
Jay DeMarcus. Photo: Courtesy of The GreenRoom
As one third of superstar country group Rascal Flatts, Jay DeMarcus has some notable experience in the country music industry.
After two decades of selling over 23 million albums, earning 17 No. 1 hits and nearly four dozen awards, and selling more than 11 million concert tickets, DeMarcus has spent the last few years taking his artist expertise and immersing himself into the business side of the industry.
DeMarcus launched his Christian music label, Red Street Records, in 2018 with flagship group Avalon and worship leader Lauren James. Over the next few years, the label slowly signed more artists to its roster, including Cade Thompson, Jason Crabb, Tom Yankton, and more.
At the beginning of 2022, DeMarcus added a new endeavor to the growing Red Street empire: Red Street Country.

Pictured (L-R, front row): Red Street Records Owner/Chairman Dan Crocket, Andrew Millsaps of Neon Union, Leo Brooks of Neon Union, Red Street Records Owner/CEO Jay DeMarcus and Red Street Records’ Kelly King; (L-R, back row): Red Street Records’ Kelly Rich, JAB Entertainment’s Aaron Benward, Jimmie Allen, Red Street Records’ Alex Valentine, and Red Street Records’ Harrison Sokoloff
With singer-songwriter Ryan Griffin as its flagship artist, the label has grown substantially since its launch, signing rising country duo Neon Union and forming an impressive team of industry executives, including Alex Valentine (General Manager), Kelly King (Sr. Director of A&R), Kelly Rich (Chief Operating Officer), Mike Craft (Chief Financial Officer), Andy Elliott (SVP of Country Promotion), and more.
MusicRow recently caught up with DeMarcus and Griffin to talk about the new country division, what the first few months have been like, and look ahead at the future of Red Street Records.
MusicRow: Why did you want to start a country division?
DeMarcus: When I first opened Red Street, I wanted to make sure it was something I was going to be good at and that I wasn’t just wasting everybody’s time. We started out really slow, signing a couple acts out of the gate. The more we got into it, the more we started to take some baby steps toward success. I realized it was something that I had a real passion for. I was really excited about the opportunity to pass on whatever experience I’d had in the last 22 years with Rascal Flatts to younger, up-and-coming artists and help them be prepare for things that I wish somebody had been around to tell me. That concept of being not only a label head, but also a quasi mentor, was really appealing to me.
When I figured out that I really loved doing this, at the end of last year I sat down with my business partner, Dan Crockett, and he asked what the next step for Red Street was. I said the logical next step would be to get into the country space because that’s where I’ve spent most of my career. After a couple of discussions, he said, “I think that makes a lot of sense. Let’s dive in and hire the team and find the artists that you want.” With Dan’s backing and support, I started to put a team together to launch our country division, but I didn’t have an artist.

Pictured (L-R): Dan Crockett, Owner/Chairman RSC; Ryan Griffin; Jay DeMarcus; Mark Lusk, former President, General Manager RSC. Photo: Cooper Smith
What made Ryan the perfect fit as Red Street’s flagship artist?
DeMarcus: I brought Ryan in to see if he was even interested in signing another record deal. He’d had some success launching “Salt, Lime & Tequila” by himself and worked very hard to turn that into a hit last summer.
After we had spent some time in the writers room together, I got to witness his work ethic and how talented he was, not only as a vocalist and musician, but as a songwriter. He was one of those people that I was really drawn to, even before there was a thought of opening up a country division. When we decided to green light the country division, my first thought was Ryan. I thought it would be a match made in heaven. Thank God, and thank Ryan, because he was open and excited about being a part of something new.
Ryan, what made you believe in this label and sign on?
Griffin: I previously had deals with Sony and then Warner Brothers, but when the pandemic hit, I got a call that I had been cut. I was trying to figure out what I was going to do next and I put out this song, “Salt, Lime & Tequila.” It ended up taking off and making a life of its own.

Ryan Griffin. Photo: Dove Shore
I got a phone call from Jay just after Thanksgiving and he asked me out for coffee. He told me what was going on and that he wanted me to be the flagship artist, and there was no second thought. That is what I had been praying for and what me and my wife had been dreaming of. I’ve done the majors and, to be completely frank, it just wasn’t a really good fit for me. I wanted a place that really felt like a family, and one thing that Jay has done incredibly well is cultivate this family dynamic within the label.
Jay is always available and comes at it from an artist’s perspective, which is amazing. I look at Jay as a mentor to to help me through some of these road bumps and to help me avoid some bumps because he’s been doing it for so long. I’m really thankful to be a part of a label where the head understands what it is to be an artist and the proper things to put our time, energy and resources behind.
Jay, what are some lessons you’ve learned since getting into the business side of the industry?
DeMarcus: One of the major things that I’ve learned is I love it very much. It’s very rewarding for me to be able to pass the baton to the next generation of country music stars.
I’ve also learned that there was so much more about the music business that I didn’t know. I’ve had to surround myself with really good people and, thank God, we’ve had really good people come to us that I can lean on and that can teach me the things that I don’t know. I didn’t understand the administrative side of running a label and the nuts and bolts that make a label run. The basics of running a business have been a fast education for me, and I’ve been grateful to have good people around me.
Who have been good resources for you as you’ve gotten into the business side of things?
DeMarcus: One thing that I don’t have is a shortage of dear friends in this town, and I pride myself on the relationships I’ve built. My manager, Clarence Spaulding, and Randy Goodman, who signed Rascal Flatts at Lyric Street Records and is now the head of Sony Nashville, have been on speed dial since I started this.
It’s been amazing to be able to dive into my digital Rolodex and look at all the people that I’ve been blessed to be friends with for over 25 years. They have been so gracious, kind and giving with their time and advice. Everybody’s been really supportive, and it’s been really overwhelming to see the support for Red Street from our community and friends so far.
What do you have planned for the next few months?
Griffin: We have been out across the country on our radio tour, and it’s been so cool to meet everybody face-to-face. We also have “Salt, Lime & Tequila” on country radio and we’ve been out touring with Old Dominion and Walker Hayes, so it’s been a blast.
We’re currently in the midst of our “Slow Down Sunrise Tour” and it’s just been incredible. Seeing people sing the lyrics of my songs back to me is something I’ve dreamed of my entire life. It’s been such a fun journey and knowing that I get to do that every night for the next couple months is a really good feeling. It’s an awesome experience knowing that the song is connecting, and I know that I have a family and team behind me that has my back, believes in me, and wants to see me succeed.
What are some of your goals for Red Street Country?
DeMarcus: The immediate goal for me is to be a real player in this industry because I’m really passionate about what we’re building over here. You can tell by some of the people that we’ve brought on to the staff and the people that we’ve already had on the team, that we’re bringing on people that are very experienced in the music industry. I’m really thrilled with the moves, promotions and new hires that we’ve made, and hopefully it makes the statement that we’re here to stay and leave our mark on the music industry. This is all I know how to do—I don’t know what my life would be like without music.
I’m really grateful for the opportunity.
DISClaimer Single Reviews: Kip Moore Steams Things Up With ‘If I Was Your Lover’
/by Robert K OermannAs fall approaches, the labels start scrambling to release new country sounds.
Established hit makers Kenny Chesney, Keith Urban and Craig Morgan are joined by a bevy of newcomers this week. Many of them are, hallelujah, women.
Kip Moore tops ‘em all with a sexy Disc of the Day.
The DISCovery Award goes to Wynn Williams. He sure sounds like a star to me.
LACI KAYE BOOTH / “Treasure”
Writers: Jimmy Robbins/Jessie Jo Dillon/Laci Kaye Booth/Laura Veltz; Producers: Dann Huff/Jimmy Harnen; Label: Big Machine
–Following a pandemic hiatus, CMT’s Next Women of Country is back. Wednesday’s show at City Winery featured this previous DISClaimer favorite, performing in her sensual, folkie style and charming everyone in sight. This deliciously tuneful bopper is drawn from her debut EP. “One man’s trash is another man’s treasure,” she purrs with just the right touch of minor-key menace in her delivery.
CRAIG MORGAN / “How You Make a Man”
Writers: Megan Conner/Michael Walton/Skip Black; Producers: Craig Morgan/Phil O’Donnell; Label: Broken Bow/BMG
–Craig’s memoir God, Family, Country comes out this month. Also new is this torrid performance. Tears, joy, loss, victory, defeat, pain, laughs, regret, fear and heartache mold a man, he emotes: “You hit your knees ‘til you learn to stand.” This Opry star sings like no one else.
JENNA PAULETTE / “The Girl I Was”
Writers: Jenna Paulette, Will Bundy, Jeb Gipson, Jessie Jo Dillon Producer: Will Bundy; Label: JP
–This Next Woman of Country 2022 class member is a Texas cowgirl with an impressive vocal range and plenty of performing confidence. Her current single is the wafting, highly listenable “El Paso,” which you should definitely pay attention to. At Wednesday’s City Winery performance, she stole hearts with this moving ballad about reclaiming your self respect. I remain a fan.
MICKEY GUYTON / “Somethin’ ‘Bout You”
Writers: Mickey Guyton/David Garcia/Tyler Hubbard; Producers: David Garcia/Tyler Hubbard; Label: Capitol
–Guyton returns, this time with a breezy, sunny romance tune. Happiness shining brightly. The Grammy-nominated Super Bowl anthem singer introduced it on NBC’s Today show last Friday.
WYNN WILLIAMS / “I Love Her for Leaving”
Writers: Brice Long/Wynn Williams; Producer: Trent Willmon; Label: ONErpm
–This neotraditionalist blazes through this stormy, mid-tempo country rocker with the aplomb of a pro. He has a solid, honest, Texas, honky-tonk delivery that’s impossible not to like. I caught the former rodeo cowboy at last week’s Whiskey Jam and was mighty impressed. Even in front of Winners’ packed, noisy throng of drunk college kids, Wynn’s music and charisma shone through. Can’t wait to hear more.
KENNY CHESNEY & OLD DOMINION / “Beer With My Friends”
Writers: David Lee Murphy/Shy Carter/Bryan Simpson; Producer: Buddy Cannon/Kenny Chesney; Listed: Warner
–This is a blue-collar sing-along if I’ve ever heard one. The very first thing in the track is the raucous, hooky chorus. Then the relentless stomper cranks up the mood even more. Undeniably a smash. The party anthem was previously a 2021 single for Cole Swindell with its authors Carter and Murphy.
JULIA COLE / “Thank God We Broke Up”
Writers: Cole Burkett/David Asher Mescon/Josh Ronen/Julia Cole/Steve Battey; Producer: Josh Ronen; Label: JC
–Cole is another of this year’s Next Women of Country, and she showed us why at this week’s showcase. And how. On this single, she’s wonderfully rocking and feisty. I have liked her empowering style in the past, and this witty kiss-off is a dandy fulfillment of her promise. Cole, Booth and Paulette’s CMT-promoted sisters also include Camille Parker, Tenille Arts, Callista Clark, Lily Rose, Reyna Roberts, Kittenish clothing entrepreneur Jessie James Decker and bodacious Hannah Dasher.
KIP MOORE / “If I Was Your Lover”
Writers: Kip Moore/Matt Bubel; Producers: Kip Moore/Matt Bubel/Jaren Johnson; Label: MCA
–Who says sexy songs have to be ballads? Moore rocks this one, Big Time, and steams up the speakers. The crystal-clear production and terrific beats match his passionate vocal perfectly.
BRYAN RUBY / “Two For the Road”
Writers: Anthony Liam Fiddler/Bryan Ruby/Chad Albert Sellers; Producer: Smith Curry; Label: BR
–It’s the toe-tapping one about the young lovers hitting the road and escaping their small-town lives. Springsteen did it way better with “Born to Run.”
KEITH URBAN / “Nightfalls”
Writers: Greg Kurstin/Keith Urban/Maureen McDonald; Producer: Greg Kurstin; Label: UMG
–Nice choppy rhythms underscore this upbeat, well-written, hooky invitation to romance.
CONNER SMITH / “Take It Slow”
Writers: Conner Smith/Mark Trussell/Ryan Hurd; Producer: Zach Crowell; Label: Valory
–It’s about kids on a date. It doesn’t have much of a melody. There is an intriguing electric-sitar kinda sound rippling in the background.
KENDELL MARVEL & CHRIS STAPLETON / “Don’t Tell Me How to Drink”
Writers: Kendell Marvel/Chris Stapleton; Producer: Beau Bedford; Label: CmdShft
–This likable hell-raisin’ outlaw stomper sounds like classic Hank Jr. Stapleton is mainly heard via fiery electric guitar work.
Riser House Entertainment Promotes Brandon Perdue To SVP Of A&R And Publishing
/by LB CantrellBrandon Perdue
Riser House Entertainment’s Brandon Perdue has been promoted to SVP of A&R + Publishing.
Since joining the company four years ago, Perdue has developed hit songwriters Dallas Wilson and Michael Whitworth. He has been heavily involved in the past few years of Mitchell Tenpenny’s career, including setting up the session that produced his and Chris Young’s latest No. 1 hit, “At The End of A Bar.” Additionally, Perdue oversaw the production of Dillon Carmichael’s latest album, Son of A, working alongside producers Jon Pardi, Dann Huff, Ryan Gore and Phil O’Donnell.
Riser House’s publishing division currently oversees the songwriting careers of Tenpenny, Wilson, Whitworth and Carmichael, and has also recently completed a catalog purchase from The Song Factory, including hits from writers Pardi, Butler, Ashley McBryde, Dustin Lynch, and more. On the records side, the roster includes Tenpenny (in partnership with Sony Nashville), Carmichael and Meghan Patrick, along with several label services clients.
“Brandon has proven himself a key leader in our company with his ability to manage artists and songwriters, helping them to achieve great success,” says Riser House Entertainment Founder/CEO Jennifer Johnson. “Under his helm, Riser House has seen many hits as a young, boutique label and publishing company. As an A&R executive, Brandon has incredible sensibilities and knows how to help artists navigate their sound, fostering them to make artful and commercial records. He’s one of the best A&R and Publishing executives in our business, and I’m excited to see where he can take us as we continue to grow both our office and our roster.”
“I’m incredibly proud of what we’ve been able to build at Riser House over the past few years,” adds Perdue. “Our approach is ‘small but mighty’, and everyone on our roster currently has multiple things to be excited about because we are able to take a laser-focused approach with each creative we partner with. I can’t wait to see what the next four years hold for our current team and the new crop of talent we’ll be bringing on board over the next year.”
Congratulate Perdue at brandon@riserhouse.com.
CMA Expands Global Reach With Visits To Australia, New Zealand, Canada
/by Lorie HollabaughThe CMA is expanding its international reach this month with visits to Australia, New Zealand, and Canada. The CMA Fest summer TV special is also set to air in multiple territories through the end of September.
The organization kicks off this month with visits to Australia and New Zealand, curating unique events with Kane Brown and Shy Carter, plus Australian artist Melanie Dyer.
While in Australia, CMA will partner with performing rights organization APRA AMCOS for SongHubs Country, a four-day songwriting camp running from Sept. 1-4. CMA Vice President, International Relations and Development Milly Olykan will serve as curator for the event, handpicking 12 participants to work alongside Carter and Dyer to write and produce a commercial hit.
CMA will also have a presence at BigSound, Australia’s leading music industry conference on Sept. 7. Serving as keynote speaker, Olykan will highlight the growth and potential of country music within Australia’s mainstream music culture as part of an interview with Natalie Waller, Chairman of the Australian Recording Industry Association and Head of Music & Events for the Australian Broadcasting Corporation. In addition, CMA will host a songwriters round at BigSound featuring Carter with local artists James Johnston, Fanny Lumsden and Loren Ryan.
Rounding out the visit, CMA’s Australian Task Force will host a reception on Sept. 23 at the CMA-sponsored Backstage Bar at CMC Rocks, returning this year after a two-year hiatus.
In New Zealand, CMA will partner with Sony Music New Zealand and Frontier Touring to host a pre-show reception with Brown on Sept. 25 leading into his performance at Spark Arena in Auckland. This marks Brown’s first performance in New Zealand, and the country’s first major country event since 2016.
CMA will also have a presence in Canada for the CCMA Country Music Week Conference and Festival and the Canadian Country Music Awards from Sept. 8-12.
“Undertaking new initiatives in Australia, and for the first time in New Zealand, is all the more special now that borders are open and our live business can resume again,” Olykan explains. “We have an incredible network in these markets, and we’re excited to be forging the many new relationships we’ve gathered over Zoom these last two years. CMA is grateful that the various broadcasters we have around the world have continued to carry CMA’s three network shows, giving country music artists mainstream exposure in multiple international territories.”
To date, the 2022 CMA Fest program has also been licensed in five international territories, including Canada and the UK. Upcoming airings are scheduled for Mexico (Sept. 4), Norway (Sept. 16), and Germany (Sept. 28).
Jay DeMarcus Gives A Glimpse Inside New Red Street Country Label Division [Interview]
/by Lydia FarthingJay DeMarcus. Photo: Courtesy of The GreenRoom
As one third of superstar country group Rascal Flatts, Jay DeMarcus has some notable experience in the country music industry.
After two decades of selling over 23 million albums, earning 17 No. 1 hits and nearly four dozen awards, and selling more than 11 million concert tickets, DeMarcus has spent the last few years taking his artist expertise and immersing himself into the business side of the industry.
DeMarcus launched his Christian music label, Red Street Records, in 2018 with flagship group Avalon and worship leader Lauren James. Over the next few years, the label slowly signed more artists to its roster, including Cade Thompson, Jason Crabb, Tom Yankton, and more.
At the beginning of 2022, DeMarcus added a new endeavor to the growing Red Street empire: Red Street Country.
Pictured (L-R, front row): Red Street Records Owner/Chairman Dan Crocket, Andrew Millsaps of Neon Union, Leo Brooks of Neon Union, Red Street Records Owner/CEO Jay DeMarcus and Red Street Records’ Kelly King; (L-R, back row): Red Street Records’ Kelly Rich, JAB Entertainment’s Aaron Benward, Jimmie Allen, Red Street Records’ Alex Valentine, and Red Street Records’ Harrison Sokoloff
With singer-songwriter Ryan Griffin as its flagship artist, the label has grown substantially since its launch, signing rising country duo Neon Union and forming an impressive team of industry executives, including Alex Valentine (General Manager), Kelly King (Sr. Director of A&R), Kelly Rich (Chief Operating Officer), Mike Craft (Chief Financial Officer), Andy Elliott (SVP of Country Promotion), and more.
MusicRow recently caught up with DeMarcus and Griffin to talk about the new country division, what the first few months have been like, and look ahead at the future of Red Street Records.
MusicRow: Why did you want to start a country division?
DeMarcus: When I first opened Red Street, I wanted to make sure it was something I was going to be good at and that I wasn’t just wasting everybody’s time. We started out really slow, signing a couple acts out of the gate. The more we got into it, the more we started to take some baby steps toward success. I realized it was something that I had a real passion for. I was really excited about the opportunity to pass on whatever experience I’d had in the last 22 years with Rascal Flatts to younger, up-and-coming artists and help them be prepare for things that I wish somebody had been around to tell me. That concept of being not only a label head, but also a quasi mentor, was really appealing to me.
When I figured out that I really loved doing this, at the end of last year I sat down with my business partner, Dan Crockett, and he asked what the next step for Red Street was. I said the logical next step would be to get into the country space because that’s where I’ve spent most of my career. After a couple of discussions, he said, “I think that makes a lot of sense. Let’s dive in and hire the team and find the artists that you want.” With Dan’s backing and support, I started to put a team together to launch our country division, but I didn’t have an artist.
Pictured (L-R): Dan Crockett, Owner/Chairman RSC; Ryan Griffin; Jay DeMarcus; Mark Lusk, former President, General Manager RSC. Photo: Cooper Smith
What made Ryan the perfect fit as Red Street’s flagship artist?
DeMarcus: I brought Ryan in to see if he was even interested in signing another record deal. He’d had some success launching “Salt, Lime & Tequila” by himself and worked very hard to turn that into a hit last summer.
After we had spent some time in the writers room together, I got to witness his work ethic and how talented he was, not only as a vocalist and musician, but as a songwriter. He was one of those people that I was really drawn to, even before there was a thought of opening up a country division. When we decided to green light the country division, my first thought was Ryan. I thought it would be a match made in heaven. Thank God, and thank Ryan, because he was open and excited about being a part of something new.
Ryan, what made you believe in this label and sign on?
Griffin: I previously had deals with Sony and then Warner Brothers, but when the pandemic hit, I got a call that I had been cut. I was trying to figure out what I was going to do next and I put out this song, “Salt, Lime & Tequila.” It ended up taking off and making a life of its own.
Ryan Griffin. Photo: Dove Shore
I got a phone call from Jay just after Thanksgiving and he asked me out for coffee. He told me what was going on and that he wanted me to be the flagship artist, and there was no second thought. That is what I had been praying for and what me and my wife had been dreaming of. I’ve done the majors and, to be completely frank, it just wasn’t a really good fit for me. I wanted a place that really felt like a family, and one thing that Jay has done incredibly well is cultivate this family dynamic within the label.
Jay is always available and comes at it from an artist’s perspective, which is amazing. I look at Jay as a mentor to to help me through some of these road bumps and to help me avoid some bumps because he’s been doing it for so long. I’m really thankful to be a part of a label where the head understands what it is to be an artist and the proper things to put our time, energy and resources behind.
Jay, what are some lessons you’ve learned since getting into the business side of the industry?
DeMarcus: One of the major things that I’ve learned is I love it very much. It’s very rewarding for me to be able to pass the baton to the next generation of country music stars.
I’ve also learned that there was so much more about the music business that I didn’t know. I’ve had to surround myself with really good people and, thank God, we’ve had really good people come to us that I can lean on and that can teach me the things that I don’t know. I didn’t understand the administrative side of running a label and the nuts and bolts that make a label run. The basics of running a business have been a fast education for me, and I’ve been grateful to have good people around me.
Who have been good resources for you as you’ve gotten into the business side of things?
DeMarcus: One thing that I don’t have is a shortage of dear friends in this town, and I pride myself on the relationships I’ve built. My manager, Clarence Spaulding, and Randy Goodman, who signed Rascal Flatts at Lyric Street Records and is now the head of Sony Nashville, have been on speed dial since I started this.
What do you have planned for the next few months?
Griffin: We have been out across the country on our radio tour, and it’s been so cool to meet everybody face-to-face. We also have “Salt, Lime & Tequila” on country radio and we’ve been out touring with Old Dominion and Walker Hayes, so it’s been a blast.
We’re currently in the midst of our “Slow Down Sunrise Tour” and it’s just been incredible. Seeing people sing the lyrics of my songs back to me is something I’ve dreamed of my entire life. It’s been such a fun journey and knowing that I get to do that every night for the next couple months is a really good feeling. It’s an awesome experience knowing that the song is connecting, and I know that I have a family and team behind me that has my back, believes in me, and wants to see me succeed.
What are some of your goals for Red Street Country?
DeMarcus: The immediate goal for me is to be a real player in this industry because I’m really passionate about what we’re building over here. You can tell by some of the people that we’ve brought on to the staff and the people that we’ve already had on the team, that we’re bringing on people that are very experienced in the music industry. I’m really thrilled with the moves, promotions and new hires that we’ve made, and hopefully it makes the statement that we’re here to stay and leave our mark on the music industry. This is all I know how to do—I don’t know what my life would be like without music.
I’m really grateful for the opportunity.
AmeriCountry Radio Prep Service Partners With Nashville Radio Host Becca Walls
/by Lorie HollabaughBecca Walls
Country radio show prep service AmeriCountry has partnered with longtime Nashville-based country radio host and correspondent Becca Walls to provide artist content for AmeriCountry affiliates.
The new AmeriCountry content from Walls includes the hottest country stars and up-and-coming artists from backstage, award shows and one-on-one interviews, as well as topical audio, relationship set-ups, and more.
Walls has been a radio host and on-air correspondent with 16 years at Cumulus Nashville’s 103.3 Country/WKDF-FM. She currently works for Nashville’s Big Machine Label Group as in-house artist interviewer and manager of audio content creation for Big Machine Radio and the BMLG Weekly Prep. Walls also provides Nashville news reports daily for the syndicated radio show Bud and Broadway as “Sweet Becca from the Country Mecca.”
Co-founded and co-produced by Jason Hillery and Mike Marino, AmeriCountry offers show content specifically tailored to country radio listeners, delivered to stations via a user-friendly platform that makes show prep easier and more complete.
“Becca’s access to the country music world is incredible,” Hillery notes. “Working with Becca on anything… literally, anything, is a home run! Having her on our content team at AmeriCountry is something we’re truly grateful for.”
Abram Dean Inks With Concord Music Publishing
/by Lydia FarthingPictured (L-R): Jen Hubbard, Courtney Allen, Matt Turner, Abram Dean, Brad Kennard, and Ashley Nite
Concord Music Publishing has inked a deal with Nashville-based pop and country songwriter Abram Dean, covering all of his future works.
Originally from a small town outside of Richmond, Virginia, Dean began writing songs at 12 years old. He eventually landed in Los Angeles, where he worked with some of the industry’s top talents. In 2015, he decided to move to Nashville and has continuously garnered attention across the pop and country music genres.
Dean’s recent songwriting credits include tracks from MaRynn Taylor’s debut EP Slow Dance in Headlights (2022), Greylan James’ Anything Cold (2022), Dylan Marlowe’s “Where I Come From Coming Out” (2021), Amanda Jordan’s Pretty Girl (2021), and more.
“From the first couple of meetings with Abram, it was evident to me that he’s not going to settle for average,” says Matt Turner, Senior Director of A&R at Concord Music Publishing in Nashville. “His drive, his country upbringing, his pop melody sensibilities, and his amazing voice, combined with the fact that he’s just a great guy really set him up to be one of Nashville’s next big hit makers. Abram is an amazing new addition to the Concord roster, and I couldn’t be more excited to work with him!”
“I feel like I’ve found that ‘home’ that everyone is searching for in this crazy industry,” Dean notes. “I couldn’t be more excited to work with Matt Turner and the rest of the Concord team.”
CCMA-Nominated Grant Vogel Joins MV2 Entertainment’s Publishing Roster
/by Liza AndersonPictured (L-R): Josh Tomlinson – BMI Director, Creative; Tony Harrell – MV2 General Manager; Grant Vogel; David Crow – Milom Horsnell Crow Kelley Beckett Shehan, PLC; Nicole Sherrill – MV2 Creative Director; Ben Strain – MV2 Senior Creative Director; Jason Turner – Keller Turner Andrews & Ghanem, PLLC. Photo: Courtesy of MV2 Entertainment
MV2 Entertainment has signed CCMA-nominated singer, songwriter, producer, and multi-instrumentalist Grant Vogel for exclusive publishing representation.
The Memphis native has written and produced songs for Brett Young, David Nail, Tenille Arts, Steve Moakler, Madeline Merlo, Levi Hummon and Dylan Rockoff. He has also composed a top 10 at Canadian country radio for The Washboard Union.
Vogel penned and produced Nail’s current single “Sunset Carousel,” and is currently working with Nail on his upcoming project–as well as several others.
“From the moment I met Grant, he blew me away,” says MV2 Entertainment Creative Director Nicole Sherrill. “From his incredible tracks, fantastic resume, and his unmatched work ethic, I knew he was the perfect addition to our MV2 family. I am so excited to be along for the ride as Grant grows into one of the town’s top writers/producers!”
“I’m incredibly excited to be joining such a great team of people at MV2,” adds Vogel. “I’m really looking forward to growing in my career with them.”
Vogel joins a roster that includes hit writer Josh Thompson (“One Margarita” for Luke Bryan; “Wasted on You” for Morgan Wallen), songwriter and former Walker McGuire duo member Johnny McGuire, singer-songwriter and producer Forrest Finn, and rising artist-songwriters Blake Henderson, Joe Whelan and Andrew Stone.
Brandi Carlile, Lukas Nelson, Morgan Wade, More Set To Perform At Americana Honors & Awards
/by Lorie HollabaughThe performers and presenters have been announced for the upcoming 21st annual Americana Honors & Awards at Nashville’s Ryman Auditorium on Sept. 14.
This year’s Honors & Awards will deliver performances from award winning legends, buzzworthy new artists and longtime fan favorites, including Adia Victoria, Allison Russell, Brandi Carlile, Buddy Miller, Chris Isaak, Fairfield Four, Indigo Girls, James McMurtry, Lucinda Williams, Lukas Nelson, The McCrary Sisters, Morgan Wade, Neal Francis, Phosphorescent, Sierra Ferrell and The War And Treaty.
Presenters for the upcoming awards include Allison Moorer, Dom Flemons, Hayes Carll, Jerry Douglas, Lucius, Lyle Lovett, The Milk Carton Kids and Molly Tuttle. In addition to the annual awards presented, this year’s Lifetime Achievement Award Honorees will go to Al Bell, Chris Isaak, Don Williams, Fairfield Four and the Indigo Girls.
The 2022 Honors & Awards show will stream live via Circle Network’s Facebook, Twitter and YouTube channels and NPRMusic.org, with live audio simulcasts available via SiriusXM’s Outlaw Country, and on Nashville area radio stations WRLT (100.1 FM), WSM (650 AM) and WMOT (89.5 FM).
Circle Network will also air the Honors & Awards during a later broadcast on Nov. 23. The program will also be broadcast on PBS in 2023.
Landmark Agreement For Phonorecords IV Proceeding Announced
/by LB CantrellOn Wednesday afternoon (Aug. 31), the National Music Publishers’ Association (NMPA), the Nashville Songwriters Association International (NSAI) and the Digital Media Association (DiMA) announced a landmark agreement for the Phonorecords IV Proceeding, resulting in higher mechanical rates for songwriters.
The agreement set the mechanical streaming rates in the U.S. for the years 2023-2027. The headline royalty rate will be set at 15.35%, which will be phased in over the five-year term. Now that the Mechanical Licensing Collective is fully operational, it will help deliver commission-free royalty payments, as set forth by the Music Modernization Act (MMA).
According to the NMPA, the deal also includes a number of changes to other components of the rate, including increases to the per-subscriber minimums and the “Total Content Costs (TCC)” calculations which reflect the rates that services pay to record labels.
In addition to NMPA and NSAI, this agreement was supported by DiMA member companies, Amazon, Apple, Google, Pandora, and Spotify.
Of the news, NMPA President & CEO David Israelite says, “This historic settlement is the result of songwriters making their voices heard. Instead of going to trial and continuing years of conflict, we instead move forward in collaboration with the highest rates ever, guaranteed. We thank the digital services for coming to the table and treating creators as business partners. Critically, since this is a percentage rate, we know that as streaming continues to grow exponentially, we will see unprecedented value of songs.”
NSAI Executive Director Bart Herbison adds, “This collaborative process will lead to increased songwriter compensation from digital streaming companies and locks in our historic 43.8% increase from the previous CRB proceeding. Along with the upward rate momentum there are also new structures to help ensure minimum payments.”
“This agreement represents the commitment of the streaming services to bringing the best music experiences to fans and growing the streaming ecosystem to the benefit of all stakeholders, including the creative foundation of songwriting,” sums DiMA President and CEO Garrett Levin. “For streaming services, this moment presents an opportunity to pursue new collaborations with publishers and songwriters in the context of economic certainty that will support continued innovation. Perhaps more than anything, this agreement demonstrates the potential for industry progress when parties come to the table for good faith discussions.”
Lindsay Conlin Promoted To SVP Of Revenue At Exactuals
/by Lorie HollabaughLindsay Conlin
Lindsay Conlin has been elevated to SVP of Revenue at Exactuals, a leading provider of solutions for complex payments, royalties, and metadata in the entertainment and insurance industries. She is based in Nashville and will report to Exactuals CEO Bryan Walley.
In her new role, Conlin will oversee all sales and marketing operations for the company and its suite of products, including flagship platform, PaymentHub, and royalty calculation and statement generation service SR1.
Conlin previously served as Director of Business Development at the company, where she focused on building partnerships, negotiating deals, developing marketing strategies, and more. She played a key role in finalizing deals with more than 100 labels, publishers, libraries, and distributors in the music and literary publishing spaces. She has also been an advocate for proper metadata in the music industry, receiving a nomination for the Master of Metadata Award at the 2022 Music Biz Annual Conference.
Prior to joining Exactuals in 2018, Conlin worked at Big Machine Label Group in the Partnership Marketing and Promotion Strategy department. Following that, she created DotDot, a custom software development company helping music businesses improve, manage, and utilize information. DotDot joined Exactuals in 2018.
“Lindsay has played an integral part in Exactuals’ success from the moment she joined the company in 2018,” notes Mike Hurst, Chairman of Exactuals. “Lindsay is a trusted and inspiring leader, and her promotion to SVP of Revenue comes with my utmost confidence and excitement. She continues to develop new business and bring our flagship products, PaymentHub and SR1, to new clients while continuing in her efforts in fostering payment and data best practices across the entertainment industry.”
“I am excited to be leading Exactuals forward in this next chapter shoulder to shoulder with an executive as incredible and deserving as Lindsay,” Walley adds. “The current momentum Exactuals has is in no small part due to the work Lindsay has been doing in attracting and completing deals with new clients, and I’m excited to see her continue to grow in her new role as SVP of Revenue.”
“My last four years at Exactuals have been an amazing opportunity for learning and growth. I am honored to have been given this opportunity to serve as SVP of Revenue and can’t thank the team enough for believing in me,” Conlin notes. “Ever since I arrived at Exactuals, I have strived to lead the charge for robust and proper payment systems and practices in the entertainment industry. I can’t wait to see what the future holds as we continue to modernize payments and data across the entertainment landscape, easing the process for payers and ensuring payees get what they are owed.”