Brent Cobb Set To Publish Children’s Book ‘Little Stuff’

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Brent Cobb with his two children. Photo: Andrew Hutto

Country artist and Grammy Award nominee Brent Cobb will be publishing his first ever children’s book Little Stuff on Father’s Day, June 20.

Cobb’s book was inspired by his song “Little Stuff” off of his critically acclaimed record Keep ‘Em On They Toes. In conjunction with the book, an animated music video for the song has been released.

“Each album I’ve made since Shine On Rainy Day has been written with my kids in mind,” says Cobb. “I’ve always wanted to make sure they knew where daddy’s heart was in the event something happened and I wasn’t around anymore. It was that same inspiration that inspired this book to come to be. Also, we were all children once upon a time. Can’t you still remember when all that really mattered was just the little stuff?”

YouTube video

The book is published through Cobb’s Ol’ Buddy Publishing and is animated by Delaney Royer. Little Stuff  is available for preorder now, in addition to variety of merchandise bundles including t-shirts, koozies, baby onesies and more.

Mechanical Licensing Collective Completes First Royalty Distribution

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The Mechanical Licensing Collective has completed its first-ever monthly distribution of mechanical royalties. The organization’s distribution, its first connected under the new blanket license established by the Music Modernization Act of 2018 (MMA), included royalties from the use of musical works by U.S. digital service providers during January 2021. It did not include any historical unmatched royalties.

The distribution process started in February, and the royalty pool for all usage data reported to The MLC totaled more than $53 million when calculated at the applicable statutory rates. The MLC was then able to match approximately 80 percent of the royalties reported to musical works registered in its public database, a figure in line with industry benchmarks for initial matching results. Once the matching work was completed, The MLC established which uses were covered by voluntary licenses between the DSPs and copyright owners – a substantial portion in this case – and thus needed to be carved out of each DSP’s blanket license.

After carving out the matched uses covered by voluntary licenses, The MLC determined that the remaining amount of mechanical royalties owed by DSPs to the MLC totaled more than $40 million. Those royalties were collected and then included in the monthly distribution process, the results of which are:

  • $24 million in matched royalties was paid by The MLC to its Members.
  • $16.4 million is currently pending distribution as follows:
      • $4.9 million in matched royalties related to shares of registered works for which claims have yet to be submitted by a rightsholder/MLC Member.
      • $500 thousand in matched royalties on legal hold.
      • $11 million related to usage that The MLC has not yet been able to match to the musical works in its public database.

All of the royalties currently pending distribution will accrue interest until they are distributed, as required by the MMA.

“The completion of The MLC’s first monthly processing of royalties and the payment of more than $24 million in royalties directly to rightsholders represents another step toward realizing the promise of the Music Modernization Act,” said Alisa Coleman, Chair of The MLC’s Board of Directors.

Kris Ahrend, The MLC’s CEO, added: “Thanks to the hard work and diligence of our team, and the cooperation and support of our many partners, we have now begun fulfilling our important mission of ensuring that rightsholders receive their proper share of the blanket mechanical royalties paid by DSPs.”

ACM Awards Ratings Slip, But Still Top Sunday Night’s Programming

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CBS’ coverage of Sunday night’s ACM Awards saw its ratings at the top of all broadcast for the evening with a rating of 0.8 in the adults 18-49 demographic, drawing nearly 6.08 million viewers and beating out 60 Minutes (.06 rating; 8.17 million viewers) and American Idol (0.7 rating; 4.64 million viewers), according to Deadline.

Though topping all programs on Sunday night, the annual award show’s ratings were at an all-time low. Last year’s show drew in 6.60 million viewers and garnered a rating of 1.0, which was down from 2019’s ACM Awards which drew 9.9 million viewers (and a 1.6 rating in the 18-49 demo).

The ACM Awards featured performances from Miranda Lambert, Luke Combs, Chris Stapleton and more at some of Nashville’s most legendary venues: Grand Ole Opry House, Nashville’s historic Ryman Auditorium, The Bluebird Cafe, Broadway, Riverfront and the Station Inn.. American Idol judge Luke Bryan also walked away with the prestigious Entertainer of the Year award.

On social media, the show led as the No. 1 trend on Twitter and drove more than 9.7 billion potential impressions. The 2021 Awards were the most social ACM Awards of the last few years, beating the 2020 ACM Awards (4.1 billion) last September and the 2019 ACM Awards (3.8B billion) on April 7, 2019. Last night, the ACM Awards trended within the top 10 in the US on Twitter—#ACMAwards trended for 9 hours and peaked at No. 1 according to NetBase.

Big Yellow Dog Music Promotes Three In Sync Department

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Alex Stefano, Sophie Hopkins, Nicole Rhodes

Big Yellow Dog Music has announced the promotion of three members of their Sync Department including Alex Stefano to Vice President, Sophie Hopkins to Director, and Nicole Rhodes to Senior Coordinator.

Stefano joined BYDM full-time in 2015 and was previously the general manager of creative in the sync department. Over the past year, Stefano has led BYDM’s sync department to major placements such as Leah Nobel’s “Beginning, Middle, and End” in Netflix’s To All The Boys (Always + Forever), and film placements in Land, Finding Ohana, Promising Young Woman, and more. The team has landed TV placements including Grey’s Anatomy, Station 19, How To Get Away With Murder, Love Island US, and Good Trouble, as well as ad placements for companies such as Motorola, Microsoft, Google Chromebook, and more. In her new role Stefano will oversee the company’s sync department in signing and developing writers, artists and producers, and landing sync placements across all mediums.

“Don’t mess with Alex Stefano, she can beat you at Broadway Trivia! Her skills at creating songs for sync run deep,” says BYDM Co-Owner and CEO Carla Wallace. “She has a keen ear for what works in her market, combined with her passion, this is a great win for BYD. Congrats Alex.”

Hopkins joined BYDM in 2018 and previously worked as the creative manager of sync. In her new role, she will continue to nurture success for BYDM writers/artists by focusing on sync across all mediums, as well as signing and developing new writers, artists and producers. Rhodes joined full-time in 2019 and worked previously as the creative coordinator of sync. She will continue to work on behalf of BYDM writers, producers, and artists, to book them in sessions and find sync opportunities across all mediums.

“Sophie and Nicole bring such confidence and infectious energy to our team,” says Stefano. “They are passionate and dedicated to seeing our writers succeed and bring a lot of ideas to the table that elevates our department and the company.”

Artist Action: Blake Shelton, Mitchell Tenpenny, Willie Jones

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Blake Shelton Celebrates Ole Red Orlando With Full Band Show 

Blake Shelton. Photo: Matt Jylha.

Blake Shelton recently marked his first visit to Ole Red Orlando with a full band performance for a limited number of frontline workers and special guests.

“I wanted to come here and do a proper grand opening,” said Shelton. “Even if it’s not the same as having this whole room full of people, we are going to pretend it is tonight. If you haven’t been to Ole Red before, hopefully by the end of tonight you’ll know that’s what this is all about: having fun and seeing live music.”

The fourth Ole Red location opened at Orlando’s ICON Park last Summer, and Shelton called the night an unofficial rehearsal for his performance on Sunday’s ACM awards. Earlier in the day, Shelton was joined by Ryman Hospitality Properties Chairman and CEO Colin Reed for a press event hosted by WSM and Circle TV’s Bill Cody where they discussed the recovery of the music and hospitality industries, the inspiration behind the Ole Red brand, and Blake’s first full-band performance in more than a year. Shelton also presented Ole Red Orlando with a special outfit he wore on NBC’s The Voice along with an outfit worn by fiancé Gwen Stefani. Both outfits are now on display at the venue.

 

 

Mitchell Tenpenny Joins Music City Baseball Music Industry Advisory Board

Mitchell Tenpenny has joined the Music Industry Advisory board for Music City Baseball.

The singer showcased his involvement through a newly-released video for the piano version of his song “Bucket List.” The song currently has over 18 million on-demand streams and features Tenpenny rocking his vintage Nashville Stars jersey, which pays homage to the legendary Negro Leagues teams who played in Nashville in the 1940s prior to the integration of Major League Baseball.

Tenpenny hopes to encourage his fans to broaden their yearly resolutions into life goals, and live every day to the fullest. While filming the song’s original video in Arizona, Tenpenny was able to check off a few of his bucket list items and now he’s adding a major item to the list – bringing Major League Baseball to his hometown! “Growing up in Nashville, it’s always been a dream to have a Major League team here. This city is perfect for it. I am excited to get involved and actively pursue this item on my bucket list,” says Tenpenny.

Tenpenny joins Justin Timberlake, Darius Rucker, Kane Brown, Bobby Bones and Luke Combs, among others, in providing strategic counsel and generating community excitement around Nashville being home to a Major League Baseball team.

 

 

Willie Jones Teams With Spotify For Rodeo-Inspired Short Film

Willie Jones has teamed up with Spotify to create a new short film entitled Right Now Rodeo which is available exclusively on Spotify’s Hot Country Instagram channel.

The film celebrates the release of his enigmatic debut album Right Now, and was directed by NY-based director Luis Santos. The film also highlights Jones’ genre-bending sound, his positive messages of being present and right now in the moment, and the enduring spirit of cowboy and rodeo culture which infuses his music and inspired the film. Set on a ranch outside of Nashville, the film also features a diverse cast of cowboys and cowgirls who were enlisted in partnership with the Bill Pickett Rodeo, a well-respected collective in the rodeo community that celebrates and honors Black cowboys and cowgirls and their contributions to building the west.

“Some characteristics aligned in rodeo culture that I think align with myself—having a good time,” says Jones. “They are rockstars in their own right. If you’re getting put up against bulls and horses, you know what I’m saying, you have to love that. And I love what I do and I like to have a good time doing it.”

The film is available to watch now.

Taylor Swift Makes Top Five On MusicRow Top Songwriter Chart

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With her songs “Love Story,” “Mr. Perfectly Fine,” and “You All Over Me” performing exceptionally well on the country charts, Taylor Swift jumps to No. 4 on the MusicRow Top Songwriter Chart.

Jesse Frasure spends his fifth week at No. 1 this week as a co-writer on Jordan Davis’ “Almost Maybes,” Blake Shelton’s “Minimum Wage,” Thomas Rhett’s “What’s Your Country Song,” and Michael Ray’s “Whiskey And Rain.” Corey Crowder and Josh Osborne round out the top three on the MusicRow Top Songwriter Chart.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

Weekly Register: Taylor Swift Dominates Country Streaming Chart This Week With Top Five Spots

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Taylor Swift. Photo: Beth Garrabrant.

Taylor Swift’s Fearless (Taylor’s Version) takes the top spot on the Country Albums chart this week, debuting at No. 1 overall and on the country chart with 291K (179K album only/138 million song streams) according to Nielsen.

Morgan Wallen continues to hover near the top with his Dangerous: The Double Album coming in at second with 58K, while the Lukes round out the Top 5 with Luke Combs‘ What You See Is What You Get racking up 26K, Luke Bryan‘s  Born Here, Live Here, Die Here with 21K, and Combs’ This One’s For You at 17K.

It’s Taylor’s world this week for country streaming, as she occupies all five of the top country streaming spots with her tracks “Mr. Perfectly Fine” at 13 million, “Forever & Always” at 9.2 million, “Love Story” at 8.6 million, “Fearless” with 7.8 million, and “You Belong With Me” at 7.2 million.

Luke Bryan Wins Top Honor; Carrie Underwood, Alan Jackson Shine At ACM Awards

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Hosts Mickey Guyton, Keith Urban. Photo: Kevin Mazur/Getty Images for ACM

The Academy of Country Music Awards returned to Nashville last night (April 18) with Keith Urban and Mickey Guyton serving as hosts while performances and award presentations commenced at three iconic country music venues—the Grand Ole Opry House, the Ryman Auditorium, and the Bluebird Cafe.

Luke Bryan won the night’s top honor, Entertainer of the Year. Maren Morris, Thomas Rhett, Chris Stapleton, Old Dominion, Dan + Shay, and Carly Pearce and Lee Brice were also among the televised winners.

The show kicked off at the Grand Ole Opry House with Miranda Lambert and Elle King performing their lively new duet, “Drunk (And I Don’t Wanna Go Home),” clothed in leather jackets with colorful fringe.

Urban and Guyton welcomed viewers, and pointed out that healthcare workers from Vanderbilt Health were in attendance, socially distanced in the seats.

Chris Young and Video of the Year winner Kane Brown started things off at the Ryman Auditorium with a performance of their duet, “Famous Friends.” Over at the Bluebird Cafe, Lambert joined Stapleton on his tear-jerking song about his lost dog, “Maggie.”

In his first appearance since his car accident, Blanco Brown was on hand to present the first award of the night. Group of the Year was awarded to Old Dominion, their fourth time winning the honor.

Old Dominion. Photo: Kevin Mazur/Getty Images for ACM

Morris and Ryan Hurd came together for a romantic performance of their duet, “Chasing You,” before Lady A lit up Nashville’s Bridge Building stage with their snazzy “Like A Lady.” New Female Artist of the Year Gabby Barrett performed an intimate version of “The Good Ones” from the Bluebird Cafe.

Darius Rucker presented Song of the Year to “The Bones” songwriters: Morris, Jimmy Robbins and Laura Veltz. “Song of the year is something that I’ve dreamt of for so long,” an emotional Morris said when accepting the award.

Maren Morris. Photo: Kevin Mazur/Getty Images for ACM

Dierks Bentley performed from The Station Inn, honoring late venue owner JT Gray by singing U2’s “Pride (In The Name of Love).” The War and Treaty and Larkin Poe joined Bentley for the bluegrass-tinged anthem.

Carrie Underwood did a breathtaking medley of gospel songs from her new My Savior album, starting with an a cappella rendition of “Amazing Grace,” before being joined by gospel great CeCe Winans and a choir for “Great Is Thy Faithfulness” and “The Old Rugged Cross.” Underwood finished her performance with a stunning finale—”How Great Thou Art.”

Carrie Underwood. Photo: Kevin Mazur/Getty Images for ACM

Another country superstar, Eric Church, followed Underwood with “Bunch of Nothing” from his brand new album Heart.

Dan + Shay did an acoustic version of their “Glad You Exist” at the Bluebird. Luke Combs performed “Forever After All” with a socially distanced orchestra. Lambert, the most awarded artist in ACM history, performed “In His Arms” with Jon Randall and Jack Ingram. The tune is on their upcoming album, The Marfa Tapes.

New Male Artist of the Year Jimmie Allen sang his and Brad Paisley‘s duet “Freedom Was A Highway.” Paisley—who was supposed to be out of town—surprised Allen by joining him on stage just in time for his verse at the Bluebird Cafe.

Martina McBride presented the Single of the Year award to a thrilled Carly Pearce and Lee Brice for “I Hope You’re Happy Now,” which also took home Music Event of the Year before the April 18th broadcast. McBride noted that for the first time in ACM history, all nominees for the Single of the Year category were songs performed by a woman.

Lee Brice, Carly Pearce. Photo: Kevin Mazur/Getty Images for ACM

Kenny Chesney performed his heartbreaker, “Knowing You,” from the Grand Ole Opry. Ashley McBryde performed her thrilling “Martha Divine” from the Nashville Bride Building stage.

Alan Jackson took the Ryman stage next, performing a mashup of his “Drive (For Daddy Gene)” and new tune from his upcoming album, called “You’ll Always Be My Baby.” Photos of his family lit up the stage behind him. The latter tune was written for his daughters’ weddings.

Alan Jackson. Photo: Jason Kempin/Getty Images for ACM

Blake Shelton performed his breakout hit “Austin,” which is celebrating its 20th birthday. He then launched in to his newest single, “Minimum Wage.”

Dolly Parton introduced the ever-charming Leslie Jordan via video message. Jordan—who introduced himself as “portable wagoner”—presented Duo of the Year to Dan + Shay. The grateful duo accepted their award from the Bluebird Cafe.

Photo: Getty Images / Courtesy of the Academy of Country Music

Next, Pearce and Brice took the stage to perform their Single of the Year and Music Event of the Year winner, “I Hope You’re Happy Now.” Guyton gave a soulful performance of “Hold On,” and co-host Urban performed a rocking song “Tumbleweed” from his newest album, The Speed of Now Part 1.

Ingrid Andress presented Male Artist of the Year to Rhett, marking his third win in the category, and eighth win overall. Rhett also performed his brand new song “Country Again” and followed up with the premiere of “What’s Your Country Song.”

Thomas Rhett. Photo: Kevin Mazur/Getty Images for ACM

East Tennessee natives Kelsea Ballerini and Kenny Chesney shined on “Half of My Hometown.”

Clay Walker presented Album of the Year to Stapleton for Starting Over. Stapleton accepted the award from the Bluebird Cafe. Then, Amy Grant presented Female Artist of the Year to Morris.

Thee-fourths of Little Big Town performed their raucous “Wine, Beer, Whiskey” from the streets of downtown Nashville. Phillip Sweet, who was at home due to a diagnosis with COVID, introduced the band via video.

The final award, Entertainer of the Year, was presented by the hosts to Bryan, his third time winning the award and his tenth ACM win overall. The American Idol judge accepted it via live stream video from Los Angeles. Bryan thanked the Capitol Nashville team, his manager Kerri Edwards, his crew, his family, and country music fans. “Oh my God! Y’all got me. What an honor,” Bryan said. “I miss being on the road. It’s what makes me an entertainer. We’ll be back out there doing what we love soon.”

Brothers Osborne performed their new song “I’m Not For Everyone,” and then closed the show with “Dead Man’s Curve.”

Brothers Osborne. Photo: Jason Kempin/Getty Images for ACM)

Billboard, Rolling Stone Parent Company P-MRC Becomes Partner/Stakeholder In SXSW

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P-MRC, the parent company behind brands such as Billboard and Rolling Stone, has announced a partnership with South by Southwest (SXSW) that will make P-MRC a long-term partner and stakeholder in the festival.

P-MRC, a joint venture between Penske Media Corporation and MRC, have holdings that also include publications Variety, The Hollywood Reporter and Vibe. SXSW was started in 1987 and its founders will continue to run the Austin, Texas-based festival.

According to Billboard, P-MRC will bring “media expertise and new avenues for discovery” to the event. The deal will also involve looking at an expansion of SXSW with new events and business models. The Wall Street Journal reports that P-MRC will take a 50% stake in SXSW.

After being forced to cancel the 2020 festival due to the pandemic, the company was met with a great financial blow. In a quote to Billboard, SXSW CEO and co-founder Roland Swenson called the partnership with P-MRC “a true lifeline.”

SXSW recently announced that the next edition will take place March 11-20, 2022.

Chris Stapleton Announces New All-American Road Show Dates

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Chris Stapleton. Photo: Becky Fluke

Chris Stapleton is bringing his All-American Road Show back this summer with newly-confirmed stops at Detroit’s DTE Energy Music Theatre, Atlanta’s Cellairis Amphitheatre at Lakewood, and Houston’s Cynthia Woods Mitchell Pavilion among many others. The announcement comes fresh on the heels of his win for Album of the Year at last night’s 56th ACM Awards for his acclaimed new album, Starting Over.

Stapleton will be joined by several special guests throughout the run including Wille Nelson and Family, Margo Price, Mavis Staples, Dwight Yoakam, Yola, Sheryl Crow, Caylee Hammack, The Highwomen, Jamey Johnson, Elle King, The Dirty Knobs with Mike Campbell, Nikki Lane, The Marcus King Band, and Kendell Marvel.

Additional tour highlights include headlining shows at Washington State’s Gorge Amphitheatre, Nashville’s Bridgestone Arena, New York’s Madison Square Garden and A Concert for Kentucky—a special performance to be held at University of Kentucky’s Kroger Field on April 23, 2022. Tickets for the newly confirmed shows will go on-sale on three separate dates: April 30, May 7 and June 11, all at 10 a.m. local time. Tickets can be purchased at LiveNation.com and information on Stapleton Fan Club pre-sale tickets can be found at StapletonFanClub.com. Citi is the official presale credit card of Chris Stapleton’s “All-American Road Show” tour and Citi cardmembers will have access to purchase presale tickets through Citi Entertainment.

Chris Stapleton’s All-American Road Show Dates:
BOLD on-sale April 30, May 7 or June 11 at 10 a.m. local time
July 17—Chicago, IL—Wrigley Field%%
July 28—Gilford, NH—Bank of New Hampshire Pavilion†
July 29—Gilford, NH— Bank of New Hampshire Pavilion†
July 30—Gilford, NH—Bank of New Hampshire Pavilion† (on-sale June 11)
August 5—Cuyahoga Falls, OH—Blossom Music Center‡
August 6—Clarkston, MI—DTE Energy Music Theatre‡ (on-sale April 30)
August 7—Clarkston, MI—DTE Energy Music Theatre* (on-sale April 30)
August 12—Charlotte, NC—PNC Music Pavilion‡
August 13—Raleigh, NC—Coastal Credit Union Music Park at Walnut Creek‡
August 14—Bristow, VA—Jiffy Lube Live‡ (on-sale June 11)
August 21—Arlington, TX—Globe Life Field#
August 26—Tampa, FL—MIDFLORIDA Credit Union Amphitheatre^ (on-sale April 30)
August 27—Alpharetta, GA—Ameris Bank Amphitheatre^ (on-sale June 11)
August 28—Atlanta, GA—Cellairis Bank Amphitheatre^ (on-sale June 11)
September 16—Maryland Heights, MO—Hollywood Casino Amphitheatre+ (on-sale June 11)
September 17—Birmingham, AL—Oak Mountain Amphitheatre+ (on-sale April 30)
September 18—Orange Beach, AL—The Wharf Amphitheatre+ (on-sale May 7)
September 23—Bethel, NY—Bethel Woods Center for the Arts° (on-sale April 30)
September 24—Burgettstown, PA—Pavilion at Star Lake° (on-sale April 30)
September 25—Noblesville, IN—Ruoff Music Center§ (on-sale June 11)
September 30—Virginia Beach, VA—Veterans United Home Loans Amphitheater% (on-sale April 30)
October 1—Camden, NJ—BB&T Pavilion%
October 2—Mansfield, MA—Xfinity Center%
October 7—Syracuse, NY—St. Joseph’s Health Amphitheater at Lakeview^
October 8—New York, NY—Madison Square Garden+
October 9—Holmdel, NJ—PNC Bank Arts Center^
October 14—Columbia, MO—Mizzou Arena+
October 15—Lincoln, NE—Pinnacle Bank Arena+
October 16—Sioux Falls, SD—Denny Sanford PREMIER Center+
October 21—Cincinnati, OH—Riverbend Music Center+ (on-sale June 11)
October 22—Nashville, TN—Bridgestone Arena+
October 23—Nashville, TN—Bridgestone Arena+
October 28—Lubbock, TX—United Supermarket Arena**
October 29—Albuquerque, NM—Isleta Amphitheater**
October 30—Phoenix, AZ—Ak-Chin Pavilion**
November 4—Austin, TX—Frank Erwin Center**
November 5—Tulsa, OK—BOK Center**
November 6—The Woodlands, TX—Cynthia Woods Mitchell Pavilion** (on-sale April 30)
November 18—Orlando, FL—Amway Center^
November 19—Estero, FL—Hertz Arena^
November 20—West Palm Beach, FL—iTHINK Financial Amphitheatre^ (on-sale April 30)
December 3—Memphis, TN—FedEx Forum+ (on-sale April 30)
December 4—Biloxi, MS—Mississippi Coast Coliseum+
December 5—Knoxville, TN—Thompson-Boling Arena+
April 20, 2022—Toledo, OH—Huntington Center^^
April 21, 2022—Columbus, OH—Schottenstein Center^^
April 23, 2022—Lexington, KY—A Concert for Kentucky – Kroger Field##
June 2, 2022—Nampa, ID—Ford Idaho Center Arena††
June 3, 2022—Ridgefield, WA—Sunlight Supple Amphitheater††
June 4, 2022—George, WA—Gorge Amphitheater††
June 11, 2022—San Bernardino, CA—Glen Helen Amphitheater‡‡
June 16, 2022—Bakersfield, CA—Mechanics Bank Arena††
June 17, 2022—Wheatland, CA—Toyota Amphitheatre††
June 18, 2022—Mountain View, CA—Shoreline Amphitheatre††
June 23, 2022—West Valley City, UT—Usana Amphitheater§§
June 24, 2022—Denver, CO—Ball Arena§§
June 25, 2022—Denver, CO—Ball Arena§§

%%with special guests The Highwomen, Mavis Staples and The Dirty Knobs with Mike Campbell
†with special guests Elle King and Nikki Lane
‡with special guests Elle King and Kendell Marvel
*with special guests Yola and Kendell Marvel
#with special guests Wille Nelson, Jamey Johnson and Yola
^with special guests Sheryl Crow and Kendell Marvel
+with special guests The Marcus King Band and Yola
°with special guests Margo Price and Kendell Marvel
§with special guests TBD
%with special guests The Marcus King Band and Caylee Hammack
**with special guests Jamey Johnson and Yola
^^with special guests Margo Price and Yola
##with special guests Willie Nelson & Family, Sheryl Crow and Yola
††with special guests Margo Price and The Dirty Knobs with Mike Campbell
‡‡with special guests Dwight Yoakam and The Dirty Knobs with Mike Campbell
§§with special guests Sheryl Crow and The Dirty Knobs with Mike Campbell