DISClaimer (3/13/09)

/by

It’s veterans’ day.

No, not the holiday, silly. It’s a day when we have new music from some of country music’s vets. Aaron Tippin, Ricochet and Ronnie Milsap are all dropping by with new sounds. And the magnificent Mr. Milsap wins a Disc of the Day award.

Neil Carswell is a veteran, too. He previously fronted the Southern rock band Copperhead. Now he’s a solo artist with his second consecutive winning single. Keep an ear out for him, as well as Michael Scott. He is also getting his second consecutive rave review in this column.

Our DisCovery Award winner leans more toward the Americana side of the spectrum. But Diana Jones is such a strong writer that some of country’s stars should start checking out her catalog. Actually, this is Diana’s second appearance, too. But her last CD was three long years ago, and this new one is, for now, being marketed from the U.K.

DIANA JONES/Better Times Will Come
Writer: Diana Jones; Producer: Diana Jones; Publisher: Yarjones, ASCAP; Proper (track) (www.dianajonesmusic.com)
—The title tune to this singer-songwriter’s current collection is rippling acoustic tune of hope sung in a throaty, resonant alto. Guests on the CD include the esteemed Nanci Griffith and Mary Gauthier. Another standout track is “Henry Russell’s Last Words,” based on the true story of a doomed miner writing on a paper sack with a piece of coal in 1927. You can also find it on Joan Baez’s excellent, Steve-Earle-produced album The Day After Tomorrow.

JO DEE MESSINA/Shine
Writer: Clay Cumbie/Megan James; Producer: James Stroud; Publisher: Curb Congregation/Big Red Toe/Big Loud Bucks/Warner-Tamerlane/ Songwriters of Platinum Pen, SESAC/BMI; Curb
—The production frames her upbeat vocal nicely. But the faux-inspirational, chin-up, positive-think song does nothing for me.

CHRIS LOID/Back Road Home
Writer: none listed; Producer: Chris Loid; Publisher: none listed; Chris Loid Entertainment (track)
—The title track to this fellow’s CD shows off his vocal range. But even though it’s a song about murder, there is something curiously colorless about his singing.

RICOCHET/Feel Like Fallin’
Writer: Shane Teeters/Luke Bryan; Producer: Robert Wright; Publisher: Murrah Music/Shane Teeters/Universal/Z, BMI; M (www.ricochetonline.com)
—This band’s harmony singing has always been thrilling. They really turn it on in the joyous-sounding choruses here. The bridge is cool, too.

AARON TIPPIN/East Bound And Down
Writer: Jerry Reed/Dick Feller; Producer: Aaron Tippin & Tim Grogan; Publisher: Songs of Universal, BMI; Nippit (track) (www.aarontippin.com)
—Aaron’s new trucker-themed CD In Overdrive kicks off with this spirited remake of the Burt Reynolds 1977 Smokey and the Bandit movie tune. It bops right along, very much in the same vein as the Jerry Reed original, so some might find it a little “dated” sounding.

RICHARD JAYMES/Dollar And A Dream
Writer: Richard Jaymes; Producer: none listed; Publisher: Southern Pop, BMI; Shotgun/CO5 (CDX)
—This was one of the many newcomers making their debuts at last week’s Country Radio Seminar. His singing is rather bland, and is swamped by the amped-up instrumental track at times.

TIMOTHY CRAIG/Got Good Friends
Writer: Timothy Craig/Billy Falcon/Rose Falcon; Producer: Tom Harding & Timothy Craig; Publisher: Timothy Craig/Pretty Blue Songs/JuniorIsaGirl, ASCAP/BMI; Ball & Chain (CDX) (www.timothycraig.com)
—The song is sturdy, but his vocal is so shallow that he practically speaks the lyric.

NEIL CARSWELL/Bright Lights
Writer: Neil Carswell; Producer: Stu Campbell & Neil Carswell; Publisher: Lake James/GHP, ASCAP; Aspirion (CDX)
—The buzzing guitar sound is cool, and this man sings with plenty of grit and fire. This is the second time we’ve encountered this distinctive stylist, and I’m even more impressed than I was the first time around.

RONNIE MILSAP/Stand By Me
Writer: Ben E. King/Mike Stoller/Jerry Leiber; Producer: Rob Galbraith & Ronnie Milsap; Publisher: Mike & Jerry/Jerry Leiber/Silver Seahorse, BMI/ASCAP; Star Song (CDX) (615-371-6581)
—The funky, soulful track puts some slinky rhythm into what is usually performed as a gospel-soaked ballad. In any setting, it’s a fabulous evergreen song, and Ronnie pours passion all over it. The man remains a titanic talent.

MICHAEL SCOTT/Bring It On
Writer: Arnie Roman/Mark Mormon; Producer: Ricky Cobble & Michael Scott; Publisher: Roman Empire/Fintage/Rev’d Up/Songs of Windswept Pacific, ASCAP/BMI; Rocky Comfort (CDX) (www.michaelscott.com)
—This guy sings with hearty confidence and immense warmth. And judging by the superb dynamics in the track, he truly knows his way around a recording studio. To top it all off, the song is a doozy. This is Scott’s second rave in this column, so I thought I’d check out his website. It turns out that this is the title tune to his debut CD for Tracy Lawrence’s label. Definitely send more.

DISClaimer (3/6/09)

/by

As you might expect, the stars are twinkling for Country Radio Seminar.

Toby Keith, Sugarland, Telluride and Pat Green all have terrific new tunes for the radio decision makers to savor. Universal South is bringing forth a dandy by this week’s DisCovery Award winners, Jonathan Singleton & The Grove.

Less than a month ago (on February 13, to be exact), Caitlin & Will earned that same honor. Well, today they graduate to their first Disc of the Day prize. I hope it is the first of many to come.

TOBY KEITH/Lost You Anyway
Writer: Toby Keith/Bobby Pinson; Producer: Toby Keith; Publisher: Franklin Road/Music of Stage Three/Bobby’s Song and Salvage, BMI; Show Dog Nashville
—Sumptuous and lustrous as a ballad can be. Guitars chime and percussion pounds all around his passionate, soaring vocal. A big, big sound.

GEORGE CANYON/What I Do
Writer: George Canyon; Producer: Richard Marx; Publisher: Reiny Dawg, SOCAN; Universal (Canada) (track) (www.georgecanyon.com)
—The title tune to the Canadian hunk’s new CD is a tender “daddy” song that tugs at every heart string you’ve got. Another winner in a career that’s had a bunch of ‘em.

JONATHAN SINGLETON & THE GROVE/Livin’ In Paradise
Writer: Jonathan Singleton/Ted Jones; Producer: Dann Huff; Publisher: Crosstown Uptown/Kobalt/Murrah, ASCAP/BMI; Universal South
—The song is ear-catchingly structured, with its chorus at the beginning. Even more impressive is his cool, grainy singing voice. Jonathan has already proved himself as a top Music Row songwriter (”Watching Airplanes,” “Red Light”). This proves he has enormous artist potential as well.

STELLA PARTON/Family Ties
Writer: Stella Parton/Rucker Jones; Producer: Stella Parton; Publisher: My Mama’s/WTRC, BMI; Raptor (track) (www.stellaparton.com)
—During the past few years, Stella has really come into her own as a songwriter and a record maker. Her new Testimony CD leads off with this lilting ditty about kinfolks. Hold on for the clever “gossip” segment at the finale.

CAITLIN & WILL/Address In The Stars
Writer: Caitlin Fisher/Aimee Mayo/Chris Lindsey/Hillary Lindsey; Producer: Chris Lindsey; Publisher: Fleur de Lisa/Little Blue Typewriter/BPJ/Moonscar/Raylene, BMI/ASCAP; Columbia (track)
—At radio’s request, “Even Now” is being pulled as the duo’s single and being replaced by this piercing, penetrating ballad of loss. Both of these kids sing their faces off. Caitlin’s goose-bump raising vocal takes the lead while Will wails soulful harmony on the string-drenched choruses. The electric guitar effects are really neat, too. A super performance. Her aunt’s death from breast cancer inspired Caitlin to pen this stunner.

TELLURIDE/Pencil Marks
Writer: Adam Craig/Dillon Dixon/Michael Howard; Producer: none listed; Publisher: In Tune/Ash Street/Deane Howard, BMI; American Roots/Quarterback (www.tellurideband.com)
—The pencil marks are the ones Dad drew on the door frame as his boy grew up. The kid enters the military, comes home, has a boy of his own and starts making new pencil marks. It’s a neat little slice of life, very nicely sung and produced. I think this band has the goods.

MILEY CYRUS/The Climb
Writer: Jessi Alexander/Jon Mabe; Producer: John Shanks; Publisher: Vistaville/Hopeless Rose/Music of Stage Three/Mabe it Big, ASCAP/BMI; Walt Disney/Lyric Street/Hollywood
—Having succeeded in country music as her dad’s duet partner, pop star Miley sends out this Nashville-penned orchestral ballad as a potential cross-format performance. The gal can for-sure sing, and the chorus of this is pretty undeniable. It’s not exactly my cup of tea, but I can see why country radio might want to give it a try.

PAT GREEN/Country Star
Writer: Pat Green/Brett James; Producer: Dann Huff; Publisher: none listed, BMI/ASCAP; BNA (CDX)
—Pat comes to Music City with stars in his eyes. “I got a drinkin’ problem, so I fit right in.” That’s just one of the hoots in a lyric that name-checks, Tim, Faith, Kenny, Bocephus, Carrie, Big & Rich, Brooks & Dunn, Keith Urban and more. Great tempo tune. Great fun.

SUGARLAND/It Happens
Writer: Jennifer Nettles/Kristian Bush/Bobby Pinson; Producer: Byron Gallimore, Kristian Bush & Jennifer Nettles; Publisher: Jennifer Nettles/EMI Blackwood/Dirkpit/Music of Stage Three/Bobby’s Song & Salvage, ASCAP/BMI; Mercury (CDX)
—It’s a zippy, bopping, working-girl’s lament. Life doesn’t have any rhyme or reason. It just happens. Naturally, she tosses in a “Shhh” and pauses a moment before singing the title.

STEPHANIE CHAPMAN/This Song Is To You
Writer: Stephanie Chapman; Producer: Ray Kennedy & Nathan Chapman; Publisher: Sony ATV Tree, BMI; Pain in the Art (track) (www.stephaniechapman.com)
—The Chapmans are a young couple to watch in Tune Town. Nathan has shot to fame as Taylor Swift’s producer. Stephanie’s songs have been recorded by Trisha Yearwood, Bonnie Raitt and others. The title song to her debut CD is a sweet, soprano love ballad embellished with silvery steel passages and simple, effective guitar strumming. Highly listenable indeed. She’ll celebrate her album release on Wednesday, March 11, at The Rutledge at 7:30 p.m. Jypsi and Lauren Lucas will be there, too.

Jack White Debuts Nashville HQ and New Band

/by

Already balancing two successful bands, the White Stripes and the Raconteurs, and various side projects including a recent recording and video shoot with country’s Ricky Skaggs and Ashley Monroe, rock star and Music City resident Jack White has embarked on yet additional adventures. White has established a headquarters for his Third Man Records label and recording/photography studio in downtown Nashville. The new Third Man Records building houses label offices, a vinyl record store, a photo studio and a performance stage.

White’s new band, The Dead Weather features lead singer Alison Mosshart of The Kills, Queens of the Stone Age guitarist Dean Fertita and White’s fellow Raconteur Jack Lawrence on bass. White plays drums and sings in the new band. Last night (3/11), in their first public performance, The Dead Weather played songs from their already-completed debut album, the White-produced Horehound, for about 150 fans. Among those fans was another Nashville-based rocker, Sheryl Crow and country star Martina McBride. In yet another country music connection, The Oak Ridge Boys have recorded a version of the White Stripes hit, “Seven Nation Army.”

Third Man plans a June release for Horehound. “This band is the first project to come out of this new system, which is our new studio in town and this building,” White said.

DISClaimer (2/27/09)

/by
Matt Gary

Matt Gary

The Raconteurs are the latest pop act to put their toes in our country waters. Come one, come all, say I.

We have several youngsters in our listening stack today. One of them, Matt Gary, walks off with a DisCovery Award.

Mercury’s Billy Currington is on a roll. Thanks to his ultra-smart song selection, he earns this week’s Disc of the Day.

MATT GARY/The Days You Live For
Writer: Frank Myers/Wade Kirby; Producer: Frank Myers; Publisher: 16 Music/Frank Myers/Big Tractor/Curbtone, BMI; 17 Music Entertainment (www.mattgarymusic.com)
—Promising. He sings with gusto, the song is terrific and the production is right up in your face.

ONE FLEW SOUTH/Life
Writer: Chris Roberts/Billy Mann; Producer: Marcus Hummon; Publisher: Sony ATV/Fresh Pond/Turtle Victory, ASCAP/SESAC; Decca (track)
—The lyric is pure poetry. The production is a swirl of wonder. The harmonized vocals are celestial. This little piece of magic is like a country version of CSN&Y.

DARYLE SINGLETARY/Love You With The Lights On
Writer: Chris Dubois/David Cory; Producer: Greg Cole & Chuck Rhodes; Publisher: EMI April/New Sea Gayle/Universal Careers, ASCAP/BMI; Koch (615-594-7684)
—I just love this guy’s voice. The song is one of those classic country-bedroom thangs that have worked so well in this format so often. Also, the guitar solo is cool.

BILLY CURRINGTON/People Are Crazy
Writer: Bobby Braddock/Troy Jones; Producer: Carson Chamberlain & Billy Currington; Publisher: Sony ATV/Tiltawhirl/Carnival/Crozier; Mercury
—This story song knocks me out. I want to hang out with that old man in a bar, too. And when was the last time you heard somebody whistling the tune at the finale of a song?

JOEY & RORY/Play The Song
Writer: Rory Feek; Producer: Carl Jackson; Publisher: State One Songs America/A Sling and a Prayer/FSMGI, ASCAP/IMRO; Sugar Hill (track) (www.joeyandrory.com)
—They’re nominated for an ACM award. Hooray. They deserve it so much. The bopping new single is a shout-out to radio to let the listeners decide whether they like it or not. Amen to that.

THE RACONTEURS with RICKY SKAGGS & ASHLEY MONROE/Old Enough
Writer: Brendan Benson/Jack White III; Producer: Jack White III; Publisher: Chrysalis/Gladsad/Third String, ASCAP/BMI; Warner Bros.
—This is a nifty little hoedown. Ashley kicks things off, then Jack takes over with her and then Ricky providing harmony vocals. Fiddle and mandolin dominate the percussive track, so it’s actually more “country” than most of what you hear on country radio. Highly engaging.

SHeDAISY/Bucket Full Of Beautiful
Writer: Kristyn Osborn/Jann Arden Richards/Connie Harrington; Producer: Bruce Leitl, Jann Arden & Kristyn Osborn; Publisher: emErto/Universal/Girl on the Moon/Warner-Tamerlane/All for This/Made for This, ASCAP/SOCAN/BMI; Lyric Street (CDX)
—Very tuneful. It abruptly switches tempo midway through, then returns to its catchy choruses.

COLT FORD & JOHN MICHAEL MONTGOMERY/Ride Through The Country
Writer: Colt Ford/Shannon Houchins/Jared Sciollo/David Jones; Producer: Shannon Houchins; Publisher: Average ZJS/DJKO/Phive Starr Authentic/Chris in the Creek, BMI/SESAC; Average Joe (CDX) (www.coltford.com)
—It begins with a rap. That’s right, a rap. Mercifully, John Michael eventually sings, but all too briefly. Then the insistent rapping reappears. Look, if I wanted to consume hip-hop, I’d be listening to another format.

KATHE KNIGHT/I’m Gonna Be A Country Girl Again
Writer: Buffy Sainte-Marie; Producer: John R. Craig; Publisher: Almo/Gypsy Boy, BMI; TAM (CDX) (828-758-2349)
—Buffy Sainte-Marie’s catalog should be explored by more country acts. Songs like “Take My Hand for Awhile,” “Until it’s Time for You to Go,” “The Piney Wood Hills” and “A Soulful Shade of Blue” are simply masterpieces. This ditty is another one I’ve always liked. Knight’s delivery is sweet, the track is a toe tapper, and I love the bass-singer harmony part on the choruses.

NIKKI BRITT/Do I Look Like Him
Writer: Rita Weyls; Producer: Brien Fisher & Jack Schneider; Publisher: Iron Skillet, ASCAP; Rustic (CDX) (www.rusticrecords.com)
—The little girl grows up without a daddy. After a long, long time he decides he wants to see her. Britt handles the sentimental material confidently, and the piano-dominated production supports her at every turn.

Americana DISClaimer (2/25/09)

/by

They may call this genre “Americana,” but the Disc of the Day comes from overseas this time.

Kasey Chambers & Shane Nicholson have a current CD called Rattlin’ Bones that is a must-own for anyone in love with soulful, mountain-soaked music.

My other two favorites in this listening session both came from veterans. It sure is good to have Danny O’Keefe back, and Barry & Holly Tashian remain absolutely charming as warm, homey music makers.

JAKOB DYLAN/Something Good This Way Comes
Writer: Jakob Dylan; Producer: Rick Rubin; Publisher: Ragnbone, ASCAP; Columbia (track)
—Folkie in all the best ways. The gentle acoustic strumming, lilting melody and soft singing harken back to simpler times. Jakob’s current CD, Seeing Things, includes this lulling little tune.

DANNY O’KEEFE/The First Time
Writer: Fred Koller/Danny O’Keefe; Producer: Mike Conley; Publisher: Lucrative/Bicameral, BMI; OK (track) (www.dannyokeefe.com)
—Recorded in Nashville, In Time is Danny’s first new album in eight years. Has it really been 37 years since “Good Time Charlie’s Got the Blues” made him a name? Judging by what’s in these grooves, the years have been more than kind to this singer/songwriter. The collection leads off with this cleverly penned and wonderfully melodic song. Danny’s singing is terrific, but if he doesn’t have a hit with this, somebody ought to pitch it to some major-label country star. In addition to Fred Koller, Danny’s songwriting collaborators here include such Music City notables as Tim O’Brien, Victor Krauss, Michael McDonald, Fred Knobloch and Beth Nielsen Chapman.

BARRY & HOLLY TASHIAN/Long Story Short
Writer: Barry Tashian/Holly Tashian/Niall Toner; Producer: Barry & Holly Tashian; Publisher: Barry Boy/Poodle Paw/Bardis, BMI/ASCAP/IMRO/ASCAP; Rock-A-Lot (track) (www.tashianmusic.com)
—The title tune to this couple’s seventh album is a delightfully jaunty country-swing tune featuring cool fiddle licks and some zippy lead guitar lines. The whole project is groove oriented—tracks variously have boogie-woogie, blues, bluegrass and jazz tempos, and all of them work. Very enjoyable indeed.

KASEY CHAMBERS & SHANE NICHOLSON/Rattlin’ Bones
Writer: K. Chambers/S. Nicholson; Producer: Nash Chambers & Shane Nicholson; Publisher: Control/Universal, ASCAP; Sugar Hill (www.kaseychambers.com)
—Aussie Kasey became one of Americana music’s finest solo artists during the past decade. As half of a duo, she is equally riveting. The lead track and title tune to this collection is a haunting, bluesy, mountainy, minor-key wail that will stop you in your tracks. It opens the door into a masterpiece of an album.

THE BOXMASTERS/The Poor House
Writer: B. Thornton; Producer: W.R. “Bud” Thornton & J.D. Andrew; Publisher: Salve  Man, BMI; Vanguard (track) (theboxmasters.com)
—I still say Billy Bob Thornton can’t sing. But I’ll give him this much, the lead-off tune to his band’s self-titled, two-CD set is as country as dirt. The first CD is called “Ours” and consists of originals. The second CD is “Theirs” and contains covers of both pop and country tunes.

Country DISClaimer (2/20/09)

/by

All I have to say is, “wow.” I can’t remember the last time so many records deserved a Disc of the Day award. How to choose between Alan Jackson’s sweet/sad acoustic ballad, The Zac Brown Band’s groove-a-thon, Wynonna’s celestial performance, Love and Theft’s dizzy pop confection, Dierks Bentley’s party platter and Jefferson Ross’s brilliant songwriting?

In the end, I went with the one that moved me most emotionally, “Prayer of a Common Man” by the heart-tugging Phil Vassar. But let me hasten to add that all seven of these records deserve your attention and support.

Carolwood Records is the new Lyric Street imprint. It is also the home of our DisCovery Award winning group, Love and Theft. Who are these guys?

Our runners up for this honor, by the way, were Mr. Ross and the duo of Nathan Chance. You can’t miss Chance when he’s on Music Row. He stands over 6’6” tall.

DANIELLE REED/Kissing In The Rain
Writer: Marc Kuchner; Producer: John Carter Cash; Publisher: none listed; Barcode (track) (www.daniellereed.com)
—This charmer sings with down-to-earth country simplicity. The song is a mid-tempo, plain-spoken rural romance. For an unknown, she sure has lined up a stellar support team. Produced by John Carter Cash, her debut disc features sidemen like Jamie Hartford, Bob Britt, Dave Roe and Hoot Hester.

DIERKS BENTLEY/Sideways
Writer: Jim Beavers/Dierks Bentley; Producer: Brett Beavers & Dierks Bentley; Publisher: Sony-ATV Tree/Beavertime Tunes/Big White Tracks, BMI/ASCAP; Capitol Nashville (track)
—You worked all week, it’s time to play. And here’s your soundtrack, a party-hearty anthem that’s meant to get you out on that dance floor. Everything works here, from the mash-up of banjo and steel to the shouted “Heys,” the crowd noise and the rollicking rhythm. Somewhere in there hollering is label boss Mike Dungan, making his disc debut.

NATHAN CHANCE/I Think She Loves Me
Writer: Dukas/Anderson; Producer: Kevin Lawson; Publisher: none listed; Nathan Chance (www.chancemckinney.com)
—Nathan Arneson and Chance McKinney were solo acts with solid followings in the Pacific Northwest. In 2006, they decided to combine forces and form a duo. This shouted rocker has loads of energy and power. The stunning “Some Bridges Don’t Burn” proves they can handle a ballad as well. These dudes have audio charisma, and their stage show must be pretty good, too. They’ve opened for Chesney, Strait, Rascal Flatts, Martina and loads of other top headliners. This format needs more duos, especially ones that sound as good as this one. Send a full CD ASAP.

LOVE AND THEFT/Runaway
Writer: Stephen Barker Liles/Canaan Smith/Rob Blackledge; Producer: Jeff Coplan & Robert Ellis Orrall; Publisher: Hate and Purchase/Rockapop/House of StyleSonic/Kid in the Korner, ASCAP; Carolwood
—Utterly delicious. It’s a foaming, frothy pop-country outing that’s drenched in melody, harmonies and happy-feet rhythm. This sparkles with sunshine and begs for a drive on an empty two-lane blacktop. Summer is officially here.

MELISSA CLEVELAND/It’s All About Me
Writer: Victoria Colbert/Brandon L. Shane/Nicole Nichols; Producer: Brandon Lynn Shane; Publisher: Shanethang, BMI; Mirror Image (track) (www.melissacleveland.com)
—It’s a feisty-female “attitude” tune. She’s sick of being a housewife drudge and is aiming to go out on the town to kick up her heels while he stays home for a change. The fiddler and guitarists sizzle around her scratching-kitten-claws vocal.

ALAN JACKSON/Sissy’s Song
Writer: Alan Jackson; Producer: Keith Stegall; Publisher: EMI April/Tri Angels, ASCAP; Arista
—The prettiest, saddest ballad on Alan’s Good Time CD has now become the collection’s fourth single. The lyric about a departed loved one is beautifully backed by poetically plucked acoustic guitar lines. Gorgeous in its perfectly ornamented restraint.

JEFFERSON ROSS/The Prophet Elijah
Writer: Jefferson Ross/Alison Mellon; Producer: Jefferson Ross; Publisher: none listed; Deep Fried Discs (track) (www.jeffersonross.com)
—Jefferson is a Curb writer who has been on the road backing Terri Clark for 10 years. She tipped me off to his talent, and his debut CD arrived in the mail a few days later. What a find. He sings with immense heart and believability. This terrific track is about the injustice and violence faced by a peace-loving old black man. You’ll hang on every word of this tender story song. And the rest of his Azalea collection is just as strong.

ZAC BROWN BAND/Whatever It Is
Writer: none listed; Producer: none listed; Publisher: none listed; Big Picture (ERG)
—The Zac Brown Band’s second single is just as winning as “Chicken Fried” was. And it is even more irresistibly tuneful. There’s just so much honesty and integrity in the group’s singing and playing. I’m digging this groovy combo more and more.

PHIL VASSAR/Prayer Of A Common Man
Writer: Phil Vassar/Tom Douglas; Producer: Mark Wright & Phil Vassar; Publisher: Phylvester/Words & Music/Sony-ATV/Tomdouglasmusic, ASCAP/BMI; Universal South (track)
—A passionately sung and written little masterpiece for working stiffs everywhere. Phil sings his face off, and every line pierces your soul. It gave me a big ol’ lump in my throat, and that’s a very good thing.

WYNONNA/Sing
Writer: Rodney Crowell; Producer: Brent Maher & Don Potter; Publisher: Sony-ATV Milene/J Only, ASCAP; Curb (track)
—Wy’s Sing Chapter 1 album is a collection of mostly covers of classics such as “Ain’t No Sunshine,” “Til I Get it Right,” “Anyone Who Had a Heart,” “I’m So Lonesome I Could Cry” and “When I Fall in Love.” Not everything is a standard, however. The title tune and first single is a thrilling, inspirational melody from a Nashville Songwriters Hall of Fame member. She soars into the stratosphere on this fabulous performance. For a sassier side of her prowess, check out the swinging revival of The Boswell Sisters’ 1932 gem “That’s How Rhythm Was Born.” This is Wy’s strongest album in years. Buy it.

Americana DISClaimer (2/18/09)

/by

This week, I’m tidying up a few loose ends in my Americana listening stack.

This truly is a genre of great singer-songwriters, and three of them have current albums that you absolutely must own. They are John Hiatt’s Same Old Man, James McMurtry’s Just Us Kids and Bruce Robison’s His Greatest, which earns our Disc of the Day prize today.

Listen and believe.

CHRIS VALLILLO/Battle Cry Of Freedom
Writer: George F. Root; Producer: Chris Vallillo; Publisher: public domain; Gin Ridge (Track) (www.chrisvallillo.com)
—I am writing this on President’s Day, and this year we are celebrating the 200th anniversary of the birth of Abraham Lincoln. What better day to remind everyone that this slide guitarist and folk singer has an album called Abraham Lincoln in Song? Vallillo performs the melodies that were popular during Abe’s lifetime, beginning with this call to arms. Ordinarily played as an uptempo tune, he slows it down to bring out the beauty of its ebbing and cresting melody. He’s such a good player that it’s a shame that this is the CD’s only instrumental. Other tunes include “Aura Lee,” “Darling Nelly Gray,” “Dixie’s Land,” “Lorena,” “Hard Times Come Again No More” and “We Are Coming Father Abraham.”

JOHN HIATT/Same Old Man
Writer: none listed; Producer: John Hiatt; Publisher: none listed; New West (track) (www.johnhiatt.com)
—The title tune to this Nashville treasure’s current CD is a gently rolling love lyric. “A few less brain cells, a lot less hair/Honey, tell me, do you still care?” Those of us of a certain age can certainly relate. I was the one yelling loudest when he won his Americana lifetime-achievement honor and was inducted into the Nashville Songwriters Hall of Fame last fall. I own every one of John Hiatt’s albums, and so should you.

THE MIGHTY HANDFUL/Reconsider Baby
Writer: Lowell Fulson; Producer: Scotty Moore; Publisher: Arc, ASCAP; BMCD (track) (www.scottymoore.net)
—This is the tune that led to this extraordinary collaboration. The Mighty Handful was Bob Moore, Boots Randolph, Bucky Barrett, Steve Shepherd, Fred Satterfield and Buddy Spicher with Billy Swan on vocals and Scotty Moore at the board. The self-titled CD is loose-limbed blues all the way through, recorded live. This is one of those discs I never got around to last year. Better late than never.

BRUCE ROBISON/Travelin’ Soldier
Writer: Bruce Robison; Producer: Bruce Robison; Publisher: Tiltawhirl/Carnival/Bruce Robison, BMI; Premium (track)
—The album is called His Greatest. You need it. Badly. It’s Bruce singing his own versions of “Wrapped,” “Angry All the Time,” “Desperately” and the other hits he’s written for others. My favorite leads off the collection, an awesome war song that the Dixie Chicks took up the charts in 2002. Wife Kelly Willis sings harmony on the choruses, and the band is rootsy and terrific. I am such a total fan of this guy.

JAMES McMURTRY/Cheney’s Toy
Writer: none listed; Producer: James McMurtry; Publisher: none listed; Lightning Rod (track) (www.jamesmcmurtry.com)
—McMurtry’s latest is called Just Us Kids. As always, every performance is compelling. On this one, he intones, “You’re no longer daddy’s boy / You’re the one they’re all afraid of / But you’re only Cheney’s toy.” Sung to a military march tempo, this will make the hairs on the back of your neck tingle. Last fall, it was a nominee for Americana Song of the Year. No wonder.

DISClaimer 2/13/09

/by

This week, the major labels are stepping up to the plate with quality.

Mercury has two excellent singles, by the Randy Rogers Band and Holly Williams. Warner Bros. Records is offering us a dandy uptempo by Jessica Harp. Columbia has the DisCovery Award winners, Caitlin & Will.

But at the end of the listening session, an indie walked off with the Disc of the Day prize. That would be Broken Bow with its Megan Mullins & Randy Owen duet of a dynamite Dolly Parton tune.

Duets rule.

MAIDEN TEXAS/Don’t You
Writer: Johnny Edward Pierce/Otha Young; Producer: none listed; Publisher: Oh the Music/Sony-ATV Tree; Maiden Texas (817-283-7984)
—This Dallas-Ft. Worth trio is composed of Stephanie Mulder, Krista Hughes and DeAnna Edwards. Their revival of this 1989 Forester Sisters single has sprightly energy and flawless three-part harmony throughout. A winner.

RANDY ROGERS BAND/Buy Myself A Chance
Writer: Randy Rogers/Sean McConnell; Producer: Radney Foster; Publisher: Warner-Tamerlane/Lonely Motel/WBM, BMI/SESAC; Mercury Nashville (CDX)
—The gently loping rhythm and spare instrumental work throw the spotlight on the country-soulful, slightly raspy lead vocal. The hillbilly boy trying to hit on someone else’s dance partner is completely sweet and believable. Whether for this outfit or somebody else, this is a hit song.

CAITLIN & WILL/Even Now
Writer: Casey Beathard/Karen Rochelle; Producer: Chris Lindsey; Publisher: none listed; Columbia (CDX)
—They both sing splendidly, and the pristine production is marvelously supportive on this lovelorn little slice of heartache. Well worth your attention.

MEGAN MULLINS & RANDY OWEN/Holding Everything
Writer: Dolly Parton; Producer: John Rich & Sean Pennington; Publisher: Velvet Apple, BMI; BBR (CDX)
—From production to songwriting, this has pedigree credentials. The prodigiously gifted Miss Mullins more than holds her own with her Country Music Hall of Fame duet partner. The heartbeat thump in the track is goose-bump inducing. And the song is a thing of perfect wonder.

HOLLY WILLIAMS/Keep The Change
Writer: Hillary Lindsey/Luke Laird; Producer: Justin Niebank; Publisher: Raylene/BPJ/Universal-Careers/High Powered Machine, ASCAP/BMI; Mercury Nashville
—By far her finest vocal performance on disc to date. There’s passion and personality in this that she hasn’t displayed before. Her sister has co-written a dandy kiss-off tune, and Niebank’s production has just enough raggedy rock edge to keep your ears perked up. I’m in.

SHELLEY LYNCH/You Can’t Look Back
Writer: Shelley Lynch; Producer: Shelley Lynch & Les Bolen; Publisher: Lynch, ASCAP/SOCAN; Lynch (CDX) (www.shelleylynch.net)
—The echo is laid on just a little too thick. The verse lyrics are a mite wordy. And the high-end in her vocal is a kinda weak.

JESSICA HARP/Boy Like Me
Writer: Jerry Flowers; Producer: Jerry Flowers; Publisher: EMI Blackwood/JFLO, BMI; Warner Bros.
—Former Wreckers member Harp has a snappy solo outing. The rocking rhythm and cool repeated guitar riff back a sassy lyric about finding a guy who’s just like her, right down to the drinkin’ and makin’ love parts. She wails it. Solid work.

NATASHA JAMES/Tequila Time
Writer: Natasha James; Producer: Natasha James & Ronnie Rivera; Publisher: 40 Miles of Road, ASCAP; Highway One (www.natashajames.com)
—This comes to us from California, where apparently they record in cardboard shipping crates.

BYRON HILL/Stay A While
Writer: Byron Hill/Jennifer Schott; Producer: Byron Hill; Publisher: Byron Hill/Sony-ATV Tree, ASCAP/BMI; BHP (track) (www.byronhillmusic.com)
—I love Nashville songwriter albums. Byron’s is a 12-tune dandy showcasing his burnished baritone in wonderfully produced tracks. The title tune is a gentle, winning, mid-tempo invitation to romance that’s as warm as a hearth. Over the years, he’s won 10 ASCAP Awards and had more than 575 cuts. “Fool Hearted Memory,” “Nothing On But The Radio,” “Pickin’ Up Strangers,” “Lifestyles Of The Not So Rich And Famous,” “Born Country” and “Size Matters” are all in his vast catalog. So the man knows what he’s doing. Highly recommended.

BEN KWELLER/Homeward Bound
Writer: Jemima James/Michael Mason; Producer: Ben Kweller; Publisher: none listed, BMI; ATO (track)
—Austin resident Kweller wrote all the tunes on his Changing Horses CD except this set-closing ballad. It’s about a lost soul heading for the other side. His cracked delivery and the funeral-march rhythm are both deeply affecting. Check him out.

Grammy “Sounding” Board

/by
Carrie Underwood

Carrie Underwood

Is it live or is it Memorex?

Remember that old commercial for magnetic tape? Remember magnetic tape? Anyhow, the gist of it was guessing whether what you heard was pre-recorded or not. And that was the game I played all night long during the Grammy telecast.

Not surprisingly, Music City’s finest fared best. Those were unquestionably live vocals by Taylor Swift and Miley Cyrus during their performance of Taylor’s song “Fifteen.” That’s especially cool because Taylor can sometimes be a little “pitchy.” Carrie Underwood’s powerhouse delivery of “Last Name” was also emphatically live. You could question whether it was “country” or not, but there was no denying her performance.

Miley Cyrus and Taylor Swift

Miley Cyrus and Taylor Swift

The evening’s winningest champs Alison Krauss and Robert Plant were predictably jaw-dropping. I love the way their disparate voices create that harmonic overtone.

Jennifer Nettles of Sugarland’s “Stay” was also a terrific live vocal. Keith Urban’s guitar work during the Bo Diddley tribute and the great Justin Timberlake and Al Green collaboration on “Let’s Stay Together” was also on the money. Kenny Chesney’s performance of “Better as a Memory” was swathed in smoke, so it was a little difficult to tell whether or not it was live. But it was unquestionably lovely.

Kenny Chesney

Kenny Chesney

The deal is, they record the rehearsals. So when show time arrives, the audio guys have the choice to give us either the pre-recorded or the live performance. So Katy Perry can run all over the stage in her fruits-and-veggies outfit and not sound at all out of breath. Piped in? You bet. The Jamie Foxx, Ne-Yo and Smokey Robinson medley of tunes by The Four Tops also sounded totally pre-taped, as did T.I. with Justin Timberlake.

Coldplay, Radiohead and U2 were all toss-ups. Who can tell? Especially with the USC marching band tossed into the mix. The Rap Pack? Who cares? Although the extremely pregnant M.I.A.’s polka-dotted onesy was certainly eye-catching.

The live pop performances included Paul McCartney’s. It might have been garage-y, but maybe that’s the way “I Saw Her Standing There” should sound. Stevie Wonder and The Jonas Brothers were remarkably well mixed and very exciting.

Jennifer Nettles returned to the stage to sing with Best New Artist winner Adele. The result was soulful and heartfelt. Neil Diamond was low-key but effective. Of all people, Kid Rock sounded good. His energy level was winning as well. Naturally Jennifer Hudson killed. But she should have left her lobster bib at the restaurant.

Kanye West and an evidently Reynolds-Wrapped Estelle sounded like live vocals to tracks. The multi-artist New Orleans tribute was kind of a train wreck and was definitely blah. Whitney Houston sounded rather incoherent, but was gowned beautifully. I don’t think she’ll ever live down that reality series Being Bobby Brown. Dwayne “The Rock” Johnson and Gwyneth Paltrow were both nice diversions. Don’t even bother trying to hear anything from Lifetime Achievement honoree Brenda Lee. She didn’t even get to stand and wave, never mind sing or speak.

Overall, however, I have to give the telecast a sonic “A.” It is a gargantuan task to make a wide variety of genres sound good and an even bigger one to do it on an international live telecast. I hope all the engineers involved celebrated afterward.

Photos courtesy Grammy.com, by John Shearer/WireImage

Disclaimer—Today, I’m waving the flag.

/by
Billy Dean

Billy Dean

It’s awfully hard to argue with the power of the Nashville Symphony Orchestra and the voices of the Fisk Jubilee Singers. Especially when they’re backing Billy Dean on a patriotic anthem. Maybe there’s inspiration and hope in the air or something. Whatever the cause, I fell for “Wave On, Old Glory.” It’s the Disc of the Day.

Wouldn’t you have loved to have been a fly on the wall when Mel Tillis Jr., Tammy Rogers of The SteelDrivers and Dierks Bentley sat down to write together? Especially when they came up with something as cool as “Behind These Walls.” It earns Kentucky native Clay Underwood a DisCovery Award.

Clay Underwood

Clay Underwood

DEREK SHOLL/But It Was
Writer: Joe Doyle/Tim Johnson; Producer: Tim Johnson; Publisher: Big Hits of Amylase/Songs of Spud/Warner Tamerlane/Warner Chappell/$1 Songs America/The Bigger They Are, SESAC; CO5 Nashville (615-469-1756)
—Pleasant and engaging, thanks largely to the well-crafted lyric. His voice is somewhat colorless.

RASCAL FLATTS/Here Comes Goodbye
Writer: Clint Lagerberg/Chris Sligh; Producer: Dann Huff & Rascal Flatts; Publisher: Big Loud Songs/Big Songs of Extreme/Big Loud Bucks/Bridge Building, ASCAP/BMI; Lyric Street
—Dramatic and highly melodic. Gary’s ultra-high tenor vocal performance is stunning.

RIVER COUNTY/We’re All Here
Writer: Curt Ryle/Jon Stone; Producer: Terry Wendt; Publisher: none listed; SYC (www.rivercountymusic.com)
—Raucous and redneck, this good time sounds like it was recorded “live.” In any case, there’s not a heckuva lot of separation—everything’s bleeding into everything else.

JOHN RICH/Shuttin’ Detroit Down
Writer: none listed; Producer: none listed; Publisher: none listed; Warner Bros. (www.johnrich.com)
—John decries wealthy executives being bailed out by Washington while the “little man” continues to suffer. “While they’re living it up on Wall Street…in the real world they’re shuttin’ Detroit down.” It’s got a good beat, and you can dance to it.

CLAY UNDERWOOD/Behind These Walls
Writer: Dierks Bentley/Tammy Rogers/Lonnie Melvin Tillis Jr.; Producer: Jimmy & Jennifer Layne & Clay Underwood; Publisher: Songs of Universal/Tunes of the Village, BMI; PCL (CDX) (www.clayunderwoodmusic.com)
—On a beautiful day, he’s shut himself in, aching and miserable. Loneliness has seldom sounded better. The production churns and burns around a passionate vocal performance of a powerful melody. Get a load of those songwriter credits.

BILLY DEAN, THE NASHVILLE SYMPHONY & THE FISK JUBILEE SINGERS/Wave On, Old Glory, Wave On
Writer: Wood Newton/Jim Weatherly; Producer: Larry Beaird, Brian White; Publisher: Rope a Note/Bright Leaf, BMI/ASCAP; Hutton (CDX)
—Billy starts with simple piano accompaniment. As the sturdy song proceeds, strings begin to shimmer and soar. The finale has the whole shebang, brass, woodwinds, percussion and glorious chorus voices. Stirring, patriotic and completely thrilling. An anthem for a new era.

ALEX WOODARD & SARA WATKINS/Reno
Writer: Alex Woodard; Producer: Alex Woodard; Publisher: Woodshack, ASCAP; Woodshack (CDX) (www.alexwoodard.com)
—Watkins is the talented fiddler-singer of Nickel Creek fame. Woodard sings with a nasal rasp, so I was skeptical about whether their voices would blend well. Surprisingly, they do. And the song’s kinda cool, too.

RANDY HOUSER/Boots On
Writer: Randy Houser/Brandon Kinney; Producer: Mark Wright & Cliff Audretch III; Publisher: Songs of Windswept Pacific/How Bout That Skyline/Kinney Empire/ICG, BMI; Universal South (track)
—The “Anything Goes” man is back, this time with a slab of rockin’ country. I can almost hear them stompin’ on that dance floor now.

BLAKE SHELTON/I’ll Just Hold On
Writer: Ben Hayslip/Troy Olsen/Bryan Simpson; Producer: Scott Hendricks; Publisher: WB/Melissa’s Money/Get a Load of This/Encore Entertainment/Mr. Noise/Hillbilly Poetry/Rio Nuevo, ASCAP/BMI; Warner Bros. (track)
—He’s head over heels infatuated in this swirly, mid-tempo, groove-saturated production. As usual, Blake totally nails the vocal.

TONY “HOBO” PARKS/Take It All
Writer: Edward D. Sanford; Producer: Steve Iceberg; Publisher: Tony Hobo Parks, BMI; Plantation (CDX)
—The echo chamber only amplifies his pitch problems.