This is Collaboration Day here at DISClaimer.

Today’s review stack is replete with match-ups—Blackberry Smoke with Jamey Johnson, The Gatlins meeting Flat River Band, The Bellamys discovering Charles J. & The Conquistadors and Nate Smith dueting with Tenille Townes. From those ranks come two of our award winners.

The Disc of the Day field was so competitive that I split the award in three. The Male performance honor goes to the electrifying Kip Moore. The Female prize goes to the dazzling stylist Danielle Bradbery. The Duo/Group winners are the afore-mentioned and totally superb Nate Smith & Tenille Townes.

There’s no crowd contending for this week’s DISCovery Award. The Latin-country combo Charles J. & The Conquistadors have it all to themselves.

HAILEY WHITTERS / “Boys Back Home”
Writers: Hailey Whitters/Brandy Clark/Jessie Jo Dillon; Producers: Hailey Whitters/Jake Gear; Label: Pigasus/Songs & Daughters/Big Loud
–Superbly written, as usual. This pure-country lady has had my heart for a long time. On this anthem-like jewel, she praises the everyday guys in her hometown who grow from wild young bucks into dependable men who’ll, “Pull you out of a ditch or a bar.” The stirring production supports her sturdy hillbilly soprano at every turn. This one’s a keeper.

CHRIS STAPLETON / “Joy of My Life”
Writer: John Fogerty; Producers: Dave Cobb/Chris Stapleton; Label: Mercury
–This ultra-romantic ballad is shot through with Stapleton’s searing soul singing. Simple acoustic-guitar, brushed drums and plucked bass softly frame his performance. Rising out of the audio mist is a ghostly, echoey electric-guitar solo. Lovely work.

ELLE KING / “Out Yonder”
Writers: Bobby Hamrick/Ella Langley/Matt Mckinney; Producer: Ross Copperman; Label: Sony
–Yowza! Her chesty, throaty delivery has charisma to spare. The pounding, twang-fest production gives her warning to the guys extra moxie. Stompin’ and righteous.

KIP MOORE / “Crazy One More Time”
Writers: Kip Moore/Chris Lindsey/Aimee Mayo; Producers: Kip Moore/Matt Bubel; Label: MCA
–This man’s musical instincts are just about flawless. This slab of country-rock thumps ya right in the gut. His gripping singing sends chills up and down the spine while the band kicks ass with finesse. Blue-collar brilliance.

MADELINE EDWARDS / “Port City”
Writers: Madeline Edwards/Court Clement/Josh Moore; Producers: none listed; Label: ME
–She memorably staged her national TV debut with Mickey Guyton and Brittney Spencer on the CMA Awards, and I’ve been waiting for a breakout single ever since. This could be it, a thoughtful, swirling, orchestrated ballad about taking a leap of faith and following your dreams. Captivating.

CARRIE UNDERWOOD / “Ghost Story”
Writers: David Garcia/Josh Kear/Hillary Lindsey; Producers: David Garcia/Carrie Underwood; Label: Capitol
–The ear-catching, burbling country-pop production flows like a rushing stream beneath her penetrating, processed vocal. She vows to haunt her ex, troubling his sleep and making him wish he’d never left her. Hit bound, for certain.

NATE SMITH & TENILLE TOWNES / “I Don’t Wanna Go to Heaven”
Writers: Nate Smith/Daniel Fernandez; Producers: Nate Smith/Joel Bruyere; Label: Sony
–In a word, “Wow.” There’s nothing I love better than a harmony-soaked country duet, and these two toss vocal lightning bolts in this thrilling performance. Beautiful. Awesome. Amazing. The song has at least two other versions, one with Nate singing solo and one with a choir backing. But the presence of two excellent singers matching one another note-for-note means this version takes the cake.

FLAT RIVER BAND & THE GATLIN BROTHERS / “I Just Wish You Were Someone I Love”
Writer: Larry Gatlin; Producers: none listed; Label: Early Bird
–It’s a brother-singing confabulation as Chad, Dennijo & Andy Sitze (Flat River) meet Larry, Rudy & Steve Gatlin on this fantastic revival of The Gatlins’ 1978 chart topper. Tune up your harmony chops and sing along.

CHARLES J. & THE CONQUISTADORS WITH THE BELLAMY BROTHERS / “Like She’s Not Yours”
Writer: David Bellamy; Producers: Charles J. Jones/Angel Duran; Label: CJJ
–Mariachi trumpets, deep-twang guitar, Latin rhythm, steel guitar and hearty harmony vocals are the ingredients in this audio delight. Hooky in the extreme. Get on board. Lead singer Charles J. previously charted as “JC Jones” on Rising Tide in ’98.

BLACKBERRY SMOKE & JAMEY JOHNSON / “Lonesome For a Livin’”
Writer: Charles Gray; Producer: Dave Cobb; Label: Legged/Thirty Tigers
–It’s a straight-ahead honky tonker, at least until Jamey’s fiery voice enters the mix. Then it becomes something extraordinary. He’s a mighty man, and I jumped for joy when Bill Anderson invited him to become a member of the Opry cast last weekend. So cool, so deserved, so real, so right.

FILMORE / “Johnny Got a Girl”
Writers: Filmore/Jordan Schmidt/Geoff Warburton/Kyle Clark; Producers: Zach Abend/Jordan Schmidt; Label: Curb
–This guy is in the midst of a release barrage where he’s been dropping one song per week all spring long. It started with this catchy toe tapper, a cleverly written lament for a buddy who’s gone M.I.A. from the old gang because he fell in love with a beautiful babe. I remain a huge fan of this always-engaging artist.

DANIELLE BRADBERY / “Look at the Mess I’m In”
Writers: Gordie Sampson/Caitlyn Smith/Troy Verges; Producers: Nathan Chapman; Label: Big Machine
–What a terrific vocal. This range-y ballad takes some hairpin turns and challenges the upper register. But Bradbery takes every tricky note in stride, turning in one of the finest performances of her career to date. The power ballad is unusual in its lyric of self-recrimination and blame for wrecking her own life. This is a very groovy single. Play and be swept away.

Country music is alive and well.

This week in DISClaimer we have proof of that in the sounds of Joshua Hedley, Kane Brown, Randall King, Restless Road and Jimmie Allen. The Disc of the Day is also a country monument, “Death Row,” co-written by Thomas Rhett and beautifully recorded with Russell Dickerson and Tyler Hubbard.

Also flying the country flag high are the oldie remakes by Layla Tucker and Cody Belew, who share the DISCovery Award.

CAITLYN SMITH / “Downtown Baby”
Writers: Simon Wilcox/Caitlyn Smith/Gordie Sampson/Thomas Salter; Producer: Caitlyn Smith; Label: Monument
–Catchy country-pop with a chiming chorus, a steady rhythm and an ear-catching vocal. She wants out of suburbia and back into the swing of things in the urban core. Highly engaging.

JIMMIE ALLEN / “Down Home”
Writers: Jimmie Allen/Cameron Bedell/Rian Ball/Tate Howell; Producers: Ash Bowers/Jimmie Allen; Label: Stony Creek/BBR
–Written for and addressed to his late father, this power ballad exudes sincerity. Sung with heart. Loss and grief are universal emotions, and Allen’s song is a pathway beyond them to love and acceptance.

RANDALL KING / “Shot Glass”
Writers: Tony Lane/Brett James; Producers: Bart Butler/Ryan Gore; Label: Warner
–This fellow is one of my favorite neo-traditionalists. The title tune of his new album showcases his warm baritone in a brilliant barroom ballad embellished by fiddle and steel. Make this man a star.

MAREN MORRIS / “Nervous”
Writers: Jimmy Robbins/Maren Morris/Natalie Hemby; Producer: Greg Kurstin; Label: Sony
–Dark and plodding, featuring her hollering while smothered in a rock production. I lost interest quickly.

RESTLESS ROAD / “Growing Old With You”
Writers: Charles Kelley/Jordan Minton/Jordan Reynolds; Producer: Jared Keim; Label: RCA
–Heart melting. This beautiful ballad expressing timeless and true love belongs on every wedding playlist. This trio has something special going on.

KANE BROWN / “Leave You Alone”
Writers: Jordan Minton/Jordan Schmidt/Kane Brown; Producer: Dann Huff; Label: RCA
–This love ballad gives him plenty of space to show what an expressive singer he is. I could have done without the shrieking electric-guitar solo.

LAYLA TUCKER / “Misery and Gin”
Writers: John Robert Durrell/Snuff Garrett; Producers: Keith Thomas/Jim Zumwalt/Joe McEwen; Label: LT
–Tanya’s daughter reminds us of what great country music sounds like with this terrific performance of Merle Haggard’s bluesy roadhouse classic. The 1980 song remains a masterpiece, and she sings it with emotional precision. Star-making stuff.

THOMAS RHETT, TYLER HUBBARD & RUSSELL DICKERSON / “Death Row”
Writers: Thomas Rhett/Ashley Gorley/Zack Crowell; Producers: Dann Huff/Jesse Frasure; Label: Valory
–Extraordinary. This is country music at its very best, speaking truth and touching the soul. Inspired by the three singers’ prison visit, the song finds humanity, empathy and forgiveness in those who are doomed. Each of the three takes a verse, and all of them soar. Essential listening.

MONTE WARDEN / “Love Is Undefeated”
Writers: Monte Warden/Brandi Warden; Producer: Brandi Warden; Label: Moonkiss
–The Wagoneers man gets tender and gentle on this stripped-down, acoustic effort. The ballad expresses the ultimate survival of man’s essential goodness while strings sigh and a guitar strums. Very pretty.

KATHY MATTEA / “Turn Off the News (Build a Garden)”
Writers: Anthony LoGerfo/Corey McCormick/Logan Metz/Lukas Nelson/Tato Melgar; Producers: Kethy Mattea/Jon Vezner; Label: Captain Potato
–Mattea plucked this song from the repertoire of Lukas Nelson & Promise of the Real. It’s a gently persuasive invitation to build trust and unity in these divisive times. Her lilting vocal is backed by sympathetic harmonica and keyboard work. Mattea is the new host of NPR’s Mountain Stage series, and this performance is drawn from one of those broadcasts.

CODY BELEW / “Here You Come Again”
Writers: Barry Mann/Cynthia Weil; Producer: Dustin Ransom; Label: Visionary Media Group
–This guy is a for-real singer, for sure. He completely reinterprets this 1977 Dolly hit, transforming it from a bouncy ditty into a cry of romantic anguish. His only accompaniment is a pianist, but his dramatic performance is so gripping that it needs nothing else. Belew is in the midst of a series of showcases at The Lipstick Lounge on Woodland Street, performing there once a month. March’s date is the 19th, and he’ll appear again at the venue on April 16.

JOSHUA HEDLEY / ”Broke Again”
Writers: Joshua Hedley/Skylar Wilson; Producers: Skylar Wilson/Jordan Lehning; Label: New West
–It’s a rollicking twang fest with loads of hooks, plenty of energy and mounds of hillbilly attitude. The workingman lyric is a dandy, and the band cooks with gas. Neo-traditionalist Hedley celebrates the release of his Neon Blue album with an April 20 show at the groovy new Eastside Bowl. Get yer tix now.

DISClaimer salutes Black History Month this week, because country music is having a historic moment.

Since the dawn of the 2020s, more than 50 African-American country artists have staged their debuts. Inspired by the breakthroughs of Jimmie Allen, Kane Brown, Mickey Guyton, Breland and Blanco Brown, a torrent of Black talent has surged into the format, with such artists as Brittney Spencer, Chapel Hart, Charley Crockett, Miko Marks and the Black Opry acts garnering significant media attention.

The Disc of the Day in today’s Black-country survey belongs to Big Machine’s Tiera Kennedy, with indie artist Dalton Dover running a close second.

The DISCovery Award is also a two-way race, with Coffey Anderson edging out Karen McCormick for the honor.

COFFEY ANDERSON / “Good To You”
Writers: Seth Ennis/Will Weatherly/John Pierce; Producers: Coffey Anderson/Ilya Toshinsky/Jordan Omley; Label: Riser House
– This good-time banger sports a sawing fiddle and a steady, head-bobbing beat. He has a jaunty, good-buddy delivery that’s quite winning. The sing-along song has loads of cute lines: “You’re always gonna be too good for me / And I’ll always be good to you.” “I would treat you like a lady / Like a brand-new Mercedes.” A winner.

DANIELIA COTTON / “Roll On Mississippi”
Writers: Rhonda Fleming/Dennis Morgan; Producer: none listed; Label: Cottontown
– Cotton has forceful, striking delivery that brings a pop-rock edge to this 1981 Charley Pride classic. She should have lowered the key, because she screeches way off key on the high notes.

JIMMIE ALLEN, CHARLEY PRIDE & DARIUS RUCKER / “Why Things Happen”
Writers: Brandon Day/Cary Barlowe/Jimmie Allen/Tate Howell; Producer: Ash Bowers/Jimmie Allen; Label: Stoney Creek
– Jimmie Allen currently sits at No. 1 on the country charts with pal Brad Paisley on “Freedom Was a Highway.” You’ll find it on his CD Bettie James: Gold Edition, which is loaded with cool collaborations. This track contemplates the mysteries of life and fate in a swirling production that’s also a “summit meeting” of Black-country greats. Earlier this month, the shooting star took time out to participate in a program called CreatiVets, which uses songwriting to aid veterans suffering from PTSD. By the way, Jimmie Allen is also one of our finest contemporary country showmen. If you haven’t seen him live, do so.

MICKEY GUYTON / “The Star Spangled Banner”
Writer: Francis Scott Key; Producer: N/A; Label: N/A
– This woman proved she is a STAR with this performance at last week’s Super Bowl. Social media sites blew up in its aftermath, and its YouTube video already has 1,182,673 views. Make that 1,182,674 views, because I just watched it again. Wow.

DWAYNE McMILLAN / “Find a Good Woman”
Writers: Dwayne McMillan; Producer: none listed; Label: AIK
– It is soaked with steel guitar, which is a good thing. It is painfully slow and draggy, which is not. The Atlanta soulman sings with sincerity, which is cool. The song lacks hooks, which isn’t.

DALTON DOVER / “Baby I Am”
Writers: Jason Gantt/Dan Isbell/Nate Smith; Producer: Matt McVaney; Label: Droptime
– I liked his debut single quite a bit, and this follow-up is just as impressive. The power ballad is a fervent declaration of True Love, and Dover sings the fire out of it. He’s small-town Georgia man who has found himself a big-city wedding anthem. Very uplifting.

CHIYANTI / “Big Ole Wagon”
Writers: Chiyanti Aiken-Brown; Producer: Chiyanti; Label: DistroKid
– Is “country twerk” a thing? This is a catchy hip-hop loop backed by a fiddler playing “Jaunty Alouetta” and “Old McDonald.” The lyric of the daffy dance tune praises gals with big butts.

THE PAULA BOGGS BAND & DOM FLEMONS / “King Brewster”
Writers: Paula Elaine Boggs; Producer: Martine Tucker; Label: PBB
– This Seattle combo dubs its sound “soulgrass,” since it combines bluegrass and Americana idioms. This track is a story song telling of Paula’s enslaved ancestor in Alabama and his journey through the post-bellum Jim Crow South. Flemons, a veteran of the Carolina Chocolate Drops, shares lead vocals. It’s kinda wordy, but could find favor on folk playlists.

MIKO MARKS / “Goodnight America”
Writers: Justin Phipps; Producer: none listed; Label: Redtone
– Miko Marks issued country albums in 2005 and 2007. After more than a decade out of the spotlight, she returned in 2021 with two new collections, Our Country and Race Records. The lyrics of this song are based on the sermon that Martin Luther King Jr. was working on when he was assassinated in 1968. Backed by rippling acoustic guitars, Marks gives it a terrific reading, shaded with deep alto notes and passionate political urgency. She remains a spectacular country voice, here with something to say.

TIERA KENNEDY / “Gentleman”
Writers: Cameron Bedell/Emily Landis/Tiera Leftwich; Producer: Cameron Bedell; Label: Big Machine
– This rhythmic slow jam is totally steamy. Tonight, she might not be ladylike, so he doesn’t have to be a gentleman when he comes over and turns out the lights. Country gets sexy.

KAREN McCORMICK / “Summer Lover”
Writers: Karen McCormick/Dana Marie Rogers; Producer: Evan Sieling; Label: KM
– Born in Brazzaville, Congo and raised in Washington State, this singer-songwriter staged her country debut with “Retro” in 2020. She has now followed it with this lovely, ultra-romantic ballad. Sung in a breathy sigh with hidden power, it’s very much in a pop-country mode, somewhat akin to Faith Hill’s work.

LATHAN WARLICK / “It’s OK to Cry”
Writers: Blake Hubbard/Jarrod Ingram/Lathan Warlick/Marc Peuschl; Producer: The720; Label: Records/Columbia
– This Tennessee native is nominally a Christian rapper, but he collaborates with Lauren Alaina, Dustin Lynch, Russell Dickerson, FGL’s Tyler Hubbard and other country acts on his My Way EP. The message to men that tears are healing is a good one. But this track is still way more hip-hop than honky-tonk. Pass.

Tracy Lawrence. Photo: Jon-Paul Bruno

It’s in with the new and in with the old today in DISClaimer.

I’m pleased to report that we have a trio of fine first-timers in the column—Karley Scott Collins, Sacha and our DISCovery Award winner, Stefanie Joyce.

At the same time, we have dandy new music from three veterans—Jeannie Seely, Deborah Allen and our Disc of the Day awardee, Tracy Lawrence.

Spin ‘em all.

THE KENTUCKY GENTLEMEN / “Whatever You’re Up For”
Writers: Brandon Campbell/Chris Sligh/Derek Campbell/Paul Wrock/Ty March; Producers: Chris Sligh/Matt McClure; Label: KG
–I was quite taken with these twins (Derek & Brandon Campbell) when I reviewed their infectious disc debut last year. They’re back with a sexy, good-time come-on that is ready for any country dance floor. This jam is star-making stuff.

TRACY LAWRENCE / “Don’t Drink Whiskey”
Writers: Cassidy Lynn Alexander/Conner Lawrence Sweet/Marla Cannon-Goodman; Producers: Tracy Lawrence/Julian King; Label: TL
–Classic country. This is honky-tonk heartache at its finest, and Tracy’s singing has never sounded more accomplished. Thank goodness someone is still making music like this; it’s what made this genre great.

BLANE HOWARD / “Boot N’ Rally”
Writers: Blane Howard/Keesy Timmer; Producers: John Shaw/Blane Howard; Label: BH
–It’s one of them rock ‘em, sock ‘em thangs with screaming electric guitar and pounding rhythm. The ditty is aided considerably by a cleverly written lyric.

MAREN MORRIS / “Background Music”
Writers: Maren Morris/Jimmy Robbins/Laura Veltz; Producer: Greg Kurstin; Label: Sony
–Her voice emerges from a deep well of echo with only the barest accompaniment. As the ballad progresses, the production adds layers and her singing increases in intensity. Fascinating, ear catching, magnetic.

SACHA / “We Did”
Writers: Brad Rempel/Ben Stennis; Producer: Gavin Slate; Label: Starseed
–This Canadian is on all kinds of artist-to-watch lists. I can certainly hear why. Her dazzling, bopping country rocker is produced like there’s no tomorrow. Her singing has all the verve, joy and delirium of young love. The twirling, swirling sound is utterly celestial. Make her a star.

KASSI ASHTON / “Dates in Pickup Trucks”
Writers: Kassi Ashton/David Garcia/Luke Laird; Producers: Luke Laird/Dave Garcia/Kassi Ashton; Label: MCA/Interscope
–Her quasi-spoken singing has more than a hint of R&B, and vibe here is distinctly hip-hop. In what sense is this record “country” music?”

JEANNIE SEELY / “So Far So Good”
Writers: Penn Pennington/Mitch Ballard; Producer: Don Cusic; Label: Curb
–Delightful. It’s a lively western swinger with scampering piano, twin fiddles and flawless background harmonies by The Whites (Sharon & Cheryl). It left me grinning from ear to ear.

LEVI HUMMON / “Bottled Up”
Writers: Levi Hummon/Mason Thornley/Grant Vogelfanger; Producer: Eric Arjes; Label: Reservoir
–Second-generation country guy Levi is the son of mega-hit writer Marcus Hummon (who recently debuted an opera in Music City). This track from his forthcoming EP is a well-written tune about the repressed emotions of a broken-hearted dude on a barstool. Catchy and commercial.

CHRIS LANE / “Howdy”
Writers: John Byron/Sam Ellis/Blake Pendergrass; Producer: Joey Moi; Label: Big Loud
–Breezy and easy going. His plain-spoken, relaxed delivery sidles up next to you in an instantly-familiar way while the track twangs and thumps in a lulling pattern around him. Gently endearing.

STEFANIE JOYCE/ “Idle Hands”
Writer: Stefanie Joyce; Producer: Kyle Manner; Label: Avalon
–The funky, backbeat production is uber cool. Her drawling vocal is an arrow of truth. The guitar-groove melody is solid and hooky. Best of all, the lyric is a brilliantly fashioned plea for salvation from pills and booze. This is an extraordinary disc debut. I can’t wait to hear what else this singer-songwriter has in her arsenal.

DEBORAH ALLEN / “Blue Collar Baby”
Writers: Deborah Allen/Margaret Phillips; Producer: Deborah Allen; Label: DA
–This romping retro-rockabilly rave up is a rollicking audio party, complete with stuttering guitar, piano plunking and non-stop rhythm.

KARLEY SCOTT COLLINS / “Heavenly”
Writers: Karley Scott Collins/Nathan Champan; Producer: Nathan Chapman; Label: Sony
–Her burlap-and-velvet vocal tone is enchanting. The song is a regulation positive love tune, but she makes it sound like something exceptional. Promising. Send more.

Keb’ Mo’. Photo: Jeremy Cowart

The winter wind is chilling, but the sounds of Americana are warm indeed.

This week’s overview of the genre’s current music boasts the star power of Rodney Crowell & Lisa Morales, John Hiatt & Jerry Douglas, Old Crow Medicine Show and Jackson Browne.

Towering above ‘em all is Disc of the Day winner Keb’ Mo,’ an artist who never fails to impress.

The DISCovery Award this week goes to Sarah White of Richmond, Virginia.

JOHN HIATT WITH THE JERRY DOUGLAS BAND / “All the Lilacs in Ohio”
Writer: John Hiatt; Producer: Jerry Douglas; Label: New West
–The album is titled Leftover Feelings, but there is nothing “leftover” sounding about it. Nashville Songwriters Hall of Fame member Hiatt unfurls yet another stunning set of his creations on this current collection. We generally think of him as a rocker, but with dobro master Douglas and his band “singing along” with their instruments, Hiatt touches the soul with aching ballads and, in this case, a lively bluegrassy pop outing with a bleak, lost-love lyric. This disc is presently nominated for a Grammy as the Americana Album of the Year.

LISA MORALES & RODNEY CROWELL / “Flyin’ and Cryin’”
Writers: Lisa Morales/Rodney Crowell; Producer: David Garza; Label: LM
–This single is a teaser for Morales’s upcoming album. With an ultra-subtle production of sighing strings, gently brushed drums and acoustic strumming, the duet achingly delineates a lost relationship. Rodney’s seasoned tones match Lisa’s resonant delivery exquisitely. She was half of Sisters Morales until sailing on as a solo with two prior CDs. Her sibling Roberta died of cancer last year. Mexican American Lisa Morales hails from Tuscon and is a cousin of the legendary Linda Ronstadt.

OLD CROW MEDICINE SHOW / “Bombs Away”
Writer: Ketch Secor; Producers: Matt Ross-Spang/Old Crow Medicine Show; Label: ATO
–The string band rampages through this divorce song with breakneck fearlessness. If you’re going through the Big D, the best approach is to dive into the unknown with guts and glory, say these Opry stars. That’s Molly Tuttle providing the hot-damn banjo licks. Raucous and delightful, this is the second single from the band’s upcoming CD, following in the footsteps of the title tune, “Paint This Town.”

KEB’ MO’ / “Good to Be (Home Again)”
Writers: Kevin Moore/Mark Ramos Nishita; Producers: Kevin Moore/ Vince Gill; Label: Rounder
–Languid and loose-limbed, this contemplative groover celebrates the artist reconnecting with his roots. (The Nashvillian recently bought his childhood home in Compton, California and renovated it.) It is the title tune of an album that dropped last Friday. You’ll find collaborations with Darius Rucker, Kristin Chenoweth and Old Crow Medicine Show on the new collection, but as this sterling track demonstrates, Keb’ Mo’ soars even higher when he’s on his own. He remains one of the Americana genre’s greatest song craftsmen. Put this one on “repeat” again and again.

JACKSON BROWNE / “Downhill From Everywhere”
Writers: Jackson Browne/Jeff Young/Greg Leisz; Producer: Jackson Browne; Label: Inside
–Browne’s comeback Downhill From Everywhere is Grammy nominated as 2021’s Americana Album of the Year. Its title tune is a punchy folk rocker with a downcast ecological, anti-pollution lyric bolstered by intense vocal bursts. It’s very much in tune with his classic sound. He’s still that Laurel Canyon boomer you’ve known for all these years.

SARAH JAROSZ / “Mama”
Writer: Sarah Jarosz; Producer: Sarah Jarosz; Label: Rounder
–Sarah’s current Blue Heron Suite has a Best Folk Album Grammy nomination this year. This ethereal lead-off track has a lovely simplicity with her deftly plucked acoustic guitar backing her breathy, wistful, poignant soprano.

NATHANIEL RATELIFF & THE NIGHT SWEATS / “Survivor”
Writers: Nathaniel David Rateliff/Patrick Blair Meese/Sam Cohen; Producer: Brad Cook, RMB & Elijah Thomson; Label: Stax
–Drawn from this act’s new album, The Future, this dramatic funk-rock track mixes shuddering horn blasts with stinging electric guitar zaps and a stop-start undertow rhythm track. Atop it all is the front man’s seering, fierce lead vocal. It’s a wild ride.

KATIE GUSTAFSON / “See Me Now”
Writers: Katie Gustafson/Sam Ashworth; Producer: Sam Ashworth; Label: Mother Trucker
–Her echoey soprano vocal is surrounded by a swirl of electronics and a deep pool of twang bass. The introspective lyric took on extra significance to the Nashville singer-songwriter when she overcame breast cancer last year.

BRENT COBB / “When It’s My Time”
Writers: Brent Cobb/Layne Cobb/Mike Harmeier; Producer: Dave Cobb; Label: Ol’ Buddy
–Already one of the Americana genre’s standout singer-songwriters, Cobb turns his talent to gospel music on his upcoming CD. This advance track luxuriates in his captivating Georgia-accented phrasing with stately church keyboards and guitars. Not to mention soulful, Southern-fried backing vocals. Righteous in the extreme. Essential listening.

ELI PAPERBOY REED / “Mama Tried”
Writer: Merle Haggard; Producer: none listed’ Label: Yep Roc
–Now here’s a concept. White soul singer Reed is releasing an entire album of Merle Haggard songs, reinterpreted as horn-punctuated R&B tunes. It’s not my cup of tea, but you have to admit that it is intriguing. His blistering vocal attack threatens to overwhelm the story telling in “Mama Tried,” but otherwise the soul-music setting brings out new shades in the Hag’s hit.

TYLER CHILDERS / “Long Violent History”
Writer: Tyler Childers; Producers: Tyler Childers/Jesse Wells; Label: Hickman Holler
–This is the title tune of Childers’s 2021 CD, which is somewhat oddly nominated as a Best Folk album at this year’s Grammy Awards. His stone-country vocal on this struggling-Appalachia lyric is backed in waltz time by twin fiddles, perfectly picked banjo, mandolin chops and thumped bass. I don’t care what you call it, this man’s music is simply electrifying.

SARAH WHITE / “Different Drum”
Writer: Michael Nesmith; Producer: Stewart Myers; Label: White Star Sound
–White’s cover of this Linda Ronstadt/Stone Poneys classic is an intriguing introduction to a creative alto vocalist. Her slightly behind-the-beat phrasing and conversational pauses are wonderfully ear catching. The deep twang in the production is cool, too. It’s a marvelous tribute to the late, great Michael Nesmith.