
Chris Stapleton. Photo: Becky Fluke
Chris Stapleton has added some dates to his 2022 “All-American Road Show,” which will now continue through October.
Newly-added stops on the upcoming tour, which kicks off March 17 in Houston, include shows at LA’s The Forum, Detroit’s Comerica Park, Washington, DC’s Merriweather Post Pavilion, Long Island’s Northwell Health at Jones Beach Theater, New Orleans’ Smoothie King Center and Fort Worth’s Dickies Arena, among others.
Tickets for the shows go on sale next Friday, Feb. 25, and Stapleton’s fan club will have early access with pre-sale running Feb. 22-24. Citi cardmembers will also have access to pre-sale tickets from Feb. 22-24.
Stapleton’s current single, “You Should Probably Leave,” reached No. 1 on both the Billboard Country Airplay and Mediabase/Country Aircheck charts last week–his third No. 1 as an artist following 2021’s “Starting Over” and 2018’s “Broken Halos.”
Stapleton also earned Best Country Tour at last week’s 33rd Annual Pollstar Awards, and is nominated for three awards at the 64th Annual Grammy Awards for Best Country Album (Starting Over), Best Country Song (“Cold”), and Best Country Solo Performance (“You Should Probably Leave”), as well as five awards at this year’s upcoming 57th ACM Awards.
Chris Stapleton’s “All-American Road Show” Dates: (added dates in bold)
March 17—Houston, TX—Houston Rodeo
March 18—Durant, OK—Choctaw Casino (SOLD OUT)
March 19—Durant, OK—Choctaw Casino (SOLD OUT)
April 8—Atlantic City, NJ—Hard Rock Live at Etess Arena
April 9—Atlantic City, NJ—Hard Rock Live at Etess Arena
April 20—Toledo, OH—Huntington Center* (SOLD OUT)
April 21—Columbus, OH—Schottenstein Center*
April 23—Lexington, KY—A Concert for Kentucky – Kroger Field† (SOLD OUT)
April 28—London, ON—Budweiser Gardens‡
April 29—Ottawa, ON—Canadian Tire Centre‡ (SOLD OUT)
April 30—Montreal, QC—Centre Bell‡ (SOLD OUT)
May 5—Regina, SK—Brandt Centre‡
May 6—Saskatoon, SK—Sasktel Centre‡
May 7—Winnipeg, MB—Canada Life Centre‡
May 11—Edmonton, AB—Rogers Place‡ (SOLD OUT)
May 12—Calgary, AB—Scotiabank Saddledome‡
May 14—Vancouver, BC—Rogers Arena‡ (SOLD OUT)
June 2—Nampa, ID—Ford Idaho Center Arena+
June 3—Ridgefield, WA—Sunlight Supple Amphitheater+ (SOLD OUT)
June 4—George, WA—Gorge Amphitheater+ (SOLD OUT)
June 9—San Diego, CA—North Island Credit Union Amphitheatre#
June 10—Los Angeles, CA—The Forum#
June 11—San Bernardino, CA—Glen Helen Amphitheater#
June 16—Bakersfield, CA—Mechanics Bank Arena+ (SOLD OUT)
June 17—Sacramento, CA—Toyota Amphitheatre+ (SOLD OUT)
June 18—Mountain View, CA—Shoreline Amphitheatre+ (SOLD OUT)
June 23—West Valley City, UT—USANA Amphitheatre^ (SOLD OUT)
June 24—Denver, CO—Ball Arena^
June 25—Denver, CO—Ball Arena^ (SOLD OUT)
July 7—Cleveland, OH—Blossom Music Center°
July 8—Detroit, MI—Comerica Park§
July 9—Charleston, WV—Charleston Coliseum°
July 21—Mt. Pleasant, MI—Soaring Eagle Casino‡
July 22—Noblesville, IN—Ruoff Music Center°
July 23—Chicago, IL—Wrigley Field**
July 28—Huntsville, AL—The Orion Amphitheater°
July 29—Rogers, AR—Walmart AMP°
July 30—Kansas City, MO—GEHA Field at Arrowhead Stadium††
August 17—Canandaigua, NY—CMAC°
August 19—Cincinnati, OH—Riverbend Music Center° (SOLD OUT)
August 20—Columbia, MD—Merriweather Post Pavilion°
August 25—Wantagh, NY—Northwell Health at Jones Beach Theater‡‡
August 26—Saratoga, NY—Saratoga Performing Arts Center‡‡
August 27—Hershey, PA—Hersheypark Stadium‡‡
September 2-4—Snowmass, CO—Jazz Aspen Snowmass
October 6—Grand Forks, ND—Alerus Center‡‡
October 7—Saint Paul, MN—Xcel Energy Center‡‡
October 8—Milwaukee, WI—Fiserv Forum‡‡
October 13—Jacksonville, FL—VyStar Veterans Memorial Arena‡‡
October 14—Tampa, FL—MIDFLORIDA Credit Union Amp‡‡
October 15—Hollywood, FL—Hard Rock Live‡‡
October 20—Little Rock, AR—Simmons Bank Arena‡‡
October 21—Bossier City, LA—Brookshire Grocery Arena‡‡
October 22—New Orleans, LA—Smoothie King Center‡‡ (on-sale March 11)
October 27—Fort Worth, TX—Dickies Arena‡‡
*with special guests Margo Price and Yola
†with special guests Willie Nelson, Sheryl Crow and Yola
‡with special guest Elle King
+with special guests Margo Price and Mike Campbell & The Dirty Knobs
#with special guests Dwight Yoakam and Mike Campbell & The Dirty Knobs
^with special guests Elle King and Mike Campbell & The Dirty Knobs
°with special guests Elle King and Madeline Edwards
§with special guests Nathaniel Rateliff & The Night Sweats, Marty Stuart and Madeline Edwards
**with special guests The Highwomen, Mavis Staples and Mike Campbell & The Dirty Knobs
††with George Strait
‡‡with special guests Elle King and Morgan Wade
Willie Jones Visits Nashville Middle School As Part Of CMA Foundation Initiative
/by Lorie HollabaughWillie Jones visits Margaret Allen Middle School in Nashville, TN on Monday, Feb. 14 to speak with students as a part of the school’s Black History Month programming. Photo: Courtesy of CMA
Willie Jones, a member of MusicRow‘s Next Big Thing Class of 2022, enjoyed a special Valentine’s Day this year, meeting with students from Margaret Allen Middle School in Nashville on Feb. 14 as a part of the school’s Black History Month programming. The visit happened through a partnership with Metro Nashville Public Schools and the CMA Foundation.
During the visit, the Sony Music Nashville/The Penthouse artist participated in a Q&A session discussing his path to country music, offering students insight and inspiration regarding the business. He also performed his new song, “Get Low, Get High,” which delivers a lesson in navigating life’s ups and downs.
Willie Jones (middle) with Dr. Monica Bryant, Principal (left) and Dr. Rhonda Bledsoe, Assistant Principal (right) during his visit to Margaret Allen Middle School in Nashville, TN on Monday, Feb. 14 to speak with students as a part of the school’s Black History Month programming. Photo: Courtesy of CMA
The visit is the result of the CMA Foundation’s effort to support larger initiatives aimed at providing a pipeline for individuals and students to learn about and get involved in the music industry.
“We want to use our platform, resources and information as a portal for people, especially students, looking to make their way in the music business,” says Tiffany Kerns, Executive Director, CMA Foundation and CMA Vice President, Community Outreach. “By providing equitable opportunities to educate, guide and equip young people with the tools and information they need to be successful in this business, we can invest in the future of our industry and our students. Willie’s school visit is a great example of these efforts, and we are thankful for his voice, offering insight into his own path in the music industry, and sharing the life changing and healing power of music.”
“Music is a universal language that everybody speaks,” adds Jones. “It’s so complex but easy to understand. I think it’s one of the most important tools that anybody (including kids) can have.”
Since its inception in 2011, the CMA Foundation has been committed to improving and sustaining music programs throughout the U.S. so all students have equitable opportunities to participate in music education. The CMA Foundation has invested $27 million to support these efforts over the last 10 years.
Nashville Writers Sara Davis & Dave Pittenger Share Story Behind TikTok Mega-Hit, ‘abcdefu’ [Interview]
/by Lydia FarthingOver the years, the ways in which artists are discovered has been an endless evolution. This process has been further expedited through the internet and various social media platforms. From YouTube and MySpace, to Facebook and Vine, the digital pipeline for artists has become increasingly prevalent over the last decade.
However, due in part to the pandemic, TikTok is king when it comes to going viral with original music in 2022. Of the countless success stories of TikTok artists, one that has deep roots in Nashville is that of Gayle‘s “abcdefu.”
The track, which includes the clever use of the alphabet song coupled with a strong outpouring of rage, quickly caught the attention of TikTok users due its catchy hook: “A-B-C-D-E, F-U / And your mom and your sister and your job / And your broke-a** car and that s*** you call art / F*** you and your friends that I’ll never see again / Everybody but your dog, you can all f*** off.”
Sara Davis. Photo: Courtesy Big Machine Music
Written by three of Nashville’s rising songwriters—Taylor Gayle Rutherford (known professionally as Gayle), Sara Davis, and Dave Pittenger—the track was originally released in August of 2021 as the 17-year-old’s major label debut single through Atlantic and Arthouse Records. The track took on its own meteoric life on TikTok, and has since been used in over 1.7 million user-generated videos on the platform and earned more than 100 million streams by December of 2021.
However, as is the story goes for most songs, the story of “abcdefu” began long before then.
Davis, who signed with Big Machine Music in May of 2021, first moved to Nashville from Phoenix in 2015 before starting high school. Growing up writing songs and with dreams of playing at Nashville’s historic Bluebird Cafe, she spent the next four years co-writing songs and attending networking events at night and on weekends. In 2016, she met Gayle and the two bonded over their love of pop music.
“We would have weekend sleepovers writing songs until she met her publisher, Kara DioGuardi, who introduced us to producers and started setting us up in sessions,” Davis shares with MusicRow. “So much of the trust we have in each other as friends and co-writers comes from the years of writing hundreds of songs together, dreaming of someday when people might get to hear them.”
David Pittenger. Photo: Jason Myers
While the two young songwriters began building their friendship, Pittenger was finding his own patch of success in Nashville’s writing scene. After relocating from New York City, he landed a publishing deal with Big Yellow Dog and earned cuts with major label artists, including AJ Mitchell and Jessie James Decker, among others.
“Things went well for me very early on which eventually led to signing a publishing deal with Big Yellow Dog,” Pittenger explains. “Steve Robertson at Atlantic mentioned Gayle to my day-to-day, Jacee Badeaux. From there, Jacee and [Gayle’s day-to-day] Kristina Russo set up some sessions. I’ll forever be grateful for that, not just because of the success of [“abcdefu”], but also because Gayle and Sara are two of the best freaking writers I’ve ever been in the room with and amazing friends as well!”
Over a year before the the track’s August 2021 release, the three met up in a room to comb through song ideas when Pittenger offered the first one: “ABCDEF*** off.”
“Gayle and I loved it immediately and were like, ‘We have to write that! There is no better idea you could throw out!’ Gayle was going through a breakup, so this was one of the first songs we got to write about the type of anger where no one is off limits—except the dog,” Davis offers cheekily. “We knew that we wanted it to be anthemic so we just started singing what would end up being the chorus, naming anyone and everyone we could. From there, it was just about telling the story [of the breakup and] how it happened.”
Throughout the production process and leading up to the song’s official release, Gayle posted an array of teasers of “abcdefu” on TikTok, which gained the attention of users across the platform. Upon its release, the song went viral on TikTok with users eventually starting a trend where people would take a sharpie, write onto plates everything they were angry about or wanted to emotionally let go of, and then smash them on the ground.
“We knew when we wrote ‘abcdefu’ that we loved it and thought it was really special. For almost a year, I would sing along to the demo and I knew that it helped me, so all I could do is hope that it would help other people through their own breakups or hard times,” Davis admits. “It’s been surreal seeing so many people react and relate to a song we wrote on a guitar in a room on Music Row. I’ve been able to see so many people respond to it, from the TikTok videos people have posted to the messages they’ve sent with their own stories of how they relate to it. That has, without a doubt, been the best part of all of this.”
“It was so cool and rewarding to see our song help people take back their power!” Pittenger gushes. “Honestly, I still don’t think I understand the scope of how huge this song has become. We have a group chat with Sara, Gayle and Kristina that has ended up serving as a chronicle of all of the song’s achievements as they’ve happened. It’s fun to go back and see our excitement from release day, to the first million streams, to radio add day, all the way to being a multi-week global No. 1. I am just so thankful for every moment!”
So far in 2022, the song has spent five weeks at the top of the Billboard Global Excl. U.S. chart, hit No. 1 on the Billboard Global 200 chart, and has broken into the top 10 on the Billboard Hot 100 chart with no sign of stopping soon. The feisty track has also made waves overseas, topping the charts in Austria, Finland, Germany, Ireland, Israel, Malaysia, Norway, Sweden, Switzerland, and the United Kingdom, among others.
Gayle released her follow up single, “ur just horny,” on Jan. 19, which Davis also had a hand in writing.
Chart Action: Dustin Lynch Brings The Party To Country Radio
/by Alex ParryDustin Lynch. Photo: The Dwyers
Broken Bow Records recording artist Dustin Lynch has country radio buzzing, as his brand-new swaying single, “Party Mode,” marks his biggest add week and highest career debut.
The singer-songwriter claimed his sixth time in the most-added position with 170 total adds across the Billboard, Mediabase, and MusicRow charts.
Jerry Flowers, Ryan Beaver, Roman Alexander, Jared Keim, and Matt McGinn receive writing credit on “Party Mode,” which appears on Lynch’s recently released fifth studio album, Blue In The Sky.
“What a release week it’s been! Just when I think that we adequately partied, country radio goes and makes ‘Party Mode’ most-added,” shares Lynch. “All of the support that we’re seeing is incredible, and we can really feel this thing bubbling. I’m excited to celebrate with y’all out on the road this year!”
Lynch will embark on his 17-city “Party Mode Tour” next month with rising artist Sean Stemaly as support.
For more chart data, view the latest edition of The MusicRow Weekly.
Celebration Of Life Set For Former Opryland Exec. Ed Stone
/by LB CantrellEd Stone
A celebration of life will be held for former Opryland USA VP of Marketing & PR, Ed Stone, who passed away on Feb. 11 at the age of 81. Stone’s life and legacy will be honored at the Country Music Hall of Fame Ford Theater on March 25 at 1 p.m.
Stone, a native of Greensboro, Georgia, enjoyed an accomplished career in the travel and tourism industry. After graduating from the University of Georgia’s Journalism and Mass Communication School, his career began at Callaway Gardens where he met his wife, Fran. Their family moved to Nashville with Opryland USA in 1974 where he became VP of Marketing and Public Relations for the park, hotel and the Grand Ole Opry.
In 1990, Stone started his own communications company with regional and national accounts. During his career, he served in leadership roles with Society of American Travel Writers (SATW), SATW Foundation, Travel Industry Association of America (TIAA), Southeast Tourism Society (STS), International Association of Amusement Parks and Attractions (IAAPA), University of Georgia College of Mass Communications, and Sequoyah Birthplace Museum.
He was known for his love of golf, having played over 500 courses throughout the world.
Stone is the father of music industry executive Lori Badgett of City National Bank. He also leaves behind his wife of 53 years, Fran Grainger Stone, daughter Robyn Isaacs, and his four grandchildren: Stone and Dylan Isaacs, and Ellie and Anna Badgett. He is proceeded in death by his parents and five siblings.
In lieu of flowers, donations can be made to Girls Give or Fairfield Glade United Methodist Church.
Whiskey Myers Shares Plans For A Busy 2022 With New Album, Tour
/by Lydia FarthingWhiskey Myers. Photo: Khris Poage
Whiskey Myers have unveiled their newest project, Tornillo, is set for release on July 29 via their own Wiggy Thump Records with distribution by Thirty Tigers. Along with the announcement, the album’s lead single, “John Wayne,” and album intro, “Tornillo,” are available everywhere now.
The six-piece band has taken their over a decade in-the-making foundation and pushed themself to explore new sonic landscapes.
To create the record, the group spent 21 days isolated at the 2,300-acre Sonic Ranch studio in the heart of Texas, just miles from the U.S./Mexico border. The Gold-certified entertainers spent the time sharing honest truths with no-holds-barred instrumentation on the self-produced album which is named for the border town that is home to the recording complex.
Tornillo draws inspiration from an array of artists from Nirvana to Waylon, even adding the McCrary Sisters’ gospel influence on background vocals. With lead singer Cody Cannon leading the way on songwriting, the album also features writes from lead guitarist John Jeffers and fellow band members Jamey Gleaves and Tony Kent, as well as rising singer-songwriter Aaron Raitiere.
Whiskey Myers has also announced plans for their 41-date “Tornillo Tour,” launching in April and running through August. The tour will offer capacities upwards of 5,000 – 10,000 fans in cities such as Indianapolis, Oklahoma City and more. The band will also make their debut at the Bonnaroo Music & Arts Festival this fall.
Tickets to all headlining dates are on sale to the general public beginning Thursday, Feb. 23 at 10 a.m. local time, with various presale access available beginning Feb. 21. For a full list of upcoming dates, click here.
Tornillo
John Wayne (Cody Cannon, Jamey Gleaves, Tony Kent)
Antioch (Cody Cannon)
Feet’s (Cody Cannon)
Whole World Gone Crazy (John Jeffers)
For The Kids (Cody Cannon)
The Wolf (Cody Cannon)
Mission To Mars (Cody Cannon, Aaron Raitiere)
Bad Medicine (Cody Cannon)
Heavy On Me (John Jeffers)
Other Side (Cody Cannon)
Heart Of Stone (Cody Cannon)
Records Nashville’s George Birge Debuts Self-Titled EP Today
/by Lorie HollabaughGeorge Birge. Photo: Dustin Haney
Records Nashville recording artist George Birge has released his self-titled debut solo EP, available everywhere today (Feb. 18).
The new EP features five tracks, and includes the singer/songwriter’s viral hit “Beer Beer, Truck Truck,” current single “Mind On You,” and new track “Whiskey Side,” a song labelmate Matt Stell had a hand in writing with Birge, Jaron Boyer, and Michael Tyler.
Other writers contributing to the project include Ben Stennis, Colt Ford, Eyrnn Chambers, and Lalo Guzman. An established writer in Nashville, Birge has also had cuts by Clay Walker, Colt Ford and Sam Grow.
“These five songs have been a lifetime in the making,” shares Birge. “This is me, and I can’t wait for everyone to finally hear it!”
Birge’s debut smash hit, “Beer Beer, Truck Truck,” went viral not long after the singer joined TikTok, where he now has nearly 200,000 followers, and has accumulated over 11.5 million audio + video streams to date.
Reason To Go (Written by Thomas Archer, Michael Tyler, Lalo Guzman)
Mind On You (Written by George Birge, Jaron Boyer, Michael Tyler, Colt Ford)
Whiskey Side (Written by George Birge, Jaron Boyer, Michael Tyler, Matt Stell)
Didn’t Think I’d Miss (Written by George Birge, Michael Tyler, Ben Stennis)
Beer Beer, Truck Truck (Written by George Birge and Eyrnn Chambers)
Chris Stapleton Adds Stops To His ‘All-American Road Show’
/by Lorie HollabaughChris Stapleton. Photo: Becky Fluke
Chris Stapleton has added some dates to his 2022 “All-American Road Show,” which will now continue through October.
Newly-added stops on the upcoming tour, which kicks off March 17 in Houston, include shows at LA’s The Forum, Detroit’s Comerica Park, Washington, DC’s Merriweather Post Pavilion, Long Island’s Northwell Health at Jones Beach Theater, New Orleans’ Smoothie King Center and Fort Worth’s Dickies Arena, among others.
Tickets for the shows go on sale next Friday, Feb. 25, and Stapleton’s fan club will have early access with pre-sale running Feb. 22-24. Citi cardmembers will also have access to pre-sale tickets from Feb. 22-24.
Stapleton’s current single, “You Should Probably Leave,” reached No. 1 on both the Billboard Country Airplay and Mediabase/Country Aircheck charts last week–his third No. 1 as an artist following 2021’s “Starting Over” and 2018’s “Broken Halos.”
Stapleton also earned Best Country Tour at last week’s 33rd Annual Pollstar Awards, and is nominated for three awards at the 64th Annual Grammy Awards for Best Country Album (Starting Over), Best Country Song (“Cold”), and Best Country Solo Performance (“You Should Probably Leave”), as well as five awards at this year’s upcoming 57th ACM Awards.
Keith Urban Shines On MusicRow Radio Chart
/by Alex ParryKeith Urban secures the No. 1 position on the MusicRow CountryBreakout Chart this week with his latest single “Wild Hearts.” Urban wrote the single alongside Brad Tursi, Jennifer Wayne, and Eric Paslay.
At The 55th Annual CMA Awards, the Country Music Association awarded Urban with the CMA International Artist Achievement Award. The honor recognizes outstanding achievement by a United States-based artist who has demonstrated significant creative growth, development and promotion of the country music industry outside of the U.S. during the eligibility period.
Urban recently announced five new performance dates for his Las Vegas residency, “Keith Urban Live – Las Vegas.” Hosted at The Colosseum at Caesars Palace, the added shows will take place March 25, 26 and 30, and April 1 and 2. He will also hit the road in June for the “The Speed Of Now World Tour” with Ingrid Andress as support.
Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.
The War And Treaty Kick Off 2022 Tour Run With Grand Ole Opry Show
/by Lydia FarthingThe War and Treaty
Powerhouse duo The War and Treaty are embarking on their 2022 run. The trek will kick off with their return to the Grand Ole Opry on Feb. 19.
The War And Treaty deliver a unique fusion of southern soul, gospel, country, and rock-and-roll. Their latest 12-song collection, Hearts Town, was co-produced by the Trotter’s along with longtime guitarist Max Brown.
The husband-and-wife team—Michael Trotter Jr. and Tanya Trotter—will make their debut at the Tortuga Music Festival and return to the New Orleans Jazz Festival in April.
The versatile duo has opened for top-tier artists such as Al Green, Brandi Carlile, Jason Isbell, John Legend and Lauren Daigle. They will serve as direct support for Van Morrison this May, leading up to an overseas trek this summer to Australia, Denmark, Ireland, Netherlands, United Kingdom and Scotland.
The War and Treaty 2022 Tour Dates:
2/21/22 Cruise Keeping the Blues Alive at Sea 2022
2/26/22 Winter Wonder Grass – Steamboat Springs, CO
4/01/22 Winter Wonder Grass Tahoe – Olympic Valley, CA
4/09/22 Tortuga Music Festival – Fort Lauderdale, FL
4/13/22 Melbourne Recital Centre – Southbank, VIC, Australia
4/14/22 Bluesfest Byron Bay 2022 – Tyagarah, Australia
4/20/22 The Factory Theatre – Marrickville, NSW, Australia
4/23/22 Amplify Decatur Music Festival 2022 – Decatur, GA
4/29/22 New Orleans Jazz Festival 2022 – New Orleans, LA
5/07/22 The Chicago Theatre – Chicago, IL
5/08/22 The Chicago Theatre – Chicago, IL
5/10/22 Fox Theatre – Detroit, MI
5/26/22 Virginia Arts Festival – Norfolk,VA*
5/28/22 Rooster Walk Music & Arts Festival – Axton, VA
6/02/22 Spoleto Festival USA – Charleston, SC
6/03/22 Riverbend Music Festival – Chattanooga, TN
6/09/22 CPH Americana 2022 – København, Denmark
6/11/22 Holland International Blues Festival – Grolloo, Netherlands
6/13/22 River Town – Bristol, United Kingdom*
6/15/22 Jazz Cafe – London, United Kingdom*
6/17/22 St. Luke’s – Glasgow, United Kingdom*
6/18/22 Fire Station – Sunderland, United Kingdom*
6/19/22 Black Deer Festival – Tunbridge Wells, United Kingdom
6/21/22 The Blues Kitchen – Manchester, United Kingdom*
6/22/22 Whelan’s – Dublin, Ireland*
7/01/22 High Sierra Music Festival – Quincy, CA
8/27/22 Beach Road Weekend Festival – Vineyard Haven, MA
*Headlining Dates
DISClaimer Single Reviews: Ronnie Dunn Delivers Modern-Day Honky-Tonk Mastery
/by Robert K OermannThere’s a lot of country tradition in this week’s DISClaimer.
We have western swing, courtesy of Brennen Leigh & Asleep a the Wheel. We have the enduring artistry of living legend Willie Nelson. We have a stunning bluegrass performance by the always-great Darin & Brooke Aldridge. Here, too, is Country Music and Songwriters Hall of Fame member Don Schlitz. Also along for the ride are such neo-traditionalists as Chris Janson and Dustin Lynch.
Representing the honk-tonk side of town, I give you our Disc of the Day winner, Ronnie Dunn.
And bringing the outlaw tradition up to date is DISCovery Award winner Jackson Dean.
Yee Haw!
SEAN STEMALY / “Can’t Be Me”
Writers: Sean Stemaly/John Byron; Producers: Joey Moi/Derek Wells; Label: Big Loud
–She’s a California gal, and he’s a redneck. She has to accept him like he is if she envisions marriage. Funny, he doesn’t see himself changing one tiny bit to adapt to her. My advice to her is to ditch the self-centered dude pronto.
CHRIS JANSON / “Cold Beer Truth”
Writers: Chris Janson/Brad Clawson/Mitch Oglesby/Rob Pennington; Producers: Brad Clawson/Chris Janson; Label: Warner
–“Bye Mom” is still the single, but if tempo is what you crave, this new track/video will get yer toes tapping. The Dixie-fried, dirt-road lyrics are Country with a capital “C.”
DARIN & BROOKE ALDRIDGE / “Grand Ole Circle”
Writers: Darin Aldridge/Brooke Aldridge/Bill Whyte; Producer: none listed; Label: Billy Blue
–Awesome. Brooke is one of country’s greatest current female singers, and her delivery of this lovely ode to the Opry is a precious jewel. The rippling bluegrass accompaniment and Darin’s flawless tenor harmony voice are just a couple of the many audio delights that make this track such a complete joy to hear. The video features a collage of the show’s legends who inspire “dreamers like us to stand in” the circle “where the chosen get to sing,” as the lyric puts it.
THOMAS RHETT / “Us Someday”
Writers: Amy Wadge/Rhett Akins/Thomas Rhett/Jesse Frasure; Producers: Dan Huff/Jesse Frasure; Label: Valory
–I am nuts about “Slow Down Summer,” so of course I was itching to hear more from Rhett’s forthcoming album. This advance track does not disappoint. The gently loping rhythm, the wafting “whoa-oh” backing vocals and the star’s sincere delivery combine to make this another listening delight. It sounds to me like this fellow is hitting new heights as a record maker.
AARON RAITIERE / “For the Birds”
Writers: Aaron Raitiere/Miranda Lambert; Producers: Miranda Lambert/Anderson East; Label: Dinner Time
–Perhaps best known for co-writing the Oscar-winning Lady Gaga “I’ll Never Love Again” from A Star Is Born, this Nashville tunesmith also has cuts by Maren Morris, the Oaks, Shooter Jennings, Brent Cob, Midland, Hayes Carll and others. His homespun vocal, the funky-folkie track and a wry attitude are the hallmarks of this delightful track. If you need a smile today, here it is. Catch Aaron at The Basement on Monday night (Feb. 21)
WILLIE NELSON / “I’ll Love You Till the Day I Die”
Writers: Rodney Crowell/Chris Stapleton; Producer: Buddy Cannon; Label: Legacy
–Lovely and lilting, this beautifully produced performance shimmers with steel guitar, acoustic piano, gently strummed chords, harmonica and Willie’s own distinctive guitar picking. Riding above it all is his steady and sure voice, an instrument that sounds as warm as a well-worn blanket. And check out that songwriting credit. Need I say more?
BRENNEN LEIGH & ASLEEP AT THE WHEEL / “If Tommy Duncan’s Voice Was Booze”
Writers: Brennen Leigh/Paul Kramer; Producer: none listed; Label: Signature Sounds
–This sways with a limber jazzbo gait. Western swing kings Asleep at the Wheel lay down the steel, piano and fiddle toodlee-doos while Brennen sings the praises of Duncan, the legendary voice of Bob Wills & The Texas Playboys. Kinda tipsy and kinda cool.
DUSTIN LYNCH / “Party Mode”
Writers: Matt McGinn/Jared Keim/Jerry Flowers/Roman Alexander/Ryan Beaver; Producer: Zach Crowell; Label: Broken Bow
–In a word, odd. Despite the lyric, it doesn’t sound like much fun at all.
JOSHUA RAY WALKER / “Sexy After Dark”
Writers: Joshua Ray Walker; Producer: John Pedigo; Label: State Fair
–This unusual stylist is on a roll. He recently landed a gig on Jimmy Fallon, and he’s set to make his Opry debut in April. His hard-hitting, high hillbilly tenor is backed here by a horn-punctuated R&B track. Different and ear catching.
RONNIE DUNN / “Broken Neon Hearts”
Writers: Ronnie Dunn/Thomas Perkins/Matt Willis; Producer: Ronnie Dunn; Label: RD
–I’ll never stop being a fan of this extraordinary vocalist. No one, but no one, can deliver a barroom song like this man, and this one’s a dandy. Modern-day honky-tonk mastery on the hoof.
JACKSON DEAN / “Don’t Come Lookin’”
Writers: Luke Dick/Jackson Dean; Producer: Luke Dick; Label: Big Machine
–I love these escape-to-the-open-road songs. This one has a churning, burning backing track that seethes with outlaw energy. His throaty voice has real charisma. This could be a star-is-born moment.
DON SCHLITZ / “Mountaintop”
Writer: Don Schlitz; Producers: Adam Engelhardt/Glen Duncan; Label: EMG
–The title tune of this Country Music Hall of Fame member’s new CD sports a lively, bluegrass track and a tongue-tripping vocal that is packed with clever observation. The seekers of the meaning of life bring lotsa gifts and goodies to the man on the mountaintop, which makes that a pretty good gig. A grin and a half. The set also includes Don’s versions of such hits he’s written as “I Won’t Take Less Than Your Love,” “Deeper Than the Holler,” “Not Too Much to Ask” and “The Gambler.” Speaking of which, Don is featured on Mondays on Circle TV as it airs weekly Gambler movies this month. Also tune in when he hits the Opry stage on March 8.