Kenny Chesney Commemorates 34th No. 1 ‘Knowing You’ With Industry Celebration

Pictured (L-R): Kat Higgins, Kenny Chesney, Brett James, Adam James. Photo: Allister Ann

“Nobody’s done country music better than Kenny Chesney. Period,” said hit songwriter and publisher Brett James. That was the sentiment as the industry gathered to celebrate the country music titan’s 34th No. 1 song, the wistful “Knowing You.”

The tune was co-written by newly inducted Nashville Songwriters Hall of Famer Brett James, along with Kat Higgins and Adam James. It was Brett’s 26th No. 1 country hit, and Kat and Adam’s first.

BMI’s Clay Bradley led the celebration. He promised that BMI would catch up on all the No. 1 parties that were missed due to the pandemic.

Representatives from Warner Chappell, BMG, Kobalt, and 3 Ring Circus were on hand to gush about their songwriters.

Pictured (L-R): Publisher Pat Higdon, BMG’s Chris Oglesby, Warner Chappell’s Ben Vaughn, Producer Buddy Cannon, Brett James, Kat Higgins, Kenny Chesney, Warner Music Nashville CEO John Esposito, Adam James, 3 Ring Circus’ Jeffrey Steele, Kobalt’s Kevin Lane, BMI Vice President of Creative Clay Bradley. Photo: Allister Ann

Warner Chappell’s Ben Vaughn spoke on Brett James, who has teamed with Kenny on many of his hits (“When The Sun Goes Down,” “You Save Me,” “Went Out Last Night”).

Ben was also the first of many to recognize the hard work of the Warner Music Nashville promotion team, calling out Kristen Williams and Shari Roth for their leadership in getting “Knowing You,” a country waltz, up the charts.

“From the minute this song was pitched, recorded, and discussed, there was nothing but love and belief for this song,” Ben said, before plugging the song for the ACM’s second-round ballot.

BMG’s Chris Oglesby, who Ben referred to as ‘the reverend,’ doted on Kat Higgins. “I met Kat Higgins a long time ago through the legendary Pat Higdon. Her songs blew me away. They were filled with heart, color, and life,” Chris said. “She approaches every day with wide-eyed wonder and excitement. I’m so proud to represent you.”

Chris also recognized Cornman Music’s Nate Lowery, “Knowing You” co-producer Buddy Cannon, the Warner team, and the creators of the music video—which he aptly plugged for ACM voters.

3 Ring Circus’ Jeffrey Steele and Casey Le’Vasseur spoke about Adam James. They both highlighted Adam’s originality and hard work, with Jeffrey saying his early tapes reminded him of songwriting great Roger Miller. Adam grasped his heart in shock at the compliment.

Warner Music Nashville head John Esposito brought the color to the celebration, as usual. He read off many of Kenny’s impressive stats, recognized his scrappy promo team, and talked about how happy he was to be with industry friends in person.

Espo highlighted that Kenny Chesney is the “people’s superstar,” as dubbed by the Los Angeles Times.

The label head remembered the late night phone conversation that led to Kenny’s joining Warner Music Nashville in 2018. “He said ‘I’m gonna be a Warner Brothers record artist,'” Espo recalled. After grabbing a bottle of wine to celebrate, Espo ended the call with, “Kenny F*cking Chesney is going to be a Warner Brothers artist!”

When it came time to hear from the songwriters, Kat Higgins stepped up to the mic first with her infectious energy.

“Kenny, thank you for being the people’s superstar,” Kat said. “He cares about his fans, and them having that attachment with him, so he wants to deliver song after song for them….To have one in the many hits of yours is a dream for me.”

Pictured (L-R): Kenny Chesney, Grandmother to Adam James Luella Mar, Adam James. Photo: Allister Ann

Adam James echoed Kat’s sentiment. He said that he had asked Kenny who his dream cut was when he moved to town, to which Kenny responded as George Strait.

“I still haven’t gotten it,” Kenny yelled up to the stage, to which Adam responded “I got some ideas if you want to get together.”

“You don’t need me to tell you this, but that’s who you are for so many people,” Adam said. “Kenny Chesney is it.”

The new Nashville Songwriters Hall of Famer, Brett James, gushed about his co-writers and song partner Kenny.

“Kenny has meant so much to me as a friend and as a partner. He’s meant the world to my career,” Brett said. He also recognized Kenny’s team, saying “You can’t find anybody that has anything bad to say about you or your organization.”

When it was time for the man of the hour to speak, he emerged from his place in the crowd. The humble star had been beaming up at the songwriters and executives for the majority of the celebration, letting them have their moment.

Kenny remembered his first No. 1 record, and commented on how excited he was for Kat and Adam. “I know how hard that is. I know the path you have to cut to get to sit up here. I’m so proud of you both,” he said.

“You don’t hear these kinds of songs, or I haven’t in a while. It was so simple and so real. So beautiful and melodic,” Kenny said. “The first time I heard it, there was a lot of people that came up for me: some had passed, some were not in my life anymore. That’s the genius of the song, it’s not very specific on either/or. I felt like a lot of people would really relate to if if I did in both of those ways.”

After thanking his expansive team, the country giant summed: “I’m so thankful that I get to be the person who gets to get up on stage for the rest of his life and sing this kind of song…Thank you for being here.”

Sea Gayle Music Ups Brandon Gregg To Senior Director Of Operations, Artist Services

Brandon Gregg

Sea Gayle Music has promoted Brandon Gregg to Senior Director of Operations, Artist Services. In this new role, he’ll be working closely with CEO Chris DuBois, helping to oversee day-to-day operations and business affairs.

“I’ve had the privilege of working with tremendous talent and friends at Sea Gayle Music,” says Gregg. “I look forward to stepping into this new role and accomplishing great things with our writers and staff.”

A graduate of Middle Tennessee State University, Gregg has been with Sea Gayle Music for 19 years. He first joined the company as a Catalog Manager and most recently served as Director, Artist Services. He previously spent time at EMI Music Publishing before leaving in 2003.

“Brandon has been instrumental in the daily functions and growth of Sea Gayle over the past 19 years. I am thrilled to promote him to a new role,” Dubois adds. “I would also like to thank former Executive Vice President/General Manager Marc Driskill for his hard work and leadership over the past nine years. Marc’s contributions on both the creative and business sides have played a crucial role in the growth and success of our company. As difficult as it is to lose someone like Marc, his departure has created exciting new opportunities within the company.”

Driskill exited his role at Sea Gayle earlier this year to join the team at FirstBank as Sr. VP. In his new role, he will be helping to further expand the bank’s footprint in Nashville

Gregg can be reached at brandon@seagayle.com.

Sea Gayle was founded in 1999 by DuBois, Brad Paisley and Frank Rogers. The company represents the song catalogs of Paisley, Chris Stapleton, Brandy Clark, Jerrod Niemann and Bobby Pinson, among many more.

Jesse Frasure Heads To The Top Of MusicRow Top Songwriter Chart

Jesse Frasure

Jesse Frasure trades spots with Ashley Gorley this week for the top spot on the MusicRow Top Songwriter Chart.

Frasure is a co-writer on the charting songs “One Mississippi” (Kane Brown), “Whiskey And Rain” (Michael Ray), “If I Was A Cowboy” (Miranda Lambert), and “Slow Down Summer” (Thomas Rhett).

Gorley maintains the No. 2 spot this week, with “New Truck” (Dylan Scott), “You Should Probably Leave” (Chris Stapleton), “Sand In My Boots” (Morgan Wallen), “Slow Down Summer” (Thomas Rhett), “Give Heaven Some Hell” (Hardy), “Take My Name” (Parmalee), “Steal My Love” (Dan + Shay), and “Beers On Me” (Dierks Bentley, Hardy & Breland) charting.

Eric Church moves up to No. 3 on the MusicRow Top Songwriter Chart, signifying the power of a solo write as “Heart On Fire” alone fuels his rise.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

Pearce, McBryde Earn MusicRow No. 1

Carly Pearce and Ashley McBryde claim the No. 1 spot this week on the MusicRow CountryBreakout Radio Chart with “Never Wanted To Be That Girl.” The single comes in fifth for greatest spin increase with +159 spins. The duo co-wrote the single with Shane McAnally, who also produced it.

In September, “Never Wanted To Be That Girl” earned the most-added milestone. The last time a female duet earned this achievement was in 2007 with Reba McEntire and Kelly Clarkson’s “Because Of You.”

At the 55th Annual CMA Awards, Pearce took home the award for Female Vocalist of the Year. This duet appears on her album, 29: Written In Stone, which was released in September of last year.

Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

DISClaimer Single Reviews: Dolly Celebrates Her Birthday With A Disc Of The Day Award

Dolly Parton. Photo: Rob Hoffman

DISClaimer has the best of the new mixed with the best of the vets today.

Our new female contenders include Priscilla Block and Hailey Whitters, both of whom have personality-packed singles for your edification. Among the promising males are Logan Mize, Aaron Lewis, Connor Smith and Seaforth with Jordan Davis.

But veterans claim the two top prizes. Taking home the DISCovery Award is Andrew Farriss. This is his debut solo effort, but he has logged plenty of miles in the Oz rock band INXS (”New Sensation,” “Suicide Blonde,” “Need You Tonight,” etc.).

Yesterday was Dolly Parton’s birthday. My present is a Disc of the Day award for her fresh sounding “Big Dreams and Faded Jeans.”

PRISCILLA BLOCK / “My Bar”
Writers: Priscilla Block/Stone Aielli/Lexi Hayden; Producers: Robbie Artress/Jake Curry/Justin Johnson; Label: Mercury
–She’s wonderfully feisty while claiming her space at her favorite watering hole. When an ex walks in, she lets him know he’s intruding. The track rumbles splendidly and her vocal has personality to the max. Love this.

AARON LEWIS / “Get What You Get”
Writers: Aaron Lewis/Ira Dean/Dan Tyminski; Producers: Aaron Lewis,/Ira Dean/Ben Kitterman; Label: Valory
–This man’s honky-tonk singing voice continues to impress. The ballad’s premise is that sooner or later you have to take the consequences for the choices you make. Stop lying to others and to yourself. The album drops at the end of the month, and this makes me eager to hear it.

DOLLY PARTON / “Big Dreams and Faded Jeans”
Writers: Dolly Parton; Producers: Richard Dennison/Tom Rutledge; Label: Butterfly/UMG
–The instrumental track is hot and tight in Dolly’s finest record production in years. The punchy, rolling tempo underscores the yearn of a gal headed to Music City to pursue her dreams. With her “Scent from Above” perfume, re-launched ice cream flavor, chart-topping Christmas album, multi-Platinum international certifications and gospel Grammy Award, the superstar is as relevant as ever. This dandy tune was inspired by her debut novel, written with James Patterson. The book and album–titled Run, Rose, Run–are both due the first week in March. Other merch with the launch includes guitar picks, stickers, t-shirts, bookmarks, shoe laces, aprons and a red-marbelized vinyl version of the LP.

CONNER SMITH / “Didn’t Go Too Far”
Writers: Connor Smith/Mike Dragstrom/Matt Jenkins; Producer: Zach Crowell; Label: Valory
–The “Learn From It” and “I Hate Alabama” man released his debut EP this week. This is the title tune, a thumper about a guy with a busted heart who can’t get away from an ex. That’s because they both live in town so small that “there’s only one bar, only one church.” Hence, “The one that got away didn’t go too far.” Give this man a full album at once.

JASON ALDEAN / “Trouble With a Heartbreak”
Writers: Kurt Allison/Brett Beavers/Tully Kennedy/John Morgan; Producer: Michael Knox; Label: Macon/Broken Bow
–The rock production is slathered in echo. The song just barely has a melody.

HAILEY WHITTERS / “Everything She Ain’t”
Writers: Hailey Whitters/Bryan Simpson/Ryan Tyndell; Producers: Hailey Whitters/Jake Gear; Label: Pigasus/Songs & Daughters/Big Loud
–Peppy and clever. He doesn’t know what he’s missing, so she’s spelling it out for him. Hailey went back to her Iowa high school to film the video, which is as cute as the song. The hand claps, the saucy delivery, the staccato fiddle and banjo notes, the pert tempo–everything works here.

LOGAN MIZE / “Follow Your Heart”
Writers: Logan Mize/Lynn Hutton; Producer: Daniel Agee; Label: Big Yellow Dog
–This country rocker has cool, deep-and-low drum pounding beneath his pleading vocal and some ethereal guitar chimes and organ sighing. The resulting toe tapper is as catchy as can be. Well worth your spins.

SYLVIA / “Every Time a Train Goes By”
Writers: Sylvia Hutton/John Mock/Thom Schuyler; Producers: John Mock/Sylvia; Label: Red Pony
–This is lilting and rootsy, featuring minor-key mandolin and lovely stacked harmonies by Sylvia’s multi-tracked voice. Brushed drumming propels the production. Airy, luminous and crystal clear. The track is drawn from her forthcoming Nature Child album, which drops on “Twos-Day.”

SEAFORTH & JORDAN DAVIS / “Good Beer”
Writers: Tom Jordan/Mitch Thompson/Rocky Block/Jordan Dozzi; Producer: Tom Jordan; Label: Arista
–The Aussie duo teams up with Davis on this charming, light-hearted ditty. In case you’re wondering, “A good beer is a cold one.” This sunny, bouncy outing will have you feeling like springtime, or at the very least will leave you with a big smile on yer face.

LOVE AND THEFT / “Accidentally on Purpose”
Writers: Eric Gunderson/Stephen Barker Liles/Bree Doster; Producer: none listed; Label: ONErpm
–Gunderson and Liles are back. They still sing beautifully, and they are still totally pop.

ANDREW FARRISS / “Drifting”
Writers: Marti Frederiksen/Andrew Farriss; Producer: Andrew Farriss; Label: BBR
–Farriss is a former member of the huge rock band INXS. This tempo tune occurs on his debut solo album, and it has an open-air, California-country vibe. It’s an attractive, gypsy/bohemian thing with wafting strings way off in the distance.

THE BRETHREN / “Chevelle”
Writers: Brian White/Casey Parnell/Chad Chapin/Corey Parnell/Lonnie Chapin; Producer: none listed; Label: DistroKid
–This act is two sets of brothers, the Parnells and the Chapins. All four have pop and/or CCM backgrounds, and that shows in their polished, creamy harmonies. This languid, smooth tune evokes nostalgia for an old teen romance. Think Poco or America from the ‘70s.

TJ Martell Foundation Former Exec. VP/GM Charged With Wire Fraud Of $4 Million

Melissa Ann Goodwin, the former Exec. VP/General Manager for the TJ Martell Foundation, has been charged with wire fraud for allegedly embezzling nearly $4 million from the charity, according to a report from Billboard.

The TJ Martell Foundation for Cancer Research was founded by music executive Tony Martell in 1975 after his son TJ died from leukemia. The organization has been heavily supported by the music industry, having held multiple charity events in Nashville, Los Angeles, New York, and Miami. The organization has raised more than $280 million in support of medical research grants, and helped secure more than $1 billion in additional research funding.

Nashville-based Goodwin joined TJ Martell in 2005 as Special Events Manager, and rose to Exec. VP and GM in 2018. According to a federal charging document obtained by Billboard and filed by acting U.S. attorney Mark Wildasin in Tennessee federal court, from July 2018 to April 2020 Goodwin allegedly abused her power of overseeing all finance operations to make fraudulent charges and allegedly embezzled nearly $4 million from the foundation.

The alleged fraud was initially discovered in 2020, when TJ Martell’s then-CEO Laura Heatherly asked the organization’s accountants to copy her on all correspondence with Goodwin, after the long-term employee had become delinquent in filing financial statements and expense reports. Lynn-Anne Huck, who has been acting as TJ Martell’s interim CEO since late 2020, oversaw the review that unearthed the extent Goodwin’s activities.

Goodwin allegedly turned some items over to the founder/owner an auction company, listed in the filing as Individual One, to resell for profit for themselves, misappropriating more than $4.2 million of foundation funds. TJ Martell, which makes a portion of its money from auctioning items, had previously legitimately used Individual One’s business to provide items to auction. Individual One has since been named as Darran Brown, the founder/owner of auction companies Executive Sports Group (ESG) and Go Charity.

According to Billboard‘s report, Goodwin, Brown and the auction companies are all accused of fraud, conspiracy and conversion. Goodwin is also accused of breach of contract and breach of fiduciary duty.

TJ Martell has since brought a $5 million civil suit against the Nashville-based Kraft CPAs firm and the New Jersey-based Dorfman Abrams Music firm for breach of contract and professional negligence.

Goodwin faces up to 20 years in prison, a forfeiture of $3.7 million, and a fine of up to $250,000, if convicted.

Big Machine Music Opens Los Angeles Office, Taps Timmy Haehl

Timmy Haehl. Photo: Courtesy of Big Machine Music

Big Machine Music has announced the opening of a new Los Angeles office, bringing on Timmy Haehl as Sr. Dir. of Publishing.

BMM’s expansion from their Nashville-based headquarters comes on the heels of several global successes. As one of the top ten on Billboard’s Hot 100 Publishing Corps for the past five years, BMM has recently celebrated the success of GAYLE’s “abcdefu” (co-written by BMM songwriter Sara Davis), 2021 BMI Pop Song of the Year Maren Morris’ “The Bones” (co-written by BMM songwriter Laura Veltz), Dan + Shay and Justin Bieber’s “10,000 Hours” (co-written by BMM songwriter Jessie Jo Dillon), Diplo’s “Heartless” (co-written by BMM songwriter Ryan Hurd) and the Grammy Awards Song of the Year nominee Alicia Keys and Brandi Carlile’s “Beautiful Noise” (co-written by BMM songwriter Brandy Clark).

“Between Big Machine Music’s crossover hits, the growth of our roster to include LA-based songwriters and our inter-company collaborations with SB Projects, it is a natural move for us to formally open a West Coast office, and Timmy is the perfect creative publishing executive with which to start,” says BMM’s General Manager Mike Molinar.

Originally from Seattle, Haehl will assist with BMM’s pop songwriter signings as well as represent the entire roster for multi-genre opportunities. The Harvard University graduate began his career at Geffen Records in A&R and most recently served as Director of A&R and Management at Hallwood Media. His clients have included creatives such as London-based David Stewart, legendary rock producer Brendan O’Brien and Grammy-nominated producer/writer King Henry, the latter of whom Haehl will continue to represent.

Haehl will work from the company’s Santa Monica office and report to BMM’s VP of Publishing Alex Heddle and Molinar.

“Timmy exhibits every bit of Big Machine Music’s values and vision for the future,” adds Heddle. “His passion for developing and promoting creatives is palpable. We are very excited to have him join our team.”

Haehl shares, “I couldn’t be more excited to join Big Machine Music and help bring Nashville’s top independent publisher into a new era of success within the LA creative community. As Big Machine Music’s personalized, writer-focused strategy and hit song sensibilities align with my own, I am looking forward to success with this team and the current roster of songwriters as well as future signings.”

Haehl can be reached at Timmy.Haehl@bigmachinemusic.com.

Hipgnosis Song Management Acquires Kenny Chesney Catalog

Kenny Chesney. Photo: Danny Clinch

Hipgnosis Song Management has acquired a catalog from Kenny Chesney.

The acquisition includes 80% of Chesney’s recorded music royalties, covering his discography from his critically acclaimed 1994 debut In My Wildest Dreams through 2017’s Live in No Shoes Nation.

Chesney’s catalog includes 22 albums, 15 of which are certified Platinum—including five multi-Platinum certifications—and 20 of which that are certified Gold. His catalog includes nine No. 1 all-genre Billboard 200 albums, 17 No. 1 Billboard Country Albums and 18 Top 10 Billboard Country albums.

Also included in this acquisition are his future greatest hits, live and/or acoustic albums, as well as Sound Exchange and Neighboring Rights royalties for every album in Chesney’s catalog, including two additional No. 1 albums: 2018’s Songs for the Saints and 2020’s Here and Now. This deal signals an ongoing relationship with the star.

Chesney has been one of country music’s most prolific voices over the last two decades. He has sold over 30 million albums worldwide, with 34 country No. 1 records. The eight-time Entertainer of the Year is a highly regarded artist, songwriter, entrepreneur, and steward of country music.

This is the first acquisition made by Hipgnosis Song Management since its recently announced partnership with Blackstone to acquire music rights and manage catalogs.

“To know that this music has a home that views the work as a collective body, something that builds on itself and captures the heart of No Shoes Nation, was important to me,” Chesney shares. “How these songs live going forward is critical, and I believe Merck [Mercuriadis, Founder of Hipgnosis Song Management] has the best interests of not just the recordings but the people who love them as his driving interest. For the people who love these songs and albums, this is a scenario that allows the music to grow and reflect who those of us living inside these songs truly are.”

Chesney was represented in the deal by his longtime manager Clint Higham at Morris Higham Management and lawyer Jess Rosen at Greenberg Traurig.

“Kenny Chesney is one of the truly great American artists. He has been bringing joy to music fans all over the world for almost 30 years,” says Mercuriadis. “His incredible success of more than 30 million records sold including nine No. 1 albums on the all-genre Billboard 200 chart and 17 No. 1 albums on Billboard’s Country chart tells you everything you need to know. Add in his unparalleled success as a touring artist and the juggernaut that is No Shoes Radio, and you realize Kenny is genuinely a phenomenon. It’s a pleasure and a privilege to welcome Kenny and Clint to the Hipgnosis Songs family and we are delighted to launch our new Blackstone backed fund with this landmark acquisition.”

Higham adds, “Kenny has put his life into amassing the collected body of work contained here, and it’s something we have all taken very seriously throughout his unprecedented career. There is no deal that is more important than protecting the legacy of these songs. Working with Merck and his team to secure this deal, we found people who are as serious about the recordings as we are, and that suggests there is an incredible future for Kenny’s recorded music through the Hipgnosis team.”

New Date Announced For Grammy Awards, CMT Music Awards Shifts Date

The 64th annual Grammy Awards will now take place at the MGM Grand Garden Arena in Las Vegas on Sunday, April 3. The show moved from its original date of Jan. 31 amid growing concerns surrounding the Omicron variant.

Along with the Grammy Awards shifting date, the CMT Music Awards will move from its originally scheduled date of Sunday, April 3 to a later date in April. Information about the date and location of the awards show will be announced in the coming weeks.

“Once we realized the need to move the Grammy Awards to a later date due to current health concerns, we came together quickly with our partners at the Recording Academy and CMT, to strategically reschedule these two incredible music events and utilize the full power of the ViacomCBS ecosystem to promote them,” says Jack Sussman, Executive Vice President, Specials, Music, Live Events & Alternative Programming, CBS. “Coming out of an exciting month of college basketball on CBS, we’re thrilled to continue our programming momentum with these two big live events for television in the spring.”

“We are excited to take the Grammys to Las Vegas for the very first time, and to put on a world-class show,” adds Harvey Mason Jr., CEO of the Recording Academy. “From the moment we announced the postponement of the original show date, we have been inundated with heartfelt messages of support and solidarity from the artist community. We are humbled by their generosity and grateful for their unwavering commitment to the Grammy Awards and the Academy’s mission. We appreciate the leadership CBS has shown during these challenging weeks and the flexibility of the CMTs and others who worked toward this solution.”

“What better way to introduce the CMT Music Awards to CBS than aligning with the Grammys during the network’s biggest month of music this April,” shares Margaret Comeaux, John Hamlin and Leslie Fram, executive producers, CMT Music Awards. “Our fans can expect another unforgettable night of music, and we look forward to announcing our new date and sharing more of what we have in store for this year very soon.”

The Grammy Awards will broadcast live from the MGM Grand Garden Arena on April 3 (8:00-11:30 PM, live ET/5:00-8:30 PM, live PT) on the CBS Television Network, and will be available to stream live and on demand on Paramount+. Trevor Noah will return as master of ceremonies for the evening.

Click here to view the nominees for the 64th annual Grammy Awards.

“Dean Of Country Broadcasters” Ralph Emery Passes

Ralph Emery. Photo: Courtesy of the Country Music Hall of Fame and Museum

Country Music Hall of Fame member Ralph Emery died on Saturday, Jan. 15 at age 88.

He was country music’s leading broadcaster for more than 50 years, first on radio and then as the genre’s ambassador on national cable television. Emery was also a recording artist, a presence in syndicated TV and the author of several books. His relaxed, avuncular style made country stars comfortable as they experienced their first mass-media exposure.

Walter Ralph Emery was born in McEwen, TN in 1933. He was a rather lonely and sad youngster. His alcoholic father and mentally unstable mother led to him being partly raIsed by his farmer grandparents. The introverted boy found solace in listening to the radio and became intrigued with the idea of making it his profession.

Ralph Emery. Photo: Mercury Records

Following a move to Nashville in 1940, he graduated from East High and enrolled in the Tennessee School of Broadcasting. Emery’s teacher was the legendary R&B deejay John Richbourg, who was famed on WLAC as “John R.” Emery was taught proper diction, learned to read the news, modulated his voice and lost his rural accent. John R recommended him for a 1951 job in Paris, TN on WTPR. Emery then returned to Nashville for a stint at WNAH, then one at nearby Franklin’s WAGG. That station is where he learned to interview country celebrities such as Del Wood and Webb Pierce.

Next, he landed a job back home in Nashville at WSIX in late 1953. He did sports announcing for live wrestling broadcasts and emceed a pop-music show by Pat Boone. This led to an offer from WLCS in Baton Rouge, LA in 1956. He only lasted a month there before returning to the Nashville airways on WMAK, a pop-music broadcaster. He was fired by that station. Luckily, he landed a job at WSM in 1957, which paved the way to his national fame.

The station put him on the air on its all-night shift at $90 a week. During the next 15 years, Emery transformed the overnight show. He invited artists to visit the program and encouraged them to bring guitars or to sing playing the station’s piano. Marty Robbins, Patsy Cline, Tex Ritter, Jim Reeves, Loretta Lynn and many other top stars stopped by to chat because of his open-door policy. His easy-going interview style made him an audience favorite, and WSM’s clear-channel, 50,000-watt power meant that the night owl was heard in 38 states nightly. By the time he signed off in 1972, the all-night show was known as “Opry Star Spotlight.”

He was also an announcer on the station’s iconic Grand Ole Opry in 1961-64. Emery’s second wife was Opry star Skeeter Davis, to whom he was married in 1960-64.

His popularity as a broadcaster led to an offer to record for Liberty Records. Emery made an “answer record” to Faron Young’s “Hello Walls” (written by Willie Nelson), and his “Hello Fool” became a top-10 hit in 1961. He also recorded for Mercury, ABC-Paramount, Elektra and other labels, but never made the charts again.

He next made the move to television. Between 1963 and 1991, Emery hosted WSMV-TV’s local, early-morning broadcast. It was named The Ralph Emery Show in 1972. The weekday program featured one of live local television’s only surviving studio bands and was notable for giving breaks to up-and-coming artists such as The Judds, Randy Travis and Lorrie Morgan. For a time in the 1970s and 1980s, it was the highest-rated local morning television show in the U.S.

He also had an afternoon program, Sixteenth Avenue, in 1966-69. He was featured in the movies Country Music on Broadway (1965), Nashville Rebel (1966), Girl From Tobacco Road (1966) and The Road to Nashville (1967).

The pace was grueling. Daily all-night radio, early-morning TV, syndicated-show tapings and announcing work resulted in an addiction to amphetamines. Emery overcame this as his national profile rose.

He launched a syndicated radio show titled “Take Five for Country Music” then “Goody’s Presents Ralph Emery.” This was carried by 425+ stations in 1986-91. Radio syndication led to syndicated television. He hosted Pop Goes the Country in TV syndication in 1973-79. In 1976, he was the announcer for Dolly Parton’s syndicated seres.

When cable television emerged in the early 1980s, Ralph Emery jumped on board. His first show was Nashville Alive, which aired on Ted Turner’s TBS channel in 1981-83. Beginning in 1983, Emery hosted Nashville Now on TNN. It brought him the biggest national audience of his long career. As the flagship show of the network, it attracted a who’s-who of country stardom to Emery’s TV stage and desk. In 1986, he was voted America’s Favorite Cable TV Personality by the readers of Cable Guide magazine.

Photos of Ralph Emery vary widely, depending on the decade. Always insecure about his looks, Emery underwent cosmetic jaw/dental procedures, face lifts and hair transplants. He discussed these candidly in his best-seller 1991 autobiography, as well as several of his private problems.

Fame and popularity from his nightly Nashville Now shows led him to reactivate his recording career in 1989. Emery signed with RCA and issued Songs for Children and Christmas With Ralph & Red. These were in conjunction with Steve Hall’s puppet Shotgun Red, who’d become a regular on Nashville Now.

Ralph Emery was elected to the Country Music Disc Jockey Hall of Fame in 1989. The following year, Barbara Mandrell organized an all-star salute to Emery featuring 70 top country stars.

In 1991, he published Memories: The Autobiography of Ralph Emery. The book spent 25 weeks on the New York Times “Bestseller” list. He followed it with More Memories (1993), The View From Nashville (1998) and 50 Years Down a Country Road (2000). The books were cowritten, the first two with Tom Carter and the last two with Patsi Bale Cox.

Emery left Nashville Now in 1993, but continued to host specials on TNN. He returned full time to cable TV with Ralph Emery Live on RFD-TV in 2007. By the time that show ended in 2015, it was titled Ralph Emery’s Memories.

Known as, “The Dean of Country Music Broadcasters,” Ralph Emery was inducted into the Country Music Hall of Fame in 2007. He became a member of the National Radio Hall of Fame in 2010.

Ralph Emery is survived by his wife Joy Emery; sons, Steve, Matthew and Ralph Jr.; five grandchildren and seven great-grandchildren. Funeral arrangements have not been announced.