
Alabama. Photo: Alan Messer
Alabama‘s long-awaited 50th Anniversary Tour, which was mostly delayed due to COVID-19, is picking back up after nearly two years. Nashville will be the first stop on the milestone tour, which kicks off July 2-3 at Nashville’s Bridgestone Arena. These two concerts mark the band’s first arena performance in Nashville in nearly two decades, and will be the first full-capacity concerts held at Bridgestone since the start of the pandemic in early March of 2020.
The 25-date arena and amphitheater tour will take place throughout 2021 and early 2022, and will feature special guests Martina McBride, The Marshall Tucker Band,Travis Tritt, Sara Evans, America, Grits & Glamour (Lorrie Morgan and Pam Tillis), Tracy Lawrence, The Beach Boys, The Frontmen of Country, and Jake Hoot on select dates.
“We are very thankful that we can play our music for our loyal fans of the past 50 years and introduce our songs to a new 3rd and 4th generation of new fans,” says Alabama lead singer Randy Owen. “We have rehearsed an all-new show that we are having fun performing, but you never know, we might even take requests from time to time. There’s nothing like the roar of the crowd, and we can’t wait to get back on the road.”
“This tour, that we are blessed to have, has the most amazing group of musicians and vocalists that we have ever had on the road,” explains Alabama bass player/vocalist Teddy Gentry. “In addition, we wanted to bring along some special friends to join us on tour each night. From The Marshall Tucker Band to Travis Tritt and Martina McBride to The Beach Boys, what a party we are going to have. I can’t tell you how ready we are to see and play for you.”
Tickets for the tour are on sale now and information can be found on the band’s official website thealabamaband.com. Previously purchased tickets for rescheduled dates will be honored at each show, and fans who are now unable to attend may request a refund. Eligibility for a refund requires a previous purchase through Ticketmaster—tickets that were transferred, posted, or sold will not be honored.
2021 – 2022 ALABAMA “50th Anniversary Tour” Schedule:
July 2 – Nashville, TN – Bridgestone Arena (w/ Martina McBride)
July 3 – Nashville, TN – Bridgestone Arena (w/ Martina McBride)
July 23 – Wilkes-Barre, PA – Mohegan Sun Arena at Casey Plaza (w/ Tracy Lawrence)
July 24 – Salisbury, MD – Wicomico Youth & Civic Center (w/ Tracy Lawrence)
July 25 – York, PA – York State Fair (w/ Jake Hoot)
Aug 6 – Orange Beach, AL – The Wharf Amphitheater (w/ Martina McBride)
Aug 7 – Pelham, AL – Oak Mountain Amphitheatre (w/ The Marshall Tucker Band)
Aug 13 – Charlotte, NC – Spectrum Center (w/ Martina McBride)
Aug 14 – Bristol, TN – Thunder Valley Amphitheatre (w/ America)
Aug 27 – Madison, WI – Coliseum at Alliant Energy Center (w/ Travis Tritt)
Aug 28 – Grand Rapids, MI – Van Andel Arena (w/ The Frontmen of Country: Richie McDonald formerly of Lonestar, Tim Rushlow formerly of Little Texas & Larry Stewart of Restless Heart)
Sept 4 – Stateline, NV – Lake Tahoe Outdoor Arena at Harveys
Sept 5 – Laughlin, NV – Rio Vista Outdoor Amphitheater at Harrah’s
Sept 16 – Lincoln, NE – Pinnacle Bank Arena (w/ The Marshall Tucker Band)
Sept 17 – Oklahoma City, OK – Chesapeake Energy Arena (w/ The Marshall Tucker Band)
Sept 25 – Pittsburgh, PA – PPG Paints Arena
Oct 7 – Raleigh, NC – PNC Arena (w/ Tracy Lawrence)
Oct 8 – North Charleston, SC – North Charleston Coliseum (w/ Sara Evans)
Oct 22 – Forth Worth, TX – Dickies Arena (w/ Grits & Glamour: Lorrie Morgan & Pam Tillis)
Oct 23 – Tulsa, OK – BOK Center (w/ Grits & Glamour: Lorrie Morgan & Pam Tillis)
Dec 5 – Savannah, GA – Savannah Civic Center (w/ The Marshall Tucker Band)
Jan 15 – Indianapolis, IN – Bankers Life Fieldhouse (w/ Martina McBride)
Jan 21 – Columbia, SC – Colonial Life Arena (w/ Martina McBride)
Jan 22 – Tallahassee, FL – Donald L. Tucker Civic Center (w/ The Marshall Tucker Band)
Feb 12 – Wichita, KS – Intrust Bank Arena (w/ The Beach Boys)
*More dates to be announced
‘CMT Music Awards’ Moving To CBS In 2022
/by LB CantrellViacomCBS has announced that the CMT Music Awards will have its global premiere exclusively on the CBS network starting in 2022.
The annual ViacomCBS owned event will broadcast live from Nashville on CBS on a date to be announced. It was also revealed that for the 2022 event, CMT will kick off the company’s first ever Country Music Week by hosting week-long special programming and events capped by exclusive director’s cut airings of the CMT Music Awards later on CMT and various ViacomCBS platforms.
The CMT Music Awards, as country music’s only entirely fan-voted award show, have aired live since 2005. The 2021 show, hosted by superstars Kelsea Ballerini and Kane Brown, featured the most ever first-time collaborations and blended-genre pairings in show history. Standout performances included H.E.R. and Chris Stapleton; Gladys Knight, Mickey Guyton and Breland; and Needtobreathe and Carrie Underwood. The 2021 show saw more than a 10% increase in total viewers and was the No. 1 most social program across all of television for the night.
Industry Ink: Brooke Eden & Trisha Yearwood, Dailey & Vincent, Steve Dorff, Eddie Garcia
/by Lydia FarthingBrooke Eden Surprises Opry Crowd With Special Trisha Yearwood Duet
Brooke Eden & Trisha Yearwood at the Grand Ole Opry on June 25, 2021. Photo: Ford Fairchild
Country singer-songwriter Brooke Eden surprised a packed Opry House last Friday, June 25, with a guest appearance from Trisha Yearwood during her set.
After a performance of her latest songs, “No Shade” and “Sunroof,” Eden began her performance of her country classic pick, “She’s In Love With The Boy.” After the first chorus, Yearwood appeared and suggested they do a gender flip of the song to highlight Pride month and Brooke’s recent engagement to Hilary Hoover, a radio representative for Yearwood and Garth Brooks. Eden and Yearwood continued their duet as “She’s In Love With The Girl.”
“Never in my wildest dreams did I imagine I’d ever share the stage with one of my heroes, Trisha Yearwood,” said Eden. “Her idea of changing the words of ‘She’s In Love With The Boy’ to include Hilary and my love story is such a beautiful way of putting action behind the quote, ‘Love Is Love.’ Thank you to Trisha and the Opry for helping to create a community of love and acceptance. This is country music.”
Eden made her triumphant return to country music earlier this year. Marking the end of her four-year hiatus, she shared three new songs—“No Shade,” “Sunroof,” and now “Got No Choice.” Collaborating with director Ford Fairchild, Eden was able to incorporate her fiancée, her hometown, and even the bar she grew up singing at, into the music videos that give the viewer a glimpse into Eden’s world.
Dailey & Vincent To Be Recognized At 50th Annual Smithville Fiddlers’ Jamboree
Dailey & Vincent
Multi-Grammy nominated duo Dailey & Vincent will be recognized at the 50th Annual Smithville Fiddlers’ Jamboree and Crafts Festival for their contributions as one of the most popular bands in contemporary American music, embracing bluegrass, country, and gospel. The festival is set to take place on Saturday, July 3 in Downtown Smithville, Tennessee.
Darrin Vincent will be celebrated by the State of Tennessee with an unveiling of his “Tennessee Music Pathways” marker on the square in his hometown during the event. Launched by the Tennessee Department of Tourist Development in 2018, Tennessee Music Pathways is an online planning guide that connects visitors to the state’s rich musical heritage. Tennessee Music Pathways stretches across all 95 counties and features hundreds of landmarks from the seven genres of music that call Tennessee home.
Jamie Dailey will also be honored at the event as the recipient of the Fiddlers’ Jamboree’s 2021 Blue Blaze Award. The Blue Blaze Award is designed to honor an individual or group that keeps the embers of bluegrass music burning for future generations. The Blue Blaze Panel Committee voted unanimously for Dailey’s nomination citing his long-running contributions to bluegrass music. Following the presentations, Dailey & Vincent will perform a mini-concert on the main stage.
Although the pair only began performing regularly as a duo in 2008, they’d both had extensive careers in bluegrass and had sung together informally since 2001. Their first show together was at the Grand Ole Opry, staged at the Ryman Auditorium, on Dec. 29, 2007. Their debut self-titled album was released in January 2008 and won Entertainer of the Year, Vocal Group of the Year, Emerging Artist of the Year, Album of the Year, and Gospel Recorded Performance of the Year award at the 2008 IBMA Awards. In March 2017, Dailey and Vincent were inducted as the 213th members of the Grand Ole Opry. As of 2021, they have received five Grammy Awards individually, three Grammy nominations collectively, six Dove Awards from the Gospel Music Association, and 35 IBMA Awards altogether.
Steve Dorff Elected To Songwriters Hall Of Fame Board Of Directors
Steve Dorff
Demolition Music Publishing’s Steve Dorff has been elected to the board of directors for the prestigious Songwriter’s Hall of Fame. Dorff, an inductee to the Songwriters Hall of Fame himself, will serve a three year term on the board.
Dorff will serve alongside other elected board members Desmond Child, Paul Williams, Hal David Starlight Award Recipient Ne-Yo, Martin Bandier, Caroline Bienstock, Donna Caseine, Samantha Cox, Charlie Feldman, Fletcher Foster, Pete Ganbarg, Randy Grimmett, John Josephson, Jody Klein, Evan Lamberg, Carianne Marshall, Nancy Munoz, Jon Platt, Irwin Z. Robinson, Patrice Rushen and John Titta.
The Bobby Bones Show’s Eddie Garcia Completed 100-Mile Walk For Charity
Eddie Garcia on the 100-mile walk for National Angels
Eddie Garcia of iHeartRadio’s The Bobby Bones Show completed a nearly 100 mile walk from Bluefield, West Virginia to Bristol, Tennessee on Wednesday, June 23. The four day journey was part of a fundraiser for National Angels, a national non-profit organization dedicated to supporting children, youth, and families in the foster care community. To date, listeners of The Bobby Bones Show have donated more than $275K in support of National Angels.
“I did it! I walked all the way from West Virginia down to Tennessee,” shares Garcia. “We raised so much money for National Angels and met a ton of great humans out here. Thank you for all the support and encouragement along the way. I didn’t do this alone!”
Garcia, who is a foster parent to two young children and is on the National Advisory Council for the non-profit organization, was inspired by the George Strait song, “Carrying Your Love With Me,” in which he sings: “‘Cause I’m carryin’ your love with me, West Virginia down to Tennessee…”
“Eddie did it! The Bobby Bones Show did it. The more than 8,800 contributors did it. Together, people from all over our country collectively came together and said, ‘We can make a difference and we can be a part of the change!’ The response and support have been nothing short of a miracle!” says Susan Ramirez, founder and CEO at National Angels.
Alabama To Kick Off 50th Anniversary Tour At Nashville’s Bridgestone Arena
/by Lorie HollabaughAlabama. Photo: Alan Messer
Alabama‘s long-awaited 50th Anniversary Tour, which was mostly delayed due to COVID-19, is picking back up after nearly two years. Nashville will be the first stop on the milestone tour, which kicks off July 2-3 at Nashville’s Bridgestone Arena. These two concerts mark the band’s first arena performance in Nashville in nearly two decades, and will be the first full-capacity concerts held at Bridgestone since the start of the pandemic in early March of 2020.
The 25-date arena and amphitheater tour will take place throughout 2021 and early 2022, and will feature special guests Martina McBride, The Marshall Tucker Band,Travis Tritt, Sara Evans, America, Grits & Glamour (Lorrie Morgan and Pam Tillis), Tracy Lawrence, The Beach Boys, The Frontmen of Country, and Jake Hoot on select dates.
“We are very thankful that we can play our music for our loyal fans of the past 50 years and introduce our songs to a new 3rd and 4th generation of new fans,” says Alabama lead singer Randy Owen. “We have rehearsed an all-new show that we are having fun performing, but you never know, we might even take requests from time to time. There’s nothing like the roar of the crowd, and we can’t wait to get back on the road.”
“This tour, that we are blessed to have, has the most amazing group of musicians and vocalists that we have ever had on the road,” explains Alabama bass player/vocalist Teddy Gentry. “In addition, we wanted to bring along some special friends to join us on tour each night. From The Marshall Tucker Band to Travis Tritt and Martina McBride to The Beach Boys, what a party we are going to have. I can’t tell you how ready we are to see and play for you.”
Tickets for the tour are on sale now and information can be found on the band’s official website thealabamaband.com. Previously purchased tickets for rescheduled dates will be honored at each show, and fans who are now unable to attend may request a refund. Eligibility for a refund requires a previous purchase through Ticketmaster—tickets that were transferred, posted, or sold will not be honored.
*More dates to be announced
Big Machine Music Signs Songwriter/Producer Matt Dragstrem
/by LB CantrellPictured (L-R, back row): BMM‘s Sr. Director of Royalties and Finance Grayson Stephens, Creative Coordinator Lizzy Gallatin, Creative Director Michelle Attardi, Catalog Manager Taylor Courtney; (L-R, front row): BMM’s General Manager Mike Molinar, Matt Dragstrem, BMM’s Vice President Alex Heddle; not pictured: BMM’s Vice President Tim Hunze. Photo: Courtesy of Big Machine Music
Big Machine Music has signed an exclusive co-publishing agreement with songwriter/producer Matt Dragstrem, which includes the acquisition of his Matt Drag Music catalog.
Dragstrem has written No. 1 hits such as “I’ll Name The Dogs” (Blake Shelton), “One Margarita” (Luke Bryan), “Why We Drink” (Justin Moore), “Sippin’ On Fire” (Florida Georgia Line), and “Be A Light” (Thomas Rhett ft. Reba McEntire, Hillary Scott, Chris Tomlin and Keith Urban) as well as landed cuts by artists Maren Morris, David Guetta, Jake Owen, Jason Aldean, Dan + Shay, G- Eazy, Charlie Puth, Dierks Bentley, Brothers Osborne, and more. He also has nearly a dozen songwriting and producer credits on Rhett’s Country Again: Side A and Morgan Wallen’s Dangerous: The Double Album.
“I am excited to join the Big Machine Music team! I’ve known this talented crew for many years and it’s good to finally get to work with them. I’m eager to see what the future holds,” shares Dragstrem.
Dragstrem officially joins the reigning AIMP Nashville Publisher of the Year’s roster, which includes Laura Veltz, Jessie Jo Dillon, Ryan Hurd, Brett Young, Brandy Clark, Eric Paslay, Maddie & Tae and more.
BMM General Manager Mike Molinar says, “Drag has already established himself as a hit songwriter and producer while still at the beginning of what will be a legendary career. Alex Heddle, the rest of the team and I are so proud to welcome him to the Big Machine Music family!”
Charlie Worsham Releases Personal New Track From Upcoming EP ‘Sugarcane’
/by Lorie HollabaughCharlie Worsham. Photo: Jason Myers
Charlie Worsham is gearing up for the release of his brand new EP, Sugarcane, on July 16 via Warner Music Nashville. The first three releases from the new project, “Fist Through This Town,” “Believe In Love,” and the most recent track,“Half Drunk,” are available now.
Produced by Grammy Award-winning producer Jay Joyce (Eric Church, Miranda Lambert, Little Big Town), Sugarcane is an emotional homecoming for Worsham. The origins of the new EP stem from his personal reflections from a daily writing exercise that grew into something much more universal. The six new songs celebrate the love, perseverance, struggle, and joy experienced through life and the people who are there with you through it all.
“‘Half Drunk’ tells the story of the first time I told my wife I loved her,” recalls Worsham. “I’d just been fired by my publisher and my manager had quit management that week, but I was singing that day in one of my favorite rooms in all the world, the Station Inn. Powered by Yazoo Pale Ale, applause, and a sense that this girl I was crazy about might just be more special and more permanent than the whole music industry thing, I turned to Kristen, said those three magic words, and she said ‘I love you too.’ I hope this song inspires a lot of drunken making out and maybe a few last-time-saying-I-love-you- for-the-first-time moments.”
Since the release of his 2013 debut, Rubberband, Worsham has established himself as not only a solo talent but also a frequent collaborator with artists including Dierks Bentley, Eric Church, Brandy Clark, Luke Combs, Kacey Musgraves, Carrie Underwood, Keith Urban and more. He’s toured extensively including numerous shows performing as of part of Old Crow Medicine Show as well as dates with Miranda Lambert, Little Big Town, Tim McGraw and Faith Hill and more.
Sugarcane Track List:
1. Sugarcane
2. For The Love
3. Half Drunk
4. Fist Through This Town
5. Believe In Love
6. Hang On To That
Rockabilly Pioneer Wanda Jackson To Give Her ‘Encore’
/by Lydia FarthingWanda Jackson. Photo: Emma Lee Photography
Rock & Roll, International Gospel, and Rockabilly Hall of Famer Wanda Jackson has teamed up with fellow Rock & Roll Hall of Famers Joan Jett and Kenny Laguna on her 32nd album, Encore, due out on Aug. 20 via Big Machine Records/Blackheart Records. To give fans a taste of the set, Jackson’s take on Johnny Tillotson’s 1962 Rhythm & Blues smash “It Keeps Right On A Hurtin’” is available now.
The vocalist known for “Hot Dog! That Made Him Mad,” “Mean, Mean Man,” “Fujiyama Mama,” and “Let’s Have A Party” wrote half of Encore’s songs, with an array of co-writers including triple Grammy Award winner Lori McKenna; ACM, CMA, and Grammy nominees Will Hoge and Luke Laird; Angaleena Presley; and Sonia Leigh.
“Real, authentic rock and roll is something you have to have inside. It can’t be taught, it can’t be faked. Wanda Jackson has it. Joan Jett has it. Encore has it. It is rare,” says Laguna.
Encore walks listeners through the rockabilly, country, and even punk colors of Jackson’s career and vocals over the years. Recorded just before announcing her retirement, Jackson’s signature tease delivers a resounding thump on “Big Baby.” On the jaunty “Can’t Keep A Good Girl Down,” she’s joined by Presley and Candi Carpenter, while Jett’s garage grunge comes out on “You Drive Me Wild.” Whether the funk “Treat Me Like A Lady” or the giddyup rockabilly of “Two Shots” with Elle King and Jett, Jackson remains every bit as in charge as ever. The album’s closing ballad, “That’s What Love Is,” also offers listeners a dose of clear-eyed tenderness.
“Right around the time I retired from performing and what I thought was the end of my career, I found myself back to writing songs with some of the great writers in Nashville. The songs you hear are truly my life story. This is the first time I have ever inserted so much of my personal life into my music. You’ll get a picture of my early life and have a peak into the closeness that my late husband Wendell and I had in our life together. I’m happy to share this with all of you. Your constant love and support has seen me through the ups and downs of my 64-year career. I love you all and God bless you,” shares Jackson.
Encore Tracklist:
1. Big Baby – Christopher Casello, Robin Lynn Grant
2. Two Shots (featuring Elle King and Joan Jett) – David Ryan Harris, Tanner Elle Schneider
3. You Drive Me Wild” – Joan Jett
4. Good Girl Down (featuring Angaleena Presley and Candi Carpenter) – Wanda Jackson, Vanessa Olivarez, Angaleena Presley
5. It Keeps Right On A Hurtin’ – Johnny Tillotson
6. We Gotta Stop – Wanda Jackson, Will Hoge, Vanessa Olivarez
7. Treat Me Like A Lady (featuring Joan Jett) – Wanda Jackson, Sonia Leigh, Vanessa Olivarez, Jordan Breanne Simpson
8. That What Love Is (featuring Joan Jett) – Wanda Jackson, Luke Laird, Lori McKenna, Jordan Breanne Simpson
Fiona Whelan Prine Named A Nominee For Member Of The National Council On The Arts
/by Lydia FarthingFiona Whelan Prine
President Joe Biden recently announced his intent to nominate 17 individuals to serve in key roles within his administration. Included in this nomination list is Fiona Whelan Prine as a member of the National Council on the Arts.
Prine brings an expansive viewpoint to the American roots music community as President of Oh Boy Records, the country’s second-oldest independent record label still in operation. In that role, she oversees the multiple Grammy Award-winning recordings and publishing copyrights of her late husband, American music icon John Prine. She also serves as Founder and President of the newly established Hello in There Foundation. As one of Nashville’s most prominent and dedicated philanthropists, Whelan Prine has volunteered countless hours on behalf of Thistle Farms, a global nonprofit social enterprise dedicated to helping women survivors recover and heal from poverty, prostitution, trafficking, and addiction. Her many fundraising initiatives have helped raise over $3 million for the organization. In the last year alone, her community involvement has raised more than $1 million for important social causes, including those related to the COVID-19 pandemic.
Born and raised in Ireland, Whelan Prine is the eldest of six daughters born to Donal and Mary Whelan. She served as Business Manager for Windmill Lane Studios in Dublin, considered Ireland’s premiere recording studio. Whelan Prine met John while working there with artists like U2, Van Morrison, and many others, later marrying in Nashville where they raised their three sons. Whelan Prine received her U.S. citizenship in 2004.
Additional nominations that President Biden intends to make are Michael Carpenter as a U.S. Representative to the Organization for Security and Cooperation in Europe (OSCE); Claire Cronin as Ambassador Extraordinary and Plenipotentiary to Ireland; Jack Markell as a Representative of the United States of America to the Organization for Economic Cooperation and Development; Cindy Hensley McCain as a U.S. Representative to the United Nations Agencies for Food and Agriculture; Homer Wilkes as Under Secretary for Natural Resources and the Environment, Department of Agriculture; Raymond Limon for Vice Chair of the Merit Systems Protection Board of Directors; Max Vekich as a member of the Federal Maritime Commission; Stacey Brandenburg and Robert Garcia as Trustees of the Harry S. Truman Scholarship Foundation; and Kamilah Forbes, Christopher Morgan, Ismael Ahmed, Kinan Azmeh, Huascar Medina, Jake Shimabukuro, and Constance Williams as members of the National Council on the Arts.
Vincent Neil Emerson Releases Rodney Crowell-Produced Debut
/by Lorie HollabaughVincent Neil Emerson records his self-titled album at Sound Emporium Studios. Photo: Hannah Diane
Singer-songwriter Vincent Neil Emerson has released his self-titled album today, June 25 on La Honda Records and Thirty Tigers. The project includes his latest single, “High On Gettin’ By,” which follows the previously released tracks “Learnin’ To Drown” and “Texas Moon.” Emerson entered the studio with legendary Texas icon Rodney Crowell, who produced the self-titled project.
“I got drawn into this project as a producer because I was immediately drawn to the poetry of the songs that Vincent writes,” says Crowell. “To me, it’s in that Texas folk-singer tradition of Guy Clark, Townes Van Zandt, Ray Wylie Hubbard, myself and Steve Earle. When I heard Vincent’s songs, I said, ‘I get this. I understand it. I want to be a part of this.’ It’s really exciting to me that there’s another generation coming up with the sensibilities of really good, strong language and a respect for the tradition of poetic folk-singing and songwriting.”
Vincent Neil Emerson with producer Rodney Crowell at Sound Emporium Studios recording his self-titled album. Photo: Hannah Diane
Album opener “Texas Moon” is an ode about looking forward to returning home from the road, but always having the itch to get back on tour once you’re back, praised by MusicRow’s Robert K. Oermann as “an enchanting bluegrassy blend of rippling acoustic guitars, fiddle and banjo… highly promising.” Meanwhile, Emerson’s first release from the project, “Learnin’ To Drown,” is a raw song he wrote to confront his feelings about his father’s suicide. Allowing himself to reveal some of the most intimate details of his life was a scary yet freeing prospect for Emerson, an authentic torchbearer of the Texas songwriter tradition. “Learnin’ To Drown” earned placements on Spotify’s flagship Americana playlist, Indigo, Emerging Americana, Fresh Folk and Apple Music’s Best New Songs.
“’High On Gettin’ By’ was one of the first songs I wrote for this record, if not the first song. It’s one of those that just kind of came out very free flowing and naturally,” shares Emerson. “I wrote it at a time in my life where I felt like everything was falling apart. I didn’t know what to do, so I started writing. This song probably means the most to me out of all the songs on the album, because it’s a blessing to be where I am right now.”
Vincent Neil Emerson Track List:
1. Texas Moon
2. Debtor’s Blues
3. High On The Mountain
4. Learnin’ To Drown
5. Ripplin’ And Wild
6. Durango
7. The Ballad Of The Choctaw-Apache
8. White Horse Saloon
9. High On Gettin’ By
10. Saddled Up And Tamed
Parker McCollum’s ‘Gold Chain Cowboy’ Slated For July 30
/by Lorie HollabaughParker McCollum will release his major label debut album, Gold Chain Cowboy, on July 30 via MCA Nashville.
He penned all 10 songs on the project, produced by Jon Randall, including his Platinum-selling No. 1 hit “Pretty Heart,” and his latest song on country radio “To Be Loved By You.”
McCollum shares songwriting credits with Randall, Wade Bowen, Randy Rogers, Randy Montana, Rhett Akins, Miranda Lambert, Tony Lane and more on the new project. The album’s newest release, “Rest of My Life,” is available everywhere today (June 25).
Gold Chain Cowboy Track Listing:
1. Wait Outside – Parker McCollum, Jon Randall, Randy Rogers
2. Dallas (Featuring Danielle Bradbery) – Parker McCollum, Wade Bowen, Randy Rogers
3. To Be Loved By You – Parker McCollum, Rhett Akins
4. Drinkin’ – Parker McCollum, Lee Miller
5. Falling Apart – Parker McCollum, Miranda Lambert, Jon Randall, Randy Rogers
6. Heart Like Mine – Parker McCollum, Tony Lane, Ben West
7. Why Indiana – Parker McCollum, Erik Dylan, Randy Montana
8. Rest Of My Life – Parker McCollum
9. Pretty Heart – Parker McCollum, Randy Montana
10. Never Loved You At All – Parker McCollum, Corey Crowder, Brian Kelley
Gary Allan Makes Long-Awaited Return With ‘Ruthless,’ Eight Years In The Making [Interview]
/by LB CantrellGary Allan. Photo: Eric Adkins
Country music renaissance man Gary Allan released his long-awaited new album Ruthless today (June 25).
The 13-track project finds Allan tapping into the eclectic and tender-hearted themes ever-present in his prior releases, and settling into his ‘80s and ‘90s influences. He co-produced Ruthless with some of the minds behind his acclaimed breakout album Smoke Rings In The Dark, Mark Wright and Tony Brown, in addition to Jay Joyce and Greg Droman.
The tracklist, a sequence he has been collecting for eight years, reads like a who’s who of Music Row, with writers Jim Beavers, Sarah Buxton, Rodney Clawson, Nicolle Galyon, Ryan Hurd, Matt Warren, Josh Kear, Hillary Lindsey, Shane McAnally, the late busbee, and more.
Allan recently spoke with MusicRow about Ruthless, making sad songs, and the last 25 years.
MusicRow: The first thing I noticed about Ruthless is there’s a lot of outside cuts, with 12 of the 13 songs. When did you start collecting these songs?
Allan: I have been collecting these songs over the past eight years. The album is an accumulation of three separate projects. One I did with my engineer Greg Droman and my road band–that’s like the “Little Glass of Wine” and “What I Can’t Talk About.” I did another project with Jay Joyce and the label didn’t really hear it. That was right in the middle of the “bro country” thing. We all decided we should just drag our feet until this goes away a little bit. And then the third time we did it was when I felt that ’90s trend coming back. I thought, let’s go get the whole crew that played on the Smoke Rings In The Dark album, and I’ll get Tony Brown and Mark Wright, and that was where these last batch came from.
The cool thing is I had eight years of songs that I had collected and you’re right, it’s probably the least [amount of songs I’ve co-written that] I’ve ever had on the record, but I just tried to be honest with myself. I wore out all those songs if my house, and those were the 13 that spoke to me the most.
“Waste of A Whiskey Drink” is the leading single for the project. What compelled you to this song when you heard it?
It’s tongue-in-cheek, it just made smile. I think we’ve all sat down at a bar with somebody and said, “Man, you don’t want none of that. That’s a waste of a whiskey drink and a big heartache coming if you get involved.”
Speaking on heartache, you have mastered that over the years with some of your biggest songs telling the story of heartache or love gone wrong (see “Watching Airplanes,” “Life Ain’t Always Beautiful,” “Best I Ever Had”). Do you feel like that’s what you’re known for now?
Yeah, that’s all my favorite stuff. I’ve been called the master of misery and there are all kinds of quotes from different magazines about my writing. With “Every Storm (Runs Out of Rain)” I learned from Hillary [Lindsey] how you can write a sad song but still write every line to be positive. But sad songs have always been my favorite stuff. I’ve always loved the “He Stopped Loving Her Today” and the album cuts on records. Even my favorite artists [put out a lot of sad songs.] I have always been blown away that [artists like] Merle Haggard weren’t playing the AT&T Center.
I’ve always viewed myself as like the guy in the bar or part of the bar band because that’s always been my favorite stuff. For instance, “A Little Glass Of Wine,” is an old Jesse Winchester song. I got turned onto him by songwriters Odie Blackmon and Jamie O’Hara. Jamie use to tell me that was his all-time favorite writer and that made me go and buy all of his stuff.
“What I Can’t Talk About” has such a great lyric. “That’s why I sing about what I can’t talk about.” What was your reaction when you heard that hook?
I thought that was my next big single. I cut that eight years ago. When you go in and you cut in the studio, in your head, you have the two or three songs that are the singles. I was so confident that I started cutting songs like “Little Glass Of Wine.” When I turned it in, they were like, “Man, I just think that’s too negative.” In hindsight, that was the beginning of the “bro country” thing. My manager talked to me about this a little bit. He said, “We just didn’t feel like you were going to fit into the current format, so eventually we started just dragging our feet.”
You are a co-writer on “Pretty Damn Close.” Tell me about writing that one.
To me it’s like a George Strait song. That’s all I heard when we were writing it and that’s all I hear still when I listen to it. That “Something about her spinning around with the glitter in her hair,” just feels super ’80s and ’90s. I missed that. I miss writing with guitars. To me, that’s my favorite part about the ’90s sounds is the melodies and I think that’s what we’re lacking most right now.
Why did Ruthless stick out as the track from which you should title this project?
For me, I’m still a little kid looking at the shelf. So I always try to think of what looks cool on the shelf, so “Gary Allan – Ruthless” says “He’s gonna be here no matter what, he’s going to make it through this.”
You’re celebrating the release of Ruthless with a special performance tonight (June 25) at Assembly Hall in Fifth + Broadway. Have you gotten to play much recently now that the pandemic restrictions are lifting?
This will be my fifth show back. We had 462 days between shows, not that I was counting. It feels so good to be back.
It’s been 25 years since your first album Used Heart For Sale. What are some of the biggest things you’ve learned about yourself since then?
Just do what you do. That’s probably the hardest thing about being around for a long time is not to get jaded every time it takes a left turn. Even if you think [what the music industry is doing] sucks, you can’t go, “This sucks.” You have to go, “How do I sit in this?” I had the hardest time with the “bro country” thing, I didn’t like it. I didn’t understand it. But what I learned the most is don’t let other people define what you’re good at, what you’re awesome at, or what you feel good about. Just go do your thing and let the chips fall.