Weekly Register: Kane Brown Earns Top Debut On Country Charts

Kane Brown makes the top debuts on both the top country albums and streaming songs charts this week. His new album, Different Man, comes in at the No. 2 spot, collecting 46K in total consumption (20K album only/29 million song streams).

Similarly, “Thank God” from the album, which features Brown’s wife Katelyn, debuts at No. 4 on the top country streaming songs chart. The track earned 8.9 million first-week streams, according to Luminate data.

Morgan Wallen‘s “You Proof” remains strong atop the country streaming songs chart for an eighth consecutive week, nabbing another 13 million streams this week. Zach Bryan‘s “Something In The Orange” rises to No. 2 with 11 million streams, while Luke Combs‘ “The Kind Of Love We Make” falls to No. 3 with 9.4 million streams. Bailey Zimmerman‘s “Rock And A Hard Place” seals the top five songs with 8.5 million streams this week.

Wallen also keeps his spot at the peak of the country albums chart. Dangerous: The Double Album adds 50K in total consumption this week (4.4K album only/57 million song streams). Bryan’s American Heartbreak falls one spot to No. 3, claiming 25K in total consumption. Combs takes up the final two spots: Growin’ Up notches fourth with 17K and This One’s For You takes fifth with 16K in total consumption.

Jeannie Seely Marks Opry Milestones

Jeannie Seely. Photo: MusicRow

Grammy winning country legend Jeannie Seely commemorated her past while she celebrated the future at the Grand Ole Opry on Saturday night (Sept. 17). The show marked her 55th anniversary as a cast member. Not only that, Seely is now officially the artist who has appeared on the Opry more times than anyone in history. Her 5,226 performances mark her as the all-time record holder in the show’s 97-year history.

“I’m just enjoying every minute of it,” she said to a wildly enthusiastic audience. “I didn’t come here 55 years ago to impress you. I came here to entertain you, and I hope I still can.”

She could. Seely charmed the crowd with the rockabilly romp “Rock-a-Bye Boogie,” her Grammy-winning 1966 torch-song hit “Don’t Touch Me” and 2017’s “Who Needs You,” almost certainly the first song sung on the Opry with a weed-smoking lyric (“It is legal in some states,” she reminded the audience. “Anybody here from Colorado?”).

Opry executives Dan Rogers and Gina Keltner presented her with a commemorative plaque. “This lady is very, very special,” said Rogers. “She is beloved by the staff, her fellow artists and fans like you around the world.”

Seely always refers to Rogers as her “Boss.” As a gag, Rogers prepared an “employee evaluation” review for her. “Attendance? A+ Commitment? A+ Talent? A+ Follows the rules? Needs improvement.”

Pictured (L-R): Gina Keltner/Talent Director Grand Ole Opry, Seely, Dan Rogers/Vice President and Executive Producer, Grand Ole Opry. Photo: Chris Hollo for Grand Ole Opry

Backstage, she recalled that her first performance on the Opry was May 28, 1966. “I remember feeling every emotion you’ve ever known, from sheer terror to extreme excitement,” she reflected. “I had never been to the Opry until I was on it.

“Ernest Tubb was extremely generous to me. He said, ‘Miss Jeannie, you’re going to be fine on the Opry. Just remember: It’s not your show. It’s not about you. You’re part of something bigger.’

Jeannie Seely. Photo: Chris Hollo for Grand Ole Opry

“I never come here [and not] learn something,” Seely continued. “The commitment to the Opry has always been very important to me… This night doesn’t make me feel old; it makes me feel grateful.”

Jeannie Seely was the first Pennsylvanian to become an Opry member. She was the first to record a live album at the Opry House (1978). She broke ground when she wore mini skirts on the Opry’s stage, paving the way for women to wear whatever they choose. She was the first woman allowed to host a segment of the Opry. Until then, only male stars were selected to be segment hosts.

“The changes weren’t for me,” she commented. “They were for all of us. They were for the show. There weren’t many women [in the cast] when I came here — Loretta, Jean Shepard, Wilma Lee Cooper, Connie Smith. But they made it look like we weren’t as important to the show [as men]. You’re ignoring half the people who come to the show, who listen, who buy the tickets.”

Tubb also gave her career a boost when he invited Seely to appear on his “Midnight Jamboree.” This was a live show and WSM broadcast that followed the Saturday night Opry from 1947 until May 7, 2022. The Jamboree was regarded as a showcase for newly minted country recording artists. It was also a promotion for the Ernest Tubb Record Shop’s famed mail-order business that made country records available to fans worldwide. When the record shop folded last spring, so did the show. Jeannie Seely brought the venerable Jamboree back on Saturday night. And she plans to keep it going again as a weekly show from the Texas Troubadour Theater on Music Valley Drive near the Opry complex. Her guests on the comeback broadcast were Sunny Sweeney, Mark Wills, Moore & Moore, Dallas Wayne and the new duo Diane Berry & Joe Wade Smith.

Seely has long made it a habit to introduce newcomers at the Opry. “Somebody held it together for years so I could be here,” she explained. “I need to do that for others.” So she continued her tradition on Saturday night by introducing Chapel Hart. She left champagne in the trio’s dressing room, along with a welcoming note.

“We’re putting them on as the closing act of the segment,” said Rogers backstage. “We’ve never had a debut Opry act close a segment before. We’ll see how it goes.” He needn’t have worried. Nobody could have followed Chapel Hart’s performance. Backstage, cameras captured the trio holding hands and praying in the hallway before their performance. A steady stream of well-wishers crowded the women’s dressing room.

Chapel Hart’s Danica Hart, Jeannie Seely, Chapel Hart’s Trea Swindle and Chapel Hart’s Devynn Hart. Photo: 90 East Photography/Bill McClintic

When Seely announced them on stage, the crowd erupted in excitement. Chapel Hart has been competing on national TV on America’s Got Talent and has clearly already won country lovers’ hearts.

The act’s Opry set created pandemonium. The crowd shouted encouragement, offered several standing ovations and shook the hall with cheers. It was the most enthusiastically embraced Opry debut in memory.

Sweeney, Wills, Alex Williams, Everette, the Opry Square Dancers and new Opry cast members Charlie McCoy (inducted in July) and Don Schlitz (inducted in August) were the other stars on Saturday night’s Opry show. McCoy and Schlitz are also members of the Country Music Hall of Fame.

Pictured (L-R) Gene Ward, Jeannie Seely. Photo: MusicRow

But the night belonged to Jeannie Seely. In addition to her regular Grand Ole Opry appearances, she has been hosting her weekly “Sundays With Seely” show on the Willie’s Roadhouse channel of SiriusXM since 2018. She and Brenda Lee co-host the annual SOURCE Awards in Music City. But what she’s most excited about is ramping up her songwriting activity. “Like I Could,” which Seely cowrote with Erin Enderlin and Bobby Tomberlin, became a No. 1 bluegrass hit for Rhonda Vincent last year. The Opry performance champ has also been co-writing with Buddy Cannon, Gary Burr, Victoria Shaw and Bill Anderson.

Her advice to aspiring Opry performers? “People won’t remember what you say. But they’ll remember how you made them feel. All you gotta do is make them feel good.”

Jeannie Seely. Photo: MusicRow

Parker McCollum Returns To Nashville’s Ascend Ampitheater After Stormed Out Show

Parker McCollum. Photo: Chris Kleinmeier

Rising country music star Parker McCollum gives his all each night for the fans who have supported him and his career from the start, always striving to show up to every venue and leave it all on stage.

When his first show at Nashville’s Ascend Ampitheater in May hit a string of unforeseen obstacles–unfriendly weather, delays for fans and tough decisions–McCollum knew he had to come back to the outdoor venue and give the kind of performance he could be proud of, one that his fans deserve.

This weekend, he did just that. The singer-songwriter provided free tickets for those fans who attended his previous performance, and put on a night both he and the crowd certainly won’t forget.

Pictured (L-R): Conner Smith, Catie Offerman and Parker McCollum. Photo: Chris Kleinmeier

MCA Nashville artist Catie Offerman, who recently made her Grand Ole Opry debut, and The Valory Music Co. rising singer-songwriter Conner Smith kicked off the show, pumping up the audience with their positive energy and incredible performances.

McCollum took the stage later, simultaneously taking every opportunity to express his appreciation for his fans and their support. He sang his heart out with performances of “Like A Cowboy,” “Meet You in the Middle” and his latest single “Handle On You.” Per the crowd’s request, he also performed “Hell of a Year” off of his 2017 album Probably Wrong, as well as two new songs, “Stone” and “Speed.”

“I just wanted to take responsibility for not delivering on such a big night here in Nashville. I wanted to come make it right and give everybody the opportunity to see the show for everything that it is,” McCollum shared with the audience. “I’m just glad to be back and glad it worked out to give Nashville and the fans our best. That’s what it’s all about.”

McCollum recently scored his first CMA Award nomination for Best New Artist, following honors such as 2022 ACM Award for New Male Artist of the Year and 2022 CMT Award for Breakthrough Video of the Year.

For a full list of McCollum’s upcoming tour dates, click here.

Hitmaker Jordan Schmidt Inks Publishing Deal With Endurance Music Group

Pictured (L-R): Attorney T.D. Ruth, daschent’s Dane Schmidt, EMG’s Mark Ahlberg, Schmidt, EMG’s Lauren Funk, and EMG’s Michael Martin. Photo: Ed Rode

Endurance Music Group (EMG) has signed hit songwriter and producer Jordan Schmidt to an exclusive global publishing agreement. The company has also acquired a significant stake in his existing catalog.

Originally hailing from Duluth, Minnesota, Schmidt got his start as a rock/alternative producer in Minneapolis, where he worked with bands such as All Time Low, Metro Station, Motion City Soundtrack, and Quietdrive. He moved to Nashville in 2012, where he made the leap from producer to full-time songwriter, catching the attention of Florida Georgia Line, who signed him to a publishing deal with Tree Vibez Music.

Schmidt’s chart-toppers include Kane Brown’s “Like I Love Country Music” and the 5x Platinum “What Ifs” (feat. Lauren Alaina), the ACM and CMA Single of the Year and Grammy Award-nominated “God’s Country” (Blake Shelton), Mitchell Tenpenny’s “Drunk Me,” and Jason Aldean’s “You Make It Easy” and “Lights Come On.” The deal includes hundreds of songs written by Schmidt, including recent and upcoming releases by Brown, fellow EMG songwriter Jimmie Allen, Cole Swindell, Nelly, Ernest, and others, as well as cuts that he produced on albums from Tenpenny, Tyler Hubbard, The Band Camino, and more.

Schmidt’s songs have been recorded by Morgan Wallen, Dan + Shay, Keith Urban, Tim McGraw, Dustin Lynch, Chris Lane, Granger Smith, Chase Rice, Ingrid Andress, Billy Currington, LoCash, One Ok Rock, Mickey Guyton, Adam Doleac, Hunter Hayes, Blanco Brown, Caylee Hammack, Noah Cyrus, and more.

Schmidt and his fiancée, songwriter and artist Renee Blair, recently co-wrote the currently climbing single, “Wait in the Truck,” by Hardy featuring Lainey Wilson.

“I’m excited to call Endurance home,” Schmidt shares. “From our first meeting, I could tell they are people who understand songwriters and want to have a positive impact on their careers. I can’t wait to get the ball rolling with their incredible team, freak some of them out with my drunken antics at the next company holiday party, and I hope to add to all the great things already happening at Endurance!”

EMG President Michael Martin notes, “On behalf of everyone at Endurance, I want to give Jordan a heartfelt welcome to the team. His talent in the writer’s room and his skill as a producer have set the tone for his continued impact on country music. He is a tremendous addition to our creative family, and by joining forces we’ll have endless opportunities (and a lot of fun) on this new journey together.”

“I’ve been friends with Jordan and his brother Dane for years, and I am so excited to finally have the opportunity to be on their team! Jordan has proven himself as a hit songwriter and producer time and time again,” EMG Senior Creative Director Lauren Funk adds. “We are thrilled to have him join the Endurance family, and we know the success he has already had is only the beginning.”

Reba To Release ‘Ultimate Christmas Collection’ In October

Reba McEntire is getting in the holiday spirit a little early with the release of her new album, Reba: The Ultimate Christmas Collection, on Oct. 14.

The collection is comprised of favorites from her previous Christmas releases, along with the track “I Needed Christmas,” featured in the Lifetime movie Reba McEntire’s Christmas In Tune. Songs on the album include standards such as “Away In A Manger,” “O Holy Night,” and “O Come All Ye Faithful,” as well as “Jingle Bell Rock,” “I’ll Be Home For Christmas,” and more.

“I’m excited to share this newly packaged collection of my all-time favorite Christmas songs,” McEntire says. “It was so hard to narrow down to just twelve songs, but I hope my fans enjoy this journey through time!”

Limited edition holiday merch, including a sweatshirt, ornament, mug and lithograph will be available around the new release, and fans can also pre-order Reba: The Ultimate Christmas Collection as a limited white vinyl, set to release Nov. 4.

McEntire’s fall arena tour, “Reba: Live in Concert,” will kick off Oct. 13 in Lafayette, Louisiana. For a full list of dates, click here.

Reba: The Ultimate Christmas Collection Track List:
1. Away In A Manager – from 1987 Merry Christmas To You
2. O Holy Night – from 1987 Merry Christmas To You
3. White Christmas – from 1987 Merry Christmas To You
4. The Christmas Song (Chestnuts Roasting On An Open Fire) – from 1987 Merry Christmas To You
5. Up On The Housetop – from 1999 Secret of Giving
6. I Saw Mama Kissing Santa Claus – from 1999 Secret of Giving
7. Mary, Did You Know? – from 1999 Secret of Giving
8. O Come All Ye Faithful – from 2018 My Kind Of Christmas
9. Jingle Bell Rock – from 2018 My Kind Of Christmas
10. Winter Wonderland – from 2018 My Kind Of Christmas
11. I’ll Be Home For Christmas – from 2018 My Kind Of Christmas
12. I Needed Christmas – from 2021 Christmas In Tune

Dalton Dover Signs With Sony Music Publishing Nashville & Droptine Publishing

Pictured (L-R, back row): Dale Bobo, Anna Weisband, Tom Luteran, Charly Salvatore, Bruce Phillips, and Josh Van Valkenburg; (L-R, fron row): Brian O’Neil, Rusty Gaston, Dalton Dover, Jim Catino, and Kenley Flynn. Photo: Sarah Elizabeth

Dalton Dover has signed a global publishing deal with Sony Music Publishing Nashville and Jim Catino‘s newly-formed Droptine Music Publishing.

A native of Aragon, Georgia, Dover appeared on Season 16 of The Voice, where he earned a chair turn from Blake Shelton. Since then, he has continued to build a fan base on TikTok, garnering millions of views with his popular #CatchMeOffGuard series of cover song mashups. The series has earned praise from fellow artists, including Jimmie Allen, Luke Combs, Kidd G and Kameron Marlowe.

Dover’s “You Got A Small Town” and “Baby I Am” helped the 23-year-old earn a spot on Spotify’s Hot Country 2022 Artists to Watch, along with a spotlight as Billboard’s February’s Country Rookie of the Month and a nod for MusicRow‘s 2022 Discovery Artist of the Year. He is set to release his new song, “Damn Good Life,” on Sept. 23.

“From the moment you hear Dalton’s voice, there’s no doubt he was born to do this. We couldn’t be more excited about the music he is creating and the future ahead of him,” notes Sony Music Publishing Nashville CEO Rusty Gaston.

“I am so honored to be working with such an amazing talent,” adds Catino. “Dalton has an exciting future that is off to a huge start. Thanks to Matt McVaney for bringing Dalton to me and producing this project. I’m also thankful for Rusty Gaston and all the support from his amazing team at Sony Music Publishing.”

“To say I’m excited to sign with Sony Music Publishing is an understatement,” shares Dover. “I’m thrilled, but also motivated to continue growing, and I am so grateful to Droptine and Sony for betting on me.”

Droptine Music and Sony Publishing Nashville also have partnerships with writers Tommy Karlas, Alex Maxwell and Russell Sutton.

Big & Rich’s Big Kenny Launches Online Auction Of Unique Items

Kenny & Christiev Alphin

Big & Rich’s Big Kenny Alphin and his wife Christiev have partnered with the online auction platform Everything But The House to launch an auction of unique items for a limited time. The sale is live Sept. 16 through Sept. 25.

Proceeds from the auction will benefit Tunnel to Towers, a non-profit that helps provide mortgage-free homes to Gold Star and fallen first responder families with young children and by building custom-designed smart homes for catastrophically injured veterans and first responders.

The sale includes unique household items, furniture, art, guitars and other instruments, women’s clothing, and some of Big Kenny’s stage-wear–including a few of his signature top hats. There are over 850 pieces in the sale. Click here to view the online auction.

Easy Eye Sound, Spotify, Luck Presents Team Up For First Annual East Nashville Community Fish Fry

The First Annual East Nashville Community Fish Fry. Photo: Kate Liddy

Luck Presents partnered with Spotify and Nashville label and studio Easy Eye Sound on Thursday (Sept. 15) for the first annual East Nashville Community Fish Fry.

The First Annual East Nashville Community Fish Fry. Photo: Larry Niehues

A special community event held as part of this year’s AmericanaFest, the fish fry featured performances by Hank Williams, Jr., Nikki Lane, Early James, Robert Finley, Brit Taylor, Libby, Nat Myers, and Jon Muq. The night was capped off by a surprise performance from The Black Keys, whose Dan Auerbach owns Easy Eye Sound.

The first edition of the event consisted of all day complimentary food from Nashville’s Red Perch as well as pizzas made by celebrity chef Sean Brock for his charity The Sean Brock Foundation. Kustom Thrills was also present with their tattoo stand, featuring free tattoos from local artist Kyle Frary.

The day included auctions for artist-signed guitars and posters that benefitted the Luck Family Foundation, Luck Presents’ own charity that provides financial grant assistance and other resources to artists, organizations and programs in need.

Koe Wetzel Welcomes You To ‘Hell Paso’ On New Project

Koe Wetzel. Photo: Jody Domingue

Rising Texas singer-songwriter Koe Wetzel has released his new album, Hell Paso.

Recorded at the Sonic Ranch Studio outside of El Paso, the 13-track project features previously released songs “Creeps” and “April Showers.”

Ahead of the release, Wetzel shared an album video, The Road To Hell Paso. Directed by Lance Bangs, the video features cameos by Luis and Danny Moncada from Breaking Bad, David Koechner, and Dave England from Jackass.

Breaking through with a series of indie releases and racking up over 1.3 billion streams to date, Wetzel has notched three Gold singles, including “February 28, 2016,” “Something To Talk About,” and “Drunk Driving.” The latter appeared on his 2020 Columbia Records debut, Sellout.

Wetzel will bring his live show to Cleveland, Oklahoma City, Las Vegas, and more through the end of the year. Additionally, he’ll join Jelly Roll on the road for six dates later this fall. Selling over 175,000 tickets during the first half of 2022, he has become a mainstay on Pollstar’s list of top-selling tours.

Hell Paso Track List:
Welcome to Hell Paso
Creeps
April Showers
Money Spent
Cabo
Oklahoma Sun
So Low
Three Weeks
Cheers
Better Without You
YellaBush Road
Sad Song
To Be Continued

Brit Taylor Signs Joint Venture Publishing Deal With Reservoir & One Riot

Pictured (L-R, back row): Rell Lafargue (President and COO – Reservoir), Greg Gallo (VP, Creative – Reservoir), Adam Chaffins (Brit Taylor guitar player), John Ozier (EVP, Creative – Reservoir), Dan Rowe (General Manager – One Riot); (L-R, front row): Amy Patton (Head of Creative – One Riot), Brit Taylor, Lilly Farner (Creative Coordinator – One Riot), Beth St. Jean (Creative Coordinator – Reservoir), Ash Wolk (Creative Director – One Riot)

Brit Taylor has signed a joint publishing deal with Reservoir and One Riot. Born and raised in Kentucky, Taylor broke through with her 2020 debut album Real Me.

Earlier this month she released “Cabin In The Woods,” the lead single from her upcoming album, Kentucky Blue. The single and album were produced by Sturgill Simpson and David Ferguson. In addition to her upcoming artist project, Taylor is making a name for herself as a go-to collaborator in Nashville, writing with some of country’s most established and respected artists.

“Brit is a rising star who has not only captured the attention of country music fans, but some of the industry’s biggest names who recognize her immense talent,” notes Reservoir EVP of Creative, John Ozier. “We look forward to welcoming her into the Reservoir and One Riot family and helping her continue to shine as both a songwriter and an artist.”

“Brit is such a unique talent and prolific writer, and she is also one of the hardest working people I know,” adds One Riot Head of Creative Amy Patton. “The sky is the limit for what she can accomplish in her career, and we thrilled to be on her team for the journey.”

“It’s a rarity in this town for a publisher or anyone in the business to encourage complete authenticity. Instead, they try to turn an artist into whatever version of himself or herself that the industry thinks they should be. It is even more true when you are a female artist,” Taylor shares. “One Riot & Reservoir encourage me to be me and to make decisions based on my heart and my gut. It’s so rewarding and fun to be able to focus on my own artistry, but it’s also fulfilling to break from it by putting on a different hat and writing for another artist.”