DISClaimer

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All of a sudden, there is a banquet of Nashville-oriented jazz releases on hand.

This is a growing, strong and highly gifted segment of our music community, so this week we’re throwing the spotlight on it.

There is something to recommend in every disc here. But the clear winner of the Disc of the Day award is the always amazing Take 6. Good luck at the Grammy Awards on Sunday, guys. I’m rooting for ya.

Our DisCovery Award goes to a young lady named Heather Rigdon.

ROD MAGAHA/A Gentle Man
Writer: Jeff Steinberg; Producer: Rod Magaha; Publisher: none listed; RM (track) (www.rodmagaha.net)
—The title tune to trumpeter Magaha’s new CD is a dreamy, piano-flecked ballad. The purity of his tone is outstanding, and the phrasing couldn’t be more precise. Elsewhere on the set, he works his magic on standards like “The Look of Love,” “When I Fall in Love” and “How Long Has This Been Going On.” Rod also has a new, six-tune EP called Stand Up for Love. Both discs are enthusiastically recommended.

HEATHER RIGDON/Young & Naive
Writer: none listed; Producer: Cliff Goldmacher; Publisher: none listed; HR (track) (615-320-7233)
—The debut album by chanteuse Rigdon is called Young & Naive. From the opening notes of this title track she stakes her claim as a distinctive, off-the-beat phraser, a languid stylist and a charming, minor-key melody manipulator. Promising in the extreme.

TAKE 6/Sweet Georgia Brown
Writer: Maceo Pinkard/Kenneth Casey Sr./Ben Bernie; Producer: Mark Kibble; Publisher: Warner Bros./WB, ASCAP; Heads Up (track)
—The Nashville press corps has been practically mum about the fact that the current Take 6 CD The Standard is up for three Grammys. Just so you know, four of the six are Middle Tennesseans, the disc was recorded here and best-arranger nominee Cedric Dent teaches at MTSU. The excitement over the CD is understandable, since it is what the jazz community has been begging for from these guys for years, an album of standards. This opening track is Take 6 at its best, jiving a cappella harmonized vocals and whistling by Mark Kibble. Elsewhere, guests include guitarist George Benson (”Straighten Up and Fly Right”), Aaron Neville (”Do You Know What it Means to Miss New Orleans”) and member Claude McKnight’s star brother Brian (”What’s Going On”). I LOVE this record.

KAREN JOHNS & COMPANY/Southland Summer
Writer: Karen L. Johns/Kevin Sanders; Producer: James Johns & Karen Johns; Publisher: Vital Force, ASCAP; PtarmiganMusic/Jazz (track) (www.karenjohns.com)
—Star and Season, the new CD by Nashville club fave Johns and her band, is a mixture of standards (”Stars Fell on Alabama,” “Desafinado,” “If,” “Autumn Leaves,” “Night and Day”) and splendid original tunes like this one. I love the way she alternates spitting short notes with drawled passages, growling effects and high soprano leaps. This is a vocalist of uncommon ability, and the band cooks with gas.

VICTOR WOOTEN/2 Timers
Writer: Victor L. Wooten; Producer: none listed; Publisher: VixLix/Bug, ASCAP; Heads Up (track) (www,victorwooten.com)
—This bass-playing virtuoso is nominated for two Grammy Awards as a member of The Flecktones. His current, almost entirely self composed Palmystery solo disc is a brain buzzing, sonically dazzling pastiche of shifting time signatures, burbling bass passages, evolving melodies and alternating emotional moods that completely captures your attention from this opening track onward. The various collaborators are a who’s-who of the Music City jazz scene. Heads Up International, the label of both this and the Take 6 CD, is a Cleveland, Ohio label that obviously has great taste.

DIANE MARINO & FELIX CAVALIERE/Groovin’
Writer: Felix Cavaliere/Edward Brigati Jr.; Producer: Frank Marino, Gary Dales & Diane Marino; Publisher: EMI April/Jemaxal, ASCAP; M&M (track)
—Alto vocalist Marino’s CD is titled Just Groovin.’ On its title tune, she duets with one of Nashville’s nicest Rock ‘n’ Roll Hall of Famers. Her liquid voice fits nicely with Felix Cavaliere’s brighter, spunkier tone. The lady is evidently well connected. Also contributing to her CD are Kirk Whalum, Mark Douthit, Rod Magaha and other high-profile instrumentalists. I don’t think the strings were needed, however.

WILLIE NELSON & WYNTON MARSALIS/Night Life
Writer: Nelson/Breeland/Buskirk; Producer: none listed; Publisher: Glad/Pappy Daily/Sony ATV Tree, BMI; Blue Note (track)
—Two Men with the Blues was recorded live at Lincoln Center last year. Wynton sings in spots as well as playing his distinctive trumpet. Willie is just Willie. I have always thought that his “Night Life” was essentially a jazz song, and now it is. I guess jazz agrees with The Red-Headed Stranger. His next project is with western swingers Asleep at the Wheel.

DISClaimer (1/30)

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Newcomers, baby acts and veterans are all in the mix this week.

Both Aaron Tippin and Collin Raye arrived with excellent sounding comeback discs. Chris Young, Bomshel, Jamey Johnson continue to shine with blindingly bright promise.

Newcomer Mike Adkins totally nails the DisCovery Award.

And I continue to be in awe of the talent of Eric Church (as well as his producer, Jay Joyce). Give that man yet another Disc of the Day prize.

BOB HARVEY/Completely Harmless
Writer: none listed; Producer: none listed; Publisher: none listed; Echo
—I’m not sure what this is all about. It has a copyright notice on it that clearly says “1969.” So what’s it doing in this week’s reviewing stack? Beats me. In any case, it is an audio waste of time.

JAMEY JOHNSON/High Cost Of Living
Writer: Jamey Johnson/James Slater; Producer: The Kent Hardly Playboys; Publisher: EMI Blackwood/Big Gassed Hitties/Hope-N-Cal/Pick Them Maters/Diversion/Cal IV, BMI; Mercury Nashville (track)
—Jamey’s extraordinary Grammy-nominated That Lonesome Song CD kicks off with this harrowing—and completely gripping—tale of substance abuse. It ends in prison. When was the last time country music was this gritty and real? I applaud the courage and authenticity of this.

JOSH DAVIS BAND/House In The Hills
Writer: Josh Davis; Producer: Mike Musgove & Josh Davis; Publisher: none listed, BMI; Joshua655 (817-944-8785)
—Muddy and cluttered sounding.

CHRIS YOUNG/Gettin’ You Home
Writer: Chris Young/Cory Batten/Kent Blazy; Producer: James Stroud; Publisher: Runnin’ Behind/EMI April/I Want to Hold Your Songs/Words & Music, ASCAP/BMI; RCA
—I still think this guy is a star waiting to happen. This sexy little seduction number is just the thing to raise him up. It has a cool, rolling groove, and his burnished baritone vocal dips and slides on all the right notes.

MIKE ADKINS/Easy The Hard Way
Writer: Jamie Richards/Biff Watson; Producer: Greg White & Jamie Richards; Publisher: Mike Curb, BMI; MAB (www.mikeadkinsband.com)
—It has a nice “outlaw” sound, some dandy guitar work, a punchy rhythm track, a solid ccountry-boy vocal and a nicely penned, dues-paying lyric. I’m in.

AARON TIPPIN/Drivin’ Fool
Writer: Aaron Tippin/Terry Brown; Producer: Aaron Tippin & Tim Grogan; Publisher: Sony ATV Acuff-Rose/TCT Rose/Terry Brown, BMI; Nippit (track) (www.aarontippin.com)
—Aaron is going all retro with a collection of classic trucker songs like “Six Days on the Road,” “East Bound and Down,” “Truck Drivin’ Man,” “Prisoner of the Highway” and “Drivin’ My Life Away.” He provides one new original to the genre, and it’s a dandy, a rhythm-happy prayer for truckers everywhere. The CD is called In Overdrive, and it’s a keeper.

KATIE ARMIGER/Trail Of Lies
Writer: Katie Armiger/Lisa McCallum/Quinn Loggins; Producer: Paul Compton; Publisher: Lily Road/Castle Street/Large Opportunity/Jaden Lane, BMI/ASCAP; Cold River (www.katiearmiger.com)
—This boasts a lickety-split tempo and a very well-written cheatin’ lyric. As usual, her delivery is spunky and confident.

ERIC  CHURCH/Love Your Love The Most
Writer: Eric Church/Michael P. Heeney; Producer: Jay Joyce; Publisher: Sony ATV Tree/Sony ATV Acuff-Rose, BMI; Capitol Nashville
—I can’t wait for the rest of you to hear Eric’s Carolina CD when it appears in March. It is simply the coolest sounding country record of the year to date. This glowing, warm, brilliantly-produced and refreshing single is a fine introduction to this man’s distinctive style. Spin it a zillion times.

COLIN RAYE/Mid-Life Chrysler
Writer: Neal Thrasher/Wendell Mobley/Tony Martin; Producer: Collin Raye; Publisher: Major Bob/Crosstown/Warner/Sony, ASCAP; Saguaro (CDX) (www.collinraye.com)
—His tenor vocal cuts like a hot knife through butter. The startling, original and different lyric is supported by a bopping, pop-inflected production awash in electric guitar work and stacked, soft, wafting harmony vocals.

BOMSHEL/Fight Like A Girl
Writer: Kelley Shepard/Kristy Osmunson/Bob Regan; Producer: Chuck Howard; Publisher: Getting Grown/KupKake/Osmunson/Green Hills/Big Loud Bucks/Travelers Ridge/Regan, BMI/ASCAP; Curb
—It’s a stately-sounding, empowering-female ballad with plenty of audio oomph and a terrific lead vocal performance. Recommended without reservation.

DISClaimer

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Christien Sawyer

Christien Sawyer

Doff your caps to the ladies, gentlemen.

This week, the fairer sex rules the listening session. Carrie Underwood has a splendid outing with the Randy Travis goldie “I Told You So.” Newcomer Christen Sawyer is our DisCovery Award winner.

And the Disc of the Day is by a group that actually has “Lady” in its name. Hillary Scott swaps vocals with Charles Kelley on “I Run to You,” and the result is an undeniable single by Lady Antebellum.

The other news of this column is the quality of the songwriting talent we encounter. From Archie Jordan and Hal David’s lovely classic “Santa Barbara” to the fine craftsmanship in “Red Light” (not to mention “I Run to You,” “I Told You So” and “Walkaway Joe”) and including a new collection by the masterful Thom Schuyler, today is a showcase of Music Row composing excellence.

MEGAN MUNROE/Moonshine
Writer: Megan Munroe/Brian Oaks; Producer: Doug Deforest; Publisher: Triple-Sixty/Forever Lush, ASCAP; Diamond (track) (www.meganmunroe.com)
—The production is big and thumping. Her voice isn’t.

LADY ANTEBELLUM/I Run To You
Writer: Dave Haywood/Charles Kelley/Hillary Scott/Tom Douglas; Producer: Victoria Shaw/Paul Worley; Publisher: Warner-Tamerlane/DWHaywood/RADIOBULLETPUBLISHING/Shaw Enuff/MLultiSongs/Sony-ATV/Tomdouglasmusic, BMI/SESAC; Capitol Nashville
—Very nicely done. The vocal harmony work is flawless. The production is delicious. The song has more hooks than a tuna boat. If this isn’t a Number-One hit, there is something seriously wrong with our format.

VINCE HATFIELD/Santa Barbara
Writer: Archie Jordan/Hal David; Producer: Vince Hatfield; Publisher: Universal Polygram International/Casa David, ASCAP; Blue Moon (www.vincehatfield.com)
—This lovely 1978 Ronnie Milsap tune gets dusted off for a reprise. But this guy is no Milsap vocally, and the sluggish pace does him no favors.

DAVID NAIL/Red Light
Writer: Jonathan Singleton/Melissa Peirace/Dennis Matkosky; Producer: Frank Liddell/Mike Wrucke; Publisher: Crosstown Uptown/Kobalt/Crosstown Downtown/Karles, ASCAP/BMI; MCA Nashville
—It’s an ordinary day. They’re stopped at a red light, and she tells him it’s over. I like the structure of the song, and his singing is wonderfully piercing. Sign me up for the fan club. Co-writer Singleton, by the way, now has a Universal South recording contract of his own.

CHRISTEN SAWYER/Crazy
Writer: none listed; Producer: Mark Oliverius; Publisher: none listed; Rapid Rise (track) (www.christensawyer.com)
—This is not the Willie Nelson/Patsy Cline “Crazy.” It is a feisty little bopper with some sting in its sound. She sings with plenty of oomph, and a sizzling, searing electric guitar echoes her at every turn. This is one hot disc.

MONTGOMERY GENTRY/One In Every Crowd
Writer: Eddie Montgomery/Ira Dean/Kim Tribble; Producer: Blake Chancey; Publisher: Plowin Ground/Copyright Controlled/Music of rpm/Category 5, BMI/ASCAP; Columbia (track)
—This is a stomping ode to the big ol’ “party boy” inside ya. Rousing and fun. Complete with crowd noise.

JUSTIN MOORE/Small Town USA
Writer: Brian Dean Maher/Jeremy Stover/Justin Moore; Producer: Jeremy Stover; Publisher: West Moraine/Welk/Lichelle/WB/Universal-Z Songs/West Bay St/2820/Watwedoiz, ASCAP/BMI; Valory Music
—We’ve essentially heard this song a zillion times before. It’s the one about how great it is to be on a dirt road with your baby on Saturday night with a brew and some sounds, and then go to church on Sunday morning, and how great it is to live a simple country life. Yaddadda, yaddadda, yaddadda.

CARRIE UNDERWOOD/I Told You So
Writer: Randy Travis; Producer: Mark Bright; Publisher: Sometimes You Win, ASCAP; Arista/19 (track)
—I have always loved this song. Randy had a massive hit with it in 1988. Carrie’s remake is a silver arrow of emotional truth. Soft, subtle harmony work from Vince Gill is the icing on this yummy track.

VINCE MELAMED/Walkaway Joe
Writer: Vince Melamed/Greg Barnhill; Producer: Jim Tract; Publisher: Songs of Universal/Warner-Tamerlane/WB, BMI/ASCAP; Adroit (track) (www.adroitrecords.com)
—This comes from a compilation called Words & Music Nashville. Melamed’s own rendition of this Trisha Yearwood hit he cowrote is loaded with sincerity and purpose. The other writers on the disc include Ray Sisk, Brendan McKinney, Lucas Hoge, Craig Monday, Mason Douglas, Cheley Tackett, Lisa Carver, Joshua Rush and Karleen Watt. Recommended.

THOM SCHUYLER/Prayer Of A Desperate Man
Writer: Thom Schuyler; Producer: none listed; Publisher: Rondor/September Second,; TJS (track)
—It has been far too long since we’ve had a new record from this former Capitol and MTM recording artist. The title tune to Thom’s self-penned collection is a tender, heart-tugging ballad that showcases one of Music City’s true songwriter treasures. For romance, listen to “When She Danced with Me.” For humor, turn on “Who Needs a Hummer?” or “Too Drunk.” For a meditation on mortality, check out “Starting to Go.” This man is such a gem.

DISClaimer—Happy New Year

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We’re starting things off just right here at DisClaimer. I am happy to report that The Bellamy Brothers, Tim McGraw, Darren Kozelsky and Trent Tomlinson are all ringing in the new year with excellent 2009 singles.

Let’s face it, 2008 was no banner year for country sales. I’m suggesting that we start looking off the beaten path for success stories. Thus, Rounder’s Grammy-nominated The SteelDrivers have the first Disc of the Day award for the new year.

And it’s always healthy when we have a DisCovery Award winner as potent as Bluefield. This duo is very promising indeed.

Here’s to a happy and prosperous new beginning for us all.

BLUEFIELD/Ready To Love You Now
Writer: Rick Ferrell; Producer: Rick Ferrell & Herbert Graham; Publisher: Warner-Tamerlane/Rick Ferrell/Rockin’ Rodeo, BMI; Country Thunder (615-327-2788)
 —Bluefield is a duo consisting of songwriter Rick Ferrell (Martina’s ”Where Would You Be,” Tim’s “Something Like That”) and former Nashville Star competitor Jennifer Hicks. The debut single is enchanting, featuring her plaintive lead and his hearty harmony on a mid-tempo production with plenty of wooshing atmosphere and heartbeat rhythm. I think I’m in love.

STEVE HOLY/Might Have Been
Writer: Doug Johnson/Pat Bunch; Producer: Phil Gernhard & Lee Miller; Publisher: Mike Curb/Sweet Radical/Pat Price/Songs of Mighty Isis/Kobalt, BMI; Curb
—Co-produced by the late Phil Gernhard, Steve Holy returns to the fray with a tender ballad about the saving grace of love. Touching.

TODD FRITSCH/Texas Talkin’
Writer: John Ramey/Tony Colton; Producer: Butch Baker; Publisher: Sixteen Stars/Dixie Stars/Horipro, BMI/ASCAP; Diamond Music Group (www.toddfritsch.com)
 —Well written. He’s a polite, gentleman cowboy because that’s the way he was raised. Todd’s performance is on the money, but the pace feels like it’s plodding a bit. Goose the tempo.

TIM McGRAW/Nothin’ To Die For
Writer: Craig Wiseman/Lee Thomas Miller; Producer: Byron Gallimore, Tim McGraw & Darran Smith; Publisher: Big Loud Shirt/Big Loud Bucks/EMI Blackwood/New Songs of Sea Gayle/Noah’s Little Boat, ASCAP/BMI; Curb
—The mighty Tim knocks another one out of the ballpark. In the midst of a chiming production, he delivers a morality tale of a man who heedlessly risks his life. I got completely swept up in its audio excellence.

JONALEE WHITE/Wake Me
Writer: Pauken/Harris/White; Producer: Jeff Tweel; Publisher: none listed; Lick (www.jonaleewhite.com)
 —It’s a snappy bopper that she delivers with panache. But the overall sound is thin and malnourished.

CHUCK WICKS/Man Of The House
Writer: Chuck Wicks/Michael Mobley; Producer: Dann Huff & Monty Powell; Publisher: Universal-MGB/CEW/Castle Street, ASCAP; RCA
—The little 10-year-old shoulders household responsibilities because his dad’s away at war, and he’s now the “Man of the House.” Great storytelling has always been what country music does best.

THE STEELDRIVERS/Blue Side Of The Mountain
Writer: Mike Henderson/Chris Stapleton; Producer: Luke Wooten & The SteelDrivers; Publisher: EMI April/Sea Gayle/Iriving/Chicken Shack, ASCAP/BMI; Rounder (track) (www.steeldrivers.com)
 —Hey country radio, why don’t you try playing something that people will actually want to run out and buy? This slab of raw soul singing meeting for-real country acoustic instrumental work is like discovering a banquet when you’ve been eating Jello for years. Thrilling is the only word that will do. This track is also well-deservedly nominated for a mainstream country Grammy Award. Play it now!

TRENT TOMLINSON/That’s How It Still Oughta Be
Writer: Trent Tomlinson/Jim Collins/Tom Shapiro; Producer: Leigh Reynolds & Trent Tomlinson; Publisher: Hope-N-Cal/Trent Tomlinson/Sexy Tractor/Big Loud Bucks/EMI Blackwood/Little Dooey/Cal IV, BMI; Carolwood
—Back in the day, when kids got into fights, there weren’t any guns or knives involved. Dinner was eaten as a family without TV. Jobs weren’t sent overseas. Preachers and teachers were trusted role models. This song yearns for all kinds of perceived bygone values. I know, I know. On paper, it sounds ridiculously corny. But the writing is so sturdy, and Trent’s delivery is so sincere, that it all works.

DARREN KOZELSKY/Good Day To Get Gone
Writer: Jason Blaine/Willie Mack/Noah A. Gordon; Producer: none listed; Publisher: Anchor Down/Red Cape/Ole/New Millennium/NMM Tunes, SOCAN/BMI/ASCAP; 9 North/Spinville (www.darrenkozelsky.com)
 —This Texas roadhouse regular has a “driving” tune that makes you want to hit the open road and throw caution to the wind. It may be winter outside, but this sounds just like summer sunshine. Turn it up and sing along. Somebody get the name of that producer, ‘cause he’s got a little Springsteen in his blood. An absolute winner.

THE BELLAMY BROTHERS/Lord Help Me Be The Kind Of Person (My Dog Thinks I Am)
Writer: David Bellamy; Producer: none listed; Publisher: none listed; Curb/Spinville/Bellamy Brothers (www.bellamybrothers.com)
 —This lopes rhythmically along with the steel guitar answering the vocal lines brilliantly. As is usual with the Bellamys, the whole thing is wildly catchy.