DISClaimer Single Reviews (2/2/11)

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Country music’s major labels seem to be slumbering in winter doldrums, but Nashville’s pop/rock community is livelier than ever.

So much so that there are three Disc of the Day winners in this edition of DisClaimer.
The Black Keys are nominated for three Grammy Awards. Welcome to Music City, boys.
Rock ‘n’ Roll Hall of Famer Wanda Jackson has returned with hurricane strength on her comeback The Party Ain’t Over CD produced by the always hyper-active Jack White.
And then there’s the overnight stardom of The Civil Wars. The duo staged its national television debut on The Tonight Show with Jay Leno on Jan. 13. It’s “Poison & Wine” video has 500,000 views on YouTube, and “Barton Hollow” is getting raves in The New York Post, USA Today, L.A. Weekly and Paste. It is also rapidly picking up radio airplay. The Civil Wars are playing The Belcourt tonight and The Basement tomorrow. I’d urge you to go, except both gigs are sold out, as are five others on its just-announced tour.
Best of all, out of the blue, we have a DisCovery Award to report. Like The Black Keys and The Civil Wars, it’s a duo. Travis & Julie are homegrown Nashville charmers. Lend them your ears.
THE CIVIL WARS/Barton Hollow
Writer: none listed; Producer: Charlie Peacock; Publisher: none listed; Sensibility (track)
—This duo is comprised of John Paul White and East Nashvillian Joy Williams. “Poison & Wine,” which appears on its Barton Hollow CD, has been featured on TV’s Grey’s Anatomy. The title tune is currently iTune’s Single of the Week and propelled the album to No. 1 on the iTunes chart when it came out this week. With its dark undertow of a beat, wailed ghostly harmonized vocals and majestic, minor-key melody, “Barton Hollow” is pretty darn addictive and hypnotic. Taylor Swift calls the sound “exquisite.” I couldn’t agree more. A must listen.
MICHAEL FORD, JR. & THE APACHE RELAY/Magnolia Street Heartbreaker
Writer: Michael Ford, Jr.; Producer: Doug Williams, Michael Ford, Jr., The Apache Relay and Noah Denney; Publisher: 1988, ASCAP; MF (track)
—This foursome hails from the halls of Belmont University. On this track from their album titled 1988, they wistfully drawl a winsome, lovelorn, acoustic folk ballad. The wobbling fiddle lines and feathery falsetto vocals weave a delicate pop tapestry.
THE BLACK KEYS/Tighten Up
Writer: The Black Keys; Producer: Danger Mouse; Publisher: McMoore McLeest/Wixen, BMI; Nonesuch (track) (www.theblackkeys.com)
—These new Nashvillians (Patrick Carney and Dan Auerbach comprise the group) have two tracks from their Brothers CD up for Grammy Awards. “Black Mud” is nominated as Rock Instrumental. And the shuddering, spare, thumpy, soulful, strangled “Tighten Up” is competing for Best Rock Group Performance. The whole album is nominated as Alternative Album of the Year, and it is an alt delight.
TRAVIS & JULIE/Osmosis
Writer: Travis/Julie; Producer: none listed; Publisher: Rockstar/Nickel Man; TJ (track) (www.travisjulie.com)
—This Nashville duo has a CD called Moon Girl that is a pop-music amusement-park ride. On this track they lay down a deliciously danceable rhythm and positively twirl in melody. Where have these folks been all my life?
RED/Faceless
Writer: Anthony Armstrong/Rob Graves/Jasen Rauch/Mark Holman; Producer: Rob Graves; Publisher: none listed; Provident/Integrity/Sony (track) (www.redmusiconline.com)
—Goths for Jesus? I guess so. This Christian band makes a thrashing, metal-machine, in-your-face sound that’s as loud and proud as Korn, Staind, Linkin Park or any other mainstream hard rockers you can name. The new CD, which dropped yesterday, is called Until We Have Faces. The previous two were nominated for Grammys. This one might make your ears bleed, in an aggressive-yet-melodic way.
RACHEL LOY/Stay
Writer: Rachel Loy; Producer: Carl Thel; Publisher: none listed; RL (track) (www.rachelloymusic.com)
—This Nashvillian has a self-titled, five-song EP that is quite a singer-songwriter showcase. Here, she is a pleading romantic. Elsewhere, she gets the pop-rhythm treatment. Rachel makes her living playing bass in studios and on the road with stars such as Julianne Hough. But this collection of relationship-centric compositions sounds like she’s ready to move into the center-stage spotlight.
WANDA JACKSON/Shakin’ All Over
Writer: Johnny Kidd; Producer: Jack White III; Publisher: EMI Mills/Filmtrax, no performance rights listed; Nonesuch/Third Man (track)
—Unlike Loretta Lynn, whom Jack White previously produced, Wanda Jackson didn’t bring her own songs to the table. So Jack’s musical personality sometimes tends to overwhelm her. He did bring her some splendid songs, including this dandy 1960 Brit hit by Johnny Kidd & The Pirates. Other gems include her cover of Amy Winehouse’s “You Know I’m No Good,” Bob Dylan’s “Thunder on the Mountain” and Little Richard’s “Rip It Up.”
REVIVE/Blink
Writer: Dave Hanbury/Rich Thompson/Mike Tenkate/Jason Ingram; Producer: Jason Ingram & Rusty Varenkamp; Publisher: Up and Over/Revive/EMI CMG/Sony-ATV Timber/West Main/Windsor Hill, SESAC; Provident-Integrity/Essential/Sony (track) (www.reviveband.com)
—The title tune to this Christian foursome’s current CD has a slowly building majesty about it. It says, “The only thing that matters is how we have loved,” in this too-brief life. Inspiring, in the best kind of way.
BOBBY BARE JR. /A Storm, A Tree, My Mother’s Head
Writer: Bobby Bare Jr.; Producer: Bobby Bare Jr. & David Vandervelde; Publisher: Bella Beckham, BMI; Naked Albino/Thirty Tigers (track) (www.bobbybarejr.com)
—The title tune to this fellow’s current CD tells a true tale in a languid, dreamy way. His echoey voice is sparsely accompanied by brushed drumming, keening steel and electric-guitar sighing. And, yes, Mama Jeannie Bare is screaming in the background. Elsewhere on this sideways collection, you’ll find  “Liz Taylor’s Lipstick Gun,” “Rock and Roll Halloween,” “Your Goat Is on Fire” and “Jesus Sandals.” In other words, you absolutely need to own this.
UNCLE SKELETON/Renfro
Writer: none listed; Producer: none listed; Publisher: Upright T-Rex, BMI; Upright T-Rex (track)
—Outside of his pop band Kindercastle, Ross Wariner (Steve’s son) has a different sound with Uncle Skeleton. This ensemble has two CDs, Pancho Chumley and the more recent Warm Under the Covers. You’ll find this track on the former. Its synth-y, rapidly rhythmic tone typifies the spaceship, E.L.O. electronic vibe of Uncle Skeleton, which recently featured high on The Nashville Scene’s “Best of 2010” list.

DISClaimer Single Reviews (1/26/11)

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The lesson in today’s stack of platters is that there is life after major labels.
Elizabeth Cook, Jeff Bates, Josh Gracin and Jason D. Williams are all here to tell us they’re still standing tall. So is singer-songwriter extraordinaire Lori McKenna, who wins the Disc of the Day with a stunning album that dropped just yesterday.
Give a DisCovery Award to Lukas Nelson & Promise of the Real. That lesson is, the apple doesn’t fall far from the tree.
SARAH DARLING/Something To Do With Your Hands
Writer: Sarah Darling/Jason Deere; Producer: Jimmy Nichols; Publisher: Want a Fresh One/Sarah Darling/Songwriters of Platinum Pen/Big Bad Deere, ASCAP/BMI; Black River (track) (www.sarahdarling.com)
—The tune is somewhat simplistic and sing-songy, but the production is so crunchy, crisp and captivating that you hardly notice it. A winner.
JASON D. WILLIAMS/You Look Like I Could Use A Drink
Writer: Jason D. Williams/Todd Snider/Dan Baird/Keith Christopher; Producer: Todd Snider; Publisher: This Name Doesn’t Make Any Sense/Nobody’s Collecting on These Songs/Bug/Where’s the Check/Bag Daddio, BMI; Rockabilly (track) (www.rockinjasondwilliams.com)
—It has been six years since this piano-pumping wild man and Jerry Lee Lewis disciple has issued a new CD. Fear not, his Killer Instincts collection finds his powers undimmed. This baby rawks. Recorded in Music City, the cast includes not only producer Snider, but Bobby Bare Jr., Jim Hoke, Amy LaVere, Dan Baird and Kenny Lovelace, among others.
JENNY & ASHLEY/Indescribable
Writer: Ashley Cooke/Jonathan George/Anthony Mazza; Producer: Darran Smith; Publisher: none listed; Lofton Creek
—Youthful, bopping and pop-ish, with more than a nod toward the Taylor Swift audience.
JEFF BATES/One Day Closer
Writer: Patrick Jason Matthews/Jeff Bates; Producer: Jimmy Nichols & Jeff Bates; Publisher: Steel Wheels/Matthews Millions/Big Loud Bucks/Melrose Nashville/Landa, BMI; Black River (track)
—Jeff’s disc reentry is a six-song EP with a gospel theme. Its title tune is a stirring, soulful ballad wherein he looks forward to the day when the Lord will resolve all his unanswered questions here on earth. Wisely mixed with his gripping voice and the involving lyric right up front.
CARTER’S CHORD/A Little Less Comfortable
Writer: Phillip White/Emily Robertson/Joanna Robertson; Producer: Toby Keith & Mark Wright; Publisher: Songs of Universal/Jorjax/Sing Station/Boomer Sooie/Emily Robertson, BMI; Show Dog Universal
—The verses throb with yearning, and the thing truly comes alive when the trio harmonies kick in on the choruses. The shuddering, twanging, echoey guitar passages are cool, too.
LUKAS NELSON & PROMISE OF THE REAL/Four Letter Word
Writer: Lukas Nelson; Producer: Lukas Nelson, Anthony LoGerfo, John Avila & Tato Melgar; Publisher: none listed; POTR (track) (www.promiseofthereal.com)
—Lukas is Willie’s son, and the two are touring together this year. In this romping, lead-off track to his debut CD, Lukas sings in a tenor twang while the band gallops along behind him. He won’t be tied down, because, “forever is a four-letter word.” Highly enjoyable. Also check out the chiming ballad “The Sound of Your Memory” and the electrified, political, Willie-penned “Peaceful Solution.”
ELIZABETH COOK/All The Time
Writer: Elizabeth Cook; Producer: Don Was; Publisher: Agent Love, SESAC; 31 Tigers (track) (www.elizabeth-cook.com)
—Elizabeth’s Welder CD came out last summer, but somehow got lost in my ever-expanding pile of things-to-be-reviewed. New producer Was, plus her Nashville instrumental buddies, have finally come up with a sound that perfectly captures her hillbilly-yet-hip personna. This lively lead-off track sort of fuses Appalachia with India, if you can imagine that. This whole record is a masterpiece, from “Heroin Addict Sister” to “Mama’s Funeral” to “El Camino” to “Yes to Booty.” If you haven’t bought this yet, do so at once.
RECKLESS KELLY/I Hold The Bottle, You Hold The Wheel
Writer: Pinto Bennett; Producer: none listed; Publisher: Famous Motel Cowboy, BMI; RK (972-800-0004)
—The song is a dandy. The mix is muddy.
STAR DeAZLAN/A Man Who Can Dance
Writer: James Slater/Tim Nichols; Producer: Doug Johnson; Publisher: Warner-Tamerlane/Green Ivy/Bug, BMI; Curb
—Pert and perky, with just a splash of Latina spice.
JOSH GRACIN/Only When It Rains
Writer: none listed; Producer: none listed; Publisher: none listed; Average Joe/Full Scope (track) (www.joshgracin.com)
—Josh has a five-song sampler that includes this atmospheric, drama-packed anthem of lost love. The choruses give him plenty of room to show off his range. How did Lonestar let this one get away?
LORI McKENNA/Buy This Town
Writer: Lori McKenna; Producer: Barry Dean; Publisher: Universal, no performance rights listed; LM (track) (www/lorimckenna.com)
—This brilliant song crafter is self-releasing her newest collection. I was immediately drawn to this stately, poetic, yearning ballad of need and longing. Half the songwriters in this city surely wish they could come up with something as shining as this polished little gem. The title tune, “Lorraine” paints motherhood with a series of vivid, scintillating everyday details. “The Luxury of Knowing” will floor anyone who has ever been in a difficult relationship. Everywhere you turn, there’s a touch of genius here. I am completely in love with this record.

DISClaimer Single Reviews (1/19/11)

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Let’s do a little Grammy gazing, shall we?

For starters, let’s look beyond the stunning and well-deserved six nominations for Lady Antebellum. What Nashville act has the second most? Surprise! It’s the quintuple nominated outing by the Nashville Symphony Orchestra. Which, by the way, wins our Disc of the Day.
I’d also like to give a shout-out to Darrell Scott, who not only has a Country Instrumental nomination, but is also a crucial component of Band of Joy, the twice nominated CD by Robert Plant.
Casting our eyes further down the 109 (!) category list, we find our town’s denizens scattered everywhere. As I predicted, Kings of Leon and Paramore are well represented in the pop/rock fields. Leon Russell picks up a nod for his collaboration with Elton John.
Over in Pop Instrumental, you’ll find our own Larry Carlton. Legendary Johnny Mathis came to Music City to make his nominated CD. BeBe & CeCe Winans picked up a pair of nominations in the gospel categories. So hooray for that. You’ll find The John Hartford String Band as a contender in the Traditional Folk race. Bela Fleck is a nominee in exotic Category 75 (Best Contemporary World Music Album).
Our own Doug Seroff has a liner-notes nomination for a Fisk Jubilee set. And Colin Escott is back with another Best Historical nomination for a Hank Williams package, co-produced by Jett Williams and Mike Jason and engineered by Joe Palmaccio.
The country categories contain, as usual, a few head scratchers. No to Kenny
Chesney, but yes to David Nail? No to Reba, but yes to Gretchen Wilson? But it is nice to see Dailey & Vincent sneaking in for a Group nomination.
Here are a few other Nashville notables “in the hunt.”
GUY CLARK/Hemingway’s Whiskey
Writer: Guy Clark/Joe Leathers/Ray Stephenson; Producer: Guy Clark, Verlon Thompson & Chris Latham; Publisher: EMI April/Curb/Ghermkyle, BMI/ASCAP; Dualtone (track)
—Let’s face it: This guy is proudly and steadfastly “folk” in all the best senses of the term. So it’s no wonder that his Somedays the Song Writes You album is up for a Best Contemporary Folk Grammy. And just to prove (again) that a great song knows no genre, this insightful, gentle, metaphoric, evocative track emerged from it to become the title tune of Kenny Chesney’s new blockbuster.
SAM BUSH/Circles Around Me
Writer: Jeff Black/Sam Bush; Producer: Sam Bush; Publisher: Lotos Nile/Samanda Lynn/Bug, BMI; Sugar Hill (www.sambush.com)
—If you don’t absolutely love Sam Bush, pack your bags and get out of town. This mandolin master, songwriting wunderkind, singer and personality-plus fellow is up for Best Bluegrass Album, Category 65. Its trilling, trippy title tune is just one of 14 reasons to love this music-packed set. Co-writer Jeff Black, by the way, is also responsible for the album’s standout track, “Gold Heart Locket.”
THE INFAMOUS STRINGDUSTERS/Magic #9
Writer: Jesse Cobb/Chris Pandolfi; Producer: The Infamous Stringdusters & Gary Paczosa; Publisher: Cobbstrumental/Deep Home, ASCAP; Sugar Hill (track) (www.thestringdusters.com)
—Where would the Country Instrumental Category be without bluegrass bands? Brad Paisley, Keith Urban, Vince Gill, Steve Wariner, Frankie Ballard, the Dixie Chicks, Diamond Rio and the rest of country’s hot pickers need to get on the job. As it is, “Magic #9” by The Infamous Stringdusters is a mandolin, banjo, fiddle, guitar and dobro plucked tune that is a worthy, lilting, breezy and merry sounding nominee.
STEVEN CURTIS CHAPMAN/Beauty Will Rise
Writer: none listed; Producer: none listed; Publisher: none listed; Sparrow
—This singer-songwriter is a Nashville treasure. You’ll find him in Grammy Category 53: Best Pop/Contemporary Gospel Album. Its title tune is a rocking, magnificently uplifting, aching-yet-hopeful ode. Rising from personal and spiritual pain, he sings of the endurance of our souls like no one else. I remain an awestruck fan.
TY HERNDON/The Rest Of My Life
Writer: Matthew S. Garringer/Ty Herndon; Producer: Ty Herndon & Wayne Haun; Publisher: Sunset Gallery/Journey On, no performance rights listed; Funl (track)
—Former country chart topper Herndon bounces back with a Grammy nomination in gospel Category 54 for his Journey On album. It kicks off with this densely scored pop pounder, complete with a quasi-choral backing. Rousing.
RICKY SKAGGS/Return To Sender
Writer: Gordon Kennedy; Producer: Ricky Skaggs & Gordon Kennedy; Publisher: Glennjoy, ASCAP; Skaggs Family (track)
—If you put on Ricky’s Mosaic collection expecting to hear a bluegrass record, you are in for a shock. Co-produced by Gordon Kennedy, it is a collage of pop sounds, united by spiritual lyrics. The whole CD has a nomination in Category 53: Best Pop/Contemporary Gospel Album. This gorgeously melodic, Celtic-flavored, string-embellished thumper is up for Best Gospel Song. It is a beautiful sounding mini-masterpiece. Ricky’s third nomination is in the Traditional Folk list (Category 68), for his Songs My Dad Loved album.
NASHVILLE SYMPHONY ORCHESTRA/Metropolis Symphony
Writer: Michael Daugherty; Producer: Blanton Alspaugh; Publisher: Peermusic Classical, BMI; Naxos
—This is a brilliant performance of a challenging composition. Daugherty’s work often demands that all instruments play at the top of their registers and incorporates such sounds as whistles, siren, brake drum, chimes and whip cracks. The fifth movement, “Red Cape Tango,” is the most melodic, dramatic and extended of the symphony. It’s not exactly dinner music, but this is the classical record to beat.
DARRELL SCOTT/Willow Creek
Writer: Darrell Scott; Producer: none listed; Publisher: none listed; Full Light
—Darrell has often been celebrated as the Nashville tunesmith of “It’s a Great Day to Be Alive,” “Born to Fly,” “Longtime Gone,” “Heartbreak Town,” “You’ll Never Leave Harlan Alive” and more. He has also been lauded for a series of seven great solo CDs. It’s about time someone noticed that he is also a first-call Music Row instrumentalist. This charming, jaunty ditty appears on his A Crooked Road CD and has a nomination in Category 40: Best Country Instrumental. From an indie-label album, no less. Mazel tov.
CHERRYHOLMES/Tattoo Of A Smudge
Writer: B.J. Cherryholmes/Molly Cherryholmes; Producer: Ben Isaacs, Jere Cherryholmes & B.J. Cherryholmes; Publisher: Hey, Knucklehead, ASCAP; Skaggs Family (track) (www.cherryholmes.com)
—This fiddle-and-mandolin dominated rapid romp landed Cherryholmes in the Best Country Instrumental category. Which makes this a strange time for the family band to be announcing that it’s calling it quits this spring.
THE STEELDRIVERS/Where Rainbows Never Die
Writer: Chris Stapleton/Mike Henderson; Producer: Luke Wooten & The SteelDrivers; Publisher: none listed; Rounder (track)
—The SteelDrivers are also in a time of transition. Lead singer Chris Stapleton left the band after recording the current Reckless CD. That’s him singing on this atmospheric meditation on aging. It’s such a terrific song and performance that it did my heart good to see it competing against the major-label biggies in Category 38: Best Country Group. Yes, Lady A will win. But this is still such a class nomination.
MARTY STUART & CONNIE SMITH/I Run To You
Writer: Marty Stuart/Connie Smith; Producer: Marty Stuart; Publisher: Marty Stuart/Connie Smith/Bug, BMI; Sugar Hill (track) (www.martystuart.net)
—Marty is up for two Grammy Awards. “Hummingbyrd” is in the running for Country Instrumental. And this steel-soaked duet with his gold-standard vocalist bride is competing in the Country Collaboration race. Is that cool or what? Both nominees can be found on his current Ghost Train album.
ROBERT PLANT/Silver Rider
Writer: Zachary Micheletti/Mimi Parker/George Sparhawk; Producer: Robert Plant & Buddy Miller; Publisher: 1238/Spinney/Domino, BMI/PRS; Rounder (track)
—Plant’s Nashville-recorded Band of Joy CD features an all-star cast of Nashvillians, including Buddy Miller, Darrell Scott, Bekka Bramlett and Byron House. It is justifiably a nominee in Category 64: Americana Album. And this track pops up competing in the Best Rock Vocal, Category 15. His spectral reading of the echoey throbber—shadowed by the hushed, haunted harmony of Patty Griffin—is simply mesmerizing.

DISClaimer Single Reviews (1/12/11)

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I am loving this format today.
I love its diversity. I love the quality of its song craftsmanship. I love its mix of youth and maturity. Country music rules.
In celebration, I am crowning three Disc of the Day winners. The Group prize goes to Rascal Flatts for its chesty vow of steadfastness. The Male winner is Randy Montana, who has a sonic masterpiece to offer. The Female prize, and the surprise of the day, is Ashton Shepherd. Every other gal in town is going to kick herself for not finding “Look It Up” first.
That’s not all. Be sure and lend your ears, also, to Reba McEntire, Joanna Smith, The Dirt Drifters and the new duo Curtis & Luckey. They add to this week’s tasty country goulash of musical diversity.
JEFF TALMADGE/Sometimes You Choose Love
Writer: Talmadge; Producer: Thomm Jutz; Publisher: Tot Ziens, BMI; Berkalin (track) (www.jefftalmadge.com)
—Recorded in Nashville, this folk-country stylist from Texas has a gentle, acoustic sound that goes down easy in this swaying, mid-tempo meditation. The album, titled Kind of Everything, is his seventh.
REBA/If I Were A Boy
Writer: Brittany Jean Carlson/Toby Gad; Producer: Dann Huff; Publisher: Songs of Universal/BC Jean/Cherry Lane/Liedela/Gad, BMI/ASCAP; Valory Music/Starstruck(track)
—This country take on the Beyonce hit is a pulsing power ballad with exactly the right dynamics in the production to put the spotlight on Reba’s delivery of the extraordinary lyric. Her best single in ages.
CURTIS & LUCKEY/Eye Candy
Writer: Brian Curtis/Luckey Moore/Shawn Rhem; Producer: none listed; Publisher: none listed; KMG Music Group (515-269-0474)
—Sprightly and good humored, with creamy harmonies and shiny-bright production.
RASCAL FLATTS/I Won’t Let Go
Writer: Steve Robson/Jason Sellers; Producer: Dann Huff & Rascal Flatts; Publisher: Stage Three/Sony-ATV Cross Keys/Becky’s Boy, ASCAP; Big Machine
—Stately and inspirational. A ballad where you relish every step along the way. An exemplary piece of work. My only quibble is that the Joe Don and Jay harmony vocals are too far down in the mix.
CAMILLE ALVEY & DICKEY LEE/She Thinks I Still Care
Writer: Dickey Lee; Producer: Don Sullivan; Publisher: Universal, BMI; Calisse (track) (www.camillealvey.com)
—Camille takes this classic at a confident, crisp pace. Dickey takes over in the second verse, sounding remarkably youthful, I might add. She harmonizes to his lead in the bridge and in the final verse. It’s all quite listenable.
RANDY MONTANA/1,000 Faces
Writer: Randy Montana/Tom Douglas; Producer: Jay Joyce; Publisher: Sony-ATV/tomdouglasmusic, BMI; Mercury Nashville (CDX)
—I am a big fan of this guy, and this ultra-melodic outing is the kind of single that makes a star. It starts off quietly, but when the second verse kicks in, the production and his funky-raspy vocal take off like a stallion bolting from the barn. Hang on for the finale where his various vocal phrases are layered dazzlingly on top of one another. Go, boy, go.
JOANNA SMITH/Georgia Mud
Writer: Joanna Smith/Jim McCormick/Aaron Scherz; Producer: Philip White; Publisher: none listed, BMI; Columbia (CDX)
—Like Randy, Joanna is an artist who ably showcased her material in our office. So I can tell you for a fact that these kids are both real singers. She was so charming on her rollicking debut single, “Gettin’ Married.” This one is more sweetly romantic, with a cool, crunchy backbeat and a vocal performance with a built-in smile.
ASHTON SHEPHERD/Look It Up
Writer: Angaleena Presley/Robert Ellis Orrall; Producer: Buddy Cannon; Publisher: Ten Ten/Orrall Fixation, ASCAP; MCA Nashville (CDX)
—Ashton struts with plenty of moxie on this attitude number. “The word is ‘faithful.’ Look it up,” she snaps. Plenty of other bon mots ensue, until you get to, “The word is ‘over.’ Look it up.” The rumbling “outlaw” thump in the rhythm section matches her vocal flair lick for lick. I would LOVE to hear this on the radio.
AARON LEWIS/Country Boy
Writer: Aaron Lewis; Producer: James Stroud & Aaron Lewis; Publisher: Greenfund, ASCAP; Stroudavarious (www.stroudavarious.com)
—How many times are we going to write various versions of this same song. Dirt road? Check. Blue jeans and t-shirt wardrobe? Check. Guns? Check. Tractor, diesel truck? Check and check. American flag? You bet. Also: It is four, dirge-like, minutes long. The version with cameos by George Jones and Charlie Daniels drags it out, endlessly, to 4:49.
THE DIRT DRIFTERS/Something Better
Writer: Jeff Middleton/Matt Fleener/Nick Diamond; Producer: Justin Niebank; Publisher: Music of Stage Three/Jersey South/Stage Three/EMI Blackwood/Steeltoe Dreamer/Sony-ATV Tree/Buddy Lloyd/nickfakenamemusic, BMI/ASCAP; Warner Bros.
—It’s a blue-collar rocker about a worker waiting for some improvement in his dead-end life. Heck, he even thinks his girlfriend is waiting for something better than him to come along.

DISClaimer Single Reviews (1/5/11)

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Happy New Year.
What a great way to start 2011: There’s not a stinker in this stack of platters.
You’ll find two DisCovery Award contenders here, The Don Ray Band and our winners, Brother Slade. Both of them are Nashvillians, by the way.
Similarly, we have two pop veterans in attendance, Johnny Mathis and Johnny Rivers.
But the Disc of the Day has no companions. The Zac Brown Band stands alone in its greatness.
BROTHER SLADE/Tom Petty Song
Writer: Marc Christian; Producer: Marc Christian; Publisher: Brother Slade, SESAC; Sully Boy (traqck) (www.brotherslade.com)
—This winsome four-piece band is based south of Music City in Franklin. On its debut single, the group sports a jangling, jaunty sound that’s mighty fine. The rootsy, drawling, conversational vocals are just right for the down-home lyric. The album is called No Relation, and it’s recommended.
THE BAND PERRY/You Lie
Writer: Brian Henningsen/Chris Henningsen/Aaron Henningsen; Producer: Paul Worley; Publisher: EMI Blackwood/How Bout That Skyline/Cactus Moser, BMI; Republic Nashville
—This trio of siblings broke through with a tender ballad in 2010. The follow-up is a slab of sass. Don’t be misled by the acoustic mandolin intro—this little doggie bites with sharp teeth. Attitude with a capital A.
MIKE DEKLE/Ode To Bob Dylan
Writer: Mike Dekle; Producer: Byron Hill; Publisher: Square D, ASCAP; Parlay (track) (www.mikedekle.com)
—Dekle is a Georgia songwriter noted for “Scarlet Fever” (Kenny Rogers), “Don’t Love Make a Diamond Shine” (Tracy Byrd), “Size Matters” (Joe Nichols) and “A Day in the Life of a Fool” (George Jones, Keith Whitley, Mark Chesnutt). His new Nashville-produced album is called Tributes. He sings with great country “heart.” Despite his hillbilly grit, he says in this song that he was inspired to become a songwriter by Dylan, rather than Haggard. It’s totally cool that he “wanted to be Mr. Tambourine Man.”
ZAC BROWN BAND/Colder Weather
Writer: Zac Brown/Wyatt Durrette/Levi Lowrey/Coy Bowles; Producer: Keith Stegall & Zac Brown; Publisher: Weimerhound/Lil’ Dub/Angelika/Southern Ground/Poppsolotamus, BMI; Atlantic (track)
—Zac sounds like a hillbilly James Taylor on this highly-melodic, folkie ballad. And, man, can his bandmates harmonize. Hang on to your hat when they get to the soaring midsection. I can’t get over how fantastic this group is. We are not worthy.
DON RAY BAND/On Top Of The Heap
Writer: Don Ray/Curt Ryle; Producer: Don Ray; Publisher: Margdon/Big Matador, BMI; Margdon (track) (www.donrayband.com)
—This Nashvillian has a growling, bluesy, bruiser delivery. On the title tune to his current CD, he is a working-class moaner with more than a little Southern-rock punch. For some grins, spin “Perfect Ten,” wherein he digs a fat chick to a rocking backbeat. “So Wicked” is voodoo swamper. “Boom Chika Wah Wah” and “Good Bad Boy” are irresistibly sexy. Heck, this whole album rawks. I bet these guys are great live.
JOHNNY RIVERS/New Home
Writer: Eric C. Bibb; Producer: Johnny Rivers & Oren Waters; Publisher: Bug, no performance rights listed; Soul City (www.johnnyrivers.com)
—This pop legend’s second country-leaning single is written by nouveau blues practitioner Eric Bibb (the son of folk star Leon Bibb), and that gives the lyric tremendous believability. Johnny has always enacted the poor boy effectively, and he continues that tradition here.
DANIELLE CAR/Walk Of Shame
Writer: Danielle Car; Producer: Chuck Alkazian & Danielle Car; Publisher: none listed; DC (track) (www.daniellecarmusic.com)
—I first encountered this Detroit country gal in last year’s Christmas column. It turns out that she also has a five-song EP that kicks off with this blistering, breakneck country rocker. Promising in the extreme.
JOHNNY MATHIS & ALISON KRAUSS/Let It Be Me
Writer: Gilbert Becaud/Mann Curtis; Producer: Fred Mollin; Publisher: France/Universal, ASCAP/SDRM; Columbia (track)
—This legendary crooner came to Nashville last year to make his latest CD. But despite the Music Row players and Music City repertoire (”Make the World Go Away,” “Crazy,” “I Can’t Stop Loving You,” “Please Help Me, I’m Falling,” “You Don’t Know Me” etc.), this is not an attempt at a “country” record. However, it is—as this string-embellished Everly Brothers remake perfectly illustrates—very, very pretty.
D.J. MILLER/A Little Naughty Is Nice
Writer: Charlie Black/Don Goodman/Robert Resnick; Producer: Morris, Goodman & Resnick; Publisher: none listed; Evegreen (615-327-3213)
—With its merry tempo and insistent guitar groove, it has the feel of a fun-ride Tilt-a-Whirl. Miller sings with verve and gusto while the track spins along.
PETE ANDERSON/Even Things Up
Writer: Pete Anderson; Producer: Pete Anderson, Michael Murphy & Tony Rambo; Publisher: Jessee Lee, BMI; Little Dog (track) (www.peteanderson.com)
—Guitar wonder and Dwight Yoakam hit producer Pete Anderson sings with a cool, sandpapery whisper on his current Even Things Up CD. The bluesy title tune has rumbling percussion and plenty of Pete-played harmonica and electric guitar. Music City’s Becca Bramlett is the esteemed guest lead vocalist on “Still in Love,” but otherwise this is Mr. Anderson’s showcase from top to bottom.

DISClaimer Single Reviews (12/21/10)

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I dread this column every year.

It’s not that I don’t like Christmas. Far from it. It’s just that so much bad music gets recorded in its name. And, as usual, there is far more of it than I can hope to cover in a column. Among the many left “out in the cold,” so to speak, are Clay Walker, D.J. Miller, Jackie Evancho, Suzy Bogguss, Jeff Cook, Pat Garrett, Sherwin Linton and Liz Anderson.

Working with what we could get into a review session, Highway 101 wins our Disc of the Day for this holiday season. They still sound sensational. Other recommendations for stocking stuffers are Mandy Barnett, Point of Grace and the cast of Glee.

Surprisingly, there are several DisCovery Award contenders. Rachel Holder and Danielle Car both sound like they have the pipes to become stars. But how can you deny an album called Merry Ex-mas, devoted to holiday songs for the divorced? Besides, just look at the names of the folks who’ve banded together as The Irreconcilables.

HIGHWAY 101/Six Gold Coins
Writer: Curtis Stone/Cactus Moser/Brian Henningson/Clara Henningson; Producer: Cactus Moser & Curtis Stone; Publisher: Cactus Doin’ Work/Hometown Jamboree/Skyline/Cactus Moser, ASCAP/BMI; Keytone (CDX) (www.highway101.net)
—This is drawn from the band’s DVD Christmas on Highway 101. It is arguably the best new original holiday tune of 2010. Nikki’s lead vocal is packed with emotion, and the band’s support is stellar. The ballad’s striking lyric is based on gold coins that anonymous donors drop into Salvation Army bell ringers’ kettles every year.

POINT OF GRACE /Labor Of Love
Writer: Andrew Peterson; Producer: Nathan Chapman & Stephanie Chapman; Publisher: New Spring, ASCAP; Word (CDX)
—The album is titled Home for the Holidays, and if there are any voices in Nashville who are more suited to Christmas music, I have yet to hear them. This new Yule song is a sweet, acoustic ballad about the event in the manger 2010 years ago.

THE IRRECONCILABLES/See Ya Santa
Writer: Don Pfrimmer/Will Robinson/Mike Reid; Producer: Fred Bogert, Mike Reid & Will Robinson; Publisher: EGBG/Detect an Intruder/Rivers and Roads, ASCAP/BMI; Merry Ex-Mas (track)
—New here’s a concept: Holiday songs for the divorced. The CD’s title is, naturally, Merry Ex-mas. It kicks off with this groovy, jazzy/bluesy outing. The track swings, and lead vocalist Joanna Cotten delivers the lyric with plenty of sass. Santa, you see, is a cheater. The other Irreconcilables are Fred Knobloch, Perry Danos, Paige Bainbridge, Danger Will (Robinson) and Oscar Franks.

MANDY BARNETT/Winter Wonderland
Writer: Felix Bernard/Richard B. Smith; Producer: Mandy Barnett; Publisher: WB, ASCAP; Rounder/Cracker Barrel (track)
—Mandy has the most “classic” sounding holiday disc of the year. All the tunes are standards, and the players are such A-listers as Harold Bradley, Hoot Hester, Gary Prim and Tony Migliore. This is the CD’s title tune and track #1, and it’s a sprightly outing, laced with plenty of Lloyd Green’s steel. Her vocal is, of course, flawless. (Full disclosure: I wrote the liner notes.)

DR. ELMO/Come On Boys, It’s Christmas
Writer: Potterton/Manry; Producer: Gary Potterton; Publisher: none listed, BMI; Laughing Stock/Time Life (track)
—“Dr. Elmo” is banjo playing Elmo Shropshire. If that doesn’t ring a bell, how about “Elmo & Patsy” who originated the classic “Grandma Got Run Over by a Reindeer?” On his Bluegrass Christmas CD, he proves conclusively what a fluke that was. He can’t sing.

BURNS & POE/Hear The Angels Singing
Writer: Keith Burns/Michelle Poe; Producer: none listed; Publisher: Banshee/Bana Bear/Crane Wreck/Studio 33 Music Group/Poe Haus, BMI/SESAC; Blue Steel (www.burnsandpoe.com)
—Another new contribution to the Christmas repertoire. This one is a gentle ballad that features both vocalists singing softly to delicate, tinkling, acoustic accompaniment. Their harmonies on the choruses are just lovely.

GLEE/The Most Wonderful Time Of The Year
Writer: J. Marks; Producer: Adam Anders & Ryan Murphy; Publisher: St. Nicholas, ASCAP; Columbia (track)
—New cast member and native Nashvillian Chad Overstreet (Paul’s son) makes his disc debut on the Glee Christmas Album with this track. He plays “Sam” and gets several hearty standout lines during the ensemble singing of this standard. The male-male pairing of “Kurt” and “Blaine” on “Baby It’s Cold Outside” is raising eyebrows and getting lots of attention, but the rest of the Glee cast’s tracks are equally listenable.

BRITTANY ALLYN/Christmas Has A Way
Writer: Brittany Allyn; Producer: Chris Nole; Publisher: Mighty Pen, BMI; Mighty Pen (track) (www.brittanyallyn.com)
—The title tune to Allyn’s holiday collection is thin sounding. Plus, her singing sounds timid and tentative.

DANIELLE CAR/Save Your Cookies For Me
Writer: Danielle Car; Producer: Chuck Alkazian & Danielle Car; Publisher: none listed, BMI; DC (www.daniellecarmusic.com)
—This Detroit gal lays into this bluesy lament with blow-torch heat. She’s got some serious vocal firepower. By all means, lend her your ears.

LEE BRICE/O Holy Night
Writer: traditional, arranged by Lee Brice /Doug Johnson; Producer: Doug Johnson & Lee Brice; Publisher: public domain, arrangement Mike Curb/Sweet Hysteria/Sweet Radical, BMI; Curb (CDX)
—It wouldn’t be Christmas without a new version of “O Holy Night.” The song’s dynamics generally call for a vocalist of range, might and power. I wouldn’t think this guy would have the chops for it. And he doesn’t.

RACHEL HOLDER/Christmas Eve
Writer: Chris Frasca/Maria Chistiansen; Producer: Chuck Howard, Wilbur Rimes, Elmer Cole & Kevin Moore; Publisher: none listed; All Entertainment (www.rachelholder.com)
—At last! Some tempo. This toe-tapping bopper is underscored by slapping snare and bubbling bass. She sounds like she’s having a ball with this sexy little romance lyric. Deserving of massive airplay.

DISClaimer Single Reviews (12/15/10)

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The ladies rule the day.

There were only two of them in this listening session, but they bested the fellows to take our top two awards. Meaghan Blanchard hails from Canada. This talented singer-songwriter with a songbird’s voice wins the DisCovery Award.

Probably to no one’s surprise, Miranda Lambert has the Disc of the Day. But she was not without serious competition. The Randy Rogers Band, Trace Atkins, David Ball and Steve Holy also have excellent new sounds.

DAVID BALL/Hot Water Pipe
Writer: David Ball; Producer: David Ball & Dan Frizell; Publisher: Cedar Popping, BMI; Red Dirt (CDX) (615-347-9686)
—As country as grits. He sings with plenty of twang, and the chicken-pickin’ guitar work is splendid. And since this little toe tapper is about a cold, cold night, it couldn’t be more timely.

RICKY SKAGGS/Someday Soon
Writer: Gordon Kennedy/Ben Cooper; Producer: Ricky Skaggs & Gordon Kennedy; Publisher: GlennJoy/Alrighty Den, ASCAP/BMI; Skaggs Family (CDX) (www.skaggsfamilyrecords.com)
—Set to a steady, marching beat, this somber slowie is an end-of-life meditation. What a drag.

LARRY CHANCE/God Gave Me The Talent
Writer: Fred Imus/P. DiFranco; Producer: Dennis Money; Publisher: Imus, BMI; Laser (CDX) (www.larrychanceandhearts.com)
—There are two Larry Chance tracks on the current CDX. The first is a countrified remake of Jerry Butler’s classic “For Your Precious Love.” The second is this weepy lament. On both of them, you could drive a truck through his vibrato.

STEVE H0LY/Love Don’t Run
Writer: Joe Leathers/Ben Glover/Rachel Thibodeau; Producer: Lee Miller; Publisher: Mike Curb/Ghermkyle/9T One/Ariose/Little Champion/Dream Rock, BMI/ASCAP; Curb
—Beautifully produced. His plaintive, heartfelt tenor is initially supported by simple keyboard work. As the song builds, so does the instrumentation. The well-written power ballad is about keeping romance alive amid adversity and should resonate well with listeners.

JOHN CONNOLLY/The Wind
Writer: John Connolly; Producer: John Connolly & Donivan Cowart; Publisher: none listed, SOCAN; Sandbar (track) (www.johnconnolly.ca)
—The title tune to this Canadian’s six-song EP is a gentle, jaunty acoustic tune. His voice is breathy and soft, so the fiddle-and-guitar track is just the right sound. He wrote all six songs and definitely shows promise in that department.

MIRANDA LAMBERT/Heart Like Mine
Writer: Miranda Lambert/Travis Howard/Ashley Monroe; Producer: Frank Liddell & Mike Wrucke; Publisher: Sony-ATV Tree/Pink Dog/Watsky/Reynsong, BMI/ASCAP; Columbia (track)
—The fourth single from Revolution is a cool, crunchy number with loads of tension and pent-up power. As usual, she sings like a fallen angel. The lyric paints her as a sinner with a heart of gold whom she thinks Jesus would understand. Performances like this are why this is the CMA Album of the Year.

GUY PENROD/Pray About Everything
Writer: Bob Regan/Jeff Stevens; Producer: Brent Rowan; Publisher: Green Hills/Big Loud Bucks/Travelers Ridge/House of Full Circle, ASCAP/BMI; Servant/Gaither (www.guypenrod.com)
—This Gaither Vocal Band mainstay has been testing the country waters for a few months now. This steel-embellished, uptempo outing is his strongest effort to date. The title phrase is his mom’s advice about life.

TRACE ADKINS/Brown Chicken Brown Cow
Writer: Kenny Beard/Rivers Rutherford/Casey Beathard; Producer: Michael Knox; Publisher: Melrose South/Universal/Macirhyoo/Sony-ATV Acuff-Rose/Six Ring Circus, ASCAP/BMI; Show Dog/Universal
—The farming couple takes a time out from laboring to strip and make love in the barn. It’s okay. The only ones watching are the title animals. This rocks in all the right ways.

MEAGHAN BLANCHARD/Chasin’ Lonely Again
Writer: Meaghan Blanchard; Producer: Meaghan Blanchard & Remi Arsenault; Publisher: none listed, SOCAN; Sandbar (track) (www.sandbarmusic.com)
—The title tune to this singer-songwriter’s collection is a lilting swing thing. Her floating soprano is backed by some very nifty, old-school, Les Paul style guitar picking. This is a delightful listening experience.

RANDY ROGERS BAND/Steal You Away
Writer: Jeff Middleton/Mark Mulch/Nick Mulch; Producer: Paul Worley; Publisher: Music of Stage Three/Stage Three/Mulch, BMI; MCA Nashville (CDX)
—I still dig his little vocal rasp. On this throbbing ballad of hot, yearning lust, the band creates a swirl of sexy, trembling sound while the singer falls into a fevered dream. Sheer sonic excellence.

DISClaimer Single Reviews (12/8/10)

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Brad Paisley performs “This is Country Music” at The 44th Annual CMA Awards (11/10). Photo: John Russell

The moment this listening session began, the rest of the platters might as well have packed up and gone home.

As soon as I saw Brad Paisley’s “This Is Country Music” in the stack, I knew what the Disc of the Day was going to be. And it is.

One interesting trend of this edition of DisClaimer was the presence of offspring of famous country families. Both of them, coincidentally, are named Nathan. Nathan Stanley is descended from Opry star Ralph Stanley. Nathan Osmond comes from the clan of Osmonds. He is also the DisCovery Award winner.

JOE HAND/Million Million Years
Writer: Joe Hand; Producer: Joe Hand; Publisher: McHand, BMI; Songsfamous (track) (www.joehand.com)
—Songwriter Hand has cleverly titled his CD Songs Famous People Should Sing. Furthermore, he specifies which artists he thinks each song is suited for. This upbeat, positive love song, he says, would be good for Rascal Flatts, Keith Urban, Vince Gill, Lonestar and/or Emerson Drive. It is somewhat wordy, but the chorus is hooky.

STEEL MAGNOLIA/Last Night Again
Writer: Joshua Scott Jones/Meghan Linsey/Hillary Lindsay; Producer: Dann Huff; Publisher: Universal/Kind Vibe/Meghan Linsey/Steel Mag/EMI Blackwood/Raylene, ASCAP/BMI; Big Machine
—Sweetly sexy. They hooked up last night, and both are ready for a repeat performance. The track bops nicely, and their harmony singing is splendid.

MATT BAILIE/Man Behind These Eyes
Writer: Matt Bailie/Donnie Van Zant/Aaron Sherz; Producer: Chip Martin & Matt Bailie; Publisher: MDB True Vibe Entertainment/Shanty Town, ASCAP/BMI; True Vibe (track) (www.mattbailiemusic.com)
—Did you write it with no melody on purpose?

BRAD PAISLEY/This Is Country Music
Writer: Brad Paisley/Chris DuBois; Producer: Frank Rogers; Publisher: House of Sea Gayle/Words & Music, ASCAP; Arista
—I was completely charmed by this when he introduced it during the CMA telecast last month. Evidently, a lot of radio folks were too, for it has become the second song from the awards show that they’ve asked for now (the other being the Jason Aldean & Kelly Clarkson duet). In addition to having the coolest lyric, it boasts an absolutely brilliant guitar solo. This just might be country music’s national anthem.

NATHAN OSMOND/Feels Like Heaven
Writer: Jim Collins/Marv Green/Dean Sams; Producer: Gary Baker & Nathan Osmond; Publisher: Hope N Cal/Living Big/Warner-Tamerlane, BMI; Ntune (track) (801-553-3480)
—Nathan is the son of Alan Osmond of The Osmonds. He’s definitely inherited the family’s musical genes. He sings with plenty of conviction and emotion. The title tune to his CD is a wide-open power ballad with a chorus that leaves him room to cut loose into his upper register. Seven tunes are co-produced with Gary Baker, and the other four are co-produced with Lonestar’s Dean Sams.

ALABAMA/Are You Sure Hank Done it This Way
Writer: Waylon Jennings; Producer: Alabama & Witt Stewart; Publisher: Universal Songs of PolyGram, BMI; Scatter/Big Machine (www.waylonjennings.com)
—This doesn’t stray far from Waylon’s original arrangement. A few lyrics are altered, which irritated me. And, frankly, I missed the swagger and snarl of Waylan’s delivery. It is drawn from a forthcoming tribute album titled The Music Inside: A Collaboration Dedicated to Waylon Jennings.

LUCY BILLINGS/Daddy’s Last Drive
Writer: Lucy J. Billings; Producer: John Jennings; Publisher: none listed; Sassy Time (track) (www.lucybillings.com)
—Producer Jennings is previously noted for his work with the esteemed Mary Chapin Carpenter. Why he chose to work with this bland, wimpy, limp vocalist is beyond me.

THE GRASCALS & DOLLY PARTON/I Am Strong
Writer: Jamie Johnson/Susanne Mumpower-Johnson/Jenee Fleenor; Producer: none listed; Publisher: none listed; BluGrascal (track) (www.grascals.com)
—The Grascals upcoming CD is a Cracker Barrel project that teams the band with various country celebs (Brad Paisley, Dierks Bentley, Tom T. Hall, Darryl Worley, Joe Nichols, The Oak Ridge Boys, Charlie Daniels). The package’s single is an empowering anthem that’s far more country than bluegrass. It’s about a child with cancer, and a portion of the album’s proceeds benefits St. Jude’s Children’s Research Hospital.

NATHAN STANLEY & VINCE GILL/The White Dove
Writer: Carter Stanley; Producer: Nathan Stanley & Alan Maggard; Publisher: none listed;  NS (track) (615-248-8105)
—Nathan is the 17-year-old grandson of Ralph Stanley. He has a pure and true Appalachian tenor voice, and his My Kind of Country CD indicates that he already has plenty of fans in the country community. His collaborators on it include Gene Watson, Patty Loveless, Marty Stuart & Connie Smith, Ricky Skaggs, John Anderson and Jimmy Dickens, as well as his father and grandfather. This performance with Vince on high harmony is the lovely, mournful bluegrass waltz initially popularized by his forebears The Stanley Brothers.

GURF MORLIX/Blaze Foley’s 113th Wet Dream
Writer: Blaze Foley; Producer: Gurf Morlix; Publisher: Texas Ghostwriters/Bug, BMI; Rootball (track) (www.gurfmorlix.com)
—Blaze Foley was one of the great characters in Texas music. Morlix, noted for his work producing Lucinda Williams and other roots music makers, is releasing an entire album of his late friend’s compositions. It is a listening delight, throughout. This title tune is a witty and wacky outing with Morlix rasping the lyric and strumming dandy twang guitar. On “If I Could Only Fly,” Foley’s best known song, he is joined by Kimmie Rhodes on harmony vocal. Heartily recommended.

DISClaimer Single Reviews (12/1/10)

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This week the newsmakers come not from the ranks of our country stars, but from the members of Nashville’s ever expanding pop/rock community.

A slew of Music City’s biggest headliners from this world have buzz-worthy current releases. Kings of Leon, Sheryl Crow, Paramore, Michael W. Smith and Leon Russell head a parade of record makers you need to support.

We have a tie for Disc of the Day. I simply could not choose between Sheryl Crow and Leon Russell, so I won’t. Buy them both at once. By the way, both Elton & Leon and Kings of Leon are available on vinyl LPs.

I don’t give out a Song of the Day award, but if I did it would be for “How We Love.” By the time Beth Nielsen Chapman finished singing it, tears were rolling down my cheeks.

Our DisCovery Award goes to the John Jorgenson Quintet. Its twirling gypsy sound will make you delirious.

PARAMORE/Playing God
Writer: Hayley Williams/Josh Farro; Producer: Rob Cavallo & Paramore; Publisher: WB/But Father I Just Want to Sing/Josh’s/FBR, ASCAP; Atlantic/Fueled By Ramen (track)
—The new single from the Brand New Eyes CD is a jangly rumbler with a hard rocking chorus. Hayley’s snarly soprano is especially effective in this diatribe against a judgmental partner. Rocking, literate and melodic, all at the same time.

MARSHALL CHAPMAN/Big Lonesome
Writer: Chapman/Krekel; Producer: Michael Utley & Marshall Chapman; Publisher: none listed; TallGirl (track) (www.tallgirl.com)
—The title tune to Marshall’s new CD is surprisingly countrified. Particularly since the harmony vocalist and guitarist is the late, rocking Tim Krekel, to whom the CD is dedicated. But there you have it, complete with twanging electric, steel and dobro. Fear not fans, on the rest of the album, she’s as eclectic as ever, serving up everything from blues (”Mississippi Man in Mexico”) to pop (”Falling Through the Trees”) to swing (”Sick of Myself”) to rock (”I Love Everybody”) and even a cover of “I’m So Lonesome I Could Cry.” In fact, this is her best collection in years.

JARS OF CLAY/Out Of My Hands
Writer: Jars of Clay/Gabe Ruschival/Jeremy Lutito; Producer: Jars of Clay; Publisher: Bridge Building/Pogostick/Chigostick/Dudie, BMI; Gray Matters/Sony/
Essential (track)
—This million-selling Christian alt-rock band’s current The Shelter CD is comprised of collaborative tracks with other like-minded music makers (Brandon Heath, David Crowder, Amy Grant, etc.). This shuffled, meditative, melodic tune features Mike Donehey. Definitely pop-crossover material.

KINGS OF LEON/Radioactive
Writer: Caleb Followill/Nathan Followill/Jared Followill/Matthew Followill; Producer: Angelo Petraglia & Jackquire King; Publisher: Pistola/Sinderella’s Grass Slipper/McFearless/Coffee Tea or Me/Bug/Silent But Violent, ASCAP/BMI; RCA (vinyl 45)
—Anthemic, in a U2-ish kinda way. The guitars are a stuttering, twittering swirl of sound, and the lead vocal soars. The B-side of the 45 features the West Angeles Mass Choir, which underscores the song’s seriousness of purpose. The New York Times has called its Come Around Sundown parent album, “the rock blockbuster of the new season.” Ain’t that nice? Be looking for it somewhere in tomorrow’s list of announced Grammy Award nominees.

SHERYL CROW/Sign Your Name
Writer: Maitreya Sananda; Producer: Doyle Bramhall & Justin Stanley; Publisher: none listed; A&M (track)
—Sheryl’s current CD is called 100 Miles from Memphis because her hometown of Kennett, MO is, indeed, 100 miles to the north. The collection is informed by the soul music that Memphis is noted for, perhaps nowhere more so than on this cover of the sensuous Terence Trent D’Arby smash of 1988. Sheryl’s version is appropriately slinky, funky and groove soaked. The harmony singing comes courtesy of guest star Justin Timberlake, who is famously a Memphis native. (Elsewhere on the album, Keith Richards makes an appearance.) Essential listening.

JOHN JORGENSON/One Stolen Night
Writer: Jorgenson; Producer: John Jorgenson; Publisher: Jorgensongs/Bug, BMI; J2 (track) (www.johnjorgenson,com)
—This Middle Tennessee guitar slinger—formerly of The Desert Rose Band (1986-1994)and Elton John’s touring troupe (1994-2000)—has two current albums on the market. This is the swoon-y title tune to a gypsy/flamenco/jazz collection by The John Jorgenson Quintet (which also includes violinist Jason Anick, bassist Simon Planting, percussionist Rick Reed and rhythm guitarist Kevin Nolan). On this gorgeous CD, John plays guitar, bouzouki, clarinet and soprano sax. The other album is Istiqbal Gathering, a pop-classical collaboration with Orchstra Nashville and The Turtle Island Quartet. Recorded live, it is a rich sonic marvel with Jorgenson’s acoustic guitar surrounded by strings and things. Both albums are superb listening experiences.

ELTON JOHN & LEON RUSSELL/If It Wasn’t For Bad
Writer: Leon Russell; Producer: T Bone Burnett; Publisher: Young Carney, ASCAP; Decca (track)
—I am a huge, huge Leon Russell fan. So is Elton John, which is the reason for their new collaboration, The Union. Appropriately, the set’s first single belongs to the senior member of the team. Nashvillian Russell is just as soulful as ever, and John slips easily into his swampy, steamy vocal groove. Leon’s gin-house/gospel piano leads the way. Listening to these two masters together is beyond heavenly. This is easily one of the greatest albums of 2010, regardless of genre.

KIM RICHEY/Wreck Your Wheels
Writer: Kim Richey/Mando Saenz; Producer: Nielson Hubbard; Publisher: Chrysalis Songs/Red Equals Luck/Scramblemusic/Carnival, BMI/ASCAP; Thirty Tigers (track) (www.kimrichey.com)
—The title tune to Kim’s new CD is a steady-thumping romantic dreamscape that is sparely arranged to spotlight her languid vocal phrasing. Get a load of this supporting cast on the disc—Jeremy Lister, Will Kimbrough, Matthew Ryan and David Henry, plus producer Hubbard contributing bass, piano, glock, organ and overall haunting atmosphere. Delicious-sounding pop nirvana.

BETH NIELSEN CHAPMAN/How We Love
Writer: Beth Nielsen Chapman; Producer: Beth Nielsen Chapman; Publisher: Prismlight, SESAC/PRS; BNC (track) (www.bethnielsenchapman.com)
—As usual, she is gloriously melodic and ultra heartfelt on this stunning ballad from her new, self-produced Back to Love collection. Her yearning vocal and Gary Malkins’s elegant piano playing are joined by a magnificently supportive mass of violas, cellos and violins. If this doesn’t bring a lump to your throat, you are made of stone, my friend.

MICHAEL W. SMITH/Save Me From Myself
Writer: Lau Hojen/Soren Balsner/Morten Thorhauge; Producer: Michael W. Smith & Bryan Lenox; Publisher: Bert’s Songs/Universal, ASCAP; Sony/Reunion/
Provident (track)
—This CCM star hasn’t had a big pop crossover hit since 1991 (”Place in This World”). But his brilliantly produced new Wonder CD could definitely change that. This sonically dense lead off track/single piles electronics, keyboards and his tenor vocal on top of blustering beats in a way that is stirring, to say the least. The album also includes two secular love songs, “You Belong to Me” and “Forever Yours.”

DISClaimer Single Reviews (11/24/10)

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Before you dismiss this list as a pack of nobodies, check the fine print.

Between them, these minor leaguers have ties to such major leaguers as The Bellamy Brothers, George Jones, Jason & The Scorchers, former Georgia Satellite Dan Baird, Kid Rock, Uncle Kracker and Charlie Daniels. Plus, there’s a surprising amount of class on display.

The Atlanta-based foursome Ponderosa wins a DisCovery Award with its rootsy, rocking “Old Gin Road,” a preview of its CD dropping in January. Recorded in Nashville, this disc appears on New West Records, a label that last made news by releasing the soundtrack to Crazy Heart with its Oscar winning “The Weary Kind” track.

Rehab tours with the afore-mentioned Kid Rock and Uncle Kracker and has also collaborated with Hank Williams Jr. I’m not sure what to call the band’s sound, but whatever it is, it wins Disc of the Day. And, yes, the group’s roots were planted in a rehab facility.

JESSE BREWSTER/I’m Not Broken
Writer: Jesse Brewster; Producer: Jesse Brewster; Publisher: none listed; Crokked Prairie (track) (www.jessebrewster.com)
—His voice is somewhat lightweight for the heavy, rocking chorus instrumentation. He does get points for whistling the bridge.

COLDWATER CANYON BAND/Nobody Knows
Writer: Gary H. Fisher; Producer: Sean “CT” Thomas; Publisher: none listed, BMI; KountreeBoyZ Entertainment (track) (www.dehtyme.com)
—It has a mellow, west-coasty, breezy thing going on. The Eagles-derived harmonies, heartache lyric, whispered organ and meaty melody are all mighty easy on the ears. Absolutely lend these guys your time.

ERIC LEE BEDDINGFIELD & GEORGE JONES/The Gospel According To Jones
Writer: Barber/Beddingfield/Fears; Producer: Kent Wells; Publisher: Rebel Dawg/Bar Frog/Faverett Tracks, BMI; Rebel Dawg (track)
—The packaging is sensational, a multi-fold-out concept I’ve never seen before. The album is titled This Life Ain’t For Everybody. On this stand-out ballad, Eric is an existential honky-tonker addressing his barroom congregation by moaning and quoting the Possum’s song titles. The boy can definitely sing it country. George’s cameo vocal occurs at the finale.

REHAB/Welcome Home
Writer: D. Alexander/M. Hartnett/W. Scheiner; Producer: Ed Rowland; Publisher: Warner Robbins/M. Hartnett/Wayne Scheiner, BMI/ASCAP; Universal Republic (track)
—The singing and beats are so rapid-fire that it is almost like rap. But the lyric is loaded with hillbilly heart, the harmonies are straight from church and the sentiments are as country as all get out. A very creative sonic adventure.

BRUCE BROWN/Off The Edge
Writer: Bruce Brown; Producer: Bruce Brown & Casey Wood; Publisher: Brass Crab, BMI; BB (track) (www.brucebrownmusic.com)
—Bruce has been in the Charlie Daniels Band for more than 20 years. He’s a guitarist with a deft touch who’s also handy with a hooky melody. On this instrumental title tune to his new CD, he makes his axe “talk” almost like a human voice. It’s a really cool listening experience. Elsewhere on the album, he sings in a jazzy, groove-soaked kinda tone. Recommended.

PONDEROSA/Old Gin Road
Writer: Kalen Nash/Jonathan Thomas Hall; Producer: Joe Chiccarelli; Publisher: FSMGI/Chrysalis One/West Bay, IMRO/BMI; New West (track) (www.popnderosamusic.com)
—The debut single from the band’s Moonlight Revival CD is a grinding, soulful, melodic  country rocker, very much in the footsteps of Creedence Clearwater Revival. Which is to say it is very, very excellent, indeed.

STACIE COLLINS/Hey Mister
Writer: Collins/Collins/Hodges; Producer: Dan Baird; Publisher: Collinsville/Nashville Flash/Bug, SESAC/BMI; Rev (track) (www.staciecollins.com)
—I hear she burned the house down at her album-release party last week. She’s a harp-blowing rocker with attitude to spare. On this lead track to her Sometimes Ya Gotta CD, she wails with a funky backbeat and snarling electric guitars (thank you Warner Hodges and Dan Baird) behind her. Excitement on plastic.

JESSE AND NOAH /First Call After Last Call
Writer: Jesse Bellamy/Danny E. Simpson; Producer: Jesse Bellamy & Noah Bellamy; Publisher: Skunk Ape/Dancin’ Dawg/Paramount, ASCAP/BMI; Luna Chica (track) (www.jesseandnoah.com)
—With a title like this, you expect a little humor or maybe some honky-tonk guilt. Instead, it’s a romantic swoon about a musician who can’t wait to go home to his sweetie. Jesse’s lead vocal is strikingly reminiscent of their famous father David Bellamy’s croon.

THE LAWS/Try Love
Writer: John Lee/Michelle Lee/A.J. Master; Producer: J.P. Cormier; Publisher: SWITR/Can of Words/Moo Ka Moo, SOCAN/BMI; JML (track) (www.thelaws.com)
—The title tune to this Canadian husband-wife duo’s CD is rather underproduced. John’s lead vocal is expressive and soulful, but all that backs him are an acoustic guitar and mandolin. Folk hootenanny, anyone?

CASEY DILWORTH/Keepn’ It Simple
Writer: Darrell Hincks/Richard Fagan; Producer: none listed; Publisher: Broadminded, BMI; CD (track)
—The title tune to Casey’s CD is a gently strummed romantic ballad. He sings well, but I nodded off.