MusicRow’s Sherod Robertson Looks Back On 10 Years As Publisher and Owner

Pictured (clockwise from top right): Taylor Swift and Sherod Robertson; Garth Brooks, Robertson, and Trisha Yearwood; Tim McGraw; Chris Young and Robertson; Carrie Underwood and Robertson; Robertson and Dierks Bentley; Dolly Parton and Robertson. Photos: Courtesy Sherod Robertson

(This article first appeared in MusicRow‘s January 2021 Touring print issue.)

In college, MusicRow Publisher/Owner Sherod Robertson was enamored with the television show Dallas, which followed the saga of the Ewing family and their massive oil empire. The suits and the storylines inspired Robertson to want to pursue a career in business in Dallas so when he graduated magna cum laude from The University of Alabama, he headed west to start that journey.

With a business education and a major in accounting, Robertson took a job with the well-known Arthur Andersen & Co. accounting firm. A few years later, Robertson visited a fraternity brother who lived in Nashville. On that brief visit, Robertson immediately knew he had to leave Dallas and move to Music City. From that first visit, he knew this was home.

“I wasn’t trying to get a job in the music industry,” Robertson said. “I had specialized in oil and gas [accounting]. But through the way it often works in Nashville, I knew someone and that connection led to a career change by helping me secure an interview with Reunion Records, the boutique contemporary Christian music label. I landed the job and soon became CFO of Reunion. Reunion was acquired by Bertelsmann and Arista Records in the mid-90s, and that’s how I ended up working for Arista and that amazing and somewhat legendary team under the leadership of Tim Dubois and Mike Dungan.”

Pictured (clockwise from top left): Cyndi Lauper and Sherod Robertson; Maren Morris and Robertson; Robertson and Eric Church. Photos: Courtesy Sherod Robertson

In 2000, the Arista Records label was merged as an imprint under its sister company RCA Label Group, and many of the Arista staff received pink slips, Robertson included. After stumbling around for a while, he parlayed some work with the Nashville Scene into helping to start a new company, SouthComm, with publisher Chris Ferrell. SouthComm became a media company that owned a number of alternative weekly newspapers and other niche publications such as the Nashville Scene and Nfocus, and eventually purchased MusicRow Magazine from its Founder, David Ross.

In 2010, SouthComm decided to sell off MusicRow. And Robertson decided to buy it.

“I often get asked what gave me the courage and confidence to make the leap from something like finance and accounting to buying a media company. I personally had no journalism experience and the only articles I had written were audit opinions and financial statement footnotes. But looking back, I honestly feel I didn’t have a choice in the matter. It wasn’t even something I needed to analyze or think about. When an opportunity presents itself that is so perfectly aligned with who you are and where you want to go, and most importantly, you are mentally in a place to accept it, taking that first step is ridiculously easy. It’s the execution that follows; however, where all the work begins.

“Once I acquired MusicRow, I became the apprentice. Since I was one of the first two people that started SouthComm and I had so much institutional knowledge about that company, I said, ‘Here’s what I’ll do as part of my deal with the acquisition: I will train someone so that whenever I leave on that last day, you won’t even notice that I have left. It will be that seamless.’ And so I would work at SouthComm for the first half of the day, and then on my lunch break, I would come over to MusicRow and work the remaining part of the day. When I was at SouthComm, I was training someone to take over my role, and when I came here, David [Ross] was doing the opposite and training me to take over his role. So I was very fortunate that after I bought the company, I was able to be trained by the guy who started it in 1981.

“Something I recently realized is that me being a CPA and an auditor at Arthur Anderson in those early days of my career gave me some incredibly useful tools for my role at MusicRow, particularly those I learned on the audit side,” Robertson said. “Knowing accounting is always a good plus when you’re running your own company. I think everybody would agree with that. I never dreamed that my audit skills would translate into any type of asset as a Publisher, but it has. One of the most important skills as a financial auditor is looking for inconsistencies, looking for errors, looking for things that don’t fit, and when you have a company like MusicRow that is generating so much content—whether it’s proofing or just getting that gut feeling that something doesn’t look right and it needs to be adjusted. Those are some of the skills that I brought here from my very first job many years ago.”

Since being at MusicRow, the publication has grown exponentially in value. Robertson took a well-built, innovative and valuable resource for the Nashville music industry, and expanded it, growing the publication’s digital presence. The print magazines have grown and strengthened under Robertson’s leadership, including the lauded InCharge Print Issue and Directory, and the valued Artist Roster and Publisher Editions. Robertson enhanced the MusicRow CountryBreakout Radio Chart, acquired the MusicRow Top Songwriter Chart, launched the MusicRow Weekly Newsletter, implemented MusicRow’s No. 1 Challenge Coins, and much more.

Robertson adds, “In the first few years, I had two major goals. One was to have a deeper footprint by penetrating the Nashville music industry in a more profound, meaningful way. And the second was to pay down my debt that I used to acquire the company. Looking back, that’s what we have done, and I’m very proud of that.

“There were two different paths I could have gone, and I thought seriously and strategically about both. I could have made the publication more consumer oriented. A lot of industry trade publications end up going in this direction but it often weakens the value for the industry it serves. I purposely decided that was not the path for MusicRow. I wanted to hyper-serve the music industry in Nashville, plant my feet deeper into the industry and become an even more important resource, not just for information, but for connecting people in the industry. As a result, in addition to the core industry members we serve, we also have thousands of country music superfans, who don’t work in the industry, but follow our content because of its integrity and value.”

Pictured (left): Richard Branson and Sherod Robertson; (right): Robertson, Carly Pearce, and ASCAP’s Mike Sistad. Photos: Courtesy Sherod Robertson

Robertson also revamped the existing MusicRow Awards event to an invitation-only, ticketed gala with expanded categories; and he started the beloved, annual Rising Women on the Row honors ceremony.

“[Rising Women on the Row] has been an important event for me because it’s an homage to my late grandmother, so it has a very personal meaning,” Robertson said. “I love supporting badass women in our industry when they’re in the middle of their careers–and shining a spotlight on them and their contributions. It’s important for me to let them know that we all see what they are doing and we want to recognize and honor that. That’s what this event is all about.”

Likewise, MusicRow established the N.B.T. (Next Big Thing) Music Industry Directory in last year’s Touring Print Issue, which showcases Nashville industry members in mid-level roles, who are rising through the ranks.

“This is highlighting the top achievers in the next generation that are going to be the future leaders of our industry. They are literally the future of the Nashville music industry. Reinvesting back into the industry is such an important thing, and I think a lot of us do that. We know how important it is to invest in the next generation that’s coming up. So this is one way we can do that, by recognizing those individuals who are the Next Big Thing.”

Robertson has learned a lot in his 10 years at the helm of MusicRow Magazine. His hard work has paid off.

“The most rewarding part of this role has been the people and the experiences. When I think of the extraordinary people I have met and the amazing things I have been given the opportunity to do, I am completely humbled with gratitude. As I mentally scroll through the names and experiences, I jokingly ask myself, ‘Whose life is this!?’ I am truly very fortunate to be in this position.

“But it takes a tremendous amount of work to do what MusicRow does on a consistent and reliable basis. I’m very proud of our team and the content we generate. It’s exciting to have a group of team members that not only share my vision but have a similar desire to be their very best.”

Pictured (left): Jeannie Seely and Sherod Robertson; (right): Robertson and Tony Brown. Photos: Courtesy Sherod Robertson

As far as the next 10 years, Robertson remains focused on what the Nashville music business needs.

“I think it’s very important on the front end that I’m always looking, not just for new opportunities—because I’m very good at that—but also looking for opportunities where MusicRow needs to be and what we need to be doing,” Robertson said. “My daily philosophy can be somewhat exhausting, so I’m not necessarily recommending it, but on some level I come into the office every single day with the expectation that I have to earn it all over again today. I don’t get to rest on anything I’ve done before. With that mindset, as far as the next 10 years go, it’s being acutely aware of where MusicRow needs to be and how we need to improve and enhance our role of connecting this industry, especially as the industry gets more fragmented—whether it be geographically or the graying lines of the genre, or the expanding digital opportunities or as in this year, the way we continue to work and create during a pandemic.

“We have to always be looking at what we need to be doing. Whatever we do today may be great, but you have to understand that tomorrow, it may not be. It may need to be something else, something different. That’s the key to me, as far as going forward. Some people want to be big, but I don’t use size as a measurement of my success. I use quality of service, value of content, ability to connect all of us together and most importantly, the feedback I receive from industry people that I respect. Those are my metrics.”

Rewind: MusicRow’s Top Engaging Stories Of 2020

The articles below were some of the most-read stories from MusicRow during 2020. For the first two and a half months of the year, the Nashville music industry’s creative superpower was on full blast until suddenly thwarted in mid-March as the COVID-19 pandemic begin ravaging throughout the world. While some members and companies were forced to shut down, others pivoted to working from home. This year will undoubtedly be defined by the pandemic.

These are the top headlines, excluding obituaries featured separately, that captured the most attention as the Nashville music business, bruised and beat up, persevered onward.

 

Gov. Lee Requires Tennesseans To Remain At Home

[April 2, 2020] Tennessee Governor Bill Lee is set to sign Executive Order 23, which requires that Tennesseans stay home unless carrying out essential activities. The executive order remains in effect until April 14, 2020 at 11:59 p.m…

 

John Prine’s “I Remember Everything” Debuts At No. 1

John Prine. Photo: Danny Clinch

[June 23, 2020] The late John Prine‘s last recorded song, “I Remember Everything,” has debuted at No. 1 on Billboard‘s Rock Digital Song Sales Chart, earning the highest-charting single of Prine’s career as a performer…

 

Lady Antebellum Changes Band Name

[June 11, 2020] Lady Antebellum announced on Thursday (June 11) that going forward, the trio will be dropping the name “Antebellum,” and will be known simply as Lady A

 

Kane Brown To Play Halftime Show At Dallas Cowboys Thanksgiving Day Game

Kane Brown. Photo: Matthew Berinato

[November 25, 2020] Kane Brown is set to headline the Dallas Cowboys vs. Washington halftime show on Thanksgiving Day. Kickoff will begin at 4:40 p.m. ET, and the game will air on FOX. The performance is a Cowboys tradition, helping to serve as a call to action for Americans to donate to The Salvation Army’s Red Kettle Campaign…

 

ACM Awards To Be Held In Nashville

[April 27, 2020] For the first time in Academy of Country Music Awards history, the show will be held in Nashville. ACM CEO Damon Whiteside made the announcement during a press conference in Nashville on Monday (April 27)…

 

Nashville Songwriters Hall Of Fame Inductees Announced

Pictured (clockwise from top left): Kent Blazy, Brett James, Steve Earle, Bobbie Gentry, Spooner Oldham

[November 2, 2020] Steve Earle, Bobbie Gentry, Kent Blazy, Brett James and Spooner Oldham have been elected to the Nashville Songwriters Hall of Fame, according to an announcement made today (Nov. 2) by Sarah Cates, chair of the organization’s board of directors…

 

Nashville Music Business Hangout, The Palm, Facing Eviction

[September 9, 2020] The Palm, a popular hangout among the music business community, is facing eviction from Hilton Nashville Downtown, reports the Nashville Post. The steakhouse is currently situated across the street from Nashville’s Bridgestone Arena’s main entrance, where it has been since it opened in 2000…

 

Loretta Lynn Honored With Statue On Ryman Auditorium Icon Walk

Photo: Kit Wood

[October 21, 2020] A Loretta Lynn statue has been added to the Icon Walk on the grounds of the Ryman Auditorium. Visitors can find the “Coal Miner’s Daughter” statue standing at the northwest corner of the building near the venue’s driveway on Fifth Avenue next to the likeness of Bill Monroe, the Father of Bluegrass Music…

 

MusicRow Announces 2020 Rising Women On The Row Honorees

[February 26, 2020] MusicRow is proud to reveal the honorees for its ninth annual Rising Women on the Row celebration. The ceremony will honor six female executives who are making a significant impact on Nashville’s country music industry…

 

Amy Grant Shares Personal Message About Heart Health

[February 13, 2020] Amy Grant recently shared her personal story regarding the importance of heart health with her fans, in honor of Heart Health Awareness month. In a social media post, the Grammy-winning, Nashville native and fierce music community supporter paid tribute to her doctor, Dr. John Bright Cage…

 

Carrie Underwood Unveils Track List, Guests For Christmas Album My Gift

Photo: Joseph Llanes

[August 31, 2020] Carrie Underwood welcomed some special guests on her upcoming new Christmas album, My Gift, collaborating with John Legend on the original song “Hallelujah,” and inviting 5-year-old son Isaiah to appear on the holiday classic that inspired the album title, “Little Drummer Boy”…

 

Florida Georgia Line Leaves Big Loud

Florida Georgia Line. Photo: Robby Klein.

[January 31, 2020] Florida Georgia Line has parted ways with managers Seth England and Kevin “Chief” Zaruk of Big Loud, after nine years. FGL first signed with Big Loud Publishing in 2011 and in 2012, released the breakthrough single “Cruise,” which is now 11x Platinum and the best-selling digital country single of all time…

 

Kathie Lee Gifford Talks New Movie, Working With Brett James, And New Beginnings [Interview]

Then Came You starring Kathie Lee Gifford Credit: Vertical Entertainment

[September 25, 2020] Television star, actress, singer, and songwriter Kathie Lee Gifford has lent her artistry to a new film, Then Came You. Gifford wrote, produced, and starred in the film, and she wrote the music with Music Row hit-maker Brett James. Film distributor Vertical Entertainment plans a one-night showing of Then Came You nationwide via Fathom Events on Sept. 30, followed by an on-demand and digital release on Oct. 2…

 

2020 ACM Awards Winners

Maren Morris poses with the Female Artist of the Year award at the 55th Academy of Country Music Awards. Photo: John Shearer/ACMA2020/Getty Images for ACM

[September 16, 2020] The 55th annual Academy of Country Music Awards, hosted by Keith Urban and airing on CBS, marked the first time the awards show aired from Nashville, featuring performances from three iconic venues—the Grand Ole Opry House, the Ryman Auditorium, and the Bluebird Cafe…

 

Eric Church, Maren Morris, Luke Combs Lead CMA Awards Winners

Eric Church accepts award for Entertainer of the Year at The 54th Annual CMA Awards. Photo: Courtesy CMA

[November 11, 2020] The 54th Annual CMA Awards were celebrated in Nashville tonight, airing live on ABC, and co-hosted by Reba McEntire and Darius Rucker

 

Longtime Songwriter Hotspot Douglas Corner Closing Permanently

[May 28, 2020] Nashville’s Douglas Corner Cafe, a longtime favorite spot for music lovers and songwriters, will close its doors for good, according to owner Mervin Louque

 

Thomas Rhett Inks With Warner Chappell

Thomas Rhett. Photo: John Shearer

[August 12, 2020] Thomas Rhett has signed an exclusive worldwide publishing deal with Warner Chappell Music Nashville. The multi-Platinum singer-songwriter was most recently signed to Sony/ATV…

 

Keith Urban, Luke Combs, Tanya Tucker, Blake Shelton Show Out For All For The Hall

Pictured (L-R, back row): Blake Shelton, Keith Urban, Luke Combs, Country Music Hall of Fame and Museum CEO Kyle Young, Morgan Wallen, John Osborne, TJ Osborne, Chris Stapleton; (L-R, front row): Tanya Tucker, Tenille Townes, Carly Pearce, Ingrid Andress, and Lauren Daigle backstage at All for the Hall: Under the Influence, benefiting the Country Music Hall of Fame and Museum at Bridgestone Arena. Photo: Terry Wyatt/Getty Images for Country Music Hall of Fame and Museum

[February 11, 2020] The seventh annual All For The Hall, benefiting the Country Music Hall of Fame and Museum, sold out Bridgestone Arena last night (Feb. 10). With Keith Urban serving as the host, the show was billed as All For The Hall: Under The Influence, and each special guest played a song of their own and a song that had influenced them. Urban was joined by Tanya Tucker, Blake Shelton, Luke Combs, Chris Stapleton, Carly Pearce, Morgan Wallen, Tenille Townes, Brothers Osborne, Lauren Daigle, and Ingrid Andress throughout the night.

 

Morgan Wallen Adds Republic To His Team

Morgan Wallen. Photo: John Shearer

[August 31, 2020] Big Loud Records artist Morgan Wallen has scored a huge streaming hit with his latest, “7 Summers.” Now, Republic Records is partnering with Big Loud to work Wallen’s music, and will start with a radio campaign for “7 Summers”…

 

32nd Annual MusicRow Awards Winners

[August 18, 2020] MusicRow Magazine revealed the winners of the 32nd annual MusicRow Awards in a series of videos on all MusicRow online platforms, including Facebook, Instagram and Twitter, starting at 9:00 a.m. today (Aug. 18). The winners for the 32nd annual MusicRow Awards are…

 

On The Row: Gabby Barrett On Her Journey From American Idol To A Radio Hit

Gabby Barrett with MusicRow Magazine staffers.

[February 11, 2020] Gabby Barrett‘s journey from the American Idol finals to country radio success could be the epitome of the lyrics featured in one of her songs, “Jesus and My Mama”: I don’t break and I don’t bend

 

MusicRow Highlights Rising Leaders With 2021 N.B.T. Industry Directory

[December 1, 2020] Rising Nashville music industry leaders have been selected as MusicRow Magazine’s 2021 N.B.T. Industry Directory. Now in its second year, MusicRow’s N.B.T. Industry Directory is the first and only list of its kind, showcasing Nashville music business professionals who occupy important roles at their respective companies, and who are on a trajectory of excellence to successfully lead the Nashville music industry into the future…

 

Kevin Jonas, Sr. Launches Nashville-based Publishing House Jonas Group Publishing (Exclusive)

Pictured: Kevin Jonas, Sr. (Founder and CEO), Denise Jonas (Founder), Terri Jo Box (Songwriter), Roger Hodges (Artist Manager with Jonas Group Entertainment). Photo: Courtesy of Jonas Group Publishing All photos are Courtesy of Jonas Group Publishing

[September 15, 2020] Jonas Group Entertainment, led by founder/CEO Kevin Jonas, Sr., has opened the Nashville-based publishing division, Jonas Group Publishing, with flagship writer Terri Jo Box.

 

Hannah Mulholland Exits Runaway June

Pictured: Hannah Mulholland, Naomi Cooke, Jennifer Wayne

[May 14, 2020] Hannah Mulholland has announced her departure from the trio Runaway June. Mulholland, alongside Naomi Cooke and Jennifer Wayne, formed Runaway June in 2015 and signed with BBR Music Group’s Wheelhouse Records…

 

Sony/ATV Music Publishing Announces Two New Executive Hires

Caldwell, Pender

[May 7, 2020] Sony/ATV has added two new executives to its Nashville office. Cam Caldwell joins as VP, Business Affairs, while Courtney Pender joins as VP, Human Resources…

 

Ashley Gorley Makes History With 50th No. 1 Song Milestone

Ashley Gorley. Photo: Josh Ulmer

[August 3, 2020] Ashley Gorley has set a new record, as he earns his 50th No. 1 song at country radio with LOCASH‘s “One Big Country Song,” which is at No. 1 this week on Mediabase. With this milestone, Gorley—who is signed to Round Hill Music Publishing—becomes the only songwriter in any genre to earn 50 No. 1 singles in the history of the Mediabase and Billboard Airplay charts…

 

Luke Combs Inks Publishing Deal With Universal Music Publishing Group

Luke Combs. Photo Courtesy UMPG

[July 8, 2020] Luke Combs has signed an exclusive, global publishing deal with Universal Music Publishing Group…

 

Nashville Music Venue The Basement East Destroyed By Tornado

[March 3, 2020] Beloved Nashville music venue The Basement East was destroyed early Tuesday morning (March 3) when a tornado ripped through much of Nashville around 1:00 a.m. The tornado caused severe damage in areas of Nashville including East Nashville, Germantown, Donelson and Mt. Juliet…

 

Gone West Parts Ways

[August 13, 2020] Members of the band Gone West are going separate ways. Colbie Caillat and Justin Young are splitting from bandmates Jason Reeves and Nelly Joy. On Wednesday, Caillat posted the news on Instagram

 

Nashville Studio Singer Community Presents “It Is Well With My Soul” With Virtual Cell Phone Choir

[March 26, 2020] Thirty-one of Nashville’s studio singers came together using their cell phones during Nashville’s ‘Safer at Home’ order to record and lift their collective voices to share a message of hope and encouragement with “It Is Well With My Soul”…

Rewind: 2020 ‘MusicRow’ CountryBreakout Radio Chart No. 1s

Since 2002, the MusicRow CountryBreakout Chart has crowned No. 1 songs in the secondary country radio marketplace, celebrating 43 songs in 2020. MusicRow congratulates each artist, songwriter and label for its accomplishments this year.

Luke Bryan. Photo: Jim Wright

Three artists achieved triple No. 1s this year, Luke Bryan (“What She Wants Tonight,” “One Margarita,” “Down To One”), Florida Georgia Line (“Blessings,” “I Love My Country,” “Long Live”), and Luke Combs (“Does To Me,” “Lovin’ On You,” “Better Together”).

Bryan’s single “One Margarita” spent an incredible three weeks in the top spot on the chart on June 4, June 11, and June 25. Several artists earned two weeks at the chart pinnacle, including Combs (“Lovin’ On You”), Carly Pearce & Lee Brice (“I Hope You’re Happy Now”), Thomas Rhett feat. Jon Pardi (“Beer Can’t Fix”), Tim McGraw (“I Called Mama”), and Chris Stapleton (“Starting Over”).

The winners of the 19th Annual MusicRow CountryBreakout Awards, based on radio airplay reported by stations on MusicRow’s radio panel, will be revealed on Wednesday February 17, 2021.

2020 MusicRow CountryBreakout Radio Chart No. 1s
Jan. 9: Luke Bryan, “What She Wants Tonight”
Jan. 16: Jake Owen, “Homemade”
Jan. 23: Kane Brown, “Homesick”
Jan. 30 & Feb. 6: Carly Pearce & Lee Brice, “I Hope You’re Happy Now”
Feb. 13: Eric Church, “Monsters”
Feb. 20: Morgan Wallen, “Chasin’ You”
Feb. 27: Florida Georgia Line, “Blessings”
March 5: Ingrid Andress, “More Hearts Than Mine”
March 12 & March 19: Thomas Rhett & Jon Pardi, “Beer Can’t Fix”
March 26: Luke Combs & Eric Church, “Does To Me”
April 2: Carrie Underwood, “Drinking Alone”
April 9: Blake Shelton & Gwen Stefani, “Nobody But You”
April 16: Gabby Barrett, “I Hope”
April 23: Kenny Chesney, “Here And Now”
April 30: Justin Moore, “Why We Drink”
May 7: Keith Urban, “God Whispered Your Name”
May 14: Miranda Lambert, “Bluebird”
May 21: Sam Hunt, “Hard To Forget”
May 28: Florida Georgia Line, “I Love My Country”
June 4, June 11 & June 25: Luke Bryan, “One Margarita”
June 18: Thomas Rhett, Keith Urban, Reba McEntire, Hillary Scott & Chris Tomlin, “Be A Light”
July 2: Chris Janson, “Done”
July 9 & July 16: Tim McGraw, “I Called Mama”
July 23: Kip Moore, “She’s Mine”
July 30: Lee Brice, “One Of Them Girls”
Aug. 6 & Aug. 13: Luke Combs, “Lovin’ On You”
Aug. 20: Jason Aldean, “Got What I Got”
Aug. 27: Jon Pardi, “Got What I Got”
Sept. 3: HARDY, Lauren Alaina & Devin Dawson, “One Beer”
Sept. 10: Morgan Wallen, “More Than My Hometown”
Sept. 17: Blake Shelton & Gwen Stefani, “Happy Anywhere”
Sept. 24: Lady A, “Champagne Night”
Oct. 1: Parker McCollum, “Pretty Heart”
Oct. 8: Kenny Chesney, “Happy Does”
Oct. 15: Jameson Rodgers, “Some Girls”
Oct. 22: Kelsea Ballerini, “Hole In The Bottle”
Oct. 29: Darius Rucker, “Beers and Sunshine”
Nov. 5 & Dec. 17: Chris Stapleton, “Starting Over”
Nov. 12: Brothers Osborne, “All Night”
Nov. 19: Florida Georgia Line, “Long Live”
Nov. 25: Rascal Flatts, “How They Remember You”
Dec. 3: Luke Combs, “Better Together”
Dec. 10: Luke Bryan, “Down To One”

Nashville-Related Music Obituaries 2020

[click to enlarge]

Like everyone, the Nashville music community had a dreadful 2020.

The worldwide COVID-19 pandemic claimed the lives of Joe Diffie, John Prine, Bill Mack, Bobby Jonz, Bill Pusell and Charley Pride. Other top stars lost included Kenny Rogers, Mac Davis, K.T. Oslin, Jan Howard, Jerry Jeff Walker, Charlie Daniels, Hal Ketchum, Doug Supernaw, Roy Head and The Statler Brothers’ Harold Reid.

The songwriting community said farewell to Billy Joe Shaver, David Olney, Eddie Setser and Alex Harvey, among others. Gospel music’s Gary McSpadden, jazz great Jim Williamson and rock superstar Little Richard passed, too.

The music-business world was especially hard hit. Dick Whitehouse, Fuzzy Owen, Stan Byrd, Gary Walker, Sam Howard, Ray Pennington and Walter C. Miller all passed away during this past year.

Below is a roll-call of the many who said goodbye.

STEPHEN GUDIS, 68, died Jan. 6.
Concert-industry exec. Began in Nashville at Pace Concerts 1994 as production manager at Starwood Amphitheater. Worked as road manager, show promoter, stage manager throughout Southeast. In 1990s toured with Oaks, Brooks & Dunn, Alabama, CDB, Marty Stuart, Toby, Brad, others. Stage manager of Volunteer Jam for a decade and of more than 20 FarmAid concerts. Event manager for Nissan, TPAC, T.J. Martell, Warners, Parnelli Awards. Launched New Year’s Eve Guitar Drop for Hard Rock Café. Worked on Music City Irish Festival, Music City Jazz Festival.

BARRY FREEMAN, 83, died Jan. 10.
Record promoter, radio executive, songwriter, trade journalist. Wrote Dinah Shore hit “So Dear to My Heart” (1948). Record promoter in 1950s at Coral label (Buddy Holly, Debbie Reynolds, Rosemary Clooney, etc.). Positions at United Artists, Harmon, Kapp labels (1958-68). As independent, promoted “Harper Valley P.T.A.” to No. 1 (1968). Returned to labels 1970s at Capitol (Ronstadt, Steve Miller Band, McCartney, etc.), Atlantic (Aretha, Bette Midler, CSN&Y, Zeppelin, etc.). Head of Talent Acquisition for Westwood One (1981-84). Head of Artist Relations for Entertainment Radio Networks (1985-93) booking “Countryline USA.” Bureau chief of Nashville trade publication Network 40 (1994-96). Joined ABC Radio Networks (1996-99). Returned to record promotion repping Warner comedy acts. Formed FM Entertainment (2000-08) booking morning-show interviews.

DICK WHITEHOUSE, died Jan. 14.
CEO of Curb Records. Began with label when it was launched in 1964. Key exec. in Curb signing Sawyer Brown, Lyle Lovett, Desert Rose Band, The Judds, Junior Brown, others.

WADE JACKSON, 90, died Jan. 14.
Wrote “Don’t Be Angry,” a 1964 Top 10 hit for brother Stonewall Jackson, revived by Billy “Crash” Craddock as minor 1973 success, then returned to Top 10 by Donna Fargo 1977. Prolific songwriter of thousands of others. Multi-instrumentalist on guitar, fiddle, harmonica, mandolin. (full name: Waymond D. Jackson).

CHRIS DARROW, 75, died Jan. 15.
Multi-instrumentalist in Nitty Gritty Dirt Band on its hit LP Uncle Charlie & His Dog Teddy (1970). On singles “Mr. Bojangles,” “House at Pooh Corner,” “Some of Shelley’s Blues” and in movie Paint Your Wagon (1969). Also backed Ronstadt, James Taylor, Sonny & Cher, Helen Reddy, etc. In band Kaleidoscope and solo LPs.

DAVID OLNEY, 71, died Jan. 18.
Nashville singer-songwriter. Made initial mark in band Simpson with arrangement of “Black Betty.” First Nashville impact as leader of The X-Rays (1978-85), a founding band of city’s alternative-rock scene. Became acclaimed figure in Americana movement via 20+ albums. Also performed and recorded in Nashville Jug Band. His songs sung by Emmylou, Steve Earle, Joe Ely, Del McCoury, Cash, Tim O’Brien, James King, Ronstadt, Slaid Cleaves, Lonnie Brooks and more. Gripping, theatrical live performer who became widely known in Europe, as well as on American folk circuit. Opera Memphis adapted some songs for theatrical work “Light in August.” Performed during Nashville Shakespeare Festival. Opened shows for Bonnie Raitt, Kristofferson, Nanci Griffith, Elvis Costello. Rave reviews in New York Times, Stereo Review, USA Today, L.A. Times, Miami Herald, Philadelphia Enquirer, etc. Died performing on stage at 30A Songwriters Festival in Florida.

TOM POWELL, 86, died Jan. 21.
Editor of Amusement Business magazine, 1972-2006. Tennessean sportswriter (1958-72). Race announcer at Nashville Speedway 1970s. Columinist for Outdoor Amusement Business Association (2007-2019). Member Showman’s League of American Hall of Honor, International Independent Showmen’s Association Hall of Fame.

IRA PARKER, 63, died Jan. 24.
Former hair stylist, personal assistant, property manager, tour coordinator for Dolly. Widow of drummer Martin Parker (1952-2015), noted for his work with Vince, Skaggs, Patty, Alison, etc.

BOB SHANE, 85, died Jan. 26.
Last surviving member of original Kingston Trio. Folk group topped pop charts with Appalachian folk song “Tom Dooley” (1958) & won the first country Grammy Award.

EDDIE SETSER, 77, died Jan. 27.
Nashville songwriter noted for “Seven Spanish Angels” (Willie & Ray Charles), “Weekend Friend” (Con Hunley), “Don’t Look Back” (Gary Morris), “Forget About Me” (Bellamys), “Why Lady Why” (Morris), “Let the Music Lift You Up” (Reba), “Beyond Those Years” (Oaks), “Love You Ain’t Seen the Last of Me” (John Schneider), “Anything Goes” (Morris), “Country Girls” (Schneider), “I’ve Got a Rock & Roll Heart” (Clapton), “Down on the Farm” (Pride), “If I Had Any Pride Left at All” (John Berry), “It Ain’t Real” (Mark Gray), “Country Til I Die” (John Anderson), “But I Will” (Faith). Formerly in R&B band The Dapps on King Records. Songs also cut by Aretha, 4 Tops, Rod Stewart, Delbert, Rita Coolidge, Etta James, Isaac Hayes, plus Country Hall of Famers Conway, Brenda, Merle, Randy, Waylon, Alabama, Cash, Jones, Don Williams, Glen Campbell.

EDDIE LUNN JR., 70, died Jan. 29.
Co-writer, co-producer of folk musical Good News (1967), highly influential turning point in gospel music. (full name: Wallace Edward Lunn Jr.)

JIMMIE DELOZIER, 88, died Jan. 31.
Fiddler who worked with Benny & Vallie Cain, Joe Sacra, The Bluegrass Buddies & own band The Sensations. Rebel Records artist. Former Virginia Fiddle Championship winner.

HELEN HUNLEY GLASER YATES, 81, died Feb. 3.
One of Nashville’s first female D.J.s (1955, WLAC). Miss Tennessee USA crown led to work as print & runway fashion model 1960s. Founded own American Institute of Modeling (1980) & American Models, Actors and Extras (AMAX) (1990) businesses. Known as “The Model Maker of the South.” Spokesperson for Easter Seal Foundation, active on many other charity boards.

BUDDY CAGE, 73, died Feb. 4.
Steel guitarist for New Riders of the Purple Sage. Noted for his work on “Panama Red,” “Whiskey,” “Gypsy Cowboy” & other band favorites.

KEITH BLAYDES, 56, died Feb. 6.
Co-owner of the LGBTQ+ friendly nightspots The Tribe and Play.

JOE HALTERMAN, 69, died Feb. 11.
Drummer in Bobby Pierce & The Nashville Sounds (1966-72) and in Bob Luman’s band (1972-76), both with lifelong friend Buddy Cannon. Went on to gigs with Cal Smith, Ray Price, Dr. Hook, Buddy Emmons, Joe Carter, Tompall Glaser, Dean Dillon, others. Co-wrote 1983 Top 10 hit by The Whites “I Wonder Who’s Holding My Baby Tonight.”

PAUL ENGLISH, 87, died Feb. 12.
Willie’s Nelson’s drummer and longtime friend. Immortalized in Willie’s songs “Me and Paul” (1985) and “Devil in a Sleepin’ Bag” (1973).

MICHAEL LILLY, 69, died Feb. 12.
Banjo player who competed on TV’s Ted Mack Amateur Hour at age 11. Later worked in bluegrass bands of Powell Brothers, Larry Sparks, Harley Allen & Wendy Miller.

DANIEL LEE MARTIN, 54, died Feb. 14.
Country singer with CDs All That I Am (2003), On My Way to You (2007). Hosted TV shows Brotherhood Outdoors (Sportsman Channel), Til Death Do Us Part (CarbonTV0, Backstage and Backroads (Sportsman Channel). CMA Music Fest performer. Suicide following child-sex charges.

MAC BENFORD, 79, died Feb. 15.
Old-time banjo player who co-founded prominent & influential revival group Highwoods String Band. Group popular on Rounder Records & at festivals 1970s. Later in Backwoods Band (1980s), Woodshed All-Stars (1990s), both also on Rounder.

JIM WILLIAMSON, 78, died Feb. 26.
Trumpeter who led Nashville Jazz Orchestra for 25 years. Session musician for Aretha, B.B., Randy Brecker, Michael McDonald, Reba, Mavericks, Delbert, Boots, etc. Toured with Ice Follies, played at Opryland, taught at MTSU, wrote music for jazz ensembles, concerts with Muscle Shoals Horns, Knoxville Jazz Orchestra. Performed with Temptations, Four Tops, Lee Greenwood, Dinah Shore, Andy Williams, O’Jays, etc.

ANON BEY, 96, died March 1.
R&B/soul-music disc jockey on WVOL & WSOK known as “Blabber Mouth” Bey.

BIFF ADAM, 83, died March 7.
Drummer in Merle Haggard’s band The Strangers since 1970. Name-checked in title of instrumental “Biff Bam Boom” on LP Presenting My Friends, The Strangers (1970). Innovator of influential “double-shuffle beat” in country music. Strangers in Clint Eastwood movie Bronco Billy (1980). Previously sessions for The Ventures, soundtrack of movie The Jungle Book (1967). Stage work with Bobby Bare, Roger Miller, Bob Wills, etc.

QUAY AUSTIN, 62, died March 9.
Broadcast engineer at WSMV-Channel 4.

ROBIN SMITH, 71, died March 13.
Nashville banjo luthier & musician. Created banjo for Scott Vestal. Played with Reno Brothers.

RAMSEY KEARNEY, 86, died March 14.
Co-writer with Mel Tillis of 1961 Brenda Lee pop smash “Emotions.” Also co-wrote “Nine Little Teardrops” for Sue Thompson (1961), “Lonely People” for Eddy Arnold (1964), “Big Flicking Baby” for Moe Bandy (1978). Longtime indie country recording artist on NRS, Safari, Silver Dollar, Nashco, SunJay, Stomper Time, etc. Charted with “King of Oak Street” (1985), “One Time Thing” (1988). Released more than 25 albums.

ROBB HOUSTON, 57, died March 16.
Guitarist in country group Sixwire, which charted with “Look at Me Now” and “Way Too Deep” in 2002, both on Warner. Band later became TV fixture on series Nashville Star, Next Great American Band, Can You Duet, CMT’s Next Superstar, Nashville. Previously solo artist on Carlyle Records with CD Dream State, staff writer for MTM, lead guitarist for Brothers Phelps, Randy Travis.

BROWLEE CURREY JR., 91, died March 18.
Owner of Nashville Banner 1980-98. Co-founder of public-radio company Osborn Communications 1989-97.

PATRICIA MAXWELL BURTON, 94, died March 19.
Sinking Creek Film Festival worker, film production assistant, poet, essayist, theater actor, song collaborator with Nashville jazz great W.O. Smith (1917-1991). Co-founder (1977) of annual Whitland Avenue Fourth of July Celebration.

KENNY ROGERS, 81, died March 20.
Pop/country superstar. Country Music Hall of Fame inductee 2013. Three-time Grammy winner with 15 nominations. CMA Male Vocalist 1979 and Duo of Year (with Dottie West) 1978, 1979. Sold 100 million+ records. Charted 77 country singles, issued 65+ albums. Began career in pop in The Scholars and as solo (“That Crazy Feeling” 1958). Recorded for Columbia in jazz combo Bobby Doyle Three (1962). Worked in Kirby Stone Four, New Christy Minstrels 1960s. Fronted First Edition 1967-75 with hits “Just Dropped In” (1968), “But You Know I Love You” (1969). “Ruby Don’t Take Your Love to Town” (1969), “Something’s Burning” (1970) + syndicated TV show Rollin’ (1972). Country solo career took off with “Lucille” (1977, CMA Song & Single, Grammy, Gold Record). Other huge hits include “Daytime Friends” (1977), “Love Or Something Like It” (1978), “The Gambler” (1978, Grammy), “She Believes in Me” (1979, Gold), “You Decorated My Life” (1979), “Coward of the County” (1980, Gold), “Lady” (1980, Gold), “Love Will Turn You Around” (1982), “Crazy” (1985), “Morning Desire” (1985), “Buy Me a Rose” (2000). Teamed with Dottie West (1932-1991) on “Every Time Two Fools Collide” (1978), “Anyone Who Isn’t Me Tonight” (1978), “All I Ever Need Is You” (1979), “What Are We Doin’ in Love” (1981), etc. Duets with Dolly Parton include “Islands in the Stream” (1983, Platinum), “Real Love” (1985), “You Can’t Make Old Friends” (2013), etc. Other duet partners Kim Carnes (“Don’t Fall in Love with a Dreamer” 1980), Sheena Easton (“We’ve Got Tonight” 1983), Ronnie Milsap (“Make No Mistake She’s Mine” 1987, Grammy). USA Today Favorite Singer of All Time 1986. Starred in five Gambler TV movies plus Six Pack, Rio Diablo, Wild Horses, Coward of the County, etc. Photographer with museum exhibitions and books Kenny Rogers America (1986), Your Friends and Mine (1987). Other books Making It With Music (1978), Christmas in Canaan (2001), What Are the Chances (2013). Philanthropist helped spearhead “We Are the World” (1985, 4x multi-Platinum, multiple Grammys). Franchise restaurants: Kenny Rogers Roasters. Music City Walkway of Stars induction & all-star tribute concert 2017. Autobiography: Luck Or Something Like It (2012).

HANS KAYSER, 80, died March 20.
Bluegrass guitarist, mandolinist, resonator guitarist, singer. With his band Big River Boys recorded LPs Live From the Territorial House (1977) and Still Pickin’ Still Kickin’ (1992).

ERIC WEISSBERG, 80, died March 22.
New York session musician who scored big with Grammy winning “Dueling Banjos” (1973) from movie Deliverance. Began career in Greenbrier Boys (1958-59), then Tarriers (1960-65), Blue Velvet Band (1969). Studio multi instrumentalist for Bob Dylan, Talking Heads, Frankie Valli, Jim Croce, Art Garfunel, Clancy Brothers, Billy Joel, Melanie, Doc Watson, Judy Collins, John Denver, Tom Paxton, Loudon Wainwright III, Richie Havens, Nanci Griffith, Bette Midler, Barbra Streisand, Herbie Mann, Sha Na Na, Earl Klugh, B,J, Thomas, Willie Nelson, Burt Bacharach, Starland Vocal Band, Buffy Sainte Marie, Ian & Sylvia, Jean Ritchie, Leon Redbone, Blood Sweat & Tears, etc.

H.G. ROBERTS, 94, died March 22.
Backer of Nashville’s Grand Masters Fiddle Championship. He & wife Dorothy owned Fiddlers BBQ restaurant, which catered parties for Opry, Hee Haw & numerous stars.

JIMMY HENLEY, 56, died March 22.
Roy Clark’s banjo player for 25 years. Many appearances on Hee Haw, The Tonight Show, Austin City Limits, etc. Own band: A Touch of Grass. Formerly national banjo champion at age 10.

JOHN RAGSDALE, 75, died March 25.
Music publisher, songwriter, musician, business exec. Brother of Ray Stevens, for whom he wrote songs, emceed shows, did business management, appeared in videos, oversaw merchandise sales. Formerly with MCA Music.

JAN HOWARD, 91, died March 28.
Singer-songwriter known as one of “The Grand Ladies of the Grand Ole Opry” and show’s senior cast member. Recorded 15 albums 1960-1986. Charted 30 titles, including solo hits “The One You Slip Around With” (1960), “Bad Seed” (1966) and Grammy-nominated “Evil On Your Mind” (1966) and “My Son” (1968). Duet partner Bill Anderson with hits “For Loving You” (1967), “If It’s All the Same to You” (1969), “Someday We’ll Be Together” (1970), “Dis-Satisfied” (1971). Harmony singer for Tammy, Carters, Cash (on 1969’s “Daddy Sang Bass,” singing “Mama sang tenor”), plus “Ghost Riders In the Sky,” “Gone Girl,” “I Will Rock and Roll With You,” etc.). Married 1957-67 to Country Music Hall of Fame songwriter Harlan Howard (1927-2002). Began career on West Coast. Recorded Harlan’s “Pick Me Up on Your Way Down” and “I Wish I Could Fall in Love Today” 1958-59; both later country standards. Duets 1958-60 “Wrong Company,” ‘How the Other Half Lives,” “Yankee Go Home” with Wynn Stewart (1934-1985). In Nashville since 1960. Demo singer for Patsy Cline (via Harlan’s “I Fall to Pieces,” “When I Get Through With You,” “He Called Me Baby,” etc.). Wrote Kitty Wells hit “It’s All Over But the Crying” (1966), Anderson’s hit “Love Is a Sometimes Thing” (1970) and own singles “Marriage Has Ruined More Good Love Affairs” (1971), “My Son” (1968), “Life of a Country Girl Singer” (1981), plus “Ring the Bells for Jim” (Cash), “Christmas As I Knew It” (Cash), “Wherever You Are” (Jean Shepard) and songs for Conway, Osborne Brothers, Tammy, others. She and Anderson co-wrote hit duet “Dis-Satisfied” and Connie Smith’s hit “I Never Once Stopped Loving You” (1970). In later years, active in veterans’ issues, campaigned for Vietnam War Memorial, spokesperson for Veteran’s Administration. Autobiography Sunshine and Shadow (1987). (real name: Lula Grace Johnson).

MARTY MARTEL, 81, died March 29.
Former manager of Johnny Paycheck. Show promoter and booking agent for “Legends Fest” country concerts via his Midnight Special Productions. (full name: Donald Robert Martel).

JOE DIFFIE, 61, died March 29.
Grand Ole Opry star. More than 20 Top 10 hits. Four Gold Records, two Platinum albums. Songwriter who co-wrote 9 of his hits, plus songs for Jo Dee Messina (“My Give a Damn’s Busted” 2005), Holly Dunn (“There Goes My Heart Again” 1989), Tim McGraw (“Memory Lane” 1993), Conway Twitty (“I’m the Only Thing I’ll Hold Against You” 1993), Hank Thompson (“Love on the Rocks” 1988), others. Began career in Oklahoma gospel groups like Higher Power and in bluegrass band The Special Edition. In Nashville since 1986. Demo singer for hits “I’ve Cried My Last Tear for You” (Ricky Van Shelton), “Born Country” (Alabama), “You Don’t Count the Cost” (Billy Dean), “I Cross My Heart” (Strait). Own hits began with “Home” (1990) and 1991-92’s “If You Want Me To,” “If the Devil Danced in Empty Pockets,” “New Way (To Light Up an Old Flame),” “Is It Cold in Here,” “Ships That Don’t Come In,” “Not Too Much to Ask” (Grammy-nominated duet with Mary Chapin Carpenter). CMA Award 1993 “I Don’t Need Your Rockin’ Chair,” with George Jones, others. Inducted into Opry cast, co-hosted IBMA awards, 1993. Biggest hits thereafter “Honky Tonk Attitude” (1993), “Prop Me Up Beside the Jukebox” (1993), “John Deere Green” (1994), “Third Rock from the Sun” (1994), “Pickup Man” (1994, later Ford Truck national ad jingle), “I’m in Love with a Capital U” (1995), “Bigger Than the Beatles” (1996), “C-O-U-N-T-R-Y” (1996). In 1997: CRB Humanitarian Award, acted in Cash TV movie All My Friends Are Cowboys, Grand Marshall of Nashville Christmas Parade. Later hits “Texas Size Heartache” (1998), “Same Old Train” (1998, Grammy with Marty Stuart and others), “A Night to Remember” (1999), “The Quittin’ Kind” (1999), “It’s Always Somethin’” (2000), “In Another World” (2001), “Tougher Than Nails” (2004). Oklahoma Music Hall of Fame 2002. Homecoming: The Bluegrass Album 2010. Homecoming: The Diffie Family Cookbook 2010. All in the Same Boat CD with Aaron Tippin, Sammy Kershaw 2013. Name checked in Jason Aldean’s “1994” (2012), Chris Young’s “Raised on Country” (2019). First music star to succumb in coronavirus pandemic.

ZENON B. CYMBALA, 67, died March 31.
Former WLAC radio personality as “Bear Bradley.” Later in media sales with Turner Broadcasting, CNN, Petry, NBC/Universal.

ALEX HARVEY, 73, died April 4.
Songwriter with classics “Delta Dawn” (Tanya, 1972 & Helen Reddy, 1973), “Rings” (Cymarron, 1971 & Tompall & Glaser Brothers, 1971), “Hell and High Water” (T. Graham, 1986), “Reuben James” (Kenny & First Edition, 1969), “Baby, Baby I Know You’re a Lady” (David Houston, 1970), “Somebody New” (Billy Ray, 1993), “Tell It All Brother” (Kenny Rogers, 1970). Also “Someone Who Cares” (Dusty Springfield, 1970), “No Place But Texas” (Willie, 1986), “Dance in Circles” (Tim Ryan, 1990), “Five Dollar Fine” (Chris LeDouz, 1999), “Makin’ Music for Money” (Buffett, 1974). Songs also recorded by Anne Murray, Andy Williams, Eydie Gorme, Merle, Ferlin, Shirley Bassey, Percy Faith, George Hamilton IV, Leo Kottke, Roy Drusky, Arthur Prysock, Jim Ed Brown, Ed Bruce, Vikki Carr, Peggy Lee. Featured actor in TV series Dallas, Dukes of Hazzard, Walker, Texas Ranger, plus movies The Blue and the Gray (1982), The Dollmaker (1984), Parent Trap II (1987), Country (1985), Fire Down Below (1997), The Long Summer of George Adams (1982), The Sky Is No Limit (1984), Adam (1983), and Houston Knights (1987). Recorded more than a dozen albums on Capitol, Buddah, TAM, etc.

JIMMY JAY, 84, died April 6.
Country singer, songwriter, musician. Recording artist in 1960s for Starday (“Run Wild”), Philips (“You’re Still With Me”), Hickory (“Bayou Girl”), Penny Stock, Texas International, Wizard labels. Touring sideman for Eddy Raven, Conway. Songwriter with cuts by Twitty (“You Put it There”), Strait (“Neon Row”), Neal McCoy (“Why Not Tonight”). (real name: James T. Pickard Jr.)

KENT CATHCART, 84, died April 7.
Co-founder of the Acting Studio at TPAC. Live-performance coach for country artists in 1980s. Lifelong theater educator.

JOHN PRINE, 73, died April 7.
Nashville Songwriters Hall of Fame member (2003). Grammy Lifetime Achievement Award honoree (2020). Americana Music Association Artist of the Year 2005, 2017, 2020. BMI Trailblazer Award 2018. Inducted into national Songwriters Hall of Fame (2019). Pioneer in marketing music via own label. Wrote or co-wrote Don Williams’ “Love Is on a Roll” (1983), Bonnie Raitt’s “Angel From Montgomery” (1974), Lynn Anderson’s “Paradise” (1975), Strait’s “I Just Want to Dance with You” (1998). Debut LP John Prine (1971) included “Sam Stone,” “Illegal Smile,” “Spanish Pipe Dream.” Bette Midler popularized “Hello in There.” Raitt did “Angel From Montgomery” as did Carly Simon, Tanya, Old Crow. The LP’s “Paradise” cut by Everlys, Jackie DeShannon, Cash, Tom T., Dwight, Fogerty, Anderson. John Prine album voted into Grammy Hall of Fame 2015. Diamonds in the Rough (1972) = “Souvenirs” sung by Steve Goodman, Country Gentlemen, Maggie Bell and “The Late John Garfield Blues” cut by Kristofferson. Prine nominated as 1972’s Best New Artist at Grammys. Sweet Revenge (1973) = “Please Don’t Bury Me,” “Christmas in Prison,” “Dear Abby.” Its “Grandpa Was a Carpenter” was recorded by Dirt Band, Lonesome Standard Time. In 1975, David Allan Coe hit with “You Never Even Called Me By My Name” (Prine cowrote with Steve Goodman but took no credit). Common Sense (1975), Prime Prine (Gold record, 1976), Bruised Orange (1978 with “That’s the Way the World Goes Round” cut by Miranda, Norah Jones, Green on Red). Pink Cadillac (1979), Storm Windows (1980). Prine moved to Nashville 1980, formed own Oh Boy label. Aimless Love (1984) = “Unwed Fathers” cut by Wynette, Gail Davies, Cash. German Afternoons (1986) = “Speed of the Sound of Loneliness” sung by Nanci Griffith, Kim Carnes, Amos Lee, Gove, plus “I Just Want to Dance with You.” John Prine Live (1990) = “Oldest Baby in the World” cut by Bobby Bare. The Missing Years (Grammy Award 1991) = “All the Best” cut by Zac Brown. Lost Dogs and Mixed Blessings (1998), In Spite of Ourselves (1999 country duets CD with Yearwood, Connie, Melba, Emmylou, Patty, Iris DeMent, etc). Appeared in Billy Bob Thornton movie Daddy & Them (2001). Other albums include Souvenirs (2000), Fair & Square (Grammy Award 2005), Standard Songs for Average People (2007 oldie duets with Mac Wiseman [1925-2019]), Singing Mailman Delivers (2011), For Better Or Worse (2016, country duets with Lee Ann Womack, Mattea, Miranda, Kacey, Krauss, etc.). Tree of Forgiveness (2018) his highest-charting album, nominated for three Grammys. Coronavirus victim.

CARL DOBKINS JR., 79, died April 8.
Nashville pop recording artist whose big hit was 1959’s “My Heart Is an Open Book.” Also charted with Decca singles “If You Don’t Want My Lovin’” (1959), “Lucky Devil” (1959), “Exclusively Yours” (1960).

JOHN B. KAPARAKIS, 82, died April 12.
Bluegrass Unlimited journalist for 33 years. Backing guitarist for Kenny Baker, Butch Robbins, Gene Parsons, Hazel Dickens. A&R director for Briar Records 1970s, including LPs by Kentucky Colonels. Formerly in band Lonesome River Boys 1958-61.

JERRY HLUDZIK, 68, died April 12.
MCA Music writer with cuts by Oak Ridge Boys (“Too Many Heartaches” 1988). Formerly in rock groups The Buoys (“Timothy” 1971), Dakota (“If It Takes All Night” 1980).

ARTHUR CONNOR, 95, died April 13.
Fiddler and fiddle maker. Crafted instruments for Ricky Skaggs, Gene Elders, Billy Hurt and family band The Connor Brothers.

DONALD HILDEBRAND, 91, died April 14.
Nashville attorney who hosted WLAC talk show Conservative Viewpoint in 1970s. Saxophonist in big band The Establishment.

GARY McSPADDEN, 77, died April 15.
Gospel great as vocalist, songwriter, record producer, TV producer. Began career 1960s in Statesmen & Oak Ridge Boys (3 albums), then 1970s in Imperials (12 albums), 1980s in Bill Gaither Trio & Gaither Vocal Band (10+ albums). Also 20 solo albums. Songwriter of “No Other Name But Jesus,” “Hallelujah Praise the Lamb,” “Jesus Lord to Me.” Songs recorded by Talleys, Whiteheart, Sandi Patty, Kelly Nelon Thompson, Brooklyn Tabernacle Choir, etc. Produced records by Cathedrals, Terri Gibbs, Lulu Roman, Talleys, others. Produced Branson TV series Gospel Jubilee 1990s, starred in The Gary McSpadden Show 2000s. Co-host of PTL Today 1987.

DALE PYATT, 59, died April 15.
Bluegrass songwriter of 50+ titles for Dave Adkins, Cumberland Gap Connection, Marty Raybon, Lizzy Long, Junior Sisk, etc. Also a recording artist.

KNOX PHILLIPS, 74, died April 15.
Memphis Music Hall of Fame member. Studio owner, engineer, producer. Ambassador of Memphis music and 1973 co-founder of the city’s chapter of The Recording Academy. Engineered records by Willie Nelson (Shotgun Willie, Phases & Stages), Jerry Jeff Walker (“Mr. Bojangles”), Amazing Rhythm Aces (“Third Rate Romance,” “The End Is Not In Sight”), Phineas Newborn, Jackie DeShannon, Jim Post, Alex Chilton, Panther Burns. Co-produced John Prine’s 1979 LP Pink Cadillac and recordings by Jerry Lee Lewis released in 2014 as Jerry Lee Lewis: The Knox Phillips Sessions. Also worked with pop/rock groups Randy & Radiants, Gentrys. Son of Sun Records founder Sam Phillips (1923-2003), providing invaluable assistance to Peter Guralnick’s biography Sam Phillips: The Man Who Invented Rock ‘n’ Roll (2014). Also helped organize Country Music Hall of Fame exhibit “Flying Saucers Rock & Roll: The Cosmic Genius of Sam Phillips” (2015-16).

TOM LESTER, 81, died April 20.
Nashville-based actor and evangelist, best known as “Eb Dawson” on TV series Green Acres 1965-71. In films Gordy (1994), Benji (1974).

HAROLD REID, 80, died April 24.
Statler Brothers bass singer, songwriter, comedian. Country Music Hall of Fame 2008. Gospel Music Hall of Fame 2007. CMA Group of Year 1972-77, ’79, ’80, ’84. Earned 48 Music City News Awards. Act hosted own TNN cable series 1991-98 as network’s top-rated program. Harold wrote Statlers 1970 smash “Bed of Rose’s.” He and brother Don Reid co-wrote 1970s hits “Do You Remember These” (1972), Grammy-winning “Class of ‘57” (1972), “Carry Me Back” (1973), “Whatever Happened to Randolph Scott” (1973), “Some I Wrote” (1978), “Do You Know You Are My Sunshine” (1978), “The Official Historian on Shirley Jean Burrell” (1978), “How to Be a Country Star” (1979). Reid brothers also co-wrote ‘80s hits “Better Than I Did Then” (1980), ‘Don’t Wait on Me” (1981), “Whatever” (1982), “Guilty” (1983), “Sweeter and Sweeter” (1986), “Let’s Get Started If We’re Gonna Break My Heart” (1988). Harold’s comedic alter ego led parody group, Lester “Roadhog” Moran & Cadillac Cowboys. Statlers discovered by Cash & performed in his roadshow 1964-71 also on Cash network TV series 1969-71. Group recorded 50+ albums, garnering 13 Gold & 8 Platinum. Statlers placed 66 titles on charts, 33 Top 10 hits. Hosted huge “Happy Birthday U.S.A.” July 4th celebrations in Staunton, Virginia hometown 1970-95. Act retired 2002. Don & Harold Reid co-authored history of group Random Memories (2008).

ERNIE HARRIS, 67, died April 24.
Music Row session drummer. Formerly in 1970s Nashville frat-party show band Glory.

THOM KING, 65, died April 24.
Nashville journalist, photographer, video maker, publishing entrepreneur, music maven. In mid-1970s opened one of first recording studios in Franklin, Tennessee. In 1977-80 launched Take One, Nashville’s first alternative magazine, next The Metro paper. Writer for Nashville Scene. Wrote or co-wrote 53 books including Danny Davis memoir Guess Who I Met Today. Independent filmmaker. Music videos for Amy Grant, Morgan Heritage, others.

RICHARD PRYOR, 57, died April 24.
Drummer for Drivin’ N Cryin, Concrete Blonde who relocated to Nashville and drummed for Willie Heath Neal, Lillie Mae, Travis Stephens, Kenneth Brian, Ether Dogs, Brian N. Hooks, Floyd the Barber, Escape Goats, Uncle Slim, Shadow 15, Peace Cry both live and on records.

JIM LUSK, 80, died April 25.
Indie country artist, songwriter, publisher with 2011 CD Rockin’ Away the Blues as Jim Lusk & Counterfeit Cowboys. Co-wrote “It Started All Over Again” (Vern Gosdin, David Houston 1978), “I Can Almost Touch the Feelin’” (LeGardes 1979), “I Remember” (Four Guys theme song). Songs also recorded by Dorsey Burnette, R.W. Blackwood, Jay Lee Webb, Gary S. Paxton. Atlanta Country Music Hall of Fame 2009.

CADY GROVES, 30, died May 2.
Nashville pop and country artist with EPs A Month of Sundays (2009), The Life of a Pirate (2010), This Little Girl (2012), Dreams (2015). Singles “This Little Girl,” “We’re the Shit,” “Love Actually,” “Forget You,” “Crying Game,” “Oil and Water,” “Dreams.” Signed to RCA, Vel, Thirty Tigers.

SUE ARMSTRONG THOMPSON, 79, died May 4.
Known as “Suzabelle,” the hoop-skirted Southern greeter at Opryland USA. Preserver/restorer of historic properties—The Lotz House (Franklin), Moreland Plantation (Brentwood), Longview Mansion (Caldwell Lane, Nashville), Clover Bottom (Donelson), Belmont Mansion (Nashville). Antique appraiser known as “The One-Woman Road Show.”

BENNY GARCIA, 64, died May 7.
Vince Gill’s guitar tech and best friend for 30 years. Also worked with The Chicks, Reba, Yearwood, Mary Chapin-Carpenter, CSN.

LITTLE RICHARD, 87, died May 9.
Rock & Roll Hall of Fame member who began and ended career in Music City. Rose to local fame in Macon, Gearogia early 1950s, then thrived in clubs of North Nashville, which became his second home. Summoned from club in Fayetteville, Tennessee to record for Specialty Records in New Orleans. Resulting “Tutti Frutti” launched to stardom by Nashville’s 50,000-watt WLAC 1955. “Long Tall Sally,” “Slippin’ and Slidin,’” “Rip It Up,” “Ready Teddy” ensued in 1956. By 1957, starred on national & international rock ‘n’ roll tours and appeared in early rock films The Girl Can’t Help It, Don’t Knock the Rock, Mister Rock ‘n’ Roll. Hits “Lucille,” “Send Me Some Lovin,’” “The Girl Can’t Help It,” “Jenny, Jenny,” “Keep a Knockin,’”” “Good Golly Miss Molly,” “Oooh My Soul” 1957-58. Charismatic showmanship with frenetic piano pounding, hoarsely shouted vocals, onstage prancing, flashy costuming, wild gyrations, bug-eyed facial contortions, ebullient outbursts. Pioneered male rock stars wearing mascara & heavy makeup, exhibiting fluid sexuality. Also one of early rockers who broke down barriers attracting both black & white people to shows. Nashville’s Pat Boone infamously toned down Richard’s outrageous personality on cover of “Tutti Frutti.” But other Nashville-related artists saluted him—Elvis, Everlys, Bill Haley, Gene Vincent, Buddy Holly, Jerry Lee. Recorded gospel LP 1958. Returned to rock via 1964 comeback “Bama Lama Bama Loo.” Worked in Nashville with Jimi Hendrix & hired him for his band The Upsetters 1964-65. “Greenwood Mississippi” 1970 single made some regional country charts. Returned to Music City to re-record hits for K-Tel Records 1976. Gospel LP God’s Beautiful City recorded in Nashville 1979. Rock superstars cited Little Richard as influence—Beatles, Stones, James Brown, Michael Jackson, Prince, Stevie Wonder, Otis, Bowie, Dylan, Fogerty, plus piano-playing showman Elton, Milsap, Billy Joel, Ray Charles, Michael McDonald, Billy Preston, Leon Russell. Autobiography 1984. Reemerged on charts 1986 with “Great Gosh A-Mighty” from movie Down & Out in Beverly Hills, which featured him, as did TV series Full House, Columbo, Miami Vice, Baywatch, etc. Inaugural inductee into Rock & Roll Hall of Fame 1986. Star on Hollywood Walk of Fame 1990. Grammy Lifetime Achievement Award 1993. “Long Tall Sally,” “Tutti Frutti,” “Lucille” & 1957 debut LP Here’s Little Richard all in Grammy Hall of Fame. Reconnected with Nashville 1994 by recording “Somethin’ Else” with Tanya on all-star CD Rhythm, Country & Blues. Performed it on CMA Awards. Moved to Nashville area c.2005, resided in downtown Hilton & in Tullahoma, Tennessee. Inducted into Songwriters Hall of Fame 2003. Star on Music City Walk of Fame 2008. Also saluted in Nashville by National Museum of African American Music 2015 & via Tennessee Governor’s Arts Award. 2019. (Birth name: Richard Penniman).

FUZZY OWEN, 91, died May 11.
Bakersfield Sound entrepreneur. Originated “A Dear John Letter” as 1952 duet with Bonnie Owens. Took co-writer credit, published & played steel on cover version by Ferlin Husky & Jean Shepard, which became first Bakersfield national hit 1953. Co-founded city’s first recording studio, cutting Buck Owens “Hot Dog” (as “Corky Jones”), Wally Lewis “Kathleen.” Formed Tally Records with cousin Lewis Talley. Label launched Merle Haggard, whom Owen managed throughout the rest of his life. Tally Records had original 1966 version of “Apartment No. 9” by Bobby Austin (written by Owen/Austin/Johnny Paycheck), a major hit for Wynette 1967. Label also recorded solo singles by Bonnie Owens, plus Harlan Howard, Cousin Herb Henson, Cliff Crofford, Bill Carter, George Rich, Abe Mulkey, etc. Owen also wrote 1959 Ray Price hit “The Same Old Me.” Steel guitarist at Blackboard & Lucky Spot Bakersfield venues & on TV show Trading Post. (real name: Charles Owen).

FAITH BAILEY MORFORD, 81, died May 13.
Formerly “Miss Mary” on Nashville children’s TV show Romper Room in 1960s.

DICK THRALL, 90, died May 14.
Formerly Snr. VP of Operations at TV syndicator Multimedia Entertainment, Inc. in Nashville. Distributed several syndicated country series. Also worked at broadcast TV stations in Pittsburgh, Columbus, Cincinnati. Longtime Emmy Awards chair for the Television Academy. (full name: Richard C. Thrall Jr.)

CY SCARBOROUGH, 93, died May 19.
Founder of The Bar D Wranglers, the cowboy band at the Bar D Chuckwagon Supper attraction near Durango, Colardo since 1969. Group recorded songs with Charlie Daniels and made guest appearances on the Opry. Began career in 1953 entertaining at the similar Flying W Ranch in Colorado Springs.

BUD SOESBEE JR., 82, died May 20.
Banjo maker who created instruments for David Holt, Marc Pruett, others. Also an Appalachian banjo player and banjo historian.

TONY de BOER, 81, died May 20.
Regarded as the “Grandfather of Canadian Bluegrass.” Promoter who launched festivals and tours in Ontario. Founded River Valley Music Park 1984, began River Valley Bluegrass Jamboree 1985, started Country & Bluegrass Gathering 1988. Park continues as major bluegrass destination today.

STAN BYRD, 77, died May 23.
Veteran country record promoter & Music Row businessman. CBS Records 1970-76 (George Jones, Marty, Tammy, Cash, Ray Price, Lynn Anderson, Joe Stampley, Charlie Rich, Tanya, Gatlin, Coe etc.). National director of country promotion at Warners 1976-83 (Emmylou, Margo Smith, John Anderson, T.G., Frizzell & West, Hank Jr., Gail Davies, Bellamys etc.). Own firm Chart Attack 1984-97 (promoting B.J. Thomas, Ricky Van, Diffie, Earl Thomas, etc.). Promotion VP Asylum 1997-2001 (Bryan White, Kevin Sharp, George Jones, Lila McCann, Mark Nesler, Monte Warden etc.). Also real-estate entrepreneur with Music Row properties. Owner BDM Management (Mark Chesnutt). Formerly regional promo for Capitol in Houston.

BUCKY BAXTER, 65, died May 25.
Longtime steel guitarist for Bob Dylan. Founding member of Steve Earle’s band The Dukes, on LPs Guitar Town (1986), Exit 0 (1987), Copperhead Road (1988), The Hard Way (1989). Also backed R.E.M., Suzy Bogguss, Sara Evans. With Dylan 1992-99 on road & many albums, including Grammy winner Time Out of Mind (1997). Resumed session work via Los Lobos, Ben Folds, Joe Henry, Webb Wilder, Shawn Camp, Kathy Chiavola, Ryan Adams, Jim Lauderdale. Solo album Most Likely No Problem (1999). Since 2010, sessions with Will Hoge, Billy Ray, Greta Gaines, Old Crow, Kacey Musgraves, others. Father of singer-songwriter Rayland Baxter. Played on his albums Imaginary Man (2015), Wide Awake (2018).

JIMMY CAPPS, 81, died June 2.
Guitar player in Opry staff band for 60+ years, the show’s longest tenured musician. Also prolific studio musician performing on standards “He Stopped Loving Her Today,” “The Gambler,” “Stand By Your Man,” “I Was Country When Country Wasn’t Cool,” “Elvira,” “Amarillo By Morning,” etc. Member Musicians Hall of Fame. Began career in Louvin Brothers band 1958. Former member of Ferlin Husky’s band. Studio career playing more than 500 sessions a year. Skilled on both acoustic & electric guitar, played both lead & rhythm. Known as “the master of smoothness” for making intricate picking appear effortless. Sessions in 1970s for Moe Bandy, Mickey Newbury, Freddie Hart (“Easy Lovin’”), J.J. Cale, Dolly (“My Tennessee Mountain Home”), Waylon, soundtrack of movie Nashville, Milsap (“It Was Almost Like a Song,” “Smoky Mountain Rain”), Cash, Tubb. In 1980s, Amy Grant, John Denver, Strait, Tom Jones, Reba (“How Blue”), K.D. Lang, Whites, Alan (“Here in the Real World”), Wayne Newton, Vern Gosdin, Dean Martin, Andy Williams, B.J. (“Two Car Garage”), Keith Whitley, Lacy J. Dalton, David Allan Coe, Charlie Rich. In 1990s, Lorrie Morgan, Gene Watson, Florida Boys, John Conlee, Ed Bruce, Ray Charles, Hank Locklin, Riders in the Sky, T. Graham Brown, etc.. Heard on discs by Hall of Famers George Jones, Kenny Rogers, Connie, Dottie, Conway, Loretta, Barbara, Roy Clark, Jean Shepard, Eddy Arnold, Ray Price, Porter, Pride, Faron, Oaks, Statlers, Don Gibson, Bill Anderson, Charlie McCoy. At annual NARAS Super Picker Awards in 1970s & 1980s repeatedly honored as “Most Valuable Acoustic Player.” Joined Opry band 1967, rose to become bandleader. Performed on more Opry shows than anyone in history. On 60th anniversary, rehearsal space backstage at Opry christened The Jimmy Capps Music Room. Performed in “house band” for CMA Awards for 20+ years. Regular on RFD-TV’s Larry’s Country Diner since 2009, billed as “The Sheriff.” Autobiography, The Man in Back, 2018.

BONNIE POINTER, 69, died June 8.
Member of pop vocal group Pointer Sisters. Act won country Grammy with her co-written “Fairytale” single 1974. Sister Anita later Nashville duet partner with Earl Thomas Conley. Bonnie left group for successful disco & soul solo career on Motown (1979’s “Heaven Must Have Sent You,” etc.).

GLENN RAY, 82, died June 11.
Hit country songwriter with “I Just Came Home to Count the Memories” (Bobby Wright No. 75, 1975; Cal Smith No. 15, 1977; John Anderson No. 7, 1982; Tim Barrett, 1984; Jack Scott, 2015). Also “Hold Me” (Barbara Mandrell No. 12, 1977). Others include “’Til a Better Memory Comes Along” (Shelby Lynne, 1990; Mark Chesnutt, 1993; Gene Watson, 2009) and “Yesterday Will Come Again Tonight” (Leroy Van Dyke, 1972; Loretta Lynn, 1973). (full name: Glenn Ray McGuirt)

LARRY W. JOHNSON, 69, died June 12.
Co-writer of “Don’t Take the Girl,” breakthrough No. 1 hit for Tim McGraw, sold 2 million, BMI Award. More than 50 other titles registered with BMI, including “If You Think You’re Lonely” (Ray Price, 2002).

KATHERINE WILLIAMS-DUNNING, 27, died June 13.
Hank Williams Jr.’s daughter, the 27-year-old was killed in a one-car crash in Henry County, Tennessee.

JANE DORRIS BILLINGSLEY, 75, died June 15.
Singer-songwriter, publicist, event planner who founded Nashville venue The Chapel 1991. Space used by Ben Folds, Taylor, Martina, Cash, Waylon, Sheryl, Rascal Flatts etc. as video/film location and/or backdrop for photo shoots.

RANDY FRAZIER, 60, died June 19.
Nashville singer, songwriter, musician. Began in Nashville rock band Munchkin. Bass player in McBride & The Ride (“Sacred Ground,” “Going Out of My Mind,” “Just One Night,” “Love on the Loose Heart on the Run,” “Hurry Sundown” 1992-93). Founding member Palomino Road (“Why Baby Why” 1993). Also in Sammy Kershaw’s band. Solo CCM singer-songwriter. (full name: Randall Wayne Frazier).

ABBE DeMONTBREUN-STROUD, 64, died June 19.
Longtime executive assistant to producer/label exec Jimmy Bowen. Formerly a performer.

ALAN SCHULMAN, 66, died June 24.
Grammy winning Muscle Shoals studio engineer on records by Shanandoah, Mac McMcAnally, John Prine, Ricky Skaggs, Alabama, Widespread Panic, T.G. Sheppard, Vern Gosdin, Mac Davis, Roy Orbison, Thelma Houston, others.

PETE CARR, 70, died June 27.
Musicians Hall of Fame inductee as member of Muscle Shoals Rhythm Section. Lead guitarist on ‘70s & ‘80s records by Bob Seger (“Main Street”), Joan Baez, Paul Simon (“Kodachrome”), Rod Stewart (“Tonight’s the Night”), Staple Singers, Wilson Pickett, Joe Cocker, Barbra Streisand & Barry Gibb (“Guilty”), Paul Anka, Kim Carnes, Luther Ingram (“[If Loving You Is Wrong] I Don’t Want to be Right”), Mary MacGregor “Torn Between Two Lovers”). Also backed Nashville artists Hank Jr., Becky Hobbs, Dobie Gray, Willie, Paul Davis, Billy Swan, Narvel Felts, Russell Smith, Marie Osmond. Produced Sailcat (“Motorcycle Mama”). Member LeBlanc & Carr (“Falling”) and of Boatz. Two solo albums 1975 & 1978. Previously in Hour Glass & Allman Joys 1968.

ED IRWIN, 82, died June 28.
Gospel songwriter with cuts by Speer Family, Jimmy Snow, Dignity Quartet, Chuck Wagon Gang, Imperials, Trevecca Choir, others. Also Nazarene minister.

SONNY LONAS, 81, died June 30.
Drummer for Patsy Cline, Ernest Tubb, etc. Well known to Nashvillians as member of Music Meister Band playing at Gerst Haus restaurant. (full name: Maurice Lonas)

CRAIG MARTIN, 52, died July 3.
Country singer-songwriter. Co-wrote Tim McGraw’s 1994 breakthrough No. 1 hit “Don’t Take the Girl.” Usually billed as “Craig J. Martin,” he entertained at Nashville Shores, Listening Room Café, Maxwell House Hotel, etc, & released singles “I Have a Dream,” “Let Him Walk You Home,” “I’m a Kid in Trouble.” Wrote songs for George Jones, Southern Comfort, Rod Stewart, Backstreet Boys, others. Clinton Gregory recorded several Martin songs, including music-video fan favorite “She Did.” Western Flyer hit top-40 country with his “What Will You Do with M-E” 1996. (full name: Craig Matthew Martin Sr.)

CHARLIE DANIELS, 83, died July 6.
Member Country Music Hall of Fame, Grand Ole Opry cast. Mainstay of Southern rock music, Sold more than 13 million albums, won Grammy, Dove, CMA, BMI, ACM awards. Charted more than 35 titles. Host of famed multi-act, multi-genre Volunteer Jam events. First recorded with own band The Rockets, 1959’s “Jaguar” rock instrumental. Co-wrote 1964 Elvis hit “It Hurts Me.” Moved to Nashville 1967 to works as session musician for Marty Robbins, Claude King, Johnny Cash, Pete Seeger, Leonard Cohen, Al Kooper, Ringo Starr. Famously played on Dylan Nashville LPs Nashville Skyline, New Morning, Self Portrait 1969-70. Produced Youngbloods 1969-70 LPs Elephant Mountain, Ride the Wind. Own solo disc debut with self-titled LP 1970. Formed Charlie Daniels Band & scored Top 10 1973 pop hit “Uneasy Rider.” Began Volunteer Jam 1974. Southern-rock anthems “The South’s Gonna Do It,” “Long Haired Country Boy” 1975. First top-40 country hit “Texas” 1976. Breakthrough LP Million Mile Reflections contained huge 1979 pop and country hit “The Devil Went Down to Georgia,” which won Grammy & CMA awards. Song & band featured in movie Urban Cowboy. “In America” group’s second major crossover hit 1980. “The Legend of Wooly Swamp” (1980), “Carolina” (1981), “Sweet Home Alabama” (1981) on both rock and country playlists. “Still in Saigon” (1982) band’s final big pop hit. Subsequent big country hits “American Farmer” (1985), “Still Hurtin’ Me” (1986), “Drinkin’ My Baby Goodbye” (1986), “Boogie Woogie Fiddle Country Blues” (1988), “Simple Man” (1989), “Mister DJ” (1990), “(What This World Needs Is) A Few More Rednecks” (1990), “All Night Long” (with Montgomery Gentry, 2000), “This Ain’t No Rag It’s the Flag” (2001). Nine Gold, Platinum or multi-Platinum albums; Super Hits double Platinum, Million Mile Reflection triple Platinum, A Decade of Hits quadruple Platinum. “The Devil Went Down To Georgia” CMA Single of Year 1979 & Grammy for Best Country Vocal Performance by Duo or Group. Daniels also CMA Instrumentalist of the Year in 1979, while CDB won CMA Instrumental Group of the Year 1979, 1980. Philanthropist for cancer research, muscular dystrophy research, farmers aid, military causes. Founded Journey Home Project 2014 to benefit veterans. Dove Awards from GMA 1995, 1997. Won BMI Icon honor 2005, Spirit of America Free Speech Award from Americana Music Association 2006. Joined Opry cast 2008, inducted into Country Music Hall of Fame 2016. Books: The Devil Went Down to Georgia (2005), Never Look at the Empty Seats (2017), Let’s All Make the Day Count (2018).

TOMMY QUINN, 69, died July 8.
Crystal Gayle’s store manager. For 20+ years managed Crystal’s Fine Gifts & Jewelry in Belle Meade, which also sold her CDs & tour merchandise. Photographer. Art collector.

GARY WALKER, 87, died July 8.
Best known as founder of used-record & comics retail chain The Great Escape. Earlier careers as hit songwriter, recording artist, manager, publisher, record producer, song plugger, record-label executive, studio owner. Began music-biz career in Missouri by co-writing “That’s It” for Porter Wagoner 1953. Wrote Top 10 hits “Trademark” Carl Smith (1953), “According to My Heart” Jim Reeves (1956), “Repenting” by Kitty Wells (1957). Also wrote songs covered by George Morgan (“Look What Followed Me Home Tonight”), Webb Pierce (“One Week Later,” with Kitty Wells), pre-teen Brenda Lee (“Doodle Bug Rag”), others. Own singles on MGM 1957-58. Co-owned Reevis Studio, which became Fidelity Recording. Pioneered the profession of Nashville song plugger. Represented Atlanta’s Lowery Music songwriting stable including Jerry Reed, Joe South, Ray Stevens, Freddy Weller, Mac Davis. Successfully plugged songs “Misery Loves Company” (Porter Wagoner), “That’s All You Gotta Do” (Brenda Lee), “Walk On By” (Leroy VanDyke). Branched out into record production 1960s via sides for Sonny James, Bill Carlisle, Bobby Russell, Lynn Anderson, more. Founded Chart Records 1964. Roster eventually included Anderson, Johnny Bush, Billy “Crash” Craddock, Managed singer Sandy Posey with her big pop hits 1966-67 “Born a Woman,” “Single Girl,” “What a Woman in Love Won’t Do,” “I Take It Back.” Continued to work as song plugger 1970s, repping Painted Desert Music, Don Wayne. Screen Gems. Opened Great Escape 1977 on Broadway near Vanderbilt. Headquarters now on Charlotte with branches in Madison and Murfreesboro, plus Bowling Green, Kentucky and Louisville, Kentucky. Sold stores 2017 to focus on The Great Escape Music Group, including three publishing companies and Great Escape Records, which has had some success in bluegrass.

SAM HOWARD, 81, died July 10.
Owner/operator of Nashville’s Black radio stations WVOL and WQQK (“92 Q”). First African-American chairman of Nashville Chamber of Commerce. Former v.p. at Meharry, HCA. Honored with Image Award for Lifetime Achievement by Nashville NAACP.

HELEN OWEN, 68, died July 13.
Dimpled, curly-headed blonde “Little Miss Sunshine” child mascot of Sunbeam Bread. Later lead singer in local rock and country groups, notably one of Nashville’s first “all-girl” bands.

JAMIE OLDAKER, 68, died July 16.
Drummer in country-rock band The Tractors with hits ”Baby Likes to Rock It” (1994), “The Santa Claus Boogie” (1994), “The Last Time” (1997), “Shortnin’ Bread” (1998). Group’s debut CD sold a million. Regarded as a founder of “The Tulsa Sound.” Member of Oklahoma Hall of Fame. Began career in The Rogues Five with 1966 local hit “Too Good for Love.” Member of Bob Seger’s band 1971-73. In Eric Clapton’s band 1974-80, playing on hits “I Shot the Sherriff” (1974), “Wonderful Tonight” (1978),”Lay Down Sally” (1978). In rock band Frehley’s Comet 1983. Returned to Clapton 1983-86. Tulsa session musician backing Leon Russell, New Grass Revival, Bee Gees, Bellamy Brothers, Stephen Stills, Asleep at the Wheel, Freddie King, Peter Frampton, John Arthur Martinez, Phil Collins, Peter Rowan, etc. Produced all-star 2005 album Mad Dogs & Okies including Clapton, Vince Gill, J.J. Cale, Taj Mahal, Willie Nelson, Tony Joe White, Bonnie Bramlett, others.

JOHN DENNY, 79, died July 21.
Former v.p. Cedarwood Publishing. Produced artists for Cedarwood spin-off label Dollie Records, notably Carl Perkins on 1966-67 charting singles “Country Boy’s Dream” & “Shine, Shine, Shine.” Also wrote songs for Cedarwood. Formed own Denny Music Group 1965 including JED Records. Label issued singles by Kent Westbury, Bobby Sykes, Scotty Stoneman, Rusty Adams, Chris Gantry, Jimmy Smart, Max D. Barnes, Ruthie Steele, Audie Ashworth, etc. Lifetime Achievement award from R.O.P.E. (Reunion of Professional Entertainers) 2004. Son of Country Hall of Famer Jim Denny (1911-1963), brother of former music exec Bill Denny.

BOBBY JONZ, 84, died July 21.
Soul & blues artist who recorded his Bobby Jonz Sings Country LP in 1998. A victim of the coronavirus pandemic. (real name: Bob Willy Jones).

DAN KELLY, 54, died July 22.
Fiddler who won Grand Masters Fiddling Championship in Nashville 1983 as teenager, joined Roy Acuff’s Smoky Mountain Boys. On the road with Alan, Clint, Faith, Wariner, SheDaisy, Pam Tillis, others. Later longtime entertainer at Opryland & member of popular Tennessee Mafia Jug Band.

MEMARIE, 48, died July 22.
Singer-songwriter & indie country recording artist with 2003 self-titled CD & “I Need a Change” single. Both on Cupit Records, label founded by father Jerry Cupit (1954-2014). As “Memarie Gayle” author of 2020’s Journey Back to the Soul recounting music career & ovarian cancer fight. Book included music CD. Part of “Unstoppable” women’s ministry tour 2019-20. Designer of “Fearless Memories” jewelry line. (Full name: Memarie Gayle Cupit Jobe).

ALAN ROWE, 66, died July 23.
Music director at WAKG and a MusicRow radio reporter.

CHARLES EDWARD CATHEY, 84, died July 24.
Beloved Nashville vocalist whose Ed Cathey Singers were heard by many at annual concerts. Perhaps Nashville’s most ethnically and ecumenically diverse events these benefited the homeless, released prisoners and others. Also with the Nashville Symphony Chorus.

EDWARD “FELIX” McTEIGUE, 48, died July 24.
Songwriter and record producer whose credits include Florida Georgia Line’s “Anything Goes” and Lori McKenna’s “Wreck You.”

JOHN SAXON, 83, died July 25.
Murfreesboro resident with extensive Hollywood acting credits. More than 200 roles included teen-idol films Running Wild (195), Rock Pretty Baby (1956); A-list comedies This Happy Feeling (1958), The Reluctant Debutante (1958); westerns The Unforgiven (1960), Death of a Gunfighter (1969); martial-arts flicks Enter the Dragon (1973) etc.; horror features A Nightmare on Elm Street (1984) etc. Golden Globe Award as Best New Star (1958). (real name: Carmine Orrico).

THOMAS PRINCE, 67, died July 25.
Bass player for country artist Johnny Carver for 14 years.

KENNY INGRAM, 67, died July 26.
Bluegrass banjo virtuoso. Band member for Lester Flatt, Jimmy Martin, James Monroe, Rhonda Vincent, Nashville Grass, Larry Stephenson, Curly Seckler. Banjo and/or vocals on more than 200 reccordings.

BOB RICKER, 65, died July 27.
Multi-instrumentalist, producer, founder of Ricker Music Group & Waltzing Bear Productions.

BILL MACK, 91, died July 31.
Grammy winning songwriter & legendary deejay. Elected to Country Music Disc Jockey Hall of Fame 1982, Texas Music Hall of Fame 1995, Texas Country Music Hall of Fame 1999. Famed for all-night broadcasts from Ft. Worth, Texas over WBAP Bill Mack Trucking Show 1969-2001. Singer-songwriter on Imperial, Starday, United Artists, Hickory, MGM, Phillips, others, Starday rockabilly classics “Kitty Cat” and “The Cat Just Got Into Town.” Regional hit “Ladonna” on Hickory. Successful songwriter with “Drinking Champagne” for Cal Smith 1968 & George Strait 1990. Also wrote “Blue” recorded by LeAnn Rimes 1996 which won Best Country Song Grammy Award, ACM Song of the Year. His gospel tune “Clinging to a Saving Hand” recorded by Rimes, Connie, Conway, Bill Monroe, Chuck Wagon Gang, George Hamilton IV, John Conlee, Dale Ann Bradley, etc. Songs also recorded by George Jones, Ray Price, Jerry Lee, Dean Martin, Waylon, Boxcar Willie, Hank Thompson, Don Gibson, Jim Ed, Cash and more. Trucking show continued on Sirius/XM 2001-2011. Also hosted nationally syndicated Country Crossroads gospel show and Overtime Top Ten Countdown show. TV emcee of The Buck Owens Show, The Bob Wills Show, Cowtown Jambore and cable series Country Crossroads. Autobiography Spins and Needles 1971. A victim of the coronavirus pandemic. (full name: Bill Mack Smith Jr.)

COLLIER ROBERT WOODS JR., 64, died Aug. 1.
Murfreesboro native and U.T. Speech/Theater grad who became a top lighting designer & stage technician. Designed for Dance Theatre of Harlem, Alvin Ailey American Dance Theatre, national tour of The Color Purple, Gil Scott-Heron, Branford Marsalis, Bruce Springsteen, Albert King, Pennsylvania Opera Theater, Seattle Repertory Theater plus Broadway tours of Phantom of the Opera, Showboat, Hairspray, West Side Story, Anything Goes, Beautiful: The Carole King Musical, The Full Monty, Spring Awakening, etc.

HAROLD MITCHELL, 82, died Aug. 5.
Country radio personality. Master of ceremonies for 44 years at Galax Old Time Fiddlers Convention. Stints at WHHV Hillsdale, Virginia; WBOB Galax, Virginia; WZYD Dobson, North Carolina; WMEV Marion, Virginia; WBRF Galax, Virginia; WYVE Wytheville, Virginia.

WAYNE CHANDLER, 54, died Aug. 7.
Gaylord Entertainment Director of Sales. Formerly in Pigeon Forge hospitality industry, at Opryland Hotel and with Kitty Wells organization. Also formerly co-owner of Nashville Nightlife Dinner Theater.

TOM ANNASTAS, 67, died Aug. 13.
Former BMI Vice President, General Licensing. Board member T.J. Martell Foundation. Leadership Music class 2008.

HERRIETTE DEW, died Aug. 16.
Accounting manager of the Americana Music Association. Mother of Americana festival producer and marketing manager Sarah Comardelle.

STEVE GULLEY, 57, died Aug. 18.
Award-winning bluegrass guitarist, songwriter, tenor vocalist. Noted for his work at Kentucky’s Renfro Valley Barn Dance and in groups Doyle Lawson & Quicksilver, Mountain Heart, Grasstowne and own band Steve Gulley & New Pinnacle, Formed last named in 2014.
Group’s CD Aim High led to 2016 IBMA nomination as Emerging Artist of the Year. Other albums included Time Won’t Wait, Steve Gulley & New Pinnacle, High Peaks and New Ground, Family, Friends & Fellowship. Songs recorded by Kenny & Amanda Smith, Blue Highway, Doyle Lawson, others. His “Through the Window of a Train” named IBMA Song of the Year 2008. Appeared more than 90 times on Grand Ole Opry. Worked as DJ on WDVX in Knoxville. Co-owner of Curve recording studio in East Tennessee.

EDDIE HOOVER, 84, died Aug. 20.
Georgia Country Music Hall of Fame member. Fiddler & luthier who toured with bluegrass bands then had career building and repairing guitars, fiddles and cellos for clients of Randy Wood Guitars.

BUDDY KING, 79, died Aug. 21.
Country disc jockey, program director and longtime record promoter. Worked with indie hit maker C.J. Solar, plus Bobby Wills, Rachael Turner, others. Unique character did not own a computer or a cell phone, but worked “old school” with pen, paper and a home phone.

PANDORA DENNY, 74, died Aug. 23.
Administrative assistant at Denny Music Publishing. Owned by husband John Denny, who died one month earlier.

JUSTIN TOWNES EARLE, 38, died Aug. 23.
Singer-songwriter with eight albums and awards from Americana Music Association. Debut EP Yuma 2007. Full length album debut The Good Life 2008. Second CD 2009’s Midnight at the Movies, led to his being named Emerging Artist of the Year at the 2010 Americana Music Awards & nomination for AMA Album of the Year. Title tune of Harlem River Blues 2010 CD named Song of the Year at AMA’s 2011 awards show. Performed on Late Night with David Letterman, Bonnaroo, MerleFest, Grand Ole Opry. Produced Wanda Jackson 2012 album Unfinished Business and sang with her on it. Own disc output continued with 2012’s Nothing’s Gonna Change the Way You Feel About Me Now, 2014’s Single Mothers, 2015’s Absent Fathers, 2017’s Kids in the Street, 2019’s The Saint of Lost Causes. Son of Steve Earle.

MERCER TRAPP, 82, died Aug. 31.
Stage and TV actor, notably on TNN’s I-40 Paradise series and with Tennessee Rep in Hot L. Baltimore. Also formerly a secretary at the CMA.

BILL PURSELL, 94, died Sept. 3.
Belmont University professor known Music Row sessions, pop instrumental hits and classical works as pianist/composer. Studied at Peabody Conservatory, Eastman School of Music. Toured as R&B and jazz musician 1950s. Arrived Nashville 1960. Became studio sideman as keyboardist on records by Cash, Patsy, Jim Reeves, Dylan, Willie, Atkins, Joan Baez, Robbins, Fogelberg, Paycheck, etc. Easy-listening piano piece “Our Winter Love” a hit 1963. LPs for Columbia 1963’s Bill Pursell, 1964’s Chasing a Dream, 1965’s A Remembered Love. Then Bill Pursell at the Piano: The “In” Sound of Country and Western Music for Spar Records. Regular soloist with Nashville Symphony. Composed piano sonatas, overtures, symphonies, preludes, concertos, tone poems, opera, plus theme music for Six Flags Over Georgia, Cypress Gardens, Circus World, as well as ad jingles and incidental music for film & TV. Work as an arranger led to Grammy nominations 1974, 1978. Reemerged on disc with 1976 pop LP Bill Pursell and The Nashville Sweat Band and its British disco hit “Now.” Joined Belmont faculty 1980. Students included Paisley, Yearwood. Belmont premiered his opera, Crooked River City 2016. Biography Crooked River City: The Musical Life of Nashville’s William Pursell 2018. Death due to COVID-19-related pneumonia.

LUCILLE STARR, 82, died Sept. 4.
First female Canadian Country Music Hall of Fame inductee. Rockabilly pioneer with ex husband Bob Regan billed as “The Canadian Sweethearts.” In addition to rockabilly classics like “Eenie Meenie Miney Mo,” duo’s Canadian hits included “Hootenanny Express,” “Freight Train,” “Don’t Let the Stars Get in Your Eyes,” “I’m Leaving It All Up to You,” “Looking Back to See,” “Don’t Knock on My Door,” “Let’s Wait a Little Longer,” “Dream Baby.” Yodeling singing voice of “Cousin Pearl Bodine” character on top-rated network comedy The Beverly Hillbillies in 1962-63. International pop hit with bi-lingual “The French Song” 1964. Originated country standard “Too Far Gone” 1967. Solo Canadian hits with “Crazy Arms,” “Is It Love?” “Cajun Love,” “Bonjour Tristesse,” “Send Me No Roses,” “Yours,” “Colinda,” “Jolie Jacqueline,” “Here Come More Roses,” “The First Time I’ve Been in Love,” “Back to You.” Gold and Platinum record awards in Canada, Holland and South Africa. Also tours and hits in Belgium, England, Mexico, Guam, Philippines, Japan, Korea, China.

BARRY SCOTT, 65, died Sept. 10.
Actor, director, writer, producer and voice-over artist. Noted for his annual recitations at Nashville’s “Let Freedom Sing” Fourth of July celebrations. Founder and artistic director of the American Negro Playwright Theatre at TSU. Signature voice-over work for the NBA, ESPN and TNA Wrestling. Many commercials and PSAs, including Discovery Channel, ABC, Kentucky Fried Chicken, Burger King, CBS, SPIKE-TV, McDonald’s, American Heart Association, NBC, Disney. Nashville Repertory Theater stage roles in Othello, Macbeth, Taming of the Shrew, Camelot, Man of La Mancha, Jesus Christ Superstar, Prates of Penzance, Evita, Ain’t Misbehavin,’ Big River, The Piano Lesson, Blood Knot, etc. TV parts on In the Heat of the Night, I’ll Fly Away, etc.

TROY JONES, 64, died Sept. 11
Songwriter, was known for penning songs including Billy Currington’s “People Are Crazy” and “Pretty Good at Drinkin’ Beer.”

FREEMAN RAMSEY JR., 76, died Sept. 12.
Former Tennessean newspaper photographer with much Nashville concert documentation.

ELLEN REEVES, 87, died Sept. 15.
Country-music lyricist. Co-wrote with husband Del Reeves (1932-2007). BMI Award for “Sing a Little Song of Heartache” (Rose Maddox, 1962). Del Reeves singles “This Must Be the Bottom” (1966), “The Only Girl I Can’t Forget” (1963). Songs also cut by Loretta, Conway, Tubb, Carl Smith, etc.

DOAK SNEAD, 70, died Sept. 16.
Texas singer-songwriter a favorite at The Armadillo in Austin and Kerrville Folk Festival. Albums Think of Me Sometimes (1977), Powderhorn (1978). Moved to Nasvhille 1989. Hosted songwriter nights at Douglas Corner, Bluebird, billed as “Writer’s Wrodeo.” Signed to Starstruck as writer 1993. Cuts with Lari White (“John Wayne Walking Away”), Avalon (“Only For the Weak”), Mark W. Winchester, Lanie Marsh, Lisa Daggs, Jamie Slocum, etc. Further solo albums Inside, After 33 1/3 Years, Catalogue, A Welcome Affair in 2000-18. Widower of recording artist Kellee Sallee-Snead (Roses and Tumbleweeds).

ROY HEAD, 79, died Sept. 21.
Country-rocker best known for 1965 pop hit “Treat Her Right.” Wild, gymnastic showman. Between 1974 & 1986 placed 24 singles on country charts. “Most Wanted Woman in Town,” “Come to Me,” “Now You See ‘Em Now You Don’t” top-20 hits. Country versions of Rod Stewart’s “Tonight’s the Night” (1978), Loggins & Messina’s “Your Mama Don’t Dance” (1983). Self-penned “Treat Her Right” became big country hit for Barbara Mandrell 1971. Also covered by Jerry Lee, Billy “Crash” Craddock, Springsteen, Bon Jovi, Mae West, Robert Plant, Tom Jones, Otis, Thorogood, Box Tops, Doug Sahm, Sandy Nelson, Joe Stampley, Los Straighjackets, etc. Father of country singer Sundance Head, who won on TV’s The Voice 2016.

BONNIE LOU MOORE, 93, died Sept. 21.
Longtime country guitarist-singer with husband Buster Moore (1919-1996) in duo Bonnie Lou & Buster, formed 1945. Stints at WRVA’s Old Dominion Barn Dance & WCYB’s Farm & Home Time in Virginia. Also KWKH’s Louisiana Hayride, WNOX Knoxville, WWNC Asheville, WPTF Raleigh, WROL Knoxville. Appearances on Opry, Renfro Valley, etc. TV stars on WJHL-TV in Johnson City, TN 1953-1985. Featured entertainers at Smokey Mountain Hayride in Pigeon Forge, TN 1972-1995. Recoded for Mercury 1949, Waterfall 1960s, & other labels. (real name: Margaret Louise Bell Moore).

W.S. “FLUKE” HOLLAND, 85, died Sept. 23.
Rockabilly Hall of Fame member. Drummer in Johnny Cash band The Tennessee Three 1960-1979 on the road and on hit records. Sometimes called the most important drummer in country history. Also on records by Dylan, Dale Watson, Waylon, Johnny Western, Marty Stuart, Johnny Horton, Steve Goodman, George Jones.

BILL McEUEN, 79. Died Sept. 24.
Record, film & TV producer. Best known as producer/mastermind behind Nitty Gritty Dirt Band’s landmark 1971 album Will the Circle Be Unbroken. Also produced Dirt Band’s 1970 hit “Mr. Bojangles” and group’s other early recordings. Managed group and arranged for it to become first American band to tour Soviet Union (1977). Other clients included Pee Wee Herman, Steve Martin, LeRoux, Robert Shimmel, Sunshine Company, John McEuen, Hourglass. Produced four comedy albums for Martin, selling an estimated 10 million units. Also produced comedian’s million-selling 1978 hit single “King Tut,” as well as movies The Jerk, Dead Men Don’t Wear Plaid, The Man With Two Brains, The Lonely Guy, etc. Also produced films Pee Wee’s Big Adventure, Big Top Pee Wee, Cold Dog Soup, The Big Picture, plus a number of TV specials. Owned Aspen Recording Society studio. Brother of John McEuen.

MAC DAVIS, 78, died Sept. 29.
Country and pop songwriter, recording artist, film actor, Vegas headliner, Broadway musical star, television personality, music publisher. Wrote “In the Ghetto,” “Baby Don’t Get Hooked on Me,” “Stop and Smell the Roses,” “A Little Less Conversation,” “I Believe in Music,” “Something’s Burning,” “It’s Hard to Be Humble,” more. Issued 20 albums, charted 40+ singles, five Gold Records & two Platinum. Into national Songwriters Hall of Fame 2006. Previously in Nashville Songwriters Hall of Fame (2000), star on Hollywood Walk of Fame (1998). Also in Texas Country Music Hall of Fame, Georgia Music Hall of Fame & BMI Icon honoree. Worked for Vee Jay, Liberty labels & as songwriter for Nancy Sinatra publishing. Early songs in L.A. recorded by Sinatra, Glen Campbell, Lou Rawls, Sam the Sham & The Pharaohs, etc. Elvis recorded his “A Little Less Conversation,” “Memories,” “In the Ghetto,” “Don’t Cry Daddy” 1968-70. O.C. Smith Top 10 R&B hit with Davis song “Daddy’s Little Man” 1969. In 1970-71, Campbell hit with “Everything a Man Could Ever Need,” Kenny Rogers hit with “Something’s Burning,” Bobby Goldsboro hit with “Watching Scotty Grow.” Songs also recorded by Cash, Conway, Tammy, Merle, Andy Williams, Tom Jones, Bobby Blue Bland etc. Davis signed with Columbia 1970 & scored Grammy-nominated 1972 No. 1 pop hit “Baby Don’t Get Hooked on Me.” Gallery hit with his “I Believe in Music” 1972. In country 1972, Campbell hit with “Oklahoma Sunday Morning” & Ray Price hit with “Lonesomest Lonesome,” Davis next pop hits 1974-75 “One Hell of a Woman,” “Stop and Smell the Roses,” “Rock N Roll (I Gave You the Best Years of My Life).” Own NBC-TV variety series 1974-76. Numerous TV specials thereafter. ACM Entertainer of Year 1974. Starred in movies North Dallas Forty (1979), Cheaper to Keep Her (1981), The Sting II (1983). More than a dozen TV movies. Guest-starred on TV’s Murder She Wrote, Muppets, Lois & Clark: New Adventures of Superman, The Client, Webster, Oswald (voice over) Johnny Bravo, King of the Hill (voice over), Rodney, Freaks and Geeks, Fargo. First top-20 country hit as artist “Forever Lovers” 1976. Signed with Casablanca 1979, leading to hits “It’s Hard to Be Humble” (1980), “Let’s Keeo It That Way” (1980), “Texas in My Rear View Mirror” (1980), “Hooked on Music” (1981), “You’re My Bestest Friend” (1982), “I Never Made Love ” (1985). Co-hosted CMA Awards Show 1980, 1981, 1982. Co-wrote 1990 hit “White Limozeen” with Dolly, plus other Dolly songs. Other co-writers Doc Severinsen, Billy Strange, Mark James, Delaney Bramlett, Shel Silverstein (“Tequila Sheila” by Bobby Bare 1980), etc. In 1992-91, Davis starred on Broadway in The Will Rogers Follies. Co-wrote Weezer’s “Time Flies” (2010), Avicii’s “Addicted to You” (2013) Bruno Mars’ “Young Girls” (2016).

PHYLLIS UNGER HILLER, 93, died Oct. 1.
Nashville songwriter, schoolteacher, pianist, therapist. Cuts by Kiki Dee (“Lucky High Heels”), Arthur Prysock (“Funny World”). Wrote popular 1971 children’s musical Ramo the Elephant. One-woman show My Name Is Fibby.

RICK DURRETT, 75, died Oct. 6.
Keyboardist for Crystal Gayle (When I Dream 1978), James Talley (Got No Bread 1975, Tryin’ Like the Devil 1976, Blackjack Chain 1977), Johnny Rodriguez, Michael Brown, Davis Daniel (Fighting Fire with Fire 1991), Odetta, Greg Shires, Mason Proffit (Wanted 1969), Billy Stone, etc. Previously in rock bands Coven, Pacific Gas & Electric, Yancey Street Band, others. Produced Rosemarie (DeHerrera) in 2017. Local performances at “Play it Again Jam,” “Recovery Fest,” 2011-13.

RAY PENNINGTON, 86, died Oct. 7.
Country songwriter, producer, label exec, singer. Wrote Waylon Jennings “I’m a Ramblin’ Man” (1974), Ricky Skaggs “Don’t Cheat in Our Home Town” (1984), Roy Drusky “Three Hearts in a Tangle” (1961), Billy Walker “Don’t Stop in My World” (1976), more. Kenny Price back-to-back Top 10 hits 1966-67 with Pennington songs “Walking on New Grass,” “Happy Tracks.” Songs also recorded by Browns, Grandpa, Ferlin, George Morgan, Jean Shepard, Mel Tillis, Wagoner, Eric Church, Leona Williams, James Brown, Johnny Bush, Montgomery Gentry, Paycheck, Wanda, Wilburns, Lorrie Morgan, Etta James, Jim & Jesse, Dave Dudley, Jack Greene, others. Pennington recording artist on King, Capitol, Monument, MRC, Step One labels. Co-founded Step One Records 1984. Produced 12 Ray Price charted singles on label, plus Gene Watson LPs Uncharted Mind (1993), The Good Ole Days (1996), Jesus Is All I Need (1997), A Way to Survive (1997). Also produced Clinton Gregory hits “(If it Weren’t for Country Music) I’d Go Crazy” (1991), “Play Ruby Play” (1992). Others on Step One roster Faron, Charlie McCoy, Western Flyer, Kendalls, Kitty, Cal Smith, Celinda Pink, Terry McMillan, Hank Thompson, Geezinslaws, Curtis Potter, etc. Formed Swing Shift Band with steel guitarist Buddy Emmons. Its Step One LPs Swingin’ (1984), In the Mood for Swingin’ (1986), Swing & Other Things (1988), Swingin’ Our Way (1990) Swingin’ By Request (1992), It’s All In the Swing (1995), Goin’ Out Swingin’ (1997).

KATHY SMARDAK, 60, died Oct. 11.
Co-founder in 1997 of Nashville independent concert-promotion business Outback Concerts with husband Mike Smardak.

DAVID ALFRED FRYER, 94, Oct. 11.
Gospel singer in quartets, with evangelists Pat Robertson & Billy Graham, solo show on KTIS in Minneapolis, produced “Two Rivers Baptist Church Hour” in Nashville.

JAMES A. LEWIS, 75, died Oct. 13.
Known as “Jukebox Jimmy,” an entrepreneur in coin-operated amusement business. Founded restaurants Bound’ry and South Street. Developed Young Executive Building with Faron Young.

JOE MEADOR, 73, died Oct. 21.
Nashville music entrepreneur in management, songwriting, film making, concert promotion, publishing. Managed Ronnie McDowell for 25 years. Co-wrote McDowell’s singles “All Tied Up” (No. 6 1986), “Lovin’ That Crazy Feelin’” (1987), “I’m Still Missing You” (1988), “Never Too Old to Rock & Roll” (1989). Songs also recoded by Ricky Godfrey, George Strait, Sugarbees, Jeff Hunt. Business partner with Buddy Killen in Killen Entertainment Group managing McDowell, Six Shooter. Later CEO of Grand Entertainment Group & three publishing companies. Co-produced 2007 movie Dixie Rose. Co-authored 2009 book The Genuine Elvis: Photos and Untold Stories. Formerly in Nashville rock band Glass Hammer, co-owned Sumner County Music Center, worked at Hewgley’s Music Shop.

BRYAN WAYNE, 53, died Oct. 22.
Hit country songwriter via Chris Cagle’s “Country By the Grace of God” (2002) and Tommy Shane Steiner’s “What If She’s an Angel” (2002). Cuts by Big & Rich, Emerson Drive, Clay Walker, Jason Blaine, John Rich, Rodney Carrington, others. Solo CD While You Wait in 2018 with guests Shannon Lawson, Joana Janet, James Otto, Big Kenny. Convinced major-league baseball to honor National Lou Gehrig Day for ALS awareness. (full name: Bryan Wayne Galentine).

JERRY JEFF WALKER, 78, died Oct. 23.
Texas music legend with 40+ albums. Co-founder of Austin’s “progressive country” scene. Host TNN series The Texas Connection (1991-92). Writer of standard “Mr. Bojangles” (1968) covered by hundreds including Nitty Gritty Dirt Band (1970, in Grammy Hall of Fame), Belafonte, Nina Simone, John Denver, Neil Diamond, Dylan, Frankie Laine, Paycheck, Bobbie Gentry, Tom T., Nilsson, Sammi Smith, Nancy Wilson, David Bromberg, Sammy Davis Jr. etc. Co-wrote Lefty Frizzell’s “Railroad Lady” (1974) with Jimmy Buffett. Other songs included “Sangria Wine,” “Gettin’ By,” “Gypsy Songman,” “Hairy Ass Hillbillies,” “Pissin’ in the Wind,” “Hill Country Rain,” “Leavin’ Texas,” “Nolan Ryan.” Song connoisseur of others’ works, popularizing such Texas classics as “Up Against the Wall Redneck Mother,” “Old Five and Dimers Like Me,” “L.A. Freeway,” “Desperados Waiting for a Train,” “Mississippi You’re on My Mind,” “Pick Uo the Tempo,” “London Homesick Blues (Home with the Armadillo),” “Backsliders Wine,” “Don’t It Make You Wanna Dance.” Gold Record for 1972 LP Viva Terlingua. Formed own Tried and True label 1986, becoming model of do-it-yourself career control. Autobiography: Gypsy Songman: A Life in Music (1999).

J.T. CORENFLOS, 56, died Oct. 24.
Top Nashville session guitarist, backing a mulitude of stars. ACM’s 2013 Guitar Player of the Year. Multiple citations in MuscRow’s annual rankings. Solo CD 2015’s Somewhere Under the Radar.

SHAWN SCRUGGS, 37, died Oct. 25.
Lower Broadway bass player at Tootsie’s Orchid Lounge, Kid Rock’s Honky Tonk and other venues backing John Stone, Melanie Torres, more.

STAN KESLER, 92, died Oct. 26.
Memphis musician, songwriter, engineer, producer who was a key figure at Sun Records. Played bass, guitar, mandolin, steel guitar. On records by Jerry Lee, Orbison, Carl Perkins, Miller Sisters, etc. Member of country band Clyde Leoppard & Snearly Ranch Boys, also on Sun. Wrote Elvis songs “I Forgot to Remember to Forget,” “Playing for Keeps,” “I’m Left, You’re Right, She’s Gone,” plus Jerry Lee’s “One Minute Past Eternity,” “Sometimes a Memory Ain’t Enough.” Songs also recorded by Robbins, Cash, Prine, Wanda. Produced Sam the Sham & The Pharaoh’s “Wooly Bully” & other hits.

DEZ ZAMEK, 68, died Oct. 28.
Couturier, master tailor, costume designer for Nashville stars & society women. Wife of international music entrepreneur Paul Zamek. (full name: Desray Anne Zamek).

BILLY JOE SHAVER, 81, died Oct. 28.
Nashville Songwriters Hall of Fame member noted for “I’m Just an Old Chunk of Coal,” “Ride Me Down Easy,” “Old Five and Dimers Like Me,” “You Asked Me To,” “I Couldn’t Be Me Without You.” Performer and recording artist who was a key figure in country’s “outlaw” movement. Discovered by Bobby Bare & signed to his publishing company. Championed by Waylon Jennings, who dedicated most of 1973’s Honky Tonk Heroes LP to Shaver songs. Cuts by Cash, Kristofferson, Willie (“I Been to Georgia on a Fast Train”), Elvis, Patty Loveless, George Jones, Tex Ritter, Tennessee Ernie, Bare (“Ride Me Down Easy”), Waylon (“Honky Tonk Heroes,” “Black Rose,” “You Asked Me To”), Mark Chesnutt, Jerry Lee, Confederate Railroad, BRr-49, Commander Cody, Rodriguez (“I Couldn’t Be Me Without You”), John Anderson (“I’m Just an Old Chunk of Coal”), Stonewall Jackson, Lewis Family, Marty Stuart, Tom Jones, Widespread Panic, David Allan Coe, Tom T. (“Willy the Wandering Gypsy and Me”), Allmans, Alison Krauss, etc. Recorded 20+ solo albums 1973-2014 for Monument, Capricorn, Columbia, New West, Compadre, Sugar Hill, others, some billed as Shaver partnered with guitar-ace son Eddy Shaver (1962-2000). Americana Music Association Lifetime Achievement award for songwriting 2002, ACM Poet’s Award 2019.

NAN KEENAN, 91, died Oct. 30.
Actor, director, teacher. Appeared and/or directed almost all productions of Murfreesboro Little Theater 1970s & 1980s. Taught speech and theater at MTSU. Moved to Franklin & acted in many Nashville theatrical productions thereafter.

TEDDY IRWIN, 77, died Nov. 5.
Guitarist, arranger, composer. Session player on hits by Randy Travis (“Old 8×10”), Buffett (“Margaritaville”), Neil Young (“Heart of Gold”). Also on records by Cash, Ray Stevens, B.J., Earl Scruggs Revue, Juice Newton, Joan Baez, John Lennon (“Happy Christmas War Is Over”), Jermaine Jackson, Neil Diamond, Richie Havens, Pat Boone, David Soul, more. Composed & produced music for soaps As the World Turns, Guiding Light, Another World. Toured with Petula Clark, Four Seasons, Bette Midler, Pozo Seco Singers, Doc Severinsen, etc. Played lead guitar in original Broadway production of Hair. Recorded 22 albums with partner CC Couch. Three solo guitar albums Music From My Guitar to You, Babies, Three Guitars-A Guitar Christmas.

JUDY KENDALL FRYE, 73, died Nov. 6.
Hostess at Grand Ole Opry for 39 years. Nashville tour guide. Dresser for Broadway shows at TPAC. Hair stylist. Supervisor at CMA Fest.

GENEVA ANN SMITH, 81, died Nov. 10.
Columbia Recording Studio employee for 12 years in the 1950s & 1960s. Later with Davidson County Registrar of Deeds office.

ANDREW WHITE III, 78, died Nov. 11.
Nashville multi-instrumentalist who became sideman for Stevie Wonder, Weather Report, Fifth Dimension, McCoy Tyner, Supremes, etc. Publisher, producer, 40+ solo albums.

DOUG SUPERNAW, 60, died Nov. 13.
Texas singer-songwriter best known for big country hits “Reno” (1993), “I Don’t Call Him Daddy” (1993) and “Not Enough Hours in the Night” (1996). Also had charted singles with Steve Goodman’s “You Never Even Call Me By My Name,” Dennis Linde’s “What’ll You Do About Me,” Jim Lauderdale/Frank Dycus’ “She Never Looks Back.” Nominated ACM 1994 New Male Artist of the Year. Also nominated for awards by TNN/Music City News, MusicRow, Billboard. Gold Record for Red and Rio Grande album 1994. Noted as colorful showman, outspoken personality. On soundtrack The Beverly Hillbillies singing Buck Owens classic “Together Again.” Collaboration with Beach Boys on 1996 novelty “Long Tall Texan.” Texas Country Music Hall of Fame inductee 2016. At CMA Music Fest & all-star Ralph Stanley tribute 2017.

WALTER C. MILLER, 94, died Nov. 13.
Produced/directed CMA Awards 1970-2004. Created multiple Cash TV specials, Opry anniversary specials, plus shows devoted to Dolly, John Denver, Acuff, Tennessee Ernie, Donny & Marie, Minnie Pearl, Mac Davis, Vince, more. Brought Perry Como & George Burns to Nashville for all-star country specials. Became the definitive director of award show/live event television genre. Wrote the book when it came to multi-camera coverage of events. In addition to country specials, directed Grammy Awards 15 times, directed Tony Awards 1987-97, also orchestrated TV coverage of Emmys, People’s Choice Awards, Comic Relief. TV career began with the birth of the medium in 1940s & 1950s: Horn & Hardart Children’s Hour, Bell Telephone Hour, Startime, Sing Along with Mitch, etc. Began directing specials 1960s: Streisand, Sinatra, Stevie Wonder, Kathie Lee Gifford, Andy Williams, Bobby Rydell, Sammy Davis Jr., Irving Berlin, Sha Na Na, Al Green, Justin Timberlake, Doug Henning, others. Particularly noted for comedy specials: Rodney Dangerfield, Steve Martin, Sam Kinison, Bill Cosby, Rich Little, Rosie O’Donnell, Alan King, Bob Hope. Directed televised musicals You’re a Good Man, Charlie Brown, Dames at Sea, The Will Rogers Follies, George M! In 1995 created Soul Train 25th Anniversary TV celebration. In 1989 directed Presidential Inaugural Gala. Appeared in 1991 Bette Midler movie For the Boys. Nominated for 19 Emmys & won five. Three-time Directors Guild of America award winner. CMA President’s Award 2007, CMA Irving Waugh Award 2009, Grammy Trustees Award 2010. Father of TV director Paul Miller, who is also a veteran of CMA telecasts, as well as Saturday Night Live, In Living Color, A Capitol Fourth, two Super Bowl halftime shows & more.

BOB LOFLIN, 91, died Nov. 16.
WSM radio newsman & Opry announcer 1960s. Interviewer on syndicated Country Crossroads radio series 1970s. Formerly cabaret entertainer in Birmingham, TV cowboy & CBS radio announcer in Hollywood. In retirement, volunteer at Frist Museum of Art & Nashville Public Library. Volunteer of the Year 2012 Country Music Hall of Fame. (full name: Clyde Thompson Loflin Jr.)

SUSAN KEEL, 58, died Nov. 20.
Publicist whose clients included Conway Twitty, Ray Stevens, Opry Mills, Ryman Auditorium, TPAC, Tennessee Titans. Worked for CashBox, Bullet Recording Studio, Top Billing, Sen. Jim Sasser, Tennessean, Andrews Agency, Fletcher Rowley Inc., own Keel PR. Daughter of Nashville Banner editor Pinckney Keel, sister of MTSU Dean Beverly Keel (formerly a label exec, music journalist & Music Row publicist).

HAL KETCHUM, 67, died Nov. 23.
Singer-songwriter, country hit maker and Grand Ole Opry star. Seventeen charted titles in 1991-06 with nine top-20 hits—“Small Town Saturday Night” (1991), “I Know Where Love Lives” (1991), “Past the Point of Rescue” (1992), “Five O’Clock World” (1992), “Sure Love” (1992), “Mama Knows the Highway” (1993), “Hearts Are Gonna Roll” (1993), “Fall in Love Again” (1994), ”Stay Forever” (1995). Ten albums, Gold Record for 1992’s Past the Point of Rescue. CMA Horizon Award nominee.

LYNSEY McDONALD, 58, died Nov. 23.
Americana artist manager who helped guide careers of Jason & Scorchers, Todd Snider, Deanna Carter, Georgia Satellites, Robbie Fulks, Jay Joyce. Helped launch live-performance series “Music City Roots” and venue Loveless Barn. Worked at Praxis International, Vector Management, Rising Tide Records, Thirty Tigers, TomKats catering, CMT and own Magnolia Way Management firm.

MAC ALLEN, 79, died Nov. 30.
Radio vet Nashvillian with both on-air and programming credits. (full name: Joseph Mcdermott Allen)

CHARLEY PRIDE, 86, died Dec. 12.
Country Music Hall of Fame inductee, Grand Ole Opry member. CMA Entertainer of the Year 1971, Male Vocalist of the Year 1971 & 1972. Placed 67 titles on country charts, including 52 Top 10 hits & 29 No. 1’s, 12 Gold Records, 35 million sold. Classics include “Kiss an Angel Good Morning,” “All I Have to Offer You Is Me,” “Is Anybody Goin’ to San Antone,” “Mountain of Love” and “We Could.” Country’s first Black superstar. Following failed baseball career, turned to country music 1965. Broke through on country charts with Jack Clement compositions “Just Between You and Me” (1966) and “I Know One” (1967). Hank Williams’ “Kaw-Liga” hit in 1969, followed by Pride’s first No. 1, “All I Have to Offer You Is Me.” His 1971 “Did You Think to Pray” won gospel Grammy & “Kiss an Angel Good Morning” Grammy for Country Song of the Year. Pride’s 1972 hit “All His Children” theme song for Paul Newman movie Sometimes a Great Notion nominated for an Oscar & Pride sang it on Academy Awards. Charley Pride Sings Heart Songs won 1973 Grammy. First Black artist to co-host CMA Awards (with Glen Campbell 1975). Hits continued with “Amazing Love” (1973), “We Could” (1974), “Hope You’re Feelin’ Me (Like I’m Feelin’ You)” (1975), “My Eyes Can Only See as Far as You” (1976), “She’s Just an Old Love Turned Memory” (1977), “Someone Loves You Honey” (1978), Grammy nominated “Burgers and Fries” (1978), “Where Do I Put Her Memory” (1979). In 1980, There’s a Little Bit of Hank in Me, tribute album to Hank Williams spawned back-to-back No. 1’s “Honky Tonk Blues,” “You Win Again.” Also revived Johnny Rivers hit “Mountain of Love” (1982), George Jones hit “Why Baby Why” (1982), Webb Pierce hit “More and More” (1983). Pride 1981 hit “Roll On, Mississippi” later became a state song. Other hits included “I Don’t Think She’s in Love Anymore” (1982), “You’re So Good When You’re Bad” (1982), “Night Games” (1983), “Shouldn’t It Be Easier Than This” (1988). Formed Music Row song publishing company Pi-Gem Music with producer Tom Collins. Formed Dallas management & booking company Chardon, which helped launch careers of Dave & Sugar, Janie Fricke, Neal McCoy. Also heavily invested in Dallas real estate, banking. In 1973, joined Opry, opened own theater in Branson, published autobiography, Pride. Tritt, Diffie, Ketchum, Marty Stuart joined him on 1994 CD. In 1996, performed for Clintons in White House & accepted Trumpet Award from Turner Broadcasting. Inducted into Country Music Hall of Fame 2000. Neal McCoy 2013 tribute album Pride. Other stars who received career boosts from Pride include Milsap, Trini Triggs, Exile, Janie Fricke, Paisley, Wariner. Some recorded with Pride, as did Oaks, Tanya, Garth, Dolly. Pride included in 2016 No. 1 country single/video “Forever Country” which won Video of the Year and Gold Record. Grammy Lifetime Achievement Award & NATD Career Achievement honor 2017. PBS American Masters bio-documentary, Charley Pride: I’m Just Me, narrated by Tanya 2019. CMA’s Willie Nelson Lifetime Achievement Award 2020. A COVID pandemic victim.

WANDA WHITE, 87, died Dec. 15.
Country & gospel singer. Notable in East Tennessee in Carlton Scruggs & The Home Folks on Mid-Day Merry-Go-Round, WNOX Tennessee Barn Dance, WSM’s Opry, Ernest Tubb Midnight Jamboree, etc. Background singer for country artists in 1940s & 1950s. Great grandmother and mentor of teen country/Americana performer EmiSunshine. (married name: Wanda White Matthews).

CARL MANN, 78, died Dec. 15.
Rockabilly star in Sun Records stable with 1958 hit “Mona Lisa,” plus “Pretend,” “South of the Border,” “Too Young” as rocked-up pop ballads. Also: “Ubangi Stomp,” “Foolish One,” “Baby I Don’t Care,” “Rockin’ Love,” “I’m Coming Home,” etc. Later a country act on Monument, ABC/Dot. Popularity endured in Europe for decades.

KIRKE MARTIN, 70, died Dec. 16.
Music Row business manager with clients including Dirt Band, Tammy, T. Graham, Keith Whitley, many CCM artists.

K.T. OSLIN, 78, died Dec. 21.
Nashville Songwriters Hall of Fame. Famed for country hits “80s Ladies,” “Hold Me,” “Do Ya,” “I’ll Always Come Back,” “Hey Bobby,” “This Woman,” “Come Next Monday.” Songs recorded by Dusty Springfield, Anne Murray, Gail Davies (“Round the Clock Loving”), The Judds, Pam Tillis & Lorrie Morgan, Sissy Spacek (“Lonely But Only For You”), Dottie West, Dan Seals, Dorothy Moore, Forester Sisters etc. CMA Female Vocalist of the Year 1988. First woman to win CMA Song of the Year (“80s Ladies”). First woman to become country star at age 45. Three Grammys, four ACMs, Texas Songwriters Hall of Fame. Gold/Platinum awards for ‘80s Ladies (1987), This Woman (1988), Love in a Small Town (1990), plus music-video compilation. Other albums Greatest Hits: Songs From an Aging Sex Bomb (1993), My Roots Are Showing (1996), Live Close By, Visit Often (2001), Simply (2015). Actor in TV series Evening Shade, Paradise, and films The Thing Called Love, Poisoned by Love. Favorite personality on TV shows of Carol Burnett, Johnny Carson, Joan Rivers, Oprah Winfrey, Arsenio Hall, Ralph Emery. Starred on 20/20 and own 1992 TNN special USO Celebrity Tour. Raised in Houston folk-music scene. Chorus girl in musicals Hello Dolly, West Side Story, How to Succeed in Business Without Really Trying, Darling of the Day, Promises, Promises. In addition to Broadway work, acted in TV commercials, sang ad jingles during 1970s & 1980s.

JOE JOHNSON, 93, died Dec. 22.
Label executive, record producer, song publisher. Affiliated with Columbia Records, Gene Autry, Challenge Records, 4 Star Records, Golden West Melodies, JAT Publishing, others. Produced, published and/or promoted more than 150 hits. Produced Marty Robbins, Jimmy Dickens, Jerry Wallace, etc. Behind such successes as “Tequila” by The Champs (1958), “That’s All Right” by Robbins (1955), “Just Walkin’ in the Rain” by Johnny Ray (1956), “Wishful Thinking” by Wynn Stewart (1960), “The One You Slip Around With” by Jan Howard (1960), “Travelin’ Man” by Ricky Nelson (1961), “Limbo Rock” by Chubby Checker (1962), “Lies” by The Knickerbockers (1966), “Release Me” by Englebert Humperdinck (1967), “Signs” by The Five Man Electrical Band (1971). Co-founder of the ACM. Built the Music Row office building that has housed GAC and RFD-TV.

BERK BRYANT, 90, died Dec. 24, 2020.
Long-running host of Louisville bluegrass radio show “Sunday Bluegrass” on WFPK-FM (1989-2018). Writer of monthly bluegrass column in Louisville Music News. Formerly at WWOD & WBRG in Lynchburg, VA. (full name: Berkley Olin Bryant).

TONY RICE, 69, died Dec. 25.
A virtuoso guitarist and bluegrass musician. Influential acoustic guitar player in bluegrass, progressive bluegrass, newgrass and acoustic jazz. He was inducted into the International Bluegrass Music Hall of Fame in 2013.

SILVER ANN HAAS, 55, died Dec. 28, 2020.
Owner Platinum Artist Music Group & Silver Dream Promotions in Nashville.

HUGH X. LEWIS, 90, died Dec. 29, 2020.
Country singer-songwriter. Charted 15 titles on charts 1964-79.
Top 40 entries: “What I Need Most” (1965), “Out Where the Ocean Meets the Sky” (1965), “I’d Better Call the Law on Me” (1966), “You’re So Cold (I’m Turning Blue)” (1967), “Evolution and the Bible” (1968). “All Heaven Broke Loose” (1969) a top-20 hit in Canada. LPs The Hugh X. Lewis Album (1965), Just Before Dawn (1965), My Kind of Country (1966), Just a Prayer Away (1967), Country Fever (1968). Wrote hits for Stonewall Jackson “B.J. the D.J.” (No. 1, 1964), “Angry Words” (No. 16, 1968), “Ship in the Bottle” (No. 19, 1969). Also wrote Carl Smith’s “Take My Ring Off Your Finger” (1964), Carl Butler & Pearl’s “Just Thought I’d Let You Know” (1965), Del Reeves & Bobby Goldsboro duet “I Just Wasted the Rest” (1968) plus songs for Ray Pillow, Mac Wiseman, Jimmy C. Newman, George Morgan, Pride, Dickens, Kitty, Lynn Anderson, Jim Ed, more. Hosted syndicated weekly TV series Hugh X. Lewis Country Club c.1968-72. Own Printer’s Alley nightclub 1970s. In country movies Forty Acre Feud (1966), Gold Guitar (1967), Cotton Pickin’ Chicken Pickers (1967), plus Christian children’s movie Summer of Courage (2005). Later a poet, speaker, gospel recording artist, radio host (“The Christian Country Story Show” on WSGS/WKIC in Hazard, KY). Kentucky Colonel honoree, Atlanta Country Music Hall of Fame, Walkway of Stars inductee at Country Music Hall of Fame. (full name: Hubert Bradley Lewis).

GLEN THOMPSON, 75, died Dec. 29, 2020.
President of the Grand Ole Opry Fan Club, 1987-2010. A familiar face on the front row of Opry shows. Singer-guitarist who performed on Junior Grand Ole Opry 1955 at age 9. Burial planned next to Uncle Jimmy Thompson, Opry’s first performer.

DEV TREANOR DAVIS, 85, died Dec. 30, 2020.
Nashville tourism booster for 30+ years. Owner Tennessee Trail Blazers Bus Company & tour businesses. President of United Bus Owners of America 1983. (full name: Christine Devereaux Treanor Davis).

Index:
Adam, Biff – 3/7
Allen, Mac – 11/30
Annastas, Tom – 8/13
Austin, Quay – 3/9
Baxter, Bucky – 5/25
Benford, Mac – 2/15
Bryant, Berk – 12/24
Bey, Anon – 3/1
Billingsley, Jane Dorris – 6/15
Blaydes, Keith – 2/6
Burton, Patricia Maxwell – 3/19
Byrd, Stan – 5/23
Cage, Buddy – 2/4
Capps, Jimmy – 6/2
Carr, Pete – 6/27
Cathcart, Kent – 4/7
Cathey, Charles Edward – 7/24
Chandler, Wayne – 8/7
Connor, Arthur – 4/13
Corenflos, J.T. – 10/24
Currey, Browlee – 3/18
Cymbala, Zenon B. – 3/31
Daniels, Charlie – 7/6
Darrow, Chris – 1/15
Davis, Dev Treanor – 12/30
Davis, Mac – 9/29
DeBoer, Tony – 5/20
Delozier, Jimmie – 1/31
DeMontbreun-Stroud, Abbe – 6/19
Denny, John – 7/21
Denny, Pandora – 8/23
Dew, Harriet – 8/16
Diffie, Joe – 3/29
Dobkins, Carl – 4/8
Durrett, Rick – 10/6
Earle, Justin Townes – 8/23
English, Paul – 2/12
Frazier, Randy – 6/19
Freeman, Barry – 1/10
Frye, Judy Kendall – 11/6
Fryer, David Alfred – 10/11
Garcia, Benny – 5/7
Groves, Cady – 5/2
Gudis, Stephen – 1/6
Gulley, Steve – 8/18
Haas, Silver Ann – 12/28
Halterman, Joe – 2/11
Harris, Ernie – 4/24
Harvey, Alex – 4/4
Head, Roy – 9/21
Henley, Jimmy – 3/22
Hildebrand, Donald – 4/14
Hiller, Phyllis Unger – 10/1
Hludzik, Jerry – 4/12
Holland, W.S. “Fluke” – 9/23
Hoover, Eddie – 8/20.
Houston, Robb – 3/16
Howard, Jan – 3/28
Howard, Sam – 7/10
Ingram, Kenny – 7/26
Irwin, Ed – 6/28
Irwin, Teddy – 11/5
Jackson, Wade – 1/14
Jay, Jimmie – 4/6
Johnson, Joe – 12/22
Johnson, Larry – 6/12
Jones, Troy – 9/11
Jonz, Bobby – 7/21
Kaparakis, John B. – 4/12
Kayser, Hans – 3/20
Kearney, Ramsey – 3/14
Keel, Susan – 11/20
Keenan, Nan – 10/30
Kelly, Dan – 7/22
Kesler, Stan – 10/26
Ketchum, Hal – 11/23
King, Buddy – 8/21
King, Thom – 4/24
Lester, Tom – 4/20
Lewis, Hugh X. – 12/29
Lewis, James A. – 10/13
Lilly, Michael – 2/12
Little Richard – 5/9
Loflin, Bob – 11/16
Lonas, Sonny – 6/30
Lunn, Eddie – 1/29
Lusk, Jim – 4/25
McDonald, Lynsey – 11/23
McEuen, Bill – 9/24
McSpadden, Gary – 4/15
McTeigue, Edward “Felix” – 7/24
Mack, Bill – 7/31
Mann, Carl – 12/15
Martel, Marty – 3/29
Martin, Craig – 7/3
Martin, Kirke – 12/16
Martin, Daniel Lee – 2/14
Meador, Joe – 10/21
Memarie – 7/22
Miller, Walter C. – 11/13
Mitchell, Harold – 8/5
Moore, Bonnie Lou – 9/21
Morford, Faith Bailey – 5/13
Oldaker, Jamie – 7/16
Olney, David – 1/18
Oslin, K.T. – 12/21
Owen, Fuzzy – 5/11
Owen, Helen – 7/13
Parker, Ira – 1/24
Pennington, Ray – 10/7
Phillips, Knox – 4/15
Pointer, Bonnie – 6/8
Powell, Tom — 1/21
Pride, Charley – 12/12
Prince, Thomas – 7/25
Prine, John – 4/7
Pryor, Richard – 4/24
Pursell, Bill – 9/3
Pyatt, Dale – 4/15
Quinn, Tommy – 7/8
Ragsdale, John – 3/25
Ramsey, Freeman – 9/12
Ray, Glenn – 6/11
Reeves, Ellen – 9/15
Reid, Harold – 4/24
Rice, Tony – 12/25
Ricker, Bob – 7/27
Roberts, H.G. – 3/22
Rogers, Kenny – 3/20
Rowe, Alan – 7/23
Saxon, John – 7/25
Scarborough, Cy – 5/19
Schulman, Alan – 6/24
Scott, Barry, 9/10
Scruggs, Shawn – 10/25
Setser, Eddie – 1/27
Shane, Bob – 1/26
Shaver, Billy Joe – 10/28
Smardak, Kathy – 10/11
Smith, Geneva Ann – 11/10
Smith, Robin – 3/13
Snead, Doak – 9/16
Soesbee, Bud – 5/20
Starr, Lucille – 9/4
Supernaw, Doug – 11/13
Thompson, Glen – 12/29
Thompson, Sue Armstrong – 5/4
Thrall, Dick – 5/14
Trapp, Mercer – 8/31
Walker, Gary – 7/8
Walker, Jerry Jeff – 10/23
Wayne, Bryan – 10/22
Weissberg, Eric – 3/22
White, Andrew – 11/11
White, Wanda – 12/15
Whitehouse, Dick – 1/14
Williams-Dunning, Katherine – 6/13
Williamson, Jim – 2/26
Woods, Collier Robert – 8/1
Yates, Helen Hunley Glaser – 2/3
Zamek, Dez – 10/28

The Academy of Country Music’s Damon Whiteside And Lyndsay Cruz Recount 2020 [Interview]

Lyndsay Cruz, Damon Whiteside. Photos: Courtesy The Academy of Country Music

In a challenging year for all, the Academy of Country Music, like most companies, worked hard to pivot.

Just two weeks after postponing the original April 18th show date for the 55th ACM Awards from the MGM Grand Garden Arena in Las Vegas, the Academy produced ACM Presents: Our Country, an at-home special that reached nearly 11 million viewers after airing on CBS and on CMT. In addition to the special, the Academy produced a pre-show that aired across Academy social platforms and Twitch, to which nearly 400,000 people live streamed.

During the show’s broadcast ACM Lifting Lives, the charitable arm of the Academy of Country Music, announced the launch of ACM Lifting Lives COVID- 19 Response Fund, created to assist those in the country music industry who lost their jobs due to the pandemic. Since then, ACM Lifting Lives has raised and distributed $3.5 million. They reopened the fund on Giving Tuesday, in time to help more in need during this holiday season.

While gearing up for the first live awards show during the pandemic, ACM released its first single, “On The Road Again (ACM Lifting Lives Edition),” a collaboration featuring this year’s ACM New Artist nominees—including Ingrid Andress, Gabby Barrett, Jordan Davis, Russell Dickerson, Lindsay Ell, Caylee Hammack, Cody Johnson, and Morgan Wallen—and joined by the legendary Willie Nelson on the remake of his original hit.

Then, for the first time ever, the 55th ACM Awards took place in Nashville, Tennessee on Sept. 16 at three iconic locations including the Grand Ole Opry House, Ryman Auditorium and Bluebird Cafe. The 55th ACM Awards was the first live awards show during COVID-19, bringing a total of 7.63 million viewers, reaching the No. 1 driver of social videos online for the day. The Academy worked diligently to make sure safety protocols on-site including testing, sanitizing and health screenings were enforced leading up to and onsite. With all protocols in place, a virtual Radio Row and virtual Press Room was created in order to keep radio, media, press and artists safe during this time.

The Academy also launched a consumer-facing site to help promote label priorities and artists through summer and fall, ACM: The Hub. The Hub included virtual events such as Wine Down Wednesday, a happy hour series featuring rising female country music artists. On behalf of each artist, the Academy’s partner, 1000 Stories® Bourbon Barrel-Aged Wine, contributed a $2,000 donation towards the ACM Lifting Lives COVID-19 Response Fund, bringing in a total of $18,000 from the series. The Academy also launched the ACM: The Weekly, a live concert-like experience on ACM social platforms, on The Hub. The ACM Weekly features 3-4 artists each week.

The ACM’s CEO, Damon Whiteside, and ACM Lifting Lives Executive Director, Lyndsay Cruz, spoke with MusicRow recently about 2020, and what challenges and accomplishments the year entailed.

MusicRow: The start of the lockdown in the U.S. was so close to the ACM awards in April. You guys pivoted to the Our Country special in two weeks. Tell me about making that decision and how you guys were able to pull that together so quickly.

Whiteside: It was a pretty quick turnaround, but we felt like we already had that date secured on CBS and we knew that the fans were looking forward to an award show. So we were just so in that mode and, obviously, the artists were planning to perform and they wanted to be promoting their latest music. Of course, at the time, we thought maybe tours would be coming back in the summer, at that point we didn’t know. It just seemed like a really good opportunity for us to still utilize that date and a great opportunity to bring some comfort to the fans and just bring music to the fans. The [ACM Presents: Our Country] special was just an idea that was brought up between RAC Clark, our executive producer, myself, and our team Dick Clark Productions.

We just got on the phone one day and said, ‘Can we really pull this off?’ And at that point, too, there really hadn’t been any of the virtual shows yet. After our show aired, there were several after that. But we were about the first to do one of those. So we just jumped in; we took it to CBS and they really liked the idea, too. Within a day, we got it all approved and started reaching out to artists’ managers. It just all really came together. And of course, we gave direction to the artists, but we really had the artists shoot it themselves in their own homes or locations. It was an interesting flip of where they sort of put it together creatively themselves, where they were at. We just worked with them on all of that, and it obviously turned out really fantastic.

Eric Church performs on ACM Presents: Our Country

When it came time for the ACM Awards in September, you guys were really first out of the gate with a truly live awards show. What were the guiding posts of what was most important to you in planning that event?

Whiteside: It was the first true live awards show back, meaning that we had a lot of live elements in it, including the awards, which was really the first time that had been done where we had winners in the room, coming out on stage to accept awards. It was all live-hosted as well, Keith [Ubran] was there, live doing the hosting and several of the performances were all done live, too. So it was a lot of coordination. Our priority was that we really wanted to have as much live element to it as we possibly could, while being cognizant of the artist safety. That was a major part, ensuring that the artists felt safe, but that we could still be true to the award ceremony component of it by giving away the awards live.

We were able to accomplish that by being able to have artists essentially quarantine back on their buses and then as they needed to be on stage, then they were brought in. It was all very meticulously choreographed so that no artist would ever actually see each other, which would then cause them to go off and want to hug or talk to each other. We were really meticulous about that to make sure that an artist that came in to accept their award and then to do press, they would literally never see other artists. It was all staged that way so they were completely safe.

From the awards show perspective, it was all new for us, not only because of COVID, but it was the first time in Nashville in our history. We were in the three most iconic venues in Nashville, and going live to three different venues was something we had never done. So there were all of these elements that just were a first time thing for us. What was important was we wanted to really just honor the industry, of course, but also really honor the fact that we were in Nashville for the first time at these iconic venues and the fact that, artists had all been quarantined for so many months and we hadn’t seen them perform for so long. We just wanted to bring a really exciting show but also make sure that we were being really respectful of what was going on in the world and bringing some comfort, joy and music to the fans. It’s been dragging on so long that people feel disconnected from live events and disconnected from being able to see their favorite artists on a big stage, so it was important that we brought a full-sized show to them, but in a very safe way.

Taylor Swift’s live debut performance of “betty” at the 2020 ACM Awards. Photo: Getty Images | Courtesy of the Academy of Country Music

The ACM has given back $3.5 million in COVID relief aid and plans to continue to give back in 2021. Lyndsay, what does it mean to you for ACM Lifting Lives to have such an impact during this time?

Cruz: Oh gosh, don’t make me cry. We had a really ambitious slate of events and initiatives planned for 2020, for just the general fund of ACM Lifting Lives because [Taylor Wolf] the manager of ACM Lifting Lives—I call her my partner—we spent 2019 really trying to refine the mission of Lifting Lives. Not necessarily a rebrand, but just getting laser focused on what we do. So we’re excited about 2020 and all of the things we were going to accomplish. Of course, that all came to a screeching halt. We had always been operating a disaster relief fund, very quietly, called the Diane Holcomb Emergency Relief Fund. And that is for folks who are in the industry, who face the financial hardship or a personal disaster, whether that be a medical issue or something that happens to their home. So we had been set up to do that. And then when COVID hit, we realized we’re actually in a position to give back more. We have smart investment managers that sit on the board of Lifting Lives, we have some reserves. So we thought, ‘This is an opportunity to help people that the government wasn’t helping yet.’ We knew there was going to be a stimulus package, but we thought, ‘We can do this. We have the resources.’ So we created the application and then we started the process. We approved and allocated about a $1 million in approximately a week and a half, and these were small grants. These were $2,000, $1,000 grants based on need and criteria. Then the funds were gone.

From that point on, it was just any sort of fundraising opportunity we could grab onto, we did. We just completely focused on this fund because Stimulus checks ran out, PPP ran out, and there was no getting back on the road in sight. So we just continued to say, ‘We’ve got to keep on fundraising for this.’

[Through the fundraising efforts], we just kept banking the money and saying, ‘We know we’re going to reopen this fund. We don’t know how much, but we we’ve got to do it because the need is still so great.’ We had to close our fund, obviously, but we had a wait list. So people were just sort of waiting until we had funds to distribute.

We had about $500,000, in cash and from fundraising around September. We wanted to reopen the fund before the end of the year and we want to get money into people’s pockets before the holidays. So my awesome partner, Damon Whiteside at the ACM, and I crafted a plan to just start knocking on doors of companies that were under more financially stable footing, and the first were labels and DSPs. We got an amazing $500,000 gift from Amazon and we basically hit up every label and they all came in with a cash donation. So we raised about another $900,000, and then we made up with our reserves that difference to reopen the fund with $2 million. [As of this interview], we will have given out the $2 million. Taylor and I looked at the number today and I think we had about $75,000 left to give.

We’re so grateful that we’re in a position that we can do that, but we have a feeling that this is going to continue on for a bit longer, and so we’re trying to get ahead of it for 2021 to think about a third round.

Whiteside: I just want to give credit and kudos to Lyndsay and Taylor and their dedication this whole year. I’ve been at ACM almost a year, but I’m so impressed with Lifting Lives and the fact that it can be so nimble and it can be so many things to so many people in need. I’ve seen it just firsthand, them pivot this year from one need to another. I mean, we started the year with a tornado in Nashville and our team was out doing volunteer work and Lyndsay was working to get funds to people that needed it. And then it pivoted to COVID, and all the other things that we do on a daily basis. To me, it’s just been so powerful to see, as soon as there’s a need, Lifting Lives can identify the need and then address that need. I can’t underline enough the fact that yes, there is MusiCares out there, which was a huge fund that did great work, however, that was across the entire music industry. We’re the only ones that are doing this for country music, that’s literally serving the country music community directly with funding. So I have to applaud Lyndsay and the Lifting Lives team again on that. That’s pretty miraculous.

Damon, this was your first year at the ACM. Tell me what tackling such a difficult year was like during your first year.

Whiteside: I’ll have a better answer in January. I went into it really excited obviously, and there was a lot of major things to really tackle this year. A big part of that, too, is me just living in two cities. I was going to be half the time in L.A. and half in Nashville, so that was going to certainly be a challenge. Coming into it, I literally was just focused on the Vegas show in April and making that the best we can make it. There’s a lot of feedback I’d had from past years and I just had a lot of ideas and a lot of feedback from the staff and the board on a lot of things that we wanted to accomplish this year.

I wasn’t really [as focused on] introducing a bunch of new ideas, I really wanted to elevate what we do as an organization and elevate how we serve the industry. That would be a big win for year one. And then obviously, a couple of months in, everything started to change. I’ve said this a lot to our staff, too, that I feel like, in a strange way, the pandemic really forced us to be more innovative than we probably could have ever been. Our Country really proved it to us, where we could pivot from canceling an awards show in Vegas to immediately flipping and doing a two hour CBS special, plus the livestream. All of that was just learning, you know, there’s really no rules here. If we have a really strong idea and we have the support of the board, let’s go for it and make it happen. I think it really showed all of us that we could do things differently and we didn’t have to do things based on how we’d done them in the past. It was almost like, everything is up for discussion this year.

Is there any update on the Nashville office space?

Whiteside: Not at the moment. We’re still researching. Nothing has been decided as of yet, a lot of that being just because of the year. Hopefully early next year we’ll be able to make some decisions and determine what that’s going to look like for us. Nothing has been confirmed yet.

Of all the successes and resilience that the Academy has shown this year, what are each of you most proud of?

Cruz: All the arrows point to the COVID fund and how many people we’ve been able to help. To date, we’ve been able to help about 2,000 people. Again, these are small grants that we’re helping people just put food on the table or pay their rent or mortgage. Hearing from the folks and what a significant impact that made for them; we had people say, ‘Wow, we didn’t think anyone cared,’ and also, ‘When I’m in a better place, I’d really love to come back and help you all in some way.’ That’s incredibly powerful for us.

[I’m also proud of] the amazing partnership with Vanderbilt in Nashville. This year we had our 11th annual ACM Lifting Lives Music Camp, which is a research educational camp for people with a developmental disease called Williams Syndrome. It brings together these campers from around the country to do songwriting with the amazing Ross Copperman, and Runaway June sat in and helped write the song. We were still able to do that, even though it was virtual, and we had other artists like Tenille Townes, Michael Ray and Frankie Ballard. So we were able to still pull that off, and we expanded our partnership with Vanderbilt and were able to announce a $750,000 endowment to expand our work with people living with autism. So we’re able to create the ACM Lifting Lives Autism Lab at Vanderbilt, and it’s going to establish autism as one of our signature initiatives.

Frankie Ballard, Tenille Townes, and Michael Ray participate in ACM Lifting Lives Music Camp.

Whiteside: Obviously I want to echo everything she said, I don’t think there’s anything bigger we can point out than the COVID response. That’s just hands down, obviously our proudest moment or accomplishment of the year. But, on the ACM side, I feel like we’ve really elevated the ACM brand this year and what it means to the industry and the fans. We’ve been able to really serve the industry more than we have in a lot of years, if not ever, just in terms of having the Our Country special right at the moment our artists needed it most. It was right at the beginning of the pandemic, when people were more scared, and we got such a great response about what comfort that brought the fans. And then, I couldn’t be more proud of the show in Nashville. We started out the year thinking that we were going to be country’s party of the year, which is our normal positioning for the show, and then ended up doing a night of hurt and hits with a new host and with being the first live show back. I’m proud we were able to pay respect to the Nashville community. So between those things, it just made ACM able to really support our industry and in a huge way.

‘An Evening Of Thanksgiving With CeCe Winans’ Set For February 21st

CeCe Winans is hosting the virtual Evening of Thanksgiving with Compassion International on Feb. 21, 2021 with some surprise special guests to help bring some joy and encouragement to those needing it. The event was originally slated to take place in November but was postponed due to the pandemic.

An Evening of Thanksgiving with CeCe Winans! worship live stream concert will feature praise and worship music as well as many favorites with a full band performance. Those sponsoring a child through Compassion International will receive a ticket into An Evening of Thanksgiving plus access to a separate VIP event that includes exclusive performances, a special conversation with CeCe Winans and family members, and a few additional surprises. Tickets are available here.

Helping a Hero’s Lee Greenwood Patriot Awards Gala Raises Over $500,000 For Wounded Vets

Pictured (L-R): GOYA Foods CEO Bob Unanue, former NFL player Jack Brewer, South Dakota Governor Kristi Noem, Lee Greenwood, NASCAR legend Richard Childress, and U.S. Congressman Bill Flores

The Lee Greenwood Patriot Awards Gala at The Woodlands Waterway Marriott in Houston was held earlier this month, and raised over $500,000 for the Helping a Hero organization.

This year, Helping a Hero honored five trailblazers with The Lee Greenwood Patriot Award for their leadership and commitment to our wounded warriors: NASCAR Legend Richard Childress; GOYA Foods CEO Robert “Bob” Unanue; South Dakota Governor Kristi Noem; U.S. Congressman Bill Flores (TX-17) who championed veteran reforms while in Congress; and multi-Platinum artist Michael W. Smith.

Funds raised from the evening will enable Helping a Hero serve post-9/11 severely wounded warriors through their Wounded Hero Home Program, emergency needs program, and other support programs. Plans are underway to build homes for deserving wounded warriors desperately needing specially adapted homes in Florida, Louisiana, Nebraska, North Carolina, and Texas, as well as a special project in South Carolina. Notable attendees at the event included Bass Pro Founder and CEO Johnny Morris, Kalahari Resorts Founder and CEO Todd Nelson, Woodforest National Bank President Jay Dreibelbis, Latina Voices Co-Host Sofia Adrogue, Stewart Builder’s Mark Stewart, and Herbster Angus Farms CEO Charles Herbster.

“I have been supporting Helping a Hero for a decade and I’m humbled by the work they continue to do to help our wounded warriors,” said Greenwood, who hosted the Annual Helping a Hero Gala and presented the Lee Greenwood Patriot Awards. “This year proves that there is nothing that can stand in the way of our love and support for our nation’s heroes. It is an honor to partner with Helping a Hero and help with giving back to our wounded warriors who sacrifice so much for our nation.”

“We extend our deepest thanks and appreciation to Lee Greenwood, our sponsors, supporters, honorees, board members, advisory board members, and staff for making the event a huge success,” said Helping a Hero Chairman of the Board of Directors Hector Villareal. “I am honored to serve those that have served and sacrificed protecting our freedom. God bless the USA.”

DISClaimer Single Reviews: Jimmie Allen, Lee Brice, Lady A, Tim McGraw, Shy Carter, More

The Big Week is here. Is your shopping done? Have you wrapped everything? If not, here’s a sampling of Nashville holiday music to get you in the mood.

It’s been a bonanza year for this kind of record in Music City. By my count, there are 109 new Yuletide releases by Nashville artists great and small. I can’t get to them all, but here are 13 selections.

Lee Brice has the Disc of the Day. The Shindellas, who collaborate with Jimmie Allen and Louis York on his debut Christmas single, win the DisCovery Award.

LADY A / “Christmas Through Your Eyes”
Writers: Charles Kelley/Dave Haywood/Hillary Scott; Publishers: none listed; Producer: Dann Huff; Label: BMLG Records
– As sweet as a sugarplum fairy. The gentle acoustic textures, lilting pace and soft soprano lead create a twinkling holiday mood.

NICK LOWE & LOS STRAITJACKETS / “Winter Wonderland”
Writers: Felix Bernard/Richard Smith; Publishers: none listed; Producer: Nick Lowe; Label: Yep Roc
– File this under “stocking rocking.” Lowe’s wry, droll delivery carries the arrangement with Nashville’s favorite masked band romping and twanging merrily in accompaniment. Highly recommended, as well as their equally zesty take on “Let It Snow.”

LEE BRICE / “Go Tell It On the Mountain”
Writers: none listed; Publishers: none listed; Producer: Lee Brice/Cody LaBelle; Label: Curb Records
– Turn it up. Brice is in rare form here, delivering an intense, fiery vocal performance that raises the rafters. Stacked harmonies and cascading instruments pile on the emotional ride. A fabulous sound.

THE OAK RIDGE BOYS / “Down Home Christmas”
Writers: Aaron Raitiere/Mando Saenz; Publishers: none listed; Producer: Dave Cobb; Label: Lightning Rod/Thirty Tigers
– As the feature attraction at the Opryland Resort, the Oaks are the “official” Nashville spokesmen for the season. This bopping ditty is a toe tapping treat, sung in full four-part harmony throughout. It’s the title tune to a green-vinyl LP.

MITCHELL TENPENNY / “Neon Christmas”
Writers: Mitchell Tenpenny/Lindsay Rimes/Matt Rogers; Publishers: none listed; Producer: Lindsay Rimes; Label: RiverHouse/Columbia
– Hey, baby, let’s head to the neighborhood dive bar, drink beer and dance to the jukebox to celebrate the season. A rollicking good time, and the title tune to Tenpenny’s new Yule-themed EP.

FLORIDA GEORGIA LINE / “Lit This Year”
Writers: Brian Kelley/Tyler Hubbard/Corey Crowder; Publishers: none listed; Producer: FGL & Corey Crowder; Label: Big Machine
– “That Christmas tree ain’t the only thing that’s lit this year.” This light-hearted stomper is as country as grits, what with the drawled vocals, banjo notes and deep-twang guitar work. A very hillbilly good time is had by all.

SHY CARTER / “All I Want for Christmas Is You”
Writers: Mariah Carey/Walter Afanasieff; Publishers: none listed; Producer: Byron Gallimore; Label: Warner
– It starts out spare, then gradually adds rhythm elements. I takes a little while to stop missing Mariah Carey’s rocking arrangement, but if you let this roll, it will get under your skin as a slow-burn jam. Carter’s soulful voice stays in the spotlight all the while. Definitely the best R&B Nashville release of the season.

DAN + SHAY / “Take Me Home for Christmas”
Writers: Andy Albert/Dan Smyers/Jordan Reynolds/Jordan Schmidt/Mitchell Tenpenny/Shay Mooney; Publishers: none listed; Producer: Dan Smyers; Label: Warner
– Wafting, rolling pop country with a winning tune and a shuffling, jaunty rhythm track. Pleasant and listenable.

ROB THOMAS & ABBY ANDERSON / “I Believe in Santa Claus”
Writers: Dolly Parton; Publishers: none listed; Producer: Marshall Altman; Label: Emblem/Atlantic
– The Matchbox Twenty rock great and the country newcomer sound terrific harmonizing together on this Kenny & Dolly favorite. I missed the tempo and bounce of the original, although this slower-paced rendition does bring out the wistfulness of the lyric. Ear opening.

JIMMIE ALLEN, LOUIS YORK & THE SHINDELLAS / “What Does Christmas Mean”
Writers: Charles T Harmon/Claude Kelly; Publishers: none listed; Producer: Louis York; Label: Stoney Creek
– Allen’s first Christmas single is a collaboration with the songwriting/production duo Louis York plus the Nashville female R&B trio The Shindellas. It has a delightful retro, doo-wop soul/pop groove with plenty of shooby-dooby-doos and a snappy beat. This one is fun, fun, fun.

TIM McGRAW / “It Wasn’t His Child”
Writers: Skip Ewing; Publishers: none listed; Producer: Danny Hemingson/Steve Gibson/Byron Gallimore; Label: Big Machine Records
– This is one of the most expressive vocals of McGraw’s distinguished career. The durable Nashville ballad has always been unusual as a version of the Christmas story that’s told from the point of view of Joseph. The superstar more than does it justice.

T.G. SHEPPARD & KELLY LANG / “Christmas in Mexico”
Writers: T.G. Sheppard/Kelly Lang; Publishers: none listed; Producer: none listed; Label: WMG/Time Life
– Kelly’s lustrous alto takes the lead with T.G. providing expert vocal harmony support here. The lively track features steel drums, mariachi trumpets, gut-string guitar and audio joy. Highly recommended.

BRETT YOUNG / “Silver Bells”
Writers: Jay Livingston/Ray Evans; Publishers: none listed; Producer: Keaton Simons/Noah Needleman; Label: BMLG Records
– This familiar holiday staple gets a highly imaginative arrangement in this release. Brett’s distinctive phrasing is accompanied by hip-hop beats, jazzy guitar work, steel accents and softly sighed backup voices. Well worth your attention.

Cage The Elephant To Play Bread And Roses’ Winter Benefit

Cage The Elephant is set to perform a full band and electric virtual concert for Bread & Roses’ Winter Benefit on Jan. 30. The special show will be broadcast from Blackbird Studio in Nashville, and will be available to watch exclusively on Nugs.net.

The night will consist of music, fundraising and celebration to support the essential work of Bread & Roses. The fundraiser will generate critical support for the nonprofit arts organization which produces free, live music and entertainment for Bay Area children, teens, adults, and elders who don’t have the ability to easily experience the power of the arts any other way. Tickets are available here, and previously purchased Eventbrite tickets will be honored for the new broadcast event.

The band won their second Grammy Award for 2020’s Best Rock Album with Social Cues, and has released four additional studio albums —their self-titled debut, 2011’s Thank You, Happy Birthday, the Gold-certified Melophobia, and the Grammy-winning Tell Me I’m Pretty.

Veteran Music Mogul Joe Johnson Passes

Pictured (L-R): Randy Rayburn, Joe Johnson, David Bennett at Johnson 89th birthday party.

Joe Johnson, who made his mark as label executive, record producer and the publisher of dozens of hit songs, has died at age 93.

Johnson produced, published and/or promoted more than 150 hits. He was behind such successes as “Tequila” by The Champs (1958), “Wishful Thinking” by Wynn Stewart (1960), “The One You Slip Around With” by Jan Howard (1960), “Lies” by The Knickerbockers (1966) and “Signs” by The Five Man Electrical Band (1971). He built the Music Row office building that has housed GAC and RFD-TV.

His career as a music executive touched the lives of Willie Nelson, Lorrie Morgan, Jan and Dean, Marty Robbins, Gene Autry, Ricky Nelson, Chubby Checker, Harlan Howard, Glen Campbell and dozens more.

“He was one of the last survivors of those charismatic record men who shaped this business,” said his friend and admirer Rick Sanjek. “I found his energy, demeanor and vision inspirational.”

Johnson suffered a stroke in 2018 and had been in an assisted-living facility in Hendersonville since then. He died there on Tuesday (Dec. 22).

Joe Johnson was born in 1927 in Cookeville, Tennessee. He attended Vanderbilt University law school. He went to work for Columbia Records in the early 1950s.

He was initially charged with promoting the discs of the company’s pop stars, including Tony Bennett (“Rags to Riches,” 1953), Doris Day (“Secret Love,” 1954), Frankie Laine, Johnnie Ray, Roy Hamilton, The Four Lads and Guy Mitchell.

Johnson was sent to Texas to investigate the emerging rockabilly style. He saw Elvis Presley there and urged his label to sign “The Hillbilly Cat.” Instead, he was instructed to replicate the then-unknown artist’s songs. So he took “That’s All Right” to Marty Robbins, who had a big country hit with it in 1955. Johnson also produced the 1954 Jimmy Dickens favorite “Y’All Come.”

He promoted the label’s entire country roster of that era, including Carl Smith, George Morgan, Gene Autry, Lefty Frizzell and Ray Price, as well as Robbins and Dickens. He formed a particular attachment with Autry, who hired Johnson to be the “advance man” for his road show. When Autry quit touring, he chose Johnson to run his music companies in L.A.

On an Autry recording visit to Nashville, he took the superstar to The Tennessee State Prison. They heard the incarcerated group The Prisonaires singing their composition “Just Walkin’ In the Rain.” He arranged for Autry’s Golden West Melodies to buy the publishing to “Just Walkin’ in the Rain” and then pitched the song to Columbia’s Johnnie Ray. It became a massive pop hit for the singer in 1956.

In 1957, Autry, Johnson and businessman Johnny Thompson used the profits from “Just Walkin’ in the Rain” to found Challenge Records and JAT Music. In October 1958, Autry sold his share to his two partners so that he could invest in hotel properties and the California Angels baseball team. Thompson became the Challenge general manager. Johnson handled A&R musical responsibilities.

Initially, the companies prospered thanks to Johnson publishing such tunes as “I’m Available” (Margie Rayburn, 1957) and “I’ll Be There” (Ray Price, 1957). Challenge’s first recording success was “So Tough” by the r&b vocal group The Kuf-Linx in 1958.

The backup band on that record was The Champs, who had a massive hit with “Tequila” later that year. Published by JAT, “Tequila” was at No. 1 on the pop charts for five weeks, became an international smash and won a Grammy Award. Among the future stars who performed as members of The Champs were Glen Campbell and the hit pop duo Seals & Crofts.

Produced by Joe Johnson, Jerry Wallace had a string of pop hits on Challenge. These included “Primrose Lane” (1959), “Shutters and Boards” (1962) and “In the Misty Moonlight” (1964).

In 1961, Joe Johnson bought out partner Johnny Thompson. He also bought 4 Star Records and its publishing company that year. This brought him the income from such evergreen copyrights as “Release Me,” “Lonely Street,” “Stop the World and Let Me Off,” “Hot Rod Lincoln,” “Just Out of Reach” and “Am I That Easy to Forget.” 4 Star’s recording artists had included Hank Locklin, Patsy Cline, Webb Pierce, The Maddox Brothers & Rose, Stuart Hamblen, Jimmy Dean, T. Texas Tyler and Roy Clark. So Johnson instantly had many options for repackaging.

Meanwhile, on Challenge, Jan and Dean’s “Heart and Soul” charted in 1961. The Blossoms (including Darlene Love) answered the big hit “Mother in Law” with “Son in Law” on Challenge that same year. Marty Balin, later of Jefferson Airplane, was a Challenge artist in 1962. Wayne Newton, Gene Vincent and future Monkees member Mickey Dolenz were among the other pop acts who were on Challenge Records.

Johnson acquired “Limbo Rock” as an instrumental for The Champs in 1962. Chubby Checker’s people added lyrics, and the “Twist” star scored a big hit with it later that year.

Challenge singer-songwriter Jerry Fuller provided Ricky Nelson with major hits including “Travelin’ Man” (1961), “A Wonder Like You” (1961), “Young World” (1962) and “It’s Up to You” (1963). The teen superstar also recorded 21 songs written by Challenge Records artist Baker Knight.

Golden West Melodies songwriter Dave Burgess–the leader of The Champs and the author of the Price hit “I’ll Be There ”–did his part by providing Nelson with several more successes. As a result of all these connections, Joe Johnson tried to sign Ricky Nelson to Challenge, but failed.

Johnson co-published the first 15 songs written by Harlan Howard. This led to Johnson’s re-entry into country music. He produced Wynn Stewart’s breakthrough hits on Challenge, including “Wishful Thinking” (1960) and “Big Big Love” (1962). Challenge also helped launch the careers of country artists Jeannie Seely, Jan Howard, Justin Tubb, Bobby Bare and Donna Fargo, among others.

In 1964, Joe Johnson became a co-founder of the Academy of Country Music (ACM). He also helped provide the seed money to produce the pilot of its annual awards show.

The Knickerbockers brought his label into the rock era with its Beatles-styled 1966 hit “Lies.” The following year, Johnson pitched “Release Me” to Englebert Humperdinck and reaped the benefits of a worldwide pop smash by the song. He next scored by publishing “Signs” by the Canadian group Five Man Electrical Band in 1971. It earned a Gold Record.

Joe Johnson moved back to Nashville in 1972. He got Jerry Wallace signed as a country artist to Decca and produced the star’s comeback hits, including the CMA Award nominated “To Get to You” (1972), plus “If You Leave Me Tonight I’ll Cry” (1972), “Do You Know What It’s Like to Be Lonesome” (1973) and “Don’t Give Up on Me” (1973).

Johnson reactivated 4 Star Records in 1975. He built the 4 Star Building across from the United Artists Tower on Music Row with the intention of housing the label, a song publishing company, a recording studio, a video soundstage and a manufacturing plant under one roof.

He reissued Patsy Cline’s 1959 recording of “Life’s Railway to Heaven” on 4 Star, and it made the charts in 1978. Despite this and 4 Star discs by Lorrie Morgan, The LeGarde Twins, George Morgan, Bonnie Guitar and others, Johnson was forced to sell the building and his publishing catalog in 1980.

He retained the Challenge and 4 Star recordings. He recorded Willie Nelson singing “duets” with Patsy Cline on “Just a Closer Walk with Thee” and “Life’s Railway to Heaven.” Johnson had Sony-ATV administer the licenses for his master recordings, since that’s where his song-publishing copyrights also reside. There have been legal entanglements over his former holdings for decades.

The 4 Star Building at 49 Music Square West has housed the offices of the GAC cable TV channel, the Bullet TV production complex and Quad Recording Studios. More recent tenants include RFD-TV, Trey Turner artist management and Hippie Radio 94.5.

Joe Johnson’s other business interests included the management company Advance Artists and a background-music production firm in partnership with the 3M Company to compete with Muzak.

An avid golfer, he launched a Nashville pro-celebrity golf tournament. Joe Johnson continued to play until age 85.

He is survived by his children Elizabeth Jane Johnson Donoho, Margaret Lane Johnson Palubicki, Joseph “Beau” Burgess Johnson and Charles Martin Johnson, plus four grandchildren. His memory is also cherished by his ex-wife, Marianne Rippey.

Funeral arrangements are being handled by Taylor Funeral Home in Dickson, Tennessee. Joe Johnson will be buried at the Burgess Family cemetery at Upper Cherry Creek Cemetery in Sparta, Tennessee.