Play It Again Entertainment Adds Bear Bailey To Artist Roster

Bear Bailey. Photo: The Dwyers

Play It Again Entertainment, the label division of PIA Music Group, has added rising star and TikTok sensation Bear Bailey to its roster.

Known for broadcasting his popular cover performances in his local gas station, his videos have propelled him to over 100 million views and now over 3.2 million followers on TikTok. Bailey will release his own debut song, “Put Your Heart On My Tab,” later this month.

Bailey also recently launched his new YouTube series, Gas Station Sessions, with his rendition of Rascal Flatts‘ “Prayin’ For Daylight.” The series will pay tribute to his hometown, his fans and to the roots of his discovery.

Play It Again Entertainment, founded in 2020 by award-winning singer-songwriter Dallas Davidson, is the label, publishing, and artist management division of parent company Play It Again Music Group. PIA Entertainment also includes rising singer-songwriters Walker Montgomery and Dylan Marlowe.

City of Nashville To Adopt Resolution Honoring Ryman’s 130-Year History

The city of Nashville is adopting a new resolution recognizing the Ryman Auditorium and its 130 years as Music City’s most famous and respected concert venue.

The resolution states, “The venue is most famous for being a home for country music…its legacy has been defined by showcasing one of the most expansive lists of diverse performers ranging from jazz, pop and bluegrass to rock and roll, classical, and hip hop. From its very beginning, the Ryman has been a stage to just about every type of music and every type of performer.”

Since the first concert held on May 4, 1892, the Ryman has welcomed an array of acts and genres of music on its hallowed stage, from Harry Houdini and Charlie Chaplin to former president Theodore Roosevelt and civil rights leader Martin Luther King Jr., plus music icons including Johnny Cash, Patsy Cline, B.B. King, Sheryl Crow, Garth Brooks, Lizzo and Harry Styles.

“The Ryman is the crown jewel of Nashville, and we are so excited to celebrate 130 years of Music City’s most famous concert venue,” says Metro Nashville District 19 Council Member Freddie O’Connell. “Whether you are a country music superstar or an up-and-coming artist, music lover or history buff, out-of-towner or Nashvillian, the Ryman is for everyone.”

“As the stewards of this magnificent historical landmark, we have the unique privilege of sharing its 130-year legacy with guests from all over the world,” adds Colin Reed, chairman and chief executive officer of Ryman Auditorium’s parent company, Ryman Hospitality Properties. “We are thankful that the City of Nashville has chosen to recognize this tremendous milestone and look forward to continuing our commitment to celebrating and sharing the Ryman with our community.”

The Ryman’s annual Community Day, when Tennessee residents are invited to experience the Ryman’s daytime tour experience free of charge, will take place Sunday, May 29. Complimentary self-guided tours will be available from 9 a.m.-4 p.m. with presentation of a valid Tennessee state ID at the Ryman box office.

Throughout the year, the Ryman will continue celebrating its anniversary with more concerts and residencies than ever before, new daytime tour experiences, community events, giveaways and more. For more information on the Ryman’s 130th, click here.

Country Music Hall Of Fame & Museum Announces Staff Additions, Promotion

Pictured (L-R): John Goodwin, Sydney Gilbert, and John Sloboda

The Country Music Hall of Fame and Museum has added two new staff directors and promoted one.

John Goodwin recently joined the museum as Director of Digital Marketing, John Sloboda joins as Director of Exhibitions, and Sydney Gilbert has been promoted to Associate Director of Creative Project Management.

In his role, Goodwin will oversee the digital marketing team, contribute to the museum’s owned media initiatives, and help expand public access to the museum’s collections. He served as communications manager at MTSU for over six years, where he oversaw digital communications, social media strategy and video production for the marketing and communications division. He also served as an executive producer for True Blue TV, the university’s television station. Prior to joining MTSU, Goodwin was an account executive at WKRN News 2 and Capitol Broadcasting in Raleigh, North Carolina.

As Director of Exhibitions, Sloboda will guide all phases of the museum’s gallery exhibition program, from conception and design through fabrication and installation. He will lead the exhibits team in collaboration with curatorial, creative, education and editorial staff to create 12 temporary exhibits each year that draw from the museum’s collections and interpret the history of the country genre. Sloboda comes to the museum from the exhibitions department at the Rock & Roll Hall of Fame, where he worked for nearly 12 years, ultimately serving as the Director of Museum Design and Exhibitions. He most recently held the role of Director of Exhibits and Creative at the Cleveland Museum of Natural History.

In her new position, Gilbert will direct the strategy, workload and timelines for all of the museum’s creative and content initiatives. Prior to joining the museum, she most recently served as development manager at the Queens Museum in New York City, where she launched a unique membership program connecting members with the museum’s World’s Fair archive and the opportunity to own museum-quality editions from its collection. Prior to her promotion, Gilbert was the museum’s Creative Project Manager.

Steven Lee Olsen Inks With Warner Chappell, Mailbox Money Music

Pictured (L-R): Sarah Robbins, Jimmy Robbins, Steven Lee Olsen, Ben Vaughn, Sophie Moll, Spencer Nohe

Warner Chappell Music (WCM) and Mailbox Money Music have signed Grammy-nominated singer-songwriter Steven Lee Olsen.

Born and raised in Toronto, Olsen moved to Nashville in 2004 to pursue his songwriting dreams. Drawing upon his R&B, soul, country, and pop influences, Olsen’s songs have been recorded by Keith Urban, Garth Brooks, Rascal Flatts, Billy Currington, Brett Young, Russell Dickerson, Little Big Town, Lady A, The Judds, Dallas Smith, and more.

He has written two No. 1 songs in the U.S. with his Grammy-nominated, double-Platinum certified song “Blue Ain’t Your Color” performed by Urban, and “More Girls Like You” performed by Kip Moore. He also had a No. 1 song in Canada with co-writing credits on the Platinum hit “Drop,” performed by Smith.

“We’re so grateful to be working with SLO alongside our incredible partners at Mailbox Money,” says Spencer Nohe, Senior Director, A&R, WCM Nashville. “He has an infectious spirit and his talent and track record speak for themselves!”

Jimmy Robbins, Mailbox Money Music adds: “SLO is one of the most naturally gifted songwriters I’ve ever been in the writing room with, and I couldn’t be more excited to be working together!”

Olsen is signed to Universal Music Group Canada and managed by The Core.

Kane Brown & Co-Writers Commemorate A Handful Of Firsts At ‘One Mississippi’ No. 1 Party

Pictured (L-R): Clay Bradley (BMI), Michael Giangreco (Big Loud), Ernest, Rusty Gaston (Sony Music Publishing, Kane Brown, Stevie Frasure (Rhythm House Music), Jesse Frasure, Kent Earls (Verse 2 Music), Levon Gray, Vanna Moua (Rhythm House Music, Martha Earls (1021 Entertainment), Spencer Nohe (Warner Chappell Music), Dennis Reese (Sony Music Nashville). Photo: Steve Lowry

Creatives and industry members gathered on the BMI rooftop once again on a sunny Monday (May 2) afternoon to celebrate Kane Brown‘s seventh No. 1 hit, “One Mississippi.”

Along with co-writers Jesse Frasure, Ernest, and Levon Gray, Brown commemorated the milestone before a busy week of releasing new music on Thursday (May 5) and playing his first stadium show in his hometown of Chattanooga, Tennessee on May 7.

“One Mississippi” marks the first No. 1 for Brown’s Verse 2 Music, a Sony Music Publishing joint venture helmed by Brown and publishing veteran Kent Earls.

It was also the very first No. 1 party for co-writer Gray. His story is an interesting one, as Brown signed him to Verse 2 Music after discovering him on social media. After seeing a video Gray made, Brown invited him to a co-write in Nashville, where the two collaborated with Frasure and Ernest on “One Mississippi.”

To make things even more special, the party also served as a long-awaited celebration for Ernest, whose five chart-toppers have hit during the pandemic, preventing him from having a proper celebration.

BMI’s Clay Bradley led the affair. “This is the first No. 1 party we’ve had on the rooftop since 2019. I can’t think of a better group to celebrate with on this beautiful day,” he said.

Rhythm House’s Stevie Frasure kicked off the publisher presentations. “When people say it takes a village to get a No. 1 song, it really takes several villages and then their villages,” she said before turning her attention to her hit songwriter husband and fellow publisher. “Jesse, you’re such a great partner at Rhythm House, you’re a good leader and mentor, you’re so giving of your time, and you’re so talented.” She added, “This town is really lucky to have you.”

Verse 2’s Earls was on hand to speak about the company’s first No. 1. Earls thanked the co-writers, fellow publishers, Sony Music Nashville, and Brown’s team—including shouting out his wife and Brown’s manager, Martha Earls.

“A special thank you goes out to Rusty Gaston and his team at Sony Music Publishing,” Earls added. “Thank you for believing in the long term plan that Kane and I shared with you, and also each of these writers that we’ve added to the Verse 2 roster.

“Speaking of family,” Earls added. “Kane Brown, here we are again. I’m not only honored to be celebrating your seventh No. 1 country single, but also our first at Verse 2. I’ll never forget the night you called saying you found someone for us to sign on Instagram.”

He closed by telling the industry crowd Gray’s discovery story, from Instagram to the “One Mississippi” co-write. “It was a high pressure opportunity and Levon delivered. He brought the title idea and these four guys knocked it out of the park,” Earls said. “Levon, it’s pretty extraordinary that your first co-write in Nashville is a No. 1 song.”

Big Loud’s Michael Giangreco was up next to talk about Ernest. “How about Ern? Five No. 1s and three more records on the radio right now,” he said. “We couldn’t be more excited we get to work with you. You’re one of the best guys of all time.”

Next up was Sony Music Publishing’s Gaston, who recognized Brown’s songwriting ability. “Kane Brown is a real deal songwriter,” he said. “There will be a day when every one of us are celebrating Kane Brown going into the Country Music Hall of Fame. This will happen. But there will also be a day where we all celebrating Kane Brown going into the Songwriters Hall of Fame. That’s what a songwriter he is.”

Dennis Reese, Sr. VP of Promotion & Artist Development at RCA Records, spoke about his and Brown’s collaboration process on picking singles.

“I’ve been in Nashville now for five years. My first day on the job was April 1 at the ACMs in Las Vegas. I met Kane Brown the very first day on the job,” Reese recalled. “He was quiet and not feeling well, and had that ‘I’m not sure if I trust you or not’ vibe. But hopefully after seven No. 1 songs, he trusts me,” he said.

Pictured (L-R): Ernest, Kane Brown, Jesse Frasure, Levon Gray. Photo: Steve Lowry

Frasure was the first of the songwriters to speak. He spoke about the interweaving of team members in the crowd. “I love that this family in the Nashville publishing community is so [interwoven]. We’re all supporting each other and fighting for this hard business,” he said.

Ernest was up next. “It means everything to finally get to celebrate a No. 1 with human people in person!” he said before recognizing the people who first took a chance on him.

Gray was quiet and grateful when he spoke. “I was working night shift in a gas station when I tagged Kane in my post. I’m very grateful to be here in Music City amongst the most talented artists and writers in the world,” he said. “This right here is one of the greatest moments of my life.”

Superstar Brown closed the celebration with some brief remarks. He was particularly excited to celebrate Gray’s first No. 1. “I’m so pumped for you, man. Thank you for tagging me,” he said.

He thanked his whole team, and closed with, “I love everyone in here. Thank you so much for coming. Hopefully there is many more to come.”

Travis Tritt & Chris Janson To Embark On Co-Headlining ‘The Can’t Miss Tour’ This Fall

Travis Tritt and Chris Janson are set to embark on their co-headlining “The Can’t Miss Tour,” kicking off on Oct. 7 in Huntington, West Virginia.

Joining Tritt and Janson are the War Hippies, the newly-formed duo of Scooter Brown and Donnie Reis, who will appear as special guests along the tour. The trek will make stops in Charlotte, Richmond, Tupelo, and more before wrapping on Nov. 19 in Atlanta.

“I’m really looking forward to ‘The Can’t Miss Tour’ with Chris this fall,” Tritt shares. “Our high-energy performances complement each other so well. Audiences are going to be thoroughly entertained.”

“Excited to be out touring with one of my favorites,” Janson adds. “It’s gonna be a rowdy fall, and I’m looking forward to it!”

More tour dates are slated to be added and announced at a later date. For ticketing information, click here.

The tour announcement precedes the launch of Janson’s fourth studio album, All In, which includes the track “Things You Can’t Live Without” featuring Tritt.

“The Can’t Miss Tour” Dates:
Oct. 7: Huntington, WV Mountain Health Arena
Oct. 8: Youngstown, OH Covelli Centre
Oct. 9: Allentown, PA PPL Center
Oct. 13: Jonesboro, AR First National Bank Arena
Oct. 14: Grand Prairie, TX Texas Trust CU Theater
Oct. 20: Highland Heights, KY BB&T Arena
Oct. 22: Corbin, KY The Corbin Arena
Oct. 23: Charlotte, NC Bojangles’ Coliseum
Oct. 27: Clearwater, FL Ruth Eckerd Hall
Oct. 28: Estero, FL Hertz Arena
Oct. 29: Pompano Beach, FL Pompano Beach Amphitheater
Nov. 5: Richmond, VA Altria Theater
Nov. 11: Tupelo, MS BancorpSouth Arena
Nov. 19: Atlanta, GA Gas South Arena

John Anderson Tribute Album Featuring Eric Church, Luke Combs, More Set For August

A new project celebrating the career of John AndersonSomething Borrowed, Something New: A Tribute to John Anderson, is set for release Aug. 5 via Easy Eye Sound.

The project will feature new versions of some of Anderson’s most beloved hits performed by Eric Church, Luke Combs, Jamey Johnson, Ashley McBryde and more. In advance of the new collection, “I Just Came Home to Count the Memories,” performed by Gillian Welch and David Rawlings, is out now.

Produced by Dan Auerbach and David Ferguson, the record also features tracks performed by Brothers OsborneTyler ChildersBrent CobbSierra FerrellSierra HullDel McCouryJohn PrineNathaniel Rateliff, and Sturgill Simpson. Among the favorites covered on the album are the classic “Straight Tequila Night,” “1959,” “When It Comes to You,” “I’m Just An Old Chunk of Coal (But I’m Gonna Be a Diamond Some Day),” and more.

“Listening to everybody do their own takes on the songs shows how the songs really come through,” notes Anderson. “And I thought to myself, ‘You might have been young and foolish back then, but you sure did pick some good songs.’ It’s very gratifying to know that some things really do not change, and a great country song remains a great country song. Any one person on the record would be a real tribute, but all of them together? It’s a pretty big deal for me personally.”

“We weren’t trying to piddle around and make the normal tribute record. It had to be the best singers with the best songs and the best arrangements, and they had to come into the studio. This wasn’t like, ‘Mail me the song, and we’ll put it together.’ I think it makes this record unique,” Auerbach adds. “I don’t think most tribute records are done like this. I think that’s why it sounds like a cohesive album. It feels like an amazing mix tape.”

A Nashville Songwriters Hall of Fame inductee, Anderson has enjoyed 60 charting singles in four consecutive decades including five No. 1 songs: “Wild and Blue,” “Swingin’,” “Black Sheep,” “Straight Tequila Night” and “Money in the Bank.”

Something Borrowed, Something New: A Tribute To John Anderson Track List:
1. “1959” performed by John Prine
2. “Years” performed by Sierra Ferrell
3. “Wild and Blue” performed by Brent Cobb
4. “Low Dog Blues” performed by Nathaniel Rateliff
5. “Mississippi Moon” performed by Eric Church
6. “I Just Came Home to Count the Memories” performed by Gillian Welch & David Rawlings
7. “Shoot Low Sheriff!” performed by Tyler Childers
8. “Seminole Wind” performed by Luke Combs
9. “When It Comes to You” performed by Sturgill Simpson
10. “You Can’t Judge A Book (By The Cover)” performed by Brothers Osborne
11. “Would You Catch A Falling Star” performed by Del McCoury feat. Sierra Hull
12. “Straight Tequila Night” performed by Ashley McBryde
13. “I’m Just An Old Chunk of Coal (But I’m Gonna Be a Diamond Some Day)” performed by Jamey Johnson

Tyler Hubbard Signs With EMI Nashville, Plans Upcoming Solo Project

Tyler Hubbard. Photo: John Shearer

Tyler Hubbard, half of the multi-Platinum duo Florida Georgia Line, has signed a recording contract with EMI Nashville, an imprint of UMG Nashville.

Hubbard has collaborated with several artists in the past year as a solo artist, namely Tim McGraw on “Undivided.” Now aligned with EMI Nashville, Hubbard will release a full solo project.

In March of 2021, Hubbard’s FGL partner Brian Kelley announced he had partnered with Warner Music Nashville for his solo music venture, Nashville South Records, Inc. He released his debut solo album, Sunshine State Of Mind, in June.

Despite rumors, the two have maintained that they are not breaking up, just pausing on recording new FGL music and spending their energy pursuing solo interests. Florida Georgia Line remains part of BMLG Records’ artist roster.

FGL is currently the subject of an exhibit at the Country Music Hall of Fame, and will headline Pepsi Gulf Coast Jam in June. Many of Hubbard and Kelley’s business ventures are also intertwined, including Tree Vibez Music, their publishing company, and Old Camp, their whiskey brand.

BBR Appoints Katie Kerkhover To VP Of A&R, Sara Knabe To Exit

Katie Kerkhover & Chris Poole

BBR Music Group has promoted Katie Kerkhover to VP, A&R and Chris Poole to Sr. Director, A&R.

Joining BMG in 2020, Kerkhover previously served as Sr. Director, Creative, in music publishing where she managed BMG’s Nashville roster of songwriters including Kurt Allison, Tully Kennedy, Ben Goldsmith, Emily Landis, James Slater, and Wynn Varble, among others. She also signed and developed new songwriters and artists.

In her new role she will be responsible for BBR Music Group’s roster of recording artists across imprints Broken Bow Records, Stoney Creek Records and Wheelhouse Records, as well as scouting, signing, and developing new talent for the roster. She will report directly to Jon Loba, President, Recorded Music & Publishing, Nashville. Kerkhover can be at katie.kerkhover@bmg.com.

The move reflects the continued alignment within BMG’s recorded and publishing teams under the dual leadership responsibilities of Loba, now overseeing both repertoire teams. Outgoing VP, A&R, Sara Knabe will stay through June 1 for the transition.

“I’ve always thought Katie would be an incredible A&R executive and seeing her in action on the publishing side over the last year and half has only strengthened that belief. She not only has an amazing ear for songs, but additionally an ear for her artists and writers’ visions. The development of American Idol winner Chayce Beckham is a shining example,” Loba explains. “I’m excited to have her and Chris Oglesby lead our respective recorded and publishing creative teams and further strengthen the unique relationship between the two.”

Additionally, BBR Music Group has promoted Chris Poole to Sr. Director, A&R, where he will continue to scout and develop up-and-coming recording artists, as well as guide and champion the label group’s roster. Poole joined BMG in 2018, previously serving as Director, A&R. He will report directly to Kerkhover and can be reached at chris.poole@bbrmusicgroup.com.

“Chris Poole’s promotion to Sr. Director is beyond well-deserved,” Loba adds. “He is the epitome of the young A&R exec who has his finger on the pulse of creative conversations in Nashville. His work with Elvie Shane, among other new artists, speaks for itself.”

Marty Stuart’s ‘Late Night Jam’ Returns With Billy Strings, Emmylou Harris, More

Marty Stuart’s 19th “Late Night Jam” will return to the Ryman Auditorium on June 8 after a two-year hiatus due to the pandemic.

Artists set to perform during the annual CMA Music Fest week show include Billy Strings, Colt Clark & Quarantine Kids, Connie Smith, Emmylou Harris, The Grand Ole Opry Square Dancers, Jontavious Willis, Lainey Wilson, Marcus King, Williams & Ree, and others to be announced soon. Stuart will also perform songs from his extensive back catalog and preview brand new original songs during the evening.

“It’s been two years since the last Late Night Jam. It’s wonderful to think about gathering at the Mother Church of Country Music again and making music,” shares Stuart. “Some of the most memorable musical moments I’ve ever experienced happened on the stage of the Ryman at previous ‘Late Night Jams.’ I have no doubt that I can count on that same magic to occur this year.”

This year performers will be paired with historic guitars from Stuart’s private collection, including Merle Haggard’s 1970 Martin S000-45, Johnny Cash‘s 1937 Martin D-45, George Jones‘ 1957 Martin D-28, Tammy Wynette‘s 1967 Fender Palomino and Pops Staples’s 1969 Fender Rosewood Telecaster.

Tickets for Stuart’s “Late Night Jam” will go on sale on May 6 and can be purchased here.

This year’s ‘Late Night Jam’ will raise funds for Stuart’s Congress of Country Music project which is currently in development in Philadelphia, Mississippi. Previously, the event has benefited MusiCares, as well as the victims of the Nashville flood, giving away hundreds of thousands of dollars over the years.