WME’s Shannon Saunders Talks C2C 2022 & The Return Of International Touring [Interview]

Shannon Saunders. Photo: Courtesy of WME

C2C: Country to Country is Europe’s biggest country music festival, created by AEG Europe and SJM Concerts in association with the Country Music Association. Each March, country music artists from Nashville, the United Kingdom, and Europe come together in London, Glasgow and Dublin for three days of the best in country music and programming.

After having to cancel the past two years of events due to the COVID-19 pandemic, C2C will make its triumphant return for its eighth year this week (March 11 – 13).

This year’s festival will include performances from some of country music’s biggest and fastest-rising superstars, such as Ashley McBryde, Hailey Whitters, Russell Dickerson, Priscilla Block, Tenille Townes, Brett Young, Breland, Callista Clark, Tenille Arts, Caitlyn Smith, Tiera Kennedy, Morgan Wade, Scotty McCreery, Kip Moore, Flatland Cavalry, and many more.

At the top of the bill for the 2022 C2C festival are Darius Rucker, Miranda Lambert, and Luke Combs, the latter two of which are represented by WME.

MusicRow recently spoke with Shannon Saunders, an agent in WME’s Nashville office with a focus on booking international acts, about what goes in to picking the best artists for an event like C2C, the influence of Nashville artists overseas, and the return to touring in country music.

MusicRow: What is your role at WME?

I have been with WME for over 10 years now, and have worked in various places booking for domestic territories, including fairs and festivals all across the U.S. Most recently I’ve moved into the international territory where I focus on growing our international touring opportunities for our Nashville roster.

What is the importance of a festival like C2C? Why is connecting Nashville artists such a vital piece of it?

C2C has been going on for quite a few years, much longer than I have been working with it directly. It’s always been a great event that introduces new country artists to the UK and Irish marketplace, and most recently even into Germany and the Netherlands. It’s one of our marquee events of the year, and I know that everyone is really looking forward to getting back there.

C2C has really created a wonderful community and culture around it where fans get together and look forward to discovering new artists. You find a lot of artist discovery with the different festival stages during the day, specifically around London. You also get to watch acts like Ashley McBryde, who started on a Spotlight Stage and has continued [to become] a big, main stage act as well.

It’s predominantly [American artists] that are coming over, but there are domestic country music artists that are on the festival as well. For instance, we represent Essex County, who is a part of the festival this year. They are based in the UK and are local to that market. There are many others on the bill as well, so it’s definitely a mix of [American] and local acts.

WME acts Luke Combs and Miranda Lambert are two of the three headliners for C2C this year. What goes into finding the perfect act for an event like this?

Luke Combs, Miranda Lambert

We’re always looking for talent that’s never been overseas before or acts that have put in the work and continue to grow a strong and loyal fanbase in Europe. You have definitely seen that with Luke Combs, who is a strong act there. He started touring really small and has grown all the way up into a major headliner in Europe.

We’ve got acts of all kinds all over [the world]. WME has 18 acts booked from our roster on this 2022 festival that range from big, marquee headliners all the way down to acts that are going over for the very first time and will be introduced as a new artist in Europe.

The 2020 and 2021 editions of C2C were cancelled because of COVID. With that in mind, what will this year’s show be like?

I’m really looking forward to the 2022 festival. I highly anticipate it to be a very large celebration of the comeback of country touring overall, and the excitement of everyone getting together with that community and getting to watch some amazing talent. The lineup this year is truly incredible. It’s very diverse and it’s a great cross section of everything that country music has to offer and all of the many different sounds that live within that genre.

I think C2C is going to be the kickoff of a lot more international country touring for the rest of this year and into 2023. I’m really looking forward to a lot of the things that we have in the pipeline. We have quite a few tours already announced through 2022 with Brad Paisley, Scotty McCreery, Morgan Evans, and The Cadillac Three.

There will be more that will continue to be announced over the next few months, so this is just the beginning of country touring coming back. I’m really looking forward to having a robust touring season in the year to come.

The 57th Annual ACM Award Winners [Full List]

The winners have been revealed for the 57th Academy of Country Music Awards.

For the first time ever, Miranda Lambert was named Entertainer of the Year. This win brings her total ACM Awards count to 37, more than any artist in ACM Awards history, and qualifies her for the coveted Triple Crown Award (New Female/Male Artist of the Year, Female/Male Artist of the Year, and Entertainer of the Year).

Carly Pearce earned her first win for ACM Female Artist of the Year and her second win for Music Event of the Year (“Never Wanted To Be That Girl” with Ashley McBryde), bringing her total ACM Awards count to four. Chris Stapleton garnered his third Male Artist of the Year win, and his 13th ACM Award overall.

Old Dominion won for Group of the Year for the fourth time, marking their seventh ACM win overall. Brothers Osborne earned their third win for Duo of the Year, their sixth overall.

Jason Aldean and Carrie Underwood took home Single of the Year for “If I Didn’t Love You.” This is Underwood’s second win in that category and 16th award overall, and Aldean’s second win in that category and 15th overall.

Lainey Wilson (New Female Artist of the Year, Song of the Year for “Things A Man Oughta KNow”), Parker McCollum (New Male Artist of the Year), and Morgan Wallen (Album of the Year for Dangerous: The Double Album) all took home their first ACM Award wins.

Off-camera awards included winners for the Music Event of the Year, Video of the Year, and Songwriter of the Year. Pearce and McBryde were announced as winners of the ACM Award for Music Event of the Year for “Never Wanted To Be That Girl,” produced by Shane McAnally and Josh Osborne. Lambert and Elle King were announced as winners of the ACM Award for Video of the Year for “Drunk (And I Don’t Wanna Go Home)” produced by Angie Lorenz, Wes Edwards, and James Stratakis and directed by Alexa and Stephen Kinigopoulos. Michael Hardy was announced as the ACM Award Songwriter of the Year.

To read a full recap of the 57th Annual ACM Awards, click here.

Winners Below In Red:

Entertainer Of The Year
Eric Church
Luke Combs
Miranda Lambert
Chris Stapleton
Carrie Underwood

Female Artist Of The Year
Gabby Barrett
Miranda Lambert
Ashley McBryde
Maren Morris
Carly Pearce

Male Artist Of The Year
Jimmie Allen
Luke Combs
Thomas Rhett
Chris Stapleton
Morgan Wallen

Duo Of The Year
Brooks & Dunn
Brothers Osborne
Dan + Shay
LOCASH
Maddie & Tae

Group Of The Year
Lady A
Little Big Town
Midland
Old Dominion
The Cadillac Three

New Female Artist Of The Year 
Tenille Arts
Priscilla Block
Lily Rose
Caitlyn Smith
Lainey Wilson

New Male Artist Of The Year 
HARDY
Walker Hayes
Ryan Hurd
Parker McCollum
Elvie Shane

Album Of The Year [Awarded to Artist(s)/Producer(s)/Record Company–Label(s)]
29: Written in Stone – Carly Pearce
Producers: Shane McAnally, Josh Osborne, Jimmy Robbins, Tony Brown
Record Company-Label: Big Machine Records

Country Again: Side A – Thomas Rhett
Producers: Dann Huff, Jesse Frasure, Matt Dragstrem
Record Company-Label: Big Machine Label Group

Dangerous: The Double Album – Morgan Wallen
Producer: Joey Moi, Jacob Durrett, Charlie Handsome, Matt Dragstrem, Dave Cohen
Record Company-Label: Big Loud Records / Republic Records

Famous Friends – Chris Young
Producer: Mark Holman, Corey Crowder, Chris Young, Chris DeStefano
Record Company-Label: RCA Records Nashville

The Marfa Tapes – Jack Ingram, Miranda Lambert, Jon Randall
Producers: Jack Ingram, Miranda Lambert, Jon Randall
Record Company-Label: Vanner Records / RCA Records Nashville

Single Of The Year [Awarded to Artist(s)/Producer(s)/Record Company–Label(s)]
Buy Dirt – Jordan Davis featuring Luke Bryan
Producer: Paul DiGiovanni
Record Company-Label: MCA Nashville

Famous Friends – Chris Young and Kane Brown
Producers: Corey Crowder, Chris Young
Record Company-Label: RCA Records Nashville

Fancy Like – Walker Hayes
Producers: Walker Hayes, Shane McAnally, Joe Thibodeau
Record Company-Label: Monument Records

If I Didn’t Love You – Jason Aldean and Carrie Underwood
Producers: Michael Knox
Record Company-Label: Broken Bow Records; Macon Music, LLC; BBR Music Group, BMG

You Should Probably Leave – Chris Stapleton
Producer: Dave Cobb, Chris Stapleton
Record Company-Label: Mercury Nashville

Song Of The Year [Awarded to Songwriter(s)/Publisher(s)/Artist(s)]
7 Summers – Morgan Wallen
Songwriters: Morgan Wallen, Josh Osborne, Shane McAnally
Publishers: Big Loud Mountain, Bo Wallace Publishing, Smackborne Music, Sony/ATV Accent, Smackstreet Music, Tempo Investments, Warner Geo Met Ric Music

Buy Dirt – Jordan Davis featuring Luke Bryan
Songwriters: Jordan Davis, Jacob Davis, Josh Jenkins, Matt Jenkins
Publishers: Anthem Music Publishing II, Bentprop Pub, Big Blue Nation Music, Combustion Five, Jentown, Jordan Davis Music, Smackwork Music, Smack Blue, Kobalt Music Group Music, Universal Music Corporation, WC Music Corp

Fancy Like – Walker Hayes
Songwriters: Cameron Bartolini, Josh Jenkins, Shane Stevens, Walker Hayes
Publishers: Songs of SMACK, Rarespark Media Group, Smackworks Music, Smack Blue, Kobalt Music Group, Holy Graffiti Music, Purplebeatz, WC Music Corp

Knowing You – Kenny Chesney
Songwriters: Adam James, Brett James, Kat Higgins
Publishers: 3 Ring Circus, BMG Platinum Songs, Pompano Run Music, Songs of Brett, WC Music Corp

Things A Man Oughta Know – Lainey Wilson
Songwriters: Jason Nix, Jonathan Singleton, Lainey Wilson
Publishers: Sony/ATV Accent, Sony/ATV Countryside, Spirit Two Nashville, Super Big Music

Video Of The Year [Awarded to Producer(s)/Director(s)/Artist(s)]
Drunk (And I Don’t Wanna Go Home) – Elle King and Miranda Lambert
Producers: Angie Lorenz, Wes Edwards, James Stratakis
Directors: Alexa Kinigopoulos, Stephen Kinigopoulos

Famous Friends – Chris Young and Kane Brown
Producer: Jennifer Ansell
Director: Peter Zavadil

I Bet You Think About Me (Taylor’s Version) – Taylor Swift featuring Chris Stapleton
Producers: Jil Hardin, Blake Lively, Kathy Palmer, Austin Swift
Director: Blake Lively

If I Didn’t Love You – Jason Aldean and Carrie Underwood
Producers: Christen Pinkston, Wesley Stebbins-Perry
Director: Shaun Silva

Never Wanted To Be That Girl – Carly Pearce and Ashley McBryde
Producer: Ryan Byrd
Director: Alexa Campbell

Songwriter Of The Year (Off Camera Award)
Jesse Frasure
Nicolle Galyon
Ashley Gorley
Michael Hardy
Josh Osborne

Music Event Of The Year [Awarded to Artist(s)/Producer(s)/Record Company–Label(s)]
Buy Dirt – Jordan Davis featuring Luke Bryan
Producer: Paul DiGiovanni
Record Company-Label: MCA Nashville

Famous Friends – Chris Young and Kane Brown
Producers: Corey Crowder, Chris Young
Record Company-Label: RCA Records Nashville

half of my hometown – Kelsea Ballerini featuring Kenny Chesney
Producers: Ross Copperman, Jimmy Robbins, Kelsea Ballerini
Record Company-Label: Black River Entertainment

If I Didn’t Love You – Jason Aldean and Carrie Underwood
Producer: Michael Knox
Record Company-Label: Broken Bow Records; Macon Music, LLC; BBR Music Group, BMG

Never Wanted To Be That Girl – Carly Pearce and Ashley McBryde
Producers: Shane McAnally, Josh Osborne
Record Company-Label: Big Machine Label Group, Warner Music Nashville

The ACM Awards Are Tonight: Here’s How To Watch & What To Expect

Country music stars, industry members, and fans will gather in Las Vegas this evening (March 7) for the 57th Academy of Country Music Awards.

Hosted by global superstar Dolly Parton, alongside co-hosts Jimmie Allen and Gabby Barrett, the 57th ACM Awards will livestream exclusively on Prime Video at 7 p.m. CT from Allegiant Stadium in Las Vegas. This will mark the first time a major award show has been exclusively livestreamed, and will not include commercial breaks.

“Bringing the ACM Awards to streaming will allow us to innovate the format of the show to make it much more in line with what we know viewers want,” ACM CEO Damon Whiteside tells MusicRow. “The show will be fast-paced with no commercials and will be shorter at a 2-hour run time.

“This will allow us to keep the energy and momentum consistently high throughout the show since there will be wall to wall music and awards with no breaks,” he adds. “At the two-hour run time, we joke that no one will have time to get up to go to the bathroom or the kitchen. Get your snacks and drinks before the show starts as no one will want to miss a minute!”

Contributing to the high energy night will be more than 20 performances from artists, including Breland and Thomas Rhett (“Praise The Lord”); Brothers Osborne (“Skeletons”); Brittney Spencer and Brothers Osborne (“These Boots Are Made for Walkin’”); Carly Pearce and Ashley McBryde (“Never Wanted to Be That Girl”); Carrie Underwood;  Chris Stapleton (“Watch You Burn”); Chris Young (“Raised on Country”); Chris Young featuring Mitchell Tenpenny (“At the End of a Bar”); Dolly Parton featuring Kelsea Ballerini (“Big Dreams and Faded Jeans”); Eric Church; Gabby Barrett (“Let’s Go to Vegas,” “I Hope You Dance”); Jason Aldean; Jimmie Allen (“Viva Las Vegas,” “Down Home”); Jordan Davis (“Buy Dirt,” feat. Luke Bryan); Kane Brown (“Leave You Alone”); Kelly Clarkson (“I Will Always Love You”); Lady A (“What a Song Can Do”); Luke Bryan (“Up”); Maren Morris (“Circles Around This Town”); Parmalee & Blanco Brown featuring Brooke Eden (“Just the Way”); Thomas Rhett (“Slow Down Summer”); and Walker Hayes (“AA” and “Fancy Like”).

On deck to present tonight are Mickey Guyton, Alan Ritchson (actor, Reacher), Derek Carr (Quarterback, Las Vegas Raiders), Guy Torry (comedian, Phat Tuesdays), James Patterson (author, Run Rose Run), Kelsey Asbille (actor, Yellowstone), Luke Grimes (actor, Yellowstone), and Tom Pelphrey (actor, Outer Range).

In addition to the perk of eliminating commercials, the ACM’s partnership with Amazon also means a more global reach and more opportunities for interesting activations. Slated for tonight is an ACM Awards Red Carpet Show on Prime Video; an interactive version of the pre-show on the Amazon Homepage, the ACM Awards Storefront, Amazon Fashion homepage, and the Amazon Live homepage; a red carpet livestream on TikTok conducted by Amazon Fashion, and more.

“Since the show streams live worldwide in over 230 countries and territories, fans from coast to coast and around the world will be able to watch all of the action in real time vs delayed viewing,” Whiteside adds. “The on-demand version of the show will feature Prime Video’s X-ray technology which will make the program shoppable at the touch of a button.”

So far, the Academy of Country Music has announced two early wins. On Friday (March 4), Parker McCollum and Lainey Wilson were named this year’s New Male and New Female Artist of the Year, respectively.

Tonight, more winners will be named at the 57th Academy of Country Music. See the full list of nominees here.

Country Music’s Visionary TV Producer Jim Owens Dies

Jim Owens

Jim Owens, the visionary producer who revolutionized country music television production, died on Friday (March 4). His wife of nearly 40 years, Lorianne Crook, was by his side.

Owens was born in South Carolina on Aug. 27, 1937. Trained in New York, Owens would become one of the most influential television producers in country music. His first foray into national syndication came in 1977 when he created and produced A Concert Behind Prison Walls with Johnny Cash, Linda Ronstadt, and Roy Clark.

The following year Owens launched country music’s first fan-voted, big budget, live award show: the Music City News Country Awards. Rated No. 1 in national syndication, the program recognized the appetite for country music content. Owens produced and syndicated the awards show via his own company through 1984.

Pictured (L-R): Lorianne Crook, Jim Owens, Charlie Chase

In 1983, Owens paired entertainment news correspondent Lorianne Crook with veteran radio personality and local television host Charlie Chase to create an Entertainment Tonight-esque program for country music. The program became Owens’ landmark show, This Week in Country Music, providing entertainment news, interviews and performances to the country lifestyle viewer. With Owens at the helm, Crook & Chase quickly gained recognition and popularity. The duo was named official TNN ambassadors and took the show on location around the world. Between 1985 and 1999 productions originated from Los Angeles, Houston, New York, Myrtle Beach, and Orlando, as well as Canada, Japan, Mexico, Russia, and the United Kingdom.

In 1985, The Nashville Network entered an agreement to exclusively partner with Jim Owens Entertainment for original content creation. Over the next 15 years, Owens independently created and produced much of the highest rated programming on TNN: the first daily and weekly country music news shows, award shows, variety specials, musical documentaries, lifestyle programming, and more. Owens and Crook also married in 1985.

Owens delivered a massive amount of programming for TNN in the 1980s and 1990s, including the TNN/Music City News Country Awards (1985-1996), Weekday (1988-1990), Weekend (1988-1990), Country Standard Time (1990-1991), TNN/Music City News Songwriters Awards (1991-1995), and Yesteryear (1994-1995).

In 1993, Owens negotiated with TNN to place Crook & Chase in the primetime 90-minute flagship slot held by Ralph Emery’s Nashville Now. With more than 500 episodes in the vaults, Music City Tonight signed off in 1995 at the height of country’s boom to enable the duo to morph Crook & Chase back into national syndication from Universal Studios in Hollywood. At the same time, the duo released their best-selling autobiography Crook & Chase: Our Lives, The Music & The Stars.

During this era, Owens also contributed to Celebrities Offstage with Lorianne Crook (1988-1995), Funny Business with Charlie Chase (1989-1995), Crook & Chase Tonight (1997) and This Year In Country Music (1989-1999).

When TNN closed in 2000, Owens produced, and Crook hosted a series of Celebrities Offstage specials as well as 180 episodes of Celebrity Kitchen for GAC. In 2007, Owens navigated the return of Crook & Chase to television, initially on RFD and later in syndication through 2014. Since 1989, The Crook & Chase Countdown, currently distributed by iHeart Media, is heard on hundreds of radio stations across North America. Owens executive produced the countdown, along with its companion podcast, Crook & Chase Nashville Chats, until his passing.

Since 2011, Jim Owens Entertainment has held the trademarks for TNN: The Nashville Network. With a 45-year library of original productions and raw footage totaling over 10,000 hours, Owens’ legacy of presenting compelling country lifestyle programming is secured.

In lieu of flowers, the family encourages donations in Owens’ name to the Country Music Hall of Fame & Museum’s digital preservation efforts. Supporting this initiative will honor Owens’ lifelong mission to forever document country music’s global impact. Arrangements are pending.

Cody Johnson Returns To No. 1 On MusicRow Radio Chart

Cody Johnson’s “‘Til You Can’t” spends a second week at No. 1 on the MusicRow CountryBreakout Radio chart. The single rose to the spotlight one month prior on Feb. 4. He not only rose to the top spot on the MusicRow Chart, he also notched a No. 1 on the Billboard Hot Country Songs chart.

Johnson has also added new RIAA Gold certifications to his credentials, one for “‘Til You Can’t” and one for “Dear Rodeo.” With these new additions, Johnson notches 12 career certifications from the RIAA.

Matt Rogers penned the single with Ben Stennis and appears on his sophomore effort Human The Double Album, which contains songs originally rejected by other Nashville artists for what Johnson considers being “too country for country.”

Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

Academy Of Country Music Honors Parker McCollum & Lainey Wilson With Early Wins

Parker McCollum, Lainey Wilson

Ahead of the 57th Academy of Country Music Awards on Monday (March 7), Parker McCollum and Lainey Wilson have been crowned this year’s New Male and New Female Artist of the Year, respectively. The two were surprised with their wins by Miranda Lambert, and will perform at next week’s awards ceremony.

McCollum released his major label debut album, Gold Chain Cowboy, last year, expanding on the success of his widely praised Hollywood Gold EP, which became the top-selling debut country EP of 2020. Wilson is also nominated for ACM Song of the Year for her first No. 1 smash hit, “Things a Man Oughta Know,” from her critically acclaimed label debut album Sayin’ What I’m Thinkin’. Both have been named on many artist to watch lists and were recently part of the CRS New Faces Class of 2022.

In addition to these early wins, it was announced that four-time ACM Award-winning group Lady A has been added to the performers list. Two-time ACM Award winner Tenille Townes has also been confirmed to perform on the Official ACM Awards Red Carpet Show, which will stream Monday, March 7, on Prime Video from 6–7 p.m. CT.

As previously announced, additional confirmed performers include Dolly Parton with Kelsea Ballerini, Jason Aldean, Breland featuring Thomas Rhett (“Praise The Lord”), Kane Brown (“Leave You Alone”), Luke Bryan (“Up”), Eric Church, Jordan Davis (“Buy Dirt,” feat. Luke Bryan), Walker Hayes (“AA” and “Fancy Like”), Maren Morris (“Circles Around This Town”), Brothers Osborne (“Skeletons”) and Brittney Spencer (“These Boots Are Made for Walkin’”), Parmalee and Blanco Brown featuring Brooke Eden (“Just the Way”), Carly Pearce and Ashley McBryde (“Never Wanted to Be That Girl”), Rhett (“Slow Down Summer”), Chris Stapleton, Carrie Underwood, and Chris Young (“Raised on Country”) featuring Mitchell Tenpenny (“At the End of a Bar”).

Hosted by Parton with co-hosts Gabby Barrett and Jimmie Allen, the 57th Academy of Country Music Awards will stream on Prime Video, Monday, March 7 at 8 p.m. EST/ 7 p.m. CST/5 p.m. PST.

DISClaimer Single Reviews: Country Music Delivers A Crop Of Strong Ballads

Drew Green. Photo: Angelea Presti

It’s country-ballad day here at DISClaimer.

Whether singing the blues or celebrating romance, the country stars are taking it slow and easy this week. Dylan Scott, Jon Langston, Kat & Alex, Dolly Parton, Yola and Jenny Tolman are all in peak performance on new ballad releases.

The Disc of the Day is also a ballad: Drew Green’s ode to fatherhood is exquisitely produced and packed with meaning.

Our DISCovery Award winner is Alex Miller, who is most definitely keeping it country.

HAILEY WHITTERS / “The Neon”
Writers: Hailey Whitters/Lori McKenna/Rodney Clawson; Producers: Hailey Whitters/Jake Gear; Label: Pigasus/Songs & Daughters/Big Loud
–Barroom heartbreak, set to a rumbling beat, keening fiddle and churning guitars. As usual, she sings like a hillbilly angel. “Everything She Ain’t” remains the single, and this extra advance track has me chomping at the bit to hear the rest of her new collection, Raised, which drops on March 18.

JON LANGSTON / “Back Words”
Writers: Ross Copperman/Michael Hardy/Jon Nite; Producer: Jody Stevens; Label: EMI/32 Bridge
–He shines blazingly bright as a vocalist on this oomphy, echoey ballad of regret. She’s gone, and he can’t take back the words that drove her away. This consistently excellent record maker is turning into one of our steadfast dependables.

DOLLY PARTON / “Blue Bonnet Breeze”
Writer: Dolly Parton; Producers: Richard Dennison/Tom Rutledge; Label: Butterfly/UMG
–One of our most masterful storytellers presents a doomed-lovers ballad that floats gently on a bed of strings. Dolly harmonizes with herself as she unspools the tale of a rich boy and poor girl who run away together in his truck, but crash because they’re speeding too fast. This is the second single from her latest album. Look for this mega talent in media everywhere as she launches Run, Rose, Run as both her LP/CD and novel (co-written with James Patterson) next week.

MICHAEL RAY / “Holy Water”
Writers: Ashley Gorley/Ben Johnson/Hunter Phelps/Michael Hardy; Producer: Ross Copperman; Label: Warner
–It’s a dramatic, minor-key story song about a preacher with a side hustle selling moonshine. The verses pack a punch with haunting electric-guitar punctuations. The choruses are over produced. But the whole thing works brilliantly.

YOLA / “Starlight”
Writers: Yola/Dan Auerbach/Bobby Wood; Producer: Dan Auerbach; Label: Easy Eye Sound
–This standout track from Yola’s excellent Stand For Myself album has a throbbing, steady groove. Strings and high, keening electric guitar work softly support her soul-ballad vocal. The Americana queen begins a two-night stand at The Ryman Auditorium tonight (March 3).

MORGAN WALLEN / “Wasted on You”
Writers: Josh Thompson/Ernest Smith/Morgan Wallen/Ryan Votjesak; Producers: Joey Moi/Jacob Durrett; Label: Big Loud
–Whiskey and prayers, time and money were all for naught, laments this honky-tonk heartache ditty. As usual, he sings with sincerity and believability.

JON PARDI / “Last Night Lonely”
Writers: Jimi Bell/Joe Fox/Dylan Marlowe; Producers: Jon Pardi/Bart Butler/Ryan Gore; Label: Capitol
–Country all the way, delivered with a charming drawl, toe-tapping rhythm and some dandy fiddle-and-guitar accompaniment. Hit bound.

DREW GREEN / “Good Ol’ Man”
Writers: Drew Green/Josh Miller/Leo Starr/Mark Trussell; Producer: Mark Trussell; Label: Sony
–He’s gonna straighten up his act now that he’s a dad. The simple piano notes, synth beats and loops have a nicely hypnotic effect. His voice is bathed in echo and layered background witnessing. Audio creativity abounds, and the ballad’s message is cool: “Makin’ a man outta him/Is makin’ a man outta me.” I got beautifully lost in this one.

JENNY TOLMAN / “Afraid”
Writer: Jenny Tolman; Producer: Dave Brainard; Label: JT
–Ms. Tolman celebrated the release of her new Married In a Honky-Tonk album on Monday (Feb. 28). This eloquent, vulnerable ballad explores the courage it takes to fall fully in love. Strings swirl around her lovely delivery while guitars pluck delicately. A beautiful performance, illustrating all over again how fabulous she is.

DYLAN SCOTT / “Can’t Have Mine”
Writers: Dylan Scott/Matt Alderman/Josh Melton/Dallas Wilson; Producer: Matt Alderman; Label: Curb
–His advice to boys is to find a woman to love, but don’t go looking in the direction of Mrs. Scott. This romantic acoustic ballad blew up on TikTok even before its official release.

ALEX MILLER / “Through With You”
Writers: Alex Miller/Jerry Salley; Producer: Jerry Salley; Label: Billy Jam
–This American Idol alum goes totally “old school” on this heartache tune. Echoes of Randy Travis and Keith Whitley waft through the steel-embellished lament. Miller’s dips into his deep baritone range are ear catching, and the song is hooky as the dickens.

KAT & ALEX / “I Want It All”
Writers: AJ Pruis/Alex Georgia/Kat Georgia; Producer: Brad Hill; Label: Sony
–The love song is a wedding anthem in waiting. Driving the power ballad are the twin voices of this couple, who sing in flawless, note-perfect harmony. Highly engaging.

My Music Row Story: MTSU’s Beverly Keel

Beverly Keel

The “My Music Row Story” weekly column features notable members of the Nashville music industry selected by the MusicRow editorial team. These individuals serve in key roles that help advance and promote the success of our industry. This column spotlights the invaluable people that keep the wheels rolling and the music playing.

Beverly Keel is Dean of MTSU’s College of Media and Entertainment and a music industry activist who works for gender and racial equality in the music industry. She is also an award-winning music journalist whose work has appeared in People, Parade, InStyle, New York, Rolling Stone, The Tennessean, and many other publications.

Keel has been a professor in MTSU’s Department of Recording Industry since 1995 and became chair of the department in 2013. She took a leave of absence to serve as Senior Vice President of Artist and Media Relations for Universal Music Group Nashville, where she was responsible for the media campaigns of projects, including Lionel Richie, Vince Gill, Sugarland, Shania Twain, George Strait and many more.

In her work as an activist, Keel co-founded Change the Conversation in 2014 to advocate for gender equality in country music. She also co-founded Nashville Music Equality in 2020 to help create an anti-racist environment in the Nashville music industry. Keel was recently named a national “Change Agent” by Billboard for her advocacy efforts.

The SOURCE Hall of Fame member also serves as publicist for Jamey Johnson and has been a consultant for various projects and artists, such as Richie, Alison Krauss, and Scotty McCreery.

Beverly Keel with Kenny Rogers. Photo: Courtesy Beverly Keel

MusicRow: Where did you grow up?

I grew up in Nashville. I attended school with Ty Conley, Earl Thomas Conley‘s son, and Kelly Greenwood, Lee Greenwood‘s daughter, but we didn’t give country music much of a thought. We thought it was cool, but I also thought the daughter of the manager of the movie theater was cool as well. She got to go to all those movies and eat all that popcorn. So, although I grew up here, I might as well have been in another state in terms of the country music industry.

You dad, Pinckney Keel, was an editor at the Nashville Banner for more than two decades. Did he instill a love of writing in you?

My dad spent about 27 years at the Nashville Banner. He invented the Weekender Section at the Banner and his claim to fame is that he gave Elvis the nickname “Elvis the Pelvis.” Unfortunately he died when I was in high school, before I knew I had an interest in journalism, so he never knew that I wanted to follow in his footsteps.

How did you realize that you wanted to pursue journalism?

I originally thought I wanted to do broadcast journalism, I guess I thought it would be cool to be on TV. I majored in broadcast journalism, but I got a part-time job at the Nashville Banner and was immediately hooked with print. It was just in my blood—I don’t know that there’s anything more exciting than a newspaper newsroom. Early on I thought I wanted to do sports journalism because I was a pretty good high school athlete. I got a scholarship and played volleyball at MTSU and I was a sports editor of Sidelines, the school paper at MTSU. [I became] a sports intern under Mark Howard at Channel 5, but then I realized I’d have to work every weekend and holiday of my life.

When I started with Banner, I just went where they had an opening and it was the business desk. Then, when I graduated, they hired me full time as a state desk writer. I decided to go to graduate school, and the Nashville Banner paid my way with a full scholarship. I had to come back and work two years, but I ended up coming back and working five. When I came back, the opening was in the business department and I was covering transportation. That was in the early ’90s, when the Garth Brooks/country music boom happened. I started covering the music business from a business perspective, and that’s how I got into it.

George Strait with Beverly Keel. Photo: Courtesy Beverly Keel

Then you briefly moved over into a publicity role at a label, before coming back to journalism.

In ’94, they were reviving Polydor Records in Nashville. I went over to work in the publicity department with Wes Vause. It was a disaster and I was so miserable. I would just go home and stare at the ceiling at night. (Laughs)

I had been an adjunct of MTSU, so I went full time in ’95 and started a freelance journalism career from scratch. I wrote for MusicRow, doing album reviews and features, and spent 10 years as the Nashville correspondent of People.

What are some big stories that you remember covering in the music business at that time?

I worked on the People magazine cover story when Tammy Wynette died. One week in ’98 was particularly memorable because I interviewed Chet Atkins, Johnny Cash and June Carter Cash all in the same week.

How did you become so involved at MTSU?

I served as an adjunct from ’90 to ’95. I started teaching media writing in the journalism department. I created an entertainment journalism class in the recording industry department. Then, when I was doing publicity at Polydor, I started teaching music publicity. I’m teaching that course tomorrow—I still teach that course 20-something years later.

I’m really proud of how well my students have done. The best part of my life is getting to know our students and seeing them succeed.

Beverly Keel interviewing A&R legends Martha Sharp and Mary Martin. Photo: Courtesy Beverly Keel

You have become a mentor for so many, including myself. Who have been some of your mentors?

Ruth Ann Harnisch, many people remember her as Ruth Ann Leach. I believe she was the first woman on TV in Nashville as an anchor. At one point she was on TV, had a radio show, and had a Nashville Banner column. My father was her editor at the Banner and I actually met her at the funeral home when he died. She took me under her wing then and still supports me to this day. Jane DuBose was my editor at the Banner. She really nurtured and guided me.

Patsy Bruce has been a long time mentor, Lura Bainbridge. Women have been so supportive of me, so I want to pass that on.

You became the Dean of the College of Media and Entertainment at MTSU in 2020. What are some of your goals for the program?

Quite simply to become the biggest and best possible program. We are the only College of Media and Entertainment in the world. Our recording industry program is ranked consistently on both Billboard and Hollywood Reporter‘s list of the best music or music business programs worldwide. So we keep raising our standards.

Everything’s changing: the music industry is changing, journalism is changing. Digital animation is a growing area for us, and we have a huge TV and film production major. So we are exploring. We want to be the leaders of the conversation and training in media and entertainment.

You’re also really well-known for your advocacy efforts. You co-founded Change the Conversation to advocate for gender equality in country music, and co-founded Nashville Music Equality to help create an anti-racist environment in the Nashville music industry. Do you feel that we’re moving in the right direction when it comes to race and gender in country music?

What is it that they say, the first step is acknowledging that you have a problem? I think that’s where we are.

Through Change the Conversation and Nashville Music Equality, we’ve raised awareness that the problem of sexism and racism exists, but the problem still exists. Last week I was driving from MTSU to Nashville, listening to a country radio station during drive time. I didn’t hear one female voice. Driving back at 7:00 or 8:00 p.m., I heard two songs by women. So, we have a long way to go. But keep in mind when we first started, people said there wasn’t a problem. The conventional wisdom now is there is a problem, so we’re getting there.

When it comes to racism in country music, the biggest thing I’ve learned over the last several years is it’s not that Black artists were not interested in performing and recording country music, it’s that the doors weren’t open for them. Now that we have raised awareness, we are seeing the needle move in terms of artists getting signed. You just saw Warner Music Nashville announce they have signed Breland; Big Machine has signed Tiera Kennedy; Brittany Spencer—who is one of our graduates—has exploded this year. So whether it is female artists or artists of color, all we’re saying is give them an even chance. The problem is the music is not getting heard. We’re trying to find ways to get their music heard.

Lionel Richie with Beverly Keel. Photo: Courtesy Beverly Keel

It takes a lot to get to the position you’re at. Do you have any scars that you’ve earned along the way?

I am blessed with a short memory. I am ridiculously positive. Not only is the glass half full, it’s a gorgeous glass.

Not everyone loves an outspoken woman. I’ve had to learn it’s okay not to be liked. When you speak about what you believe in, you sleep well at night.

If someone says “old school Music Row,” what do you think of?

The good old days. It was two or three No. 1 parties a day. It was before there was so much pressure on the artist to look perfect in designer clothes and to have perfect bodies. It was still an age of innocence. There was a lot of money flowing, there were a lot of albums being sold. It was a community. It was before email, so we had time. Email and cell phones took away our time. Now people do the jobs of two or three people. The pressure is relentless and it can be not a lot of fun. Back then, it was just fun and the music was so great.

What are you most proud of in your career?

The success of my students. That is the joy and highlight of my life. The success of my students has brought me more rewards and satisfaction than anything I’ve done. Whether it’s seeing Brian Wright become Executive Vice President of A&R at UMG, or Daniel Miller and Aaron Tannenbaum succeed. Erin Enderlin played “Monday Morning Church” for me and my faculty office, and it became a nominated song for Alan Jackson. I remember seeing Hillary Scott in the student grill after Victoria Shaw had introduced her to me.

It is a privilege to be able to get to know these people and just share a little moment of their lives.

Niko Moon Has Nothing But A ‘Good Time’ At His First No. 1 Party

Pictured (L-R): Jordan Minton, Mark Trussell, Niko Moon, Anna Moon, Joshua Murty. Photo: Steve Lowry

Industry members gathered for a night of firsts on Monday night (Feb. 28), when Niko Moon celebrated his first No. 1 as an artist.

While Niko has had success as a songwriter, co-writing such chart-toppers as Zac Brown Band‘s “Beautiful Drug,” “Loving You Easy” and “Homegrown,” and Dierks Bentley’s “Gone,” he’s never been able to commemorate his successes at a No. 1 party. The RCA Nashville rising star was all smiles during the celebration.

The party, hosted by SESAC’s Shannan Hatch, took place at Gibson Garage. JC Curleigh, Gibson’s CEO, said it was the first time the company had seen the swanky space used for an industry gathering since it opened in the summer of 2021, and that Gibson founder Orville Gibson would be proud. He also presented Niko with a brand-new Les Paul Gibson guitar in celebration of his No. 1 smash hit.

Shannan led a room full of joyful publishers, label personnel, and other team members through several presentations to celebrate Niko and his co-writers Anna Moon, Jordan Minton, Mark Trussell, and writer-producer Joshua Murty.

“I’d like to welcome you all to a ‘good time,'” Shannan quipped. She spoke about the reigning SESAC Songwriter of the Year, recalling when she met him. “He’s one of those people that even when you can’t see his face when you’re talking to him [on the phone], that smile comes through. You get his enthusiasm and happy nature. It’s so refreshing.”

BMI’s MaryAnn Keen spoke on behalf of Jordan, who was also celebrating his first No. 1. “You’ve got a lot going on right now,” she said to the songwriter, who currently has the No. 1 song on the MusicRow CountryBreakout Radio Chart with “Best Things Since Back Roads” by Jake Owen. “You’ve worked really hard. I know this one will always be extra special as your first.”

Boom Music Group’s Joe Fisher and Kobalt’s Kevin Lane echoed MaryAnn’s sentiments about Jordan’s work ethic.

Niko Moon performing at the No. 1 party for “Good Time.” Photo: Steve Lowry

Warner Chappell’s Ben Vaughn, who was an early believer in Moon, was on hand to speak about his Warner Chappell writers. “Look at that smile,” he said to the beaming artist. Vaughn also gave all of the co-writers a special gift: hand-painted bottles of apple pie moonshine, like referenced in “Good Time.”

After reading off an impressive list of stats, Ben said, “Niko, the point is you draw people in. You have a vision, a work ethic, and that smile. We all love you and are proud to be your partner.”

Ben also spoke about writer-producer Joshua, who was visiting Nashville from the west coast. “Every time you hear Niko Moon’s music, and you think ‘Dang, that sounds so fresh,’ this guy had a lot to do with it.”

When Ben spoke about Mark, he let the crowd know that the songwriter had been named “most talented” at his high school. He then spoke about Mark’s many talents and work ethic. “I think that label sticks,” he said.

Niko stepped up to talk about his talented wife, Anna. “Ever since we met, I just wanted the world to know how insanely talented this woman is,” Niko said. “How many people out there get to enjoy their No. 1 with their husband or wife? I just feel so grateful that we’re able to experience this together.”

Sony’s Sr. VP of Promotion at RCA Nashville, Dennis Reese, spoke about working a positive song like “Good Time” during the darkness of the pandemic. “We launched this single at terrestrial radio right as the world was changing. Here comes this song called ‘Good Time’ when there was a lot of bad times. I really believe in my heart that music changes everything. It takes a tragedy and turns it into something we can come away with appreciation for. I believe that ‘Good Time’ did that for a lot of people.”

MusicRow‘s Sherod Robertson, who presented the co-writers with their No. 1 Challenge Coin for reaching No. 1 on the MusicRow CountryBreakout Radio Chart, echoed Dennis’ sentiment about the positivity of “Good Time.”

Make Wake’s Chris Kappy, spoke about his journey to working with Niko. “Thank you for letting us wake up every day and represent you,” he said to the artist. “It’s a very special moment for us. We appreciate you a lot.”

When it came time for the co-writers to speak, Joshua kicked things off by talking about his friendship with Niko and Anna. “I’m grateful I get to make music with my two best friends that I love and am very proud of.”

Jordan recognized Niko’s effort at keeping the songwriters in the loop on the success of the song. “Niko was very attentive to us,” he said. “He would call me and Mark and let us know what was going on with the song. You were very good about communicating and being aware of things that a lot of artists maybe don’t take into account.”

Mark agreed. “At the time [‘Good Time’ came out], I was amazed at the hard work you put into it and the dedication you had for the song,” he said to Niko. “I’m so grateful to you and your team.”

Anna and Niko Moon. Photo: Steve Lowry

Anna spoke about her journey to becoming a hit songwriter. “13 years ago I was just a young girl, 15 years old, playing my little country songs. I didn’t know how I was going to be involved in music,” she said. “To be here today celebrating my first No. 1 is absolutely insane.

“I can’t say much more or I will start crying, but let me just say how proud I am of this guy. Everyone who knows Niko knows how hard he works.”

Niko closed the celebration with some history of “Good Time,” which he recorded at home. “This record was made in our old laundry room at our house. The entire Good Time album was made at home,” he said. “You know when your grandmama would cook you some food? It tastes different because there’s love in it. Because it’s homemade. I feel that way about music.

“Thank y’all for believing in this homemade project that we made,” Moon said, before thanking each of his team members. “I’m so happy y’all.”

Shane McAnally Moves Up On MusicRow Top Songwriter Chart

Shane McAnally

With six songs on the country charts, Shane McAnally moves up to the No. 2 spot on the MusicRow Top Songwriter Chart this week.

McAnally is a co-writer on “Everyone She Knows” (Kenny Chesney), “23” (Sam Hunt), “Half Of My Hometown” (Kelsea Ballerini feat. Kenny Chesney), “AA” (Walker Hayes), “Never Wanted To Be That Girl” (Carly Pearce & Ashley McBryde), and “No Hard Feelings” (Old Dominion).

For the fifth consecutive week, Ashley Gorley takes the top spot on the MusicRow Top Songwriter Chart.

Gorley is a co-writer on “New Truck” (Dylan Scott), “You Should Probably Leave” (Chris Stapleton), “Sand In My Boots” (Morgan Wallen), “Beers On Me” (Dierks Bently, Hardy & Breland), “Slow Down Summer” (Thomas Rhett), “Give Heaven Some Hell” (Hardy), “Steal My Love” (Dan + Shay), and “Take My Name” (Parmalee).

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.