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Wes Vause Named Sr. VP, Publicity at WMN

Wes Vause

Wes Vause


Wes Vause has been named Sr. VP, Publicity, WMN, effective October 2014. Vause will oversee all publicity for Warner Music Group’s Country and Christian divisions, which include Atlantic, Elektra, Warner Bros., LoudMouth, and Word Entertainment.
He joins from Sony Music Nashville, where he was VP, Media. He is based in Nashville, and will report to John Esposito, President and CEO, WMN.
“Wes is a veteran publicist and artist champion who’s had a big hand in helping many top talents develop into superstars,” said Esposito. “Passionate and enterprising, I look forward to Wes helping us continue to break extraordinary artists and build long-term careers.”
Vause joined Sony Music Nashville in 2000 as Director of Media and climbed the ranks to Vice President. Over the course of his 14 year tenure at Sony, Vause helped grow the career of Kenny Chesney. Vause has also been instrumental in the success of Miranda Lambert, among many others.
Prior to Sony, Vause held positions at Asylum and Polydor Records. Vause is a member of the Country Music Association, as well as the Academy of Country Music, and is an alumnus of Leadership Music, Class of 2010. Vause graduated from Belmont University with a degree in Music Business, and currently resides in Nashville, TN.

DISClaimer: The Summer Doldrums

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Thomas Rhett


Is this what they mean by the summer doldrums?
I found nothing today that you can’t live without. Sure, there are plenty of pleasant prospects. But there’s precious little that will stop you in your tracks.
The most beautifully sung record in today’s stack of platters is unquestionably the Ray Price/Martina McBride duet. If you must have a major-label effort on the front row of your playlist, make it the Thomas Rhett single. Those two can share the Disc of the Day award.
We have encountered almost everyone in this column before. I was particularly glad to hear from Mark McKinney, Lucas Hoge and Ray Scott again. All three of them continue to impress. Our new faces are Native Run, to whom we present a DisCovery Award.
RAY SCOTT/Drinkin’ Beer
Writers: Ray Scott/Tony Mullins; Producer: Dave Brainard; Publishers: Songs of Universal/Rayality/T. Mullins, BMI/ASCAP; DeciBel (CDX)
-His deep-macho delivery remains riveting. The hopping, bopping, dobro-laced track is a merry, grinning delight. Eminently programmable.
MONTGOMERY GENTRY/Headlights
Writers: Wendell Mobley/Tony Martin/Bob DiPiero; Producer: Michael Knox; Publishers: Warner-Tamerlane/Fonde Mountain/Sony-ATV Tree/Casa Jaco/Love Monkey, BMI; Blaster
-Bro-country, delivered with the volume turned up to 10. Headache inducing.
CANAAN SMITH/Love You Like That
Writers: Canaan Smith/Brett Beavers/Jim Beavers; Producers: Brett Beavers/Jimmy Robbins; Publishers: BMG Gold/Skinny Fat Nashville/BMG RM/BMG Platinum/Music of Big Deal/Stalefish/Sony-ATV Tree, ASCAP/BMI; Mercury (CDX)
-Listenable and engaging. His youthful tenor is a perfect fit for the ultra-romantic lyric.
RAY PRICE & MARTINA MCBRIDE/An Affair To Remember
Writers: Harold Adamson/Harry Warren/Leo McCarey; Producer: Fred Foster; Publishers: Twentieth Century/EMI Catalog/EMI Feist, ASCAP; AmeriMonte (CDX)
-The lush string section, clear keyboard notes and glistening harp playing create a cloud-like setting for these two heavenly voices. Taken from Price’s farewell CD, this is ballad singing at its finest. The song was the lustrous theme of a 1957 Cary Grant/Deborah Kerr cinema romance and a pop hit for its soundtrack singer, Vic Damone.
THOMAS RHETT/Make Me Wanna
Writers: T.Rhett/Bart Butler/Larry McCoy; Producer: Jay Joyce; Publishers: EMI Blackwood/Cricket on the Line/Bill Butler/Hondo Creek, BMI/SESAC; Valory Music
-A sexy Southern summer sound with forward momentum to spare.
JODY LYNN/The World’s Out Dancin’
Writers: Ian Golightly/Alan Fender; Producers: Jack Gale/Jim Pierce; Publisher: Lovey, BMI; Playback (track)
-She’s country, country, country. The sprightly track scampers along on its tippy toes while her slightly-flat, belting delivery gasps to keep pace.
DOLLY PARTON/Lay Your Hands On Me
Writers: Jon Bon Jovi/Richie Sambora; Producer: Kent Wells; Publishers: Universal PolyGram/Bon Jovi, ASCAP; Dolly/Sony/WEA
-Dolly covers Bon Jovi! Her sanctified vocal performance of the 1989 rock hit is solid and almost manages to vanquish a too-busy, too-electrified track.
LUCAS HOGE/Flip Flops
Writers: Lucas Hoge/J.D. Wood; Producer: none listed; Publishers: House of Hoge/Different Day/ASCAP; Reviver
-Innocent, small-town kids head for their first time at the beach in this charming and bubbly ditty. In case you were wondering, “flip flops” rhymes with “bikini tops.”
native run

Native Run


NATIVE RUN/Good On You
Writers: Rachel Beauregard/Bryan Dawley/Steve Moakler; Producers: Luke Laird/Native Run; Publishers: Internal Combustion/Songs of Creative Nation/Warner-Tamerlane/Rachel Beauregard/Dawley/Nan Jam/Songs of Kobalt, BMI; Show Dog
-The voices of this male-female duo are somewhat colorless, but the overall vibe is unmistakably jaunty, happy, sunny and warm. The track mixes acoustic instruments with beefy rhythm effectively.
MARK McKINNEY/Maybe We Should
Writers: Mark McKinney; Producers: Mark McKinney/Eric McKinney; Publishers: none listed; MM
-I like his husky, ingratiating and personable singing a lot. He sounds like somebody you’d like to share a beer with. His romantic come-on in this song is equipped with smiles and gentle persuasion. This boy has the goods.

Weekly Register: 'Burnin' It Down'

jason aldean burnin it downSales of Jason’s Aldean’s new single are as hot as its lyrics: (you baby laying right here, naked in my bed). The track debuted with 184K downloads to land at No. 1 Country and No. 1 overall. It is the lead single from his upcoming sixth album for Broken Bow, which is being helmed by longtime producer Michael Knox. The song was written by Florida Georgia Line’s Brian Kelley and Tyler Hubbard, with Rodney Clawson and Chris Tompkins.
WeeklyRed073014Top 10 Country tracks (sales this week)
Jason Aldean, “Burnin’ It Down,” 184K
Florida Georgia Line, “Dirt,” 95K
Kenny Chesney, “American Kids,” 81K
Dierks Bentley, “Drunk on a Plane,” 61K
Lady Antebellum, “Bartender,” 57K
Lee Brice, “I Don’t Dance,” 46K
Sam Hunt, “Leave The Night On,” 46K
Miranda Lambert w/ Carrie Underwood, “Somethin’ Bad,” 41K
FGL ft. Luke Bryan, “This Is How We Roll,” 39K
Jake Owen, “Beachin,’” 38K, crossing the 1 million mark
Top 5 Country Albums TW
Brantley Gilbert, Just As I Am, 15K
Miranda Lambert, Platinum, 14K
Luke Bryan, Crash My Party, 12K
FGL, Here’s To The Good Times, 10K
Various, Now Country 7, 7K
Pop act 5 Seconds of Summer scored the week’s biggest album debut, selling 259K.

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ACM Lifting Lives Accepting Submissions For 2014 Grant Cycle

ACMLiftingLivesACM Lifting Lives has announced it will be accepting submissions for the 2014 Grant Cycle from Sept. 1 to Sept. 30, 2014. For information on submitting a grant request, visit acmliftinglives.org. Funding decisions and notifications will be made in November 2014.
ACM Lifting Lives, the Academy of Country Music’s philanthropic arm, is dedicated to improving lives through the power of music. Through grant cycles, ACM Lifting Lives provides funding to programs that promote education and healing with a musical connection.
Among the organizations that have previously received funding are Alive Hospice in Nashville, Tenn.; Bridges Academy in Nashville, Tenn.; Free Arts for Abused Children in Los Angeles; Music National Service Initiative in the Bay Area, Calif.; Musicians on Call in Nashville, Tenn.; Notes for Notes in Nashville, Tenn., Los Angeles and Santa Barbara, Calif.; Peace thru Music in Ventura, Calif.; Porter’s Call in Franklin, Tenn.; Possibilities! in Cumberland Furnace, Tenn.; Rock for Kids in Chicago; Tapping Individual Potential (T.I.P.) in Nashville, Tenn.; The Art of Elysium in Los Angeles; Vanderbilt Music Therapy Program in Nashville, Tenn.; and W.O. Smith Nashville Community Music School in Nashville, Tenn.
Through partnerships with artists and those in the music industry, ACM Lifting Lives develops and funds music-related therapy and education programs, and serves members of the community who face unexpected hardships through its Diane Holcomb Emergency Relief Fund. Funding from ACM Lifting Lives includes disaster relief, helping communities in need, music education in schools, music camps for those with disabilities, and programs that use music therapy to help veterans and wounded warriors.

Alan Jackson Exhibit To Be Featured At Country Music Hall Of Fame

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Alan Jackson. Photo: Kristy Belcher


Alan Jackson’s 25-year career will be on display at the Country Music Hall of Fame in an exhibit titled Alan Jackson: 25 Years of Keepin’ It Real.  It will open up on Aug. 29, 2014 and run through March of 2015. Jackson will also be the first person to simultaneously be the subject of a museum exhibit and the Artist-in-Residence. He will be at the Hall of Fame later this year with several unique and intimate performances.
“This exhibit will be a rare treat for museum visitors,” said Museum Director Kyle Young. “Fans will recognize artifacts from milestone moments in Alan’s career, as well as items from his life away from the stage that are as personal as many of the songs he has penned over the years. This exhibit and his Artist-in-Residence shows this fall are not to be missed.”
Some of the features and items on display will be:
  • The guitar he played on the CMA Awards when he debuted “Where Were You (When the World Stopped Turning)” just two months after the September 11 terrorist attacks and the nation’s response that inspired the song.
  • The front of an old, red Ford pickup truck that served as Jackson’s first Fan Fair booth, before his sister and brother-in-law had it made into a desk.
  • Items from Jackson’s collection of “Mayberry” memorabilia—a jacket, jersey and autographed picture from Don Knotts—from one of his favorite television shows, The Andy Griffith Show.
  • Jackson’s first tricycle, childhood bike and scooter, evidence that his love of vehicles started early.
  • Harley-Davidson motorcycle from the cover of the seminal album A Lot About Livin’ (And a Little ’bout Love).
  • The water ski Jackson rode, while wearing his trademark white cowboy hat, in the “Chattahoochee” music video.
  • A collection of belt buckles from the Houston Rodeo—which Jackson has played more than 20 times.
  • Handwritten manuscripts of classics like “Drive,” “First Love” (about his ’55 T-bird), “Livin’ on Love” and “Where Were You (When the World Stopped Turning).”
  • Numerous music awards, a sailfish caught by Jackson and much more.

For more information on the Country Music Hall of Fame, visit countrymusichalloffame.org.

Weekly Chart Report (7/25/14)

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Lineup For 'Country's Night to Rock' Gets Hotter

Luke Bryan will perform during "CMA Music Festival: Country's Night to Rock" airing Tuesday, Aug. 5 on the ABC Television Network. Photo: Donn Jones/CMA

Luke Bryan will perform during “CMA Music Festival: Country’s Night to Rock” airing Tuesday, Aug. 5 on the ABC Television Network.


Florida Georgia Line will perform during "CMA Music Festival: Country's Night to Rock" airing Tuesday, Aug. 5 on the ABC Television Network. Photo: Donn Jones/CMA

Florida Georgia Line will perform on the TV special.


Reigning CMA Vocal Group of the Year Little Big Town returns as hosts for this summer’s television music event CMA Music Festival: Country’s Night to Rock, which airs Tuesday, Aug. 5 (8:00-11:00 PM/ET) on ABC.
The event brings together four sold-out evenings of live music from June’s CMA Music Festival, which celebrated Country music in its Nashville epicenter.
Adding their chops and charm to the show are Luke Bryan, Eric Church with special guest Lzzy Hale, Florida Georgia Line, Brantley Gilbert, Lady Antebellum, Blake Shelton with season 2 contestant of The Voice Gwen Sebastian, Jason Aldean, Dierks Bentley, Hunter Hayes, Miranda Lambert, Brad Paisley, Rascal Flatts, Thomas Rhett, Cole Swindell, The Band Perry, Carrie Underwood, and Keith Urban.
The primetime television special, CMA Music Festival: Country’s Night to Rock, debuted in 2004 on CBS-TV as a two-hour event. In 2005, it moved to the ABC-TV, and then expanded to three hours in 2009. The special will air annually on ABC-TV through 2021 and is executive-produced by Robert Deaton.
Photos: Donn Jones/CMA
Blake Shelton and Gwen Sebastial will perform during "CMA Music Festival: Country's Night to Rock" airing Tuesday, Aug. 5 on the ABC Television Network. Photo: John Russell/CMA

Blake Shelton and Gwen Sebastian will appear on the show.


Brantley Gilbert will perform during "CMA Music Festival: Country's Night to Rock" airing Tuesday, Aug. 5 on the ABC Television Network. Photo: Donn Jones/CMA

Brantley Gilbert will perform during “Country’s Night to Rock.”


Lady Antebellum will perform during "CMA Music Festival: Country's Night to Rock" airing Tuesday, Aug. 5 on the ABC Television Network. Photo Credit: John Russell/CMA

Lady Antebellum’s LP Field performance will air.

Weekly Register: Shelton Returns To No. 1

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Blake Shelton has the top Country album this week and is prepping for the Sept. 22 season premiere of The Voice. Little Big Town will join him as battle round advisers this season.


An iTunes sale of Blake Shelton’s Based on a True Story sent the album back to the No. 1 position on the Country Album chart.
On the Country tracks chart, FGL’s “Dirt” dug in at No. 1, selling 99K in its second week of release.
Hot newcomers Maddie and Tae notched the top debut Country track, skidding in to No. 32 with 10K downloads of “Girl In A Country Song.”
On the all-genre album chart, “Weird Al” Yankovic parodied his way to No. 1 with Mandatory Fun selling 104K in its debut week.
Magic worked its magic on the overall tracks chart with “Rude” selling 176k TW to land at No. 1.
Top 5 Country Albums
Blake Shelton Based on a True Story 22K TW
Miranda Lambert Platinum 17K
Brantley Gilbert Just As I Am 15K
Luke Bryan Crash My Party 11.5K
FGL Here’s To The Good Times 10K
Top 5 Country Tracks
FGL “Dirt” 99K
Kenny Chesney “American Kids” 79K
Lady A “Bartender” 61K
Dierks Bentley “Drunk on a Plane” 60K
Jake Owen “Beachin'” 50K

DISClaimer: A Session Full of Surprises

Disc of the Day winners Florida Georgia Line

Disc of the Day winners Florida Georgia Line


Hats off to Maddie & Tae for delivering a feisty female romp that slaps down the “bro-country” genre. A salute to Jake Owen for making a left turn into soulful ballad territory. A nod to rocking newcomers The Cadillac Three.
The Disc of the Day award goes to Florida Georgia Line for taking on a song of surprising substance.
Danika Portz visit

DISCovery winner Danika Portz visits MusicRow.


And speaking of surprises: The DISCovery Award belongs to Danika Portz. I can’t remember the last time I heard a new artist with this much creativity at her fingertips.
THE CADILLAC THREE/Party Like You
Writer: Jon Nite/Jimmy Robbins/Jaren Johnston; Producer: Dann Huff & Justin Niebank; Publisher: EMI April/Jon Mark Nite/Universal/Extraordinary Alien/Sony-ATV/Texa Rae, ASCAP; Big Machine
–Rocking and Southern sexy. Getting loaded in the bar with a dancing doll driving him wild. The relentless track drives like there’s no tomorrow.
JAMES HOUSE/Everytime It Rains
Writer: J. House/M. Bradford; Producer: James House & Michael Bradford; Publisher: none listed; Victor House
–House’s new CD includes his versions of hits he’s written for others—“Ain’t That Lonely Yet” (Dwight), “A Broken Wing” (Martina) and “In a Week or Two” (Diamond Rio)—plus new gems like this dramatic, brooding outing. He still sings like a bird.
Maddie and Tae

Maddie and Tae


MADDIE & TAE/Girl in a Country Song
Writer: Aaron Scherz/Maddie Marlow/Taylor Dye; Producer: Dann Huff & Aaron Scherz; Publisher: Big Music Machine/Super Big/Big Machine, BMI/ASCAP; Dot
–Fabulous. They have the guts to sass every “bro-country” cliche out there. She hates her tight cut-offs, her bikini top and being called pretty little thing, hottie or baby. Not to mention being whistled at, shaking her money maker and being invited to ride along in the pickup truck. Bonus points for the lively tune, the catchy track, the saucy harmonies and the overall wit. I guarantee you will smile.
DUSTIN LYNCH/Where It’s At
Writer: Cary Barlowe/Zach Crowell/Matt Jenkins; Producer: Mickey Jack Cones; Publisher: none listed; Broken Bow
–The “Cowboys and Angels” man is back. The lead single from his forthcoming CD is a bopping romance ditty with a sunny disposition.
DANIKA PORTZ/Greatest Show on Earth
Writer: none listed; Producer: Steve Mitchell, Danika Portz & John Willis; Publisher: none listed; DP
–The imaginative “circus” production touches are matched by terrifically inventive songwriting and a highly accomplished, sweet/tart vocal. There’s a bonanza of creativity on parade here. Essential listening.
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Jake Owen


JAKE OWEN/What We Ain’t Got
Writer: Travis Jerome Goff/Travis Meadows; Producer: Joey Moi; Publisher: Red Vinyl/Words & Music/Songs of Universal, BMI; RCA
–Jake tries on a ballad for a change. His aching delivery of its lovelorn lyric is right on the money. The simple piano accompaniment emphasizes what an expressive performance this is. Love it.
SCARLETTA/That’s Where You’re Gonna Find Me
Writer: none listed; Producer: TheTimeKeepers (Stefon Hamulak & Eric Torres); Publisher: none listed; Average Joes
–Congratulations. Scarletta lead singer Emilie Allan becomes the first female to sing a bro country song. She’s even volunteering to wear her Daisy Dukes for ya.
SHOOTER JENNINGS/Don’t Wait Up
Writer: Shooter Jennings; Producer: Shooter Jennings; Publisher: none listed; BCR
–Shooter’s new five-song EP is a salute to George Jones. His vocal delivery of its title tune is garbled, muffled and mush-mouthed, but has a certain quasi-psychedelic charm, thanks to a twinkling, trippy track.
FLORIDA GEORGIA LINE/Dirt
Writer: Chris Tompkins/Rodney Clawson; Producer: Joey Moi; Publisher: Big Loud Songs/Play Animal/Big Red Toe/Farm Town, ASCAP/BMI; Republic Nashville
–Swirling, atmospheric and completely involving. The song is marvelous, and their delivery of it drawls and soars. Play it again.
BRINLEY ADDINGTON/Middle of Nowhere
Writer: Ryan Hurd/Joey Hyde/Aaron Eshuis/Matthew McGuin; Producer: Phil O’Donnell & Aaron Eshuis; Publisher: none listed; BA
–For such a simple sentiment, it sure is a busy production.

Aldean Rocks Cincinnati Stadium, Debuts Single

Jason Aldean. Photo: Chris/Todd Owyoung

Jason Aldean in Cincinnati. Photo: Chris/Todd Owyoung


Jason Aldean brought his Burn It Down tour to the sold-out Great American Ballpark in Cincinnati on Saturday night (July 19). He is the first Country artist to play the ball park and its second ever concert (Paul McCartney was the first). The event also included openers Tyler Farr, Florida Georgia Line and Miranda Lambert. And in between sets, DJ DU spun tunes to keep the party atmosphere bumping.
“As a baseball fan, it means a lot to me to play in stadiums where I used to watch games,” said Aldean during the pre-show press conference. “I’m still in awe, going out there and seeing the amount of people that care about what we are doing. It’s a highlight of my career.”
When asked at what point he felt like he was ready to move up from arenas and amphitheaters to baseball stadiums, Aldean said that the climb started after the success of his singles “Big Green Tractor” and “She’s Country.” “After each of those were released, I noticed that my live crowds were getting a lot bigger,” he explained. He said that led to the first of many discussions between Live Nation and his manager Clarence Spalding about launching a stadium tour.
Aldean also announced his sixth studio album will be available this year on Broken Bow Records and discussed this week’s release of the lead single. “The song is called ‘Burnin’ It Down’ and we played it live for the first time last night (in Cleveland 7/18), we are excited for you all to hear it again tonight,” he said. “This is definitely the steamiest song we’ve ever put out. But it sets the tone for everything. It’s a new sound.”
The song was written by Rodney Clawson, Chris Tompkins, and Florida Georgia Line’s Tyler Hubbard and Brian Kelley.  For the new album Aldean re-teamed with longtime producer Michael Knox.
This is the longest Aldean has ever gone between singles, so the singer is anxious to let people hear it. The single is “Burnin’ It Down,” and the tour is called Burn It Down. Aldean agreed that this could be the title of the new album, but couldn’t confirm it. “The single always sets the tone for the album, so we’ll see how it goes. I love the song. It’s something people won’t expect to hear from us, which I like.”
Saturday’s concert started with Tyler Farr putting on a rock filled set including his two No. 1 hits, “Redneck Crazy” and “Whiskey In My Water.” By the time Florida Georgia Line hit the stage, the stadium was near capacity. The duo and their band brought non-stop energy while pumping out hit after hit, as well as covers of Alabama’s “I’m In A Hurry” and pop star Bruno Mars’ “Grenade,” and of course, a stadium-wide sing-a-long during “Cruise.”
Miranda Lambert and Jason Aldean have toured together on several occasions since both launched careers around the same time. Lambert confidently strutted around the stage showing off her new short hair cut, Rock and Roll t-shirt, leather shorts and boots. She acknowledged Aldean and their growth in the industry together and thanked him for including her on the show. Even though she was guest on the tour, Lambert proved why she is one of the biggest stars in the format. With the capacity crowd singing along as she belted her biggest hits, she also tapped into fans’ emotions with heartstring-tugging songs “The House That Built Me” and “Over You.”
Before Aldean took the stage, DJ DU kept the crowd singing and dancing as he mixed hits from all genres, including “Hang On Sloopy,” a favorite among Ohio State fans. The roar of the crowd as each song began showed that Aldean had attracted Cincinnati’s true party crowd.
Aldean’s show started with a big screen video montage of things being set on fire. The pyro then exploded as a giant “A” lit up the stage and Aldean ascended from the top wearing a cut off T-shirt bearing the name of the host city, his signature cowboy hat and jeans, while singing his first ever single, “Hicktown.” His energy didn’t slow as he continued to keep the crowd on their feet with his hits. The one exception is when he took time to bring his steel guitar player to the front of the stage and toast his birthday. The night ended with a one song encore of “She’s Country” and a full fireworks show over the Ohio River.
After two nights playing baseball stadiums in Ohio, the tour will also play the home of the Washington Nationals, The Pittsburgh Pirates and Philadelphia Phillies.
Jason Aldean. Photo: Chris/Todd Owyoung

Jason Aldean “Burn It Down Tour” finale in Cincinnati. Photo: Chris/Todd Owyoung