Apple Unveils New Apple Music Voice Plan, Optimized For Siri

Apple has announced the Apple Music Voice Plan–a subscription tier for Apple Music designed around the power of Siri. The new plan gives subscribers access to Apple Music’s catalog of 90 million songs, tens of thousands of playlists, and the award-winning Apple Music Radio all through Siri for $4.99 per month.

Users can subscribe through Siri by saying “Hey Siri, start my Apple Music Voice trial,” or by signing up through the Apple Music app. Once subscribed, users can play music across all of their Siri-enabled devices, including HomePod mini, AirPods, iPhone, or any other Apple device, and when using CarPlay.

“Apple Music and Siri are natural partners and already work seamlessly together,” comments Oliver Schusser, Vice President of Apple Music and Beats. “With Siri actively used on hundreds of millions of devices worldwide, we are thrilled to add this new plan that delivers an effortless music experience just by using your voice and makes Apple Music accessible to even more people around the world.”

Apple Music will also be adding many new mood and activity playlists that are optimized just for voice. Subscribers can ask Siri to “Play the dinner party playlist,” “Play something chill,” or even “Play more like this,” for a personalized music experience. The new playlists will be available for all Apple Music subscribers. Apple Music Voice Plan users will also have access to Apple Music’s entire lineup of playlists, including New Music Daily, Rap Life, Today’s Hits, Today’s Country, A-List Pop, R&B Now, and more.

The Apple Music Voice Plan will be available later this fall in 17 countries and regions, including Australia, Austria, Canada, China, France, Germany, Hong Kong, India, Ireland, Italy, Japan, Mexico, New Zealand, Spain, Taiwan, the United Kingdom, and the United States.

Spotify Partners With Shopify To Give Artists Access To In-App Merch Sales

Spotify and its Spotify for Artists’ newest integration, in partnership with Shopify, will give artists more opportunities to grow additional revenue streams on the platform through merchandise sales.

Through Shopify, artists and their teams will be able to manage inventory and control which items are featured on their profiles. To list their merchandise, artists will need administrative access to their Spotify for Artists account and a Shopify store. Users will be able to choose three items from their store to feature on their artist profile.

“For many fans, Spotify is the primary way they interact with an artists’ music, and we are excited to give artists a new way to capitalize on that moment,” says Camille Hearst, head of Spotify for Artists. “We want to provide artists with as many resources as possible to help turn listeners into fans, fans into superfans and, ultimately, help artists earn more. The integration of Shopify’s powerful backend for powering commerce presents a significant step forward in our efforts to help artists maximize additional revenue streams and give them agency over their careers.”

“Thousands of artists already choose Shopify as their commerce platform, and now we’re bringing fans and artists even closer together with the launch of the Spotify channel. Artists today are entrepreneurial. They’re building multifaceted brands and businesses, and now we’re making it easier for them to meet fans where they are,” adds Amir Kabbara, director of product, Shopify. “By bringing entrepreneurship to Spotify, we’re empowering artists to think beyond the traditional merch table with new ways to monetize, and to experiment with their brands through commerce.”

While any artist around the globe can link their Shopify store during this beta period, Shopify merch will only be visible to listeners in Australia, Canada, New Zealand, the U.K., and the U.S.

Chris Young Celebrates Multi-Week No. 1 Single With His “Famous Friends”

Pictured (L-R): Cary Barlowe, Chris Young, Corey Crowder. Photo: Jeff Johnson

Country star and BMI writer Chris Young joined co-writers Cary Barlowe (SESAC) and Corey Crowder (ASCAP) on Monday (Oct. 18) to celebrate the chart-topping success of the Platinum-certified, multi-week No. 1 single, “Famous Friends” with Kane Brown.

Co-produced by Young and Crowder, “Famous Friends” not only topped the Country Aircheck/Mediabase and Billboard country radio charts, it also spent 15 weeks in the Top 5 on Billboard. It was Young’s twelfth career No. 1 as a recording artist—tenth as a songwriter—and Brown’s sixth.

Earlier this year, Young and Brown took home the CMT Music Awards trophy for Collaborative Video of the Year for “Famous Friends” and the pair are nominated for Single of the Year, Musical Event of the Year and Music Video of the Year at this year’s CMA Awards.

Brown was not able to attend the party at DawgHouse Saloon on Demonbreun, but was lauded by many for his contribution.

The celebration was hosted by BMI’s Clay Bradley. “This isn’t an ordinary No. 1,” Bradley said. “This one is going to be a recurrent. I hope you like it because you’re going to hear it for the rest of your life.”

Pictured (L-R, front row): Cary Barlowe, Chris Young, Corey Crowder; (L-R, front row): Jesse Frasure (Rhythm House Music), Scott Jungmichel (SESAC), Shannan Hatch (SESAC), Clay Bradley (BMI), Troy Tomlinson (Universal Music Publishing Nashville), Steve Hodges (Sony Music Nashville), Leslie DiPiero (Tree Vibez Music), Rob Beckham (The AMG). Photo: Jeff Johnson

Universal Music Publishing Nashville’s Troy Tomlinson was on hand to talk about UMPG writer Young. He bragged on Young for the quiet community service the singer has become known for. “He is one of the most giving artists in our format,” Tomlinson said. “I absolutely love this song. I appreciate you for writing it and recording it.”

Leslie DiPiero from Tree Vibez Music stepped up to talk about writer and producer Crowder. “We love the song and are looking forward to the CMA win!” DiPiero predicted.

Rhythm House’s Jesse Frasure bragged on his writer, Barlowe. “Cary, we’ve worked together for 15 plus years. In that time, I’ve yet to meet somebody that doesn’t love you. There’s a lot of talented people in this town, but to be loved and liked the way you are is a rarity.”

SESAC’s Shannan Hatch made her first No. 1 party appearance since her return back to the PRO. Sony Music Nashville’s Steve Hodges also spoke about the RCA Records Nashville entertainer, Young.

The co-writers all expressed thankfulness for each other for giving it their all on the record.

Young was emotional when it came time for him to speak. “The past couple years that we’ve all dealt with has been a lot,” Young said. “Being able to put out a song talking about people you grew up with, and have it be a big ole hit on the radio, is thanks to everybody in this room and everybody that’s not in this room that worked on it from the top down.”

Young made sure to thank BMI, Sony Nashville, Rob Beckham and The AMG, WME, his band and crew, business management at Huskins-Harris, and more.

“I’ve been incredibly lucky from top to bottom,” Young says. “This song is all about the people that you know.”

Garth Brooks To Honor Charley Pride With RIAA Lifetime Achievement Award At NMAAM

Charley Pride. Photo: Joseph Llanes

Late country music icon Charley Pride will be honored at the National Museum of African American Music (NMAAM) with the RIAA Lifetime Achievement Award presented by Garth Brooks on Oct. 25.

Pride’s son, Dion, will accept the honor from the RIAA on behalf of his father who passed in December 2020. RIAA Chairman & CEO, Mitch Glazier and COO Michele Ballantyne will be presenting a plaque to Pride’s family and to NMAAM.

“Sometimes the greatest honor you can receive is being part of honoring someone else—this is an honor,” says Brooks.

As part of the celebration of Pride, his music and legacy, Brooks will sit down with songwriter, author and Vanderbilt University faculty member Alice Randall for a live Q&A discussing Pride’s influence on him and on country music. Brooks will perform his duet with Pride, “Where the Cross Don’t Burn,” penned by the late Troy Jones and the late Phil Thomas.

Pride and Brooks recorded “Where the Cross Don’t Burn” in September 2020 for Brooks’ Fun album, which was released in November 2020. Brooks traveled to Pride’s studio in Dallas to record the duet, which chronicles the friendship between a young white boy and an older Black man during segregation. Brooks had held the song “Where The Cross Don’t Burn” for 10 years hoping to collaborate with Pride.

Pride’s impact on the country world was profound in both his music and the move towards wider inclusion and representation in the genre. He helped set the stage for countless artists and his influence continues to be felt today.

[Updated] Beloved Engineer Joe Palmaccio Dies

Joe Palmaccio

Grammy Award-winning mastering engineer, Joe Palmaccio, died while recovering from a motorcycle accident on Saturday (Oct. 16).

A native of rural South Carolina, Palmaccio began his formal music training at age eight after moving to a small town outside Chicago. First as a trumpet player and later as a drummer, he recorded his first demo at Hedden West Studio as a teenager. After completing a B.A. in Telecommunications with a minor in Religious Studies from Indiana University, he went on to work as a mastering engineer for Bonneville Broadcasting, PolyGram Records, Sterling Sound and Sony Music Studios.

Throughout his career, Palmaccio was nominated for six Grammy awards and won four in the Best Historical Album category for such projects as 1998’s The Complete Hank Williams, 2003’s Martin Scorsese Presents the Blues: A Musical Journey, 2004’s Night Train to Nashville: Music City Rhythm & Blues 1945-1970, and 2014’s Bill Withers: The Complete Sussex and Columbia Albums

Palmaccio also spent time as an audio hardware design consultant, musician, public speaker and musical instrument craftsman. He was extremely well versed in a large variety of musical styles, genres, and technologies as both a business professional and creative. A veteran of the New York mastering community, Palmaccio founded The Place…For Mastering in Nashville in 2006, where he was president and chief engineer. He was also an adjunct instructor at Belmont University.

Among the recent projects Palmaccio mastered were records for The Eagles, BeBe Winans, Keith Urban, Gwen Sebastian, The Rock and Roll Hall of Fame, David Cook, Josh Kelly and Jim Oblon. He was part of the Leadership Music Class of 2011. Palmaccio joined the Sony Music Nashville staff in April of 2019 as Specialist, A&R Administration, where he assisted with managing recording costs and trafficking and archiving all of Sony Music Nashville’s audio and video masters.

Palmaccio was known to be a loving family man. He and his wife of 28 years, Alex Rockafellar, were devoted partners in life and business.

Those wishing to express condolences may email alex@theplaceformastering.com.

There will be a celebration of life for Palmaccio on Saturday, Oct. 23 at the Vanderbilt Dyer Observatory from 3:00 p.m. – 6:00 p.m. More details here.

CMA Extends Contract With Executive Producer Robert Deaton Through 2026

Robert Deaton

The Country Music Association has extended its partnership with Executive Producer Robert Deaton. The new deal, which includes the annual CMA Awards in addition to CMA Fest and CMA Country Christmas, puts Deaton in the producer’s chair through 2026.

The two-time Emmy Award-winning producer and director has overseen CMA’s television properties since 2007. Deaton’s career has evolved from launching a pioneering video production company, in which he created more than 200 music videos for a variety of chart-topping artists, to producing some of the most successful properties on network television. He produced Sports Illustrated: 50 Years of Beautiful on NBC as well as the “Soul to Soul” Las Vegas residency for Tim McGraw and Faith Hill. He was executive producer of The Passion with Tyler Perry for Fox Broadcasting and currently serves as executive producer of the Billboard Music Awards on NBC.

The Nashville-based entrepreneur has expanded into film and record production, as well. He helmed the Michael W. Smith & Friends: The Spirit of Christmas collection featuring guests Vince Gill, Little Big Town, Amy Grant, Carrie Underwood, Bono and Michael McDonald. He made his feature film directorial debut in 2018 with Benched.

“The passion Robert Deaton has for country music and the genre’s history is truly special,” says CMA Chief Executive Officer, Sarah Trahern. “His extraordinary vision continues to elevate the CMA Awards, CMA Fest and CMA Country Christmas, providing one-of-a-kind television moments to music fans throughout the year. I love to see the music come to life through his eyes and I am incredibly grateful for another five years with such a terrific partner.”

“Any gig you have with Robert Deaton, you know, as an artist and as a viewer, it’s gonna be killer!” adds Garth Brooks, seven-time CMA Entertainer of the Year. “I have had the great fortune of sharing some magical moments throughout the years with Robert. He is a gift to all of us within country music and beyond. Congratulations my friend!”

“I could not be prouder and more honored to plant my flag long-term with my family at CMA,” shares Deaton. “This is home for me, these are my people. I’m blessed beyond measure.”

CMA also renewed its contract with network television partner ABC through 2026 earlier this year.

CDX Nashville Launches CDX Records, Adds Paulette Carlson As Flagship Artist

Music distributor CDX Nashville has announced the launch of CDX Records, a new boutique imprint for unique custom projects. Artist Paulette Carlson—best known for being part of the ACM and CMA Award-winning band Highway 101—is the label’s flagship artist.

Joe Kelly, President of CDX Records says: “While CDX Nashville’s core business remains music distribution to radio and influencers on behalf of all labels, in today’s music business we saw an opportunity to use our collective years of relationships and experience in label operations to help artists further by actually getting their music into the hands of the consumers. We are thrilled and excited that Paulette has chosen CDX Records to be the company that will bring her new music to the world. Paulette Carlson has a proven track record of hits, an active fan base, and the track shows how she still sings amazingly… Paulette is preparing to hit the road for a 2022 tour and while crossing the country will be visiting her friends at country radio. CDX Records will be there every step of the way.”

Carlson started performing in a club band, writing music, and playing her guitar at 18. She moved to Nashville and eventually put together the band Highway 101. Within 18 months she and the band were at the top of the charts, winning Vocal Group of the Year awards from the Academy of Country Music and the Country Music Association.

Carlson’s new release, “Branded Soul,” will be available everywhere on Oct. 29. Written by Carlson, the track was produced and mixed by Mark Capps and recorded at Soundstage Studios.

“CDX Nashville has been known for a long time to be a very reputable company. I’ve known Joe Kelly for many years, and he’s just a really good guy. I feel very confident in his new CDX Records label division and their people, and I am very happy to be working with them,” Paulette says. “I like to call this song ‘Montana Americana’ because Montana remains a beautiful bastion of outlaw country, remnants of a culture idolized and sorely missed by America’s free spirits. This Montana Americana song, ‘Branded Soul,’ will bring out the free spirit in all of us.”

Double Down Music Partners With Pump House Music To Sign Lewis Brice

Pictured (L-R): Erin Kidd, Creative Director, Double Down Music: Lewis Brice; Dallas Davidson, Founder, PIA Music Group; Ryan Dokke, CEO, PIA Music Group

Lewis Brice has signed with Double Down Music in partnership with Pump House Music.

Brice’s debut self-titled EP, produced with brother Lee Brice, was released via Pump House Music in 2017. Tracks from the EP were featured on SiriusXM’s The Highway, CMT Music, and Spotify’s New Boots & Wild Country playlists. The project’s lead single, “Best Ex Ever,” reached the Top 40 of MusicRow’s CountryBreakout Radio Chart. His single, “It’s You,” amassed more than 18 million streams upon its release, adding to his nearly 33 million overall career streams.

“Over the years, I’ve known Lewis as a hell of a singer!” says Double Down Music Founder, Dallas Davidson. “He is also a terrific writer, and the Double Down team and I are excited that we get to work with a talented guy like Lewis.”

Robert Carlton Talks Walker Hayes’ Red-Hot Hit, “Fancy Like” [Interview]

Robert Carlton

Robert Carlton is Sr. VP of Development at SMACK, the Nashville entertainment company that now involves a successful publishing house (SMACKSongs), management firm (SMACKManagement), and a recently launched influencer marketing service (SMACKTok).

A Nashville native and MTSU graduate, Carlton began his career at Black River. In 2014, he moved to SMACK and has since ascended to run the artist management division, which represents Shane McAnally’s television projects (including NBC’s Songland), Monument Records artist Walker Hayes and UMG artist Kylie Morgan. Carlton also works with SMACK’s publishing roster.

Carlton and the SMACK team have had a whirlwind few months as Hayes has experienced monumental success with his hit “Fancy Like,” from his recent EP Country Stuff.

The tune, co-written by Hayes, Cameron Bartolini, Shane Stevens and Josh Jenkins, has charmed the hearts of listeners across the world with its lyrics about a cheap date night at Applebee’s. Hayes sings “We fancy like Applebee’s on a date night, got that Bourbon Street steak with the Oreo shake / Get some whipped cream on the top too, two straws, one check, girl, I got you.”

YouTube video

Once Hayes and his daughter Lela uploaded a TikTok of the two of them dancing to the song, “Fancy Like” took off, with other creators and celebrities sharing their own TikToks of the dance. Just a month later, the TikTok has been viewed over 30 million times and “Fancy Like” ventured into the zeitgeist, hitting No. 1 on Billboard‘s Hot Country streaming chart. On the country radio front, “Fancy Like” flew up the charts, making the biggest jump into the Top 10 on the Mediabase Country chart since Gretchen Wilson’s “Redneck Woman” in early 2004. It also hit No. 1 on MusicRow‘s CountryBreakout Radio Chart on Friday (Oct. 15).

“People just gravitated towards the ordinary with Walker,” Carlton tells MusicRow of the song’s success. “[Taking it to TikTok] was obvious from the jump. The dance idea was just him and his daughter… It wasn’t strategized in a real specific way.”

Now “Fancy Like” backs an Applebee’s commercial, a collaboration we all saw coming. Carlton says that the restaurant chain wasn’t interested at first, but once the song took off, they re-considered. After the release of the track, CNN reported that Applebee’s sales grew 102% in the months following. “It was a no brainer at that point, they just had to pay a little more than they would have on the front end,” Carlton quips.

Walker Hayes and Kesha. Photo: Adam Battaglia

Hayes also partnered with pop artist Kesha on a remix for the tune. “We were trying to find someone who made sense, that you thought might go to Applebee’s,” Carlton says. “Walker and Kesha had a call about it. She said ‘I actually got thrown out of an Applebee’s because my friend got in a fight there.’ He was like, ‘Perfect. You’re it!'”

Although Hayes has been experiencing what seems like an overnight success with “Fancy Like,” the singer-songwriter has been putting the work in for 10 years. Fans have long-gravitated to Hayes’ very specific musical style, with songs like the double-Platinum “You Broke Up With Me,” and popular “90s Country” and “Don’t Let Her” creating a buzz with listeners.

When it comes to the titanic success of “Fancy Like,” Carlton says that it’s been a long time coming.

“Walker has an incredible ability to connect with his fans and build his base 1 by 1 but having this massive moment happen so suddenly is sometimes hard to appreciate and accept,” Carlton admits. “I think I’m too close to it to really allow myself enjoy it although I’m constantly telling myself to do so. It seems like every day something else amazing happens with this song and Walker and I are in disbelief asking each other ‘WHAT IS HAPPENING?’ It’s really been special to see this happen first hand with an artist and individual that is as talented and as genuine as they come.”

Industry Ink: Zac Brown Band, Cindy Watts, Paul Ebersold

Zac Brown Band Wraps Up “The Comeback Tour” In Nashville

Pictured (L-R): Kristen Williams (SVP Radio & Streaming, Warner Music Nashville), Cris Lacy (EVP A&R, Warner Music Nashville), Zac Brown, Shane Tarleton (EVP Artist Development, Warner Music Nashville), Tom Martens (VP Radio & Streaming, Warner Music Nashville), Patrick Sabatini (SVP Legal & Business Affairs, Warner Music Nashville)

CMA Awards Vocal Group of the Year 2021 nominee Zac Brown Band closed out “The Comeback Tour” at Nashville’s Bridgestone Arena on Sunday night (Oct. 17).

The band released their new album, The Comeback, via Warner Music Nashville/Home Grown Music on Friday (Oct. 15), which features their Top 10 single, “Same Boat.”

 

Journalism Veteran Cindy Watts Joins CMT.com

Cindy Watts

Nashville-based veteran journalist Cindy Watts has joined the CMT.com editorial team.

Watts joins CMT.com alongside writer Marcus Dowling, who was appointed to the editorial staff in February 2020. Both report to Melissa Goldberg, CMT’s Senior Director of Digital & Social.

She joins CMT following a 20-year career with The Tennessean where she covered country music and celebrities.

She can be reached at Cindy.Watts@cmt.com.

 

Paul Ebersold Joins Rock Ridge Music For Management

Grammy-winning producer Paul Ebersold has signed with Nashville-based management company Rock Ridge Music.

The Platinum-selling producer, mixer and songwriter got his start at Ardent Studios. His extensive list of studio credits include The Weeks, Drew Holcomb, 3 Doors Down and Third Day, among others.

Most recently, Ebersold joined long-time collaborator Sadler Vaden to co-produce Morgan Wade’s album, Reckless, on Arista Nashville, as well as co-writing three tracks on the project.