CRS Unveils Its New Faces Of 2023 Lineup

Country Radio Broadcasters (CRB) has unveiled the artists to be featured at the CRS 2023 New Faces of Country Music Show. The sold out show, taking place March 15 at Omni Nashville Hotel, will include performances by Priscilla Block, Jackson Dean, Frank Ray, Jelly Roll and Nate Smith.

“The radio and streaming partner constituencies of CRS have spoken and, word is, the future of country music is bright,” says CRB New Faces Committee Chairman Chuck Aly. “This year’s New Faces class comprises artists with admirable creative depth and burgeoning commercial impact. Translation: Don’t miss it!”

Formed in 1970, the annual New Faces of Country Music Show showcases five emerging artists who have achieved significant success at country radio during the qualification period. A complete list of past New Faces performers can be found here.

CRS 2023 will feature educational panels, virtual networking, and workshops designed to provide instant, actionable takeaways. Country Radio Seminar will take place Monday, March 13 – Wednesday, March 15 at the Omni Nashville Hotel. Registration for CRS 2023 is open now.

Cassadee Pope Moves Away From Country Genre, Exits Fusion Music

Cassadee Pope. Photo: John Shearer

Singer-songwriter Cassadee Pope is shifting from the country music genre back into the pop-rock scene.

The genre change will be a homecoming for Pope, who got her start in the pop-punk band Hey Monday. The group had success with singles “Homecoming” and “How You Love Me Now” before Pope ventured out on her own in 2012.

She competed on season three of The Voice, becoming its first female winner. As a member of Voice coach Blake Shelton‘s team, the Florida native sang many country songs throughout the competition. Pope released her debut country album Frame by Frame in 2013 via Republic Nashville, and had a hit with “Wasting All These Tears.”

Pope went on to release another country album and tour with artists such as Maren Morris and Tim McGraw, among other accomplishments. She had another hit alongside Chris Young for their 2015 duet “Think Of You.”

For her 2021 album Thrive, Pope combined her pop-punk roots and country sensibilities. According to an interview with People, Pope’s collaboration with Levi Hummon for his new song “RSVP” serves as a “bridge for [her] between what [she] did before and where [she’s] headed with [her] next solo project.”

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The genre-shift also means that Pope is no longer on the roster of Nashville-based management firm Fusion Music, who represents Martina McBride, Riley Green, Lily Rose, and more.

Capitol Records Nashville’s Bobby Young Announces Retirement

Bobby Young

Capitol Records Nashville VP of Promotion, Bobby Young, has announced his retirement. His last day will be Dec. 16.

Young joined Capitol Records Nashville in 2011 as southeast regional before being elevated to VP in 2016. During his tenure, he and the Capitol team successfully landed 76 No. 1s, which spent 101 weeks in the top spot, as well as garnered 98 top 10 songs. Young helped bolster the careers of artists such as Dierks Bentley, Luke Bryan, Jon Pardi, Darius Rucker, Carrie Underwood, Keith Urban, Little Big Town, and many more.

The industry veteran also lead the Capitol promotion team to accolades including Country Aircheck’s Platinum Label of the Year and continued the streak of 13 years as Country Aircheck’s Label of the Year. The company has also been named Billboard’s Top Country Airplay Label since the trade’s inception of the honor in 2017, recently earning the sixth straight in 2022.

Capitol Records Nashville has also been named MusicRow‘s CountryBreakout Label of the Year 18 times—17 of which were consecutive.

Young’s career spans four decades and includes time at Republic Nashville, Big Machine Records, Jeff McClusky & Associates and Mercury Records Nashville, as well as his own indie promotion companies: Bobby Young Promotions; The Promotion Group; Young, Massey, and Hunter; and Young-Olsen and Associates.

Over the years, he has promoted some of country music’s most prominent talent, including Lynn Anderson, Garth Brooks, Johnny Cash, Kenny Chesney, Billy Ray Cyrus, John Fogerty, Mickey Gilley, Sammy Kershaw, Toby Keith, Kris Kristofferson, Kathy Mattea, Tim McGraw, John Mellencamp, Ronnie Milsap, Brad Paisley, Johnny Paycheck, Lionel Richie, Kenny Rogers, George Strait, Taylor Swift, Randy Travis, Shania Twain, Conway Twitty, Hank Williams Jr., Brooks & Dunn, The Judds, The Kentucky Headhunters, The Marshall Tucker Band, Nitty Gritty Dirt Band, The Statler Brothers, and more.

“I’ve been fortunate to have worked for and alongside so many of Nashville’s music industry legends,” Young recalls. “I’d like to thank legends Mike Dungan and Royce Risser for believing in me and for trusting me the last seven years to lead this kick ass promotion team. Working alongside Royce, David Friedman, Donna Hughes, Nick Kaper, Louie Newman, and Chris Schuler has been a perfect storm and the pinnacle of my career, and I’m so proud to have represented the biggest names in the format during my stint at Capitol.” He continues, “I’d like to thank everyone at UMG and especially the Capitol promotion team—Megan Youngblood, Mara Sidweber, Ashley Knight, Annie Sandor, Katie Bright, and Megan Kleinschmidt, all rockstars! I’d also like to extend my appreciation to my many friends over the years in country radio.”

“We are going to miss Bobby around here,” adds EVP Promotion Royce Risser. “I have had the honor of working with him since the UMG/EMI merger and during that time, learned his long and storied history in radio promotion. The artists and executives he has worked for and alongside are legendary and his impact on their careers is simply not calculable. He is absolutely loved by his coworkers and to me, that is the greatest testament to his character. We are excited for him and his family to enjoy some much deserved rest and relaxation. But we will truly miss his presence around UMG. Hopefully, he will come visit us or take us to lunch at Brown’s Diner.”

Kane Brown Earns Third MusicRow No. 1 Of 2022

Kane Brown tops the MusicRow CountryBreakout Radio Chart this week with “Thank God.” This is Brown’s third MusicRow No. 1 of 2022 following his two-week No. 1 “One Mississippi” and three-week No. 1 “Like I Love Country Music.”

“Thanks God” was written by Josh Hoge, Jaxson Free, Kyle Fishman, Christian Davis, and Jared Mullins and features Brown’s wife, Katelyn Brown. It appears on Brown’s third studio album Different Man.

In October, Brown was honored with the Boys & Girls Clubs of America’s 2022 Champion of Youth Award. The Champion of Youth Award is bestowed to individuals for exhibiting above and beyond service to Boys & Girls Clubs.

Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

DISClaimer Single Reviews: Trace Adkins & Melissa Etheridge Deliver An ‘Awesome Audio Outing’

It may be winter outside, but I’m warm and cozy with a excellent stack of new country sounds.

Leading the hit parade is the thrilling teaming of Trace Adkins and Melissa Etheridge. They are a bonfire in their first duet performance, an unchallenged Disc of the Day.

Also turning in quality work are Brett Young, Jenny Tolman, Jimmie Allen (with Cheat Codes), Helene Cronin and Benjy Davis (with Ashley McBryde). Speaking of Benjy Davis, the presence of the Louisiana stylist along with fellow column newcomers Mike Ryan and Emily Nenni gives us a healthy crop from which to choose a DISCovery Award. I’m giving Benjy the nod.

ASHLEY McBRYDE & BENJY DAVIS / “Gospel Night at the Strip Club”
Writers: Ashley McBryde/Brandy Clark/Banjy Davis/Connie Harrington/Nicolette Hayford/Aaron Raitiere; Producer: John Osborne; Label: Warner
–Despite the billing, this is Benjy’s gritty performance all the way. The Louisiana jazzbo’s downbeat rasp and the stark acoustic production form the perfect audio frame for this extraordinary lyric of redemption for all. I don’t care who’s singing it, this is a brilliant song.

SHANE PROFITT / “Country Boys”
Writers: Shane Profitt/Blake Bollinger/Nate Kenyon; Producer: Julian Raymond; Label: Big Machine
–“How It Oughta Be” remains the single, but this rouser is bound to please redneck listeners. The lyric trots out every bro’ country cliche in the book–beer, bonfire, hunting, fishing, snuff, pickup truck, grain alcohol, blue jeans, guns, tractor, pasture/holler countryside, yadda, yadda, yadda.

JENNY TOLMAN / “It’s a Boy”
Writers: Jenny Tolman/Corey Wagar; Producer: Dave Brainard; Label: JT
–Longtime DISClaimer favorite Tolman is due to deliver her first child on Christmas Eve. This lilting, melodic and utterly lovely song celebrates the upcoming event with joy and sweet sentiment. Also, she sings her face off. Play this.

BRETT YOUNG / “You Ain’t Here to Kiss Me”
Writers: Brett Young/Matthew James Alderman/Tiffany Lane Goss; Producer: Dann Huff; Label: BMLG
–His lovelorn vocal is bolstered at every turn by a churning, chiming production. It’s New Year’s Eve and he’s drinking alone in a window seat on an airliner. This one’s definitely a keeper.

CHEAT CODES & JIMMIE ALLEN / “Lose You”
Writers: Nick Bailey/Levon Grey/Eric Aukstikalnis/Josh Hoge/Karolis Labanauskas/Kyle Fishman/Trevor Dahl; Producers: Nick Bailey/Trevor Dahl/Kyle Fishman/Leondis/Embody/Aukoustics; Label: CC
–The pop trio has an album of all-country collaborations due next month. Among Cheat Codes’ many guests on their One Night in Nashville album will be Russell Dickerson, Lee Brice, LBT, Dolly, Brett Young and Lady A. This advance track is quite promising. The electro boys wisely stay out of Jimmie’s way, letting his assured vocal lead the way.

TRACE ADKINS & MELISSA ETHERIDGE / “Love Walks Through the Rain”
Writers: Marla Cannon-Goodman/Kelly Archer/Mickey Jack Cones; Producer: Mickey Jack Cones/Derek George; Label: Verge
–This is electrifying. The stormy, dramatic power ballad is sung to the utmost by these two charisma factories. Trace’s background in gospel shines through in his vocal harmony work, and Melissa matches him lick for lick. When they take turns burning down the barn on their verses, shivers go through the body. An awesome audio outing.

HELENE CRONIN & MATT KING / “Landmarks”
Writers: Ava Paige Davis/Helene Cronin; Producer: Matt King; Label: HKC
–Her folkie alto is intimate and expressive on this ballad about finding your way home. King shadows her in phrase-perfect vocal harmony. An eloquent song, eloquently and exquisitely sung.

PARKER McCOLLUM / “Stoned”
Writers: Parker McCollum/Brett James/Mark Holman; Producer: Jon Randall; Label: MCA
–This new shooting star continues to go from strength to strength. On this crashing, bluesy ballad, he wails expressively about self medicating to stave off loneliness. He’s as terrific as ever, but the too-big production should have been turned down.

EMILY NENNI / “In the Mornin’”
Writers: Emily Nenni/Michael LoPinto; Producers: Emily Nenni/Miko Eli; Label: New West/
Normaltown
–Charming. She’s a free-spirited gal who’s warning her beau that she’ll be hitting the road once their one-night-stand is over. She’s a solidly country singer and the funky band twangs right along. I dig her moxie.

PARMALEE / “Girl in Mine”
Writers: Ashley Gorley/Casey Brown/David Fanning/Matt Thomas/Travis Wood; Producer: David Fanning; Label: Stoney Creek
–Jaunty and upbeat, if not particularly meaningful.

MIKE RYAN / “Die Runnin’”
Writers: Barrett Baber/Korey Hunt/Dan Martin Alley; Producers: Bart Butler/Ryan Gore; Label: MR
–Ryan delivers like a pro, swearing to get to her in times of trouble. The country-rock track kicks up some dust. But it’s the song and its oomphy vocal delivery that shine brightest. He’s an indie success story worth your attention. The Opry featured him on its stage last month.

TYLER BRADEN & SYDNEY SIEROTA / “Try Losing One”
Writers: Tyler Wayne Davis/Adam Newman Wood/Tyler Braden; Producers: Adam Wood/Randy Montana; Label: Warner
–Braden’s solo performance of this is already a masterpiece, so I see no reason to add Echosmith’s Sierota to the song. Especially since she is nowhere near his class as a vocalist. Anyhow, I’m supportive of anything that makes this man the star he deserves to be.

‘Thinking ‘Bout 2022:’ MacKenzie Porter Looks Back On Her Whirlwind Year [Interview]

MacKenzie Porter. Photo: Bree Marie Fish

Big Loud singer-songwriter MacKenzie Porter has added quite an impressive chapter to her musical resume in 2022.

Though not new to the country music scene, the Canadian closed 2021 by adding her first U.S. No. 1 with the six-week chart topper “Thinking ‘Bout You” alongside Dustin Lynch. Heralding in 2022 with her own slate of new music, she also landed a slew of supporting slots on treks that traveled across the world, as well as an extensive stretch of festival dates, a hefty hand of award nominations, and more.

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However, with nearly a decade in Nashville under her rhinestone encrusted belt, Porter’s journey to success has been years in the making.

Growing up on a bison ranch in the countryside of Canada, her love for country music blossomed at a young age. After her parents enrolled her in classical music lessons with hopes of her learning to read music and learn its theories, she slowly discovered her own style of music.

MacKenzie Porter. Photo: Bree Marie Fish

At the same time, a 16-year-old Porter began acting professionally. During a two-year dry spell of acting gigs, she turned to songwriting to ease her creative frustration. That’s where the ball began to roll and her eyes became fixed on Nashville.

“I really fell in love with songwriting and thought, ‘Nashville is obviously the best place for country music and writing.’ I started having dreams about coming [to town] and started making trips” Porter shares with MusicRow. “One of my very first trips I stayed with a family and the dad was a songwriter. He took me to the Bluebird Cafe and played in writer’s rounds. I was just so enthralled with the writing community here.

“I moved to Nashville as soon as I had enough money saved up, which was eight or nine years ago now,” she recalls. “It really is a 10-year thing. Of course it happens faster for some people, but for your average person, it does take that long. It’s like people really have to prove themselves here.”

And prove herself she has.

Earning spots on a handful of Artist to Watch lists, including nabbing a spot in MusicRow‘s Next Big Thing Artist Class of 2023 and being voted the 2022 MusicRow Discovery Award, Porter spent much of 2022 out on the road with acts such as Walker Hayes, Chris Lane and Jordan Davis. Following the return to the road post-COVID, she was finally able to play some of the venues that have come to represent a rite of passage for up-and-coming artists.

MacKenzie Porter. Photo: Chris Hornbuckle

“I had never played all those venues that everybody plays, like the House of Blues. It was amazing to go to all of the venues across the U.S. and experience them for the first time, especially with guys like Jordan, Walker and Chris.” She continues, “It was really cool to cut my teeth with those kinds of people and see my songs react. It wasn’t just ‘Thinking ‘Bout You’ either, people knew my other songs like ‘Pickup’ and ‘These Days.’ It was cool to see it slowly translating to an audience.”

In June, Porter became the first Canadian, female country artist this century to earn five No. 1s in Canada as her single, “Pickup,” topped the charts up north. Throughout the year, though, Porter continued to ride the success of “Thinking ‘Bout You,” which notched a nomination for Favorite Country Song at the 2022 American Music Awards and made her the only female nominated in the category.

When looking back at the big milestones of this year, at the top of Porter’s list is playing at Nissan Stadium with Lynch during CMA Fest, which she explains ticked off an item on her bucket list.

“It’s so crazy. I never thought all of this was going to happen from this one song. I knew the song was really special, but a lot of songs go No. 1 and a lot of songs are hits but they never go No. 1. It’s surreal to have all of these first experiences for me come from ‘Thinking ‘Bout You,’” Porter gushes. “The first year I moved to town I played [a little stage at CMA Fest] and nobody was there. This year, we played all of the big stages and it was just insane.”

Dustin Lynch and Mackenzie Porter perform at Nissan Stadium on Thursday, June 9 during CMA Fest 2022. Photo: John Shearer for Getty

She adds, “I feel like we get into the grind of Nashville but those are the moments we can step back and be like, ‘Oh my gosh, maybe this is working.’ That was a really cool moment for me.”

In addition to her coveted CMA Fest spot, Porter did a summer run of festivals and a wave of shows across Canada. Throughout the sets, Porter got to see thousands of people singing back the words to her songs, including deeper album cuts.

“You can’t really take moments like those for granted,” she puts simply. “For me, it’s a confirmation that this is working. I always have self-doubt about things, so to see something work after such a long road is super emotional. I’ve wanted it so bad and it’s finally working.

“It has been the most rewarding, exciting and exhausting year of my life,” she shares with a laugh. “I would never trade any of these moments, though, because it’s the first time I’ve gotten to do so many things and play in front of so many people. The feeling on stage is unmatched.”

As 2022 draws to a close, Porter has some big plans for the new year. Looking ahead, fans can expect a swath of new music as she plots the release of her debut, full-length album. With hopes of getting it out before summer, Porter is currently hard at work in songwriting camps and the studio crafting what she explains has been a “long time in the works.”

With hopes of also building her touring resume with some headlining shows in 2023, Porter will be one of many acts taking over the Spotlight Stage at next year’s famous C2C Festival across the pond from March 10-12, as well as Gulf Coast Jam in June and TidalWave Music Festival in August.

Veteran Nashville Journalist & Musician, Peter Cooper, Dies

Peter Cooper

Nashville journalist, historian and musician Peter Cooper died Tuesday night (Dec. 6) after sustaining a head injury over the weekend. He was 52.

Cooper, who also held the position of Senior Director, Producer & Writer at the Country Music Hall of Fame, has contributed much to the the recording of modern country music history.

For many years, Cooper served as a reporter for the Tennessean, covering a wide array of music and musicians. His work has appeared in Esquire, Oxford American, Mix and American Songwriter magazines. Cooper wrote liner notes for albums from Country Music Hall of Fame members Emmylou Harris, Kris Kristofferson, Cowboy Jack Clement, Ronnie Milsap and Mac Wiseman—as well as the inscription on George Jones’ tombstone.

Cooper also wrote the book Johnny’s Cash and Charley’s Pride: Lasting Legends and Untold Adventures in Country Music, co-authored Bill Anderson’s Whisperin’ Bill Anderson: An Unprecedented Life in Country Music, and wrote the preface to Tom T. Hall’s The Storyteller’s Nashville: A Gritty & Glorious Life in Country Music, among other projects.

Additionally, Cooper was a Grammy-nominated singer-songwriter and producer. He recorded three solo albums as well as three alongside singer-songwriter Eric Brace, and appeared on the Grand Ole Opry, A Prairie Home Companion, The Tonight Show and The Late Show with David Letterman. Cooper and Brace produced a reimagined version of I Love: Tom T. Hall’s Songs of Fox Hollow, which was nominated for a Grammy in 2012. As a songwriter, Cooper’s work has been recorded by John Prine, Bobby Bare, Jim Lauderdale, and others.

A celebration of life for Cooper is expected to take place in early 2023.

Peter Cooper and son Baker

Cooper is preceded in death by his mother, Pamela Cooper Smuzynski. He is survived by his son, Baker; ex-wife and partner of 32 years, Charlotte; father, Wiley Cooper; stepmother, Emily Cooper; brother, Chris Cooper; sister-in-law, Jessie Swigger; nephew and niece, Jack Cooper and Madeline Cooper; stepfather, Al Smuzynski.

In lieu of flowers, the family asks that donations be made to either the Baker Cooper fund to support Peter’s son’s education, or the Country Music Hall of Fame and Museum, supporting their cultural organization’s educational mission.

Baker Cooper
c/o Wells Fargo Bank, 1712 West End Avenue, Nashville, TN 37203

The Country Music Hall of Fame and Museum
222 Rep. John Way S.
Nashville, TN 37203

Sony Music Nashville Adds Jason McColl As Senior Director, A&R

Jason McColl

Sony Music Nashville has announced the hiring of Jason McColl as Senior Director, A&R.

McColl is a Belmont University graduate who spent three years in radio promotions at Universal Music Group before joining the Warner Music Nashville A&R team in 2018. His most recent position at WMN was as Director, A&R, where he worked with Bailey Zimmerman and Avery Anna, among others.

Now at SMN, McColl will be responsible for the A&R on a number of artists, signing and developing new talent, and maintaining publisher relationships. He will report to Senior Vice President, A&R, Taylor Lindsey.

Zach Bryan Leads The Way For Another Week On MusicRow Top Songwriter Chart

Zach Bryan

The top five remain set this week on the MusicRow Top Songwriter Chart.

Leading the way for an eleventh week in a row is Zach Bryan, who has secured five songs on the chart. Among them are his own “Something In The Orange,” “Oklahoma Smokeshow,” “Sun To Me,” “Fifth Of May,” and “Burn, Burn, Burn.” Because he is the sole writer on each of the tracks, he receives all of the points earned from airplay, digital download track sales and streams on the Songwriter Chart.

Also sitting in the top five are Ashley Gorley (No. 2), Morgan Wallen (No. 3), Ernest Keith Smith (No. 4) and Luke Dick (No. 5).

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

MusicRow’s Touring & Next Big Thing Issue Features Multi-Genre Touring, Joe Galante, More

MusicRow Magazine released its 2023 Touring & Next Big Thing Issue last week, with Verge Records’ Trace Adkins gracing its cover.

The print magazine highlights the ninth annual Next Big Thing class of artists, which includes Chayce Beckham (19 Recordings/BBR Music Group/Wheelhouse Records), Tyler Braden (Warner Music Nashville), Ernest (Big Loud Records), Chapel Hart (JT3D), Kylie Morgan (EMI Records Nashville), MacKenzie Porter (Big Loud Records), Conner Smith (The Valory Music Co.), Nate Smith (Arista Nashville), Alana Springsteen (Columbia Records New York/Sony Music Nashville), Morgan Wade (Arista Nashville), and Bailey Zimmerman (Warner Music Nashville/Elektra Records).

This issue also features the N.B.T. Industry Directory Class of 2023, which spotlights rising Nashville music business professionals who are having a major impact on the industry. MusicRow’s N.B.T. Industry Directory is the first and only list of its kind. These industry members occupy important roles at their respective companies, and are on a trajectory of excellence to successfully lead the Nashville music industry into the future.

For editorial features, MusicRow‘s Touring & Next Big Thing includes articles focused on both the touring sector of our industry, as well as professional development.

In this issue, MusicRow taps CAA’s Meredith Jones and WME’s Aaron Tannenbaum to discuss multi-genre touring, focusing on WME client Brantley Gilbert‘s time touring with metal band Five Finger Death Punch and CAA’s Filmore opening for global sensation Pitbull.

“I don’t think agents are doing their job if they’re not constantly trying to think creatively about packaging for their client,” Tannenbaum shares with MusicRow when talking about booking his clients.

Country Music Hall of Famer Joe Galante spoke with MusicRow about the importance of mentorship for this print edition. Deriving from the mentorship he received from the late Frances Preston, to the guidance he’s given as a mentor to many, Galante makes five keys points on how to create a healthy mentor relationship.

“The gray hair that we all get after a period of time is earned. You can learn from the experience that we have gotten over time,” he shares.

Elsewhere, MusicRow talks with music industry vet Louis Messina and his newly-promoted President of Messina Touring Group Nashville, Haley McCollister, about the company’s deepened footprint in Music City. The firm—who spearheads touring for Taylor Swift, Ed Sheeran, Eric Church, George Strait and more—has recently opened a Nashville office.

Also included in the Touring & Next Big Thing Issue is a look at the recent re-launch of The Neal Agency. After his grandfather Bob Neal started the company in the mid-60s, Austin Neal announced its reopening earlier this year, with Morgan Wallen, Chase Rice, Hardy, Ernest, and more on the roster.

“The core of being an agent is truly believing in an artist and being willing to see them through until the end, the good times and the bad,” Neal shares. “If they didn’t know before, every artist knows now that I will completely up-root my life in order to stick with them, because I know what kind of person each one truly is.”

TNDV’s Nic Dugger is profiled in the Touring & Next Big Thing issue. From humble beginnings learning live broadcasting from a small TV truck in Jackson, Tennessee, to owning one of the largest production companies in the state, Dugger walks through his career path with MusicRow for this issue.

Additionally, MusicRow catches up with Reliant Talent Agency founders Steve Lassiter, Matt McGuire and Heath Baumhor to talk about the last two years of business. Also included is an overview of Taylor Swift‘s upcoming “The Eras Tour.”

Single copies of MusicRow’s 2023 Touring & Next Big Thing Issue are available for purchase at musicrow.com for $45, and are included with yearly MusicRow subscriptions.