
Lathan Warlick. Photo: Dustin Haney
Before December of 2020, Lathan Warlick was working on the railroad in Memphis, Tennessee. Today, he’s a recording artist signed to RECORDS Nashville/Columbia Records and recently released his debut EP that was executive produced by Florida Georgia Line star Tyler Hubbard.
Warlick grew up in Jackson, Tennessee in a loving house in a rough neighborhood. Music has always been of interest to him, but it started with dancing.
“I started dancing because my neighborhood in Jackson is known for gang violence and all of that negative stuff, so I wanted to find a way to get away from that. Not all of it was bad, but the majority of my surroundings were,” Warlick says. “I wanted to do something to get away from the street life.”
Warlick started his own dance group, and won a few talent shows. After winning a competition in 2011, Warlick and his dance group went to a club to celebrate. It was there that he came face-to-face with a .45-caliber pistol.
“He was going to kill me,” Warlick says. “So I’m sitting there with my back against the wall, and I remember asking God, ‘If you’re real, can you help me out of this situation?'”
The now 32-year-old escaped death that night, but walked away with an intense sense of purpose. “After that moment, I had a feeling of wanting to do something deeper, I wanted to do something more.
“I started getting in church and connecting with God more then. He gave me the vision of ‘God, love and unity,'” Warlick says of the motto running through his artistry.
The ever-impressive Warlick transitioned to music after getting into spoken word. With encouragement from friends and family, he started sharing his musical gifts on TikTok—Musical.ly at the time. He posted videos of himself on his iPhone in his car, adding his own rap verses to popular songs like “Holy” by Justin Bieber, “The Box” by Roddy Ricch, “Memories” by Maroon 5, “Hello” by Adele, and “You Say” by Lauren Daigle.
It took a while for the hip-hop fan to make videos with other genres, but when he did, his career took off. He now boasts 1.4 million followers on the platform.
“Once I got out of my comfort zone, I loved it,” Warlick says. “I would take the instrumental and connect it to the chorus part of the song, and just freestyle over the instrumental [in the verse].”
Eventually, his videos caught the attention of country singer Granger Smith, who asked Warlick to add a rap verse to his song “That’s Why I Love Dirt Roads.” The collaboration was Warlick’s first taste of country music.
“Growing up where I grew up, [country music] just wasn’t something that was taught or listened to.”
Fueled by TikTok success and dreams, Warlick made the move to the country music capital of the world in December 2020. He had self-released a few EPs, including Tellem That Im Comin (2016), 2nd Time Around (2017), and A Church in the Trap (2018). But by 2020, he was ready to make music a full-time gig.
He connected with manager Ash Bowers who signed him to Wide Open Music in 2020, joining artists Jimmie Allen, Matt Stell and Chris Bandi. Warlick’s first label deal with RECORDS Nashville / Columbia Records quickly followed.
In April, Warlick released his My Way EP, featuring an array of country music artists on songs like “Over Yonder” with Matt Stell, “Roots” with RaeLynn, and title track, “My Way,” with Hubbard. Other collaborators on My Way include Lauren Alaina, Russell Dickerson, High Valley and Dustin Lynch.
Warlick was introduced to Hubbard—who went on the executive produce My Way—via RaeLynn.
“We made the song ‘Roots,’ and she sent it to Tyler and Tyler was like ‘I gotta work with this Lathan guy,'” Warlick says. “Tyler’s been teaching me so much. He connected all of the dots.”
Ultimately, it’s very important to Warlick to use his music to promote a message of unity in today’s turbulent times.
“My mission is God, love and unity. I want to bring unity to the world so bad. There’s enough negativity going on in the world today, I want to be the person that’s going to stand in the light. It shows people that if we come together, we can’t fall.”
Warlick’s mission can be distinctly heard in his genre-bending EP, My Way, available now.
Brit Taylor Plans New Deluxe Version Of ‘Real Me’
/by Lorie HollabaughBrit Taylor is releasing Real Me Deluxe, an expanded edition of her Real Me album, on July 9. The latest single from the project, “At Least There’s No Babies,” is being released on June 4. Both albums and the single are produced by Grammy-award winner Dave Brainard.
“At Least There’s No Babies,” features Dee White and is a continuation of Taylor’s musical journey through self-discovery. Taylor and White penned the song while touring in late 2018 as the opening act for Ashley McBryde. Taylor had endured a journey that included the dissolution of her marriage and her band, her dog dying and financial problems. As she battled depression, she endured a bunch of well-meaning friends and family telling her, “At least there’s no babies.”
“The album Real Me told my story, and it wasn’t always easy to share it,” Taylor said. “But I did and it was soul cleansing. I knew the story wouldn’t be finished until ‘At Least There’s No Babies’ was on the record and out into the world. It is the final chapter of the story. Its combination of humor and sadness meant I was ready to move forward and live my next story.”
DISClaimer Single Reviews: Balsam Range, Rhonda Vincent, Danny Paisley
/by Robert K OermannBalsam Range
The bluegrass grows all around in today’s edition of DisClaimer.
Unquestionably, the DisCovery Award goes to The Kody Norris Show, a band that simply delighted my senses.
The Disc of the Day contest is a little more complicated, so I’m giving out three of these prizes. The Female vocal winner is bluegrass queen Rhonda Vincent with her Porter Wagoner song revival. The Male vocal winner is big Danny Paisley, who has soul to spare. The Group performance award goes to the lovely gospel effort by Balsam Range.
Happy listening.
THE KODY NORRIS SHOW / “Love Bug”
Writers: Kody Norris; Producer: none listed; Label: Rebel
— Charming. This rhinestoned, retro costumed foursome plays with crisp precision and sings with high-lonesome authenticity. The song is an upbeat, light-hearted ditty about falling head over heels… and it will leave you with a grin on yer face.
DALE ANN BRADLEY / “Falling Down”
Writers: Ashby Frank; Producer: none listed; Label: Pine Castle Records
— This much awarded bluegrass Female Vocalist winner has a sterling collection titled Things She Couldn’t Get Over that is currently the No. 1 bluegrass album. This thoughtful, mid-tempo song from it has both poetry and rippling instrumental textures to transport you to hillbilly nirvana.
ALAN BIBEY & GRASSTOWNE / “Hitchhiking to California”
Writers: Wes Goldberg/Alan Bibey/Jerry Salley; Producer: Alan Bibey, Grasstowne, Ron Stewart, Jerry Salley; Label: Billy Blue
— The sprightly title tune of this quintet’s current CD is presently at No. 1 on the Bluegrass Unlimited chart. The vocals are somewhat creamy, rather than edgy, so it goes down smoothly.
ROLAND WHITE & FRIENDS / “Alabama Jubilee”
Writers: George L. Cobb/Jack Yellen; Producer: Ty Gilpin & Jon Weisberger; Label: Mountain Home
— White’s illustrious career has included stints with Country Gazette and The Nashville Bluegrass Band. His current CD is A Tribute to The Kentucky Colonels, the group that launched the legendary mandolinist’s career. On this deliciously lively instrumental track, he’s joined by Kristin Scott Benson of The Grascals, and the album’s other bluegrass celeb guests include Darin & Brooke Aldridge, Gina Furtado, David Grier, Billy Strings and Molly Tuttle. At age 83, his fingers still fly over the fretboard like greased lightning.
BALSAM RANGE / “Grit and Grace”
Writers: Ann Melton/Beth Husband/Milan Miller; Producer: Balsam Ridge; Label: Mountain Home
— Sublimely lovely. The gentle gospel ballad is caressed by this durable ensemble with enormous heart. As a man looks back at his life’s ups and downs, he recognizes, “I supplied the grit, and God supplied the grace.”
RHONDA VINCENT / “What Ain’t to Be Just Might Happen”
Writers: Porter Wagoner; Producer: Rhonda Vincent; Label: Upper Management
— Vincent takes a 1972 Porter Wagoner country oldie out for a brisk romp with dynamic fiddle, mandolin and banjo breaks. It goes without saying that her wailin’ vocal is supreme. This new track is headed skyward.
DANNY PAISLEY & THE SOUTHERN GRASS / “Blink of an Eye”
Writers: Robert Amos; Producer: Wes Easter, Danny Paisley, Ryan Paisley & Bobby Lundy; Label: Pinecastle
— This new release is the lead track from Paisley’s Bluegrass Troubadour collection. It has a captivating, cool, rolling groove, and the excellent, bluesy singing is mountain soulful in the extreme. Mournful majesty. So nice I played it twice.
LARRY CORDLE / “Cherokee Fiddle”
Writers: Michael Martin Murphey; Producer: none listed; Label: Mighty Cord
— I’ve always liked this Michael Martin Murphey tune from 1977 (revived by Johnny Lee on the Urban Cowboy soundtrack) and am not at all surprised by how well it adapts to a bluegrass treatment. Nashville tunesmith Cordle can always be counted on for quality.
BARRY ABERNATHY & VINCE GILL / “Birmingham Jail”
Writers: none listed; Producer: Barry Abernathy & Jim VanCleve; Label: Billy Blue
— Banjo picking singer Abernathy has rounded up a busload of buddies for his new CD, which debuted on the bluegrass album chart this month. They include Dan Tyminski, Rhonda Vincent, Steve Gulley, Doyle Lawson, Sam Bush, Bryan Sutton, Rob Ickes and, on this toe-tapping album opener, everyone’s favorite tenor harmony singer.
JUNIOR SISK / “Just Load the Wagon”
Writers: J.R. Satterwhite; Producer: none listed; Label: Mountain Fever
— Rural nostalgia reigns here, and it doesn’t get much more down-home and old timey than this. The tempo will have you dancing around the kitchen, and the vintage mood will make you smile. Pure pleasure.
HIGH FIDELITY / “Banjo Player’s Blues”
Writers: Charlie Monroe; Producer: Jeremy Stephens, Corrina Rose Logston & Brad Benge; Label: Rebel
— Infectious. It’s the title track of this Nashville band’s current album. Jeremy Stephens’ hearty lead vocal is nearly outshone by the dashing fiddle of Corrina Rose Logston, and the overall effect is good vibrations all around.
BRONWYN KEITH-HYNES & SARAH JAROSZ / “Last Train”
Writers: Peter Rowan; Producer: none listed; Label: Sugar Petunia
— Fiddler Keith-Hynes has a high, yearning vocal delivery, but the spotlight shines brightest here on the sizzling instrumental work featuring mandolin magician Jarosz as well as her own slippery, silvery bowed notes.
Warner Chappell Production Music Opens Sandtrack Sound Studio In Nashville
/by Lorie HollabaughPhoto: Michael Dominic Tedesco
Warner Chappell Production Music has opened two new recording studios – Sandtrack Sound in Nashville and SkyLight Studios in Los Angeles.
WCPM’s Sandtrack Sound is situated on Music Row in the more than 8,200+ square foot building originally known as Emerald Sound Studio and later, Benchmark Sound. Built in 1981 by pioneering acoustic designer Tom Hidley, it has been home to the creation of many Gold and Platinum albums, including releases by Johnny Cash, George Strait, Alabama, Brooks & Dunn, Foreigner, Bon Jovi, Olivia Newton-John, and more.
Photo: Michael Dominic Tedesco
Sandtrack features three studios, the largest of which, Studio A, is capable of holding more than 30 musicians. Studio A, along with two additional control rooms, received substantial equipment upgrades, including a custom hybrid Avid S6/Tonelux 1628 console and microphone preamplifiers by Rupert Neve Designs.
“We’re thrilled to be working out of such a historic studio and using it to bring together Music City’s talented songwriters and musicians to record for Warner Chappell Production Music,” says SVP of Production, Aaron Gant, who oversees WCPM’s operations in Nashville. “Our team is extremely excited for the future.”
Jordan Rager Signs Publishing Deal With Sprockets Music
/by LB CantrellPictured (L-R): Elizabeth Brahan (Publishing Director, Sprockets Music), Jordan Rager, Will Edwards (CEO, Sprockets Music)
Country singer-songwriter Jordan Rager has signed an exclusive publishing agreement with Sprockets Publishing, a division of Copperline Music.
Rager moved to Nashville in 2014 and has since landed cuts with artists including Jason Aldean, Granger Smith, Jon Langston and Muscadine Bloodline.
“A lot of people know Jordan the artist, but we know him as a true songwriter and we are very excited about having Jordan on our roster,” says Elizabeth Brahan, Publishing Director at Sprockets.
Rager’s own music has generated over 60 million streams and he has a new project set for release this summer.
He says, “I couldn’t be more excited to join the Sprockets family and I am grateful for their belief in me and my songs. This is my publishing dream team and I can’t wait to see what we accomplish together.”
BREAKING: UTA Opens New Nashville Headquarters
/by LB CantrellPhoto: Eric Laignel, HASTINGS Architecture
Global talent, entertainment and sports company UTA has officially opened its new Nashville headquarters, now occupying the site of the former downtown Carnegie Library at 225 Polk Avenue.
The office was designed by award-winning firm HASTINGS Architecture, which transformed the three-story, mid-century historic building into the agency’s new Nashville headquarters. Elements of the original library have been preserved and integrated into the office with highlights such as the old book drop on the parking level.
“We are thrilled to open the doors to our new Nashville headquarters and bring new life to this historic space that will now serve as a gathering place for colleagues, artists and storytellers across the community,” says David Zedeck, Partner and Co-Head of Worldwide Music. “Nashville’s music roots run deep and these new offices are meant to reflect UTA’s commitment to sharing this city’s powerful creativity with the world.”
Photo: Eric Laignel, HASTINGS Architecture
Over the past year, UTA Music’s Nashville office has expanded its agent ranks by bringing in key hires, including Jeffrey Hasson, Jenny DeLoach, Brett Saliba, Matt Korn and Emily Wright.
The Nashville team recently welcomed Grammy Award-nominated country band Midland and Diamond-selling Billy Ray Cyrus to the roster. Other recent signings include Brittney Spencer, Alana Springsteen, Sam Williams, Reyna Roberts, Josh Kiser, Lathan Warlick and Chase Martin, among others.
UTA also represents country stars Toby Keith, Jamey Johnson, Jimmie Allen, Matt Stell, Blanco Brown, Clay Walker, Clint Black, Wheeler Walker Jr., Ian Munsick, Elvie Shane and Chris Bandi, in addition to Young The Giant, Tori Kelly, Surfaces, Dashboard Confessional, Dayglow, COIN, Ruston Kelly, Ayron Jones, Timbaland, Blues Traveler, Laine Hardy and more.
Photo: Eric Laignel, HASTINGS Architecture
Photo: Eric Laignel, HASTINGS Architecture
Chris Lindsey Goes ‘Down The Velvet Rabbit Hole’ On New EP
/by Lorie HollabaughHit songwriter Chris Lindsey is releasing a rock project titled Down the Velvet Rabbit Hole on Thursday, June 3 via Black Box Records. He describes the project as a melting pot of ’70s British rock, ’80s power pop and ‘90s alt. Celestial-themed tracks include the bittersweet “Aurora Borealis,” the sultry “Shooting Star” and the ELO-inspired “Electric Love.” He rounds out the EP with the guitar-charged “Z28” juxtaposed with the orchestral overtones of “Blind.”
Lindsey is a Grammy nominated country music songwriter and producer whose hits include “Amazed,” Lonestar; “This One’s For The Girls,” Martina McBride; “I Wanna Be Your Everything,” Keith Urban; and “Every Time I Hear That Song,” Blake Shelton. He resides in Nashville and is married to hit songwriter/author Aimee Mayo.
“I have been blessed throughout my career to have collaborated with so many talented artists and writers,” said Lindsey. “It has been an incredible journey and, honestly, one I thank God for. But it was fun to try something totally different. I had an absolute blast working on this project, and I hope you enjoy it!”
Lindsey’s podcast Pitch List is in its fourth season and has featured Bill Anderson, Emily Weisband, Lori McKenna, Ashley Gorley, and many more.
Centricity Music Signs Hitmaker Brandon Heath
/by Sarah SkatesCentricity Music executives with Brandon Heath. Pictured (L-R): Matt Ewald, Director of A&R; Steve Ford, GM; Chad Segura, VP of Publishing; Brandon Heath; John Mays, Sr. VP of A&R; and John Stokes, VP of Sales & Digital Marketing.
Centricity Music, the No. 1 Billboard Top Christian Albums Imprint for the third consecutive year, has signed Brandon Heath to an exclusive, worldwide recording and publishing contract.
A Nashville native, Heath quickly won the hearts of listeners when he released his major label debut in 2006. He is the recipient of eight Dove Awards and was named BMI’s 2014 Christian Songwriter of the Year. Heath has three Billboard No. 1 singles to his credit, including “I’m Not Who I Was,” “Your Love” and the RIAA Platinum-certified “Give Me Your Eyes.” He has earned five Grammy nominations, an American Music Award nod and an Emmy Award.
“The Centricity team feels like the perfect partner for me right now,” says Heath. “Their fearlessness and nimble spirit frees me up to be creative. The music’s never been better and it feels like I’ve landed in the right place.”
“It is such a privilege to have someone of Brandon’s stature join our team,” says Steve Ford, Centricity Music General Manager. “He brings years of history, experience and relationships with him. We love the music Brandon is writing, the heart he has for his fans and that he is a really good guy.”
“We are so excited to have Brandon join the Centricity Publishing team,” adds Chad Segura, Centricity Music VP of Publishing. “I’m a big fan of him both as a talent, and as a human being. He is an exceptional artist and songwriter, and I can’t wait to see what all we can do together in this next season.”
‘God, Love, & Unity’: Lathan Warlick Shares His Life Purpose [Interview]
/by LB CantrellLathan Warlick. Photo: Dustin Haney
Before December of 2020, Lathan Warlick was working on the railroad in Memphis, Tennessee. Today, he’s a recording artist signed to RECORDS Nashville/Columbia Records and recently released his debut EP that was executive produced by Florida Georgia Line star Tyler Hubbard.
Warlick grew up in Jackson, Tennessee in a loving house in a rough neighborhood. Music has always been of interest to him, but it started with dancing.
“I started dancing because my neighborhood in Jackson is known for gang violence and all of that negative stuff, so I wanted to find a way to get away from that. Not all of it was bad, but the majority of my surroundings were,” Warlick says. “I wanted to do something to get away from the street life.”
Warlick started his own dance group, and won a few talent shows. After winning a competition in 2011, Warlick and his dance group went to a club to celebrate. It was there that he came face-to-face with a .45-caliber pistol.
“He was going to kill me,” Warlick says. “So I’m sitting there with my back against the wall, and I remember asking God, ‘If you’re real, can you help me out of this situation?'”
The now 32-year-old escaped death that night, but walked away with an intense sense of purpose. “After that moment, I had a feeling of wanting to do something deeper, I wanted to do something more.
“I started getting in church and connecting with God more then. He gave me the vision of ‘God, love and unity,'” Warlick says of the motto running through his artistry.
The ever-impressive Warlick transitioned to music after getting into spoken word. With encouragement from friends and family, he started sharing his musical gifts on TikTok—Musical.ly at the time. He posted videos of himself on his iPhone in his car, adding his own rap verses to popular songs like “Holy” by Justin Bieber, “The Box” by Roddy Ricch, “Memories” by Maroon 5, “Hello” by Adele, and “You Say” by Lauren Daigle.
It took a while for the hip-hop fan to make videos with other genres, but when he did, his career took off. He now boasts 1.4 million followers on the platform.
“Once I got out of my comfort zone, I loved it,” Warlick says. “I would take the instrumental and connect it to the chorus part of the song, and just freestyle over the instrumental [in the verse].”
Eventually, his videos caught the attention of country singer Granger Smith, who asked Warlick to add a rap verse to his song “That’s Why I Love Dirt Roads.” The collaboration was Warlick’s first taste of country music.
“Growing up where I grew up, [country music] just wasn’t something that was taught or listened to.”
Fueled by TikTok success and dreams, Warlick made the move to the country music capital of the world in December 2020. He had self-released a few EPs, including Tellem That Im Comin (2016), 2nd Time Around (2017), and A Church in the Trap (2018). But by 2020, he was ready to make music a full-time gig.
He connected with manager Ash Bowers who signed him to Wide Open Music in 2020, joining artists Jimmie Allen, Matt Stell and Chris Bandi. Warlick’s first label deal with RECORDS Nashville / Columbia Records quickly followed.
In April, Warlick released his My Way EP, featuring an array of country music artists on songs like “Over Yonder” with Matt Stell, “Roots” with RaeLynn, and title track, “My Way,” with Hubbard. Other collaborators on My Way include Lauren Alaina, Russell Dickerson, High Valley and Dustin Lynch.
Warlick was introduced to Hubbard—who went on the executive produce My Way—via RaeLynn.
“We made the song ‘Roots,’ and she sent it to Tyler and Tyler was like ‘I gotta work with this Lathan guy,'” Warlick says. “Tyler’s been teaching me so much. He connected all of the dots.”
Ultimately, it’s very important to Warlick to use his music to promote a message of unity in today’s turbulent times.
“My mission is God, love and unity. I want to bring unity to the world so bad. There’s enough negativity going on in the world today, I want to be the person that’s going to stand in the light. It shows people that if we come together, we can’t fall.”
Warlick’s mission can be distinctly heard in his genre-bending EP, My Way, available now.
Dolly Parton, Brandi Carlile, Brothers Osborne To Appear On Can’t Cancel Pride Virtual Concert
/by Sarah SkatesiHeartMedia and P&G will present the Can’t Cancel Pride benefit special, streaming on Friday, June 4 at 9 p.m. ET/8 p.m. CT.
Among the newly announced performers are Kylie Minogue, Leslie Odom Jr., Olly Alexander from Years & Years, and Yola, joining previously announced performers Bebe Rexha, Brothers Osborne, Hayley Kiyoko, Jasmine Mans, JoJo Siwa, P!NK, Regard, Tate McRae and Troye Sivan.
The hour-long stream will also feature many LGBTQ+ community members and advocates including appearances by Brandi Carlile, Dolly Parton, Elton John, Karamo Brown and Tan France from Queer Eye, Pete and Chasten Buttigieg, Busy Phillips, Demi Lovato, Gus Kenworthy, Jennifer Hudson, Lil Nas X, Marshmello, MJ Rodriguez, Nina West, Ricky Martin and more.
Among the highlights: Parton will welcome everyone to the second annual event, host Bebe Rexha will perform her new single “Sacrifice,” Odom will perform “Without You” in a candlelight moment to remember the fifth anniversary of the Pulse Nightclub massacre, and the show finale will feature a message from Elton John as he honors JoJo Siwa for being a young trailblazer in the community, before she performs a special rendition of her song “Boomerang.”
Viewers can watch on The Roku Channel, Revry and iHeartRadio’s TikTok, YouTube and Facebook, iHeartRadio’s PrideRadio.com, on iHeartMedia radio stations nationwide and on the iHeartRadio App. The event will be available on demand throughout Pride Month until June 30.
Amy Grant Announces 30th Anniversary Edition Of ‘Heart In Motion’
/by LB CantrellSix-time Grammy winner Amy Grant will release a special 30th anniversary edition of her iconic album Heart In Motion on July 9.
Originally released on March 5, 1991, the Grammy-nominated project sold over 5 million copies and garnered five Billboard Top 10 singles, including “Baby Baby,” “Every Heartbeat,” “That’s What Love Is For,” “I Will Remember You,” and “Good For Me.”
The double disc 30th anniversary edition of Heart In Motion will include never before released tracks and updated remixes of the hit singles. Beginning July 30, for the first time since its original release, the album will also be remastered on vinyl.
“How could 30 years have flown by so quickly?” Grant says. “Doing this commemorative project has been so much fun—going through old photographs, reconnecting with so many people who were part of the original project, sharing memories and rediscovering the music that made it and the music that didn’t. I hope people enjoy listening to what we have put together.”
Physical pre-orders of Heart In Motion are live now, including an exclusive version at Walmart with two extra tracks. Digital pre-orders will begin June 18 at all DSPs and include the instant grat track “Don’t Ever Want To Lose It (Wind in the Fire).”
Heart In Motion 30th Anniversary Edition Track List:
DISC 1
Good For Me
Baby Baby
Every Heartbeat
That’s What Love Is For
Ask Me
Galileo
You’re Not Alone
Hats
I Will Remember You
How Can We See That Far
Hope Set High
DISC 2
Don’t Ever Want to Lose It (Wind In The Fire)*
Stand By Me*
Heart In Motion Medley
Good For Me demo
Baby Baby (7 inch Heart In Motion mix)
Every Heartbeat (Steve Bishir edit)
That’s What Love Is For (Demo)
Ask Me (7 inch Mix)
Baby Baby (12 inch Heart In Motion Mix)
Galileo (Rough Mix)
I Will Remember You (Rhythm mix)
Good For Me (12 inch So Good mix)
Every Heartbeat (Heart and Soul edit)
Day And Night*
Baby Baby (7 inch No Getting Over You mix)
Good For Me (12 inch mix)
*New