Beegie Adair, a keystone of the Nashville jazz community, passed away on Sunday (Jan. 23) at age 84.

The pianist and vocalist was equally at home in a variety of musical settings. She recorded more than 35 albums, played on sessions for country and pop stars, composed ad jingles, headlined at Carnegie Hall and was a jazz educator.

Bobbe “Beegie” Long was raised in Cave City, Kentucky. After earning a music degree at Western Kentucky University in Bowling Green, she worked as a piano teacher. Migrating to Nashville, she landed a gig with the Hank Garland Quartet. She then spent a decade in the house band at WSMV-TV’s The Waking Crew and Afternoon Show.

This led to her becoming an in-demand session musician, playing on recordings or broadcasts by Dolly Parton, Chet Atkins, Vince Gill, Henry Mancini, Delbert McClinton, Dinah Shore, Ronnie Milsap, Ray Stevens, Boots Randolph, Peggy Lee, Hank Snow, Perry Como, Eddy Arnold, Jerry Reed J.J. Cale, Connie Francis, Mandy Barnett, Waylon Jennings, Neil Diamond and more.

She was in the bands of the TV programs The Johnny Cash Show and The Ralph Emery Show. Beegie Adair also performed on the soundtracks of such films as Clint Eastwood’s Every Which Way But Loose (1978), Burt Reynolds’ Smokey and the Bandit (1977) and Kevin Costner’s Perfect World (1993).

In the early 1970s, she performed in a 10-piece rock band called Sweet Thunder. This is where she met multi-instrumentalist Billy Adair (1947-2014), whom she married in 1975.

She and Billy formed a successful ad-jingle company. Among their clients were Purity Dairies, HCA, Allstate, United Airlines, Hamburger Helper, McDonald’s and Wrangler. A former touring musician, Billy Adair became the backbone of the jazz program at Vanderbilt’s Blair School of Music.

In 1982, Beegie Adair formed the Adair-Solee Quartet with saxophonist Denis Solee. This evolved into the Be-Bop Co-Op, a jazz sextet. She has also performed in The Nashville Jazz Machine, Orchestra Twelve, The Andrew Goodrich Quintet and The Jazz Corporation.

She is best known for her Beegie Adair Trio, which showcased her keyboard virtuosity backed by bass and percussion. The group debuted on disc with 1991’s Escape to New York with Bob Crenshaw (bass) and Greg Hutchinson (drums) as her partners.

The trio eventually solidified with Roger Spencer (bass) and Chris Brown (drums) as her rhythm section. Among the many recordings by this lineup of the Beggie Adair Trio were The Nat King Cole Collection (1998), Jazz Piano Christmas (1999), Dream Dancing: Songs of Cole Porter (2000), Love, Elvis (2000), Jazz on Broadway (2005), Sentimental Journey (2006) and Too Marvelous for Words (2015). The trio’s Frank Sinatra Collection won the 1998 Nashville Music Award as Jazz Album of the Year.

Her most ambitious work was the six-CD, boxed-set collection Centennial Composers. Released in 2002 on Nashville’s Green Hill label, its 75 songs were drawn from the catalogs of Great American Songbook composers George Gershwin, Richard Rodgers, Duke Ellington, Hoagy Carmichael, Jerome Kern and Irving Berlin.

Adair also hosted her own radio series, Improvised Thoughts. This was an NPR talk/music show of the early 1990s where she chatted and shared music with Tony Bennett, Marian McPartland, Joe Williams, Nancy Wilson, Helen Merrill and others.

In 2002 Beegie Adair was honored by being named a Steinway Artist. This put her in the company of Harry Connick Jr., Billy Joel, Diana Krall, Sergei Rachmaninoff, Michel Legrand and Arthur Rubinstein. Her solo concerts at Steinway & Sons galleries throughout the U.S. attracted sell-out crowds.

Beginning in 2011, she began making annual appearances at the legendary Birdland Jazz Club in New York City. Adair also showcased at other Manhattan jazz venues, often with vocalist Monica Ramey. During this time, several of Adair’s albums became best sellers on the national jazz-music charts. She was also a top seller in Japan.

On Oct. 7, 2016, The Beegie Adair Trio sold out Carnegie Hall. This was a first for a Nashville jazz act. She repeated the feat in 2017, and returned to the hallowed Hall for several years thereafter.

Adair was an adjunct professor of jazz at Vanderbilt. She taught vocal jazz at the Nashville Jazz Workshop for several years. The Trio had a residency there, and she was a board member emeritus.

Beegie Adair died at her home in Franklin. Her burial will be at Williamson Memorial Gardens. Contributions in her name can be made to The Nashville Jazz Workshop, to the Billy Adair Scholarship Fund at Vanderbilt (giving.vanderbilt.edu), to the Williamson County Animal Center or to the St. Joseph Indian School.

A Celebration of Life will be conduced at a later date.

Nashville Songwriters Hall of Fame member Dallas Frazier has passed away at age 82.

Regarded as one of the greatest country songwriters in history, Frazier’s classics include “There Goes My Everything,” “Beneath Still Waters,” “Elvira,” “Fourteen Carat Mind” and “All I Have to Offer You Is Me.” His songs helped make stars of Connie Smith and Charley Pride. More than a dozen members of the Country Music Hall of Fame recorded Frazier’s works. He was also a much admired recording artist.

He was born in Spiro, Oklahoma in 1939, but was raised in Bakersfield, California. Frazier recalled his early years as being characterized by labor camps and cotton fields. The boy was highly musical, teaching himself to play guitar, piano and other instruments. He was writing songs by age 12. That is when he was discovered by Ferlin Husky at a singing contest.

Frazier joined Husky’s road show as a juvenile attraction. This led to a 1954 recording contract with Husky’s label, Capitol Records. The youngster became a 1954-58 regular on the Los Angeles TV show Hometown Jamboree, where he was frequently paired with fellow teen performer Molly Bee. Frazier also worked regularly on Cousin Herb Henderson’s Trading Post TV series in Bakersfield. These gigs put the teenager in the company of Tommy Collins, Jean Shepard, Buck Owens, Wynn Stewart and the rest of the country entertainers who would form the bedrock of Bakersfield’s country community.

Dallas Frazier met and married his wife Sharon in 1958. They remained together throughout his subsequent triumphs and trials.

His youthful Capitol singles didn’t take off, but his songwriting did. Frazier’s pop novelty ditty “Alley Oop” became a No. 1 hit for The Hollywood Argyles in 1960. The group was a recording-studio concoction of Gary S. Paxton, Buddy Mize, Scotty Turner and others. Frazier briefly performed as a member of the touring Hollywood Argyles. “Alley Oop” was so popular that it was released in a competing version by Dante & The Evergreens which became a top-20 pop hit. An R&B outfit called The Dyna-Sores also charted with the tune in 1960.

Dallas and Sharon Frazier moved to Nashville in 1963. Husky again took the songwriter under his wing, signing him to his publishing company and recording “Timber I’m Falling” as Frazier’s first country hit in 1964.

The songwriter next signed with Acclaim Music, Jim Reeves’ song-publishing company. It was run by the singer’s former Blue Boys band member Ray Baker, who took Frazier’s “Mohair Sam” to Charlie Rich in 1965.

It became a pop hit. Frazier followed Baker to the latter’s Blue Crest Music, and this is where his long run of country songwriting successes ensued.

As a singer, Dallas Frazier re-signed with Capitol Records. He recorded two excellent, R&B flavored albums for the label, Elvira (1966) and Tell It Like It Is (1967). The title tune of the former appeared briefly on the pop charts in 1966, as did “Just a Little Bit of You.” The Capitol singles “Everybody Oughta Sing a Song,” “The Sunshine of My World” and “I Hope I Like Mexico Blues” were mid-sized country chart entries in 1968. Frazier also co-wrote and recorded 1969’s “The Conspiracy of Homer Jones” as a parody of “Ode to Billie Jo” and “Harper Valley P.T.A.”

Meanwhile, his songs scored big on the country charts for others. “Baby Ain’t That Fine” became a 1966 hit duet for Gene Pitney & Melba Montgomery. Jack Greene recorded Frazier’s “There Goes My Everything” in 1966. It remained at No. 1 for seven weeks and was named the CMA Song of the Year. The song received a second boost in popularity when Elvis Presley hit with it again five years later.

Also in 1966, Connie Smith hit with Frazier’s “Ain’t Had No Lovin’” and George Jones scored with “I’m a People.” Both artists showed their appreciation and admiration by recording entire albums of Dallas Frazier songs, Jones in 1968 and Smith in 1972.

George Jones returned to the songwriter’s catalog with 1967’s “If My Heart Had Windows, which Frazier wrote for his wife Sharon, plus “I Can’t Get There From Here” (1967), “Say It’s Not You” (1968), “Beneath Still Waters” (1968) and “Tell Me My Lying Eyes Are Wrong” (1970). Connie Smith encored with Frazier’s “Run Away Little Tears” (1968), “Where Is My Castle” (1971), “I’m Sorry If My Love Got in Your Way” (1971), “Just for What I Am” (1972), “If It Ain’t Love (Let’s Leave It Alone)” (1972), “Dream Painter” (1973) and “Ain’t Love a Good Thing” (1973). Smith has recorded 68 Dallas Frazier songs, more than anyone

Frazier’s songs also aided the ascent of Charley Pride. “All I Have to Offer You Is Me” (1969), “I’m So Afraid of Losing You Again” (1969), “I Can’t Believe That You’ve Stopped Loving Me” (1970) and “Then Who Am I” (1974) all became No. 1 hits for the singer.

Jack Greene resumed recording Frazier songs with “Back in the Arms of Love” (1969),“Until My Dreams Come True” (1969) and “Lord Is That Me” (1970). Brenda Lee’s transition from pop stardom to country hit maker was aided by Frazier’s “Johnny One Time” (1969) and “If This Is Our Last Time” (1971).

The songwriter’s string of country successes also continued with Charlie Louvin’s “Will You Visit Me on Sundays” (1968), Jerry Lee Lewis’s “Touching Home” (1971), Ferlin Husky’s “White Fences and Evergreen Trees” (1968), Elvis Presley’s “Where Did They Go Lord” (1971), Nat Stuckey’s “She Wakes Me With a Kiss Every Morning” (1971), Johnny Russell’s “The Baptism of Jesse Taylor” (1974), Roy Head’s “The Door I Used to Close” (1976), Moe Bandy’s “Does Anyone Make Love at Home Anymore” (1976), Tanya Tucker’s “What’s Your Mama’s Name” (1973) and Stoney Edwards’ “Hank and Lefty Raised My Country Soul” (1974). He also scored a pop success as the writer of O.C. Smith’s 1968 hit “The Son of Hickory Hollow’s Tramp.”

Dallas Frazier returned to record making with a pair of country albums for RCA, 1970’s Singing My Songs and 1971’s My Baby Packed Up My Mind and Left Me. Both were co-produced by Chet Atkins. In 1969-72, Dallas Frazier made the country charts with such RCA singles as “California Cotton Fields,” “The Birthmark Henry Thompson Talks About,” “Big Mable Murphy” and “North Carolina.”

It is a measure of how gifted and prolific he was that Dallas Frazier was inducted into the Nashville Songwriters Hall of Fame in 1976 when he was only 36 years old.

In the late 1970s, Johnny Russell revived “The Son of Hickory Hollow’s Tramp” and Rodney Crowell brought back “Elvira.” These revivals of Dallas Frazier classics continued in the 1980s with Emmylou Harris singing “Beneath Still Waters” (1980), The Whites doing a harmony treatment of “If It Ain’t Love (Let’s Leave It Alone)” (1985) and Patty Loveless scoring a hit with “If My Heart Had Windows” (1988).

Biggest of all was The Oak Ridge Boys revival of “Elvira” in 1981. It crossed over to the pop charts, earned a Platinum Record, won a Grammy Award, was the CMA Single of the Year and became the group’s signature song. Also in 1981, Gene Watson hit No. 1 on the country hit parade with Dallas Frazier’s “Fourteen Carat Mind.”

Among the hundreds who recorded his songs were Willie Nelson, Merle Haggard, Dottie West, Bobby Bare, Ernest Tubb, Hank Williams Jr., Vince Gill, Tammy Wynette, Loretta Lynn, Ricky Skaggs, Don Gibson, Bill Anderson, Conway Twitty, Kitty Wells, Glen Campbell, Peggy Lee, Englebert Humperdinck, Tom Jones, Keith Richards, Kenny Rogers, Ray Price, Patti Page, Anne Murray, Hank Snow, Webb Pierce, Eddy Arnold, Percy Sledge, Nick Lowe, Manfred Mann, Quincy Jones, Bobby Rydell, Mickey Gilley, The Statler Brothers, Slim Harpo, The Beach Boys and Sonny James.

“There Goes My Everything,” “All I Have to Offer You Is Me” and “Elvira” all earned Frazier Grammy nominations for Country Song of the Year.

Noted for his gentle nature and generosity, Frazier was notable as the mentor of fellow Nashville Songwriters Hall of Fame inductee A.L. “Doodle” Owens. His other collaborators included fellow Hall of Famers Whitey Shafer and Earl “Peanut” Montgomery.

Dallas Frazier became a heavy drinker. In the 1980s, he resolved to get his life back on track. He enrolled in Emmanuel Bible College in 1985-89. He quit the music business in 1988 to become a non-denominational minister, channeling his creative energies to write weekly sermons instead of songs.

Throughout the 1990s, he declined almost all overtures to rejoin the Nashville music community. One exception was when he agreed to take part in the Recording Academy’s 1999 documentary Nashville Songwriter, which inaugurated the organization’s oral history program.

About five years later, he began feeling the urge to write again. Sharon Frazier persuaded her husband to appear at a Songwriter Session at the Country Music Hall of Fame in 2006. This inspired the museum to launch its “Poets & Prophets” series the following spring.

Frazier stepped down at his church and began writing songs again in 2007. He returned to the Hall of Fame to take part in its multi-media “Poets & Prophets” series in 2010. Two years later, he marketed a new album, Dallas Frazier: Writing and Singing Again.

Director Scott McDaniel created Elvira: The True Story of Dallas Frazier, and the documentary debuted at the Franklin Theater in 2020. The movie continues to screen at film festivals.

The family announced Dallas Frazier’s death on Facebook on Friday, Jan. 14. He passed following several months of declining health. Since last August, he had suffered two strokes.

Frazier is survived by his wife of 63 years, Sharon Carpani Frazier; daughters, Robin Proetta, Melody Morris and Alison Thompson; four grandchildren; one great-grandson; and a sister, Judy Shults.

The funeral service will be 11:00 a.m. Thursday, Jan. 20 at the chapel of Alexander Funeral Home & Cremation Center, 584 Nashville Pike, Gallatin, TN. Visitation will be Wednesday, Jan. 19 from 4:00-8:00 p.m. and Thursday, Jan. 20 from 10:00 a.m. until time of service. Online condolences may be submitted at alexandergallatin.com. Frazier requested that donations be made to the Nashville Rescue Mission in lieu of flowers.