
Jade Driver & Cassie Petrey
In today’s world, the power and influence of digital marketing is something that we experience every day. From the rise of social media and the takeover of streaming services for music, TV and movies, it is hard to imagine our lives today without the digital world at the center of it.
This concept also extends into the music industry.
With so many artists being discovered on social media platforms, most notably TikTok in recent years, as well as the constant digital consumption of music through services such as Spotify, Apple Music, Pandora, YouTube and more, digital marketing has become quite a critical component in the modern day artist’s toolkit.
None understand this better than Jade Driver and Cassie Petrey, the co-founders of Crowd Surf.

The Crowd Surf team with AJ McLean of the Backstreet Boys. Photo: Courtesy of Crowd Surf
As one of the leading digital music marketing companies, Crowd Surf provides catered and specialized marketing services to a roster of established and rising artists and major labels, including past and current clients Jimmie Allen, Eric Church, Matthew West, Backstreet Boys, Camila Cabello, Britney Spears, AJR, Duran Duran, Loren Gray, Universal Music Group, Warner Music Group, Hollywood Records and RCA Records, among others.
As students at Middle Tennessee State University, the two women couldn’t have realized that the countless days of sitting in dorm rooms perusing the internet and their local band’s MySpace pages would lead to their now 15 year-old company.
“I always give credit to Cassie for seeing a business model and an opportunity in digital. I didn’t see it that clearly at first, but I trusted her,” Driver explains to MusicRow. “Cassie was a real visionary in understanding how that can be used as a marketing tool, especially in the MySpace days.”

Jade Driver, Cassie Petrey, and clients Max & Harvey. Photo: Courtesy of Crowd Surf
“I came across MySpace through a local band that had a flier and they talked about MySpace on it. I went and checked it out and started thinking, ‘Why don’t big bands use MySpace? Why is it just for college bands?'” Petrey recalls.
Petrey, who was a Warner college rep, ended up putting her money where her mouth was, taking over early-2000s band The Click Five‘s page. After showing promise with this underutilized platform, Petrey was quickly tasked with running all of the country music MySpace pages for Warner’s roster. Driver was also working at Warner in a temp position.
“I knew nothing about country music at the time because I just didn’t grow up with it, but I figured it out. I immersed myself in those artists and the demand grew,” she notes. “They also wanted help with Christian and comedy, but I was a temp so I couldn’t work more than 37.5 hours a week and I simply couldn’t do everything they were asking me to do in that time.” She adds, “And it was beyond MySpace. I was also the catch-all for everything else regarding helping build and run websites.”
However, during the early 2000s, there were no social media or digital marketing departments and, by extension, no budget for it either. As the pair were gearing up to graduate from MTSU, they realized that in order to find their pocket of success in the music industry, they would need to expand their offerings.
And so they did.
“At that point, it was all word of mouth and we started getting calls,” Driver shares. “We cut our first contract and started working on things together and then, before we knew it, we needed to get an intern. All of these things were happening and this business was bubbling, but there wasn’t a conversation of ‘let’s make a business plan’ or ‘we need to get money.’ It just happened,” she says with a chuckle.

Cassie Petrey with client Steven Tyler. Photo: Courtesy of Crowd Surf
Before they knew it, in August of 2007, they were down at the Murfreesboro Chamber of Commerce filling out paperwork and leaving with a business.
Now 15 years later, the company has offices in Nashville and LA, as well as remote employees stationed all across the country. While mostly tapped for digital marketing strategies, the Crowd Surf team explains that at the end of the day, they just want to help people, whether that’s through social media marketing rollouts, creating assets, making content calendars, single and album announcements, and more.
The team doesn’t stop there, though. Since digital touches nearly every part of an artist’s career in today’s industry, Crowd Surf has also been helpful in setting up music videos, and matching artists with producers and writers, Petrey explains.
“I was doing a pitch call for an independent artist who doesn’t have team members. She was posting TikToks of her doing acoustic songs and one of those songs started to go viral, so we matched her with a producer so that song could continue to have a trajectory.” She continues, “Arguably, that’s not digital’s job, but also digital can’t do their job if that song doesn’t continue to progress and exist. So, in a way, I do feel like that’s part of digital’s job because if I don’t figure out how to get the song produced, there’s nothing more to digitally market. It’s all really so intertwined at this point.”

Pictured (L-R): Matthew West, Jade Driver, and management client Anne Wilson
In the last few years, Driver and Petrey have taken Crowd Surf’s offerings to an even higher level as they’ve taken on artist management, with multiple artists utilizing their services and experience. As something that originally developed organically, the pair explain that it has become a much more serious endeavor and a larger part of the daily task and bandwidth of the company.
“The face of digital consumption has completely changed over the last 15 years. At the end of the day, people are consuming music digitally, they’re consuming music videos digitally, they’re buying things digitally, and these are all things that weren’t the norm when we started,” Driver states. “Now that is more the norm for everyone in their everyday lives, which has really expanded what we do. It’s not just the social media part of it anymore because everything’s digital and that’s really helped change the course of where we fit in and what we’ve added to our plate.”

Cover art for Cassie Petrey & Jade Driver’s podcast, How I Got Backstage
As the dynamic duo look ahead to the next 15 years of Crowd Surf, one of their major goals is to continue to expand their management client roster, as well as continuing to support their narrative as strong females in the music business. However, as their past clearly demonstrates, Crowd Surf will continue to change and grow in order for their client’s dreams to become a reality.
“We’ve changed a lot in the past 15 years. Honestly, we’ve changed a lot in the past 3 years,” Petrey notes. “Our service offerings have evolved a lot. We started off running MySpace pages and now we have a full service marketing agency and have launched an artist management branch to the company. We’re constantly evolving, and chances are we probably do a lot more than most people realize!”
“We help brands and artists tell their story,” Driver sums. “We really weave together who they are, what they stand for, and how their image and artistry reflects all of that.”
Shania Twain, Martina McBride, More To Make Guest Appearances On First Season Of ‘Monarch’
/by Lydia FarthingShania Twain on the set of Monarch. Photo: FOX
Fox’s upcoming series Monarch, the multi-generational, musical drama about America’s leading family of country music, is set make its premiere on Sept. 11 at 7 p.m. CT. The show’s first season, in addition to its powerhouse cast, will feature its own collection of star-studded guests.
Starring Academy Award winner Susan Sarandon, multi-Platinum and three-time Academy of Country Music Award winner Trace Adkins and Golden Globe nominee Anna Friel, Monarch‘s first season will also include guest appearances from Grammy Award winner Shania Twain, multi-Grammy Award nominee Martina McBride, Grammy Award winners Little Big Town, and Grammy Award winner Tanya Tucker.
Throughout the show, the Roman family is headed by the “Queen of Country Music,” Dottie Cantrell Roman, played by Sarandon, and her beloved husband Albie Roman, played by Adkins. The pair have created a country music dynasty, but the foundation of their success is a lie. When their reign as country royalty is put in jeopardy, heir to the crown Nicolette “Nicky” Roman, played by Friel, will stop at nothing to protect her family’s legacy and ensure her own quest for stardom.
The series will feature both original music and covers. Following its debut on Sept. 11, Monarch will make its time period premiere on Tuesday, Sept. 20 at 8 p.m. CT.
Garth Brooks To Open Expanded Thunder Ridge Nature Arena At Bass Pro Shops In The Ozarks
/by Lorie HollabaughGarth Brooks. Photo: Joseph Llanes
Garth Brooks will perform as part of the celebration to open the newly-expanded Thunder Ridge Nature Arena at Bass Pro Shops Big Cedar Lodge in the Ozarks of Missouri. The concert will take place Oct. 1.
The Thunder Ridge Nature Arena is a natural amphitheater that overlooks Table Rock Lake and the Boston Mountains of Arkansas. The land has been set aside in a nonprofit foundation, so all proceeds from events held at the arena will go to further enhance Thunder Ridge and support conservation. There are plans for the future to host other outdoor events there by similar world-class entertainers.
“We are very honored to have Garth come and help open this great new venue, which we hope will be regarded as one of the most picturesque and impressive nature-based arenas anywhere,” says Johnny Morris, noted conservationist and founder of Bass Pro Shops and Big Cedar Lodge. “This will be a place for visitors of all ages to come and experience some of the best entertainers of our generation, in a truly awe-inspiring environment, surrounded by nature.”
Tickets for the show will go on sale Aug. 26 at 10 a.m. CT at Ticketmaster.
Gene Watson Slates New Project ‘Outside the Box’ For September
/by Lorie HollabaughGene Watson
Gene Watson is venturing Outside the Box with his brand new album, set for release Sept. 16. Watson hosted an album listening event last night (Aug. 16) for industry members at the ONErpm office in Nashville.
Pictured (L-R): John Lytle, Sarah Brosmer (Lytle Management), Tim Whipperman (ONErpm), Gene Watson, Dirk Johnson (Producer), Ryan Cunningham (ONErpm), Shelby Kennedy (ONErpm)
Outside the Box features Watson’s first-ever collaboration with country legend and fellow Texan Willie Nelson on “Wonderful Future.” The album also includes a duet with Rhonda Vincent on “I’ve Got One of Those Too.” The 12-track collection fuses newly-recorded songs as well as re-imagined hits across multiple genres, from Merle Haggard to Etta James.
“We titled the album before we ever recorded the first song,” shares Watson. “I just wanted to do something that was different, not only for me, but for the fans too. Of course it’s still pure country music but the very first song I recorded was one by Etta James that I’ve always thought was one of the greatest songs out there. I really searched for songs I know my fans will appreciate and from that came this album, Outside the Box.”
Watson’s single “If It’s That Easy” was released to radio in 1962 via Sun Valley Records. Since then, he has charted 75 titles including 23 top 10 hits, six No. 1s and five No. 1 gospel records.
Gene Watson
Outside The Box Track List:
1. If I Had Any Pride Left At All
2. If She Only Knew
3. Wonderful Future Featuring Willie Nelson
4. Lie To Me
5. Some Fools
6. I’ll Keep Holding Your Memory
7. I’ve Got One of Those Too Featuring Rhonda Vincent
8. They Played It
9. The Blues Are Alive and Well
10. Who Do You Think You Are
11. It Looked Good On Paper
12. Loneliness Is Eating Me Alive
CMT Announces Lineup For Second ‘Next Women Of Country’ Showcase At City Winery Nashville
/by Lydia FarthingCMT has announced the date and lineup for its second showcase in partnership with City Winery Nashville, “CMT Next Women of Country: Celebrating the Classes of 2021 & 2022, presented by CMT Night Out Nashville and Change The Conversation.”
Slated for Wednesday, Sept. 28 at 7:30 p.m., CMT’s Leslie Fram and Rissi Palmer will co-host the second “CMT Night Out Nashville” showcase, featuring in the round performances from Ashland Craft, Brittney Spencer, Chapel Hart, Harper Grae, Madeline Edwards, Morgan Wade and Renee Blair. Palmer will also perform.
Tickets are on-sale now at citywinery.com/nashville.
The September showcase follows the first event happening on Aug. 31, co-hosted by Fram and Jessie James Decker. The August showcase will include performances from Callista Clark, Camille Parker, Hannah Dasher, Jenna Paulette, Julia Cole, Laci Kaye Booth, Lily Rose, Reyna Roberts and Tenille Arts, in addition to Decker. A limited number of tickets are still available.
Blackberry Smoke Announces 10-Year Anniversary Tour For Fall
/by Lorie HollabaughBlackberry Smoke. Photo: Joe Lopez
Blackberry Smoke is heading out on the “Whippoorwill 10 Year Anniversary Tour” this fall.
The band will perform their album The Whippoorwill in its entirety on the newly confirmed shows, which include Austin’s Emo’s, Houston’s 713 Music Hall, San Antonio’s Aztec Theater, Indianapolis’ Murat Theatre at Old National Center, Boston’s House of Blues, New York’s Webster Hall and Chicago’s Vic Theatre, among others. Tickets for the tour go on sale to the public this Friday (Aug. 19).
To commemorate the anniversary, the band will also release four never-before-heard demos of Whippoorwill tracks this week, including “Pretty Little Lie (Studio Demo)” “One Horse Town (Studio Demo),” “Ain’t Got the Blues (Acoustic Home Demo),” and “Up The Road (Acoustic Home Demo).”
Reflecting on the milestone, lead singer Charlie Starr shares, “It’s almost impossible to believe that The Whippoorwill is 10 years old…I think we are as proud of it today as we were the day it was released.”
Released on Aug. 14, 2012, The Whippoorwill is Blackberry Smoke’s third studio album and reached No. 8 on Billboard’s Top Country Albums chart. The band celebrated their 20th anniversary together last year with their most recent album, You Hear Georgia.
Blackberry Smoke Added Tour Dates:
October 7—Cleveland, OH—TempleLive at Cleveland Masonic
October 8—Cincinnati, OH—Riverfront Live
November 10—Austin, TX—Emo’s
November 11—Houston, TX—713 Music Hall
November 13—San Antonio, TX—The Aztec Theater
November 17—Peoria, IL—Peoria Civic Center Theater
November 18—Rockford, IL—Coronado Performing Arts Center
November 19—Shipshewana, IN—Blue Gate Performing Arts Center
November 20—Indianapolis, IN—Murat Theatre at Old National Center
December 2—Silver Spring, MD—The Fillmore Silver Spring
December 6—Glenside, PA—Keswick Theatre
December 7—Boston, MA—House of Blues
December 9—Ithaca, NY—State Theatre of Ithaca
December 10—New York, NY—Webster Hall
December 16—Chicago, IL—Vic Theatre
December 17—Wisconsin Dells, WI—Crystal Grand Music Theatre
Hootiefest: The Big Splash Hits The Beach Again In January
/by Lorie HollabaughDaytime pool party performance at the inaugural HootieFest: The Big Splash in 2022
Hootie & the Blowfish is heading to the beach once again this January with the return of their destination concert vacation, HootieFest: The Big Splash.
Hosted Jan. 25-28, 2023 at Moon Palace Cancún, the four-day celebration will feature three headlining performances by the band, as well as appearances by Gin Blossoms, Collective Soul, Everclear and Edwin McCain. Additional artists, as well as pool party performances and off-site adventures, will be announced in the coming months.
“Enjoying music together on the beach in Mexico was a great way to kick off 2022,” notes front man Darius Rucker. “I’m not sure who had more fun–us or the fans! We love that this event brought together some of our best friends in concert, too, so we knew we had to make this a new annual tradition.”
HootieFest packages go on sale to the public on Aug. 23. A special 24-hour pre-sale for HootieFest Alumni will begin Aug. 22. Package options and details are available at hootiefest.com.
The Onsite Foundation & MusiCares To Host ‘Unplugged’ Industry Healing Retreat
/by Lorie HollabaughThe Onsite Foundation, a non-profit leader in emotional health education and resources, has partnered with MusiCares to create and host a retreat for music industry professionals on Oct. 6-9 at Onsite in Cumberland Furnace in Middle Tennessee.
“Unplugged: a Healing Retreat at Onsite For The Music Industry” is an invitation to step away from all the noise and distractions and into a space where participants can freely explore who they are, what got them here, and who they truly want to be as a creative moving forward. The tools introduced at the retreat will help attendees connect with themselves and work toward building an authentic life.
The “Unplugged” retreat will be available to musicians, singer-songwriters, engineers, stagehands, managers, tour bus drivers, A&R, agents, make-up artists, venue managers, live crews, and anyone else who is currently working or has worked in the music industry.
“We live in a world built to connect us, but it can feel like it’s designed to divide us, distract us, and keep us disconnected. When we feel disconnected from the world, we are likely disconnected from the world within ourselves,” shares Miles Adcox, Chairman and Proprietor of Onsite Workshops. “We hope attending Unplugged allows creatives to disconnect from all the noise and distractions of life so they can reconnect to themselves.”
Last year, 26% of MusiCares Wellness in Music Survey respondents said they regularly experience moderate to severe levels of depression. To put that in perspective, a 2019 National Health Interview Survey of U.S. adults founds that only 4.7 percent reported regularly feeling depressed.
The 2021 Wellness in Music Survey saw a decline in respondents experiencing moderate to severe levels of depression, with 20% reporting feeling this way. However, 56% of this year’s respondents reported feeling moderately high to very high levels of anxiety—and though that is down almost 10% from last year’s numbers, it indicates the mental health of the music community is still strained.
“We are so thankful that MusiCares has partnered with us to help music industry professionals who are struggling from the effects of stress and trauma. Our hope is that ‘Unplugged’ attendees leave the retreat feeling emotionally unstuck and empowered with new insights to better connect with their authentic self and the people in their life,” says Deanna Wantz, Executive Director of The Onsite Foundation.
“At MusiCares, we understand how important mental health and well-being are to the success of the music community,” says Laura Segura, Executive Director of MusiCares. “We are excited to once again partner with The Onsite Foundation to give music professionals the resources needed for healing and reconnecting to their purpose so they can continue to do what they love.”
Register for the “Unplugged” retreat here.
Willie Nelson, George Strait, Miranda Lambert, More Featured On Billy Joe Shaver Tribute Album
/by LB CantrellPictured: Billy Joe Shaver & Willie Nelson. Photo: Cameron L. Gott
An array of country stars have come together to pay tribute to the iconic outlaw country singer-songwriter, Billy Joe Shaver, on a new 12-song project. Live Forever: A Tribute To Billy Joe Shaver will be released via New West Records and Pedernales Records on Nov. 11.
Co-produced by Charlie Sexton and Freddy Fletcher, the album features renditions of Shaver songs recorded by Willie Nelson and Lucinda Williams, George Strait, Miranda Lambert, Nathaniel Rateliff, Ryan Bingham and Nikki Lane, Steve Earle, Edie Brickell, Rodney Crowell, Margo Price, Allison Russell, and Amanda Shires.
Shaver, who died on Oct. 28, 2020, was an integral part of the outlaw country movement. His songs attracted many admirers over the years, including Johnny Cash, who covered Shaver’s “I’m Just an Old Chunk of Coal (But I’m Gonna Be a Diamond Some Day),” and called him “my favorite songwriter.” Nelson, a frequent Shaver collaborator, once declared that “Billy Joe is definitely the best writer in Texas.”
In the project’s liner notes, co-producer Fletcher writes, “His influence on the greatest of artists is what inspired this project. The album is a testament to his words and their deep impact on wonderful songwriters and performers. He’s a hero to so many, and we are honored to pay homage to his legacy.”
Live Forever: A Tribute To Billy Joe Shaver will be available across digital retailers, on compact disc, and standard black vinyl. Colored vinyl limited editions are available for pre-order now at newwst.com.
Live Forever: A Tribute To Billy Joe Shaver Track Listing:
1. Willie Nelson (w/ Lucinda Williams) – Live Forever
2. Ryan Bingham (w/ Nikki Lane) – Ride Me Down Easy
3. Rodney Crowell – Old Five And Dimers Like Me
4. Miranda Lambert – I’m Just An Old Chunk Of Coal (But I’m Gonna Be A Diamond Someday)
5. Edie Brickell – I Couldn’t Be Me Without You
6. Nathaniel Rateliff – You Asked Me To
7. George Strait – Willy The Wandering Gypsy And Me
8. Amanda Shires – Honky Tonk Heroes
9. Steve Earle – Ain’t No God In Mexico
10. Margo Price – Ragged Old Truck
11. Willie Nelson – Georgia On A Fast Train
12. Allison Russell – Tramp On Your Street
Crowd Surf’s Jade Driver & Cassie Petrey Look Back On 15 Years Of Their Digital Journey [Interview]
/by Lydia FarthingJade Driver & Cassie Petrey
In today’s world, the power and influence of digital marketing is something that we experience every day. From the rise of social media and the takeover of streaming services for music, TV and movies, it is hard to imagine our lives today without the digital world at the center of it.
This concept also extends into the music industry.
With so many artists being discovered on social media platforms, most notably TikTok in recent years, as well as the constant digital consumption of music through services such as Spotify, Apple Music, Pandora, YouTube and more, digital marketing has become quite a critical component in the modern day artist’s toolkit.
None understand this better than Jade Driver and Cassie Petrey, the co-founders of Crowd Surf.
The Crowd Surf team with AJ McLean of the Backstreet Boys. Photo: Courtesy of Crowd Surf
As one of the leading digital music marketing companies, Crowd Surf provides catered and specialized marketing services to a roster of established and rising artists and major labels, including past and current clients Jimmie Allen, Eric Church, Matthew West, Backstreet Boys, Camila Cabello, Britney Spears, AJR, Duran Duran, Loren Gray, Universal Music Group, Warner Music Group, Hollywood Records and RCA Records, among others.
As students at Middle Tennessee State University, the two women couldn’t have realized that the countless days of sitting in dorm rooms perusing the internet and their local band’s MySpace pages would lead to their now 15 year-old company.
“I always give credit to Cassie for seeing a business model and an opportunity in digital. I didn’t see it that clearly at first, but I trusted her,” Driver explains to MusicRow. “Cassie was a real visionary in understanding how that can be used as a marketing tool, especially in the MySpace days.”
Jade Driver, Cassie Petrey, and clients Max & Harvey. Photo: Courtesy of Crowd Surf
“I came across MySpace through a local band that had a flier and they talked about MySpace on it. I went and checked it out and started thinking, ‘Why don’t big bands use MySpace? Why is it just for college bands?'” Petrey recalls.
Petrey, who was a Warner college rep, ended up putting her money where her mouth was, taking over early-2000s band The Click Five‘s page. After showing promise with this underutilized platform, Petrey was quickly tasked with running all of the country music MySpace pages for Warner’s roster. Driver was also working at Warner in a temp position.
“I knew nothing about country music at the time because I just didn’t grow up with it, but I figured it out. I immersed myself in those artists and the demand grew,” she notes. “They also wanted help with Christian and comedy, but I was a temp so I couldn’t work more than 37.5 hours a week and I simply couldn’t do everything they were asking me to do in that time.” She adds, “And it was beyond MySpace. I was also the catch-all for everything else regarding helping build and run websites.”
However, during the early 2000s, there were no social media or digital marketing departments and, by extension, no budget for it either. As the pair were gearing up to graduate from MTSU, they realized that in order to find their pocket of success in the music industry, they would need to expand their offerings.
And so they did.
“At that point, it was all word of mouth and we started getting calls,” Driver shares. “We cut our first contract and started working on things together and then, before we knew it, we needed to get an intern. All of these things were happening and this business was bubbling, but there wasn’t a conversation of ‘let’s make a business plan’ or ‘we need to get money.’ It just happened,” she says with a chuckle.
Cassie Petrey with client Steven Tyler. Photo: Courtesy of Crowd Surf
Before they knew it, in August of 2007, they were down at the Murfreesboro Chamber of Commerce filling out paperwork and leaving with a business.
Now 15 years later, the company has offices in Nashville and LA, as well as remote employees stationed all across the country. While mostly tapped for digital marketing strategies, the Crowd Surf team explains that at the end of the day, they just want to help people, whether that’s through social media marketing rollouts, creating assets, making content calendars, single and album announcements, and more.
The team doesn’t stop there, though. Since digital touches nearly every part of an artist’s career in today’s industry, Crowd Surf has also been helpful in setting up music videos, and matching artists with producers and writers, Petrey explains.
“I was doing a pitch call for an independent artist who doesn’t have team members. She was posting TikToks of her doing acoustic songs and one of those songs started to go viral, so we matched her with a producer so that song could continue to have a trajectory.” She continues, “Arguably, that’s not digital’s job, but also digital can’t do their job if that song doesn’t continue to progress and exist. So, in a way, I do feel like that’s part of digital’s job because if I don’t figure out how to get the song produced, there’s nothing more to digitally market. It’s all really so intertwined at this point.”
Pictured (L-R): Matthew West, Jade Driver, and management client Anne Wilson
In the last few years, Driver and Petrey have taken Crowd Surf’s offerings to an even higher level as they’ve taken on artist management, with multiple artists utilizing their services and experience. As something that originally developed organically, the pair explain that it has become a much more serious endeavor and a larger part of the daily task and bandwidth of the company.
“The face of digital consumption has completely changed over the last 15 years. At the end of the day, people are consuming music digitally, they’re consuming music videos digitally, they’re buying things digitally, and these are all things that weren’t the norm when we started,” Driver states. “Now that is more the norm for everyone in their everyday lives, which has really expanded what we do. It’s not just the social media part of it anymore because everything’s digital and that’s really helped change the course of where we fit in and what we’ve added to our plate.”
Cover art for Cassie Petrey & Jade Driver’s podcast, How I Got Backstage
As the dynamic duo look ahead to the next 15 years of Crowd Surf, one of their major goals is to continue to expand their management client roster, as well as continuing to support their narrative as strong females in the music business. However, as their past clearly demonstrates, Crowd Surf will continue to change and grow in order for their client’s dreams to become a reality.
“We’ve changed a lot in the past 15 years. Honestly, we’ve changed a lot in the past 3 years,” Petrey notes. “Our service offerings have evolved a lot. We started off running MySpace pages and now we have a full service marketing agency and have launched an artist management branch to the company. We’re constantly evolving, and chances are we probably do a lot more than most people realize!”
“We help brands and artists tell their story,” Driver sums. “We really weave together who they are, what they stand for, and how their image and artistry reflects all of that.”
Shelby Kennedy Named Director Of A&R For ONErpm Nashville
/by Lorie HollabaughCourtesy of Shelby Kennedy
ONErpm has announced the hiring of Shelby Kennedy as Director of A&R, Nashville.
In his new role he will oversee all facets of client interaction for the company and will also be responsible for developing and implementing strategic business partnerships. Kennedy will report directly to Tim Wipperman, Managing Director for the local office.
A veteran publishing and record label executive with over 35 years of experience in Nashville, Kennedy is the rare executive to have served writer/publisher relations at both ASCAP and BMI. He also served as Director of A&R at Disney’s Lyric Street Records, and Vice President of Entertainment Relations for TuneCore for six years, among other senior positions.
In Kennedy’s first four years at Lyric Street, SheDaisy and Rascal Flatts both achieved multi-Platinum status. After joining the executive staff of BMI, Kennedy signed and strategically worked with many hitmakers, including Carrie Underwood, for whom he later helped create a major tour sponsorship.
As a songwriter he penned a song recorded by Ray Charles while still in college, and co-wrote the title hit “I’m a Survivor” on Reba McEntire’s third Greatest Hits album—which also became the theme song for her hit sitcom series, Reba—among others.
“Shelby brings a wonderful depth of experience to our seasoned and growing staff in Nashville,” Wipperman shares, noting that “ONErpm is focused on human service and transparent technology across all genres of music in this office and worldwide.”
“I’m excited to join the ONErpm family because it offers unique and distinguishable abilities to artists and labels,” Kennedy says. “For the love of music and its business, I’m fortunate to play a role in a company where limitations aren’t a challenge.”