TJ Martell Foundation Former Exec. VP/GM Charged With Wire Fraud Of $4 Million

Melissa Ann Goodwin, the former Exec. VP/General Manager for the TJ Martell Foundation, has been charged with wire fraud for allegedly embezzling nearly $4 million from the charity, according to a report from Billboard.

The TJ Martell Foundation for Cancer Research was founded by music executive Tony Martell in 1975 after his son TJ died from leukemia. The organization has been heavily supported by the music industry, having held multiple charity events in Nashville, Los Angeles, New York, and Miami. The organization has raised more than $280 million in support of medical research grants, and helped secure more than $1 billion in additional research funding.

Nashville-based Goodwin joined TJ Martell in 2005 as Special Events Manager, and rose to Exec. VP and GM in 2018. According to a federal charging document obtained by Billboard and filed by acting U.S. attorney Mark Wildasin in Tennessee federal court, from July 2018 to April 2020 Goodwin allegedly abused her power of overseeing all finance operations to make fraudulent charges and allegedly embezzled nearly $4 million from the foundation.

The alleged fraud was initially discovered in 2020, when TJ Martell’s then-CEO Laura Heatherly asked the organization’s accountants to copy her on all correspondence with Goodwin, after the long-term employee had become delinquent in filing financial statements and expense reports. Lynn-Anne Huck, who has been acting as TJ Martell’s interim CEO since late 2020, oversaw the review that unearthed the extent Goodwin’s activities.

Goodwin allegedly turned some items over to the founder/owner an auction company, listed in the filing as Individual One, to resell for profit for themselves, misappropriating more than $4.2 million of foundation funds. TJ Martell, which makes a portion of its money from auctioning items, had previously legitimately used Individual One’s business to provide items to auction. Individual One has since been named as Darran Brown, the founder/owner of auction companies Executive Sports Group (ESG) and Go Charity.

According to Billboard‘s report, Goodwin, Brown and the auction companies are all accused of fraud, conspiracy and conversion. Goodwin is also accused of breach of contract and breach of fiduciary duty.

TJ Martell has since brought a $5 million civil suit against the Nashville-based Kraft CPAs firm and the New Jersey-based Dorfman Abrams Music firm for breach of contract and professional negligence.

Goodwin faces up to 20 years in prison, a forfeiture of $3.7 million, and a fine of up to $250,000, if convicted.

Big Machine Music Opens Los Angeles Office, Taps Timmy Haehl

Timmy Haehl. Photo: Courtesy of Big Machine Music

Big Machine Music has announced the opening of a new Los Angeles office, bringing on Timmy Haehl as Sr. Dir. of Publishing.

BMM’s expansion from their Nashville-based headquarters comes on the heels of several global successes. As one of the top ten on Billboard’s Hot 100 Publishing Corps for the past five years, BMM has recently celebrated the success of GAYLE’s “abcdefu” (co-written by BMM songwriter Sara Davis), 2021 BMI Pop Song of the Year Maren Morris’ “The Bones” (co-written by BMM songwriter Laura Veltz), Dan + Shay and Justin Bieber’s “10,000 Hours” (co-written by BMM songwriter Jessie Jo Dillon), Diplo’s “Heartless” (co-written by BMM songwriter Ryan Hurd) and the Grammy Awards Song of the Year nominee Alicia Keys and Brandi Carlile’s “Beautiful Noise” (co-written by BMM songwriter Brandy Clark).

“Between Big Machine Music’s crossover hits, the growth of our roster to include LA-based songwriters and our inter-company collaborations with SB Projects, it is a natural move for us to formally open a West Coast office, and Timmy is the perfect creative publishing executive with which to start,” says BMM’s General Manager Mike Molinar.

Originally from Seattle, Haehl will assist with BMM’s pop songwriter signings as well as represent the entire roster for multi-genre opportunities. The Harvard University graduate began his career at Geffen Records in A&R and most recently served as Director of A&R and Management at Hallwood Media. His clients have included creatives such as London-based David Stewart, legendary rock producer Brendan O’Brien and Grammy-nominated producer/writer King Henry, the latter of whom Haehl will continue to represent.

Haehl will work from the company’s Santa Monica office and report to BMM’s VP of Publishing Alex Heddle and Molinar.

“Timmy exhibits every bit of Big Machine Music’s values and vision for the future,” adds Heddle. “His passion for developing and promoting creatives is palpable. We are very excited to have him join our team.”

Haehl shares, “I couldn’t be more excited to join Big Machine Music and help bring Nashville’s top independent publisher into a new era of success within the LA creative community. As Big Machine Music’s personalized, writer-focused strategy and hit song sensibilities align with my own, I am looking forward to success with this team and the current roster of songwriters as well as future signings.”

Haehl can be reached at Timmy.Haehl@bigmachinemusic.com.

Hipgnosis Song Management Acquires Kenny Chesney Catalog

Kenny Chesney. Photo: Danny Clinch

Hipgnosis Song Management has acquired a catalog from Kenny Chesney.

The acquisition includes 80% of Chesney’s recorded music royalties, covering his discography from his critically acclaimed 1994 debut In My Wildest Dreams through 2017’s Live in No Shoes Nation.

Chesney’s catalog includes 22 albums, 15 of which are certified Platinum—including five multi-Platinum certifications—and 20 of which that are certified Gold. His catalog includes nine No. 1 all-genre Billboard 200 albums, 17 No. 1 Billboard Country Albums and 18 Top 10 Billboard Country albums.

Also included in this acquisition are his future greatest hits, live and/or acoustic albums, as well as Sound Exchange and Neighboring Rights royalties for every album in Chesney’s catalog, including two additional No. 1 albums: 2018’s Songs for the Saints and 2020’s Here and Now. This deal signals an ongoing relationship with the star.

Chesney has been one of country music’s most prolific voices over the last two decades. He has sold over 30 million albums worldwide, with 34 country No. 1 records. The eight-time Entertainer of the Year is a highly regarded artist, songwriter, entrepreneur, and steward of country music.

This is the first acquisition made by Hipgnosis Song Management since its recently announced partnership with Blackstone to acquire music rights and manage catalogs.

“To know that this music has a home that views the work as a collective body, something that builds on itself and captures the heart of No Shoes Nation, was important to me,” Chesney shares. “How these songs live going forward is critical, and I believe Merck [Mercuriadis, Founder of Hipgnosis Song Management] has the best interests of not just the recordings but the people who love them as his driving interest. For the people who love these songs and albums, this is a scenario that allows the music to grow and reflect who those of us living inside these songs truly are.”

Chesney was represented in the deal by his longtime manager Clint Higham at Morris Higham Management and lawyer Jess Rosen at Greenberg Traurig.

“Kenny Chesney is one of the truly great American artists. He has been bringing joy to music fans all over the world for almost 30 years,” says Mercuriadis. “His incredible success of more than 30 million records sold including nine No. 1 albums on the all-genre Billboard 200 chart and 17 No. 1 albums on Billboard’s Country chart tells you everything you need to know. Add in his unparalleled success as a touring artist and the juggernaut that is No Shoes Radio, and you realize Kenny is genuinely a phenomenon. It’s a pleasure and a privilege to welcome Kenny and Clint to the Hipgnosis Songs family and we are delighted to launch our new Blackstone backed fund with this landmark acquisition.”

Higham adds, “Kenny has put his life into amassing the collected body of work contained here, and it’s something we have all taken very seriously throughout his unprecedented career. There is no deal that is more important than protecting the legacy of these songs. Working with Merck and his team to secure this deal, we found people who are as serious about the recordings as we are, and that suggests there is an incredible future for Kenny’s recorded music through the Hipgnosis team.”

New Date Announced For Grammy Awards, CMT Music Awards Shifts Date

The 64th annual Grammy Awards will now take place at the MGM Grand Garden Arena in Las Vegas on Sunday, April 3. The show moved from its original date of Jan. 31 amid growing concerns surrounding the Omicron variant.

Along with the Grammy Awards shifting date, the CMT Music Awards will move from its originally scheduled date of Sunday, April 3 to a later date in April. Information about the date and location of the awards show will be announced in the coming weeks.

“Once we realized the need to move the Grammy Awards to a later date due to current health concerns, we came together quickly with our partners at the Recording Academy and CMT, to strategically reschedule these two incredible music events and utilize the full power of the ViacomCBS ecosystem to promote them,” says Jack Sussman, Executive Vice President, Specials, Music, Live Events & Alternative Programming, CBS. “Coming out of an exciting month of college basketball on CBS, we’re thrilled to continue our programming momentum with these two big live events for television in the spring.”

“We are excited to take the Grammys to Las Vegas for the very first time, and to put on a world-class show,” adds Harvey Mason Jr., CEO of the Recording Academy. “From the moment we announced the postponement of the original show date, we have been inundated with heartfelt messages of support and solidarity from the artist community. We are humbled by their generosity and grateful for their unwavering commitment to the Grammy Awards and the Academy’s mission. We appreciate the leadership CBS has shown during these challenging weeks and the flexibility of the CMTs and others who worked toward this solution.”

“What better way to introduce the CMT Music Awards to CBS than aligning with the Grammys during the network’s biggest month of music this April,” shares Margaret Comeaux, John Hamlin and Leslie Fram, executive producers, CMT Music Awards. “Our fans can expect another unforgettable night of music, and we look forward to announcing our new date and sharing more of what we have in store for this year very soon.”

The Grammy Awards will broadcast live from the MGM Grand Garden Arena on April 3 (8:00-11:30 PM, live ET/5:00-8:30 PM, live PT) on the CBS Television Network, and will be available to stream live and on demand on Paramount+. Trevor Noah will return as master of ceremonies for the evening.

Click here to view the nominees for the 64th annual Grammy Awards.

“Dean Of Country Broadcasters” Ralph Emery Passes

Ralph Emery. Photo: Courtesy of the Country Music Hall of Fame and Museum

Country Music Hall of Fame member Ralph Emery died on Saturday, Jan. 15 at age 88.

He was country music’s leading broadcaster for more than 50 years, first on radio and then as the genre’s ambassador on national cable television. Emery was also a recording artist, a presence in syndicated TV and the author of several books. His relaxed, avuncular style made country stars comfortable as they experienced their first mass-media exposure.

Walter Ralph Emery was born in McEwen, TN in 1933. He was a rather lonely and sad youngster. His alcoholic father and mentally unstable mother led to him being partly raIsed by his farmer grandparents. The introverted boy found solace in listening to the radio and became intrigued with the idea of making it his profession.

Ralph Emery. Photo: Mercury Records

Following a move to Nashville in 1940, he graduated from East High and enrolled in the Tennessee School of Broadcasting. Emery’s teacher was the legendary R&B deejay John Richbourg, who was famed on WLAC as “John R.” Emery was taught proper diction, learned to read the news, modulated his voice and lost his rural accent. John R recommended him for a 1951 job in Paris, TN on WTPR. Emery then returned to Nashville for a stint at WNAH, then one at nearby Franklin’s WAGG. That station is where he learned to interview country celebrities such as Del Wood and Webb Pierce.

Next, he landed a job back home in Nashville at WSIX in late 1953. He did sports announcing for live wrestling broadcasts and emceed a pop-music show by Pat Boone. This led to an offer from WLCS in Baton Rouge, LA in 1956. He only lasted a month there before returning to the Nashville airways on WMAK, a pop-music broadcaster. He was fired by that station. Luckily, he landed a job at WSM in 1957, which paved the way to his national fame.

The station put him on the air on its all-night shift at $90 a week. During the next 15 years, Emery transformed the overnight show. He invited artists to visit the program and encouraged them to bring guitars or to sing playing the station’s piano. Marty Robbins, Patsy Cline, Tex Ritter, Jim Reeves, Loretta Lynn and many other top stars stopped by to chat because of his open-door policy. His easy-going interview style made him an audience favorite, and WSM’s clear-channel, 50,000-watt power meant that the night owl was heard in 38 states nightly. By the time he signed off in 1972, the all-night show was known as “Opry Star Spotlight.”

He was also an announcer on the station’s iconic Grand Ole Opry in 1961-64. Emery’s second wife was Opry star Skeeter Davis, to whom he was married in 1960-64.

His popularity as a broadcaster led to an offer to record for Liberty Records. Emery made an “answer record” to Faron Young’s “Hello Walls” (written by Willie Nelson), and his “Hello Fool” became a top-10 hit in 1961. He also recorded for Mercury, ABC-Paramount, Elektra and other labels, but never made the charts again.

He next made the move to television. Between 1963 and 1991, Emery hosted WSMV-TV’s local, early-morning broadcast. It was named The Ralph Emery Show in 1972. The weekday program featured one of live local television’s only surviving studio bands and was notable for giving breaks to up-and-coming artists such as The Judds, Randy Travis and Lorrie Morgan. For a time in the 1970s and 1980s, it was the highest-rated local morning television show in the U.S.

He also had an afternoon program, Sixteenth Avenue, in 1966-69. He was featured in the movies Country Music on Broadway (1965), Nashville Rebel (1966), Girl From Tobacco Road (1966) and The Road to Nashville (1967).

The pace was grueling. Daily all-night radio, early-morning TV, syndicated-show tapings and announcing work resulted in an addiction to amphetamines. Emery overcame this as his national profile rose.

He launched a syndicated radio show titled “Take Five for Country Music” then “Goody’s Presents Ralph Emery.” This was carried by 425+ stations in 1986-91. Radio syndication led to syndicated television. He hosted Pop Goes the Country in TV syndication in 1973-79. In 1976, he was the announcer for Dolly Parton’s syndicated seres.

When cable television emerged in the early 1980s, Ralph Emery jumped on board. His first show was Nashville Alive, which aired on Ted Turner’s TBS channel in 1981-83. Beginning in 1983, Emery hosted Nashville Now on TNN. It brought him the biggest national audience of his long career. As the flagship show of the network, it attracted a who’s-who of country stardom to Emery’s TV stage and desk. In 1986, he was voted America’s Favorite Cable TV Personality by the readers of Cable Guide magazine.

Photos of Ralph Emery vary widely, depending on the decade. Always insecure about his looks, Emery underwent cosmetic jaw/dental procedures, face lifts and hair transplants. He discussed these candidly in his best-seller 1991 autobiography, as well as several of his private problems.

Fame and popularity from his nightly Nashville Now shows led him to reactivate his recording career in 1989. Emery signed with RCA and issued Songs for Children and Christmas With Ralph & Red. These were in conjunction with Steve Hall’s puppet Shotgun Red, who’d become a regular on Nashville Now.

Ralph Emery was elected to the Country Music Disc Jockey Hall of Fame in 1989. The following year, Barbara Mandrell organized an all-star salute to Emery featuring 70 top country stars.

In 1991, he published Memories: The Autobiography of Ralph Emery. The book spent 25 weeks on the New York Times “Bestseller” list. He followed it with More Memories (1993), The View From Nashville (1998) and 50 Years Down a Country Road (2000). The books were cowritten, the first two with Tom Carter and the last two with Patsi Bale Cox.

Emery left Nashville Now in 1993, but continued to host specials on TNN. He returned full time to cable TV with Ralph Emery Live on RFD-TV in 2007. By the time that show ended in 2015, it was titled Ralph Emery’s Memories.

Known as, “The Dean of Country Music Broadcasters,” Ralph Emery was inducted into the Country Music Hall of Fame in 2007. He became a member of the National Radio Hall of Fame in 2010.

Ralph Emery is survived by his wife Joy Emery; sons, Steve, Matthew and Ralph Jr.; five grandchildren and seven great-grandchildren. Funeral arrangements have not been announced.

Thomas Rhett Teams Up With Katy Perry, Tyler Hubbard, More On Upcoming Project

Thomas Rhett has revealed details on Where We Started, his upcoming sixth studio album, available on April 1 via The Valory Music Co.

Inspired by his return to the road following the pandemic,  the album features 15 tracks packed full of his infusion of traditional country and dynamic, romantic energy. Produced by Dann Huff, Jesse Frasure and Matt Dragstrem, the project enlists superstar Katy Perry for the dramatic root-pop title track, along with collaborations with Riley GreenTyler Hubbard and Russell Dickerson.

Rhett co-wrote 14 of the 15 tracks on the album, and other co-writers on the project include Lori McKenna, Ashley Gorley, Josh Thompson, Rhett Akins, and more.

“For me, getting into the entertainer headspace and back onstage was euphoria,” Rhett shares. “When you go a year and a half without it, then feel it for the first time again, it’s the coolest thing in the world. That’s really where my brain has been and where these songs came from—they’re some of my favorite songs that I’ve ever been a part of. I’m just enjoying life so much right now, getting to be a dad, collaborating with incredible artists, playing shows with my friends, and watching people smile from the stage. It has really filled my soul.”

Fans who pre-order the album will instantly receive two new tracks, ballad “Angels” and the foot-tapping “Church Boots.”

Where We Started Track List:
1. “The Hill” | Lori McKenna, Jordan Reynolds, Emily Weisband
2. “Church Boots” | Thomas Rhett, Jesse Frasure, Ashley Gorley, Ernest Keith Smith
3. “Bass Pro Hat” | Thomas Rhett, Matt Dragstrem, Joshua Miller, Josh Thompson
4. “Anything Cold” | Thomas Rhett, Jesse Frasure, Ashley Gorley, Shane McAnally
5. “Angels” | Thomas Rhett, Julian Bunetta, Jaten Dimsdale, Josh Thompson
6. “Half Of Me” (featuring Riley Green) | Thomas Rhett, Rhett Akins, Will Bundy, Josh Thompson
7. “Bring The Bar” | Thomas Rhett, Rhett Akins, Jesse Frasure, Ashley Gorley, Parker Welling
8. “Paradise” | Thomas Rhett, Matt Dragstrem, Ernest Keith Smith, Josh Thompson
9. “Death Row” (featuring Tyler Hubbard, Russell Dickerson) | Thomas Rhett, Zach Crowell, Ashley Gorley
10. “Mama’s Front Door” | Thomas Rhett, Matt Dragstrem, Ashley Gorley, Chase McGill
11. “Slow Down Summer” | Thomas Rhett, Rhett Akins, Sean Douglas, Jesse Frasure, Ashley Gorley
12. “Simple As A Song” | Thomas Rhett, Luke Laird, Josh Thompson
13. “Us Someday” | Thomas Rhett, Rhett Akins, Jesse Frasure, Amy Wadge
14. “Somebody Like Me” | Thomas Rhett, Rhett Akins, Matt Dragstrem, Josh Thompson
15. “Where We Started (with Katy Perry) | Thomas Rhett, Jon Bellion, Jesse Frasure, Ashley Gorley

Kane Brown Returns To No. 1 On MusicRow Radio Chart

Kane Brown returns to the top of the MusicRow CountryBreakout Chart with his driving “One Mississippi.” This marks the second time that the single has hit the pinnacle of the MusicRow Radio Chart.

“One Mississippi” was co-written by Brown, Jesse Frasure, Levon Gray, and Ernest K. Smith. The track is the first major cut for Gray, who is signed to Brown’s joint venture with Sony Music Publishing, Verse 2 Music.

2022 is already off to a running start for Brown. He is back on the road on his “Blessed & Free Tour” with Chase Rice, Jordan Davis and Restless Road. He and his wife Katelyn also recently welcomed their second child, daughter Kodi Jane Brown.

Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

DISClaimer Single Reviews: Female Country Artists Start 2022 Strong

Gabby Barrett. Photo: Gus Black

Fully half of today’s tunes in DISClaimer feature vocals by country females.

Surely, this is some kind of mistake, since the industry so consistently refuses to give women their due. Even wilder, the Disc of the Day award goes to a female artist. That would be Gabby Barrett, who creates things so groove-soaked and hooky that even country radio has to accept her. Play on, lady.

The DISCovery Award goes to Fancy Hagood. This is an artist whose publicity describes him as a “queer pop/country hybrid enigma.” I only know that he’s a terrific singer and a gifted songwriter. His duet partner, Devon Gilfillian, isn’t a country artist. But he’s a DISCovery, too.

CAITLYN SMITH / “The Card You Gamble”
Writers: Hillary Lindsey/Lori McKenna/Liz Rose; Producers: Adam Anders/Peer Astrom; Label: Arista/Monument
–This is the theme of Monarch, the new Fox country-music drama series (that was just delayed to premiere in the fall). Singer Smith is noted for writing tunes recorded by Garth, Dolly, Miley, Jason Aldean and others. Here, she demonstrates a sassy, tart soprano style with an echoey, twangy “Spaghetti Western” rumbling track to back her up, complete with whistling. Highly engaging. Play it.

CLAY WALKER / “Catching Up with an Ol’ Memory”
Writers: Clay Walker/George Birge/Jaron Boyer/Lalo Guzman; Producers: Michael Knox/Jaron Boyer; Label: Show Dog
–Nicely done. The production has a tasteful throb and swirling echoes. A steel guitar sighs sympathetically as Walker gives a wistful reading of the honky-tonk heartache lament. Super melodic.

TENILLE TOWNES / “When’s It Gonna Happen”
Writers: Steph Jones/Stephen Wrabel/Tenille Townes; Producer: Pete Good; Label: Sony
–The tin-pan percussion is ear catching, as is the tune. As usual, Townes is a terrifically individualistic vocalist. While the beats shuffle around her, she expresses her yearning for a relationship. I remain a big fan.

FANCY HAGOOD & DEVON GILFILLIAN / “Let Me Be”
Writers: Fancy Hagood/Lucas Arens; Producer: Lucas Arens; Label: Concord
–Here’s some splendid soul singing, with both men bringing longing and ache to this gospel-flavored song. It has a soaring, anthem-like quality as it delivers a message of brotherhood. Lovely listening. Fancy’s other country tunes include “Forest,” “Southern Curiosity,” “The Same Thing” and “Good Man,” and they are just as cool. Devon is a Nashville R&B artist, noted for his re-recording of Marvin Gaye’s classic album What’s Going On, plus his own collection, Black Hole Rainbow.

GABBY BARRETT / “Pick Me Up”
Writers: Ross Copperman/Gabby Barrett/Jon Nite; Producers: Ross Copperman/Zach Kale; Label: Warner
–Dubbed “the face of Gen-Z country,” Gabby is the mistress of such ear worms as “I Hope” and “The Good Ones.” She goes three-for-three with this fabulously catchy pop-country ditty. Put this one on “repeat.”

MADDIE & TAE / “Strangers”
Writers: Maddie Font/Taylor Kerr/Adam Hambrick/Jimmy Robbins/Tofer Brown; Producers: Jimmy Robbins/Derek Wells; Label: Mercury
–Sweet sounding. It’s bolstered by an oomphy production, but it still seems kinda dull.

TRACY LAWRENCE / “Angelina”
Writers: Joe Collins/Rick Huckaby; Producers: Tracy Lawrence/Julian King; Label: TL
–Generic hillbilly rock.

KANE BROWN / “Whiskey Sour”
Writers: Adam Craig/Jaxson Free/Josh Hoge; Producers: Ilya Toshinskiy/Kane Brown; Label: Sony
–Tender and touching. He’s broken hearted over her, so he drinks alone while a fiddle, and an acoustic guitar pluck gently along. This change-of-pace ballad demonstrates his expansiveness as a talent. I’m in.

JOE NICHOLS / “Good Day for Living”
Writers: Dave Cohen/Bobby Hambrick/Neil Mason; Producers: Mickey Jack Cones/Derek George; Label: Quartz Hill
–The title tune of Joe’s new CD is a rouser with loads of forward momentum and a can’t-miss chorus. As always, he sings his face off.

MAREN MORRIS / “Circles Around This Town”
Writers: Jimmy Robbins/Julia Michaels/Maren Morris/Ryan Hurd; Producer: Greg Kurstin; Label: Sony
–Her vocal should be mixed hotter and the production toned down, but her personality still shines through on this chunky-beats, getaway ode. The deep-twang guitar solo and the enormously catchy song are both irresistible.

COLIN LILLIE & CATHERINE BRITT / “The Road”
Writers: Catherine Britt/Colin Lillie; Producer: Catherine Britt; Label: Beverly Hillbilly
–Aussie newcomer Lillie enlisted the aid of veteran Britt to create his debut album. She also joins him as his duet partner on this ballad of wanderlust and fidelity. They are both fine singers, and the understated production is just right. It has a languid simplicity that is quite relaxing.

ELI YOUNG BAND / “Love Talking”
Writers: Mike Eli/Eric Arjes/Jeffrey East; Producers: Eric Arjes/Jimmy Robbins/Scott Borchetta/J.R. Schumann; Label: Valory
–Rolling along down a country road with your buds. The echo gives the sound some extra juice, and the band is as proficient as ever.

Marc Driskill Exits Sea Gayle, Joins FirstBank

Marc Driskill

Industry veteran Marc Driskill has left his position as Exec. VP/GM of Sea Gayle Music to join FirstBank.

Driskill was tapped to oversee Sea Gayle’s operations in 2012. He came to Sea Gayle from ASCAP where, as VP/GM, he managed membership department operations in Nashville.

As Sr. VP at FirstBank, Driskill will be helping to further expand the bank’s footprint in Nashville.

“I would like to thank the Sea Gayle team for over nine years of success together,” Driskill tells MusicRow. “I am extremely excited to have joined FirstBank to help further the expansion and growth of the bank in Nashville and the surrounding area. I look forward to helping people with opportunities in today’s strong music economy and growth environment in Nashville.”

Reach Driskill at marc.driskill@firstbankonline.com.

Top Songwriter Chart: MusicRow’s Top 100 Songwriters Of 2021

Ashley Gorley

Each week, MusicRow releases its Top Songwriter Chart, ranking the top 60 songwriters using algorithms based on song activity according to airplay, digital download track sales, and streams.

Using proprietary software, the points earned by each song are evenly split among each of the song’s co-writers, echoing how the publishing business works in Nashville with respect to publishing revenues and ownership—while reflecting the overall success of active songs for each songwriter.

Because of this, at any moment in time, the current MusicRow Songwriter Chart lists the most active and successful songwriters in Music City.

As we look back on 2021, Ashley Gorley earned the most points on the MusicRow Top Songwriter Chart throughout the year, placing him at the top of our list.

Jesse Frasure

Gorley saw success this year with songs such as “Single Saturday Night” (Cole Swindell), “Give Heaven Some Hell” (Hardy), “Sand In My Boots” (Morgan Wallen), “What’s Your Country Song” (Thomas Rhett), “Steal My Love” (Dan + Shay) “You Should Probably Leave” (Chris Stapleton) and many more. He consistently stayed in the upper echelons of the Top Songwriter Chart throughout 2021.

Gorley was also a co-writer on Lee Brice’s “One Of Them Girls,” which made history by winning the Country Song Of The Year honor at the BMI, SESAC, and ASCAP Awards.

Jesse Frasure is at No. 2 on MusicRow’s Top 100 Songwriters of 2021 list.

His arsenal of hits from 2021 include “Almost Maybes” (Jordan Davis), “Whiskey And Rain” (Michael Ray), “What’s Your Country Song” (Thomas Rhett), “Minimum Wage” (Blake Shelton), “One Mississippi” (Kane Brown), and more.

Frasure was named Songwriter of the Year at the 69th Annual BMI Country Awards. It was his second time winning the award.

Josh Osborne comes in at No. 3 on MusicRow’s Top 100 Songwriters of 2021 list.

Josh Osborne

In 2021, Osborne had success with “Beers And Sunshine” (Darius Rucker), “Next Girl” (Carly Pearce), “Sand In My Boots” (Morgan Wallen), “I Was On A Boat That Day” (Old Dominion), and more. He was also this year’s ASCAP Country Music Songwriter of the Year for the first time.

In the No. 4 spot on the year-end list is Corey Crowder.

The songwriter-producer made waves this year with “Drinkin’ Beer. Talkin’ God. Amen.” (Chase Rice feat. Florida Georgia Line), “Famous Friends” (Chris Young and Kane Brown), “Minimum Wage” (Blake Shelton), and more.

Michael Hardy rounds out the top five on the MusicRow’s Top 100 Songwriters of 2021 list. In addition to his successful artist career, Hardy cranked out multiple hits for other artists this year.

In 2021, Hardy saw success with “Single Saturday Night” (Cole Swindell), “Sand In My Boots” (Morgan Wallen), and “Come Back As A Country Boy” (Blake Shelton), as well as his own “Give Heaven Some Hell,” and collaboration with Dierks Bentley and Breland, “Beers On Me.”

Though the annual list continues to be male dominated, there are 20 female songwriters in the top 100 this year—which is made up of 123 songwriters because of tied scores. This is a continued increase from last year’s 19 female songwriters within the top 100, and 2019’s 13.

Taylor Swift is the highest ranking female songwriter on this year’s list at No. 9.

MusicRow‘s Top Songwriters of 2021:
1. Ashley Gorley
2. Jesse Frasure
3. Josh Osborne
4. Corey Crowder
5. Michael Hardy
6. Luke Combs
7. Hunter Phelps
8. Jonathan Singleton
9. Taylor Swift
10. Rhett Akins
11. Randy Montana
12. Zach Crowell
13. Shane McAnally
14. Nicolle Galyon
15. Ernest Keith Smith
16. Chris Stapleton
17. Josh Thompson
18. Eric Church
19. Brinley Addington
20. Jerry Flowers
21. Martin Johnson
22. Tyler Hubbard
23. Ross Copperman
24. Drew Parker
25. Robert Williford
26. Jordan Davis
27. Thomas Rhett
28. Chris Young
29. Ben Johnson
30. Cary Barlowe
31. Elle King
32. Josh Jenkins
33. Morgan Wallen
34. Niko Moon
35. Miranda Lambert
36. Tully Kennedy, Kurt Allison
37. Luke Dick
38. Matt Rogers
39. Paul DiGiovanni
40. Hillary Lindsey
41. Mike Henderson
42. Natalie Hemby
43. Chase McGill
44. Mark Holman
45. Brett James, Adam James, Kat Higgins
46. Ryan Hurd
47. Lainey Wilson, Jason Nix
48. Ryan Vojtesak
49. Carly Pearce
50. Dan Smyers
51. Gabby Barrett, Zachary Kale
52. Brian Davis
53. Lee Brice, Billy Montana
54. Jeremy Stover
55. Parker McCollum
56. Chris Loocke
57. Chris DuBois
58. Priscilla Block, Sarah Jones, Emily Kroll
59. Kane Brown
60. Jordan Reynolds
61. Jon Nite
62. Matt Alderman
63. Luke Laird
64. Monty Criswell
65. Jimmie Allen, Ash Bowers
66. Aaron Eshuis
67. Scotty McCreery, Frank Rogers
68. Jon Pardi
69. Zac Brown, Ben Simonetti
70. Casey Beathard
71. Andy Albert
72. Joey Hyde
73. Neil Medley, Benjy Davis
74. Walker Hayes
75. Brett Tyler
76. Dylan Scott, Dallas Wilson
77. Elvie Shane, Nick Columbia, Lee Starr, Russell Sutton
78. Jameson Rodgers
79. Shay Mooney
80. Russell Dickerson, Casey Brown
81. Sam Hunt, Chris LaCorte
82. Dan Isbell
83. Cameron Bartolini, Shane Stevens
84. Jim McCormick, Emily Landis
85. Alysa Vanderheym
86. John Morgan, Lydia Vaughan
87. Brett Young
88. Chase Rice, Cale Dodds
89. Matt Jenkins
90. Parker Welling
91. Justin Ebach
92. Will Weatherly
93. Jordan M. Schmidt
94. Ryan Lewis, Tayla Parx
95. Tenille Arts
96. Kelsea Ballerini
97. Matt Thomas
98. Charles Kelley
99. Dustin Lynch
100. Dallas Davidson