, and for acting as a champion for the music industry as a whole.

When presenting the award, NSAI Executive Director Bart Herbison shared, “Sherod Robertson and MusicRow are champions and appropriately deserve the ‘NSAI Champion Award.’ The Nashville music industry is lucky to have MusicRow and its associated publications. But we are also blessed that Sherod and his team have championed songwriters, females in the industry, and do amazing work on a daily basis.”

Robertson acquired MusicRow Magazine in 2010. The publication was started as a one-page contact directory for the Nashville music industry in 1981 by David M. Ross. Now, more than 40 years later, MusicRow continues as Nashville’s foremost music industry trade publication.

“I’m grateful to Bart Herbison and NSAI for their recognition of MusicRow Magazine and what we strive to do every day: champion and serve the Nashville music industry, particularly the songwriters and publishing community. I am honored to be a steward of that mission,” Robertson shares.

Known for its candid voice and accuracy, music executives and industry members rely on the outlet for exclusive reviews, breaking news and in-depth coverage. MusicRow delivers six print magazines per year to members. Among these are the valuable directory issues: InCharge, Artist Roster, Publisher Issue and Touring & Next Big Thing Issue. Music Row Enterprises is home to other industry-related products, including song pitch sheet RowFax, the MusicRow CountryBreakout Radio Chart and the MusicRow Top Songwriter Chart. The company also produces the annual Rising Women on the Row honors, as well as the virtual MusicRow Awards and CountryBreakout Awards.

MusicRow Releases 2024 InCharge Issue, Kelsea Ballerini Graces The Cover

MusicRow, Nashville’s leading music industry trade publication, is proud to announce the 2024 release of its flagship print directory, InCharge.

This annual guide highlights some of the most influential industry executives in the Nashville music business. This year’s edition includes 374 profiles which are accompanied by contact information, career biographies and detailed board and organizational membership affiliations.

The guide also includes a record label staff index, a company appendix and a professional categories appendix, which lists executives by their areas of expertise, including label, talent agency, management, music publishing, legal, finance, performing rights organizations and more.

“In the tightly-knit community of the Nashville music industry, those who wear various hats are deeply appreciated for their expertise and experience. With decades of collective experience and with leadership that represents and guides many other team members in the industry, these individuals have played a central role in shaping and preserving the city’s most valued export,” says MusicRow Owner/Publisher, Sherod Robertson. “Within these pages, you’ll find a celebration of our industry champions, each of whom has rightfully earned the esteemed title of InCharge.”

Grammy-nominated singer-songwriter Kelsea Ballerini graces the cover of the 2024 InCharge issue.

Black River’s Kelsea Ballerini consistently makes history. With the release of her debut album, The First Time, she became the only female country artist to hit No. 1 with the first three consecutive singles from a debut album. Since then, she’s notched seven No. 1 singles and five back-to-back top 10 entries on the Billboard Top Country Albums chart.

Among dozens of accolades, she’s garnered four Grammy Award nominations, won two ACM Awards, Billboard Awards and CMA Awards; an iHeartRadio Music Awards honor and received multiple career nominations from the ACM, CMA, Billboard Music Awards, American Music Awards, CMT and People’s Choice Awards. Notably, she snagged her first nomination as an artist/producer for the ACM Awards’ Music Event of the Year in 2022 for “Half Of My Hometown.”

Ballerini recently returned to host the 2024 CMT Music Awards for the fourth year, this time as a solo host, and led the field in nominations. The Grand Ole Opry member was named the newest face of COVERGIRL in 2022 and later built on her multi-year partnership by launching a cosmetic collaboration with the brand. Expanding her sphere of influence, she authored her first original poetry book, Feel Your Way Through, and Dolly Parton tapped her to star in the audiobook of Run, Rose, Run.

Ballerini’s fourth album, Subject To Change, was released in 2022. Five months later, she surprised fans with Rolling Up the Welcome Mat and the accompanying short film. This led to her Saturday Night Live debut, universal acclaim from critics including The New York Times, Variety and Rolling Stone, and the honor of gracing the cover of TIME Magazine’s TIME100 Next Gen issue. With these accolades, it is no wonder NPR proclaimed, “Kelsea Ballerini is definitely one of the most influential women in country right now…she’s defining the sound of the genre.”

Single copies of MusicRow’s 2024 InCharge issue are available for purchase at musicrow.com for $115, and are included with yearly MusicRow subscriptions.

MusicRow’s 2024 InCharge Issue, featuring Kelsea Ballerini. Photo: John Shearer

BREAKING: Miranda Lambert Signs A New Record Deal

Pictured (L-R): Republic’S EVP and CFO Joe Schmidt, Founder and Vice Chairman Avery Lipman, President and COO Jim Roppo; Miranda Lambert; Republic’s Founder and Chairman Monte Lipman, Big Loud Records’ CEO Seth England. Photo: Julia Drummond

Miranda Lambert has signed a record deal with Republic Records in partnership with Big Loud, who will add support on country radio promotion as well as other marketing efforts. Her first release under the new deal will be the single “Wranglers,” arriving May 3.

“Miranda Lambert’s legacy as both a consummate storyteller and legendary performer speaks for itself. Her new music is spectacular and we are thrilled and honored to welcome her to Republic Records in partnership with Big Loud,” says Republic Founder and Chairman, Monte Lipman.

“We’re honored Miranda Lambert has entrusted us with this next chapter of her career,” adds Republic President and Chief Operating Officer, Jim Roppo. “As she puts the final touches on her fantastic new body of work, it has all the hallmarks of her signature sound, yet she continues to push herself as a songwriter, producer and performer. We’re all at the beginning of a very special moment, and we’re grateful to be on this journey with her.”

The label deal expands on Lambert’s relationship with Big Loud. Last November, she and Jon Randall partnered with Seth England and the company to launch the imprint Big Loud Texas.

“Being in Texas with Jon, recording where I cut my teeth as a young artist, felt like coming home. I thought about the women—and men—who’ve lived, loved and found power in my music, and I wanted to get back to the root of those spaces,” Lambert says. “Talking to Monte, Avery Lipman and the team at Republic, as well as Seth and the Big Loud folks who are leaning in, everyone understood my desires and vision for this next era of my music. Aligning like that is empowering; it gives you a license to really chase it. Signing with Republic has inspired me to find the sweet spot for me and all the people like me. I can’t wait for everyone to hear ‘Wranglers,’ and the rest of this record.”

“Wranglers” will mark Lambert’s first new solo music since 2022’s critically acclaimed, Grammy-, ACM- and CMA-nominated Palomino.

“‘Wranglers’ is a tale of a woman taking her power back,” shares the three-time Grammy winner. “I think we can all identify with the character in this song, because we have all had a time in our life that we needed to find a way to find our strength and also get a little revenge on someone that did us wrong or hurt us.”

Lambert will headline Stagecoach this weekend (April 27). She also recently announced a return to the road, including a three-night stand at New Braunfels, Texas’ iconic Whitewater Amphitheater, as well as concerts from coast to coast.