
Deana Carter
Beloved entertainer Deana Carter is commemorating the 25th anniversary of her 5x Platinum debut album Did I Shave My Legs for This?, containing country No. 1s “We Danced Anyway,” “How Do I Get There,” and her titanic “Strawberry Wine.”
To celebrate, Carter released 25th anniversary edition of the album, which included unreleased tracks and a version of “Strawberry Wine” with Ashley McBryde, Lauren Alaina, Martina McBride, Kylie Morgan, and Vince Gill. A new version of the title track is also included with guest vocals from McBryde, Gill, Sara Evans and Terri Clark.
Carter is also headlining the Ryman tonight (Nov. 18) for the very first time to celebrate the release. Special guests Charles Esten, Breland and more are set to appear.
In an interview with MusicRow, Carter spoke about the staying power of her debut album, ’90s country, and her Ryman show tonight.
MusicRow: You and Lainey Wilson were a smash as presenters at the CMA Awards last week, even getting the whole audience to sing “Strawberry Wine” along with you. How fun was that?
I was absolutely blown away by the whole arena singing “Strawberry Wine” with us, all of the artists singing & being so supportive…and the standing ovation just blew me away! The writer for the show, David Wild, told me the CMA’s have never had a standing ovation during a presenter spot. What an unforgettable moment!
I will never be able to thank Robert Deaton enough for giving me the opportunity to have another iconic CMA moment with my new best friend Laney Wilson. When we were rehearsing on Tuesday night, we realized we have family in Louisiana in the same area. It was so great spending time with her and I think that authentic connection made our few minutes presenting the award to Chris Stapleton for Single of the Year really special.
You welcomed a slew of guest artists on the re-release of Did I Shave My Legs for This? What did these voices bring to the project?
It was really important to me to have guest artists on this 25th anniversary re-release and to have ones that I connected with at some point or another.

I have written with Lauren Alaina and she and Ashley McBryde did a special appearance at the ACM Honors show, so that was a great segue to have them join me again. Martina McBride came out a little before me and I always looked up to her. I have also written with her in the past…so I really wanted her to be a part of it.
Terri Clark and Sara Evans and I have worked together over the years and I truly love their unique artistry and senses of humor, so they had to be with me on Shave.
Kylie Morgan is a new artist with such a distinct voice that really stands out, so that was important to include a brand new unique artist in the mix.
And having Vince Gill play guitar on the new collab tracks meant everything to me because he supported the Shave album when it came out in 1996 by stopping by my in-store at Tower Records on West End and had so many great things to say about me as a new artist from the very beginning. That was a HUGE deal in the community embracing my record, I believe. Also, I lost my daddy in 2010 (Fred Carter, Jr.) who was one the amazing A-team Nashville guys on the Row, so I just had to have Vince featured in his absence. That was super special to me.
What songs were you most excited to re-release with this project?
I am so excited for the world to hear our new versions of “Strawberry Wine” and “Did I Shave My Legs For This?” with the collaborations. I so hope that radio will play the new versions so the other artists get their moment in the spotlight on these songs. They are just so special.
I want them to climb the charts, I want them to get nominated for awards. I am just so happy to share these!
Some Spotify data recently came out that showed a resurgence of popularity of ’90s country with Gen-Z. “Strawberry Wine” was one of the most-discovered ’90s country songs in the U.S. in the past 3 months. Why do you think that song has been so evergreen?
Thanks to outlets like Spotify and recurrent radio airplay, artists have had the good fortune of being heard through changes in the marketplace. That is not lost on me and I am very grateful to have one of the most recurrently played albums in the genre.
I also believe that the truth in the songs, “Strawberry Wine” in particular, strike such a chord with people is because it either takes them back to a place and time if they’re older, or it connects them to a place and time, like their parents, or good memories, or their friends and family if they’re younger. That song has grown to mean more to more people because it speaks truth about the sweetness of youth and that even when life doesn’t pan out like you thought, it is still okay to hope that it will always pan out for the best.
I will never tire of singing that song and loving all of the fans in groups singing it together, whether families or friends or couples or kids or grandparents or whatever.
You’re headlining the Ryman tonight for the first time ever. How does it feel to get to do that?
I am so excited to be doing my first headline show at the Ryman! Being a Nashville native and a ‘Row kid’, I truly treasure the historical and cultural significance of that beautiful place. I have definitely sung at the Ryman, but never had my own show there. Having Charles Esten, Breland, and some other special guests is going to be even sweeter.
Deana Carter On ‘Strawberry Wine’: ‘I Will Never Tire Of Singing That Song’ [Interview]
/by LB CantrellDeana Carter
Beloved entertainer Deana Carter is commemorating the 25th anniversary of her 5x Platinum debut album Did I Shave My Legs for This?, containing country No. 1s “We Danced Anyway,” “How Do I Get There,” and her titanic “Strawberry Wine.”
To celebrate, Carter released 25th anniversary edition of the album, which included unreleased tracks and a version of “Strawberry Wine” with Ashley McBryde, Lauren Alaina, Martina McBride, Kylie Morgan, and Vince Gill. A new version of the title track is also included with guest vocals from McBryde, Gill, Sara Evans and Terri Clark.
Carter is also headlining the Ryman tonight (Nov. 18) for the very first time to celebrate the release. Special guests Charles Esten, Breland and more are set to appear.
In an interview with MusicRow, Carter spoke about the staying power of her debut album, ’90s country, and her Ryman show tonight.
MusicRow: You and Lainey Wilson were a smash as presenters at the CMA Awards last week, even getting the whole audience to sing “Strawberry Wine” along with you. How fun was that?
I was absolutely blown away by the whole arena singing “Strawberry Wine” with us, all of the artists singing & being so supportive…and the standing ovation just blew me away! The writer for the show, David Wild, told me the CMA’s have never had a standing ovation during a presenter spot. What an unforgettable moment!
I will never be able to thank Robert Deaton enough for giving me the opportunity to have another iconic CMA moment with my new best friend Laney Wilson. When we were rehearsing on Tuesday night, we realized we have family in Louisiana in the same area. It was so great spending time with her and I think that authentic connection made our few minutes presenting the award to Chris Stapleton for Single of the Year really special.
You welcomed a slew of guest artists on the re-release of Did I Shave My Legs for This? What did these voices bring to the project?
It was really important to me to have guest artists on this 25th anniversary re-release and to have ones that I connected with at some point or another.
I have written with Lauren Alaina and she and Ashley McBryde did a special appearance at the ACM Honors show, so that was a great segue to have them join me again. Martina McBride came out a little before me and I always looked up to her. I have also written with her in the past…so I really wanted her to be a part of it.
Terri Clark and Sara Evans and I have worked together over the years and I truly love their unique artistry and senses of humor, so they had to be with me on Shave.
Kylie Morgan is a new artist with such a distinct voice that really stands out, so that was important to include a brand new unique artist in the mix.
And having Vince Gill play guitar on the new collab tracks meant everything to me because he supported the Shave album when it came out in 1996 by stopping by my in-store at Tower Records on West End and had so many great things to say about me as a new artist from the very beginning. That was a HUGE deal in the community embracing my record, I believe. Also, I lost my daddy in 2010 (Fred Carter, Jr.) who was one the amazing A-team Nashville guys on the Row, so I just had to have Vince featured in his absence. That was super special to me.
What songs were you most excited to re-release with this project?
I am so excited for the world to hear our new versions of “Strawberry Wine” and “Did I Shave My Legs For This?” with the collaborations. I so hope that radio will play the new versions so the other artists get their moment in the spotlight on these songs. They are just so special.
I want them to climb the charts, I want them to get nominated for awards. I am just so happy to share these!
Some Spotify data recently came out that showed a resurgence of popularity of ’90s country with Gen-Z. “Strawberry Wine” was one of the most-discovered ’90s country songs in the U.S. in the past 3 months. Why do you think that song has been so evergreen?
Thanks to outlets like Spotify and recurrent radio airplay, artists have had the good fortune of being heard through changes in the marketplace. That is not lost on me and I am very grateful to have one of the most recurrently played albums in the genre.
I also believe that the truth in the songs, “Strawberry Wine” in particular, strike such a chord with people is because it either takes them back to a place and time if they’re older, or it connects them to a place and time, like their parents, or good memories, or their friends and family if they’re younger. That song has grown to mean more to more people because it speaks truth about the sweetness of youth and that even when life doesn’t pan out like you thought, it is still okay to hope that it will always pan out for the best.
I will never tire of singing that song and loving all of the fans in groups singing it together, whether families or friends or couples or kids or grandparents or whatever.
You’re headlining the Ryman tonight for the first time ever. How does it feel to get to do that?
I am so excited to be doing my first headline show at the Ryman! Being a Nashville native and a ‘Row kid’, I truly treasure the historical and cultural significance of that beautiful place. I have definitely sung at the Ryman, but never had my own show there. Having Charles Esten, Breland, and some other special guests is going to be even sweeter.
Bobby Tomberlin Extends Songwriting Contract With Curb | Word
/by Lydia FarthingPictured (L-R): Sara Schumacher, Creative Director, Curb | Word Music; Bobby Tomberlin; and Ciara Shortridge, VP Country Publishing/A&R
CMA, ACM and Grammy-nominated songwriter Bobby Tomberlin has extended his contract with Curb | Word Music, marking his 27th year with the company.
Tomberlin has had over 100 of his songs recorded by the likes of Blake Shelton, Dolly Parton, Faith Hill, Kenny Rogers, Josh Turner, Dylan Scott, Rodney Atkins, Joe Nichols and the Oak Ridge Boys. He was also a co-writer on the Willie Nelson and Barbra Streisand single, “I’d Want It To Be You.”
Tomberlin was recently presented with a BMI Five Million Airplay Award for his song “One More Day,” recorded by Diamond Rio, and a One Million Airplay Award for “A Good Day To Run,” recorded by Darryl Worley.
“I’m so thankful to Mike Curb for giving me a chance to make my dreams come true. He has been so loyal, and it’s such a blessing to have a team like Ciara, Colt and Jonathan to work with,” says Tomberlin.
“Bobby Tomberlin is such a rare true talent, a wonderful human, and a pure joy to work with. He has created such a rich and diverse legacy of music in our catalog across these 27 years,” adds Ciara Shortridge, VP Country Publishing/A&R, Curb | Word. “With a deep connection to traditional country, his lyrical prowess brings a distinct timeless quality to every writing room he walks into, and his talents continue to evolve to fit the modern soundscape while staying true to those roots. I am proud to work with him, and can’t wait for what he will surprise us with next!”
BREAKING: Date & Location Announced For 57th ACM Awards
/by LB CantrellThe Allegiant Stadium in Las Vegas, where the 57th Academy of Country Music Awards will be held.
After having held its last two awards ceremonies in Nashville, the Academy of Country Music will return to Las Vegas for the 57th Academy of Country Music Awards on Monday, March 7, 2022 at Allegiant Stadium.
In August the Academy announced that its 2022 awards would be livestreamed exclusively on Amazon Prime Video, marking the first time a major awards show has done so exclusively. The event will livesteam on Prime Video in the U.S., Canada, Australia, New Zealand, and the UK. Information regarding tickets will be announced in the coming weeks.
“We are thrilled to return to Las Vegas to celebrate country music’s party of the year in this incredible brand-new stadium and on the Prime Video streaming service for the first time ever,” says Damon Whiteside, CEO of the Academy of Country Music. “We can’t thank the city of Las Vegas and Allegiant Stadium enough for welcoming us for the 57th Academy of Country Music Awards—a party so big only a stadium can hold it!”
R.A. Clark is executive producer of the 57th Academy of Country Music Awards. Whiteside is executive producer for the Academy of Country Music.
Ryan Dokke Exits Play It Again Music
/by LB CantrellRyan Dokke
Ryan Dokke has exited his role of CEO at Dallas Davidson‘s Play It Again Music. Dokke joined the publishing company in the summer of 2020 to help expand it to include label and artist management divisions.
“After an awesome year and a half, I am ready to get after a new challenge,” Dokke tells MusicRow. “I have loved working with Dallas Davidson and the entire PIA team, artists, songwriters, and partners! It is all love and respect.”
Prior to working at PIA, Dokke spent time at Curb Records where he rose to Curb|Word Entertainment Senior Vice President and General Manager in 2018. His career also includes a stop at Sony Music Entertainment (Arista Records).
Hit songwriter Davidson launched PIA Music in 2015. The company’s publishing roster includes Davidson, Kyle Fishman, Trea Landon, Justin Wilson, and Tommy Cecil. Play It Again Entertainment is home to artists Walker Montgomery and Dylan Marlowe.
Reach Dokke at redokke@gmail.com.
Bobby Bones, Rachel Smith To Host ‘New Year’s Eve Live: Nashville’s Big Bash’
/by Lorie HollabaughBobby Bones & Rachel Smith
New Year’s Eve Live: Nashville’s Big Bash, CBS’ five-hour special to ring in the New Year, will be hosted by radio and TV personality Bobby Bones and Entertainment Tonight‘s Rachel Smith. The celebration will air live from Music City on Friday, Dec. 31 on CBS and will be available to stream live and on demand on Paramount+.
“I’m so excited to celebrate and host New Year’s Eve this year right down the street from my house, with so many of my friends who have great performances planned,” says Bones. “I can’t wait to show America how special Nashville is.”
“I am over the moon to co-host New Year’s Eve Live from Nashville,” Smith adds. “I get to hang with the hottest acts in country music, some I’m lucky enough to call friends, on New Year’s Eve in my hometown! Sign me up!”
As previously announced, the special will feature nearly 50 performances by country’s hottest stars, including Jason Aldean, Jimmie Allen, Kelsea Ballerini, Gabby Barrett, Dierks Bentley, Brooks & Dunn, Luke Bryan, Elle King, Miranda Lambert, Darius Rucker, Blake Shelton, Cole Swindell and Zac Brown Band. The broadcast will cross multiple time zones, with the traditional countdown at midnight ET, culminating with the renowned Nashville music note drop and fireworks at midnight CT.
Lon Helton & Bill Mayne Recognized With St. Jude Angels Among Us Award
/by Lorie HollabaughLon Helton, Bill Mayne
Lon Helton and Bill Mayne are the recipients of this year’s St. Jude Angels Among Us Award.
The award is presented by Randy Owen, Alabama lead-singer and co-founder of Country Cares. Owen kick-started the beloved tradition of giving the award to others who have shown his spirit and exceptional dedication to the lifesaving mission of St. Jude Children’s Research Hospital.
Helton, who began his radio career in 1971, has utilized his industry platforms to support St. Jude since the start of the Country Cares for St. Jude Kids program. He was one of the earliest St. Jude supporters during his time as Country Editor for Radio & Records magazine, penning multiple stories imploring country radio to increase its involvement in St. Jude radiothons. As the host of Country Countdown USA, Helton has participated in radio fundraisers and industry events, urging his nationwide audience to get more involved. Since establishing Country Aircheck in 2006, he has sustained his advocacy for patients at St. Jude with regular editorial content spotlighting important medical breakthroughs and radiothon success stories.
Mayne used his clout as head of Warner Bros Nashville to draw support when Country Cares for St. Jude Kids first launched, and to grow interest and participation from labels on Music Row. Mayne secured the first artist to attend the annual St. Jude event in the early 90s, the late Holly Dunn, and later Faith Hill and many other stars, which inspired the tradition and culture of artist participation at this event. Mayne then continued his involvement with St. Jude while serving as Executive Director for Country Radio Broadcasters/Country Radio Seminar from 2009-2019, incorporating St. Jude directly into the annual curriculum and urging involvement in the radiothon program.
This recognition places Helton and Mayne among the ranks of nine past recipients, including namesake Owen, in addition to Florida Georgia Line, Lady A, Jake Owen, Brad Paisley, Darius Rucker, John Rich, former ALSAC Chief Operating Officer David McKee (posthumously) and St. Jude Country Cares Advisory Board member, Sharon Eaves (posthumously). Both Helton and Mayne also received the 20-Year St. Jude Pioneers Award for their long-time support of St. Jude kids.
Luke Combs, Keith Urban Honored With CMA International Artist Achievement Awards
/by Lydia FarthingLeft: Luke Combs and Sarah Trahern. Photo: Joshua Brasted. Right: Keith Urban and Sarah Trahern. Photo: Acacia Evans
The Country Music Association awarded Luke Combs and Keith Urban with CMA International Artist Achievement Awards during The 55th Annual CMA Awards. The honor recognizes outstanding achievement by a United States-based artist who has demonstrated significant creative growth, development and promotion of the country music industry outside of the U.S. during the eligibility period.
“Both Keith and Luke have been trailblazers for our genre, consistently growing and enhancing country music globally,” says Sarah Trahern, CMA CEO. “They each place such a distinct priority on country music’s international fanbase and continue to further CMA’s mission to bring country music to audiences all over the world. We could not be prouder to present them both with this award.”
Combs’ sophomore album, What You See Is What You Get, debuted at No. 1 in the U.S. and Canada, as well as on the country charts in the U.K. and Australia. With its release, Combs became the first male country artist to have their first two albums certified Silver in the United Kingdom. What You See Is What You Get has been in the Australian ARIA Top 50 Albums chart for 104 weeks while his debut album, This One’s For You, has been on the chart for 178 weeks. Combs is the second highest streamed country artist in the U.K. for 2021, only behind Dolly Parton, and will headline the Country to Country (C2C) Festival in 2022.
“This award means a lot to me,” says Combs. “I am humbled to have so many supporters outside of my home country who love my music, and I am really looking forward to playing for them soon. Thank you to the CMA for honoring me with this award!”
Urban has been a consistent pioneer for the global spread of country music for over a decade. In 2019, he not only headlined the C2C Festival in the U.K. and Europe, but also embarked on his own shows throughout the year. He has performed on BBC’s Strictly Come Dancing as well as created a BBC Radio 2 series, proving his broadcast abilities.
Urban posted on his social channels saying: “CMA, thank you so much for this incredible honor, International Artist Achievement Award, thank you, thank you, thank you. This goes out to all the fans as well, thank you guys. Can’t wait to hit the road very soon.”
As announced earlier this fall, CMA awarded U.K. concert promoter Chris York the 2021 CMA Jo Walker Meador International Award. Winners for the remaining 2021 CMA International Awards categories will be presented in the coming months.
Lucy Bartozzi Upped At Round Hill Records, Relocates To Company’s Nashville Headquarters
/by Lydia FarthingLucy Bartozzi. Photo: Imani Givertz
Round Hill Records has elevated Lucy Bartozzi to the position of Senior Director, Marketing. She has relocated from Los Angeles to the label’s Nashville to join the company’s new headquarter offices.
In her new role, Bartozzi will be responsible for the global marketing strategy for all Round Hill and label imprint releases, while also leading the execution of all campaigns. She will also oversee budgets and all creative, including advertising, video and album packaging. Bartozzi will continue to oversee the expanding marketing team, including merchandise/D2C, production, content and digital, and will run album campaigns for The Cult, Lit, Jared James Nichols and more.
Bartozzi joined Round Hill Records in 2019 as Project Director. Since then, she has launched marketing campaigns for artists such as Blues Traveler, Tash Neal, Black Pistol Fire and Lettuce as well as acts on the Triple Crown roster. Prior to Round Hill, she held the position of DSP Marketing Director at Mtheory and Project Manager at Red Bull Records. She graduated from the Bandier Program for the Recording and Entertainment Industries at Syracuse University.
“Throughout her tenure at Round Hill, Lucy has proven herself to be invaluable in all facets of marketing for our label imprints and front-line artists. Artist development is at the center of our label philosophy and I am confident that Lucy and the marketing team will continue to spotlight and manifest this,” shares President, Round Hill Records Joe Calitri. “I look forward to continuing to watch her grow in her new leadership role and I am also excited that Lucy will now be based here in Nashville as we open our new label headquarters in the same building as our famous Sienna Studios on Music Row. Bring on 2022!”
“I’m thrilled to join Joe and the Round Hill team in Nashville! It has truly been an honor working with our growing roster alongside the Round Hill team and I look forward to continuing to super-serve our talented artists in this new role in Music City,” adds Bartozzi.
Industry Ink: Sophie Moll, CRS Scholarship, Reel Muzik Werks, Stone Senate
/by Lydia FarthingSophie Moll Joins JRM Publishing, Mailbox Money Music As Creative Manager
Sophie Moll
Sophie Moll has joined JRM Publishing/Mailbox Money Music in the role of Creative Manager. Moll will work under the direction of Sarah and Jimmy Robbins.
Originally from Conyers, Georgia, Moll moved to Nashville in 2014 to attend Belmont University. After graduating in 2018 with a B.B.A. and majoring in music business, she began working at Wrensong Entertainment under Ree Guyer, where she quickly realized she wanted to pursue a career in music publishing.
“Sophie has already proven herself to be an indispensable addition to our team. We are fortunate to have her join JRM Publishing/Mailbox Money Music as we grow our roster and ventures,” shares Sarah Robbins.
Jess Blais Receives 2022 Steve Ferguson CRS Scholarship For 2022 Conference
Jess Blais
The recipient of the 2022 Steve Ferguson CRS Scholarship has been announced as Jess Blais. She was selected by a board of country radio programmers and other industry professionals and will receive a paid registration for the 2022 Country Radio Seminar, running Feb. 23-25 in Nashville.
Blais serves as the content director for KYSM / Country 103.5 in Mankato, Minnesota. She will be honored during the 2022 CRS conference.
Spearheaded by Nashville’s GrassRoots Promotion, the scholarship was established to honor the legacy of longtime WTHO producer Steve Ferguson, who passed away in 2019.
“Jess Blais brings a passion for country music that truly embodies the spirit of the Scholarship,” says GrassRoots managing partner Nancy Tunick. “Steve Ferguson was such a positive force for the country format and the selection committee saw those same qualities in Jess.”
Reel Muzik Werks Signs Songwriter & Author Thornton Cline
Pictured L-R): Thornton Cline and Reel Muzik Werks’ Teri Nelson Carpenter
Reel Muzik Werks, helmed by creator advocate Teri Nelson Carpenter, has signed award-winning songwriter and author Thornton Cline.
Throughout his career, Cline’s music has received awards and nominations from the Recording Academy and the Gospel Music Association in the pop, classical, and kids’ music categories. Cline is also celebrating the recent release of his 34th traditionally-published book, Cheers From Heaven, with Tuscany Bay Books.
“Thornton is a great talent as a songwriter and an author. We are thrilled to welcome him into our Reel Muzik Werks family,” shares Carpenter.
“I am honored to sign with Teri Nelson Carpenter and Reel Muzik Werks,” Thornton adds. “I feel confident that Reel Muzik Werks will do what they say; by collecting royalties due for my songs all over the globe as well as licensing my songs in TV and film. They have offices all over the world and have an excellent track record as compared to other companies. I look forward to great things happening in our four-year business partnership.”
Stone Senate Signs With Conway Entertainment For Booking
Stone Senate
Nashville-based Conway Entertainment Group has signed southern rock band Stone Senate for booking service. They join a roster that includes Randy Travis, The SteelDrivers, Jake Hoot, and Monte Montgomery.
With influences like Lynyrd Skynyrd and The Allman Brothers Band, Stone Senate is made of lead vocalist/guitarist Clint Woolsey, guitarists James Edwards and Ted Hennington, bass player/vocalist Paul Zettler, and drummer/vocalist David Zettler. Having been together since 2012, the band has built their audience through relentless touring year round.
Stone Senate is signed to Rollin’ the Dice Records, a label imprint under longtime Nashville manager Erv Woolsey.
“We are very excited about our future with Stone Senate. The music speaks for itself, and the men are the best kind of people anyone could hope to work with,” shares Cody Payne of Conway Entertainment. “I had been hearing about the group for the last couple years and jumped on the opportunity to work with a band that already has such a great reputation thus far in their career.”
“I’ve known and respected Tony Conway for many years and had the opportunity to work with him on multiple occasions. I’m grateful to have him and his team at Conway Ent on board to help us grow Stone Senate’s touring!” adds Erv Woolsey, CEO and founder of Rollin’ the Dice Records.
Stone Senate and Conway Entertainment will wrap the year on Dec. 4 at The Basement in Nashville. Tickets for the show are on sale now.
MLC Seeks Music Publisher Representative For Operations Advisory Committee
/by Lorie HollabaughThe Mechanical Licensing Collective is seeking suggestions for a music publisher representative to fill an open seat on its Operations Advisory Committee.
As described in the Music Modernization Act (MMA), the Operations Advisory Committee “makes recommendations to the Board concerning the operations of the Collective, including the efficient investment in and deployment of information technology and data resources.”
Under the MMA, certain governance positions at The MLC are reserved for publisher representatives. These positions include ten members of The MLC’s Board of Directors, six members of the Operations Advisory Committee, five members of the Dispute Resolution Committee, and five members of the Unclaimed Royalties Oversight Committee.
MLC committees meet regularly. All meetings allow for virtual participation so travel is not generally required.
Suggestions should be made no later than Monday, Dec. 13. To suggest a candidate, click here.