Recording Academy Announces Nominees For 65th Grammy Awards

The nominees for The 65th Grammy Awards were revealed Tuesday (Nov. 15) across all 91 categories.

Live from the Grammy Museum, Recording Academy CEO Harvey Mason jr. was joined by Jimmie Allen, Luis Fonsi, John Legend, Machine Gun Kelly, Smokey Robinson, Olivia Rodrigo, Recording Academy Los Angeles Chapter President Ledisi, and anchors Nate Burleson and Gayle King to annouce the nominees. Dan + Shay and Cyndi Lauper were also on hand to help present and give special performances.

This year’s nominees reflect several landmark changes that have been made to the nomination and voting processes. Among them, five new categories have been created, including Songwriter Of The Year, Non-Classical; Best Alternative Music Performance; Best Americana Performance; Best Score Soundtrack For Video Games And Other Interactive Media; and Best Spoken Word Poetry Album.

The final round of Grammy voting, which will determine winners, will run from Dec. 14, 2022 to Jan. 4, 2023.

The 65th Annual Grammy Awards will take place at Los Angeles’ Crypto.com Arena on Sunday, Feb. 5. The show will broadcast live on CBS and stream live and on-demand on Paramount+ at 7 p.m. CT.

SONG OF THE YEAR
“abcdefu” – Sara Davis, GAYLE & Dave Pittenger, songwriters (GAYLE)
“About Damn Time” – Melissa “Lizzo” Jefferson, Eric Frederic, Blake Slatkin & Theron Makiel Thomas, songwriters (Lizzo)
“All Too Well (10 Minute Version) (The Short Film)” – Liz Rose & Taylor Swift, songwriters (Taylor Swift)
“As It Was” – Tyler Johnson, Kid Harpoon & Harry Styles, songwriters (Harry Styles)
“Bad Habit” – Matthew Castellanos, Brittany Foushee, Diana Gordon, John Carroll Kirby & Steve Lacy, songwriters (Steve Lacy)
“Break My Soul” – Beyoncé, S. Carter, Terius “The-Dream” Gesteelde-Diamant & Christopher A. Stewart, songwriters (Beyoncé)
“Easy on Me” – Adele Adkins & Greg Kurstin, songwriters (Adele)
“God Did” – Tarik Azzouz, E.Blackmon, Khaled Khaled, F. LeBlanc, Shawn Carter, John Stephens, Dwayne Carter, William Roberts & Nicholas Warwar, songwriters (DJ Khaled Featuring Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy)
“The Heart Part 5” – Jake Kosich, Johnny Kosich, Kendrick Lamar & Matt Schaeffer, songwriters (Kendrick Lamar)
“Just Like That” – Bonnie Raitt, songwriter (Bonnie Raitt)

RECORD OF THE YEAR
“Don’t Shut Me Down” (ABBA) – Benny Andersson, producer; Benny Andersson & Bernard Löhr, engineers/mixers; Björn Engelmann, mastering engineer
“Easy on Me” (Adele) – Greg Kurstin, producer; Julian Burg, Tom Elmhirst & Greg Kurstin, engineers/mixers; Randy Merrill, mastering engineer
“Break My Soul” (Beyoncé) – Beyoncé, Terius “The-Dream” Gesteelde-Diamant, Jens Christian Isaksen & Christopher “Tricky” Stewart, producers; Brandon Harding, Chris McLaughlin & Stuart White, engineers/mixers; Colin Leonard, mastering engineer
“Good Morning Gorgeous” (Mary J. Blige) – D’Mile & H.E.R., producers; Bryce Bordone, Serban Ghenea & Pat Kelly, engineers/mixers
“You and Me on the Rock” (Brandi Carlile Featuring Lucius) – Dave Cobb & Shooter Jennings, producers; Brandon Bell, Tom Elmhirst & Michael Harris, engineers/mixers; Pete Lyman, mastering engineer
“Woman” (Doja Cat) – Crate Classics, Linden Jay, Aynzli Jones & Yeti Beats, producers; Jesse Ray Ernster & Rian Lewis, engineers/mixers; Mike Bozzi, mastering engineer
“Bad Habit” (Steve Lacy) – Steve Lacy, producer; Neal Pogue & Karl Wingate, engineers/mixers; Mike Bozzi, mastering engineer
“The Heart Part 5” (Kendrick Lamar) – Beach Noise, producer; Beach Noise, Rob Bisel, Ray Charles Brown Jr., James Hunt, Johnny Kosich, Matt Schaeffer & Johnathan Turner, engineers/mixers; Michelle Mancini, mastering engineer
“About Damn Time” (Lizzo) – Ricky Reed & Blake Slatkin, producers; Patrick Kehrier, Bill Malina & Manny Marroquin, engineers/mixers; Michelle Mancini, mastering engineer
“As It Was” (Harry Styles) – Tyler Johnson & Kid Harpoon, producers; Jeremy Hatcher & Spike Stent, engineers/mixers; Randy Merrill, mastering engineer

BEST NEW ARTIST
Anitta
Omar Apollo
DOMi & JD Beck
Muni Long
Samara Joy
Latto
Måneskin
Tobe Nwigwe
Molly Tuttle
Wet Leg

ALBUM OF THE YEAR
Voyage (ABBA)
30 (Adele)
Un Verano Sin Ti (Bad Bunny)
Renaissance (Beyoncé)
Good Morning Gorgeous (Deluxe) (Mary J. Blige)
In These Silent Days (Brandi Carlile)
Music Of The Spheres (Coldplay)
Mr. Morale & The Big Steppers (Kendrick Lamar)
Special (Lizzo)
Harry’s House (Harry Styles)

SONGWRITER OF THE YEAR, NON-CLASSICAL
Amy Allen
Nija Charles
Tobias Jesso Jr.
The-Dream
Laura Veltz

BEST COUNTRY SOLO PERFORMANCE
“Heartfirst” – Kelsea Ballerini
“Something in the Orange” – Zach Bryan
“In His Arms” – Miranda Lambert
“Circles Around This Town” – Maren Morris
“Live Forever” – Willie Nelson

BEST COUNTRY DUO/GROUP PERFORMANCE
“Wishful Drinking” – Ingrid Andress & Sam Hunt
“Midnight Rider’s Prayer” – Brothers Osborne
“Outrunnin’ Your Memory” – Luke Combs & Miranda Lambert
“Does He Love You – Revisited” – Reba McEntire & Dolly Parton
“Never Wanted To Be That Girl” – Carly Pearce & Ashley McBryde
“Going Where The Lonely Go” – Robert Plant & Alison Krauss

BEST COUNTRY ALBUM
Growin’ Up – Luke Combs
Palomino – Miranda Lambert
Ashley McBryde Presents: Lindeville – Ashley McBryde
Humble Quest – Maren Morris
A Beautiful Time – Willie Nelson

BEST COUNTRY SONG
“Circles Around This Town” (Maren Morris) – Ryan Hurd, Julia Michaels, Maren Morris & Jimmy Robbins, songwriters
“Doin’ This” (Luke Combs) – Luke Combs, Drew Parker & Robert Williford, songwriters
“I Bet You Think About Me (Taylor’s Version) (From The Vault)” (Taylor Swift) – Lori McKenna & Taylor Swift, songwriters
“If I Was a Cowboy” (Miranda Lambert) – Jesse Frasure & Miranda Lambert, songwriters
“I’ll Love You Till The Day I Die” (Willie Nelson) – Rodney Crowell & Chris Stapleton, songwriters
“‘Til You Can’t” (Cody Johnson) – Matt Rogers & Ben Stennis, songwriters

BEST AMERICAN ROOTS SONG
“Bright Star” — Anaïs Mitchell, songwriter (Anaïs Mitchell)
“Forever” — Sheryl Crow & Jeff Trott, songwriters (Sheryl Crow)
“High And Lonesome” — T Bone Burnett & Robert Plant, songwriters (Robert Plant & Alison Krauss)
“Just Like That” — Bonnie Raitt, songwriter (Bonnie Raitt)
“Prodigal Daughter” — Tim O’Brien & Aoife O’Donovan, songwriters (Aoife O’Donovan & Allison Russell)
“You And Me On The Rock” — Brandi Carlile, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile Featuring Lucius)

BEST AMERICANA ALBUM
In These Silent Days — Brandi Carlile
Things Happen That Way — Dr. John
Good To Be… — Keb’ Mo’
Raise The Roof — Robert Plant & Alison Krauss
Just Like That… — Bonnie Raitt

BEST ROOTS GOSPEL ALBUM
Let’s Just Praise The Lord – Gaither Vocal Band
Confessio – Irish American Roots – Keith & Kristyn Getty
The Willie Nelson Family – Willie Nelson
2:22 – Karen Peck & New River
The Urban Hymnal – Tennessee State University Marching Band

BEST CONTEMPORARY CHRISTIAN MUSIC ALBUM
Lion – Elevation Worship
Breathe – Maverick City Music
Life After Death – TobyMac
Always – Chris Tomlin
My Jesus – Anne Wilson

BEST GOSPEL ALBUM
Die To Live – Maranda Curtis
Breakthrough: The Exodus (Live) – Ricky Dillard
Clarity – DOE
Kingdom Book One Deluxe – Maverick City Music & Kirk Franklin
All Things New – Tye Tribbett

BEST CONTEMPORARY CHRISTIAN MUSIC PERFORMANCE/SONG
“God Really Loves Us (Radio Version)” (Crowder Featuring Dante Bowe and Maverick City Music) – Dante Bowe, David Crowder, Ben Glover & Jeff Sojka, songwriters
“So Good” (DOE) – Chuck Butler, Dominique Jones & Ethan Hulse, songwriters
“For God Is With Us” (for KING & COUNTRY & Hillary Scott) – Josh Kerr, Jordan Reynolds, Joel Smallbone & Luke Smallbone, songwriters
“Fear Is Not My Future” (Maverick City Music & Kirk Franklin) – Kirk Franklin, Nicole Hannel, Jonathan Jay, Brandon Lake & Hannah Shackelford, songwriters
“Holy Forever” (Chris Tomlin) – Jason Ingram, Brian Johnson, Jenn Johnson, Chris Tomlin & Phil Wickham, songwriters
“Hymn Of Heaven (Radio Version)” (Phil Wickham) – Chris Davenport, Bill Johnson, Brian Johnson & Phil Wickham, songwriters

BEST GOSPEL PERFORMANCE/SONG
“Positive” (Erica Campbell) – Erica Campbell, Warryn Campbell & Juan Winans, songwriters
“When I Pray” (DOE) – Dominique Jones & Dewitt Jones, songwriters
“Kingdom” (Maverick City Music & Kirk Franklin) – Kirk Franklin, Jonathan Jay, Chandler Moore & Jacob Poole, Songwriters
“The Better Benediction” (PJ Morton Featuring Zacardi Cortez, Gene Moore, Samoht, Tim Rogers & Darrel Walls) – PJ Morton, songwriter
“Get Up” (Tye Tribbett) – Brandon Jones, Christopher Michael Stevens, Thaddaeus Tribbett & Tye Tribbett, songwriters

For a full list of nominees, click here.

Chris Schuler Exits Arista Nashville

Chris Schuler

Chris Schuler has left his position as Vice President, Promotion at Arista Nashville, MusicRow has confirmed.

Schuler joined the company in April and was responsible for the development, implementation and supervision of the strategic and tactical radio promotional plans for artists on the Arista Nashville roster. During his tenure, he reported to Steve Hodges, Executive Vice President of Promotion and Artist Development.

Prior to moving to Arista, Schuler served as VP, Promotion & Radio Marketing at Universal Music Group Nashville. He first joined UMG Nashville seven years ago as Mercury Promotion Coordinator, he later became Director, Promotion & Radio Marketing for the label group in 2016. Before that, Schuler worked at BMI in Nashville.

Hodges will lead Arista promotion through the end of the year. Arista will look to fill the opening in early 2023.

Luke Combs Rises Into Top 5 On MusicRow Top Songwriter Chart

Luke Combs. Photo: Jeremy Cowart

Luke Combs jumps into the top five this week on the MusicRow Top Songwriter Chart. Rising from the seventh spot, Combs has a songwriter credit on three currently charting songs, including his own “The Kind Of Love We Make” and “Going, Going, Gone,” as well as Zac Brown Band’s “Out In The Middle.”

Zach Bryan adds an eighth consecutive week atop the Songwriter Chart. He has three tracks on the chart, all of which are his own, including “Something In The Orange,” “Oklahoma Smokeshow,” and “Burn, Burn, Burn.” Because he is the only writer on each of the songs, Bryan earns all of the points earned from airplay, digital download track sales and streams on the Songwriter Chart.

Filling out the remainder of the top five are Ashley Gorley (No. 2), Morgan Wallen (No. 3) and Ernest Keith Smith (No. 4).

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

Dates Announced For AmericanaFest 2023

AmericanaFest 2023, the Americana Music Association’s marquee festival and conference, will take place Sept. 19-23, 2023 in Nashville.

Passes for the 23rd edition of the event with go on sale Wednesday, Nov. 16 at 10 a.m. CT/11 a.m. ET at americanafest.com with limited-time Black Friday pricing. The special pricing will expire after Nov. 30.

AmericanaFest takes place over five days, with three days of music business panels at The Westin Nashville on Wednesday through Friday as well as four nights of music discovery showcases Wednesday through Saturday. There are also many daytime special events hosted by friends and supporters of AmericanaFest beginning on Tuesday.

The gathering also includes the critically acclaimed Americana Honors & Awards ceremony. It will take place Wednesday, Sept. 20 at the historic Ryman Auditorium. Tickets for the show will be on sale at a later date.

Applications for artists interested in showcasing will be available in early 2023. Learn more here.

Gabby Barrett Goes No. 1 On MusicRow CountryBreakout Radio Chart

After a long haul on the charts, Gabby Barrett’s “Pick Me Up” reaches the peak position on the MusicRow CountryBreakout Radio Chart. Barrett penned the single with Ross Copperman and Jon Nite.

In 2022, Barrett was named one of the New Faces of Country Music at Country Radio Seminar. She also earned an RIAA Platinum certification for her album Goldmine, a double Platinum certification for her single “The Good Ones,” and a 6x Platinum honor for the single “I Hope.”

This summer she accompanied Jason Aldean on his “Rock N’ Roll Cowboy Tour” and joined Brooks & Dunn’s on select dates of their “Reboot 2022 Tour.”

Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

DISClaimer Single Reviews: Luke Combs Proves CMA Entertainer Of The Year Status On New Single

This is country music’s week to shine, so no wonder there is a cornucopia of tasty tracks in this week’s DISClaimer column.

Mickey Guyton, Chase Matthew and Luke Bryan bring the opening devotionals. Brothers Osborne, War & Treaty and Chase Rice rock the house.

But it’s the most “country” of the country releases that rule the day. They belong to the divine Miranda Lambert, the sublime Dailey & Vincent, the hearty Eddie Montgomery and the King of the Hill, Luke Combs. The Entertainer of the Year also has the Disc of the Day

Give a DISCovery Award to Warner newcomer Chase Matthew.

LUKE BRYAN / “Prayin’ in a Deer Stand”
Writers: Luke Bryan/Nicolle Galyon/Jimmy Robbins; Producer: Jody Stevens/Jeff Stevens; Label: Capitol
–Good listening. The echo on his vocal is big help, and the vibrating, atmospheric electric guitars in the production are dynamite. I doubt that there is a huge percentage of listeners who spend their Sundays hunting deer, but whatever….

JESSIE JAMES DECKER / “Grow Young With You”
Writers: Emily Weisband/Alysa Vanderheym/Jordyn Shellhart; Producer: Alysa Vanderheym; Label: Big Yellow Dog/Warner/Atlantic
–This multi-hyphenate seems to hit on all available platforms, from books to fashion to TV to music. As before, she proves to be a fine singer on this choppy, clappy bopper about a sunny love. I always like the little falsetto hiccoughs in her delivery.

LUKE COMBS / “Going, Going Gone”
Writers: James McNair/Luke Combs/Ray Fulcher; Producer: Luke Combs/Chip Matthews/Jonathan Singleton; Label: River House/Columbia
–This is a lovely change of pace. Combs exchanges his brawling, bruising vocal style for a gentler, more contemplative delivery. He’s wistful yet resigned over a lost love. As usual, the song is a model of country craftsmanship. He so deserves every award we give him.

BRITTNEY SPENCER / “A Hundred Years Old”
Writers: Ashley Ray/Brittney Spencer/Sean McConnell; Producer: Daniel Tashian; Label: Elektra
–Does this artist set the record for the longest set-up ever for a real radio release? She’s on television, in social media, on others’ records, in print and all over the map without ever actually stepping up to bat. Now she has a new live EP recorded acoustically at Blackbird Studio. This charming, wafting, yearning performance is yet another tease. The lady has the talent. Somebody light a fire under this career kindling.

EDDIE MONTGOMERY / “Thank a Beer Drinker”
Writers: Wynn Varble/David Lee/Don Poythress; Producers: Noah Gordon/Shannon Houchins; Label: Average Joe’s
–Like that road you drive on? How about the food you eat, the electricity in your house, running water and the car you own? Give thanks to the blue-collar folks who keep our factories and our infrastructure running. I love the message of this. Eddie delivers it perfectly. Oh by the way, he adds, if you like this song, thank another beer drinker.

MIRANDA LAMBERT / “Geraldene”
Writers: Miranda Lambert/Jack Ingram/Jon Randall; Producers: Jon Randall/Luke Dick/Miranda Lambert; Label: RCA
–With her performance of this at the CMA Awards, Lambert again demonstrated that she is the finest, pure-country female singer in our current music biz. She calls out a temptress with just the right touches of envy and smoldering threats. The spare, snappy track keeps things crackling. It’s a model of restraint, throwing the spotlight on her superb, twangin’ delivery. “Geraldine” is just one of the many gems on her 15-track Palomino collection. Available on double vinyl, by the way.

CHASE MATTHEW / “She Loves Jesus”
Writers: Chase Matthews/Will Pattat; Producer: Austin Shawn; Label: Warner
–Nashville native Matthew stages his Warner Music debut with this pristine ballad about a pure, devout, beautiful woman. His mellow baritone is loaded with warmth. The steel guitar and piano accompaniment is poetry.

MICKEY GUYTON / “I Still Pray”
Writers: Mickey Guyton/Tyler Hubbard/Ryan Daly/Steph Jones; Producer: Corey Crowder/Tyler Hubbard/Ryan Daly; Label: Capitol
–One associates praying with silence. But Guyton’s emotional soprano is a shout of blazing affirmation as she explains the depth of her devotion. An extraordinary, stately vocal performance by one of our most gifted artists.

DAILEY & VINCENT WITH RHONDA VINCENT / “Those Memories of You”
Writers: Alan O’Bryant; Producer: Paul Worley; Label: DV
–The harmonies in this performance will send shivers through your whole body. Opry greats Dailey & Vincent have turned from bluegrass to country on their new CD, but this bluesy, electrified revival of the Dolly/Linda/Emmylou 1987 smash proves their vocal backgrounds are solidly in place. Jamie Dailey’s lead vocal is a masterpiece, and the thrilling support of the Vincent siblings sends the whole thing into the stratosphere. Breathtaking is the word.

BROTHERS OSBORNE WITH THE WAR & TREATY / “It’s Only Rock ‘N’ Roll (But I Like It)”
Writers: Keith Richards/Mick Jagger; Producer: Robert Deaton/Danny Rader; Label: BMG
–The forthcoming Stoned Cold Country is an all-star Nashville tribute to the songs of the Rolling Stones. These two sterling duos join forces for its first advance track, which they introduced on the CMA Awards. T.J. kicked it off in a deep, rumbling baritone. Tanya lit the track ablaze. Michael shot off fireworks, then the whole ensemble burned the house down. The official studio track underwhelms by comparison.

CHASE RICE / “Way Down Yonder”
Writers: Blake Pendergrass/Chase Rice/Corey Crowder/Hunter Phelps/John Byron; Producer: Oscar Charles; Label: BBR
–A menacing, loud outlaw anthem with big percussion and an abundance of attitude. It wears out its welcome fairly quickly.

CARTER FAITH / “Already Crazy”
Writers: Carter Faith/Tofer Brown/Lauren Hungate; Producer: Tofer Brown; Label: CF
–The lyric is very nicely crafted and her vocal is spot on. I kept waiting for the ballad’s track to take off, but it stuck with its piano-and-strings wash throughout.

The 56th CMA Awards Embraces Its Roots For A Night Of Great Music

Luke Combs accepts the award for Entertainer of the Year at The 56th Annual CMA Awards. Photo: Courtesy of CMA

The music was as rich as the fellowship Wednesday night (Nov. 9) at the 56th annual CMA Awards. Live from Nashville’s Bridgestone Arena, the winners reflected the format embracing a cornucopia of sounds—plenty of which are pretty traditional country.

Luke Combs said it best when he closed the show with his second Entertainer of the Year trophy in hand. “Country’s sounding more country than it has in a long time tonight,” he said. And it had.

Carrie Underwood, Miranda Lambert, and Reba McEntire pay tribute to Loretta Lynn. Photo: Courtesy of CMA

The telecast started with a vintage video of Loretta Lynn accepting her first-ever CMA Entertainer of the Year award. In the clip, the late legend said that while she was proud to be the first woman to ever win the title, she was sad that her husband Doo couldn’t be with her to celebrate. He was off hunting, she said with a grin.

Three iconic female country voices—Reba McEntire, Miranda Lambert and Carrie Underwood—began her tribute as soon as the show started. Underwood took on “You Ain’t Woman Enough,” Lambert followed with “Don’t Come Home A Drinkin’,” and McEntire sang “You’re Looking At Country.” Their voices joined together on Lynn’s “Coal Miner’s Daughter,” and the Country Music Hall of Famer’s family looked on with tears streaming down their faces.

Luke Bryan and Peyton Manning host The 56th Annual CMA Awards. Photo: Courtesy of CMA

Later on in the show, Carly Pearce added her tribute to the late legend, singing her own tune “Dear Miss Loretta.” The performance was one of the night’s many highlights, with Pearce sounding like an Appalachian angel while bluegrass greats Ricky Skaggs and Sonya Isaacs backed her.

The show wasn’t all serious, though. Co-hosts Luke Bryan and NFL superstar Peyton Manning kept things light and silly when necessary. Manning, who is a big country music fan, equated the CMA Awards to the “Super Bowl of country music.”

Bryan quipped that he thought the Super Bowl was the CMA Awards for football.

Jordan Davis, Luke Bryan, Jacob Davis, Josh Jenkins, and Matt Jenkins accept the award for Song of the Year for “Buy Dirt.” Photo: Courtesy of CMA

McEntire and boyfriend/Big Sky co-star Rex Linn presented the first award of the telecast to Jordan Davis for “Buy Dirt,” the CMA Song of the Year. The special song was written by two sets of brothers: Jordan and Jacob Davis and Matt and Josh Jenkins—who celebrated the same title at the NSAI Awards in September.

Davis was stunned when he stepped up to the mic to accept the trophy. He hassled his duet partner on the song, Luke Bryan, to join him. Bryan ran up to the stage, kissed Davis’ cheek, and left the young star to bask in his first CMA Award win.

“We wrote a song about faith and family. If that’s not country music, I don’t know what is,” Davis said.

Cole Swindell and JoDee Messina perform a mashup of “She Had Me at Heads Carolina” and “Heads Carolina, Tails California.” Photo: Courtesy of CMA

A fun performance came with Cole Swindell‘s “She Had Me At Heads Carolina,” as Jo Dee Messina joined him on stage for a victorious finish. Another highlight was the Lindeville crew—including Ashley McBryde, John Osborne, Brandy Clark, Pillbox Patti and Caylee Hammack—sang a rousing version of “When Will I Be Loved” from McBryde’s illustrious concept album, Ashley McBryde Presents: Lindeville.

Another highlight was when hosts Bryan and Manning recognized the great Jeannie Seely for her recent accomplishment of being the most-performed artist on the Grand Ole Opry.

Brothers Osborne accepts the award for Vocal Duo of the Year. Photo: Courtesy of CMA

For the next award, Wynonna Judd was on hand to present Vocal Duo of the Year—an honor her and her late mother Naomi won seven times. The trophy went to Brothers Osborne for the sixth time. John Osborne let everyone know from the stage that he was going to be a first-time dad to twins with wife and fellow artist, Lucie Silvas.

Speaking of repeat winners, Old Dominion took home their fifth trophy for Vocal Group of the Year. When accepting, frontman Matt Ramsey mentioned the loss of Alabama co-founder Jeff Cook, who died on Monday.

“There’s nothing like being in a band,” Ramsey said. “I can’t imagine losing one of you guys.”

Zac Brown Band thrilled when they took the stage to perform their hyped-up “Out In The Middle.” The insanely gifted Marcus King joined them on guitar.

Cody Johnson, Jack Clarke, and Trent Willmon accept the award for Single of the Year. Photo: Courtesy of CMA

Single of the Year went to the very deserving Cody Johnson for “‘Til You Can’t,” in addition to producer Trent Wilmon and engineer Jack Clarke. Though Single of the Year does not go to the songwriters, Johnson made sure to recognize them right off the bat in his acceptance speech.

Ben Stennis and Matt Rogers wrote, in my opinion, what is one of the greatest country music songs of all time. I was so blessed to have it in my hands,” Johnson said. “God bless country music!”

Thomas Rhett and Kate Perry performed next, singing “Where We Started.” Hardy and Lainey Wilson gave a dramatic performance of their duet “Wait In The Truck,” acting out a scene from the music video. Kelsea Ballerini enlisted friends Pearce and Kelly Clarkson for her “You’re Drunk, Go Home.”

Yellowstone actor Cole Hauser presented Luke Combs with his first trophy of the night, Album of the Year, for Growin’ Up. Lady A presented New Artist of the Year to Lainey Wilson, which marked her first CMA Award win.

Lainey Wilson accepts the award for Female Vocalist of the Year. Photo: Courtesy of CMA

An emotional Wilson knew just what to say and who to thank, giving a long list of her stellar team. “This is for that 9-year-old little girl who wrote her first song, who knew in her heart this is what she was supposed to do. This is for those 11 years that I’ve been here in Nashville and not taken no for an answer,” Wilson said before closing with, “We’re just gettin’ started, let’s go!”

She wasn’t wrong. A bit later in the show Wilson was called back up to accept Female Vocalist of the Year, joining the ranks of Underwood and Alison Krauss as the only other artist to win both Female Vocalist and New Artist in a single year.

“I know I’m new to a lot of folks but I won’t let y’all down. I promise you,” she said.

Perhaps the best musical moment of the night came when Male Vocalist winner Chris Stapleton enlisted wife Morgane and star Patty Loveless for a performance of “You’ll Never Leave Harlan Alive.” The haunting song’s writer, the great Darrell Scott, also joined the performance, which raised awareness for the devastating flooding in Kentucky.

Chris Stapleton, Morgane Stapleton, Patty Loveless and Darrell Scott perform “You’ll Never Leave Harlan Alive.” Photo: Courtesy of CMA

Loveless sounded so fantastic that Stapleton seemed to be holding back, just taking in her vocal ability. The hair-raising performance was six minutes of pure country bliss.

Other great collaboration moments came with The War & Treaty‘s performance of the Rolling Stones hit “It’s Only Rock and Roll (But I Like It)” with Brothers Osborne; as well as Elle King and The Black Keys‘ tribute to the late Jerry Lee Lewis.

Before the last award of the night, the great Alan Jackson was honored with the 2022 CMA Willie Nelson Lifetime Achievement Award. Underwood, Wilson, Dierks Bentley, and Jon Pardi paid tribute to the Hall of Famer with snippets of “Remember When,” “Chattahoochee,” “Drive (For Daddy Gene),” and “Chasin’ That Neon Rainbow.”

Alan Jackson accepts the Willie Nelson Lifetime Achievement Award at The 56th Annual CMA Awards. Photo: Courtesy of CMA

Jackson performed his 1991 hit “Don’t Rock the Jukebox” before accepting his award.

“Country music’s been real good to me. I fell in love with it when I was a young man,” Jackson said. “I’ve been such a fan of this music and I just wanted to come to Nashville to play the music I loved.

“I’m still living that honky tonk dream,” he said in closing, raising his trophy to the sky.

When it came time to award the night’s highest honor, Entertainer of the Year, it went to Luke Combs for the second consecutive year.

“I want to thank country music for making my dreams come true,” Combs. “Thank you for country music.”

2022 CMA Award Winners – Complete List

The country music community gathered for the 56th annual CMA Awards Wednesday night (Nov. 9) at Nashville’s Bridgestone Arena.

The night’s top honor, Entertainer of the Year, went to Luke Combs for the second time. He also was awarded his second Album of the Year trophy for Growin’ Up.

Chris Stapleton took home his sixth Male Vocalist of the Year honor, making him the fifth most-winning artist in CMA Awards history behind Brooks & Dunn, Vince Gill, Alan Jackson and George Strait. He also became the most-winning artist in the Male Vocalist category.

Lainey Wilson, the first-time honoree who was the most-nominated artist of the evening, won New Artist of the Year and Female Vocalist of the Year, joining Alison Krauss and Carrie Underwood as the only other artist to win both Female Vocalist and New Artist in a single year.

Jordan Davis took home Song of the Year for his duet with CMA host Luke Bryan, “Buy Dirt.” Davis co-wrote the hit with his brother Jacob Davis and another set of hit-making brothers Josh and Matt Jenkins.

Single of the Year went to Cody Johnson for “‘Til You Can’t,” who also took home the award for Music Video of the Year for the tune prior to the telecast.

Brothers Osborne won Vocal Duo of the Year for the sixth time. Old Dominion took home Vocal Group of the Year for the fifth time.

Carly Pearce and Ashley McBryde took home Musical Event of the Year for their “Never Wanted To Be That Girl” prior to the telecast. Fiddler Jenee Fleenor was named the CMA Musician of the Year.

Read MusicRow‘s full recap here.

A full list of CMA Awards honorees is below (winners in RED):

ENTERTAINER OF THE YEAR
– Luke Combs
– Miranda Lambert
– Chris Stapleton
– Carrie Underwood
– Morgan Wallen

SINGLE OF THE YEAR
Award goes to Artist(s), Producer(s) and Mix Engineer
– “Buy Dirt” – Jordan Davis featuring Luke Bryan
Producer: Paul DiGiovanni
Mix Engineer: Jim Cooley
– “half of my hometown” – Kelsea Ballerini (feat. Kenny Chesney)
Producers: Kelsea Ballerini, Ross Copperman, Jimmy Robbins
Mix Engineer: Dan Grech-Marguerat
– “Never Wanted To Be That Girl” – Carly Pearce and Ashley McBryde
Producers: Shane McAnally, Josh Osborne
Mix Engineer: Ryan Gore
– “’Til You Can’t” – Cody Johnson
Producer: Trent Willmon
Mix Engineer: Jack Clarke
– “You Should Probably Leave” – Chris Stapleton
Producers: Dave Cobb, Chris Stapleton
Mix Engineer: Vance Powell

ALBUM OF THE YEAR
Award goes to Artist(s), Producer(s) and Mix Engineer(s)
– Growin’ Up – Luke Combs
Producers: Luke Combs, Chip Matthews, Jonathan Singleton
Mix Engineers: Jim Cooley, Chip Matthews
– Humble Quest – Maren Morris
Producer: Greg Kurstin
Mix Engineer: Serban Ghenea
– Palomino – Miranda Lambert
Producers: Luke Dick, Miranda Lambert, Jon Randall, Mikey Reaves
Mix Engineer: Jason Lehning
– Sayin’ What I’m Thinkin’ – Lainey Wilson
Producer: Jay Joyce
Mix Engineer: F. Reid Shippen
– Time, Tequila & Therapy – Old Dominion
Producers: Shane McAnally, Old Dominion
Mix Engineer: Justin Niebank

SONG OF THE YEAR
Award goes to Songwriters
– “Buy Dirt”
Songwriters: Jacob Davis, Jordan Davis, Josh Jenkins, Matt Jenkins
– “Never Wanted To Be That Girl”
Songwriters: Shane McAnally, Ashley McBryde, Carly Pearce
– “Sand In My Boots”
Songwriters: Ashley Gorley, Michael Hardy, Josh Osborne
– “Things A Man Oughta Know”
Songwriters: Jason Nix, Jonathan Singleton, Lainey Wilson
– “You Should Probably Leave”
Songwriters: Chris DuBois, Ashley Gorley, Chris Stapleton

FEMALE VOCALIST OF THE YEAR
– Miranda Lambert
– Ashley McBryde
– Carly Pearce
– Carrie Underwood
– Lainey Wilson

MALE VOCALIST OF THE YEAR
– Eric Church
– Luke Combs
– Cody Johnson
– Chris Stapleton
– Morgan Wallen

VOCAL GROUP OF THE YEAR
– Lady A
– Little Big Town
– Midland
– Old Dominion
– Zac Brown Band

VOCAL DUO OF THE YEAR
– Brooks & Dunn
– Brothers Osborne
– Dan + Shay
– LOCASH
– Maddie & Tae

MUSICAL EVENT OF THE YEAR
Award goes to Artist(s) and Producer(s)
– “Beers On Me” – Dierks Bentley with BRELAND & HARDY
Producers: Dierks Bentley, Ross Copperman
– “If I Didn’t Love You” – Jason Aldean & Carrie Underwood
Producer: Michael Knox
– “Longneck Way To Go” – Midland (featuring Jon Pardi)
Producers: Dann Huff, Shane McAnally, Josh Osborne
– “Never Say Never” – Cole Swindell (with Lainey Wilson)
Producer: Zach Crowell
– “Never Wanted To Be That Girl” – Carly Pearce and Ashley McBryde
Producers: Shane McAnally, Josh Osborne

MUSICIAN OF THE YEAR
– Jenee Fleenor, Fiddle
– Paul Franklin, Steel guitar
– Brent Mason, Guitar
– Ilya Toshinskiy, Banjo
– Derek Wells, Guitar

MUSIC VIDEO OF THE YEAR
Award goes to Artist(s) and Directors
– “I Bet You Think About Me” (Taylor’s Version) (From The Vault) – Taylor Swift (featuring Chris
Stapleton)
Director: Blake Lively
– “Longneck Way To Go” – Midland (featuring Jon Pardi)
Director: Harper Smith
– “Never Say Never” – Cole Swindell (with Lainey Wilson)
Director: Michael Monaco
– “Never Wanted To Be That Girl” – Carly Pearce and Ashley McBryde
Director: Alexa Campbell
– “’Til You Can’t” – Cody Johnson
Director: Dustin Haney

NEW ARTIST OF THE YEAR
– HARDY
– Walker Hayes
– Cody Johnson
– Parker McCollum
– Lainey Wilson

My Music Row Story: CAA’s Darin Murphy

Darin Murphy

The “My Music Row Story” weekly column features notable members of the Nashville music industry selected by the MusicRow editorial team. These individuals serve in key roles that help advance and promote the success of our industry. This column spotlights the invaluable people that keep the wheels rolling and the music playing.

Darin Murphy is a Music Agent at leading entertainment and sports agency Creative Artists Agency (CAA), and Co-Head of CAA Music’s Nashville office. He represents many of the world’s leading musicians, including The Chicks, Sam Hunt, Keith Urban, Hootie & the Blowfish, Dan + Shay, Maren Morris, Little Big Town, Darius Rucker, Mickey Guyton, Jake Owen, and Lindsay Ell, among others.

Murphy graduated from Belmont University with a degree in Business Marketing. He served as President and Chairman of the Board of the Academy of Country Music and is a member of the Country Music Association. Murphy was named Talent Agent of the Year at the 2015 and 2017 CMA Awards. He also served as a Governor to the Grammy’s Nashville Chapter Board.

MusicRow: Where did you grow up?

I was born in Poughkeepsie, New York, which is about 70 miles north of Manhattan, and lived there until I was 11. My mother remarried when I was 11. My stepdad was in the military. Once they were married, we started to move around as military families do. From the upstate New York area, we went to Virginia, we went to Kansas for a bit, and then I finished my high school years up in Elizabethtown, Kentucky.

Darin Murphy, Maren Morris, Meredith Jones

Were you musical as a kid?

No, not at all. My natural dad did own some nightclubs though, when I was young. So I would get to go and see shows. I would get to clean up the bars in the mornings with my grandfather during the summer. I was exposed to live music from that age.

How did you get to Nashville?

I played tennis for Belmont. I was a business marketing major and worked for an investment firm my last two years for college credit, so I was heading down that stock broker path. Then the stock market crashed in 1987, the beginning of the year that I graduated. I pivoted in my brain as I was getting closer to graduating from college. My last semester of school, I took an Introduction to the Music Business class. I had a great time with the class. My professor gave me some cool advice. He said, “You should look into the agencies in town. You’re good with numbers, you love music, you have a great personality. Maybe you’d be a great agent.” So I did that. Luckily for me, after dropping off some resumes, I got a call from the William Morris Agency to interview for a position that had opened up working for one of the agents, Steve Lassiter.

Darin Murphy and Sam Hunt

At the time the roster was Charlie Daniels and the Oak Ridge Boys, they had a lot of different old school country acts. I just liked the pace of it. I liked the sales side. I liked how they had to fill dates on a calendar and sell. The core of being an agent is selling and filling calendars, and I felt good about it. I’ve always liked music and I think once I started working on desks and so forth, I knew where I was going to make a career.

So I worked for Steve right out of school, just typing up contracts and answering phones. A few weeks into the gig, I was digging it. I was digging the energy. I liked the flow of how the days went there, but musically I wanted to be in a different place.

What was next for you?

I eventually got accepted into the Agent Training Program [in Nashville], moved to Los Angeles later that year, and worked my way up the ladder through the LA office there into the contemporary department.

How long were you in LA?

William Morris acquired another agency in 1991 called Triad Artists and I was unfortunately let go. I had a few bands that I was booking that hadn’t quite hit yet or made enough noise, so I was one of the young people they disposed of. That sucked.

Next I went to Bill Silva Presents in San Diego for almost a year where I got to see the other side of it—the buying and promoting part, which was awesome. We did a lot of great shows and worked with all the different agencies. I mostly focused on the club stuff that we did in the area. It was a pretty busy company, we had lots of different cool venues down in southern California. That was a great experience. Then I got hired back at William Morris, but for the Nashville office in ’94. I worked there until I started working for CAA in ’98.

Russell Dickerson and Darin Murphy

Now you help guide the touring careers of Sam Hunt, Keith Urban, Dan + Shay, Maren Morris, Little Big Town, Darius Rucker, and more. When do you feel most fulfilled in what you do?

I try to get to the office pretty early every day. It’s quiet way before the phones start ringing. I try to put together an agenda each day for what I want to try to get through and accomplish. [A big part of my day is] obviously staying in touch with the managers that I work with, as well as my clients and buyers, and making sure I’m checking off the list, so to speak. The best part of my day is when a deal closes, a tour goes on sale and does great, or I get a call from a buyer saying, “Oh my God, that act killed it last night. Can’t wait to have them back.” When those moments happen throughout your day, it still gives me goosebumps and I feel great about it after all these years. Those are the little things that are big things for me still.

Do you feel like you still have the same motivation and drive that you had when you started?

100%. Especially coming out of what we all just went through with the pandemic. It reminded me how awesome it is to—whether it’s at a club, an arena, a stadium, or an amphitheater—watch people have a great time at show from someone you get to work with every day. Just being around live music, for our clients and [other acts] who aren’t our clients, was definitely a big part of what I missed.

Darin Murphy and Loretta Lynn

Have you had any mentors along the way?

I’ve learned from a lot of different people. I learn from the people I work with currently. Ron Baird was a really good mentor for me when he was here. I would go to Ron for advice, he would come in my office to check in and see how I was doing. I felt comfortable going to him about any issue with a promoter or a client. He would give me a different perspective. I still think about some of those conversations even today.

John [Huie] and Rod [Essig] have been here from the beginning and are great friends as well as mentors.

If you could go back and talk to yourself as a new Belmont grad, what would you tell him?

Put your seatbelt on. It’s a ride. It’s how you treat people. There’s certainly a level of hustle that you have to have initially. I would also remind the younger version of myself to be careful how you talk to people. [Laughs]

What has been one of your favorite career experiences?

From time to time when I would be at a show and I hadn’t seen Loretta [Lynn] in a while, she would call me up and ask me to escort her off the stage. It was incredible and one of the coolest experiences that I get to tell my children. I had privilege of doing that a couple times over the years. That’s pretty special, escorting her off the stage after a show. That coupled with just spending time with her on the bus and listening to some of the stories that she would tell… She had an incredible memory.

BMI Celebrates 2022 Country Award Winners, Honors Toby Keith With Icon Award

Toby Keith accepts an award onstage from BMI VP of Creative Nashville, Clay Bradley and president and CEO of BMI Mike O’Neill for the 2022 BMI Country Awards. Photo: Erika Goldring/Getty Images for BMI

BMI held its 2022 Country Awards Tuesday night (Nov. 8) at its Music Row location. The evening celebrated the songwriters and publishers of the most-performed country songs of the previous year, naming the Country Songwriter, Song, and Publisher of the Year. The 70th edition of the awards also honored the prolific musical career of BMI Icon Award recipient Toby Keith.

BMI President and CEO Mike O’Neill hosted the ceremony, along with Clay Bradley, BMI Vice President, Creative, Nashville. Steak, mashed potatoes and vegetables were served in addition to hors d’oeuvres and individual casings of desserts at each place setting.

Pictured (L-R): BMI President and Chief Executive Officer Mike O’Neill, BMI Vice President of Creative Clay Bradley, BMI songwriter of the year Michael Hardy, BMIs Assistant Vice President, Creative Leslie Roberts and BMI executive VP creative & licensing, Mike Steinberg. Photo: Erika Goldring/Getty Images for BMI

BMI’s Country Songwriter of the Year went to Music Row hitmaker Michael Hardy, marking his first time achieving the honor. Hardy wrote five of BMI’s award-winning songs of the night, including Dierks Bentley’s “Beers On Me,” Blake Shelton’s “Come Back As A Country Boy,” Morgan Wallen’s “Sand In My Boots,” Cole Swindell’s “Single Saturday Night,” and his own “Give Heaven Some Hell.”

“I want to thank BMI so much for being here for me every single step of the way, for introducing me to some of my favorite collaborators that I still write with to this day,” Hardy said. “For creating opportunities for me that helped advance my songwriting career. I can honestly say without a doubt that I don’t know where I would be in this town if that 19-year-old kid wouldn’t have walked into this building and blindly signed. Thank you so, so much.”

Luke Combs, Rob Williford and Drew Parker attend the 2022 BMI Country Awards. Photo: Erika Goldring/Getty Images for BMI

“Forever After All,” co-written and recorded by BMI affiliate Luke Combs, was named BMI Country Song of the Year as it was BMI’s most performed country song of the year. Published by 50 Egg Music, Big Music Machine, Oak Tree Swing Publishing, Rowdy Rob Music, Straight Dimes Music, and Sony/ATV Tree, “Forever After All” was written by frequent collaborators Combs, Drew Parker, and Rob Williford.

Sony Music Publishing took home BMI’s Country Publisher of the Year. The company published 25 of the 50 most-performed songs of the year, including megahits such as Kelsea Ballerini’s “Half of My Hometown,” Elle King and Miranda Lambert’s “Drunk (And I Don’t Wanna Go Home),” Kane Brown’s “One Mississippi,” Lambert’s “If I Was A Cowboy,” and Morgan Wallen’s “Sand In My Boots.”

Click here for a complete list of the 2022 BMI Country Awards winners.

Throughout the night, BMI turned its attention to its 2022 Icon Award recipient Toby Keith, who joined the ranks of other Icon Award recipients Willie Nelson, Merle Haggard, Dolly Parton, Kris Kristofferson, Loretta Lynn, Hank Williams, Jr., and others.

Carrie Underwood performs onstage for the 2022 BMI Country Awards. Photo: Erika Goldring/Getty Images for BMI

In between awards, the hosts shared video tributes, kind words about Keith, and invite performers up to tribute the hit artist. Carrie Underwood took on Keith’s 1993 hit “Should’ve Been a Cowboy,” complete with a singalong, while Eric Church did his own spin of 2003’s “I Love This Bar.” Dean Dillon and Scotty Emerick, who had been a big part of the video tributes, took on the 2006 hit the three co-wrote, “A Little Too Late.”

Keith gave a special speech about how he became affiliated with BMI and how they’ve stuck by him since. He talked about going to sit in a young Clay Bradley’s office after people in town had advised Keith to “get affiliated.”

“Since 1990 or ’91, I have been affiliated with the greatest organization in the music business. That’s BMI,” he said.

Keith made sure to recognize key figures in his career such as legendary producer and executive Harold Shedd, renowned record-maker James Stroud, the late Nelson Larkin, and his frequent collaborators Dillon, Emerick, Bobby Pinson, and Rivers Rutherford.

He also thanked his family and his team, specifically long-time manager TK Kimbrell and agent Curt Motley.

“I knew that even if I didn’t make it as an artist, that maybe somebody would cut my songs. I always felt like the songwriting was the most important part of this whole industry,” Keith said.

When closing, Keith doubled down on his love for songwriting, saying, “All I ever cared about was the Songwriter Hall of Fame, Nashville Songwriter Hall of Fame, and BMI Icon.”