DISClaimer Singles Reviews: Trisha Yearwood, Chrissy Metz, Chapel Hart, And More

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Trisha Yearwood

It’s a ladies’ day here at DISClaimer.

Both the Disc of the Day and the DISClaimer Award are claimed by female acts. Trisha Yearwood rules the roost with her gorgeous ballad “I’ll Carry You Home,” which she introduced on last night’s ACM telecast.

The DISCovery du jour is Chapel Hart. This is a trio of two sisters and a cousin who are from Mississippi, but began their career as street performers in New Orleans before heading to Music City. Their “Jesus and Alcohol” debut single is a sheer delight.

All of which is not to say that we don’t have worthy male contributors. In fact, Tyler Braden gave Chapel Hart excellent competition for the DISCovery honor. Elsewhere, we have dandy new sounds from Jerrod Niemann, Terry McBride, Brandon Ratcliff and Scotty McCreery.

CHRISSY METZ/Feel Good
Writers: Chrissy Metz/Nicolette Hayford/Connie Harrington/Aaron Raitiere/Jake Mitchell; Publisher: none listed; Producer: none listed; EMI
-This light, softly sung ditty is meant to empower women, to inspire positivism. It has a pleasant, wafting vibe that goes well with its message of looking up, taking care of oneself and getting happy. It goes along with her new Walmart clothing line.

RITA WILSON/What Would I Say
Writers: Rita Wilson/Jesse Frasure/Shane McAnally; Publisher: none listed; Producer: Jesse Frasure; Sling It Loud/Orchard
– Her alto vocal is compressed and muffled.

TRISHA YEARWOOD/I’ll Carry You Home
Writers: Gordie Sampson/Caitlyn Smith/Troy Verges; Publisher: Bughouse/Music of Stage Three/Songs of Cornman/Dash8/Songs of Universal; Producer: Garth Fundis; Gwendolyn/Pearl
-One of our greatest voices wedded to a truly inspirational song. I love how she begins this in a gentle, tender mode, then gradually builds to her magnificent, full-throated vocal majesty before ending in a soft, loving audio embrace. A brilliant piece of work.

SCOTTY MCCREERY/You Time
Writers: Scotty McCreery/Frank Rogers/Aaron Eshuis; Publisher: none listed; Producers: Frank Rogers/Aaron Eshuis/Derek Wells; Triple Tigers
-Upbeat and romantic, this has a lot going on for it. As always, he’s a country beacon.

JERROD NIEMANN/Tequila Kisses
Writers: Jerrod Niemann/Lee Brice/Jon Stone; Publisher: none listed; Producer: Jerrod Niemann; JN
-Kinda boozy, kinda drawling, kinda groovy. Especially with the multiple stacked vocal harmonies and the stratospheric, airy atmosphere. The Beach Boys have nothing on this little beauty. This guy always turns in quality work.

INGRID ANDRESS/Don’t Start Now
Writers: Emily Warren, Ian Kirkpatrick, Caroline Ailin, Dua Lipa; Publisher: none listed; Producer: Sam Ellis; Warner/Atlantic
-It’s a Dua Lipa pop cover. Nicely done, but what’s the point?

TERRY MCBRIDE/Callin’ All Hearts
Writers: Luke Laird/Terry McBride; Publisher: none listed; Producer: Luke Laird; INgrooves
-Look out, boys, she’s a heart breaker. The spare, bopping production puts the spotlight squarely on his country vocal and the solidly crafted lyric. Simple but highly effective.

TYLER BRADEN/Love is a Dead End Road
Writers: Tyler Braden/Chase Rice/Brock Berryhill; Publishers: Warner Chappell/Sony ATV, no performance rights listed; Producer; none listed; Warner
-A country boy gets his heart busted when the gal he thought was The One, turns out not to be. This newcomer sings with enormous feeling and just the right blend of power and ache. He sounds like writer to be reckoned with, too. I’m in.

KEITH URBAN & P!NK/One Too Many
Writers none listed; Publisher: none listed; Producer: none listed; Capitol Nashville
-There’s no denying the star power. But the pop song does nothing for me.

CHAPEL HART/Jesus and Alcohol
Writers: Danica Hart, Devynn Hart, Trea Swindle; Publisher: HyperPhlyy Music; BMI; Producer: Jeff Glixman; CH
-Fabulous. This ridiculously catchy item is loaded with humor and harmonies. The group is country’s first Black female trio. The lead guitar is provided by Billy Gibbons of ZZ Top. The ultra-cute video features cameo appearances by T. Graham Brown and Deborah Allen. Colorful and contagious, this is absolutely a 100% hillbilly winner.

BRANDON RATCLIFF/Sometimes Always Never
Writers: Brandon Ratcliff/A.J. Babcock/Walker Hayes; Publisher: none listed; Producers: Pete Good/Shane McAnally; Monument
-The title tune of Ratcliff’s debut EP is a light, poppy, choppy ditty held together by his highly engaging, youthful tenor-to-falsetto vocal delivery. Very, very listenable. It says here that he has accumulated over 50 million streams to date.

DISClaimer Singles Reviews: Keith Urban, Carly Pearce, Trace Adkins, And More

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Today’s edition of DISClaimer is country, country, country all the way. We have superlative singles from Matt Stell, Cody Johnson, Sean Stemaly, Carly Pearce and Trace Adkins. All of them deserve your unconditional support.

The abundance of quality leads to a tie for the Disc of the Day award. Let Johnson and Pearce both have the spotlight, please. Our newcomers today are Southerland, Wendy Moten and Travis Tidwell. Moten is the best singer, but her song is weak. Southerland could use a stronger song, too.

CODY JOHNSON/Dear Rodeo
Writers: Dan Couch/Cody Johnson; Publisher: none listed; Producer: none listed; Warner
– It’s a love letter to the sport he loves and gave up. And it’s a beautiful piece of work. This Texan just might be the future of real country music. At least I hope he is.

MATT STELL/If I Was A Bar
Writers: none listed; Publisher: none listed/ASCAP; Producer: none listed; Arista Nashville
– Very cleverly written and sung with honky-tonk aplomb. Loved every hillbilly note.

TRACE ADKINS/Just The Way We Do It
Writers: Jeffrey Steele/Danny Myrick/Kip Raines/Bart Allmand; Publisher: none listed; Producer: Bart Butler; Verge
– Tap yer toes and bop along as Trace leads us in this party-hearty anthem. Guitars stutter and beats abound in this charming, good-time romp. Play and smile.

WENDY MOTEN/Can’t We Get Along
Writer: Pat Boone; Publisher: none listed; Producer: none listed; The Gold Label
– This power ballad about peace and brotherhood is spectacularly well sung, but sadly under-written with platitude piled on platitude. Moten is a genre-fluid vocalist who performs with western swingers The Time Jumpers and has also charted with R&B singles such as 1993’s “Come In Out of the Rain.” Somebody please give this gifted lady a hit song to sing.

FLORIDA GEORGIA LINE/Long Live
Writers: Tyler Hubbard/Brian Kelley/Corey Crowder/David Garcia/Josh Miller; Publisher: Big Loud Mountain / T Hubb Publishing / Pranch Ringle Music (BMI). All Rights Administered by Round Hill Works./ WC Music Corp. / Big Crowd Publishing / Georgia Song Vibez (ASCAP). All rights o/b/o Big Crowd Publishing and Georgia Song Vibez administered by WC Music Corp./ Spirit Two Nashville / 4theKidz Music / Spirit Vault Songs (ASCAP) administered by Spirit Two Nashville./ Warner-Tamerlane Publishing Corp. / Jack 10 Publishing / Songs of the Corn (BMI). All rights o/b/o itself, Jack 10 Publishing and Songs of the Corn administered by Warner-Tamerlane Publishing Corp; Producers: Hubbard/Kelley/Crowder; Big Machine
– I don’t think you could string more bro-country cliches together if you tried. They’re all here: longnecks, dirt roads, babes in cut-off jeans and more.

DWAIN MESSER/Ease My Troubled Mind
Writer: Dwain Messer; Publisher: Head of the Hollar; ASCAP; Producer: Mark Beckett; N Crowd
– He longs for relief from the rat race and a return to a simpler life. Produced with eloquent country simplicity and sung with hillbilly heart. It is also nearly five minutes long.

SEAN STEMALY/As Far As I Know
Writers: Jameson Rodgers/Hunter Phelps/Justin Wilson; Publisher: WC Music Corp./Who Wants To Buy My Publishing (ASCAP),Highly Combustible Music/One77 Songs (ASCAP), Legends Of Magic Mustang Music/Somebody Play It Again (SESAC); Producers: Joey Moi/Derek Wells; Big Loud
– Is she leaving their small-town life behind or just headed to her Mama’s house? Either way, this country boy feels heartache. Stemaly’s vocal is full of authenticity, although you do have to strain sometimes to hear the lyric amid the gorgeous, echoey production. Well worth your spins.

TENILLE TOWNES/Hallelujah
Writer: Leonard Cohen; Publisher: none listed; Producer: Jay Joyce; Columbia
– It is a classic, great song. But it has already been recorded by a bluezillion artists. There is even a whole book devoted to it. This lifeless rendition does nothing to enhance it. Unnecessary.

CARLY PEARCE/Next Girl
Writers: none listed; Publisher: none listed; Producer: none listed; BMLG
– Fabulous record. She sings the heck outta this uptempo cautionary lyric addressed to any future victims of a barroom lothario. This wonderfully written ditty is sprinkled with stardust. Loved “Every Little Thing” about it.

SOUTHERLAND/Thing Is
Writers: Matt Chase/Chris Rogers/Greg Bates; Publisher: none listed; Producer: Trent Willmon; River House/Sony
– It’s a duo, but it is mixed like a solo performance, with the harmony vocal being reduced to mere backup status. The song is a country bopper about being head over heels.

KEITH URBAN/Tumbleweed
Writers: James McNair/Jaren Johnston/Neil Mason; Publisher: Sony-ATV/Kobalt; Publisher: none listed; Capitol Nashville
– He’s a rocker at heart, and he really struts his shredder stuff in the guitar solo. The frenzied tempo and rapid-fire lyric delivery are as catchy as can be.

TRAVIS TIDWELL/Catch Me If You Can
Writers: T. Tidwell/M. Tidwell; Publisher: none listed; Producers: Kelly Schoenfeld, Kent Wells, Dave Fowler & Travis Tidwell; GTR
– There’s more than a little Southern rock in this long-haired fellow. He’s a screamin’ good guitarist with a bluesy bent, cool organ fills and soul-sister backup vocals. Get on board all you Skynyrd/Allman devotees.

DISClaimer Singles Reviews: Miranda Lambert, Brett Eldredge, Eric Church, And More

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There are so many bogus “artists” in the country format, but they are absent today.

It gives me so much pleasure in this week’s DISClaimer to review new music by such quality people as Miranda Lambert, HARDY, Eric Church, Alecia Nugent, Brett Eldredge and Chris Stapleton. They are the sort of folks who all current country artists should aspire to emulate.

In a stack of platters that is an embarrassment of riches, choosing a Disc of the Day is ridiculously hard. I’m going with Brett Eldredge, but the award could easily belong to any of the above.

The DISCovery Award goes to Matt Castillo.

LAINE HARDY/Tiny Town
Writers: Michael Tyler Spragg; Publisher: none listed; Sony-ATV/Pink Dog/Emileon/Little Louder/Songs of Kobalt/Wrucke For You/Songs of Universal, BMI; Producer: Michael Knox; LH
– As a former American Idol winner, he has an established fan base. What I like most about this is the clarity and simplicity of his delivery. It’s an acoustic-based production, so there’s plenty of room for his easy-going vocal presentation. The song is an okay, small-town salute that country listeners seem to love so well. By the way, Laine Hardy is a coronavirus survivor.

MIRANDA LAMBERT/Settling Down
Writers: Luke Dick/Miranda Lambert/Natalie Hemby; Publisher: none listed; Producer: Jay Joyce; RCA
– Congratulations to her for now being the most nominated female artist in CMA history. This spectacular little single is a total celebration of her voice, her songwriting and her personality. What a groove. This is the stuff of greatness.

MATT CASTILLO/Say It
Writers: Roger Brown/Tommy Conners/Don Rollins/Matt Castillo; Publisher: none listed; Producer: Roger Brown; MC
– It’s a toe tapper with stuttering guitar and steel. Hard to resist. Props to producer Brown and the relentless rhythm section.

LOCASH/Beers To Catch Up On
Writers: Jeremy Stover/Rhett Akins/Paul Charles Digiovanni; Publisher: Warner-Tamerlane/Anthem Entertainment/Universal/Ole Red Cape/Real Big Red Tunes/Ritten By Rhettro, BMI/ASCAP; Producer: none listed; Wheelhouse/BBR
– Buddy-buddy, warm and brotherly. A dandy sentiment about old friends, delivered with heart.

BRETT ELDREDGE/Sunday Drive
Writers: Barry Dean/Don Mescall/Steve Robson; Publisher: none listed; Producer: none listed; Warner
– Righteous and true. “It’s the ordinary things that mean so much.” The ballad takes him from his childhood riding with his folks to driving them himself when they get old. It choked me up, big time. During this pandemic, one of the things we do to keep our mental health is to go for drives with no destination. I guess partly because I remember my Dad taking us on Sunday drives. So Amen, to this song.

CHRIS STAPLETON/Starting Over
Writers: Chris Stapleton/Mike Henderson; Publishers: I Wrote These Songs/WC/Straight Six/Wixen, ASCAP/BMI; Producers: Dave Cobb/Chris Stapleton; Mercury
– He’s down, but hopeful. No matter how dark it seems, there is always a bright tomorrow and a shiny renewal. Strummy and upbeat, but grounded in gritty reality. A pure country-music delight.

ALECIA NUGENT/They Don’t Make ‘Em Like My Daddy Anymore
Writers: Alecia Nugent/Carl Jackson; Publishers: Hillbilly Goddess/Bluewater/Colonel Rebel/BMG, ASCAP; Producer: Keith Stegall; Hillbilly Goddess
– Known for her prior work in bluegrass, Nugent’s comeback CD The Old Side of Town is a move into mainstream country. She’s been off the radar for nearly a decade, and I have sorely missed her. Nugent remains an absolutely heart-stopping, old-school country singer. This lilting, nostalgic single is not the 1974 Loretta Lynn hit with the identical title (penned by Jerry Chestnut). It is a tribute to her childhood singing partner and pop, who has passed away. Sweet, endearing and totally autobiographical.

ERIC CHURCH/Crazyland
Writers: Eric Church/Luke Laird/Michael Heeney; Publisher: none listed; Producer: none listed; EMI
– Super creative. The songwriting here is just excellent. “Crazyland” is a tavern populated by characters named “Fool,” “Sorrow,” “I Told You So,” “Regret,” “All My Fault” and “Out of His Mind.” They hang out together in misery, singing the songs of a fellow named “Blues.” The shuffling percussion, piano notes and soft echo are just a few of the highlights in the airy production. This man is as good as contemporary country music gets.

HARDY/Boyfriend
Writers: Zach Abend/HARDY/Andy Albert; Publisher: none listed; Producer: none listed; Big Loud
– Love this. Love him. It shows a softer and super romantic side of this gifted writer-artist. His approach to country music always gives me hope for the future.

ARLO McKINLEY/Die Midwestern
Writer: Arlo McKinley; Publisher: none listed; Producer: Matt Ross Spang; Oh Boy
– A weaving honky-tonk band with a slippery fiddle are the loosey-goosey accompaniment to this love-hate ode to dead-end Ohio. It’s kinda like a mashup of The Band, John Prine and Austin country. He’s a Cincinnati native, and the video tours you through that city’s urban neighborhoods.

MITCHELL TENPENNY/Broken Up
Writers: Devin Dawson/Mitchell Tenpenny/Kyle Fishman/Ernest K. Smith; Publishers: Audium/Sony-ATV/Universal/Warner-Chappell; Producer: Jordan Schmidt; Riser House/Columbia
– A break-up song that’s also a solid banger. The “echo” answering vocals, rippling electronics and beats make this as much a jam as it is a lament. Recommended.

DISClaimer: Kane Brown, Camo Brian, Sheryl Crow, And More

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Kane Brown. Photo: Matthew Berinato

Black Lives Matter say the stars in this week’s edition of DISClaimer.

Henry Particelli and Tony Stampley are singing songs of racial reconciliation. Kane Brown is on hand with Khalid and Swae Lee, as is newcomer Camo Brian, who wins the DisCovery Award.

There are plenty of other good tunes today. I especially recommend Runaway June, Eric Paslay and Chris Janson. For super songwriting excellence, the essentials are Hailey Whitter‘s “Janice at the Hotel Bar” and our Disc of the Day, “Lonely Alone” by Sheryl Crow with Willie Nelson.

RUNAWAY JUNE/We Were Rich
Writers: Ashley Gorley/Ross Copperman/Nicolle Galyon; Publisher: EMI Blackwood/Combustion Engine; Producer: none listed; BBR/Wheelhouse
-Sweetly heart tugging and absolutely gorgeous sounding. I don’t know which I like better, the deliciously well written lyric or the breath-taking harmony-vocal perfection. I fell hard for this little slice of American life. With new member Natalie Stovall on board, the trio introduced this on last week’s Grand Ole Opry broadcast. Loved it then. Love it now.

CHRIS JANSON/Waitin’ On 5
Writers: Chris Janson/Craig Wiseman/Shy Carter/Tommy Cecil; Publisher: Sony/ATV/BMG Rights/Ole; Producer: none listed; Warner
-A blue-collar rouser that’s itching for the working day to end so that the party can begin. I usually don’t like gang-shouted backup vocals, but they work perfectly here.

TONY STAMPLEY/Colorblind
Writers: Tony Stampley/Bonnie Swayze; Publisher: none listed; Producer: Chris Janson, Tommy Cecil; TS
-A song for our times. It’s a plea for peace between races and for universal love. Tony’s songs have been recorded by a country who’s-who, including Hank Jr., Billy Currington, Randy, Moe, Tritt, John Anderson, George Jones, Chesnutt, Confederate Railroad and his daddy Joe Stampley. As he had done many times before, he can sing ’em just fine, himself.

ERIC PASLAY/Nice Guy
Writers: Eric Paslay/Craig Wiseman; Publisher: none listed; Producer: F. Reid Shippen/Tofer Brown; Paso Fino Records
– Very cute. He’s gonna get mean and nasty because, “It just don’t pay to be a nice guy in a bad-guy world.” The bopping track and light-hearted vocal are as delightful as the lyric. The video is a spot-the-celebrity collage of cameo appearances interspersed with Paslay in the slammer. I’ve always liked this guy.

HAILEY WHITTERS/Janice at the Hotel Bar
Writers: Hailey Whitters/Lori McKenna; Publisher: Scrambler Music, a division of Carnival Music Group, Maps and Records Music, Creative Pulse Music; Producer: Jake Gear, Hailey Whitters; Pigasus/Big Loud/Songs & Daughters
– This woman is so prodigiously talented. As if singing like a hillbilly angel wasn’t enough, she can write something so simply profound and true as this minor masterpiece. While you’re seeking this gem out (and you should), get addicted and plunge into the audio wonders of “Dream Girl,” “All the Cool Girls” and the rest of her extraordinary catalog. Her entire album The Dream is a country lover’s dream.

KANE BROWN, SWAE LEE & KHALID/Be Like That
Writers: Xplicit/Charlie Handsome/Kane Brown; Publisher: Universal/Warner Chappell; Producer: none listed; RCA
– Tuneful, jaunty and catchy, in a loopy kinda way. The mash-up of country with hip-hop is surprisingly effective in this ditty about a conflicted relationship. It works because Swae Lee’s falsetto portion and Khalid’s robust lower voice alleviate Brown’s (overly?) repetitive main refrain.

HENRY PARTICELLI/Your Name
Writer: Particelli; Publisher: none listed; Producer: Henry Particelli; HP
-Particelli wrote this in the wake of George Floyd’s death. “I know you never wanted this kind of fame/I’m so sorry that’s how we know your name,” he sings to the innocent man who died at the hands of police officers. The video intercuts shots of everyday citizens, black and white, holding signs with slogans of affirmation with footage of him singing alone in the studio. Toward the finale, he is pictured performing the lyric in a police uniform. It is not a costume for the video. You see, he is a for-real Metro Nashville police sergeant, trying to restore cops’ reputations by emphasizing their overall wish to help the public. He has his work cut out for him: This week in a botched-address scenario, Nashville officers broke down the door of an innocent Black mother’s home with their guns drawn while she pleaded for her children’s lives.

LAUREN ALAINA & JON PARDI/Getting Over Him
Writers: Lauren Alaina/Paul DiGiovanni/Emily Weisband; Publisher: none listed; Producer: none listed; Mercury Nashville
-It’s a rocking “rebound” tune. They both exude personality and verve, but Alaina definitely has the edge over her partner.

CAMO BRIAN/Already Famous
Writers: none listed; Publisher: none listed; Producers: none listed; Average Joes
-Bear with me: His name is Camo, and he wears camo. Musically, he takes a page from the Lil Nas X/BRELAND country-trap playbook in this banger about loving his lady just the way she is. She’s a “celebrity on the red carpet/In some clothes you bought from Target.” Also: He likes her rear end, so “Go ahead and park it.” He’s an animated figure in his video wherein he name checks both “Old Town Road” and “Blue Ain’t Your Color.” This is his first single.

SHERYL CROW & WILLIE NELSON/Lonely Alone
Writer: Sheryl Crow, Shane McAnally; Publisher: none listed; Producer: Steve Jordan; Valory Music Co.
-Drawn from her celebrity-collabs CD Threads, which she says is her final album, Crow gets all warm and cozy in this outstanding duet with Nelson. The song of two strangers sidling up to each other in a bar is wonderfully well written. Willie’s beautifully comforting voice and guitar playing are the real stars here, plus a splendid harmonica solo from Mickey Raphael. Applause, applause, applause for a superbly executed track.

LUKE LAIRD/Music Row
Writer: Luke Laird; Publisher: none listed; Producer: Luke Laird; LL
-Laird has written 24 chart-topping hits for others and collected baskets of award trophies. This is the title tune of his debut solo album. He sings in a light, soft tenor while the lazy-day, drum-loop track burbles gently behind him. The charming lyric is packed with Nashville place names while describing the uncertain yet hopeful life of a tunesmith. Laird also hosts a new show on Apple Music called Country Replay Radio.

DISClaimer Singles Reviews: Eric Church, Morgan Wallen, Devin Dawson, And More

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The dreaded dog days of summer are upon us.

As if the ongoing pandemic restrictions aren’t making us weary enough, now the weather is so oppressive you can hardly stand to go outside.

The country industry is doing its part to lift your spirits: Just about everybody in today’s DisClaimer column is rocking and breezy.

Among my faves were the new submissions by Parker McCollum, Caylee Hammack & Reba, Morgan Wallen, Eli Young Band and our Disc of the Day winner, Devin Dawson. Devin deserves downloads!

ELI YOUNG BAND (with Jimmy Buffett)/Saltwater Gospel (Fins Up Version)
Writers: Nicolle Galyon/Ashley Gorley; Publisher: none listed; Producer: none listed; Big Machine
-The track rumbles and thumps wonderfully. The message about finding God in nature is dandy. The mix muddies the vocals so that you have to strain to catch all the lyrics. But the vibe is unmistakable.

ERIC CHURCH/Bad Mother Trucker
Writers: none listed; Publisher: none listed; Producer: none listed; EMI
-Snappy country-rock, embellished with plenty of electric guitar and soul-sister backup vocals. Bluesy and ballsy.

RACHEL WAMMACK/What He Does
Writers: Rachel Wammack/Jimmy Robbins/Eric Arjes; Publisher: none listed; Producer: none listed; RCA
-Steady, deliberate piano chords underlie a track that alternates between stark simplicity to soaring celebration. The ultra romantic lyric praises a man who loves her right. As always, she sings with fire and conviction.

MORGAN WALLEN/7 Summers
Writers: Josh Osborne/Shane McAnally/Morgan Wallen; Publisher: Big Loud Mountain/Bo Wallace Publishing, Tempo Investments/Smackstreet Music/Warner Geo Met Ric Music, Sony/ATV Accent/Smackborne Music; Producer: Joey Moi; Big Loud
-I love this guy. This mellow, swaying tune of regret enters the heart on ocean breezes and whispers of nostalgia. As ever, his country-accented vocal is enchanting.

OLD DOMINION/Never Be Sorry
Writers: Shane McAnally/Trevor Rosen/Josh Osborne; Publisher: Kobalt/Downtown/ME Gusta, no performance rights listed; Producer: none listed; RCA
-These guys can always be depended on for melodic hooks, catchy choruses and punchy productions. This time is no exception. It’s all a little too pop for my taste, but it’s playlist-ready in the extreme.

DEVIN DAWSON/I Got A Truck
Writer: Devin Dawson; Publisher: none listed; Producer: Jay Joyce; Warner/Atlantic
-I have to admit I approached this with some skepticism. It does have “truck” in the title, after all. Guess what? It is a terrifically aspiring, hopeful, blue-collar slab of drive, grit and inspiration. It rocked my world. In short, I believe in this song.

PARKER McCOLLUM/Young Man’s Blues
Writers: Parker McCollum/Randy Montana; Publisher: none listed; Producer: none listed; MCA
– This looks at the process of growing up with clear eyes and a rocking beat. It’s tinged with nostalgia for the town he left behind, but looks forward to maturity. I’m in: McCollum remains one of this genre’s most promising newcomers.

CLAY WALKER/Need A Bar Sometimes
Writers: Clay Walker/Jason Boyer/Josh Mirenda/George Birge; Publisher: none listed; Producer: Michael Knox/Jason Boyer; Show Dog Nashville
-Walker’s comeback single is a strong reminder of what a good country singer he is. And you can’t beat the comforting sentiment.

GARY ALLAN/Waste Of A Whiskey Drink
Writers: Josh Kear/Michael Hardy/Mark Holman; Publishers: Year of the Dog/Chickering Hall/Songs of Kobalt/Relative/Songs of Universal/Art in the Fodder/Mark Holman, ASCAP/BMI; Producers: Tony Brown/Mark Wright; EMI
-This fellow always had a talent for finding hit songs. I think I hear one here. You think you want to buy her a drink and pick her up? Not so fast, buddy: She’s gonna ruin your life. Allan sings with aplomb while the track rocks along.

CAYLEE HAMMACK & REBA MCENTIRE/Redhead
Writers: none listed; Publisher: none listed; Producer: none listed; Capitol Nashville
– Rocking and feisty. Not to mention clever as hell. The titian-tressed divas sound splendid together.

DISClaimer Singles Reviews: Brandy Clark, Mickey Guyton, Sheryl Crow, And More

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photo credit: Chris Phelps

On Tuesday, Aug. 18, we will be celebrating the 100th anniversary of women winning the right to vote.

The Tennessee legislature here in Nashville was the deciding institution in the passage of the constitutional amendment. To celebrate, the downtown public library is dedicating a new exhibit/wing honoring Votes for Women and we are all invited to participate with guest Rosanne Cash online. In person, shoot a video of yourself ringing a bell and saying what you’re ringing it for. Be sure to tag NewsChannel 5 and the Nashville Public Library and use the hashtag “I ring the bell” when you post it to NPL.

Also to celebrate, welcome to this all-female DisClaimer. Any day I get to hear music by Brandy Clark, Mickey Guyton, Sheryl Crow and Lori McKenna is a banner day for me. Brandy Clark has our Disc of the Day.

Intriguing, individualistic Rachel Brooke is the DisCovery Award winner.

JEANNIE SEELY & WAYLON PAYNE/Old Flames Can’t Hold A Candle To You
Writers: Pebe Sebert/Hugh Moffatt; Publisher: Pebe Sebert/BMG Rights Management/Rightsong/Warner-Tamerlane, BMI; Producer: Don Cusic; Curb
-Seely turned 80 this year, but she sounds as soulful as ever on her new CD An American Classic. She’s joined on the set by bevy of celeb guests — Bill Anderson, Steve Wariner, The Whites, Rhonda Vincent, Willie Nelson, Lorrie Morgan, Vince Gill, Ray Stevens and, in this case, Waylon Payne. This golden-oldie ballad is taken at a slow, deliberate pace with plenty of space for both singers to phrase and harmonize. Now celebrating her 50th anniversary as an Opry member, Seely is in the spotlight on Tuesday (Aug. 18) as the latest star in the streamed “Change the Conversation” series about women in country music.

LINDSAY ELL/Want Me Back
Writers: Lindsay Ell/Kane Brown/Matt McGinn/Lindsay Rimes; Publisher: none listed; Producer: Dann Huff; BBR
-Ell is currently a double ACM nominee as Best New Female Artist and Musical Event (for “What Happens in a Small Town” with Brantley Gilbert). This single is drawn from her acclaimed new Heart Theory concept CD about dealing with grief. The track burbles with electronics while she sings with direct aim at an ex. Forceful and fiery. She’ll perform it streamed live from the Ryman on the Today show on Monday (Aug. 17, during the 10 a.m. portion of the show). Also highly recommended from this collection is the courageous and brilliantly written (with Brandy Clark) “Make You” about surviving rape as a teen.

KELLY LANG/Drive
Writer: Ric Ocasek; Publisher: none listed; Producer: none listed; KL
-This is a lustrous, enchanting, atmospheric and superbly listenable revival of the 1994 pop masterpiece by The Cars. Lang employs both a husky whisper and a throaty soar as she gives the tune a nuanced vocal performance. A beautiful change of pace that deserves massive airplay.

SHERYL CROW/Woman in the White House
Writers: Chris DuBois/Sheryl Crow/David Lee Murphy; Publisher: none listed; Producer: none listed; Big Machine
– Sheryl rocks out on this feisty, bluesy, feminist bopper. With Joe Biden’s announcement of Kamala Harris as his running mate this week, the song is suddenly super timely. The instrumental fade-out is needlessly cluttered and busy sounding.

HEIDI NEWFIELD & DELBERT McCLINTON/The Blues Is My Business
Writers: Kevin Bowe/Todd Cerney; Publisher: Publisher: none listed, BMI/ASCAP; Producers: Heidi Newfield, Jim “Moose” Brown; Notfamousenough
– Noted for her string of hits as the lead singer of Trick Pony, as well as for her “Johnny and June” solo success, Newfield is back with a collection titled The Barfly Sessions. She gets down and dirty on this rhythmic romper, blowing harmonica and wailing a saucy vocal with McClinton. Soulful and cool.

JAMIE O’NEAL/Wreck Me
Writers: Jamie O’Neal/Hannah Bethel/Rachele Lynae; Publisher: none listed; Producer: none listed; JO
-I am always so impressed with this lady’s record productions. As ever, this is a model of sonic clarity and perfect mixing. Also as ever, she sings her face off. The song is a smoldering, sultry stomp about surrendering in romance. This is pure country class.

LORI McKENNA/The Balladeer
Writer: Lori McKenna; Publisher: none listed; Producer: Dave Cobb; Publisher: CN/Thirty Tigers
– The double-tracked vocal took a little getting used to, but the song is a brilliantly written, aching ode about the struggle to make it in music while getting your heart broken in romance. Lilting, poetic and altogether lovely. I am hopelessly in love with this artist.

MICKEY GUYTON/Heaven Down Here
Writers: Mickey Guyton/Gordie Sampson/Josh Kear/Hillary Lindsey; Publisher: none listed; Producer: Karen Kosowski; Capitol Nashville
– Guyton continues her march toward greater artistic excellence with this pristinely sung and exquisitely produced, throbbing track. It’s a plea to God to send down some solace in these troubled times. This woman has the goods, people.

CASSADEE POPE/Rise and Shine
Writers: none listed; Publisher: none listed; Producers: Cassadee Pope/Todd Lombardo; CP
-Pope’s new sound is stripped down and acoustic. This is the title tune of a collection that showcases her newfound strength as a cowriter, as well as her customary power as a singer. It’s a ballad about finding strength and persevering through difficulties.

BRANDY CLARK & RANDY NEWMAN/Bigger Boat
Writers: Brandy Clark/Adam Wright; Publisher: Highway 508/New House of Sea Gayle/Clearbox/Tiltawhirl/Casa de Casa/Carnival, ASCAP/BMI; Producer: Jay Joyce; Warner
– Love it. It’s wry, jaunty and sideways philosophical. Newman’s drawl is as personality-packed as usual, and Clark’s laid-back, winking delivery is a sheer delight. It fills my heart with joy that this woman makes music. She’s a genius. That’s all. The new album is called Your Life Is a Record. Buy it now.

RACHEL BROOKE/The Loneliness in Me
Writers: Rachel Brooke/Brooks Robbins; Publisher: none listed; Producer: Andy Van Guilder; Mal
-This is the title track to a self-penned collection that drops Oct. 23. She’s a charismatic, drawling low alto with a terrific, conversational delivery on this bluesy strut. There’s a great deal of promise here. The next step should be to come to Nashville and get some production and instrumental finesse behind her.

DISClaimer Singles Reviews: The Grascals, Doyle Lawson & Quicksilver, And More

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The Grascals

Have you hugged a bluegrass musician today?

This style of country music has been hit particularly hard during the pandemic, because it is so heavily dependent on the roughly 500 bluegrass festivals that re-popularize it each year. No live performance, no bluegrass.

The genre’s “bible,” Bluegrass Unlimited magazine, has been struggling so mightily (no festivals, no ads) that its publication is being taken over by the International Bluegrass Music Association (IBMA).

Nevertheless, bluegrass endures. Our roundup of current sounds today includes a Disc of the Day performance by Doyle Lawson & Quicksilver and a DisCovery Award for Daryl Mosley.

THE GRASCALS/Haggard
Writer: Harley Allen; Producer: The Grascals; Publisher: Coburn, BMI; Mountain Home
– This is nominated as Song of the Year at this year’s (Sirius/XM-streamed) IBMA Awards, and the group’s four-time winner Kristin Scott Benson is again nominated as Banjo Player of the Year. I ask you, how can go you wrong with a heart-melting lyric about a stray puppy named Haggard?

DARYL MOSLEY/A Few Years Ago
Writer: Daryl Mosley; Producers: Mosley/Danny Roberts; Publisher: Songs of Daryl, ASCAP; Pinecastle
– Mosley bowed with this on the Bluegrass Unlimited chart this past month. It’s now at No. 21, and his album entered the album chart last week at No. 15. This thoughtful, nostalgic and lilting meditation kicks off the CD. A gentle-voiced tenor and superb songwriter, Mosley began his career entertaining at Loretta Lynn’s Dude Ranch. He is a veteran of the award-winning bands New Tradition and The Farm Hands. His debut solo album, The Secret of Life, is entirely self-written.

LARRY SPARKS/Down In Union County
Writer: Roy Acuff; Producer: none listed; Publisher: none listed; Rebel
– This lively remake of a Roy Acuff chestnut is presently at No. 3 on the bluegrass chart, having spent almost an entire year climbing it. Durable veteran Sparks takes a lickety-split guitar run in the tune that’s quite impressive. He is nominated as Male Vocalist of the Year and his New Moon Over My Shoulder is up for Album of the Year.

BRADLEY & ADAIR/Oh Darlin’
Writers: J. O’Hara/K. Kane; Producers: Tim Adair & Dale Ann Bradley; Publisher: Sony/ATV Cross Key, ASCAP; Pinecastle
– Dale Ann Bradley and Tina Adair are individually two of the finest female voices in contemporary bluegrass. Together, they are dynamite on this title track of their debut duet CD. It’s a remake of the 1986 hit by The O’Kanes that the women give a delightfully bluesy, saucy hue. The scintillating performance has apparently taken up semi-permanent residence in the No. 1 position on the bluegrass chart. By the way, both women are in the all-female band Sister Sadie, which is nominated as IBMA Entertainer of the Year and Vocal Group of the Year.

GARY BREWER & THE KENTUCKY RAMBLERS/Goin’ Up Shell Creek
Writer: Gary Brewer; Producer: Vince Emmett; Publisher: Stretch Grass, BMI; SGM
– The CD 40th Anniversary Celebration is packed with guest stars. On this lead-off track, Brewer and band are joined by The Travelin’ McCourys. The cascading instrumental notes and tight vocal harmonies are classic. Elsewhere on the collection are contributions from T. Graham Brown, Ashton Shepherd, Ralph Stanley II, Dale Ann Bradley, Sam Bush, Russell Moore and Doug Phelps (of The Kentucky HeadHunters).

LORRAINE JORDAN & CAROLINA ROAD/Bill Monroe’s Ol’ Mandolin
Writer: David Stewart; Producer: Lorraine Jordan & Carolina Road; Publisher: Sony/ATV/In The Wings, BMI; Pinecastle
– It’s a remembrance of Bill Monroe’s funeral where Ricky Skaggs played Monroe’s mandolin. It’s a big hit, currently standing at No. 4, but it’s all a bit sappy/maudlin for my taste. The album contains an oldie remake that suddenly seems super timely, Crystal Gayle’s “Ready for the Times to Get Better.” By the way, Crystal has a banner on the lawn outside her Music Row office quoting Allen Reynolds’ song lyrics, “It’s been too long a time with no peace of mind, and I’m ready for the times to get better.” Amen to that, pandemic people.

JB & JAMIE DAILEY/Nobody’s Darlin’ But Mine
Writer: Jimmie Davis; Producer: Jamie Dailey; Publisher: Songs of Universal, no PRO listed; Pinecastle
– Dailey & Vincent bluegrass star Jamie Dailey teams with his father on the CD Step Back in Time. It’s a collection of goldies by the likes of The Blue Sky Boys, Roy Acuff, Johnnie & Jack and, in this case, Jimmie Davis. His 1934 recording of this song was one of the biggest hits of the Great Depression. The Daileys step up the tempo a little with JB taking the lead and his son offering his usual stunning high-tenor harmony. This whole sweet album is super listening.

STEVE GULLEY & NEW PINNACLE/Leaning Toward Leaving
Writers: Tim Stafford/Steve Gulley; Producer: Steve Gulley; Publisher: Daniel House/Gulley’s Curve, BMI; Rural Rhythm
– The picking is hot and the tune hops. Still, the whole outing sounds par for the course, largely because the band lacks a charismatic vocalist.

ELIZA MEYER/Hello Stranger
Writer: A.P. Carter; Producer: Cathy Fink & Liam Purcell; Publisher: peermusic, no performance rights listed; EM
– This teenage North Carolinian’s debut album is a warm, old-time music outing. She’s a fiddler, banjoist, guitarist and vocalist who offers mountain-soprano renditions of such timeless gems as “When I Stop Dreaming,” “Leaning on the Everlasting Arms,” “Darling Corey,” “When My Blue Moon Turns to Gold Again” and “Send Me the Pillow You Dream On.” What better way to announce your artistry than with the Carter Family classic that kicks off and provides the album’s title tune? Her tremulous, somewhat tenuous, tender voice is joined by harmony singer Sam Gleaves.

DOYLE LAWSON & QUICKSILVER/Living Like There’s No Tomorrow
Writers: Jim McBride/Roger Murrah; Producer: Doyle Lawson; Publisher: Universal Careers/EMI April, BMI/ASCAP; Billy Blue
– Bluegrass Hall of Famer Lawson’s always stellar harmony group has another hit with this top-10 bluegrass success. An IBMA nominee for Song of the Year, it is drawn from Live in Prague, Czech Republic, nominated as Album of the Year. Penned by two Nashville Songwriters Hall of Fame members, the slow waltz of regret is a thrilling showcase for the group’s spectacular new tenor, Jake Vanover. It will come as no surprise that the group is again nominated for Entertainer of the Year and Vocal Group of the Year (which it has won eight previous times).

FIRESIDE COLLECTIVE/Winding Road
Writers: Jesse Laquinto; Producers: Travis Book & Fireside Collective; Publisher: Fireside Collective, ASCAP; Mountain Home
– This North Carolina quintet combines elements of folk and jam-band into its progressive bluegrass sound. The poor guys scheduled the release of their Elements CD at exactly the same time as the shelter-in-place orders came down. The planned celebratory shows were scuttled. The set kicks off and concludes with this upbeat ode to their musical journey. Sit tight in Asheville, fellows: We’ll see you when this pandemic passes.

DISClaimer Singles Reviews: Dan + Shay, Taylor Swift, Randy Travis, Reyna Roberts, And More

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Dan + Shay

We have no shortage of superstars this week in DisClaimer.

Everybody from Hall of Famers Alan Jackson and Randy Travis to redhot current giants Blake Shelton and Dan + Shay are here. Leading the pack is Taylor Swift, whose return-to country-track easily nabs the Disc of the Day prize.

I’m happy to report that there are plenty of baby acts in the mix today as well — Reyna Roberts, Joey Hendricks, Tyler Booth and our DisCovery Award winners, Bexar (that’s pronounced “Bear” or “Bay-har” to you non Texicans).

JOEY HENDRICKS/Yours Or Mine
Writers: none listed; Producer: none listed; Publisher: none listed; Sony
– Airy and attractive, in a pop kinda way. There is too much “process” on the vocal for the lyric to be clear, but the young-and-in-lust message is plain.

BLAKE SHELTON/Happy Anywhere
Writers: Ross Copperman/Josh Osborne/Matt Jenkins; Producer: none listed; Publisher: none listed; Warner
– Bopping, sunny and bright, plus loaded with romantic optimism. If I’ve ever heard a quarantine/pandemic love song, this is it. Sweetie Gwen Stefani provides the harmony vocal.

REYNA ROBERTS/Stompin’ Grounds
Writers: Reyna Roberts/Noah Henson; Producer: Noah Henson; Publisher: none listed; CEN/Orchard
– This is a very dandy slab of Southern rock, replete with a wailing delivery, a slamming beat, searing electric-guitar work and a sassy, welcome-to-Alabama lyric. Vocal fireball Roberts represents the latest entry in a very, very long quest for a Black female country star. With this blazing debut single, she’s on her way.

TAYLOR SWIFT/Betty
Writers: Taylor Swift/William Bowery; Producers: Aaron Dessner/Jack Antonoff/Taylor Swift; Publishers: TASRM/Songs of Universal/William Bowery, BMI; MCA Nashville/Republic
– Kissed by wafting harmonica notes and strummy guitar, this is a lovely acoustic track. Lyrically, it’s quite striking, since she’s singing from the point of view of 17-year-old “James,” who cheated on “Betty” via a summer fling. Swift is a fountain of creativity in this return to her country roots.

BEXAR/Again
Writers: Ross Copperman/Chris Ryan/Logan Turner; Producer: Ross Copperman; Publisher: none listed; Warner
– This is a band fronted by the duo of Texan Chris Ryan (guitar/lead vocal) and Kentuckian Logan Turner (banjo/guitar/vocals). Their sound is terrifically accomplished, acoustic yet thumping, polished yet earthy. The song yearns to recall the innocence of a teen romance. I cannot wait to hear more from these guys. In the meantime, please put this on your playlist at once.

RANDY TRAVIS/Fool’s Love Affair
Writers: Milton Brown/Keith Stegall/Charlie Monk; Producer: Kyle Lehning; Publisher: none listed; Warner
– Radio personality Charlie Monk has also been a longtime Music Row song publisher. He found a tape of Travis singing this song as a demo. Recorded just before the vocalist broke through as a superstar in 1985, the slow-burn, cheatin’ ballad is a clear reminder of what a stunning country baritone he was. Producer Lehning surrounded that voice with new tracks and the result is the first new Travis single since his stroke seven years ago. This, my friends, is what Real Country Music sounds like.

ROBERT COUNTS/What Do I Know
Writers: Robert Counts/Hardy/Jake Mitchell; Producer: none listed; Publisher: none listed; Arista Nashville
– Blue-collar wisdom, redneck philosophy and dirt-road life lessons wrapped in a hillbilly-banger production. Very promising. Send more.

LAUREN ALAINA/Run
Writers: Lauren Alaina/Ben Johnson/Kennedi; Producer: none listed; Publisher: none listed; Mercury Nashville
– This tempo tune is super hooky. If you’re not bopping and singing along to this catchy, repetitive, repetitive thing, you’re not listening. Also, she’s singing splendidly here.

CAYLEE HAMMACK & ALAN JACKSON/Lord I Hope This Day Is Good
Writer: Dave Hanner; Producer: Dave Cobb; Publisher: none listed; Capitol Nashville
– These two Georgia natives sound supremely awesome together on this flawless remake of the 1981 Don Williams classic. I have always loved the song, and these two voices harmonizing on it make it even more heavenly.

TYLER BOOTH/In God and Trucks We Trust
Writers: Tyler Booth/Randy Montana/Phil O’Donnell; Producer: none listed; Publisher: none listed; Sony/Villa 40
– Ya gotta love it. There might not be many of us who are farmers these days, but the down-home, semi-corny values espoused here can be embraced by just about anybody.

DAN + SHAY/I Should Probably Go To Bed
Writers: Shay Mooney/Dan Smyers/Jason Evigan/Sean Douglas; Producer: Dan Smyers; Publisher: none listed; Warner
– Shay Mooney tingles the spine by singing at the top of his range throughout the ballad performance. Dan Smyers played all the instruments and produced the whole thing in his home studio. These two are dynamite, and this should blow up in no time.

DISClaimer Singles Reviews: Cam, Keith Urban, A Thousand Horses, And More

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Photo: Cam

Baby acts, established hit makers and living legends combine for a tasty musical stew in this week’s DisClaimer edition.

In the first category, you’ll find our DisCovery Award winner, Drew Green.

In the second category are fine new tracks by Cam and Keith Urban.

Both Willie Nelson and Dan Penn are here to remind us that great music doesn’t just belong to the young.

Don’t miss the track by Billy Valentine. He’s the most famous voice you’ve never heard of. Billy was the vocalist in Young-Holt Unlimited in the 1970s, then in his family’s Valentine Brothers during the 1980s (“Money’s Too Tight to Mention”). He toured in the musical The Wiz, then was the lead vocalist on the soundtracks of the movie The Five Heartbeats (1991) and the Muhammad Ali documentary Champions Forever (1989). He sings the theme songs of the TV shows Boston Legal and Sons of Anarchy. He’s written songs recorded by Ray Charles and The Neville Brothers and sung demos for Burt Bacharach and Gerry Goffin. Now he’s singing for our own Gary Nicholson.

He’s also a contender for Disc of the Day, alongside Cam, Kevin Costner and our winner, A Thousand Horses.

A THOUSAND HORSES/A Song to Remember
Writers: Michael Hobby/Brad Warren/Brett Warren/Christopher Stevens; Producer: Dave Cobb; Publisher: none listed; Warner
– Hooky and very cool. The churning rhythm track locks you into the groove like a jailer. The tight-harmony vocals are loaded with heart. “I need a song to remember/And a drink to forget” in order get over her. Sing on, bros.

TUCKER BEATHARD/Faithful
Writers: Tucker Beathard/Marla Cannon-Goodman; Producer: Tucker Beathard; Publisher: none listed; Warner
-There’s a lot of production going on here. The electronic washes and beats somewhat overpower the lyric about fidelity, as well as his expressive vocal performance. Also, it ain’t all that “country.”

WILLIE NELSON/We Are The Cowboys
Writer: Billy Joe Shaver; Producer: Buddy Cannon; Publisher: BJ Shaver, BMI; Legacy (track)
– Willie’s 70th solo album is out. Titled First Rose of Spring, it includes this languid waltz with something to say. “We are the cowboys, the true sons of freedom….Cowboys are average American people, Texicans, Mexicans, Black men and Jews” who will cure this world of its wrongs. Other highlights on the collection include his versions of Roy Clark’s “Yesterday When I Was Young,” Johnny Paycheck’s “I’m the Only Hell My Mama Ever Raised” and Toby Keith’s “Don’t Let the Old Man In.” The 10-time Grammy winner, 87, remains an awesome musical presence.

BILLY VALENTINE/Thank You George Floyd
Writer: Gary Nicholson; Producer: none listed; Publisher: none listed; GN
-This is a super slab of Americana country-soul, with a slammin’  R&B groove and a passionate vocal by veteran Billy Valentine. Penned by stellar Nashville tunesmith Gary Nicholson, it thanks the late murder victim for making a difference in our society. It also name-checks several of the other victims of racial violence. The Black Live Matter movement couldn’t ask for a more stirring anthem and rallying cry.

KEITH URBAN/Superman
Writers: Craig Wiseman/Ben Berger/Ryan Rabin/Ryan McMahon/Keith Urban; Producer: Captain Cuts & Keith Urban; Publisher: none listed; Capitol Nashville
-It’s the familiar Urban summertime groove, spruced up with some dance beats and poppy electronics. Catchy, as usual.

HUDSON VALLEY/Right Place Now
Writers: Sarah Owens/Sherrie Austin/Will Rambeaux; Producer: none listed; Publisher: none listed; HV
-This female-fronted band is in a celebratory mood on this crashing rocker. Lead singer Sarah Owens shows plenty of confidence and moxie while the rhythm section and electric guitarist kick up dust. You can catch the act live around Music City at such venues as Ol Red, The Sutler Saloon, the Omni Hotel, The Listening Room and 3rd & Lindsley.

CAM/Classic
Writers: Camaron Ochs/Jack Antonoff; Producer: Jack Antonoff; Publisher: none listed; Triple Tigers/RCA Records
-Indescribably zesty. This fizzes like just-opened champagne. Her bright vocal is matched by a bubbling, shuffling beat that is just deliriously fun. I remain a huge fan. Like the song says, “they don’t make ’em like this anymore.”

DREW GREEN/Little More Be Alright
Writers: Drew Green/Mark Trussell; Producer: Mark Trussell; Publisher: none listed; Villa 40/Sony
-It’s a terrific fusion of a just-folks vocal, a supremely country lyric and an echoey pop production. I dig this guy, and I absolutely love the song. Stupendous work all around.

KEVIN COSTNER & MODERN WEST/Won’t Stop Loving You
Writers: Kevin Costner/Jack Williams/Scott Lindsey/Troy Johnson; Publisher: Orchard/Kevin’s Music/Anthem Entertainment, no performance right listed; Producer: none listed; KM
-Heartbreaking and romantic. Her memory will not leave, ever. Costner sings with warmth, and the gentle acoustic backing makes the ballad glow.

DAN PENN/Living on Mercy
Writers: Dan Penn/Wayne Carson; Producer: none listed; Publisher: none listed; Last Music Company (track)
-This is the title tune of the songwriting legend’s forthcoming CD, which arrives Aug. 28. The part-time Nashvillian enlisted the best sidemen of Muscle Shoals and Music City to craft a record that seethes with slow-burn, blue-eyed soul. This 78-year-old’s first album in 26 years demonstrates breathtaking endurance, perseverance and timelessness.

DISClaimer Singles Reviews: Tim McGraw, Miranda Lambert, Tyler Childers, And More

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This was a week of left-field surprises.

In our “comeback” department, we have a strong return to form by Mary Chapin Carpenter as well as a stunning reappearance by Skip Ewing. Tim McGraw is back, too.

Kane Brown continues his pursuit of pop music, while the formerly country-as-grits Elizabeth Cook takes a wild detour into that realm.

While Miranda Lambert‘s “Bluebird” continues its march up into the top-10, she offers a further reminder of her greatness with “Dark Bars.”

Previously noted for writing songs for others, Ross Ellis claims this week’s DisCovery Award.
Most surprising of all is the Disc of the Day prize going to outsider country-music savior Tyler Childers. Long may he sing.

TYLER RICH/Feels Like Home
Writers: Tyler Rich/Andrew DeRoberts/Jon Nite; Producer: Lindsay Rimes; Publisher: none listed; Valory
– Quite stirring and attractive. It’s like “Cheers” set to music with warmth, camaraderie and raise-a-glass good vibes. I’m in.

SAM HUNT/Hard To Forget
Writers: Josh Osborne/Shane McAnally/Ashley Gorley/Audrey Grisham/Luke Laird/Mary Jean Shurtz/Russ Hull/Sam Hunt; Producers: Luke Laird/Zach Crowell; Publisher: none listed; MCA Nashville
– Surprise! He sings it.

MARY CHAPIN CARPENTER/Secret Keepers
Writer: Mary Chapin Carpenter; Producer: Ethan Johns; Publisher: none listed; Lambent Light Records/Thirty Tigers
– Resonant and glowing, with her dark alto leading a lyric about the hidden emotional undertows that can haunt our interpersonal relationships. The rolling, country-rock tempo gives it a radio-ready sound. I have always loved this artist.

KANE BROWN ft. SWAE LEE & KHALID/Be Like That
Writers: Alexander “Eskeerdo” Izquierdo/Kane Brown/Khalid Robinson/Khalif Brown/Mike Will/Ryan Vojtesak; Producer: Charlie Handsome; Publisher: none listed; RCA Nashville
– It’s totally pop, but you have to admire its earworm catchiness. Seldom has a negative-girlfriend sentiment sounded so jaunty.

MIRANDA LAMBERT/Dark Bars
Writers: Liz Rose/Miranda Lambert; Producer: Jay Joyce; Publisher: Sony-ATV Tree/Pink Dog/Songs of Crazy Girl/Warner Tamerlane, BMI; Vanner Records/RCA Nashville
– If there was ever a doubt in your mind that she’s a country-music genius, this will erase it. A swirling meditation about embracing loneliness and facing honky-tonk truth. In a word, awesome.

ELIZABETH COOK/Perfect Girls of Pop
Writer: Elizabeth Cook; Producer: Butch Walker; Publisher: none listed; Agent Love Records/Thirty Tigers
– Disappointing. It’s a good song, but the double-tracked, overly-echoed vocal is distracting. I think the idea here is to take a shot at pop airplay, since it does have a retro ’80s, new-wave vibe. There is also a video for a track called “Bones” that is an even more overt bid for pop/rock acceptance

TIM McGRAW/Here On Earth
Writers: Chase McGill/Jessie Jo Dillon/Jon Nite; Producers: Tim McGraw/Byron Gallimore; Publisher: none listed; Big Machine Records
– Uplifting and inspirational. Music like this can bring people together. Love is the answer.

MANDY BARNETT/It’s Now or Never
Writers: Aaron Schroeder/Eduardo di Capua/Wally Gold; Producer: Fred Mollin; Publisher: Gladys/Kobalt/Aberbach/Raleigh/Universal, ASCAP/SIAE; Melody Place/BMG
– Mandy replaces Elvis’s florid, quasi-operatic reading of the 1960 song with something more sweet and intimate, while sacrificing none of her vocal power. A winner.

ROSS ELLIS/Love Blind
Writers: Allison Veltz Cruz/Ross Ellis/Zach Kale; Producer: Aaron Eshuis; Publisher: none listed; RCA Nashville
– It’s a heartfelt ballad wherein he prays that she will overlook his shortcomings and keep loving him. Quietly endearing.

TYLER CHILDERS/Country Squire
Writer: Tyler Childers; Producers: Sturgill Simpson/David Ferguson; Publisher: none listed; Hickman Holler Records/RCA Records
– The subject of the title is a 24-foot camper. He’s fixing it up to make a home for himself and his honey while a hillbilly band prances friskly behind him. As always, he’s a beacon of Real Country Music. The uptempo ditty has inspired Tyler’s first music video. It’s a cute-as-can-be, highly humorous animation.

SKIP EWING/Wyoming
Writer: Skip Ewing; Producers: Kyle Lehning/Skip Ewing; Publisher: Write On!, BMI; Write!
– This prodigiously gifted fellow had a flurry of big hits on MCA in the late 1980s. In the following decade he wrote huge songs for Collin Ray (“Love, Me”), Randy Travis (“If I Didn’t Have You”), Kenny Chesney (“You Had Me From Hello”), Diamond Rio (“I Believe”), Bryan White (“Someone Else’s Star”), Clint Black (“Something That We Do”) and more. In 2013, he turned his back on it all, sold his belongings and vanished from music. This is the title tune of his comeback CD, a lovely, tuneful, wistful recollection of wanderlust and lost love. The man can still cast a musical spell. Welcome home, son.