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ZBB’s Southern Ground Artists Teams with BMLG, Republic Records and John Varvatos Records

ZBB John VarvatosJohn Varvatos Records, Big Machine Label Group, and Republic Records proudly announce a new strategic partnership with Zac Brown Band and Brown’s own Southern Ground Artists. This historic announcement marks the first joint venture between the collection of companies and the debut artist and release for John Varvatos Records in their recently launched partnership with Republic Records.

John Varvatos Records founder and president John Varvatos and Big Machine Label Group founder and president Scott Borchetta made the announcement today along with Southern Ground Artists founder Zac Brown and Republic Records founder and CEO Monte Lipman

“Southern Ground Artists together with John Varvatos Records, Big Machine Label Group, and Republic Records is the dream team for Zac Brown Band’s evolution,” said Zac Brown. “We’re excited to reach new music fans worldwide.”

Varvatos comments, “I’ve been a huge fan of Zac’s for many years and have followed his much-deserved ascension to a stadium artist. We came together through a vision of collaboration and a love of music. I’m excited to break the rules and barriers alongside him.”

Borchetta, President & CEO/Big Machine Label Group added, “There are those moments when our best artists hit a global stride and a deeper sense of engagement that speaks a clearer musical language. With the combination of all these forces coming together now as the Zac Brown Band moves into the next phase of their career with incredible ambition, there literally is no ceiling as to what can be accomplished.”

Republic Records co-founder and C.E.O. Lipman added, “When Charlie Walk first introduced the idea of creating a venture with John Varvatos and Republic Records, I never imagined our first initiative would create a super alliance with future hall of famers Zac Brown Band and Nashville’s hottest executive Scott Borchetta. The entrepreneurial spirit of each camp including Zac’s own Southern Ground Artists, has created a pool of resources that can only be described as extraordinary. In a quest to make history together, it’s an honor and privilege to work with the Zac Brown Band and ROAR in this unique arrangement.”

Zac Brown Band and Southern Ground Artists will now work directly with Big Machine Label Group for distribution and marketing while Southern Ground Artists in-house promotion team, lead by Chuck Swaney and Mara Sidweber, will continue to service radio. Zac Brown Band continues to be represented by ROAR, CAA, Shore Fire Media and Girlilla Marketing.

Zac Brown Band are currently in the studio working on what will be their fourth full-length studio album. The record will hit shelves in 2015 and mark the first release ever on the Big Machine Label Group moniker.

Eric Church Brings Country Rock Glory To Bridgestone Arena

ericchurch1Eric Church told me to put a drink in my hand, so I did—along with the rest of the record-breaking crowd at Nashville’s Bridgestone Arena on Saturday night (Jan. 10).

18,411 fans joined him for the more than two hour rampage through his catalog, making The Outsiders World Tour the venue’s highest attended event ever. Church—an advocate for getting fans in the door through fair ticketing practices—has a 360-degree stage configuration, so he can sell seats all the way around the arena.

But Church did more than lead a drinking party—he gave fans a killer show that kept them on their feet all night. They knew every album cut—old or new—and the way they recited “Pledge Allegiance To The Hag” it could’ve been the real Pledge of Allegiance. Their connection with Chief was tangible, even saluting him by taking off their boots and waving them in the air during “These Boots.”

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In sight and sound, it was like a careening rock show that veered down a country road. In rock fashion, lighting effects and metal contraptions were the centerpiece of the fluid set which moved throughout the concert, with parts climbing from the floor or suspended from above. The stage was shaped like a fork lift, with Church and company often venturing into the crowd on the platforms. The metal-inspired musicians were accented by Joanna Cotten’s soaring backing vocals.

Lighting rigs moved up and down from the ceiling, the glowing tentacles hanging like swampy weeds. Lasers sliced the sky in a display of power rock glory. Red lighting set the mood for the scorching “That’s Damn Rock and Roll,” performed with opening act Lzzy Hale.

unnamedMonitors suspended above the stage showed a video feed of Church with an authentic-feeling black and white display. There was also an eerie pre-recorded video of Church’s spoken word recitation of “Dark Side,” showing the singer with soulless eyes. He led fans further into the night with the song “Devil Devil,” during which a giant devil wearing a belt buckle inscribed “Nashville,” inflated at the back of the arena. Whether the inflatable was cool or crazy, it definitely made an impression.

Next Church sought redemption by singing “Country Music Jesus.” Throughout the night he kept the show exciting, and plenty country, with a set list that included “Guys Like Me,” “Talladega,” “Cold One,” “Homeboy” and “Give Me Back My Hometown.” He covered parts of Lynyrd Skynyrd’s “The Ballad of Curtis Loew,” and later, The Boss’ “Thunder Road” before segueing into “Springsteen.”

Today Church announced that The Outsiders World Tour will continue into the spring, with guests including Brothers Osborne, Drive-By-Truckers, JD McPherson, The Cadillac Three and The Lone Bellow.ericchurch2

‘MusicRow’ Announces 2015 Country Radio Meet & Greet and Airplay Awards

CRS2015_post2MusicRow Magazine will hold its 13th Annual Country Radio Meet & Greet and CountryBreakout Awards at Nashville’s Margaritaville on Wednesday, Feb. 25, 2015, beginning at 1 p.m.

The invitation-only event will welcome MusicRow subscribed members and radio executives for the unofficial kick-off to Country Radio Seminar, which attracts radio broadcasters from across the country for events Feb. 25-27.

MusicRow‘s afternoon will feature performances from yet-to-be-announced rising country stars in addition to revealing the CountryBreakout Award winners. Given annually, these honors recognize artists who earned the most airplay on the MusicRow CountryBreakout Chart during the preceding year. For 13 years, the CountryBreakout Chart has led the market for Country radio’s secondary stations.

“The value of the MusicRow Chart has never been greater,” says MusicRow Publisher/Owner Sherod Robertson. “Secondary radio is often the first place where new music is discovered and we are proud to pay homage to this important segment of our radio industry. Not only does the CountryBreakout Chart give insight to radio’s future trends, but it provides a fluid platform for established artists to expand success and allows new artists to begin their careers and create initial momentum.”

In-depth profiles of the award winners will be included in the February/March 2015 edition of MusicRow Magazine, set to debut at the ceremony. Copies of the print issue will continue to be available for CRS attendees throughout the Nashville Convention Center while MusicRow paid subscribers receive their copies by mail. Magazines are also available for purchase anytime at musicrow.com or the magazine’s 17th Avenue headquarters in Nashville.

NASH Icon Begins Syndication Through Westwood One

NASHIcon1Westwood One has announced the syndication of the NASH Icon brand of country stations nationwide. Cumulus owns and operates 20 NASH Icon radio stations. Westwood One syndication will enable other station groups to adopt 24/7 NASH Icon branding, as well as programming elements.

Four voices will represent the brand on-air during weekdays: Marty McFly (weekdays, 6 a.m.-10 a.m.), Lisa Manning (weekdays, 10 a.m.-3 p.m.), Scott Gaines (weekdays, 3 p.m.-8 p.m.), and Darlas Rai (weekdays, 8 p.m.-1 a.m.).

“NASH ICON is quickly emerging as a cornerstone of our NASH Country music brand, and we’re excited to make this radio format available to stations nationwide given the growing demand from advertisers and listeners,” said John Dickey, Executive Vice President of Content & Programming at Cumulus.

“NASH Icon is a solid, mainstream addition to our line-up of 24-hour Country formats at Westwood One,” added Kirk Stirland, President of Programming at Westwood One. “It employs our top technology, it’s got a great track record right out of the box in Nashville, and it’s got hooks to a great brand.”

Weekly Chart Report (1/9/15)

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Click here or above to access MusicRow‘s weekly CountryBreakout Report

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Andraé Crouch Dead at 72

crouchAmerican gospel singer Andraé Crouch has died from complications following a heart attack on January 3rd. The Grammy and Dove Award winner passed away surrounded by family on Thursday, January 8, 2015 at approximately 4:30pm PST at Northridge Hospital Medical Center in the Los Angeles area. Andraé was 72 years old.

“Today my twin brother, womb-mate and best friend went home to be with the Lord,” said Pastor Sandra Crouch. “Please keep me, my family and our church family in your prayers. I tried to keep him here but God loved him best. Details of Andraé’s Celebration Service and Tribute will be forthcoming.”

Andraé’s accolades include 7 Grammy Awards, 6 GMA Dove Awards, an Academy Award nomination for “The Color Purple,” induction into the Gospel Music Hall of Fame and a star on the Hollywood Walk of Fame. His songs have been recorded by everyone from Elvis Presley to Paul Simon, and he has worked as a producer and arranger with many of music’s top artists, including Michael Jackson, Madonna, Quincy Jones, Diana Ross, Elton John and many others. Andraé can also be heard on Michael Jackson’s hit singles “Man in the Mirror,” “Keep the Faith,” “Will You Be There” and “Earth Song.”

‘MusicRow’ Reveals Marketplace Listing Service

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MusicRow is proud to announce the creation of the MusicRow Marketplace, a listing service for jobs, real estate and more.

Residing on MusicRow.com, listings on the site are free and will be posted for 30 days. Listings are being accepted via the MusicRow Marketplace Submission Form, and will be posted at the discretion of MusicRow.

“Many people have expressed interest in a Music Row listing service, so I welcome the opportunity to offer a hub as a free service for members of the industry,” said MusicRow Owner/Publisher Sherod Robertson. “I’m excited to watch the Marketplace expand and cater to the needs of our community.”

Navigate to the MusicRow Marketplace by clicking the “Marketplace” tab in the menu bar at the top of MusicRow.com. We look forward to your listings and welcome any feedback.

DISClaimer: Female Voices Make A Strong Showing in 2015

Happy New Year.

lee-ann-womack-the-way-i'm-livingfeaturedThis past one was terrible for women in country music, so I am pleased to report that in the first stack of platters of 2015, female voices rule. Today, reigning queen Miranda Lambert is joined by equally powerful sounds from Maddie & Tae, Karen Fairchild of Little Big Town and the sublime Lee Ann Womack, who has this week’s Disc of the Day.

Don’t count the guys out. Frankie Ballard and Collin Raye sound especially good. And the male group A Thousand Horses wins the first DisCovery Award of 2015.

PARKER McCOLLUM/Meet You In The Middle
Writer: Parker McCollum; Producer: Corby Schaub; Publisher: none listed; PYM
-Breezy sounding, but with an underlying sadness. The Texan sings with plaintive yearning while guitars ring along to the refrain.

LITTLE BIG TOWN/Girl Crush
Writers: Liz Rose/Lori McKenna/Hillary Lindsey; Producer: Jay Joyce; Publishers: Warner-Tamerlane/Songs of Crazy Girl/Songs of Universal/Hoodie/HillarodyRathbone/BMG, BMI/ASCAP; Capitol Nashville
It’s not as gay as the title implies. The reason she has the “girl crush” is because she wants to be like the woman he loves instead of herself. Whatever the case, the lovely, wistful ballad is absolutely dreamy sounding.

RAY PRICE/I Wish I Was 18 Again
Writers: Sonny Throckmorton; Producer: Fred Foster; Publisher: Sony-ATV, no performance rights listed; Amerimonte
This heart-tugging waltz was originally a hit for George Burns in 1980. The fact that Ray Price was dying when he recorded this version makes it ache all the more. It remains an awesome piece of songwriting that everyone should hear.

COLLIN RAYE/Same Old Lang Syne
Writers: D. Fogelberg; Producers: Kelly Schoenfeld/Johnny Swinell; Publishers: Hickory Grove/EMI April, no performance rights listed; Goldenlane (track)
Collin’s new Everlasting CD is a set of reinterpretations of pop classics, including “Against All Odds,” “How Deep Is Your Love,” “Sorry Seems to Be the Hardest Word,” “She’s Got a Way,” “We’re All Alone” and “How Am I Supposed to Live Without You.” Appropriately, he greets the New Year with this Dan Fogelberg chestnut that toasts an old flame and a new beginning.

MADDIE & TAE/Fly
Writers: Maddie Marlow/Taylor Dye/Tiffany Vartanyan; Producer: Dann Huff; Publishers: Super Big/Not Your Average Girl/Silva Tone, ASCAP; Dot (track)
-Country’s most refreshing new female voices are back with a song of hope, optimism and strength in the face of adversity. The melody is delicious, the harmonies are sparkling, the track is terrific and the mood is uplifting. I’m in. Totally.

A Thousand Horses1A THOUSAND HORSES/Smoke
Writers: Michael Hobby/Jon Nite/Ross Copperman; Producer: Dave Cobb; Publishers: Warner-Tamerlane/Carolina June/Greatshakin/EMI April/EMI Blackwood/Jon Mark Nite/Songs By Red Room/Sony-ATV, BMI; Republic Nashville
The woman is like smoke, “blowing rings around my heart.” He can’t put her down once he starts. She goes great with booze. She’s not good for his health. Her perfume lingers on his clothes. She’s a habit, and this haunting, swirling single makes her sound like a must-have. Very promising.

MIRANDA LAMBERT/Little Red Wagon
Writers: Audra Mae/Joe Ginsberg; Producers: Frank Liddell, Chuck Ainlay, Glen Worf; Publishers: WB/AMAEB/Double Flannel, ASCAP; RCA
-Miranda’s back in her feisty-female mode on this rumbling bopper. She’s a free spirit who has no use for the guy who’s pursuing her. The highly personalized last verse is a particular hoot.

T. GRAHAM BROWN/Forever Changed
Writers: H. Lindsey/D. Penn/C. Whitesett; Producers: Mark Carman/T. Graham Brown/Publishers: none listed; Mansion
-The title tune of this blue-eyed soulman’s latest collection is a sweet, tender ballad that he sings with depth and maturity. In addition to solo showcases like this, the gospel-themed album also includes collaborations with Leon Russell, Vince Gill, The Oak Ridge Boys, Jason Crabb, Jimmy Fortune, Sonya Isaacs and more. Recommended with an “amen.”

FRANKIE BALLARD/Young & Crazy
Writers: Ashley Gorley/Shane McAnally/Rhett Akins; Producers: Marshall Altman/Scott Hendricks; Publishers:External Combustion/Out of the Taperoom/Songs of Southside Independent/Universal/Smack Ink/EMI Blackwood/Rhettneck, ASCAP/BMI; Warner Bros.
-“How am I ever gonna get to be old and wise/If I ain’t ever young and crazy?” You said it, brother. Hit bound. Rock on.

Lee ANN WOMACK/The Way I’m Livin’
Writers: Adam Wright; Producers: Frank Liddell, Chuck Ainlay, and Glenn Worf; Publishers: Alrighty Den/Wrightone, BMI; Sugar Hill (track)
-This peerless country stylist is nominated for a Grammy Award this year. The title tune of the album in question is also her current single. There’s a devil on her shoulder who tells her that being bad feels good. So now she doesn’t know wrong from right, and the instruments that churn up that sound all around her make the chaos all the more inescapable. Contemporary country at its finest.

Interviewing With Tri Star’s Lou Taylor? Only The Confident Need Apply

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Lou Taylor, Owner and CEO of Tri Star Sports and Entertainment Group. Photo: Kelsey Grady

Owner and CEO of Tri Star Sports and Entertainment Group Lou Taylor sets the bar high when hiring her team members. She has constructed a recruiting process using advice from Whitney Johnson, a former Wall Street analyst, regular contributor to the Harvard Business Review, and co-founder of Clayton M. Christensen’s investment firm Rose Park Advisors. Taylor shares, “Whitney Johnson worked her way up from the secretarial pool on Wall Street. She’s a brilliant woman and one day she asked me, ‘What’s the biggest challenge facing you as a CEO?’ I said, ‘It’s freakin’ interviewing people. It kills me.'”

Johnson had a solution.

What is the recruiting process you implemented at Tri Star?

If you apply for a job here and you have all of the qualifications for that job, I send you a video request. Statistics show that people who worked and took accountability for their own wage at a very young age have a greater work ethic. So we ask candidates, “Tell me about your first job.”

Our other questions include:
What are your philanthropic and charitable efforts?
How do you think about society?
How do you contribute back?
What is the most complicated situation you’ve ever found yourself in at work?
If you had the opportunity to do anything in the world and write your ideal job description, what would it be?

These questions tell me what they’re really thinking, not what they think I want to hear. And, it allows me to hear how they present.

What comes next in the process?

They do a written test of exactly the things they’ll be looking at if they worked at Tri Star. How do they review a financial statement? Are they picking up on the details? I’m looking to see how they review and I’m also looking at how they present. I’m looking for people who take the time to type their comments and send them back neatly rather than handwritten answers. If they didn’t think enough about the fact that the CEO of the company is going to be reviewing their work, I don’t hire them.

How does a candidate’s confidence play a role in your hiring?

I can walk into a room and in five minutes, I know if I’m going to hire someone or not. If they don’t have eye contact with me and if they don’t present confidence, I’m not going to hire them. People, when it comes to their finances, want to be presented good news and bad news, both worse and best case scenarios, with confidence. Without it, you can do the best financial presentation possible, but your client is going to leave steeped in fear.

After an employee joins the Tri Star team, how does policy and procedure shape their work habits?

I’m a freak about policy and procedure. I have everything documented down to what the shopping list is for the office. All I want to do is make sure we think about processes and procedures so that everything that we do, tangibly and positively, contributes to a client’s life. I’m a freak. I admit it. I don’t care though because I love it. If you look at our team as in football, I have a great defensive line and a great offensive line. And together, hopefully, we’re going to get in the end zone for the client. I’m 100 percent convinced that nobody gets more value out of their business management firm than what they get here. And the successes are getting to watch our clients retire with money and have peace.

To read more of our conversation with Lou Taylor, check out the 2015 Next Big Thing January print issue of MusicRow magazine.

Industry Mourns Jimmy Dickens

Grand Ole Opry star Little Jimmy Dickens. Photo: Chris Hollo

Grand Ole Opry star Little Jimmy Dickens. Photo: Chris Hollo

The public is invited to celebrate the life of the late, legendary Jimmy Dickens at both his visitation and his funeral service.

The visitation is scheduled for Wednesday, Jan. 7, at the Woodlawn-Roesch-Patton Funeral Home from 4-8 p.m. The building is in Woodlawn Cemetery at 660 Thompson Lane. A Celebration of Life service will be held at the Opry House on Thursday, Jan. 8, at 11 a.m. Friends, family and the public are welcome at both events.

Jimmy Dickens passed away Friday afternoon, Jan. 2, due to a cardiac arrest. A trouper to the end, Dickens turned 94 years old on Dec. 19 and performed on the Grand Ole Opry the following day,  singing his hit “Out Behind the Barn” and delivering his trademark jokes. He suffered a stroke five days after his final performance and died a week later.

The Country Music Hall of Fame inductee was the oldest member of the Opry cast. The widely loved entertainer was the show’s goodwill ambassador, as well as its elder statesman.

Last Friday’s Grand Ole Opry show was dedicated to Dickens by Opry manager Pete Fisher, who eulogized the star by saying he was, “one of the most legendary, entertaining and beloved artists in country music history.” Fisher choked back tears as he added, “We will never forget….”

Bill Anderson saluted his fellow Opry cast member on Friday’s show by performing the 1958 Dickens favorite “Family Reunion.”

Marty Stuart called Dickens, “the heart, the soul and the spirit of the Grand Ole Opry.” Brad Paisley said Dickens was, “my hero,” and added, “I think everyone who ever met him loved him instantly and forever.” Both Paisley and Vince Gill featured Dickens in their music videos and sang with him.

“I’ve always related to him and loved him as a person, as a friend and as an entertainer,” said Dolly Parton. Both Parton and Martina McBride performed the late star’s 1950 tune “I’m Little But I’m Loud” during their careers.

“He just knew how to entertain,” said Ricky Skaggs. “His country charm, sharp wit and graciousness made him a star that everyone wanted to meet.”

During the weekend, eulogies and remembrances of Dickens poured in from dozens of country entertainers. Fellow Opry cast members Mel Tillis, Larry Gatlin, Doug Green of Riders in the Sky, Carrie Underwood, Pam Tillis, Rascal Flatts, Alan Jackson, Reba McEntire and Charlie Daniels were among them.

James Cecil Dickens was born in the tiny hamlet of Bolt, West Virginia into a clan of coal miners. He was the oldest of 13 children. Everyone in his family was musical, and Dickens dreamed of a country-music career from an early age. He began performing on West Virginia radio stations in 1939-40.

He joined station WLW in Cincinnati in 1945. Opry superstar Roy Acuff recalled that Dickens stole a show from him there. He encountered Dickens again at WKNX in Saginaw, Michigan, three years later. Impressed once more, Acuff arranged for Dickens to come to the Opry and to Columbia Records.

Jimmy Dickens in 1971.

Jimmy Dickens in 1971.

Billed as “Little” Jimmy Dickens because of his 4’11” stature, he became a Grand Ole Opry member in 1948 and scored his first Columbia hit in 1949 with the humorous novelty “Take an Old Cold ‘Tater (And Wait).” His friend, Hank Williams, nicknamed him “Tater” as a result. Williams penned “Hey Good Lookin’” for Dickens, but decided to record it himself, instead.

Dickens became well known for novelty ditties such as 1950’s “A-Sleepin’ at the Foot of the Bed” and 1954’s “Out Behind the Barn.” But he was also capable of heart-tugging sentiment, as in 1949’s “My Heart’s Bouquet” and “Pennies for Papa.”

His ballad mastery was evident in “Life Turned Her That Way,” “Farewell Party,” “Take Me As I Am (Or Let Me Go)” and “We Could,” all of which he originated but later became hits for others.

During the 1950s, Jimmy Dickens had one of country music’s most fiery and exciting bands. His Country Boys group featured a loud, twin electric-guitar attack that pre-figured the rise of rockabilly music, as well as the 1970s sound of The Allman Brothers. Hot singles such as 1950’s “Hillbilly Fever,” 1953’s “You All Come,” 1954’s “Rockin’ with Red” and 1958’s “I Got a Hole in My Pocket” showcased his band’s prowess.

Dickens musicians included such future instrumental greats as Grady Martin, Buddy Emmons, Thumbs Carlille, Bob Moore and Walter Haynes. Those weren’t the star’s only lasting contributions. With 1949’s “Country Boy,” Jimmy Dickens introduced Hall of Fame songwriters Boudleaux and Felice Bryant. In 1951, Dickens discovered Marty Robbins and brought him to Columbia Records.

He was also a Nashville pioneer in costuming. Dickens was one of the first Opry artists to sport flashy, rhinestone-bedecked suits crafted by tailors such as Nudie Cohen. “Nudie” suits later became synonymous with country stardom.

Jimmy Dickens left the Opry in 1957. His hits resumed with the ballads “The Violet and the Rose” (1962) and “Another Bridge to Burn” (1963).

In 1964, he became the first country artist to circle the globe on tour. His extensive overseas activity was partly because of his commitment to entertaining at U.S. military bases. He performed several times for the troops during the Vietnam War, even in combat zones.

Dickens returned to novelty material with 1965’s “May the Bird of Paradise Fly Up Your Nose,” which became his biggest hit. The pop and country smash led to TV showcases on The Tonight Show, Hullabaloo and Where the Action Is. Dickens also appeared in the films Tennessee Jamboree (1964) and Second Fiddle to a Steel Guitar (1966).

In 1964, George Jones saluted the star with the tribute LP George Jones Sings Like the Dickens! Ricky Van Shelton, Ray Price, Mel Tillis, Charley Pride, Wanda Jackson and Gene Watson are among the other stars who have revived Dickens songs.

“When the Ship Hit the Sand” (1966) and “Country Music Lover” (1967) became his last top-40 hits, but Jimmy Dickens continued to tour relentlessly in the 1970s and 1980s. He honed his comedic skills and became renowned for his quips, jokes and wisecracks.

Nevertheless, he released his biggest tear-jerker in 1970. This was the dead-child recitation “Raggedy Ann,” which remained in his repertoire for the rest of his life.

Dickens rejoined the Opry cast in 1975. He was elected to the Country Music Hall of Fame in 1983. Another recitation, “Forgive Me Santa,” became a video hit during the 1987 Christmas season.

Jimmy Dickens in 1955

Jimmy Dickens in 1955

In 1996, Jimmy Dickens and his wife Mona celebrated their 25th anniversary by renewing their vows on the Opry stage. After more than 50 years as a travelling entertainer, he finally retired from the road in 1997.

The Academy of Country Music gave him its Pioneer Award in 2006. Brad Paisley and Trace Adkins were among those honoring Dickens in 2008 on the 60th anniversary of his Grand Ole Opry induction. Adkins, Diamond Rio, Little Big Town and Old Crow Medicine Show were among those Dickens welcomed into the Opry cast in later years.

He survived several serious health crises during the past decade. He was hospitalized in 2004, 2008, 2009 and 2013 for various ailments.

Jimmy Dickens is survived by his wife Mona, daughters Pamela Detert and Lisa King, grandchildren Amanda Detert and April Remick and great-grandchildren Keylee Remick, Tanner Remick and Tyler Remick, as well as three sisters.

His Thursday entombment in the Woodlawn Cross Mausoleum will be private for the family.