Tag Archive for: featured-2

Jake Owen Beach Party Brings Masses To Music Row

jakeowenaerial

A drone’s view of Jake Owen’s 2014 Beach Party on Music Row. Photo: FlyHi Films


RCA Nashville Country artist Jake Owen threw Nashville a giant beach party for fans last night, Monday (Aug. 18) at BMI. Just days after announcing on social media, lines of energetic fans formed early to get inside the party on Music Row.
After a wildly successful block party last year, the capacity crowd gathered again for the singer’s free concert, where he performed a dynamic set, including his platinum-certified, No. 1 summer anthem “Beachin’.” Currently on his nationwide headlining Days of Gold Tour 2014, Jake delivered the party atmosphere complete with a stage set designed to resemble his hometown Riverside Café, including tiki bars, nautical ropes and palm trees.
jakeowenplaque

Jake Owen receives commemorative plaque for Platinum certification of No.1 song, “Beachin'” from his Sony Music Nashville family. Pictured (L-R): SVP, Marketing Paul Barnabee; VP, Sales Caryl Healey; Jake Owen; Chairman & CEO, Sony Music Nashville Gary Overton. Photo: Alan Poizner


Concert highlights included songwriter Travis Meadows joining Owen onstage for a memorable performance of his emotional new single “What We Ain’t Got” and special guest Mike Posner appearing for a crowd-jumping rendition of “Cooler Than Me.” Lee Brice, Sonia Leigh, Dan + Shay and Brothers Osborne also made surprise appearances throughout the night, while openers Old Dominion and The Cadillac Three got the crowd revved up before Jake took stage shortly after 9 p.m.
Fans got to play with oversized beach balls while an unassuming drone flew back and forth across the crowd. And though the excited spectators were tightly packed, they jeered in unison with every beat never missing a step. Taking care of industry tastemakers with open bar and food truck offerings, a VIP tent on the side couldn’t keep some industry decision makers from joining the fans.
Prior to the show, key music industry members with Sony Music Nashville were also on hand to award Owen a plaque for his milestone platinum certification of “Beachin'”.
jakeowengroup

Pictured (L-R): Chairman & CEO, Sony Music Nashville, Gary Overton; Assistant VP, Writer-Publisher Relations, BMI, Clay Bradley, Brandon Gill and Clint Higham, Morris Higham Management; Jake Owen; Dale Morris and Mike Betterton, Morris Higham Management, and VP, Writer-Publisher Relations, BMI Jody Williams. Photo: Alan Poizner


jakeowenbeachparty

Jake Owen’s 2014 Beach Party on Music Row. Photo: Nick Rau

Target Retailers Score Swift's Deluxe Release

Taylor-Swift-Deluxe-D.L.X-DLXTarget will be the exclusive retailer offering six additional tracks to Taylor Swift‘s recently announced 1989, an ’80s-inspired pop album due in stores Oct. 27.
The Minnesota-based box retailer will offer D.L.X., featuring three extra songs to consumers along with three voice memos, which Swift announced in the Aug. 18 livestream. For Canadian shoppers, Swift’s deluxe album will include just one of the exclusive songs and three voice memos.
“I’ve gotten a lot of questions about songwriting, about the process, about what happens when I get an idea,” Swift told fans in her livestream from New York City. “The first thing I do is grab my phone and either sit it on the edge of the piano or put it on my bed in front of my guitar and play whatever melody/gibberish that comes to my brain first. I’ve never released any of that before but I actually have three bonus tracks that are just voice memos from my phone. You’ll hear me singing an idea and melody and some words, an you’ll be able to go to the record to see what it ended up being when it was finished.”
Available for pre-buy at retailers including Amazon, the 13-track physical album includes a CD booklet designed by Swift and one of five collectable sets of 13 exclusive print photos, and also available with the 16-track D.L.X. Pre-order the D.L.X. at Target.com.
From TaylorSwift.com, fans are directed not only to Target, but to pre-order the 13-track digital album on iTunes, where a short behind-the-scenes video clip is available for viewing. The album’s first single “Shake It Off” is currently available for download.
Although Yahoo! hasn’t released viewership figures for the August 18th livestream, Swift’s “Shake It Off” music video received over 4.5 million on VEVO by the next day. Fans can share #1989ERS on Facebook, Twitter, Instagram or Tumblr for a chance to “attend a top-secret event.” Additional 1989 promotions include the Swiftstakes. Exclusive album codes offer a chance to win one of 1989 items (250 sets of two tickets with meet and greets, 250 sets of 2 tickets, 300 autographed pictures, 300 1989 Tote bags, 389 specialty pick packs).

Taylor Swift Announces Official Pop Album, '1989'

taylor11
Taylor Swift announced her first official pop album, 1989, slated for release Oct. 27. She made the announcement from New York City. During the worldwide livestream on yahoo.com, she first greeted viewers from atop the Empire State Building, before joining an intimate group of hand-selected fans to announce the album, as well as its first single, “Shake It Off.”
taylor swift11111She worked on the song with producers Shellback and Max Martin, who also worked on her smash hit single, “We Are Never Ever Getting Back Together.”
“We made the most sonically cohesive album I’ve ever made. I was listening to a lot of late ’80s pop, because I love the chances they were taking, and how bold it was, and how ahead of its time it was,” said Swift. “What I found from reading up on it and really diving into the late ’80s, was it was apparently a time of limitless potential and this idea that you can be who you want, wear what you want, love who you want. The idea of that was so inspiring to me, so limitless possibility was a theme for me.”
1989 will feature 13 songs, a cd booklet designed by Swift, one of five collectible sets of 13 exclusive photo prints. The Deluxe 1989 album will include additionally include three bonus songs, three of Swift’s songwriting voice memos, and a code to enter the 1989 Swiftstakes. The digital collection will include 13 songs, a digital cd booklet designed by Swift, one set of 13 exclusive photo prints and a code to enter the 1989 Swiftstakes. The Swiftstakes includes chances for concert tickets and meet-and-greets with the star.
The project is available immediately for pre-buy on taylorswift.com, iTunes, and Target.
She also previewed the video for “Shake It Off” (see video below). The clip was directed by Mark Romanek, who has worked with Madonna, Michael Jackson, Janet Jackson, Lenny Kravitz, Johnny Cash, R.E.M., and others.
“Shake It Off” is now available for download on Play MPE.

YouTube video

As Nashville Grows, Station Inn Remains a Musical Treasure

Station Inn's JT Gray

Station Inn’s J.T. Gray


While developers and investors continue to roll out plans for more upscale, stylish condominiums, trendy eateries, and sleek office buildings in and around Nashville’s Gulch area, music venue Station Inn— a one-story stone building with boarded up windows—provides a no-frills musical harbor amid a glossy sea of modern structures.
Inside, wooden walls along with a bare-bones assortment of tables and chairs, greet visitors, and lights are focused on a modestly sized stage. A wooden bar offers an array of snacks and drinks. “I’ve always said it’s more of a listening room than a nightclub,” says Station Inn owner and operator J.T. Gray. “It’s the hardwood floors and the wooden walls. It’s not a flashy place. People come in here and try to start getting rowdy, they find out fast it’s not that kind of place.” Instead, it’s one of Nashville’s premier venues where music aficionados flock to revere and to become immersed in the music and history within its walls.
The Station Inn. Photo: Bev Moser, Moments By Moser

The Station Inn. Photo: Bev Moser, Moments By Moser


The Station Inn has called Nashville home since 1974, when it was opened by a group of six bluegrass performers and located near Vanderbilt. The venue has resided at its current location at 402 12th Ave. S. since 1978. Ownership of the Station Inn changed hands several times before Gray took over in 1981. “The previous owners didn’t really know a lot about bluegrass, so I said I’d be interested in taking over. I had been touring with musicians and it was a good way for me to get off the road.” At the time, the Station Inn’s popularity had declined. Gray spent the next few years reaching out to the bluegrass community in Nashville to bring back local and national performers to the venue. Grand Ole Opry performers including Jimmy Martin and Bobby Osborne would drop in after an Opry performance on Friday and Saturday nights.
Bill Monroe, known as the “Father of Bluegrass,” played to a packed house at the Station Inn in 1985, and was often seen dropping in to watch bands play, and sometimes, to sit in for a song or two. “Bill Monroe would come and stand back by the side of the stage with his mandolin, and he would walk up onstage with whomever was picking onstage and just play with them. He loved us and we loved him. He would always say ‘Hi’ to the bartender and servers and the doorkeeper. You never know who will come up and start performing.”
The venue became a favorite performing spot for some of the most illustrious names in bluegrass and Country, including Sam Bush, Peter Rowan, Dierks Bentley, Ricky Skaggs, and more. Before she became a household name in bluegrass and Country music, Alison Krauss held court before an audience at Station Inn. Vince Gill, as part of the Time Jumpers, took up a regular residence at Station Inn on Monday nights a few years ago. The Time Jumpers had been regular performers at the venue for several years, and occasionally brought along friends such as Bonnie Raitt, Reba McEntire, Norah Jones, and Robert Plant. In 2013, Alan Jackson held an album release concert there for his aptly titled project The Bluegrass Album. “He wanted to take it to where the bluegrass people are,” says Gray. “It was completely his idea to do the party here, so we really appreciated that. It was one of the biggest surprises I’ve ever had being here.”
Dierks Bentley performs at The Station Inn in 2014. Photo: Bev Moser, Moments By Moser

Dierks Bentley performs at The Station Inn in 2014. Photo: Bev Moser, Moments By Moser


Given the stark contrast between the earthy music venue and the growing number of polished structures accumulating in the Gulch and Nashville overall, community members have pondered if Nashville’s ambitious expansions will overtake the beloved Station Inn.
According to both Gray and Gulch area development company MarketStreet, Station Inn’s future is secure. “MarketStreet has always envisioned the Gulch neighborhood to be a mix of new and old. This unique combination is what gives the neighborhood added character. The Station Inn is, and will continue to be a landmark destination to be enjoyed by all,” states Dirk Melton, Development Director of MarketStreet.
Gray says the property’s owner, Charlie Wehby, assures him there are no plans to sell the property. “I’m told the Station Inn will stay here as long as I want it to,” says Gray. “They’ve definitely had numerous offers to purchase the property, but they’ve assured me they won’t sell.”
Though Gray plans to carry on with Station Inn in the Gulch area, that doesn’t mean he isn’t supportive of the overall growth Nashville has seen in recent years. “I’ve watched the development over the years and I think it is good for the area. We have more people that walk through the Gulch area. Of course some of the businesses that have grown up in the area don’t cater to the kind of people that like to come to a place like this, but it used to be a real industrial place and this was the only kind of music venue in this area.”
Given the perennial popularity of Station Inn, Gray says he has toyed with the idea of expanding or opening a second location. “I’ve definitely thought about expanding, but there’s not much space to expand on this lot. Besides, it’s a small place and has so much history here. I’ve also definitely thought about opening up a second location over the years, but it would be difficult to replicate the feel of this place elsewhere—it’s the wooden walls, the wood floors. There’s a homey feel to it. “
Though Gray has expanded the diversity of music styles that flow through the walls of the Station Inn in recent years to include blues and western swing, its bedrock is still bluegrass and classic Country. “We’ve tweaked the programming a little bit over the years, so it gives us something different to offer,” says Gray.
The Station Inn will celebrate its 40th anniversary with an event in late 2014, which Gray says will feature many of the biggest names to walk through the doors of the Station Inn. “We are working on it right now and have several artists pending.”

Jake Owen To Play Free Nashville Show Tonight

Jake Owen. Photo: Danny Clinch

Jake Owen. Photo: Danny Clinch


More than 20,000 Country music fans had a blast in Nashville last year when entertainer Jake Owen played a free show in BMI’s parking lot. So why not do it again?
Owen announced via social media that his “Beach Party 2014” will be held tonight (Monday, Aug. 18) in Nashville. Doors will open at 6 p.m., with music to begin at 7 p.m. The free show will be held in the backlot at BMI (located at 10 Music Sq. E. in Nashville).
Last year, Dierks Bentley, Florida Georgia Line, The Cadillac Three, and Thomas Rhett were special guests.

Weekly Chart Report (08/15/14)

Screen Shot 2014-08-15 at 8.40.35 AM

Click here or above to access MusicRow‘s weekly CountryBreakout Report

Screen Shot 2014-08-15 at 8.42.32 AM

Screen Shot 2014-08-15 at 8.42.43 AM

Bobby Karl Works The Room: Honoring Sun Records and Kenny Rogers

The Country Music Hall of Fame and Museum hosted a preview party on August 13 to celebrate the upcoming Kenny Rogers: Through the Years exhibit, opening Friday, August 15. The new exhibit, presented by SunTrust, incorporates awards, costumes, sheet music, memorabilia, and more. Pictured at the exhibit preview are (l-r): Matt Glassmeyer, Charlie Worsham, SunTrust's Andrew Kintz, Kenny Rogers, SunTrust's Earle Simmons, The Country Music Hall of Fame and Museum's Kyle Young, Don Schlitz, and the Country Music Hall of Fame and Museum's Carolyn Tate.

The Country Music Hall of Fame and Museum hosted a preview party on Aug. 13 to celebrate the upcoming Kenny Rogers: Through the Years exhibit, opening Friday, Aug. 15. The exhibit is presented by SunTrust. Pictured at the preview are (l-r): Matt Glassmeyer, Charlie Worsham, SunTrust’s Andrew Kintz, Kenny Rogers, SunTrust’s Earle Simmons, The Country Music Hall of Fame and Museum’s Kyle Young, Don Schlitz, and the Country Music Hall of Fame and Museum’s Carolyn Tate. Photo: Rick Diamond


Chapter 463
I love museums.
To regular readers of Bobby Karl, that might come as no surprise. It seems I’m writing about museum parties just about every month – The Musicians Hall of Fame, The Tennessee State Museum, The Frist Fine Arts Center, The Nashville Songwriters Hall of Fame gallery and what have you.
It is not true that Bobby Karl would cover an envelope opening. But when it’s an exhibit opening and the Johnny Cash Museum or the Country Music Hall of Fame call, I answer.
For one thing, it’s kinda fun to see the displays before anybody else gets to. The folks at the Johnny Cash Museum made the most of that drama at their preview party for “The Legends of Sun.” When you entered the gallery, the cases were all draped in black.
Johnny Cash Museum's Sun Records Exhibit

Johnny Cash Museum’s Sun Records Exhibit. Photo: Bev Moser, Moments By Moser


On Wednesday afternoon Aug. 13, we gathered there. Here’s another great thing or two about this sort of event: There’s usually an open bar and the catering is usually first rate. So while we schmoozed, we snacked on pork & waffles and on hot chicken nuggets & pickles.
Bob Doerschuk, Bob Paxman, Mike Martinovich, Michael Gray, Al Schiltz, Alan Stoker, Billy Burnette, Peter Cooper, Jerry Phillips and David Anderson mingled.
Attendee Steve Popovich Jr. says he is planning a Bluebird Café songwriter celebration on Sept. 11 for his finale Ray Price CD, Beauty Is. He is also hot on Tanya Tucker’s trail. He hears she’s working on an album and wants it for his label. Tanya was a big buddy of Steve’s late father and sang beautifully at his memorial service.
Piano wild man Jason D. Williams was there. Jason has just completed a new CD, Hillbillies and Holy Rollers. His presence at the party was highly appropriate, since his sound is a living link to the Sun Records era. In fact, the CD was recorded at Sun. It is produced by the great Dale Watson and features the great Sleepy LaBeef on guitar. I also got to meet Jason’s business manager, his better half, Jennifer James Williams.
Sun REcords 3

Johnny Cash museum’s Sun Records Exhibit. Photo: Bev Moser, Moments By Moser


Pam Lewis greeted us in the new exhibit hall. “Bill Miller met Johnny Cash when he was nine years old, and they struck up a lifelong friendship,” she related. “Out of that, grew this museum.” She cited the abundant media coverage this extraordinary attraction has generated since it opened last year. Miller’s vast collection of Cash memorabilia forms the basis of the museum. As many have noted, this is an essential stop for anyone visiting Music City.
“I’m just a country boy from Los Angeles who decided to open this a thousand miles away,” said Miller in greeting the crowd. “I live here now, and it’s the best decision I’ve ever made, other than opening this museum.”
Miller introduced a short film that featured vintage footage of the exhibit’s subjects, Sun Records stars Cash, Carl Perkins, Roy Orbison, Jerry Lee Lewis and Elvis Presley. The film’s songs include Cash’s “I Walk the Line,” Presley’s “Don’t Be Cruel” (not recorded at Sun), Orbison’s “Oh Pretty Woman” (ditto), Perkins’s “Blue Suede Shoes” and Lewis’s “Great Balls of Fire.”
One highlight is footage of Cash doing a hilarious send-up of Presley non-singing “Heartbreak Hotel” while throwing out his back gyrating his hips. He was billed as “Velsford” on TV’s Town Hall Party for that caper. Johnny’s sister Joanne Cash Yates laughed loudly, as did everyone else. My favorite clip was the studio footage of Cash, Perkins, Orbison and Lewis shot during the recording sessions for the 1986 LP Class of ’55.
As the film concluded, Miller intoned, “Ladies and gentlemen, the Legends of Sun!” We turned around and behind us, the black drapes fell away and the display cases were fully illuminated. Very classy. The new exhibit features posters, costumes, records, graphics and other artifacts, plus listening stations.
Johnny Cash museum's Sun Records Exhibit. Photo: Bev Moser, Moments By Moser

Johnny Cash museum’s Sun Records Exhibit. Photo: Bev Moser, Moments By Moser

• • •

Over at the Country Music Hall of Fame later that Wednesday eve, the big reveal was the “Kenny Rogers: Through the Years” exhibit. “The Gambler,” himself, was on hand for the party. So were such celebs as Jan Howard, T.G. Sheppard & Kelly Lang, Nora Lee & Duane Allen, Polly & Ray Edenton, Chuck Mead & Brenda Colladay, Linda Davis & Lang Scott, Manuel, Jeff Wiliams, Jo Walker Meador, Jimmy Capps, Victoria Shaw, Dianne Sherrill and Mandy Barnett. Hall of Famer Patsy Montana’s grandson, singer Michael Montana, was introducing petite singer-songwriter Brittany Bexton, who says she’s making her own luck in Music City.
Kyle Young welcomed the crowd saying, “We’ve invited you to be the first to see ‘Kenny Rogers: Through the Years,’” which will be open through Jan. 14, 2015. The museum is also publishing an accompanying illustrated book, including a forward by Dolly Parton.
Charlie Worsham saluted Rogers by singing “Sweet Music Man.” He was accompanied by Matt Glassmeyer. Matt’s father, Steve Glassmeyer, has been in Kenny’s band for 38 years and was looking on proudly. Talk about an unbroken circle.
“At the end of the day, people relate to you through your voice,” Charlie told the Hall of Fame honoree.
“The a-ha moment happened for me the night you were inducted into the Country Music Hall of Fame,” said Don Schlitz. “It was then that I realized you weren’t just singing from your heart – you were singing from our hearts.”
Schlitz sang “The Gambler,” his composition that gave Kenny his everlasting persona.
“When I came to Nashville in 1973 — at the age of four — the person we all wanted to have sing our songs was Kenny Rogers,” added Schlitz. “I’ve been doing this for 40 years now, and the person I still want to hear singing my songs is you.” Schlitz also co-wrote this year’s Kenny-Dolly duet “You Can’t Make Old Friends.”
“I have a confession to make,” Kenny told the crowd. “I haven’t always been this old.” He introduced the original members of The First Edition, who stood for applause.

Pictured at the exhibit preview are (l-r): Rogers’ former longtime manager Ken Kragen; Rogers; Rogers’ current manager Ken Levitan. Photo: Rick Diamond

Pictured at the exhibit preview are (l-r): Rogers’ current manager Ken Levitan, Rogers, and Rogers’ former longtime manager Ken Kragen. Photo: Rick Diamond


“If I have a skill, it is picking hit songs,” Kenny continued. “If they touch me, I figure they can touch somebody else. We had the best songwriters in the world and the best musicians in the world. And they were stuck with me as the singer.”
He introduced sisters Susan & Shawn Pirkle, two fans who have been to 1,100 of his concerts: “They saved the collection they’ve had for 30 years, and they gave it to the Hall of Fame.” Kenny Rogers concluded his remarks with an appeal to have his duet partner, Dottie West, inducted into the Hall of Fame.
As I mentioned, the catering at museum exhibit preview gigs is dandy. The Hall of Fame’s party featured turkey breast and roast beef carving stations, grilled vegetables, Cajun potato wedges, orzo salad, arugula salad and salsa on toast points, plus desert offerings including cream layer-cake slices, cupcakes, chocolate treats and Boston cream pie morsels.
Attending fabulons included John Briggs, David Briggs, Patsy Bradley, Harold Bradley, Charlie Monk, Charles Dorris, Ken Kragen, Ken Levitan (“all my managers are named Ken,” said Kenny), Kay West, Andrew Kintz, Jim Bessman, Sandy Knox, Melanie Howard, Anita Hogan, Katie Gillon, Abby White, Dwight Wiles & Diana Johnson, Cindy Wilson, Dann Huff, Norbert Putnam, Kitty Moon Emery, Lori Badgett, Phyllis Stark, Earle Simmons, Mike Milom and Kyle Lehning.
One interesting tidbit about Hall of Fame soirees is that they attract loads of city dignitaries, as well as music people. Miss Mary spotted Howard Gentry, Erica Gilmore, Seab Tuck, Jerry & Ernie Williams, Pat Emery, Frances Guess, Chase Cole, Hershell Warren and more.
The museum will host two opening weekend events on Saturday, August 16: a performance by songwriter Don Schlitz at 11:30 a.m. and an intimate Q&A with Rogers and museum historian Dr. John Rumble at 2:30 p.m. More information can be found at countrymusichalloffame.org/calendar.
Rogers and family members react to songwriter Don Schlitz’s performance of the hit “The Gambler.”

Rogers and family members react to songwriter Don Schlitz’s performance of the hit “The Gambler.” Photo: Rick Diamond

MR Exclusive: Legislating Concert Tickets in Tennessee

Expanding on the 2014 Artist Roster print magazine article on concert ticketing, Q Prime South Management’s VP of Touring Fielding Logan takes time to further explain the Tennessee Sports and Entertainment Industry Coalition. 
• • •
TicketArticle-WebGraphicIn the state of Tennessee in 2012, Logan testified as a representative of the Tennessee Sports and Entertainment Industry Coalition to combat ticketing challenges. “In 15 different states it’s eBay-owned Stubhub vs. Ticketmaster and groups financed by Ticketmaster,” he said. “Ticketmaster paid for our lobbyists but we were trying to pass bi-partisan laws to protect fans and prevent scalpers from tricking customers.”
This organization had the same mission as the Fans First Coalition; both are backed by Eric Church, Q Prime South and The Bridgestone Arena, among others. The coalition wanted to make it illegal for scalpers to use venue or artist names in web addresses, to say whether tickets were speculative or not, and to publish the exact seat location and the original face value.
“[The coalition’s breadth] was amazing: colleges, venues across the state, artists, professional sports teams including the Titans, TPAC, NASCAR, and even some tiny playhouse in Cookeville,” continued Logan. “From Bristol to Memphis, anyone actually doing business and paying taxes in Tennessee was lined up.”
Opposing the Fans First Coalition was StubHub and organizations like the Fan Freedom project.
“Stubhub and their army of lobbyists did a lot to cloud and confuse the issue,” continued Logan. “Our Republican sponsor out of Knoxville decided to pull the bill at the last minute because he was getting calls from ambiguous free market, free enterprise consumer protection groups saying ‘this is my ticket and I should be able to do whatever the heck I want with it.’
“My understanding is there is now an armistice in Tennessee where the legislature has basically said we’re not touching a ticketing bill from either side.”
In retrospect, Logan notes legislative efforts to prevent scalping on a state level may be irrelevant. “It’s a national issue,” he said, noting Ticketmaster’s new re-sell program TM+. “A lot of what [the Tennessee Sports and Entertainment Industry Coalition was] trying to address is going to be solved organically, from a technological standpoint, and Ticketmaster is probably happier to dedicate their resources to advancing a better, more transparent market.
“[My] biggest disappointment with the commission is that everyone fighting on the other side was largely ambiguous, out-of-state consumer protection groups. The presumption on my part was every opposing testimony was being paid by Stubhub.”
• • •
For the full article: “Recapturing Lost Revenue On The Road: a look at today’s concert ticket industry” featuring Logan and The Bridgestone Arena’s Director of Ticketing, Lonnie Wilkerson, pick up a copy of the Artist Roster print magazine. Magazines are included for free with yearly subscriptions to MusicRow.

DISClaimer: Joe Nichols Wins Disc of the Day

risa binder nashville1The story today is told by the newcomer females.
Three of them are vying for the DisCovery Award—Ashley Barron, Olivia Lane and our winner, Risa Binder. She may be a newcomer, but she’s a smart cookie. Her 5-track Nashville EP contains songs penned by Matraca Berg, Lauren Lucas, Marc Beeson and other top-drawer talents. And Luke Wooten has given her the best-produced recording of this entire listening session.
Last week, we had one of my favorite male country singers in our spotlight, Chris Young. This week, we have another, the equally splendid Joe Nichols. He takes home the Disc of the Day prize.
Another trend of the day was folks doing double duty by working in different departments. You’ll find Ilya Toshinsky here producing Olivia’s disc and playing guitar on Risa’s. Tyler Farr is present as both a singer and as the co-writer of the Brushville single.
BRUSHVILLE/Baby’s Got Her Boots On
Writer: Tyler Farr/Houston Phillips/Cole Taylor; Producer: Kyle Lehning ; Publisher: Sony-ATV Tree/Make It a Bucket/Mount It/Universal/No Bridge, BMI/ASCAP; Brushville (track) (www.brushville.com)
—This Illinois five-piece band was smart enough to enlist one of Nashville’s finest producers when it came to town to record. But I don’t know that I’d have chosen this word-y song for a single.
joe nichols slider 2014TEA GOANS/Nobody Wins
Writer: Kris Kristofferson; Producer: Terry Choate; Publisher: EMI Blackwood/Resaca, BMI; Crosswind (CDX) (615-467-3860)
—Goans remains one of my favorite current female country singers. She gives this a fine, moaning, honky-tonk balladeer interpretation. But Brenda Lee’s throaty 1973 version remains definitive.
RHETT WALKER BAND/Here’s to the Ones
Writer: Rhett Canipe/Kenny Davis/Joe Kane/Paul Moak; Producer: Paul Moke; Publisher: Sony-ATV/Ships in a Bottle/Give Me Analog/Grizzly Blue/Universal/Brentwood Benson/Paul Moak, SESAC/ASCAP; Essential (CDX) (www.therhettwalkerband.com)
—I think it’s meant to sound stirring and inspirational. Despite its earnest, blue-collar intentions, the country rocker never seemed to connect with me. This sort of thing has been done better by others in the mainstream rock field.
CLINTON GREGORY & IRA DEAN/You Can’t Hide High
Writer: Tommy Curry/Jayce Hein/Dennis Knudson; Producer: Larry Beaird; Publisher: Chubu/Busy at Play/Melody Roundup/Bluewater, BMI; Melody Roundup (CDX) (www.melodyroundupmusic.com)
—He’s secretly growing weed at home. But as soon as he fires it up, “You can’t hide high.” Your eyes are red, you’re laughing like a loony, and you’ve got the munchies. Goofy fun for stoners everywhere. Stay tuned for the ad libs at the end: “I feel like we’re smoking Willie Nelson’s brain” and the like.
T. GRAHAM BROWN & VINCE GILL/He’ll Take Care of You
Writer: Dan Penn/Gary Nicholson/Donnie Fritts; Producer: Mark L. Carman & T. Graham Brown; Publisher: Sony-ATV/Dan Penn, BMI; MCM (CDX) (www.tgrahambrown.com)
—As you might guess from those writer credits, this has a Southern-soul vibe. And of course, blue-eyed soulman Brown is just the singer for this kind of song. Gill proves to be just as bluesy during his turn at the mic. Groove soaked and audio seductive. Get down with it.
ASHLEY BARRON/It Might Get Loud
Writer: Pat Kelley; Producer: Bobby Zoppi; Publisher: none listed; AB (track) 
—The title tune to this gal’s CD is just barely produced. She sings okay, but it sounds like a demo.
TYLER FARR/A Guy Walk Into a Bar
Writer: Melissa Peirce/Jonathan Singleton/Brad Tursi; Producer: Bill Catino & Julian King; Publisher: Platinum Molly/East Pass/Nashvistaville/Disney/Super Big/Jett/Big Machine/Songs of Big Deal/BMG, BMI/ASCAP; Columbia 
—Nicely written, with a catchy chorus that loops back on itself. I could have done without the inappropriate, arena-rock guitar solo, but as long as you focus on Farr’s distinctive, furry-rasp vocal, this is a dandy effort. Hit bound.
OLIVIA LANE/Steal Me Away
Writer: Olivia Lane/Lee Thomas Miller/Ilya Toshinsky; Producer: Ilya Toshinsky; Publisher: Liv Write Play/Warner-Chappell/It, SESAC/BMI/ASCAP; Big Spark (www.olivialane.com)
—Rousing. She’s a filly breaking out of the starting gate at a full gallop. Both her vocal and the production are super sunny. Well worth your radio spins.
JOE NICHOLS/Hard to Be Cool
Writer: Rob Hatch/Jason Sellers; Producer: Mickey Jack Cones; Publisher: Legends of Magic Mustang/Big Loud Bucks/Sony-ATV Cross Keys/Becky’s Boy, SESAC/ASCAP; Red Bow (track) (www.joenichols.com)
—This guy gets me every time. On this outing, he’s tearing it up on an asphalt track, roaring with the throttle wide open. “She’s so hot, it’s hard to be cool,” he sings while the rhythm track pounds away relentlessly. Get up and dance!
RISA BINDER/Gotta Have You
Writer: Phil Barton/Emily Shackelton/Victoria Banks; Producer: Luke Wooten; Publisher: HoriPro/Liz Rose/Rare Spark Media Group, no performance rights listed; Warehouse (track) (www.risabinder.com)
—She sings with striking country clarity, and the superb production mixes her up front and center. The propulsive, gripping arrangement is an arrow pointed straight at the sun. The melody is beyond hooky. Prepare to fall in love.

ASCAP Showcase P.R.O.motes CMA Voting

LadyA

(L-R): ASCAP Nashville’s Associate Director, Creative, Robert Filhart; ASCAP Creative Department co-heads LeAnn Phelan and Michael Martin; Lady Antebellum’s Hillary Scott, Charles Kelley, and Dave Haywood; ASCAP Creative Manager, Evyn Mustoe; ASCAP Senior Director, Mike Sistad. Photo: Ed Rode


ASCAP held an exclusive industry showcase, “P.R.O.mote The Vote,” at The Rosewall on Tuesday, Aug. 12 offering performances by its members for CMA Awards voting consideration.
Eric Paslay

Eric Paslay


The party was hosted by America’s Morning Show’s Terri ClarkBlair Garner and Chuck Wicks and featured acoustic performances by Eric Paslay, Love and Theft, Kip Moore, The Cadillac Three, Dan + Shay, Brandy Clark and Lady Antebellum.
On hand to greet the invitation-only crowd was ASCAP Nashville Creative Department co-heads Michael Martin and LeAnn Phelan, as well as Senior Creative Director Mike Sistad. Paslay opened the lunchtime performances with his top five hit, “Friday Night” followed by “She Don’t Love You.” Love and Theft hit the stage next and performed their current single “Night That You’ll Never Forget” followed by “Whiskey On My Breath” from their upcoming album.
While h’ordeuvres of sliders and mini hotdogs were passed out to the attendees, singer-songwriter Kip Moore came on stage offering new material with “Life in a Small Town” and “Tough Enough.”
Brandy Clark

Brandy Clark


The party escalated as The Cadillac Three rocked their current single, “Party Like You,” and the industry crowd couldn’t resist rockin’ their heads as they performed their Southern anthem, “The South.” Dan + Shay followed with “Nothin’ Like You” and their top ten hit, “19 You + Me” and shared how grateful they are for the opportunity to pursue their dream. MusicRow‘s 2014 Artist of the Year, Brandy Clark, swooned an enthusiastic crowd performing three songs, “Hold My Hand,” “Stripes,” and “Get High.”
Lady Antebellum rounded out the “P.R.O.mote The Vote” bash with current hit “Bartender” followed by a taste of things to come with “Lie with Me” and “Long Stretch of Love” from their upcoming album, 747, slated for a Sept. 30 release. The event was sponsored by Loeb & Loeb and Fifth Third Bank.
CMA ballots for the second round have been sent out and voting closes Friday, August 22 at 5:00 p.m. CST.
All Photos: Ed Rode
The Cadillac Three, Photo: Ed Rode

The Cadillac Three


Kip Moore, Photo: Ed Rode

Kip Moore


Love and Theft

Love and Theft


Dan + Shay

Dan + Shay