Hit Producer & DRUMATIZED Founder Tay Keith Passes

Tay Keith

Grammy-nominated producer and DRUMATIZED Founder Tay Keith passed away today (June 18) at his Nashville home. He was 29.

Known for his hard-hitting trap beats, Keith earned 11 top 10 songs on the Billboard Hot 100 and produced four No. 1 hits, including Travis Scott’s “Sicko Mode” and Drake’s “First Person Shooter.” He also holds the record for the most No. 1 songs on the Hot R&B/Hip-Hop Songs chart this decade, with six. He is a two-time Grammy nominee and three-time BMI Producer of the Year.

Beyond hip-hop, Keith expanded into country music and worked to build opportunities for artists in Nashville. He founded DRUMATIZED, a label and creative space that supported both hip-hop and country musicians. The studio became the second Black-owned recording studio in Nashville and hosted private music camps for artists such as Walker Hayes, Lalo Guzman, Reyna Roberts and David J, among others. He has also worked with Kane Brown, ERNEST and Bailey Zimmerman, among others.

Born Brytavious Lakeith Chambers, Keith was born and raised in south Memphis, Tennessee. Around age 14, Keith started making music and sharing it on YouTube and DatPiff. Using a piano at home, he created original beats and remade popular songs, including Lil Wayne’s “Lollipop.”

After moving to East Memphis, Keith met rapper BlocBoy JB. The two quickly connected and began making music together, starting a partnership that would help shape both of their careers.

In December 2018, Keith graduated from Middle Tennessee State University, celebrated his first No. 1 hit with “Sicko Mode,” and earned his first Grammy nomination. He also remained committed to helping other artists succeed, playing a key role in the careers of Memphis rappers like BlocBoy JB and Black Youngsta. In 2018, he produced BlocBoy JB’s biggest hit, “Look Alive,” featuring Drake, which reached No. 5 on the Billboard Hot 100 and introduced the Memphis rapper to a much larger audience.

In the early 2020s, he helped launch Sexyy Red into the spotlight by producing her breakout hit “Pound Town,” a song that helped turn her from a rising local artist into a major name in hip-hop.

Keith’s signature sound, which included booming drums and powerful bass, made his productions stand out. His work on songs like Eminem’s “Not Alike” and Lil Baby and Gunna’s “Never Recover” gave artists the energy and impact they were looking for while helping bring Memphis’ influence back to mainstream rap.

Additional credits also include BlocBoy JB’s “Rover” (later remixed to “Rover 2.0” featuring 21 Savage), and “Shoot,” Drake’s “Nonstop,” Beyoncé’s “Before I Let Go,” Aitch’s “Rain,” featuring AJ Tracey and many more.

“He wasn’t impressed by his success, and if he had an ego, he never showed it,” says Beverly Keel, Dean of the MTSU Scott Borchetta College of Media and Entertainment. “He was confident in his work, but there was no arrogance. (I once asked him if he was nervous sending a song to Beyonce, and he simply said no.) He was focused on building an empire, supporting and building others’ careers along the way. He hired several MTSU students as interns.”

Funeral services have not been announced.

Morgan Wallen Notches Third Consecutive Week Atop MusicRow Radio Chart

Morgan Wallen; Photo: Spidey Smith

Morgan Wallen remains No.1 on the MusicRow CountryBreakout Radio Chart for a third consecutive week with his hit “Don’t We.”

The track comes from his fourth studio album I’m The Problem and was written by Wallen, Rocky Block, John Byron, Ashley Gorley, Blake Pendergrass and Charlie Handsome.

Wallen is currently on the road as a part of his “Still The Problem Tour” with upcoming shows alongside Ella Langley, Brooks & Dunn, Thomas Rhett, HARDY and more.

“Don’t We” currently sits at No. 5 on the Billboard Country Airplay chart and No. 4 on the Mediabase chart.

Click here to view the latest edition of the MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

LOCASH Talks Two Decades Of Betting On Themselves [Interview]

LOCASH. Photo: Josh Beech

More than 20 years after first meeting in Nashville, Chris Lucas and Preston Brust have entered a new chapter of their careers.

The duo behind LOCASH recently expanded their independent venture with Music City Power Company, an artist development and marketing company that operates alongside Galaxy Label Group, the label they launched in 2024. A new partnership with Intercept will help power the next phase of that growth. The move comes after one of the most successful stretches of the duo’s career, including the multi-week No. 1 hit “Hometown Home.” Getting to this point, however, took time.

Long before the chart success, Lucas and Brust met while working at Nashville’s Wildhorse Saloon, where they were both aspiring musicians trying to figure out what came next. Wildhorse offered more than a paycheck. Record labels regularly brought new music into the club to gauge audience reactions, giving the duo an early look at how the industry operated. Outside of work, they began writing songs and

Photo: bigred

discovering how their different influences could fit together. Brust grew up on gospel music.

Lucas leaned toward rock. Both shared a love for harmony-heavy R&B groups from the 1990s. Before long, they were playing regular shows at Tootsie’s Orchid Lounge. The crowds started small, but slowly grew. Wednesday nights turned into Fridays and eventually Saturdays.

One night, booking agent Gary Curtis walked into the venue during a snowstorm. The chance encounter would change the course of their career. “He takes one step in, dusts the snow off, looks at us, looks at the crowd and immediately says, ‘Call me,’ hands us his business card and leaves,” the duo tells MusicRow. A few days later, Curtis invited the duo to his office and pitched a plan. If they were willing to take the show on the road, he would help get them booked across the country. The strategy was simple. Curtis offered venues a money-back guarantee and told LOCASH to hook a U-Haul to a Jeep Cherokee and start driving.

The gamble paid off. What started as bar gigs soon turned into a relentless touring schedule that took the duo across the country and helped build the grassroots following that would carry them through the years ahead. The momentum eventually led to a record deal with DreamWorks in 2003. For a moment, it looked like everything they had been working toward was finally happening. Then the label was sold before the duo had even recorded an album.

“We thought, we’ll just go get another record deal. It won’t be a big deal. It was harder the second time around.”

Rather than walk away, they went back to building. They continued touring, growing their audience and looking for another opening. Over the years, opportunities came and went. Through it all, Lucas and Brust kept writing songs, playing shows and looking for ways to stay in the game.

LOCASH.

As the years went on, the duo continued to gain momentum. After signing a new deal, their single “Keep in Mind” was climbing at country radio, and the duo had committed to dozens of appearances across the country to support it. Then, just as things seemed to be moving in the right direction, the label shut down. They were offered a chance to cancel the radio appearances they had already booked, but they decided to honor every commitment.

“When you look back on it, that was one of those turning points,” they share. “We could have taken the easy way out, but I think that is why we have such a good relationship with country radio now. It’s because of those moments when we all just honored each other and said ‘A handshake is a handshake. We’re doing this.’”

After eventually signing to a new label deal, the duo wrote “I Love This Life,” a song they immediately believed in and one that would ultimately become their breakout hit. Not everyone shared their enthusiasm. Rather than abandon the song, Lucas and Brust decided to bet on themselves. They left the deal with “I Love This Life” and took it directly to the radio programmers and industry relationships they had spent years cultivating. That track climbed the charts and, as the duo puts it, “LOCASH was officially on the map.”

LOCASH.

What followed was the most successful stretch of their career. Over the next decade, they would earn multiple No. 1 hits, tour internationally and watched a dream they had spent years chasing finally become reality. Along the way, they also gained a deeper understanding of the business itself.

Early in their career, radio executive Bill Catino offered a piece of advice that stuck with them: “No one is gonna care about your career more than you.” The lesson stayed with them through every stage of their success. As Lucas and Brust became more involved in everything from promotion and marketing to artist development and long-term strategy, they began to see opportunities beyond simply recording and touring.

By 2024, that mindset led to one of the biggest decisions of their career. Lucas and Brust launched Galaxy Label Group alongside industry veterans Skip Bishop and Butch Waugh, with LOCASH serving as the label’s flagship artist. The move represented something larger than simply starting a record label. After spending more than two decades learning the music business from every angle, they finally had the opportunity to build something of their own, and the gamble paid off. “Hometown Home,” the first song released on the label, became LOCASH’s first multi-week No. 1 hit.

LOCASH & Skip Bishop.

As the duo continued expanding the label’s team, they leaned on the relationships they had spent decades cultivating. “It felt so different being on our own because we knew all these years of experience and all these 20 years of ups and downs and in-betweens, meeting people,” Brust says. “You take it back and rewind to those 50 or 60 radio shows that we honored 15 years ago and things like that, and it all comes to this moment.” Former colleagues, radio veterans, marketers and industry executives have all become part of the growing operation, including Kerry Wolfe, Cheryl Broz, Mitch Mills, Mara Sidweber and others. Together, they’ve helped transform Galaxy from a label built around LOCASH into a growing company focused on artist development, promotion and long-term career building.

That growth eventually expanded into Music City Power Company, a venture launched alongside Bishop and Canadian music entrepreneur Shane Harluk. Designed as a natural extension of Galaxy, the company brings together artists, songwriters and industry professionals to offer everything from artist development and creative strategy to marketing and promotion.

Photo: bigred

The latest piece of that puzzle came through a new partnership with Intercept. After evaluating a number of distribution options, Lucas and Brust said they were drawn to the company’s global reach, but also to the opportunity to help establish a stronger presence in Nashville. Rather than viewing the arrangement as a traditional distribution deal, they describe it as a collaborative partnership that aligns with the long-term vision for both Galaxy and Music City Power Company. “We’ve got a real partnership, not just a distro deal, but something we’re all invested in,” the duo says.

With new music coming and a busy tour schedule through the rest of year, Lucas and Brust are still building. When asked what they would tell the two young artists who moved to Music City, the answer was simple. With a laugh, they shared, “Stay the course, keep the wheels rolling, and the Beach Boys are going to call.”

Little Big Town To Headline The Carousel Ball In Denver

Little Big Town. Photo: Courtesy of Becky Fluke

Little Big Town will perform at the 40-year anniversary of The Carousel Ball on Oct. 3 at the Sheraton Denver Downtown Hotel.

“We are honored to welcome Little Big Town to this year’s Carousel Ball,” says Dana Davis, Event Chairman, and Barbara Davis, Honorary Chairman. “For nearly five decades, the Carousel Ball has brought together an incredible community united by one goal – to improve the lives of people living with type 1 diabetes and help accelerate research toward better treatments, prevention, and ultimately a cure. We are deeply grateful to Little Big Town for joining us in support of this special evening.”

The Carousel Ball celebrates the work of the Barbara Davis Center for Diabetes, and proceeds benefit research programs for type 1 diabetes. Past performers have included Usher, Lenny Kravitz, Reba McEntire, Lionel Richie and more, with the Goo Goo Dolls performing at last year’s event.

Little Big Town’s upcoming 12th studio album, It’s A Dying Art, arrives Aug. 28 via MCA. Co-produced by LBT’s Karen Fairchild and Gena Johnson, the project includes collaborations with Ashley Monroe, Jason Isbell and Kelsea Ballerini.

Opry Entertainment Group To Host July 4th Celebrations Across Nashville

Photo: Courtesy of Opry Entertainment Group

Opry Entertainment Group will celebrate America’s 250th birthday by hosting multiple Fourth of July celebrations across Nashville at Category 10, the Grand Ole Opry, Ole Red and the Ryman Auditorium.

Locals and visitors alike are invited to enjoy a full week of festivities from June 29-July 5, including rooftop firework views, live music and iconic tours and performances.

Category 10 will host Luke Combs’ Big USA Party on July 4 with live music, line dancing and signature eats and cocktails. Guests can take in views of Nashville’s downtown fireworks display from The Eye, Category 10’s riverfront rooftop. The venue will offer both general admission tickets or VIP table packages. This event is for guests aged 21 and older and tickets are available here.

Guests can also enjoy panoramic views of the Fourth of July firework show on Ole Red’s The Lookout rooftop. General admission tickets include rooftop access and live music, with food and beverages available for purchase. This event is for guests aged 21 and older and tickets can be purchased here.

The Grand Ole Opry will commemorate America’s 250th birthday with two special nights of country music featuring Opry members and guest artists including Suzy Bogguss, Gary Mule Deer, Ashby Frank, Wendy Moten, Charlie Worsham, Darin & Brooke Aldridge, Dean Miller and Frank Ray, with additional artists to be announced. Tickets are available here.

To celebrate America’s birthday, Ryman Auditorium will offer $25 self-guided tour tickets during the holiday week from June 29-July 5. Visitors can experience several exhibits, including “Opry 100 at the Ryman,” and “Unexpected Company.” Tour tickets are available online or at the Ryman box office.

Unanimous Senate Action Advances NO FAKES Act Toward Passage

Randy & Mary Travis appear in DC to promote consensus bill supporting both IP and AI on April 9, 2025. Photo: Dan Swartz

The Recording Industry Association of America has renewed its strong support of the NO FAKES Act (“Nurture Originals, Foster Art, and Keep Entertainment Safe Act of 2026”).

The latest effort pushes the NO FAKES Act closer to passage this Congress as Senators Dick Durbin (D-IL), Katie Britt (R-AL), Mazie Hirono (D-HI), Ashley Moody (R-FL), Peter Welch (D-VT) and Adam Schiff (D-CA) add their support.

The NO FAKES Act is a measured, vetted approach that considers individual rights, mitigates costly litigation and allows U.S. AI companies to compete globally while defending the voices and likenesses of its people. A broadening coalition of creators, advocacy groups and technology stakeholders is driving nationwide protection for every American to maintain control over their own voice and likeness from exploitive unauthorized AI-generated voice and image clones while also encouraging innovation and protecting free speech, creating clear momentum for Congressional passage this year.

“RIAA applauds the steadfast leadership of Senators Marsha Blackburn (R-TN), Chris Coons (D-DE), Thom Tillis (R-NC) and Amy Klobuchar (D-MN), and US Representatives María Elvira Salazar (R-FL-27), Madeleine Dean (D-PA-4), Nathaniel Moran (R-TX-1), Becca Balint (D-VT) and Laurel Lee (R-FL-15), alongside a growing number of bipartisan colleagues in both Houses of Congress driving the NO FAKES Act,” says RIAA Chairman & CEO Mitch Glazier. “We are encouraged by today’s passage in the Senate Judiciary Committee and look forward to the bill’s passage into law later this year” he continues. “An extraordinary cross-sector coalition including the creative community, child safety groups, free market groups, labor unions, free speech advocates, and AI developers have come together to support these protections for Americans’ voice and likeness from exploitive digital deepfakes, and consumers agree: 92% worry about the impact of AI deepfakes on authenticity, society and culture. The NO FAKES Act answers the call.”

The NO FAKES Act will give every American a right in their voice & likeness from invasive AI deepfakes & voice clones, not just celebrities and other prominent figures; expressly protect First Amendment uses such as for news reporting and parody; reduce litigation by creating one national rule and allowing UGC platforms to avoid liability when promptly removing unauthorized deepfakes; institute a new counter-notice process when content is improperly removed to support free speech; protect education and research for libraries and related institutions; and provide clear notice and takedown obligations for online services.

Congressional offices can be reached here to actively support the bill (S. 4591/H.R.8915) becoming law this year.

Country Cruising Adds Russell Dickerson, David Nail, More To 2027 Lineup

Russell Dickerson & David Nail

Country Cruising has revealed the final additions to its 2027 cruise lineup April 11-18.

Russell Dickerson, Hannah Dasher, David Nail, Jacob Tolliver, FILMORETyra Madison, Maddie Rose and Dawson Steagall are all set to join the seventh annual cruise, this year visiting Tampa, Cozumel, Belize, and Costa Maya.

The artists join previously announced performers Drake White, Alana Springsteen, Tiera KennedyRandy Travis, Paul Overstreet, Craig Morgan, James Otto, KC Johns and Maggie Baugh.

The seven night cruise will visit Tampa, Cozumel, Belize and Costa Maya. Booking information is available here.

David Nail Signs With 117 Entertainment, Carnival Music & New Frontier Touring

Pictured (L-R): 117 Entertainment’s Zach Farnum, Carnival Music’s Frank Liddell, New Frontier Touring’s Peter Loomis and David Nail. Photo: Randon Bopp

David Nail has signed with 117 Entertainment for management and public relations, New Frontier Touring for worldwide touring representation, and Carnival Music for publishing.

“One of the great honors of my career is to have been involved with David all these years. He is making his most inspiring music right now and it’s a lot of fun to watch. It’s moving to still be a part of such a wonderful artist and a beautiful career,” says Carnival Music’s Frank Liddell.

“David Nail is one of the musical diamonds in the rough of our generation. His catalog is full of wonderful art, and I believe that the best is still within him and yet to be heard. I’m excited to renew and strengthen our partnership and continue lengthening his career trajectory,” shares 117 Entertainment’s Zach Farnum.

“David has had an incredible career and continues to connect with audiences in a real way through both his authentic songs and live show. We’re excited to welcome David Nail to New Frontier Touring and be part of the next phase of his touring career!” adds New Frontier Touring’s Peter Loomis.

Nail will release his new album Flowers on Aug. 21, which features “The Crown,” “Fare Thee Well” and “She Knows.” He is also amidst his recently extended “Down to the Studs Tour,” which will visit Nashville, Albany, Louisville and more through November.

Katie Pruitt To Kick Off ‘Fools For The Fleeting Tour’ In September

Katie Pruitt

Katie Pruitt will launch her 2026 “Fools For the Fleeting Tour” beginning on Sept. 23 in Raleigh.

The 33-city tour in celebration of Pruitt’s just-announced album, Fools for the Fleeting, will feature stops in Brooklyn, Chicago, Austin, Santa Fe, Boise, and more, wrapping in Nashville Dec. 2 at The Basement East. Tickets are on sale now.

The tour will feature tracks from Pruitt’s new album Fools For the Fleeting, due out Sept. 18, and will showcase Pruitt’s stellar guitar work, inviting audiences into moments of reflection, release, and connection. Last week Pruitt shared the album’s first single “Blackout,” featuring singer-songwriter Nolan Taylor. 

“Fools For the Fleeting Tour” Dates:
September 23 | Lincoln Theatre | Raleigh, NC
September 24 | The Atlantis | Washington, DC
September 25 | Levon Helm Studios | Woodstock, NY
September 27 | Ardmore Music Hall | Ardmore, PA
September 28 | Music Hall of Williamsburg | Brooklyn, NY
September 29 | Wonder Bar | Asbury Park, NJ
September 30 | Space Ballroom | Hamden, CT
October 2 | One Longfellow Square | Portland, ME
October 3 | Iron Horse Music Hall | Northampton, MA
October 4 | Crystal Ballroom at Somerville Theatre | Somerville, MA
October 5 | Higher Ground Showcase Lounge | South Burlington, VT
October 7 | The Drake | Toronto, ON
October 9 | Amsterdam | Saint Paul, MN
October 10 | Atwood Music Hall | Madison, WI
October 12 | Lincoln Hall | Chicago, IL
October 20 | The Heights Theater | Houston, TX
October 21 | The Kessler Theater | Dallas, TX
October 22 | 3TEN ACL Live | Austin, TX
October 24 | Tumbleroot Brewery and Distillery | Santa Fe, NM
October 26 | Valley Bar | Phoenix, AZ
October 27 | Troubadour | West Hollywood, CA
October 29 | The Chapel | San Francisco, CA
October 31 | Mississippi Studios | Portland, OR
November 1 | The District | Spokane, WA
November 2 | Neumos | Seattle, WA
November 4 | Parallel at Knitting Factory Boise | Boise, ID
November 6 | Globe Hall | Denver, CO
November 8 | Fox Theatre | Boulder, CO
November 10 | The Bottleneck | Lawrence, KS
November 13 | Neighborhood Theatre | Charlotte, NC
November 14 | Asheville Music Hall | Asheville, NC
November 15 | Terminal West | Atlanta, GA
December 2 | The Basement East | Nashville, TN

Jenna Wilson Joins Tape Room Music

Jenna Wilson. Photo: Makenna Wilson

Jenna Wilson has joined Tape Room Music as Coordinator. She will report to Director, A&R Caroline Hodson.

“Jenna has already proven herself as a great addition to the Tape Room team,” shares Hodson. “Her passion for country music and the people who create it was evident when we met her. We are happy to have her on board!”

Wilson has experience in publishing administration, royalty operations, artist management, and A&R support through roles at Capitol Christian Music Group, Warner Chappell Music, and Neon Coast. Her background includes songwriter administration, catalog management, co-write coordination, and creative support for songwriters and artists. Hailing from Southern California, Wilson moved to Nashville to pursue a career in the music industry and earned a Music Business degree from Belmont University.

Wilson can be reached here.