Off The Record: Is It Time To Cut The Net?

I can’t imagine living without safety nets.

One of the traits I often envy in other entrepreneurs is the ability to throw all the chips on the table without a safety net.

While I would love to be more like that, unless I have an idea that’s a proven concept or doesn’t require a big financial or time investment, I have a tendency to gingerly approach the path and slowly increase my wager as I see positive results. While that has worked for me, there’s something really admirable about people who go all in, risking everything, with a “do-or-die” mentality.

I’ve seen that philosophy produce both skyrocketing and unimaginable successes, as well as nosediving falls. But I believe despite the fears and bruises, the rewards are often sweeter.

Safety nets have a very important role in navigating one’s career path. They allow you to step out on the edge, take some chances, with the comfort of knowing you won’t lose it all if it goes south. But something I’ve realized lately is that while a net can save your ass from falling and hitting the ground, sometimes it can actually be causing more harm than good, despite your best intentions.

Do you have a safety net in your life that is keeping you from flying?

We’ve probably all learned many lessons about having safety nets during this pandemic. When I first started out in my career, I recall the goal of having an emergency fund of 4-6 weeks to cover personal expenses was pretty standard practice. Looking back, it seems rather inadequate as a standard measure, even for back then. These days, financial gurus such as Suze Orman often tout a minimum eight-month emergency fund claiming it can take that long to find a new job. While she may not have ever mentioned it being needed in a pandemic, the logic is the same and during these past 10 months, many have had to deplete their emergency funds.

But not all safety nets are financial.

I actually started my career as a safety net of sorts. When I decided to major in accounting with plans on becoming a C.P.A., I wanted something that would be a safe bet in finding employment. Deep down, I always wanted to own my own business, but I have a natural aversion to risk. Before I started college, I knew every company in existence needed accountants. Those seemed like pretty good odds to me.

I figured I could always learn other aspects of a business through experience so getting my C.P.A. was the safety net I wanted. Fast forward 15 years later, my employer at the time, Arista Records, merged with another label, and I received the proverbial pink slip. I was shocked to find out that afterwards, my phone didn’t continuously ring with new career opportunities. I expected my safety net to save me, but it didn’t. I enjoyed working in many aspects of finance and I was good at it. I’m grateful for the experience and how my career path led me to where I am today, but that net didn’t keep me from getting bruised. It didn’t keep me from having a few really lean years. It didn’t give me security. And in the end, I realized it wasn’t a net after all.

Other safety nets can appear as ‘mental nets’ or attitudes. Those can keep you from taking action or make you act in ways you shouldn’t. And perhaps the worst part is they can get intertwined with the most harmful enemy of anyone wanting success… fear. Unlike fear, they have a very beneficial-looking appearance but are really nothing more than piles of junk getting in your way of success, all while being fully cloaked in something that appears to be for protection.

Have you ever noticed how our junk in our homes starts to really stand out when you are having guests coming over? You can have clutter sitting around in a room and over time, it blends in and you no longer even notice it. But then you have a visitor planning to come over, and all of that same clutter now appears to have a spotlight shining right on top of it, creating an urgency to get it cleaned up before your guests arrive. And similar to that untidiness, it’s important to periodically look around and take inventory of any safety nets that have also become clutter.

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The first step is to figure out what safety nets are, indeed, working for you and serving an important purpose. Protect those and reinforce them. But perhaps even more importantly, determine which ones that aren’t safety nets at all. You’ll start to notice nets that have been in your life so long you no longer even remember they are there. It can be quite exhilarating when you start recognizing those that are standing in your way of reaching your potential and you cut them loose.

Once you identify a safety net that isn’t providing you with any safety, how do you let them go?

I admit it’s hard to let them go. 

I often cling to them with white-knuckled fists. One of the nets I’m loosening my grip on right now is having everything at the magazine go through my final review. I’ve realized that I made my “review” my own self-appointed safety net at MusicRow. But even though our team members excel with their strengths, I still felt the need to have everything pass across my plate. I thought I needed that safety net in place. But that kind of net easily becomes a dam with productivity getting tangled in the lines, preventing progress from moving forward. It impedes success, rather than produces it.

Have you ever seen a tightrope walker at a circus slowly walking across a thin wire high above the net? Or perhaps trapeze artists spinning, swinging and flying through the air? What happens when all of a sudden the safety net is removed and the crowd exalts a collective gasp? Do they fall? Do they fail? No, they do not. That’s when they soar. That when they succeed at death-defying acts. In other words, that’s when the shit gets really good.

One of my favorite people to learn from is Steve Harvey. He’s a comedian, an author, a host, a presenter, a broadcaster, a businessman, a life coach, an ambassador and so much more. His accomplishments would fill up a book and he’s a masterful teacher. One of the most inspiring messages he’s given was an impromptu video as he was getting in his car one day and driving off. It’s a message I listen to repeatedly and try to remember often. He said, “If you want to be successful, here’s the thing you have to do. You have to jump. There is no way around it. Every successful person has jumped. You’ve got to take a leap of faith. You’ve got to dash off that cliff and you’ve got to jump out there as far as you can.” 

In other words, get rid of that false safety net, often tangled up in fear, that’s holding you back. 

Harvey goes on to say, “A lot of times you stand on the cliff of life and you see other people soaring by. And you know why? Because their parachute opened. But the only way you can get your parachute to open so you can soar is you’ve got to jump. And If you do not jump, I promise you one thing. Your parachute will never open. You’re safe, but you will never soar.” 

Here’s to all of us soaring… and losing the net.

 

Off The Record is a recurring column from MusicRow Owner and Publisher, Sherod Robertson. After 10 years heading the publication, he shares some of the nuggets of wisdom he’s acquired throughout the years that have helped him in his journey. The views and opinions expressed here are solely those of the author and do not necessarily reflect the views of MusicRow Magazine nor its team members.

Prior Installments:
Off The Record: What Is Your Word For 2021?

Off The Record: Show Me The Receipts!

Americana Meets Eastern Europe On David Olney’s Final Album

David Olney, Anana Kaye, Irakli Gabriel

A new project, Whispers and Sighs, the final studio album by the late David Olney, beloved folk songwriter’s songwriter, in collaboration with Anana Kaye, a young Eastern European powerhouse, is set for release on March 26 on Schoolkids Records.

On Whispers and Sighs, the pair create a unique, sonic landscape that blends the haunting sensuality of European music with the intimacy of Americana, weaving raw rock anthems like “Lie to Me, Angel” and “Last Days of Rome” with sparse, introspective ballads such as “Tennessee Moon” and the record’s title track. All of the songs were written by the trio of Olney, Kaye, and Kaye’s husband and musical partner Irakli Gabriel, with a few co-written by longtime Olney collaborator and songwriter John Hadley.

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The project features an impressive array of Nashville musicians and vocalists including Olney’s long-time musical collaborator Daniel Seymour, and bassist Chris Donohue, who has worked with such artists as Emmylou Harris, Robert Plant, and Elvis Costello.

Regarded as one of the finest songwriters in Music City, Olney tragically passed on stage during a performance in early 2020.

Sundance ASCAP Music Cafe’ Returns To 2021 Virtual Festival With New Talent Added

Sundance ASCAP Music Cafe’ has announced its lineup for 2021’s virtual festival, which will include Hailey Whitters, Devon Gilfillian, Mikel Jollett (Airborne Toxic Event), Pedrito Martinez, Ron and Russell Mael (SPARKS) and more. The festival favorite is now accessible in a way it has never been before at bit.ly/ASCAPMusicCafe21 with new content added at 5 p.m. ET each day from Jan. 29-Feb. 1. A free account is required to participate.

At its brand-new, virtual venue in the Festival Village, The Sundance ASCAP Music Café will feature a mix of musical performances from acclaimed talent and rising stars on Jan. 29 and 30; special ASCAP Screen Time editions of VERSED: The ASCAP Podcast, featuring conversations with top ASCAP composers and their collaborators on January 31; and a final day showcasing a handpicked selection of performances from the Sundance ASCAP Music Café archives on February 1.

“This unique opportunity to showcase the music and composers that bring stories to life across global screens makes this event so special to ASCAP,” said Loretta Muñoz, ASCAP Assistant Vice President, Membership. “In our 23rd year, the Sundance ASCAP Music Café continues its dedication to shining the spotlight on the magical relationship of music and film. Though we can’t all be together in person this time, we are super excited to once again share performances from some of our favorite new talents with an even wider audience, engage some of our leading composers in conversation and also share an entertaining look back on the Cafe’s incredibly rich history of stunning and unforgettable performances.”

The Sundance ASCAP Music Café virtual venue can be found in the Festival Village portal on the Main Street homepage and is accessible for free by creating an account at festival.sundance.org/create-account.

Thomas Rhett Reigns On ‘MusicRow’ CountryBreakout Radio Chart

“What’s Your Country Song” by Thomas Rhett remains at No. 1 on the MusicRow CountryBreakout Radio Chart gaining 51 spins this week. Rhett penned the single with Rhett Akins, Jesse Frasure, Ashley Gorley and Parker Welling.

At the 55th annual Academy of Country Music Awards Rhett tied with Carrie Underwood for the coveted Entertainer of the Year award. He also took home a win for Video of the Year for “Remember You Young.”

Rhett is set to headline “Bob Kingsley’s Acoustic Alley,” on Wednesday, Feb. 17 during CRS 2021: The Virtual Experience.

Most recently, Rhett debuted his new tequila brand, Dos Primos, in collaboration with his cousin Jeff Worn and Third-generation Master Distiller Rodolfo González.

Click here or above to view the latest edition of The MusicRow Weekly.

Lainey Wilson Readies Studio Album, ‘Sayin’ What I’m Thinkin’’

Country newcomer and a member of MusicRow’s Next Big Thing Class of 2021, Lainey Wilson announced her new album today (Jan. 22). Sayin’ What I’m Thinkin’ is set to release Feb. 19 via BBR Music Group/Broken Bow Records.

Wilson co-wrote every song on the album, collaborating with hit-making songwriters including Casey Beathard, Jonathan Singleton, Luke Dick, Jordan Schmidt and more. Wilson tapped prolific producer Jay Joyce for the project, bringing her so-called “Bell Bottom Country” sound to life, which blends traditional country with a funky, yet modern flare.

“I am proud of every piece of this record and all the people that have helped bring it to fruition,” said Wilson. “Finally being able to share this body of work is the most fulfilling and rewarding moment of my life thus far.”

Sayin’ What I’m Thinkin’ includes the Louisiana native’s current radio single, “Things A Man Oughta Know,” which has garnered more than 35 million streams, earning a place on Spotify’s Nashville’s Worldwide Hot 50 and has been in the Top 5 consumption per spin and streams per spin for the past 17 consecutive weeks.

Those who pre-order the album will immediately have access to the brand-new track and album opener, “Neon Diamonds.”

Sayin’ What I’m Thinkin’ Track List:
1. “Neon Diamonds”— (Lainey Wilson, McV, Matt Rogers)
2. “Sunday Best” —(Lainey Wilson, Brice Long, Shane Minor)
3. “Things A Man Oughta Know” —(Lainey Wilson, Jonathan Singleton, Jason Nix)
4. “Small Town, Girl” —(Lainey Wilson, Chris Yarber, Dallas Wilson)
5. “LA” —(Lainey Wilson, Hannah Dasher, Frank Romano)
6. “Dirty Looks” —(Lainey Wilson, Smith Ahnquist, Brent Anderson)
7. “Pipe” —(Lainey Wilson, Luke Dick, John Pierce)
8. “Keeping Bars In Business” —(Lainey Wilson, Jordan Schmidt, Matt Rogers)
9. “Straight Up Sideways” —(Lainey Wilson, Reid Isbell, Jason Nix, Dan Alley)
10. “WWDD” —(Lainey Wilson, Casey Beathard, Michael Heeney)
11. “Rolling Stone” —(Lainey Wilson, Tammi Kidd, Brent Anderson)
12. “Sayin’ What I’m Thinkin’” —(Lainey Wilson, Jay Knowles)

Adam Sanders Celebrates Milestones With New Live Album

Adam Sanders is offering up a thank you to the fans who have contributed to his growing success as an indie artist with his new album, Adam Sanders Live, available now.

The collection includes Sanders’ take on his hits penned for other artists, Cole Swindell‘s “Ain’t Worth the Whiskey” and Dustin Lynch‘s “Hell of a Night,” as well as new versions of his popular songs “Thunder,” “Burnin’ Roses,” and “Nothin’ To Do But Drink.” Adam Sanders Live celebrates his notable success as an independent artist who has earned more than 100 million streams, sold over 70,000 singles, and charted singles in 2020 including “Ruled The World,” and “Make Em Wanna Change.”

“2020 was a hard year for us all… And since you couldn’t come to us, we decided to come to you. This live album is a ‘Thank You’ to the fans who helped me reach 100 million total streams as an artist. Hope you enjoy, but know this is only just the beginning of what’s to come in 2021!” said Sanders.

Sanders moved to Nashville in 2009 and worked construction while developing his chops as a songwriter. His skills caught the attention of Big Yellow Dog, who signed him to a publishing deal in December of 2011. He initially found success in Nashville as a songwriter, penning songs for Luke Bryan, Dierks Bentley and Tyler Farr, among others, and has topped the charts with No. 1 singles like “Ain’t Worth the Whiskey” and “Hell of a Night.”

Adam Sanders LIVE Track List:
1. We Live It
2. Nothin’ to Do but Drink
3. Thankful For
4. Miss Me Memphis
5. Hell of a Night
6. Make Em Wanna Change
7. Over Did It
8. Ruled The World
9. Thunder
10. Burnin’ Roses
11. Ain’t Worth The Whiskey
12. Life I’m Livin’

JUST IN: Lady A Invited To Become Members of Grand Ole Opry

Charles, Hillary & Dave (Lady A) respond to their Opry Membership invitation by Opry Member Darius Rucker. Photo: Courtesy Schmidt Relations

Lady A has been invited to join the Grand Ole Opry. The award-winning group was surprised during a performance taping for the upcoming two-hour NBC special, Grand Ole Opry: 95 Years of Country Music, airing Feb. 14 at 9 p.m. ET/PT.

Opry member Darius Rucker extended the invitation to Hillary Scott, Charles Kelley and Dave Haywood on the Opry stage today (Jan. 21) and announced their membership is effective immediately. The invitation and the group’s first performance as an Opry member will be shared with fans and viewers during the television special. Lady A made their Opry debut on Nov. 2, 2007.

“This is the best surprise we could ever ask for,” Hillary Scott said. “I’ve been coming here since I was a little girl so to say we are honored is an understatement. We are so truly grateful to officially be a part of this amazing family.”

“What can you say about three friends of yours who together have become one of the biggest groups in country music history? Well, how about this? This trio are multi-Platinum superstars, seven-time Grammy Award winners and seven-time CMA Award winners too. And I feel so honored to stand here in the Opry House and hope they accept the invitation I am thrilled to be offering them tonight. So, what do you say, Lady A? Would you like to become members of the Opry?” said Rucker when introducing the group.

DISClaimer Single Reviews: Marty Stuart, Blake Shelton, Tiera, Caitlyn Smith, Old Dominion

Johnny Cash, Marty Stuart. Photo: Bill Thorup

We have a historic DisClaimer column today—for the first time, five of our spotlight sounds are by African-American country up-and-comer’s.

Mind you, not all of them have a deep understanding of what “country” is, exactly. But if you’re into hick-hop fusion styles, we have you covered.

Of these five, two of them have authentic approaches, Aaron Vance and our DisCovery Award winner, Charley Crockett.

Scattered among these folks are a bevy of country heavyweights. Old Dominion, Maren Morris, Willie Nelson, FGL and Kip Moore are all on hand.

The Disc of the Day prize is shared by two extraordinary rocking tracks. New Country Music Hall of Fame honoree Marty Stuart rides high with “I’ve Been Around” and future Hall of Famer Blake Shelton is right there with him singing “Minimum Wage.”

CHARLEY CROCKETT / “I Can Help”
Writers: Billy Swan; Publishers: none listed; Producer: Bruce Robison; Label: The Next Waltz
– This Texan takes the 1974 Billy Swan country-pop classic out for a leisurely drive. The laid-back folkie groove with a tinge of New Orleans R&B backbeat is a relaxing ride. The track is making inroads on both country and Americana playlists, and deserves to.

BLAKE SHELTON / “Minimum Wage”
Writers: Nicolle Galyon/Corey Crowder/Jesse Frasure; Publishers: Warner Chappell Music; Producer: Scott Hendricks; Label: Warner Music Nashville
– It’s a sentiment as old as country music, itself—being rich in love is better than having material goods. This time, the lyrics are spitfire sharp, the vocal delivery has edgy passion and the track totally rawks. A smash.

TIERA / “Found It In You”
Writers: Cameron Bedell/Tiera Leftwich; Publishers: Songs & Daughters; Producer: Cameron Bedell; Label: Tiera
– This Birmingham native has been signed by Nicolle Galyon’s female-driven publishing company and hosts her own daily show on Apple Music Country that focuses on up-and-coming artists. Tiera describes her sound as “R&B country.” This languid, acoustic piano ballad swoons in jazzy romance.

KIP MOORE / “How High”
Writers: Kip Moore/Bobby Terry/Luke Dick/Westin Davis; Publishers: none listed; Producer: Luke Dick; Label: MCA Nashville
– Thumping and rocking, with a doomy, deep-twang melodic bed under Moore’s raspy, fiery vocal. Super hooky. Essential.

AARON VANCE / “Cabin Fever”
Writers: Aaron Vance/Rich Karg; Publishers: Rich Karg, ASCAP; Producer: Aaron Vance/Rich Karg; Label: Windy Holler
– Very funky and twangy. He’s a really cool, traditional-leaning hillbilly vocalist, but equally important is the groove-soaked track with its catchy, boing-boing guitar effects. I dig this guy’s distinctive, creative, off-the-wall approach. Play it again.

FLORIDA GEORGIA LINE / “Life Rolls On”
Writers: Ben Burgess/Alysa Vanderheym/Emily Weisband; Publishers: Warner Chappell Music; Producer: FGL & Corey Crowder; Label: Big Machine
– The title tune of the duo’s upcoming fifth album has a steady-state, somewhat monotonous sound with not much of a melody. Blandly listenable.

WILLIE JONES / “American Dream”
Writers: Willie Jones/Josh Logan/Jason Afable; Publishers: none listed; Producer: Jason Afable; Label: The Penthouse / EMPIRE
– Dark and very compelling, if not exactly down-home rootsy. This is an ear-opening hick-hop country fusion sound with a pointed political message about what it means to be Black in America. Jones is partnering with the new National Museum of African American Music in Nashville to solicit fan statements on the topic. He performed at the museum’s virtual, grand-opening celebration on Martin Luther King Jr. Day.

WILLIE NELSON / “That’s Life”
Writers: Dean Kay/Kelly Gordon; Publishers: none listed; Producer: Buddy Cannon/Matt Rollings; Label: Legacy
– The title tune of Willie’s Frank Sinatra tribute album is one of the coolest songs in the Sinatra catalog. The country legend’s take on Ol’ Blue Eyes’ 1966 hit is a woozy, bluesy delight.

SEE YOUR SHADOW / “I Know My Worth”
Writers: Michael Coleman/Shukur Haynes; Publishers: none listed; Producer: Michael Coleman; Label: See Your Shadow
– This is a multi-racial, female quintet fronted by a hick-hop stylist. Driven by a bopping banjo, the song is a female-empowerment anthem with hooks a-plenty. Girl power with a groove that doesn’t quit.

J.P. SAXE & MAREN MORRIS / “Line By Line”
Writers: Jimmy Robbins/JP Saxe/Maren Morris/Ryan Marrone; Publishers: none listed; Producer: Ryan Marrone; Label: Arista
– Enchantingly pretty pop. Is this woman ever going to release a country record again?

CAITLYN SMITH & OLD DOMINION / “I Can’t”
Writers: Ben West/Caitlyn Smith/Steven Wilson Jr.; Publishers: none listed; Producer: Christian “Leggy” Langdon/Shane McAnally; Label: Monument
– Lustrously produced with gobs of echoey audio atmosphere surrounding stellar vocal work. Radio ready.

MARTY STUART / “I’ve Been Around”
Writers: Johnny Cash/Marty Stuart; Publishers: none listed; Producer: John Carter Cash; Label: Legacy
– Sensational. I completely love this record. Stuart channels the slap-back rockabilly vibe of the Man in Black, giving it a snappy, contemporary edge. Cash’s lyric is a dandy. It’s shocking that he never recorded this, himself.

Darryl Worley Returns To The Road For Country Rewind Tour

Country singer Darryl Worley is set to take center stage as part of the Country Rewind tour. Country artists Bryan White and Wade Hayes are also part of the lineup. The tour is being presented by Center Stage Magazine in association with 180 Talent Group and is scheduled to launch this weekend (Jan. 22) in Fernandina Beach, FL. Additional stops will include Austin, TX; Kansas City, MO; Lincoln, NE; Knoxville, TN; Louisville, KY; Indianapolis, IN; and Macon, GA.

Worley calls the tour a great opportunity for looking ahead. “I am blessed to be a part of the Country Rewindtour with Bryan and Wade,” he says. “Everyone needs to work and pay the bills so, for me, this is another prayer answered. I’m so thankful to be going out and making some music with my friends and for my friends. I hope we can make everybody forget about all the difficult times we are experiencing, relax for awhile and enjoy an evening together.”

“The Country Rewind tour was birthed from a desire to create a fun, positive music experience for fans and artists alike,” explains Missy Wolf, co-founder of Center Stage Magazine. “The partnership between myself, Center Stage co-founder Tommy Lemon and Daphne McCool of 180 Talent Group has been a great one for years. Creating this unique tour with Bryan White, Darryl Worley and Wade Hayes during such an uncertain time in our country was a no brainer for us as we ultimately wanted to help artists we know and love come together in a stress-free environment to give fans something positive to look forward to. Each show will be an opportunity for all involved to leave their worries at home, strap on their dancing shoes, and get ready for an all-around good time!”

For more information, visit countryrewindtour.com.

Country Rewind Tour Schedule:

DATE CITY/STATE VENUE
Jan 22 Fernandina Beach, FL Sadler Ranch
Jan 23 Sanford, FL Barn in Sanford
Feb 18 Canton, TX Sundance Hall
Feb 19 Katy, TX Wildcatter Saloon
Feb 20 Austin, TX Texas Music Ranch
Feb 26 Kansas City, MO Knuckleheads Saloon
Feb 27 Lincoln, NE Royal Grove
March 5 Evansville, IN KC’s Time Out Lounge
March 6 Knoxville, TN Cotton Eyed Joe
March 13 New Brockton, AL Bama Slam Saloon
March 26 Macon, GA The Crazy Bull
March 27 West Columbia, SC Skyline Club
April 23 Indianapolis, IN Irving Theater
April 24 Louisville, KY Diamond Pub Concert Hall

CMA’s Sarah Trahern, Rascal Flatts To Receive CRB Honors at CRS 2021: The Virtual Experience

Sarah Trahern, Rascal Flatts

The Country Radio Broadcasters, Inc. announced that Country Music Association CEO Sarah Trahern will be the 2020 CRB President’s Award recipient. The award will be presented during “CRS Honors,” the official launch to CRS 2021: The Virtual Experience, on Tuesday, Feb. 16, 2021, at 12:30 p.m. CT, immediately following the morning sessions of the all-new CRS Streaming Summit.

The CRB President’s Award is presented to an individual who has made a significant contribution to the marketing, production, growth, and development of the Country Radio Seminar and the multiple services that Country Radio Broadcasters provides to the country radio and music communities.

“Sarah is the epitome of this award. Her selfless and tireless work on behalf of artists, songwriters, labels, managers, touring professionals, and country radio, and her steadfast support of CRB and Country Radio Seminar make her a highly deserving honoree. I am blessed to call her colleague, confidant and friend. And all of us in country are blessed to have her as a true leader in our genre,” said CRB/CRS Board President, Kurt Johnson.

The 2020 CRB Artist Career Achievement Award recipient, Rascal Flatts, will also be recognized during the Opening Ceremonies. The CRB Artist Career Achievement Award is presented to an individual artist or act who has made a significant contribution to the development and promotion of country music and country radio through their creativity, vision, performance, and/or leadership. On the heels of celebrating their 20th Anniversary Year, Rascal Flatts was named the 2020 Artist Career Achievement Award recipient during a surprise announcement made at Country Radio Seminar (CRS) 2020’s Opening Ceremonies. President/CEO of Big Machine Label Group, Scott Borchetta will present the award to Rascal Flatts.

Capitol Records Nashville recording artist Mickey Guyton is also confirmed to open CRS 2021: The Virtual Experience with a performance of the national anthem, sponsored by Veterans Matter.

Due to the pandemic, the 2020 Country Radio Hall of Fame Induction Ceremony, where the CRB President’s Award and Artist Career Achievement awards are historically given, could not be held in person and is subsequently being held virtually during CRS 2021: The Virtual Experience.