‘Try That In A Small Town’ Tops MusicRow Radio Chart For The Second Time

After hitting No. 1 on the MusicRow CountryBreakout Radio Chart in August, Jason Aldean‘s “Try That In A Small Town” is back at the top spot six weeks later.

Written by Kelley Lovelace, Neil Thrasher, Tully Kennedy and Kurt Allison, “Try That In A Small Town” will appear on Aldean’s 11th studio album Highway Desperado, due out Nov. 3. The song topped the all-genre Billboard Hot 100 songs chart in July, marking Aldean’s first Hot 100 No. 1.

“Try That In A Small Town” currently sits at No. 2 on the Billboard Country Airplay chart and No. 3 on the Mediabase chart.

Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

DISClaimer Single Reviews: Hailey Whitters’ New Tune Is ‘Fizzy As Soda Pop’

Something old, something new, something borrowed, something blue.

Our veterans today are Sawyer Brown and Miss Reba. Our newcomers are Dillon James and Chris Ryan. The “borrowed” tune is “Thank God I’m a Country Boy.”

As for something blue, that would be “Scared to Go to Church” by our DISCovery Award winner, Chris Ryan, with an assist by Jelly Roll.

The Disc of the Day award goes to Hailey Whitters. Her challengers for the crown were all collabs—Craig Morgan & Luke Combs, Miko Marks & The Fisk Jubilee Singers and Noah Kahan & Kacey Musgraves.

NOAH KAHAN & KACEY MUSGRAVES / “She Calls Me Back”
Writer: Noah Kahan; Producers: Noah Kahan/Gabe Simon; Label: Mercury Records/Republic Records
– New Englander Kahan is a huge Americana favorite. His pairing with Nashville’s Musgraves is a hooky pop-rocker with a delicious punch. The wordy song is brought down to earth when Musgraves starts singing lead about midway through, and then the two singers take it home, joyously, together.

DYLAN SCOTT / “I’ll Be a Bartender”
Writers: Rocky Block/John Byron/Grady Block/Jordan Dozzi; Producers: Jacob Durrett/Grady Block; Label: Curb
– If you are heartbroken, head on over to Scott’s kitchen counter and he’ll mix you a pick-me-up. It helps that he’s got a crush on ya. The wooshing production of this breezy, midtempo outing adds perfect support to his supple singing.

MORGAN EVANS / “Thank God She’s a Country Girl”
Writers: Morgan Evans/Jesse Frasure/John Sommers; Producer: Chris DeStefano; Label: Warner
– It’s a rewrite of the 1975 John Denver smash “Thank God I’m a Country Boy.” Sommers was the song’s first creator. Evans and Frasure flip the gender and perspective. Thanks, I’ll take the original.

CARLY PEARCE / “Heels Over Head”
Writers: Shane McAnally/Carly Pearce/Josh Osborne; Producers: Shane McAnally/Carly Pearce/Josh Osborne; Label: Big Machine
– It’s not a single, yet, but this new track is as cleverly written as anything she’s done to date. The fiddle-led track skips along jauntily as she describes the cheap trash he’s fallen for. In the bedroom, the new gal is “heels over head” for him, you see.

HAILEY WHITTERS / “I’m In Love”
Writers: Lee Thomas Miller/Nicolle Galyon/Cameron Bedell; Producers: Jake Gear/Hailey Whitters; Label: Big Loud/Pigasus/Songs & Daughters
– Adorable. As cute as a kitten. As fizzy as soda pop. Ya gotta love this little ray of sunshine. Whitters is the reigning ACM New Female Artist of the Year and is vying for a similar CMA award next month. Play this.

SAWYER BROWN / “Get Me to the Stage on Time”
Writer: Mark Miller; Producers: Mark Miller/Blake Shelton; Label: SB
– The durable band is celebrating its 40th anniversary with a new documentary film, and this is its title tune. It is upbeat and propulsive like much of their classic work, but is not retro sounding. It’s very engaging and up to date.

FANCY HAGOOD / “Southern Sound”
Writers: Fancy Hagood/Jon Green/Tofer Brown; Producer: Tofer Brown/Jon Green; Label: FH
– Hagood hosts “Trailblazers Radio” on Apple Radio. This tune teases his sophomore album. It’s the follow-up to his Southern Curiosity collection, which has accumulated more than 30 million streams. What we have here is a plaintive, aching plea of young lovers. Hagood’s heartbreak tenor vocal is framed by an echoey electronic production that is lustrous.

REBA McENTIRE / “Seven Minutes in Heaven”
Writers: Olivia Rudeen/Matt Wynn; Producer: Dave Cobb; Label: MCA
– The Country Music Hall of Famer’s new Not That Fancy collection mainly consists of stripped down versions of some of her biggest hits. It also includes her new single, this tender-hearted ballad about missing a loved one. As always, she delivers the goods as a singer.

DILLON JAMES / “Walking Man”
Writers: Dillon James/Paul Sikes/Paul Wrock; Producers: Paul DiGiovanni/Paul Sikes; Label: Buena Vista/UMG/19 Recordings
– This American Idol alumnus rose from homelessness and substance abuse to garner a country recording contract. His disc debut has a deep-twang production and an intense vibe due to its autobiographical nature. To the accompaniment of electric, echo-chamber guitars he sings of going from being a “dead man walking to a walking man living.”

GABBY BARRETT / “Cowboy Back”
Writers: Gabby Barrett/Jon Nite/Jesse Frasure; Producers: Gabby Barrett/Ross Copperman; Label: Warner
– Barrett co-penned and co-produced this midtempo ode to hard working men with solid, good-guy values in honor of her hubby, a Texan. The production marries twin fiddles to a rocking rhythm track.

MIKO MARKS & THE FISK JUBILEE SINGERS / “Jubilee”
Writer: Lee Bob Wilson; Producer: none listed; Label: MM
– As you might expect, this has a gospel vibe, from the steady, stately piano work to the acclaimed, Grammy honored backing vocalists. Marks takes charge with a confident, assured lead vocal that lifts the song skyward. She and her celebrated choir singers will stage the first live performance of this stirring collaboration tomorrow evening (Oct. 13) at the Grand Ole Opry.

CRAIG MORGAN & LUKE COMBS / “Raise the Bar”
Writers: Craig Morgan/Billy Dean; Producers: Craig Morgan/Phil O’Donnell; Label: Broken Bow
– Morgan’s new Enlisted EP features collaborations with Lainey Wilson, Trace Adkins, Jelly Roll, Blake Shelton, Gary LeVox and Combs. The last named is as rousing and raucous as peerless country singer Morgan is on “Raise the Bar.” The two blue-collar buddies invade the wine-and-cheese crowd’s tavern while singing loud and proud about giving the place “some working class.” The snootier set soon sings along. Lots and lots of fun.

CHRIS RYAN & JELLY ROLL / “Scared to Go to Church”
Writers: Chris Ryan/Jelly Roll/Logan Turner/Dave Kuncio/Jay Joyce; Producer: Jay Joyce; Label: Warner
– A sinner wails the blues about his lifestyle. Ryan’s searing tenor begins the power-packed lament with an anguished delivery. Jelly Roll takes a verse that is even more intense. When newcomer Ryan returns to the mic, he drives the song home with ferocious emotion. A grand disc debut.

Music Industry Organizations Back Newly Proposed ‘No Fakes’ AI Bill

The impact of artificial intelligence is being discussed on Capitol Hill after the Nurture Originals, Foster Art, and Keep Entertainment Safe Act—or the No Fakes Act—was proposed.

Sponsored by Senators Chris Coons (D-DE), Marsha Blackburn (R-TN), Amy Klobuchar (D-MN) and Thom Tillis (R-NC), the bill seeks to protect singers, musicians actors and other creators from having their voices and/or likeness replicated by artificial intelligence in sound recordings and audiovisual works. The bill would hold people, companies and platforms liable for creating or hosting unauthorized AI replications of entertainers and creators.

The Recording Industry Association of America (RIAA) applauded the introduction of the No Fakes Act via a statement made today (Oct. 12). The statement reads, “Our industry has long embraced technology and innovation, including AI, but many of the recent generative AI models infringe on rights – essentially instruments of theft rather than constructive tools aiding human creativity.

“We applaud Senators Coons, Blackburn, Tillis, and Klobuchar for recognizing that unauthorized uses of one’s name, image, likeness, and voice are a clear threat to artists, songwriters, performers, authors, journalists, photographers, and the entire creative community. We look forward to engaging in a robust bipartisan process with a strong bill that effectively protects against this illegal and immoral misappropriation of fundamental rights that protect human achievement.”

The Human Artistry Campaign, an alliance of entertainment companies who seek to keep human creativity at the center of technological innovation, also supported the act.

Their statement reads, “The Human Artistry Campaign believes AI could provide exciting new tools that assist human creativity if established in a responsible manner. However, generative AI applications that steal copyrighted recordings and images to produce voice clones and digital replicas or misappropriate the names and likenesses of artists and performers without consent are incredibly harmful to our society and culture.

“These supposed ‘tools’ attack the most basic elements of human individuality and creativity. We thank Senators Coons, Blackburn, Tillis, and Klobuchar for putting forward draft legislation to protect creators and their work. We look forward to working with all stakeholders to strengthen this proposal while providing clear and effective remedies to stop the wrongful appropriation of creators’ identities and encourage ethical AI practices.”

Of the bill, Tennessee’s senator Blackburn shared, “Songwriters, actors, and our incredibly talented creative community deserve the right to own their name, image, and likeness (NIL). This legislation is a good first step in protecting our creative community, preventing AI models from stealing someone’s NIL, and ensuring that those rights are given primary consideration under the law. I look forward to joining Senator Coons and my colleagues in the Senate and House to develop strong bipartisan legislation we can pass into law.”

Nashville Songwriters Hall Of Fame Inducts Six During Special Night Of Music

The 2023 Nashville Songwriters Hall of Fame inductees Keith Urban, Kix Brooks, Rafe Van Hoy, Casey Beathard and David Lee Murphy. Photo: Bev Moser

Six iconic tunesmiths became the newest members of the Nashville Songwriters Hall of Fame Wednesday night (Oct. 11) in a grand ballroom at the Music City Center.

The evening was full of special musical tributes, moving speeches and Music Row camaraderie. It was the 53rd Anniversary Gala and the at-capacity crowd donned their best suits, gowns and cowboy hats for the occasion.

Pictured (L-R): Nashville Songwriters Hall of Fame Board Chair Rich Hallworth, inductees Keith Urban, Kix Brooks, Janet Jarrard (representing her late husband John Jarrad), Rafe Van Hoy, Casey Beathard, David Lee Murphy and NaSHOF Executive Director Mark Ford. Photo: Bev Moser

Casey Beathard and David Lee Murphy went into the Hall in the Contemporary Songwriter category, while Rafe Van Hoy joined in the Veteran Songwriter category. Keith Urban went into the Hall in the Contemporary Songwriter/Artist category and Kix Brooks entered in the Veteran Songwriter/Artist category.

The late John Jarrard was inducted into the Hall’s Legacy category, designed specifically to honor NaSHOF-worthy candidates who are deceased. Bobby Bare was also honored with the Frances Williams Preston Mentor Award, a distinction for those who serve as a champion of and cheerleader for songwriters.

“We are here tonight to honor the songwriters who have reached the pinnacle of success in their respective careers,” said Rich Hallworth, NaSHOF Board Chair. “We celebrate the creativity and talent that go into writing a song of merit, cultural value and long-lasting impact, and we do that tonight by welcoming these newest members into the Nashville Songwriters Hall of Fame.”

Jarrard was the first songwriter to be honored. The craftsman of hits such as “There’s No Way” and “You’ve Got The Touch” by Alabama, “Money In The Bank” by John Anderson, “Blue Clear Sky” by George Strait, “My Kind Of Girl” by Collin Raye and many more, had a life marked by health issues, but a voracious spirit.

Keith Urban, Dolly Parton and Eric Church. Photo: Bev Moser

Hall of Fame member Gary Nicholson spoke about Jarrard, telling stories of his perseverance in the face of a lifetime of struggle. BlackHawk honored Jarrard with a performance of his “I Sure Can Smell the Rain.”

His widow, Janet Jarrard, accepted on her late husband’s behalf. She spoke about his inspiring story and his philanthropic efforts. She shared that Steve Earle called Jarrard “the bravest man on Music Row.”

Next up, Bare was honored with the Frances Williams Preston Mentor Award for, as Hall of Fame member Gretchen Peters put it, being “one of the best friends songwriters ever had.”

Bare was the first recording artist to receive the honor. His son Bobby Bare Jr. accepted on Bare’s behalf by reading a note from the 88-year-old country legend.

“Don’t forget, the brightest, wittiest, funniest and most intelligent person in any room is always a songwriter. No exceptions. This room is full of them,” Bare wrote.

Beathard was the next songwriter to be honored. Hall of Fame member Buddy Cannon introduced him, and shared a story about the time Beathard pitched him “Boys Of Fall” for Kenny Chesney. After Cannon passed on the song, he heard from Chesney how much he liked it. “After multiple weeks at No. 1 and a successful movie inspired by Casey’s song, I admitted I was wrong. You really don’t have to be a genius to be a record producer,” Cannon quipped.

Eric Church did the musical tribute to Beathard. He shared that he had only cut three outside songs in his career before playing one of them, “Like Jesus Does” from his 2011 album Chief. Church’s old singing partner, the extremely talented Joanna Cotten, joined him for the performance.

When Beathard spoke, he talked a lot about how the perception of success changes through life and about the people in his path that helped him get to the Nashville Songwriters Hall of Fame. He encouraged other songwriters in the room to stop chasing everything and feeling bitter about missed opportunities, and to take time to enjoy the ride.

“My plan was nothing like this. God’s plan was way better,” Beathard shared.

Kenny Chesney, David Lee Murphy and Craig Wiseman. Photo: Bev Moser

Van Hoy was the next songwriter to be honored. John Conlee sang his signature “Lady Lay Down,” one of several chart-toppers penned for him by Van Hoy. Member Bobby Braddock presented him, saying “I induct thee! I induct thee! I induct thee!” as Van Hoy joined the stage.

Van Hoy shared that he would try his best to stick to the five to six minute limit that event organizers had given him, but he blew past that in his many recognitions to the influential people in his life and career.

“There are so many people I want to thank. I am a product of everyone else’s help,” Van Hoy shared. “I couldn’t have had any of the success I’ve had without a lot of other people.”

Next up was Brooks. He was presented by Hall of Fame member Bob DiPiero, who spoke about Brooks’ multi-dimensional talents that included being a world-class songwriter.

Brooks was honored with a performance of his “Only In America” by Cody Johnson, who sounded awesome on the classic Brooks & Dunn tune.

When Brooks spoke, he talked about how badly he wanted to be in the Nashville Songwriters Hall of Fame. He shared that while he was grateful to be in the Country Music Hall of Fame with Dunn, that he didn’t know if he’d ever be able to wrap his head around that honor, but now that he’s in the Nashville Songwriters Hall, he feels he is with his people.

Bob DiPiero, Kix Brooks and Cody Johnson. Photo: Bev Moser

“I was in the rotunda a few days ago with some family members. Seeing Hank Williams on the wall, Patsy Cline and Johnny Cash… They’re not my peers. It’s so overwhelming for me to think I have a bronze plaque next to them. It’s going to take me a lifetime if I’m ever able to accept that,” Brooks said. “But I’ve got a room full of friends in this room tonight that I’ve written a lot of songs with. This is a club that I really wanted to be a part of so bad.”

Murphy was the next songwriter to be inducted. Craig Wiseman spoke about his charm, sharing we should all send Murphy off into the world to represent Music Row. Chesney then emerged to honor Murphy with his No. 1 hit, “Living In Fast Forward.”

Murphy shared similar sentiments as Brooks, sharing that the Nashville Songwriters Hall of Fame induction was a dream of his.

“All of my heroes have always been songwriters,” Murphy said. “I’m thankful I get to stand here tonight and have my name associated with all of those great songwriters.”

The last songwriter to be added to the Hall was Urban. He was inducted by superstar Dolly Parton, another Hall of Fame member. She shared how proud of Urban she was and that she had always admired him. Church then re-emerged on stage to honor Urban with a Chief-style version of “Who Wouldn’t Wanna Be Me.”

Bobby Braddock, John Conlee and Rafe Van Hoy. Photo: Bev Moser

When Urban took the podium, he put a “In Dolly We Trust” sticker on the front of it. He thanked all the folks on his team, many of which had spent decades with the star. Urban closed his speech with some lines from a song he wrote that he dedicated to his team.

“I know where you are now, I know what it’s like. You think they don’t understand you’re scared inside. But I’m here to let you know, that you’re alive. If you’ve been waiting on a sign, here it is tonight,” Urban recited. “I come from nothing but love and hard work. Born in the city but raised in the dirt. I wasn’t raised to be put in my place. I’m a lover, a fighter, whatever it takes.”

Earlier in the evening, Americana artist Will Kimbrough honored recently deceased Hall of Fame member Jimmy Buffett with a song the two co-wrote called “Bubbles Up.” The evening also featured a performance from Hall of Fame member Larry Gatlin, the Gatlin Brothers and nine other Hall of Fame members performing Gatlin’s song “Amazin’ (What Just The Right 3 Minutes Can Do).”

Additionally NaSHOF Board member Ken Paulson took a few moments to update the audience on the The Songwriters, a program he hosts that premiered in 2016 on WNPT and spotlights Hall of Fame members on public television stations across the country.

The gala, which kicked off with a welcoming performance from The Wildcards, featured its long-time announcer Bill Cody, the Country Music Disc Jockey Hall of Famer and host of 650 AM WSM’s Coffee, Country & Cody.

Triple Tigers Records Promotes Raffaella Braun To VP, National Promotion

Raffaella Braun

Triple Tigers Records has promoted Raffaella Braun to VP, National Promotion.

The Vanderbilt graduate received a Music Business Certificate from the Clive Davis Institute of Recorded Music at New York University (NYU), and started her career at CAA in 2002, rising to agent in 2008. In 2011, Braun moved to Regional Promotion West Coast for Warner Music Nashville, and joined Triple Tigers as National Director of Promotion in 2019.

“It’s not really possible to describe Raffi’s value and positive impact on this label in a quote,” says Kevin Herring, Triple Tigers Co-President, “She’s simply amazing, and one of the most inspiring passionate people I’ve ever been around.”

“I’m honored and enthused to continue growing with Triple Tigers in this increased capacity,” says Braun. “I can’t get enough of our artists and team, and am thrilled to keep learning the business from Kevin and Annie [Ortmeier].”

Braun can be reached at raffaella@tripletigers.com.

IEBA Celebrates 2023 Winners At Honors & Awards Ceremony

Jo Dee Messina hosts 2023 IEBA Honors & Awards. Photo: Ed Rode

IEBA, the trade organization for live entertainment professionals, wrapped its 53rd annual conference last night (Oct. 10) with its Honors & Awards Ceremony.

Jo Dee Messina emceed the event, which honored and celebrated those who work tirelessly behind the scenes of the live entertainment business.

“Behind every successful show, there are unsung heroes off-stage. The contributions of those who labor behind the curtains, out of the spotlight, are the very backbone of our industry,” says IEBA’s Executive Director Pam Matthews. “These award winners are the architects of our most unforgettable moments. We owe the magic of entertainment as much to their dedication and passion as we do to those who stand in the limelight.”

2023 Winners:
Club of the Year: (tie) 9:30 Club and First Avenue
Casino of the Year: MGM Grand
Theater of the Year: Beacon Theatre
Arena of the Year: Madison Square Garden
Amphitheater of the Year: The Greek Theatre (Los Angeles)
Fair/Expo of the Year: Houston Livestock Show & Rodeo
Festival of the Year: Stagecoach
Club Buyer of the Year: Michelle Landry
Casino Buyer of the Year: Leslie Master
Special Events/Corporate Buyer of the Year: G7 Entertainment Marketing
International Buyer of the Year: Steve Homer
Fair/Expo Buyer of the Year: Todd Boltin
Festival Buyer of the Year: Danny Wimmer
Venue Executive of the Year: Laurie Jacoby
Music & Entertainment Industry Educator of the Year: Gloria Green, MTSU
Agent of the Year: Austin Neal
Promoter of the Year: Adam Weiser

IEBA’s 54th Annual Conference will be held October 6 – 8, 2024 at the Grand Hyatt in Nashville.

Adam Weiser (Promoter of the Year) of AEG and Austin Neal (Agent of the Year) of The Neal Agency. Photo: Ed Rode

Michelle Landry (Club Buyer of the Year) of The Bowery Presents and Stacy Vee (Festival of the Year, Stagecoach) of Goldenvoice. Photo: Ed Rode

Zach Bryan Stays Solid Atop The MusicRow Top Songwriter Chart

Zach Bryan. Photo: Trevor Pavlik

For the fifth consecutive week, Zach Bryan remains at No. 1 on the MusicRow Top Songwriter Chart.

With the recent release of his Boys Of Faith EP, Bryan added five solely-written songs to the country charts, bring his total to a whopping 18 charting songs. Bryan wrote a majority of the bunch by himself, allowing him to earn all of the points associated with those songs.

Ashley Gorley remains at No. 2 this week on the MusicRow Top Songwriter Chart. Tracy Chapman (No. 3), Jelly Roll (No. 4) and Oliver Anthony (No. 5) complete the top five.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

Garth Brooks To Open His Nashville Bar & Honky-Tonk With Concert

Garth Brooks. Photo: Blue Rose, Inc

Garth Brooks has announced a dive bar concert to celebrate the opening of his Friends in Low Places Bar & Honky-Tonk in Nashville.

The concert will take place on Black Friday (Nov. 24) and will serve as the first opportunity for fans to get in the bar. The only way in to the concert will be to win tickets by listening to Brooks’ The BIG 615 station on TuneIn.

“How do you open a Friends in Low Places bar??? With a Garth concert!” says Brooks. “This is going to be off the chain. Black Friday, brand new bar, in the home of country music…Hollywood couldn’t write a better script. I can NOT wait!”

The show continues Brooks’ affinity for dive bar shows, after having played at Joe’s on Weed Street in Chicago, Buck Owens’ Crystal Palace in Bakersfield and Gruene Hall in New Braunfels, amongst others. The dive bar concerts were inspired by his single “Dive Bar,” a duet he sang with Blake Shelton.

The BIG 615 radio station can be heard on Brooks’ SEVENS Radio Network which is on TuneIn. With Storme Warren as the official voice, Brooks launched the station earlier this year.

Sara Evans Officially Welcomed Into Opry Family

Sara Evans at her induction into the Grand Ole Opry

Sara Evans was officially inducted into the Grand Ole Opry family Saturday night (Oct. 7) during the Opry’s 98th Birthday weekend by Opry member Crystal Gayle.

“I want to thank the Opry for asking me to become a member because this is a country artist’s dream come true,” said Evans. “And I have been dreaming about this my entire life.”

The Opry’s longest-serving member, Bill Anderson, surprised Evans with her Opry invitation at her sold-out Ryman Auditorium concert in August celebrating the release of her anniversary project Sara Evans Still Restless – The 20 Year Celebration.

Evans is one of the most-played female artist at country radio in nearly the last two decades. Her five No. 1 singles include “No Place That Far,” “Suds In The Bucket, “A Real Fine Place To Start,” “Born to Fly” and “A Little Bit Stronger,” which spent 2 weeks in the top spot and was certified Platinum by the RIAA.

In addition to her new status as an Opry member, Evans has been honored with the prestigious Academy of Country Music Top Female vocalist accolade as well as numerous American Music Awards, Billboard Music Awards, Country Music Association, CMT and Grammy Awards nominations.

The next artist scheduled to be inducted into the Opry is Jon Pardi, who was invited to join the Opry during this year’s Stagecoach Festival. He’ll be officially inducted on Tuesday, Oct. 24.

Darius Rucker Details The Creation Of ‘Carolyn’s Boy’ [Interview]

Photo: Courtesy of UMG Nashville

Award-winning artist Darius Rucker has been bringing people together with his warm, comforting sound and lowcountry spirit for decades now. His music career first took off as the lead singer and rhythm guitarist for the multi-Platinum band Hootie & the Blowfish. In addition to playing with the group, Rucker has garnered success as an individual country act with 10 No. 1 hits and multiple No. 1 albums. Yesterday (Oct. 4), the Grand Ole Opry member was inducted into the Music City Walk of Fame, and tomorrow (Oct. 6), he unveils his first solo record in six years, Carolyn’s Boy.

In addition to his Music City Walk of Fame induction, the singer-songwriter gave fans a taste of the highly-anticipated release yesterday at Analog at the Hutton Hotel in Nashville, where he was recorded as part of the “Recorded Live at Analog” series supported by Heaven’s Door and debuting on PBS early next year.

Named in honor of Rucker’s mother Carolyn, the album exhibits his homey vocal stylings with a beautiful blend of feel-good, fun tunes and deeper, moving numbers that remind us that we can always connect to one another in some way and make it through the hard times. He co-wrote 11 of the 14 tracks, and recently shared some stories behind the collection with MusicRow.

Rucker notes that he had always thought about paying homage to his mother with a project, and recalls the moment he came up with the title.

“It was the first day of recording, and I just wasn’t in a good place mentally. I sat down after a take and said to myself, ‘At the end of the day, I’m just my mama’s boy,’ and after thinking about it more, I decided I was going to name the record Carolyn’s Boy.”

The Charleston native knew he wanted to make a living in the world of music as a child. Growing up, his mother was extremely supportive of his passion and introduced him to genres including gospel and R&B. That influence can be detected in tracks such as “Ol’ Church Hymn (feat. Chapel Hart)” as well as his decision to cover Rihanna‘s “Lift Me Up” from the Black Panther: Wakanda Forever soundtrack.

Rucker cut “Ol’ Church Hymn” almost immediately after writing it alongside Greylan James, Ben Hayslip and Josh Miller. After recording his own vocals on the song, he came across something special that he felt would enhance it immensely. “I was on Twitter and came across these three women singing country music, and they sounded amazing, absolutely amazing. [In that moment], I said ‘I’m going to get these girls to sing on [‘Ol’ Church Hymn’].”

Rucker then messaged the ladies on Instagram and collaboration began. Those three women turned out to be trio Chapel Hart, who would go on to earn the coveted “golden buzzer” on the talent competition show America’s Got Talent. “They really took [the track] to different level. Their vocals are so great, and I love that song so much,” he expresses.

After hearing Rihanna’s stunning work on “Lift Me Up,” Rucker was inspired to cover the Black Panther: Wakanda Forever song and include it on Carolyn’s Boy. When it comes to the current trend of established artists covering songs outside of their genre, Rucker is all for it.

“People have been covering great songs forever, and when it happens in a big way, it’s awesome to see,” he states.

The artist continues to echo encouragement and unity with tunes “In This Together,” “Have A Good Time” and chart-topping single “Same Beer Different Problem.”

“There’s so much division within our country, and we all have to live together. So, I hope people find songs on this record that resonate with them and help them get through the hard times. I want that on every record”

Written by Rucker, Monty Criswell, Derek George and Bobby Hamrick, “Have A Good Time” was also released as a single along with outside cuts “Fires Don’t Start Themselves” and “Southern Comfort.” The artist says he knew he had to cut “Fires Don’t Start Themselves” as soon as he heard it due to it’s ’90s country energy, and describes his love for the feel, speed and story “Southern Comfort.” The album also features “Sara,” which Rucker concocted with fellow renowned entertainer Ed Sheeran, Joel Crouse and Kyle Rife. He recalls witnessing Sheeran’s early days as an artist. Over the years, the two have developed a friendship, and had been wanting to collaborate for quite sometime. Rucker shares that he spontaneously flew to England one day to write with Sheeran.

“Ed asked me who my first love was, and I told him it was my fifth grade girlfriend Sara. He then asked me a million questions about that [time in my life]. In the end, he wanted to write a song about her, so we did,” he reminisces.

Creating Carolyn’s Boy has given the hitmaker a new sense of appreciation for the art of music.

“One thing that really came out of [this record] for me was a better love for what I do. We went through the pandemic and all the hardships of the past few years, and writing through all that stuff made me want to write and perform more. It further solidified how much I love what I do.”

He continues to feed that desire to perform and connect as he readies his personally-curated Riverfront Revival Music Festival for this weekend (Oct. 7-8), following the album’s release. Rucker will also wrap the stateside leg of his “Starting Fires Tour” at Nashville’s Ascend Amphitheater on Oct. 14, and make his way back across the pond and to Ireland for a few international dates in 2024.