Lou Taylor’s Tri Star Sports And Entertainment Group Awards Scholarship To Spelman College

Lou Taylor, CEO of Tri Star Sports & Entertainment Group.

Tri Star Sports And Entertainment Group CEO Lou Taylor has created a new Sports & Entertainment Finish Line grant program to offer support for Black students who have excelled in school and need financial support to complete their degree. The first recipient of the $70,000 Finish Line Scholarship will be Spelman College, the No. 1 ranked Historically Black College or University (HBCU) in the nation by U.S. News & World Report.

In June of 2020, Taylor and the Tri Star leadership team determined they would create action items that supported the Black Lives Matter Movement, which lead to creating a college grant program that could serve the Black community. Tri Star worked with Spelman President Dr. Mary Schmidt Campbell and Vice President for Institutional Advancement Jessie Brooks to create the scholarship.

Photo: Courtesy of Spelman College

“When we announced to the Tri Star staff which HBCU we were going to partner with for our scholarships, many staff members shared their personal success stories and how the financial support they received along the way made such a difference for them and their families, says Taylor. “Among them was a staff member with their own Spelman story. We knew right then and there we had made the right choice by partnering with Spelman College for our Finish Line Scholarship.”

Taylor revealed plans to establish future opportunities for Spelman students, and the fund will continue to offer financial support to those who are nearing their last days with the school. Tri Star hopes to be able to grow the scholarship program each year, providing more funds to more students in the years to come.

Lauren Daigle World Tour Set For Fall

Lauren Daigle

Lauren Daigle is launching her new World Tour on Sept. 24 that will include 26 dates and will wrap in Nashville on Nov. 19 at Bridgestone Arena. The War and Treaty will join Daigle as special guests on the new tour.

The tour will in make stops in Kansas City, Atlanta, Orlando, Houston, and New Orleans before wrapping in Nashville on Nov. 19. Tickets are now on sale at laurendaigle.com/tour.

The new tour will feature all-new stage production, design, and feature plenty of Daigle’s hits, including her latest No. 1 single “Hold On To Me,” the Platinum-selling “Rescue,” and the 4x Platinum No. 1 single “You Say,” as well as tracks from her previous Platinum-selling album, How Can It Be.

Since the release of her Grammy-winning, Platinum album Look Up Child, Daigle has reigned on the Billboard charts. The album debuted at No. 3 on the Top 200 Albums chart making Daigle the first female artist to simultaneously hit the Top 10 on both Billboard’s Pop and Christian album charts. In addition, the Grammy-winning crossover hit, “You Say,” became the longest-running No. 1 of any genre on the weekly Billboard Hot charts at 129 weeks and was recently certified 4x-platinum by the RIAA. Her latest single “Hold On To Me” is Daigle’s fifth No. 1 and has given her the record of most No. 1s among women on the Hot Christian Songs chart.

Lauren Daigle World Tour:
September 24th – Allen County War Memorial Coliseum – Fort Wayne, IN
September 25th – Ford Center – Evansville, IN
September 26th – T-Mobile Center – Kansas City, MO
September 30th – State Farm Arena – Atlanta, GA
October 1st – Amway Center – Orlando, FL
October 2nd – BB&T Center – Sunrise, FL
October 7th – North Charleston Coliseum – North Charleston, SC
October 8th – Scope Arena – Norfolk, VA
October 9th – Berglund Center – Roanoke, VA
October 14th – Lafayette CAJUNDOME – Lafayette, LA
October 15th – First National Bank Arena – Jonesboro, AR
October 16th – Von Braun Center’s Propst Arena – Huntsville, AL
October 21st – Denny Sanford Premier Center – Sioux Falls, SD
October 22nd – Target Center – Minneapolis, MN
October 23rd – Resch Center – Green Bay, WI
October 28th – Grossinger Motos Arena – Bloomington, IL
October 29th – Chi Health Center Omaha – Omaha, NE
October 30th – Chaifetz Arena – St. Louis, MO
November 4th – Toyota Center – Houston, TX
November 5th – Frank Erwin Center – Austin, TX
November 6th – Smoothie King Center – New Orleans, LA
November 11th – Schottenstein Center – Columbus, OH
November 12th – Giant Center – Hershey, PA
November 13th – Huntington Center – Toledo, OH
November 18th – Rupp Center – Lexinton, KY
November 19th – Bridgestone Arena – Nashville, TN

DISClaimer Single Reviews: Brad Paisley, Tyler Booth, Ernest

Brad Paisley

The winners here are all gentle persuaders.

Country music makers often make the mistake of believing that listeners need to be hit over the head to get them to pay attention. Defying that mindset today are the subtle and charming Brittney Spencer, Ernest, Jameson Rodgers and our Disc of the Day winner, Brad Paisley. Our Fourth of July superstar drops his “City of Music” tomorrow. Get ready to be impressed.

Our DisCovery Award winner comes to us from Sony, a busy company that accounts for four of our DisClaimer entries this week. It’s Tyler Booth with his dandy “Beautiful Outlaw.”

TYLER BOOTH / “Beautiful Outlaw”
Writers: Buddy Owens/Phil O’Donnell/Tyler Booth; Producer: Phil O’Donnell; Label: Villa 40/Sony Music Nashville
— The solid “outlaw” beat and the drawling, personality-plus vocal draw you in at once. The clever lyric does the rest of the work. I’m in.

ROSS ELLIS / “I Wish You Would”
Writers: Dan Fernandez/Michael Whitworth/Ross Ellis; Producer: Brandon Hood/Dann Huff; Label: RCA Nashville
— It’s well produced, and his pleading vocal is on the money. The song seems kinda masochistic to me.

KYLIE MORGAN / “Shoulda”
Writers: Kylie Morgan/Shane McAnally/Ben Johnson; Producer: Shane McAnally/Ben Johnson; Label: EMI
— Rocking and sexy. She has a pert, saucy vocal style. The stomping, guitar-screaming track is mixed a little too high, threatening to thoroughly overwhelm her. Tone it down.

BRAD PAISLEY / “City of Music”
Writers: Brad Paisley/Lee Thomas Miller/Ross Copperman; Producer: Ross Copperman/Luke Wooten; Label: Arista
— It’s a musical love letter to Nashville. A wonderful song, delivered by one of our greatest artists.

ERNEST / “American Rust”
Writers: Ernest/Rodney Clawson/Jordan Reynolds; Producer: Joey Moi; Label: Big Loud
— This new artist is an award-winning songwriter (as Ernest Keith Smith), having been behind hits by FGL, Sam Hunt, Morgan Wallen and Chris Lane. On disc, he is a marvelously evocative story teller. Over a shuffling beat, he softly sings of heartland America in a lyric loaded with vivid imagery. A superb debut.

RAY STEVENS / “Gas”
Writers: Barry Smith; Producer: Ray Stevens; Label: MCC/Curb
— Pun after pun after pun after pun … about farting. Goofy and maybe a little crass, but awfully clever. His legendary zaniness remains intact.

JAMESON RODGERS / “When You Think of Mississippi”
Writers: Jake Mitchell/Jameson Rodgers/Josh Miller/Smith Ahnquist; Producer: Chris Farren/Jake Mitchell; Label: River House/ Columbia
— Beautifully done. Heartfelt, wistful, dreamy and country all the way. This guy is the bomb and should be a star.

CLAY WALKER / “You Look Good”
Writers: Clay Walker/Jaron Boyer/Michael Tyler; Producer: Michael Knox/Jaron Boyer; Label: Show Dog Nashville
— She looks attractive to him no matter the setting. It’s a simple sentiment, simple production and simple performance. A little too simple. I liked his last single better. Pass.

BRITTNEY SPENCER / “Sober & Skinny”
Writers: none listed; Producer: none listed; Label: BS
— Very nice. Over a gently rolling rhythm, she plaintively sings of the little failings we all have. Most especially, she relates to the imperfections in a relationship—“when you get sober, I’ll get skinny.” There is magic in her voice, an instrument of lovely nuances and beautifully turned phrases. Open the door and let her in.

TRACY LAWRENCE & EDDIE MONTGOMERY / “Price of Fame”
Writers: Tracy Lawrence/Brad Arnold/Rick Huckaby; Producer: Tracy Lawrence/Flip Anderson; Label: TL
— These two veterans sound completely authentic on this rolling anthem about the cost of living your life on the country-music highway. Produced with clarity and sung with finesse.

BRELAND & KEITH URBAN / “Throw It Back”
Writers: Daniel Breland/Keith Urban/Sam Sumser/Sean Small; Producer: Sam Sumser/Sean Small; Label: Bad Realm/Atlantic
— It’s a thumpy, banjo-laced banger that combines Urban’s soaring tenor with Breland’s droll, dry, quasi-rapped electronically-processed baritone. It’s quite repetitive, but that’s the way pop and hip-hop are, right?

NOAH SCHNACKY & JIMMIE ALLEN / “Don’t You Wanna Know”
Writers: Noah Schnacky/Joshua Wade Dorr/Dylan Guthro; Producer: Dylan Guthro; Label: Big Machine
— Noah brings youthful verve to this, and Jimmie rides along gamely. Electronic burbles of sound, synth beats and a murky hip-hop vibe are all deployed. But the whole thing sounds aimless and vague. I think the gist of the “song” is talking a city girl into loving a country boy, but beyond that, I find no real point to it.

NMPA Honors Taylor Swift, Sarah Trahern; Announces Lawsuits At Annual Meeting

 

The National Music Publishers’ Association (NMPA) virtually held its 2021 Annual Meeting celebrating creators and executives, giving a clear picture of the publishing industry through new data, and more.

The meeting’s premiere honor went to singer-songwriter Taylor Swift who was presented the NMPA Songwriter Icon Award. Celebrating Swift with a personal tribute, Sara Bareilles performed her hit “Clean” and said, “Ms. Taylor Swift has proven herself over and over again to be an extraordinary storyteller, an innovator, a leader, an advocate, an activist, and this woman shows no signs of stopping.” At the top of the show, up-and-coming talent Priscilla Block performed a medley of Swift’s biggest hits.

Swift accepted the NMPA Songwriter Icon Award by naming her most impactful influences including Max Martin, Jack Antonoff, Aaron Dessner and UMPG Nashville Chairman & CEO Troy Tomlinson. “I’m really, really honored to be receiving this award because it honors the part of my job that is so magical and mystifying to me still,” she said. Swift went on to compliment NMPA Board member and songwriter Liz Rose, who she said “is someone who spent hours and hours and hours with me when there was absolutely no sign that anything would happen in my career.” She also thanked NMPA Board member UMPG Chairman & CEO Jody Gerson, “for being such a champion of female songwriters throughout the industry.”

Additionally, Country Music Association (CMA) CEO Sarah Trahern was given the NMPA Industry Legacy Award for all of her efforts to modernize and expand the genre and to support the songwriters who form its foundation. Singer-songwriter Luke Bryan celebrated Trahern saying, “I think through the everchanging world of the music business, Sarah has continued to evolve with it and allow our wonderful industry to prosper and watch Nashville grow and watch the CMA grow under her leadership.”

Among the programming at the NMPA Annual meeting was a keynote from The Ringer network founder Bill Simmons, who spoke about his upcoming music docuseries with HBO and UMPG’s Gerson and Marc Cimino which will chronicle iconic moments throughout history in the industry.

Peermusic Executive Chair Ralph Peer II received a surprise tribute for his 50 years of service on the NMPA Board of Directors from NMPA Board Chairman Irwin Robinson, legendary composer and producer David Foster, singer-songwriter and producer Poo Bear, and peermusic CEO Mary Megan Peer. Ms. Peer said, “I know that you have chosen to spend 50 years serving on the board of the NMPA due to the special relationship NMPA creates between music publishers, songwriting colleagues and the government.”

During his annual State of the Industry speech, NMPA President & CEO David Israelite announced new enforcement actions being taken against “rampant infringers in the gaming industry,” such as Roblox. NMPA’s lawsuit, filed today on behalf of a dozen publisher plaintiffs, will seek damages in the amount of no less than $200 million for the exploitation of music without proper licenses.

Israelite said, “They’ve made hundreds of millions of dollars by requiring users to pay every time they upload music onto the platform—taking advantage of young people’s lack of understanding about copyright – and then they take virtually no action to prevent repeat infringement or alert users to the risks they are taking.”

Additionally, Israelite officially launched a major ramp-up of its takedown campaign against Amazon-owned Twitch, another of the world’s most popular video creation and gaming platforms with over nine million active streamers. “Twitch should serve its users by fully licensing music which would allow the platform to flourish and copyright owners to be properly compensated,” Israelite said.

Israelite also discussed the growth in the music publishing industry, announcing 2020’s total revenue as $4,076,829,040, a 9.6% increase from 2019. He said, “it is important to understand the impact that COVID has had on that year. Even though the world felt the effects of COVID back in March of 2020, because of the delayed nature of much of the revenue streams for the publishing industry, there was a later impact to the industry, but it also means it will continue later in [2021] as we continue out of that problem.” He also detailed the split in revenue categories as: Performance 51.5%; Sync 23.4%; Mechanical 20.2%; and Other 4.9%. “Mechanicals grew once again to 20.2% despite the fact that you have some mechanical categories that are shrinking rapidly. It’s because of the growth of the mechanical part of interactive streaming that the category overall grew,” Israelite added.

AIMP Holds 4th Annual Global Music Publishing Summit

The Association of Independent Music Publishers (AIMP) held its 4th annual Global Music Publishing Summit online this week (June 7 – 9).

The summit kicked off with Creator Day on June 7, followed by Business of Publishing Day on June 8, and wrapping with International Day on June 9.

Below are some highlights:

The online programming June 7’s Creator Day started with a welcome from AIMP National Chair and Nashville Chapter President John Ozier, Los Angeles Chapter President Teri Nelson Carpenter, and New York Chapter President Michael Lau, before heading into a presentation from strategic HR firm EnterGain who delved into the results of a survey of the AIMP membership conducted to create a starting point for its efforts to be a more diverse and inclusive organization that promotes equity for its members. EnterGain Senior Advisor Yuna Perry and Managing Directors James Celentano and Mikal Celentano presented the results, which can be viewed here.

RCA Nashville artist Andrew Jannakos then discussed his path from The Voice to viral TikTok star to recording artist with his manager Andrew Cohen of Cohencidence Projects, Derek Wells (Senior Director, A&R, Spirit Music Group), and moderator MaryAnn Keen (Associate Director of Writer Publisher Relations, BMI).

The Songwriter Keynote featured Craig Wiseman, songwriter and Founder of Big Loud Publishing, in conversation with John Titta, EVP of Membership at ASCAP. The two discussed Wiseman’s rise from a bar-band drummer in Mississippi to writing a song for fellow writer/drummer Don Henley to duet with Kenny Rogers, and much more.

June 8’s Business of Publishing Day included a discussion on exactly what it means to be an “indie publisher;” a keynote from U.S. Sen. Marsha Blackburn (R-TN); a conversation amongst the leadership of the NMPA, A2IM, RIAA, NSAI, AIMP, and Music Business Association; and special presentations from The U.S. Copyright Office and The MLC.

Former AIMP President Michael Eames (President, PEN Music Group) kicked off the day’s events with a discussion of his recent op-ed for Billboard, “In 2021, How Do We Define an ‘Indie’ Publisher?” Eames then moderated the Indie Perspective panel, featuring Mike Molinar (General Manager, Big Machine), Kathy Spanberger (President and COO, Peermusic), Jim Selby (Chief Publishing Executive, Concord Music), Neil Gillis (President, Round Hill), Tony Alexander (Co-Founder, President, and Managing Director, MIME), and AIMP National Chair and Nashville Chapter President Ozier (EVP Creative, Reservoir).

U.S. Sen. Blackburn (R-TN), a key advocate of the Music Modernization Act (MMA), delivered the Business Keynote, discussing the many pieces of legislation that affect songwriters and publishers, from SBA loans, capital gains, recording expense write-offs to the HITS Act, and more; noting that she and U.S. Rep. Jerrold Nadler (D-NY) intend to reintroduce the AM-FM Act as well.

David Israelite (President & CEO, NMPA), Dr. Richard James Burgess (President & CEO, A2IM), Mitch Glazier (Chairman & CEO, RIAA), Bart Herbison (Executive Director, NSAI), AIMP LA Chapter President Carpenter (CEO, Reel Muzik Werks), and moderator Portia Sabin (President, Music Business Association) then joined forces for the U.S. Alliance panel, an annual favorite at the Global Music Publishing Summit. The MLC CEO Kris Ahrend then took the stage for a special presentation on the organization’s progress, including having held over 200 educational webinars to date.

The final day, June 9’s International Day, brought the global music publishing industry into focus, with a keynote from CISAC’s Gadi Oron, the far-ranging International Alliance panel, and much more.

The day kicked off with the AIMP/IMPF Networking Mixer, where attendees were randomly placed in 4-person Zoom rooms for 10 minutes each. Carpenter and AIMP NY Chapter Vice President Debbie Rose (President, Kokopelli Music Group/Sundae Songs) then walked conference attendees through new international initiatives being worked on at CISAC regarding Cue Sheet Standardization and Music in Commercials.

The Summit came to a close with the International Alliance panel, featuring Will Kreth (EIDR, DDEX), Margaret McGuffin (CEO, Music Publishers Canada), Dr. Kristina Janušauskaitė (Director of European Legal Affairs, IFPI), AIMP NY Chapter President Michael Lau (CEO, Laud Music/Imachew Music), and moderator Ger Hatton (Principal, Hatton.eu).

For more information about AIMP, click here.

2021 CMT Music Awards Highlights: Winners, Performances, Collaborations

Carrie Underwood wins Video of the Year at the 2021 CMT Music Awards.

Last night (June 9) the 2021 CMT Music Awards were held live at the Bridgestone Arena in Nashville. Hosted by Kelsea Ballerini and Kane Brown, the show included its traditional array of awards and an impressive lineup of performers and collaborations.

After winning the award for Video of the Year, the biggest honor of the night, Carrie Underwood maintained her position of most decorated artist in CMT Music Awards history with a whopping 23 career wins. Curb Records recording artist Dylan Scott won Breakthrough Video Of The Year for his music video for “Nobody,” his first CMT Award.

Hosts Kelsea Ballerini, Kane Brown

Hosts Brown and Ballerini both walked away with CMT trophies, Ballerini for her her performance of “The Other Girl” at the 2020 CMT Music Awards with Halsey. Brown took home Male Video Of The Year for “Worship You,” as well as Collaborative Video Of The Year with Chris Young for “Famous Friends.” For a full list of winners, click here.

The CMT Equal Play Award was presented to Linda Martell. The trailblazer was honored with a reel of her story and role in music history as the first Black female solo country artist to perform on the Grand Ole Opry stage along with a slew of her additional career achievements.

Chris Stapleton and H.E.R. perform “Hold On” at the 2021 CMT Music Awards.

Among the performers who took the stage last night were impressive collaborations like country crooner Chris Stapleton and soulful singer H.E.R.’s jaw dropping rendition of “Hold On;” Underwood and Needtobreathe delivering their recent track “I Wanna Remember;” Miranda Lambert, Jon Randall, and Jack Ingram teaming up to perform a stripped down version of “Tequila Does;” and Ballerini with Paul Klein (LANY) debuting their brand new song “I Quit Drinking.”

Lady A, Carly Pearce, Lindsay Ell, and a full spread of female band members opened up the show with their powerhouse anthem “Lady” while Mickey Guyton, Breland, and Gladys Knight joined forces for a medley of “Cross Country” and The Temptations 1970 song “Friendship Train.”

Ingrid Andress performs “Lady Like” at the 2021 CMT Music Awards.

Ingrid Andress performed her hit song “Lady Like,” and also lended her vocals on “Like That” with JP Saxe; Lauren Alaina and Jon Pardi took the stage to perform “Getting Over Him;” Brothers Osborne and Dierks Bentley sang “Lighten Up” from the Bonaroo Farm; and Brown and Chris Young closed out the night with “Famous Friends.” Luke Combs (“Cold As You”), Luke Bryan (“Down To One”), and Thomas Rhett (“Country Again”) also gave solo performances throughout the night.

Priscilla Block, Lilly Hiatt, Regi Wooten And Friends Join Nashville’s July 4th Lineup

Priscilla Block, Lilly Hiatt, and Regi Wooten and Friends have been added to the lineup for Nashville’s downtown 4th of July celebration, Let Freedom Sing! presented by Dr Pepper.

As previously announced, Brad Paisley will headline the giant show on Lower Broadway, which will feature the largest fireworks show in Nashville history with the pyrotechnics synchronized to a live performance by the Nashville Symphony. Sirius XM host Storme Warren will serve as emcee on the First and Broadway stage, and Symphony Music Director Giancarlo Guerrero will be conducting for the first time in over a decade. Jason Eskridge will perform the National Anthem, and veteran support group Operation Song will kick off the lineup of live music. The Nashville Symphony will perform at Ascend Amphitheater at the conclusion of the concert. The fireworks show will be from 9:30 p.m. to 10 p.m.

The free, family-friendly event has regularly drawn more than 200,000, and as many as 343,000 in 2019. This will be the 18th annual celebration produced by the Nashville Convention & Visitors Corp and the 37th in the city’s history.

“We are proud to bring together this diverse lineup to celebrate Independence Day in a big way,” said Butch Spyridon, president and CEO, Nashville Convention & Visitors Corp. “The free event is a thank you to Nashvillians after the year we’ve had, as well as a way to jumpstart our tourism economy with an influx of visitors. They will find a lot of reasons for an extended visit to Nashville – from an ALABAMA concert at Bridgestone Arena to a Nashville SC match on July 5 and more.”

2021 CMT Music Awards Winners List

The 2021 CMT Music Awards aired live from Nashville on Wednesday night (June 9). Kane Brown and Kelsea Ballerini served as hosts.

Carrie Underwood and John Legend were awarded the night’s top honor of Video Of The Year for “Hallelujah.”

Little Big Town took home Group/Duo Video Of The Year for their lively “Wine, Beer, Whiskey.” Chris Young and host Brown won Collaborative Video Of The Year for their charming “Famous Friends,” and Brown also took home Male Video Of The Year for “Worship You.”

Brown’s co-host Ballerini won  CMT Performance Of The Year for her performance of “The Other Girl” at the 2020 CMT Music Awards with Halsey.

Dylan Scott was presented the Breakthrough Video Of The Year for “Nobody,” his first-ever award.

Gabby Barrett, who announced she would not attend the CMT Music Awards due to “personal circumstances” days before the event, won Female Video Of The Year for “The Good Ones.”

For a full recap of the 2021 CMT Music Awards including performances and special collaborations, click here.

The 2021 CMT Music Awards winners are highlighted below:

Video Of The Year
Best video of the year; awarded to the artist (male, female, group/duo or collaboration)

  • Carrie Underwood with John Legend – “Hallelujah” – WINNER
  • Kane Brown – “Worldwide Beautiful”
  • Keith Urban with P!nk – “One Too Many”
  • Kelsea Ballerini – “hole in the bottle”

Female Video Of The Year
Best video by a female artist; awarded to the artist

  • Carly Pearce – “Next Girl”
  • Gabby Barrett – “The Good Ones” – WINNER
  • Kelsea Ballerini – “hole in the bottle”
  • Maren Morris – “To Hell & Back”
  • Mickey Guyton – “Heaven Down Here”
  • Miranda Lambert – “Settling Down”

Male Video Of The Year
Best video by a male artist; awarded to the artist

  • Chris Stapleton – “Starting Over”
  • Darius Rucker – “Beers and Sunshine”
  • Kane Brown – “Worship You” – WINNER
  • Luke Bryan – “Down To One”
  • Luke Combs – “Lovin’ On You”
  • Thomas Rhett – “What’s Your Country Song”

Duo/Group Video Of The Year
Best video by a duo or group; awarded to the artists

  • Brothers Osborne – “All Night”
  • Lady A – “Like A Lady”
  • Little Big Town – “Wine, Beer, Whiskey” – WINNER
  • Old Dominion – “Never Be Sorry”
  • Parmalee and Blanco Brown – “Just The Way”
  • Runaway June – “We Were Rich”

Breakthrough Video Of The Year
Best video from an artist’s major breakthrough album; awarded to the artist (male, female or group/duo)

  • Dylan Scott – “Nobody” – WINNER
  • Hailey Whitters feat. Little Big Town – “Fillin’ My Cup”
  • HARDY – “Give Heaven Some Hell”
  • Lainey Wilson – “Things a Man Oughta Know”
  • Mickey Guyton – “Black Like Me”
  • Niko Moon – “GOOD TIME (Ride Along Video)”

Collaborative Video Of The Year
Best video from a collaboration; awarded to the artists

  • Carrie Underwood with John Legend – “Hallelujah”
  • Chris Young and Kane Brown – “Famous Friends” – WINNER
  • Elle King and Miranda Lambert – “Drunk (And I Don’t Wanna Go Home)”
  • Keith Urban with P!nk – “One Too Many”
  • Ryan Hurd with Maren Morris – “Chasing After You”
  • Tim McGraw and Tyler Hubbard – “Undivided”

CMT Performance Of The Year
Musical performance on a television show, series or variety special on CMT; awarded to the artist (individual, group or duo)

  • From the 2020 CMT Music Awards – Brooks & Dunn and Luke Combs “1, 2 Many”
  • From the 2020 CMT Music Awards – Dan + Shay “I Should Probably Go To Bed”
  • From the 2020 CMT Music Awards – Jimmie Allen and Noah Cyrus “This Is Us”
  • From the 2020 CMT Music Awards – Kelsea Ballerini and Halsey “The Other Girl” – WINNER
  • From the 2020 CMT Music Awards – Little Big Town “Wine, Beer, Whiskey”
  • From CMT Crossroads – Nathaniel Rateliff and Margo Price “Twinkle Twinkle”

AIMP Presents Results Of Member Survey For Diversity, Equity, And Inclusion Initiative

To begin its Diversity, Equity, and Inclusion (DEI) Initiative, the Association of Independent Music Publishers (AIMP) partnered with EnterGain to conduct a survey of its members in order to have a starting point for its efforts to be a more diverse and inclusive organization. EnterGain Senior Advisor Yuna Perry and Managing Directors James Celentano and Mikal Celentano presented the results at the AIMP Global Music Publishing Summit that took place this week.

While this was the first survey of its kind for the AIMP, it was sent to all 1,006 AIMP members with a 16% response rate. Almost 80% of respondents chose “white” as one of their ethnicities, and compared to the U.S. population, membership was underrepresented in all other ethnicities. For example, 6.6% identified as Black/African American, and 7% as Hispanic/Latinx. 82% of respondents identify as straight, 10% “preferred not to say,” and LGBTQ is represented at 8%.

80% of respondents said over 80% of their income comes from music-related activities. They work across a multiplicity of genres, and 52% are self-employed or work at companies with 5 or fewer employees. Most noted they rely on the AIMP for education and networking.

When it comes to education level, 26% of respondents have a 4-year non-music degree; an additional 25% have a 4-year music business degree; and 8% earned a 4-year music degree and 18% of respondents have a graduate degree.

While a majority (92%) said they did not have a disability, when asked about their needs at future in-person events, many had the same requests for accessibility options as respondents who did indicate they have a disability. These groups expressed interest in visual and auditory assistance, accessible restrooms, ramps/elevators, parking, and service animals. Also, approximately 40% of all respondents showed interest in continuing virtual/online events.

On a 5-point scale ranging from Not Diverse at All to Exceptionally Diverse, nearly 90% of respondents rated the independent music publishing community as at least Somewhat Diverse or better.

“Response to the survey showed that the AIMP community is ready to engage in these important topics,” said EnterGain co-founder and Managing Director Celentano. “A lot of actionable insight is coming out of the survey phase of the AIMP’s DEI initiative, and we look forward to facilitating the upcoming DEI workshops, to explore how AIMP members can foster an even more welcoming and equitable independent publishing community,” added Perry, Senior Advisor at EnterGain.

“It was so important for us to ask our members the kind of questions that don’t come up in typical day-to-day conversations, so we can see where we can help support and educate our community to be a better environment for everyone,” said John Ozier, AIMP National Chair and Nashville Chapter President. “We are already addressing some of the specific requests with the trainings, upcoming new website, an initial meeting on July 15 to gauge interest in an Atlanta chapter, and our LA Chapter has already established a DEI Committee. And we’re so pleased to be able to offer to our members a free, three-session workshop on DEI from EnterGain to help educate and empower our members around these issues.”

EnterGain will conduct a three-session workshop series at no cost to AIMP members interested in deepening their understanding of the barriers and solutions around diversity, equity, and inclusion and provide actionable takeaways that can be applied in their professional lives. The three 90-minute training sessions are scheduled for June 21, June 28, and July 6 at 1 p.m. CST. They will be co-led by two executive-level facilitators from EnterGain, with virtual session tools and interactive discussions.

Registration is now open to all AIMP members. To register, click here.

IBMA World Of Bluegrass Announces Its Return To Raleigh In September

The IBMA World of Bluegrass is returning this year from Sept. 28-Oct. 2 in Raleigh, N.C. as a mostly in-person event, with a virtual component and adjustments to meet health and safety guidelines.

“As our community emerges from some of the most challenging times in modern memory, this year’s IBMA World of Bluegrass takes on added importance,” says Pat Morris, IBMA’s executive director. “We urge everyone who loves bluegrass to be at this fall’s event and re-engage with others, share fresh ideas, and learn innovations – some launched because of the pandemic. Most importantly, it’s the chance to get fully immersed in what we all sorely missed in 2020: live music.”

Performers for the Oct. 1-2 music festival, IBMA Bluegrass Live! powered by PNC, have been announced and will include Béla Fleck’s My Bluegrass Heart featuring Michael Cleveland, Sierra Hull, Justin Moses, Mark Schatz and Bryan Sutton, The Del McCoury Band, Steep Canyon Rangers, Yonder Mountain String Band, Jerry Douglas, Edgar Meyer and Odessa Settles, Sister Sadie, and The Po’ Ramblin’ Boys.

The first round of official showcase artists have also been selected for the IBMA Bluegrass Ramble at select venues throughout downtown Raleigh, including Allison de Groot and Tatiana Hargreaves, Armchair Boogie, Bella White, Bowregard, East Nash Grass, Henhouse Prowlers, Liam Purcell and Cane Mill Road, Lindley Creek, MohaviSoul, Rock Hearts, Starlett & Big John, Stillhouse Junkies, The Amanda Cook Band, The Arcadian Wild, The Martin Gilmore Trio, The MilBillies, The New Acoustic Collective, The Sweet Lillies, The Wooks, and Twisted Pine. Additional showcase artists will be announced in the coming weeks.

For more information and to purchase tickets for the 2021 World of Bluegrass, click here.