
Jason Aldean. Photo: Brian Higbee
Multi-Platinum country entertainer Jason Aldean has always been a proud Georgia native. He has released songs about the peach state, supports Georgia sports teams, and has always talked openly about the influence his home state has had on his music. That’s why it comes as no surprise that his tenth studio album, out now, is simply called Macon, Georgia—his hometown.
“Macon has a rich music history with the Allman Brothers, Otis Redding, Little Richard, and more being from there,” Aldean tells MusicRow. “But for me, it’s my hometown. It’s where this whole ride started. It’s where I learned to be a musician and play on stage for the first time.
“When I was coming up, there was a lot of people that were coming out of Georgia that almost made it seem like this wasn’t an unreachable goal. Trisha Yearwood, Travis Tritt, and Alan Jackson were coming out of Georgia. I came up playing some of the same bars and towns, and doing some of the same stuff.”

The home state-inspired project is a double album, with the Macon half having released in November of 2021 and the Georgia half out today (April 22.) Both sides find Aldean’s signature southern rock sound on some new songs, and feature live versions of some classics.
The 30-song project releases as Aldean celebrates 16 years in the music business. Since releasing his debut single “Hicktown” in 2005, he has gone on to notch 26 No. 1 hits, garner 15 billion streams, and win numerous awards, including the ACM’s Entertainer of the Year three times. Aldean says if he could go back and talk to the kid moving from Macon, Georgia to Nashville in 1998, he would tell him to hold on tight.
“[I would tell him] this thing is going to be bigger than you ever imagined possible. You’re going to have some ups and downs along the way. Just enjoy it,” he says. “Early on, when things really started to happen, I was so worried about it going away after I worked so hard to get there. In the early days, I don’t think I ever took the time to enjoy it and appreciate what I had accomplished. I don’t think that happened until later in my career.”
Aldean’s non-stop grind paid off, though. His ten albums have solidified him as one of this generation’s top country record-makers. With songs such as “She’s Country,” “Big Green Tractor,” “Tattoos On This Town,” “My Kinda Party,” “Crazy Town,” and many more, Aldean has consistently delivered the music his fans have come to expect: hard-hitting, southern rock-infused country hits.
Like his sound, Aldean’s all-star team and album-making process has also remained pretty consistent over the years. Alongside his long-time producer, Michael Knox, Aldean has celebrated more than 20 million albums sold.
“I cut records now the same way I always did; with the same band and same producer. I’ve had the same crew, basically, this whole time,” he says. “The difference now is just a confidence factor. As an artist, I know a lot more about who I am at this point, what I want to do and the kind of stuff that works for me.”
Of the new tunes on Macon, Georgia, Aldean has made waves with Macon‘s “Small Town Small” and “If I Didn’t Love You,” his hit duet with Carrie Underwood that was crowned the Single of the Year at the 2021 ACM Awards.
Georgia features Aldean’s new single, “Trouble with a Heartbreak,” which has already hit No. 1 on MusicRow‘s radio chart and looks to be heading that way on other charts. Another track on Georgia, “Ain’t Enough Cowboy,” shows off Aldean’s rap influences—a theme ever-present from 2011’s “Dirt Road Anthem.”
“Early on in my career, I knew that I never wanted to get painted into a corner. I knew that I was going to have a lot of rock influence in my music as well as some really traditional stuff. But people my age, we grew up listening to everything. Early on I made it a point to start branching off and doing some different things so that whenever I wanted to do those things later, it wasn’t that far of a stretch.
“Even with ‘Dirt Road,’ it’s got the rap verses, but once the chorus kicks in, that’s country. It’s just finding those certain ones that work. Every once in a while, you get one that comes along.”
A stand-out track on Georgia is “God Made Airplanes,” a heatbreak tune about getting ‘out of Dodge’ after a break up.
“John Morgan wrote that with the Warren brothers [Brad and Brett Warren] and Jessi Alexander. John is a new artist that I actually signed to a publishing deal, a record deal, and I produce his records,” Aldean says. “He wrote a bunch for his record and he co-wrote the song. As soon as they demoed it, I got a text from John, both the Warren brothers, and Jessi. They all texted me the song saying, ‘This has got you all over it.’ I heard it the first time and fell in love with the song.”
Morgan isn’t the only new writer credited on Macon, Georgia. Lydia Vaughan scored her first hit, along with Morgan, on “If I Didn’t Love You,” and new songwriter Lalo Guzman co-wrote “Ain’t Enough Cowboy.”
“Obviously we have our go-to guys that always seem to come through with songs, like Neil Thrasher, Rhett Akins, and some of those guys. Michael Tyler has some stuff on this record,” Aldean says. “John Morgan, Kurt Allison, and Tully Kennedy—who are two of the guys in my band—they were writing a ton for this record. You’ll see a lot of stuff from those three guys on this record more so than you have in the past. They just got really locked in on this album and were writing some cool stuff.”

Pictured (L-R): Colton McGee (BBR Music Group/BMG), JoJaimie Hahr (BBR Music Group), Sara Knabe (BBR Music Group), Chris Parr (Maverick), Jason Aldean, John Morgan, Jon Loba (BBR Music Group/BMG), Tori MacDonald (Maverick), Clarence Spalding (Maverick), Tully Kennedy, Kurt Allison. Photo: Jessica Crans
In addition to cutting eight of his songs for Macon, Georgia, Aldean has invested in John Morgan by signing him to his new publishing company, as well as his imprint with BBR, Night Train Records. Aldean says fostering young talent has always been a part of his plan.
“I always felt like at some point I would transition into the producer role a little bit. I knew, at some point, there would be some artists that came along that I would want to work with and help this next generation do their thing,” he says. “The publishing side of it was a little bit of a different story. That all happened because of John Morgan and the stuff that I heard him writing. I thought, ‘Man, this guy is so good. Between him, Kurt and Tully, we can build this thing around those guys.”
Now, with his tenth studio album out, a growing music business empire, and 16 years behind him, Aldean is poised to spend the next 16 as a Music Row maverick. His new project, Macon, Georgia, is available everywhere now.
Flatland Cavalry Celebrates Their Roots On New Acoustic Album
/by Lorie HollabaughFlatland Cavalry. Photo: Fernando Garcia
Flatland Cavalry is going unplugged and releasing a new acoustic album, Far Out West Sessions, on May 6. In advance of the release, “Tilt Your Chair Back” is available everywhere now.
The project features stripped-down versions of seven songs from their acclaimed record, Welcome to Countryland, and comes in conjunction with the band’s ongoing video series of the same name.
Produced by Fernando Garcia and recorded by Garcia and John Park at locations across the Trans-Pecos region of Texas, Far Out West Sessions finds the band returning to their home state to perform the songs in their purest form. Across the past few weeks, the band has unveiled three additional installments of the video series: “It’s Good To Be Back (‘Round Here Again),” “Dancin’ Around A Fire” and “Daydreamer.”
“Up until the pandemic pulled us off the road, we as a band had spent the last five years relentlessly touring and being away from home; seeing the entire country firsthand through the windshield of a white van,” shares lead singer Cleto Cordero. “All of those experiences led to what would form the collection of songs that made Welcome To Countryland. What better way to honor our time at home than to return to square one and share these songs and stories, broken down and unplugged, in the simple and stunning country land from where I belong? After the long and loud journey that has been our touring career, performing to seas of thousands of loud and rowdy crowds, what a breath of fresh and dusty Far West Texas air to break things down to their simplest elements and play a song or two for the crickets and the creosote–for the spirits of my ancestors!”
Based in both Texas and Nashville, Flatland Cavalry includes Cordero (vocals, acoustic guitar), Jason Albers (drums, background vocals), Jonathan Saenz (bass, background vocals), Reid Dillon (electric guitar, harmonica, second fiddle), Wesley Hall (fiddle) and Adam Gallegos (piano, keys, mandolin, banjo, electric guitar).
Welcome to Countryland follows the band’s self-released 2016 debut, Humble Folks, which reached No. 2 on iTunes’ Country Albums chart, as well as their acclaimed 2019 release, Homeland Insecurity.
YouTube To Exclusively Livestream Upcoming Stagecoach Festival
/by Lydia FarthingFollowing two weekends of livestreaming Coachella, YouTube has announced that it will bring Stagecoach to fans all around the world via the Official Stagecoach YouTube Channel.
Billed as country music’s biggest festival, Stagecoach will be exclusively livestreamed with performances from Thomas Rhett, Carrie Underwood, Luke Combs, Maren Morris, Brandi Carlile, Brothers Osborne, Breland, Orville Peck and more.
The festivities will kick off at 5:30 p.m. CT on Friday, April 29 and continue throughout the weekend. Each day will be hosted by one of country music’s biggest stars, each of whom will not only perform but will also interview other artists on the bill. YouTube Premium members will have special access to four YouTube Premium pre-parties throughout the weekend which will automatically redirect into those artist’s live Stagecoach sets.
On Friday, April 29, host and performer Breland will welcome fans to the debut livestream which will feature performances by Brandi Carlile, Midland and headliner Thomas Rhett. On Saturday, April 30, host Reyna Roberts will rile up fans of Hardy, Margo Price, Brothers Osborne, and Carrie Underwood ahead of their highly anticipated sets across Stagecoach’s stages. Finally, on Sunday, May 1, Hailey Whitters will close out the weekend with Lainey Wilson, Yola, The Black Crowes, Luke Combs, and Cody Johnson.
For more details on what to expect from the Stagecoach livestream, click here.
Jake Owen Plots ‘Up There Down Here Tour’
/by Lorie HollabaughJake Owen. Photo: Matt Paskert
Jake Owen will launch his 34-date, cross-country “Up There Down Here Tour” this May.
Kicking off May 5 in Troy, Ohio, the run will include stops at festivals such as Faster Horses, Watershed, and Country Stampede, along with shows at Billy Bob’s Texas in Fort Worth, Weidner Field in Colorado Springs, Rockin’ Derby Eve in Louisville at Old Forester’s Paristown Hall, and many more.
“Looking forward to getting back out there, bringing smiles and happiness and some new tunes. The world needs more of that,” Owen shares.
Owen continued releasing new music last month with his single, “Up There Down Here.” As teased on social media this past weekend, he will return with more new music this Friday (April 29) as he drops the heartfelt track “1×1.”
Cole Swindell Heats Things Up With 11th No. 1 Single
/by Lydia FarthingMulti-Platinum singer-songwriter Cole Swindell has earned his 11th career No. 1 with his current single, “Never Say Never,” the duet with ACM Top New Female Artist of the Year Lainey Wilson.
23 weeks since its release, the track hit the top of both the Mediabase and Billboard country singles charts this week. “Never Say Never” recently went No. 1 on the MusicRow CountryBreakout Radio Chart on March 18.
“Never Say Never” was the most added song at country radio the week of release, giving both Swindell and Wilson their biggest radio add day of their careers. The single, written by Swindell, Jessi Alexander and Chase McGill, marks Swindell’s first true duet in his seven year career.
The fiery tune is the follow up to his multi-week No. 1 “Single Saturday Night.” Both back-to-back No. 1 singles can be found on his just released fourth album Stereotype. Produced by Zach Crowell, Chris LaCorte, Jordan Schmidt and Michael Carter, the new record sees Swindell with writing credits across the project, penning seven of the album’s 13 tracks.
Walker Hayes To Hit Arena Stages This Fall On His ‘Glad You’re Here Tour’
/by Lydia FarthingWalker Hayes. Photo: Robert Chavers
Walker Hayes will embark on his new headlining “Glad You’re Here Tour” this fall, kicking off in Johnstown, Pennsylvania on Sept. 29.
After selling out theaters across the country this spring on “The Fancy Like Tour,” the upcoming tour marks Hayes’ first time headlining arenas. Along the way, he will be accompanied by special guest Parmalee.
Hayes has had a breakthrough year filled with a Grammy nomination, five ACM nominations, a CMT Award nomination, and six nominations for the upcoming 2022 Billboard Music Awards. Hayes scored a No. 1 at country radio with the smash-hit “Fancy Like,” which also stayed at No. 1 on Billboard’s Hot Country Songs chart for over six months. His follow up, “AA,” is currently climbing the radio charts and recently found Hayes performing it at the ACM Awards and CMT Music Awards.
The singer will take his recent hits, plus his deep catalog of fan favorites such as “Don’t Let Her,” “90s Country,” and the RIAA multi-Platinum “You Broke Up With Me,” on the road this fall.
“I can’t believe that we are playing arenas,” says Hayes. “It’s mind blowing how our team is growing, how the crowds are growing, and how the music continues to connect with my audience. I’m just so grateful.”
Pre-sale begins April 26 at 10 a.m. local time, and Citi cardmembers will have access to presale tickets beginning Tuesday, April 26 at 8 a.m. local time. Tickets will go on sale to the general public starting April 29 at 10 a.m. local time.
The new tour gets its name from Hayes’ forthcoming book Glad You’re Here, written with his best friend, Craig Allen Cooper, who is the namesake of a beloved Hayes song in which he documents the day a pastor he barely knew gifted the Hayes family a car during a time of need. The book is set for release May 3.
Michael Ray Celebrates ‘Whiskey And Rain’ With Writers Jesse Frasure & Josh Thompson
/by LB CantrellPictured (L-R, back row): Big Machine’s Mike Molinar, MV2’s Tony Harrell, Warner Music Nashville’s Ben Kline, BMI’s David Preston, Rhythm House’s Vanna Moua, Rhythm House’s Stevie Frasure; (L-R, front row): Josh Thompson, Michael Ray, Jesse Frasure. Photo: Steve Lowry / BMI
Music industry members gathered on Thursday (April 21) to celebrate Michael Ray‘s fourth No. 1, the moody country hit, “Whiskey And Rain.” The party was held at The Local by BMI, and hosted by the PRO’s David Preston.
The ever-illusive outside song was written by two country hitmakers, Josh Thompson and Jesse Frasure. It was Thompson’s seventh No. 1 and Frasure’s twentieth. “Whiskey And Rain” was produced by Ross Copperman, who was not able to attend the celebration. The writers later guessed that the successful writer-producer was probably busy cutting his next No. 1.
Big Machine Music’s Mike Molinar gave the first publisher presentation. “We know that there are so many teams behind each of the people here on stage, especially the Warner Brothers promo team, A&R team, art and creative. We know how hard it is to get a No. 1 these days,” Molinar said.
The aggressive WEA promo team definitely earned their recognition, as “Whiskey And Rain” took 62 weeks to hit the chart pinnacle. It was also Ray’s first two-week chart-topper.
Pictured (L-R, back row): From Warner Music Nashville’s Radio Team – James Marsh, Stephanie Hagerty, Chad Schultz, Chris Fabiani, Kayla Burnett, Kristen Williams; (L-R, front row): Josh Thompson, Michael Ray, Jesse Frasure. Photo: Steve Lowry / BMI
MV2’s Tony Harrell was on hand to speak about Thompson. “‘Whiskey And Rain’ sounds like country radio,” he said. “Josh Thompson, I’m glad I’m standing by you. We are so proud of you at MV2.”
Rhythm House’s Stevie Frasure was up next to say a few words. She spoke eloquently about the magnitude of Ray cutting an outside song that was written by only two writers.
“It’s so awesome when you have an artist who, not only is a badass performer and artist, but a songwriter as well who still listens to those outside songs. We could not appreciate you more,” Frasure said, before thanking Morris Higham Management’s Buffy Cooper, who helped get the song to Ray.
“It’s a two-way y’all,” Frasure added. “I feel like we’re back in the ’90s here.”
Warner Music Nashville’s Ben Kline was on hand to recognize Ray, the Warner staff, and all team members involved in the success of “Whiskey And Rain.” “210 million global streams. This is just one of those songs that just keeps giving” Kline said. “It is a testament to the team and how hard they fight when they have a hit song.”
When it came time to hear from the men on stage, Thompson kicked things off. One of his children charmed the crowd when Thompson said “Hey” into the mic and the baby responded with an enthusiastic, “Hi!”
Thompson thanked God, his family, Ray and Frasure, and the team. “Michael Ray just crushed this thing,” he said. “He took it to the next level. It felt like a smash to me the first time I heard it and I thank God that it translated to country radio.”
Frasure echoed his wife and fellow publisher when he spoke. “For writers and publishers, outside songs are the holy grail. We still believe that they exist but they’re getting hard to find out there,” he said. “We’re very grateful for this. It means the world to us.”
When Ray spoke, he first recognized host Preston, who apparently was the first person to take a meeting with him in Nashville. “David, I wouldn’t be up here with you,” he said.
The artist recognized the WEA team who fought for 60 weeks to ring the bell. He also thanked his team members. Ray spoke very graciously about Thompson and Frasure, saying that they were both future hall of fame songwriters.
“I love writing songs. I feel like I’m getting into my best years of writing, I feel like I know who I am as an artist and what I want to say,” Ray said. “That being said, we wouldn’t have the foundation of Nashville if it wasn’t for songwriters and I feel like they’re the last person on the totem pole a lot of times.
“When I go back to my heroes—Kenny Chesney, George Strait, Jason Aldean, Lee Brice, and Merle Haggard—they cut outside songs. My heroes cut outside songs,” he said. “We’re a town that was built on songwriters. It means more to me than y’all know to say that I did not write this song.”
Pinnacle Bank, who partners with BMI for No. 1 parties, made a donation in Frasure’s name to Wags and Walks and in Thompson’s name to St. Jude Children’s Research Hospital.
Margo Price Releases Deluxe Version Of ‘That’s How Rumors Get Started’
/by Lorie HollabaughPhoto by Angelina Castillo
Margo Price has released a deluxe edition of her album That’s How Rumors Get Started, adding eight new tracks to the 2020 album.
The expanded collection now features the previously unheard “Goin’ To The Country,” resurrected from the LP’s early sessions led by Price, David Ferguson and producer Sturgill Simpson. Other bonus tracks include 2021 single “Long Live The King,” as well as covers of Linda Ronstadt‘s “You’re No Good,” Lesley Gore‘s “You Don’t Own Me” and Bobbie Gentry‘s “He Made a Woman Out Of Me.” The deluxe project also showcases Price’s own “Hitman,” “Later On” (feat. The Band of Heathens and Nicki Bluhm) and more.
Earlier this spring, Price earned a nomination for the A2IM Humanitarian Award at the 2022 Liberas, honoring her work as the first-ever female artist on the Farm Aid Board of Directors. She also recently debuted a new song written for the latest season of the Netflix series Big Mouth, paid tribute to Tina Turner on her Live From The Other Side EP, and launched her mail-order vinyl record club called A Series of Rumors.
Price will also release her first book, Maybe We’ll Make It: A Memoir, on Oct. 4 from the University of Texas Press. “It’s a love story about loyalty, loss, grief and forgiveness,” says Price. “It’s about finding freedom from substance abuse and addiction and fighting for the freedom to be myself in the music business.”
That’s How Rumors Get Started
Letting Me Down
Twinkle Twinkle
Stone Me
Hey Child
Heartless Mind
What Happened To Our Love?
Gone To Stay
Prisoner Of The Highway
I’d Die For You
Goin’ To The Country
Long Live The King
You Don’t Own Me (Lesley Gore cover)
Hitman
He Made a Woman Out Of Me (Bobbie Gentry cover)
Later On (feat. The Band of Heathens & Nicki Bluhm)
You’re No Good (Linda Ronstadt cover)
Better Than Nothin’
Veteran Radio Promoter, Manager Doc Gonzales Passes Away At 59
/by Lorie HollabaughDoc Gonzales
Artist manager and promotion veteran Doc Gonzales died on Friday, April 15 at his home in Bowling Green, Kentucky. He was 59.
Gonzales owned and operated Triple Crown Management, which signed country trio Flat River Band last month. Past clients included Lonestar, Trick Pony, Steve Holy, Billy Dean, Heartland, Little Texas, Dallas Remington, and Donovan Chapman, among others.
Gonzales formed Triple Crown Promotions with Jim Dorman in 2012. Prior to launching the company, Gonzales also served as Director of Promotion, SE/SW at Nine North Records and spent 16 years at Graham Management Company. He had more than 30 years of experience in the music industry working in promotion, marketing, management and artist branding.
Gonzales also made history by being the first management company to chart its own artist and break them at radio with four No. 1 charting acts.
As the sole living member of his family, a Celebration of Life for Gonzales is set to be organized in the near future for friends and industry to reflect on his accomplishments and his passion for his work.
Jason Aldean Talks Georgia Music, Staying Consistent, & Fostering Young Talent [Interview]
/by LB CantrellJason Aldean. Photo: Brian Higbee
Multi-Platinum country entertainer Jason Aldean has always been a proud Georgia native. He has released songs about the peach state, supports Georgia sports teams, and has always talked openly about the influence his home state has had on his music. That’s why it comes as no surprise that his tenth studio album, out now, is simply called Macon, Georgia—his hometown.
“Macon has a rich music history with the Allman Brothers, Otis Redding, Little Richard, and more being from there,” Aldean tells MusicRow. “But for me, it’s my hometown. It’s where this whole ride started. It’s where I learned to be a musician and play on stage for the first time.
“When I was coming up, there was a lot of people that were coming out of Georgia that almost made it seem like this wasn’t an unreachable goal. Trisha Yearwood, Travis Tritt, and Alan Jackson were coming out of Georgia. I came up playing some of the same bars and towns, and doing some of the same stuff.”
The home state-inspired project is a double album, with the Macon half having released in November of 2021 and the Georgia half out today (April 22.) Both sides find Aldean’s signature southern rock sound on some new songs, and feature live versions of some classics.
The 30-song project releases as Aldean celebrates 16 years in the music business. Since releasing his debut single “Hicktown” in 2005, he has gone on to notch 26 No. 1 hits, garner 15 billion streams, and win numerous awards, including the ACM’s Entertainer of the Year three times. Aldean says if he could go back and talk to the kid moving from Macon, Georgia to Nashville in 1998, he would tell him to hold on tight.
“[I would tell him] this thing is going to be bigger than you ever imagined possible. You’re going to have some ups and downs along the way. Just enjoy it,” he says. “Early on, when things really started to happen, I was so worried about it going away after I worked so hard to get there. In the early days, I don’t think I ever took the time to enjoy it and appreciate what I had accomplished. I don’t think that happened until later in my career.”
Aldean’s non-stop grind paid off, though. His ten albums have solidified him as one of this generation’s top country record-makers. With songs such as “She’s Country,” “Big Green Tractor,” “Tattoos On This Town,” “My Kinda Party,” “Crazy Town,” and many more, Aldean has consistently delivered the music his fans have come to expect: hard-hitting, southern rock-infused country hits.
Like his sound, Aldean’s all-star team and album-making process has also remained pretty consistent over the years. Alongside his long-time producer, Michael Knox, Aldean has celebrated more than 20 million albums sold.
“I cut records now the same way I always did; with the same band and same producer. I’ve had the same crew, basically, this whole time,” he says. “The difference now is just a confidence factor. As an artist, I know a lot more about who I am at this point, what I want to do and the kind of stuff that works for me.”
Of the new tunes on Macon, Georgia, Aldean has made waves with Macon‘s “Small Town Small” and “If I Didn’t Love You,” his hit duet with Carrie Underwood that was crowned the Single of the Year at the 2021 ACM Awards.
Georgia features Aldean’s new single, “Trouble with a Heartbreak,” which has already hit No. 1 on MusicRow‘s radio chart and looks to be heading that way on other charts. Another track on Georgia, “Ain’t Enough Cowboy,” shows off Aldean’s rap influences—a theme ever-present from 2011’s “Dirt Road Anthem.”
“Early on in my career, I knew that I never wanted to get painted into a corner. I knew that I was going to have a lot of rock influence in my music as well as some really traditional stuff. But people my age, we grew up listening to everything. Early on I made it a point to start branching off and doing some different things so that whenever I wanted to do those things later, it wasn’t that far of a stretch.
“Even with ‘Dirt Road,’ it’s got the rap verses, but once the chorus kicks in, that’s country. It’s just finding those certain ones that work. Every once in a while, you get one that comes along.”
A stand-out track on Georgia is “God Made Airplanes,” a heatbreak tune about getting ‘out of Dodge’ after a break up.
“John Morgan wrote that with the Warren brothers [Brad and Brett Warren] and Jessi Alexander. John is a new artist that I actually signed to a publishing deal, a record deal, and I produce his records,” Aldean says. “He wrote a bunch for his record and he co-wrote the song. As soon as they demoed it, I got a text from John, both the Warren brothers, and Jessi. They all texted me the song saying, ‘This has got you all over it.’ I heard it the first time and fell in love with the song.”
Morgan isn’t the only new writer credited on Macon, Georgia. Lydia Vaughan scored her first hit, along with Morgan, on “If I Didn’t Love You,” and new songwriter Lalo Guzman co-wrote “Ain’t Enough Cowboy.”
“Obviously we have our go-to guys that always seem to come through with songs, like Neil Thrasher, Rhett Akins, and some of those guys. Michael Tyler has some stuff on this record,” Aldean says. “John Morgan, Kurt Allison, and Tully Kennedy—who are two of the guys in my band—they were writing a ton for this record. You’ll see a lot of stuff from those three guys on this record more so than you have in the past. They just got really locked in on this album and were writing some cool stuff.”
Pictured (L-R): Colton McGee (BBR Music Group/BMG), JoJaimie Hahr (BBR Music Group), Sara Knabe (BBR Music Group), Chris Parr (Maverick), Jason Aldean, John Morgan, Jon Loba (BBR Music Group/BMG), Tori MacDonald (Maverick), Clarence Spalding (Maverick), Tully Kennedy, Kurt Allison. Photo: Jessica Crans
In addition to cutting eight of his songs for Macon, Georgia, Aldean has invested in John Morgan by signing him to his new publishing company, as well as his imprint with BBR, Night Train Records. Aldean says fostering young talent has always been a part of his plan.
“I always felt like at some point I would transition into the producer role a little bit. I knew, at some point, there would be some artists that came along that I would want to work with and help this next generation do their thing,” he says. “The publishing side of it was a little bit of a different story. That all happened because of John Morgan and the stuff that I heard him writing. I thought, ‘Man, this guy is so good. Between him, Kurt and Tully, we can build this thing around those guys.”
Now, with his tenth studio album out, a growing music business empire, and 16 years behind him, Aldean is poised to spend the next 16 as a Music Row maverick. His new project, Macon, Georgia, is available everywhere now.
Chart Action: Jelly’s On A Roll
/by Alex ParryJelly Roll
Jelly Roll, makes an impact at country radio with his latest single, “Son of a Sinner,” released via Stoney Creek Records/BMG.
He hit the Billboard Country Airplay chart at No. 32 and No. 40 on Mediabase this week and totals 76 first week stations across both charts. The single has already racked up 25 million on-demand streams. Jelly Roll debuted at No. 64 on the MusicRow CountryBreakout chart with 7 new station adds.
“Son of a Sinner,” written by Jelly Roll, Ernest K. Smith and David Ray Stevens, appears on Ballads Of the Broken which was released in 2021. This album followed his most successful song to date, “Save Me,” which is certified Gold, and the video has received more than 65 million YouTube views.
Jelly Roll’s My Opry Debut video from his inaugural performance at the Grand Ole Opry, featuring “Son of a Sinner,” will air Saturday, April 23 at 9:30 p.m. CT on Circle All Access.
For more chart data, view the latest edition of The MusicRow Weekly.