So much to see and do, man.

Thursday, October 13, was the second night of the Americana Music Association’s Conference and Festival and also the organization’s 10th Annual Honors and Awards. For those who couldn’t make it out to that fine affair, I’d suggest reading about it right here.

Nightly showcases got off to a late start because of the Awards, so many bands across town weren’t hitting the stages until after 10 pm. But once again we were off to our beloved Mercy Lounge, where Athens, Ga.-based songwriter Lera Lynn started off the evening. The young performer favored a rock band setup for her music, which drew on influences of British and American folk, and jangly 60s rock. She even paid homage to one of the forebears of Americana and Country, turning in an eerie minor-key version of Johnny Cash’s “Ring of Fire.”

Carrie Rodriguez performs at The Cannery Ballroom, Courtesy of the Americana Music Association. Photo: Krissie Gregory

Downstairs in the Cannery Ballroom, performer Carrie Rodriguez was delighting the audience with her dazzling fiddle skills, leading the band through some hypnotic instrumental jams. Her set also included “La Punalada Trapera,” a Spanish language song written by her great aunt that appears on her 2010 album Love and Circumstance.

Nashville singer/songwriter Will Hoge was next up on the Mercy Lounge stage, and by the time I made it upstairs he and band were ripping through “Sex, Lies and Money” from his 2007’s Draw The Curtains. He joked that he and his musical compatriots had journeyed to the show from “a faraway land, called Inglewood.”

Hoge, it must be said, is a dynamite live performer. His voice last night was pure soul, adding the precise amount of emotional heft to tracks like “When I Get My Wings,” a standout from his current album Number 7. Other selections included “Trying To Be A Man,” “Fool’s Gonna Fly,” and “Even If It Breaks Your Heart,” which Eli Young Band cut for their recently-released Life At Best collection.

Will Hoge and band at the Mercy Lounge, Courtesy of the Americana Music Association. Photo: Stacie Huckeba

Mark Olson of the Jayhawks at the Cannery Ballroom, Courtesy of the Americana Music Association. Photo: Krissie Gregory

Attendees were also crammed into the Cannery Ballroom to see the Jayhawks perform. The Minnesota band has been mining the fertile lands of planet country-rock since well before “Americana” had a name, and they played an important role in shaping its current sound. Band principals Gary Louris and Mark Olson sounded uncannily like their finest recordings, blending their voices in pristine harmony. Their set featured “Two Hearts,” “She Walks In So Many Ways,” “I’d Run Away,” “Tiny Arrows,” and their gorgeous, enduring minor hit “Blue” from 1995’s Tomorrow The Green Grass.

Americana opened its borders for Romantica, a folk-rock band from Minneapolis-via-Belfast and the final performers at Mercy Lounge on Thursday. Their sound fused the obligatory Gram Parsons influence with a little chamber pop and classic rock ‘n’ roll.

Band leader Ben Kyle professed his love of Nashville mid-set. “I love this town, because it’s where country music comes from.” Hey, we like it too!

Lori McKenna performs at the Rutledge, courtesy of the Americana Music Association. Photo: Kim Jameson

Across town at the Rutledge, songwriter Lori McKenna played a with a full-band that included her producer, Barry Dean. Performances included the title track from her 2011 album Lorraine, “Buy This Town,” “Witness To Your Life” and “Stealing Kisses,” which Faith Hill cut in 2005.

Performers around town included Mollie O’Brien & Rich Moore, followed by JD Souther at The Station Inn. The lineup at the Basement included Amanda Shires, Pokey LaFarge & The South City Three, and Malcolm Holcombe, who set the Twitterverse abuzz following his set.

Last night was a late one for yours truly, so feel free to rattle me awake tonight if you catch me dozing against the wall. On tap for later: Matraca Berg, Will Kimbrough, Amy LaVere, Elizabeth Cook, Jim Lauderdale and Buddy Miller, and much more.

Also: look on musicrow.com for more coverage of AMA showcases tomorrow and Sunday.

SESAC hosted the opening reception at the 12th Annual Americana Music Festival and Conference on Wednesday, October 12 at Sheraton Downtown Nashville. The event featured performances by Americana artists Amy Black and Robby Hecht. (L-R): SESAC’s Amy Beth Hale, Robby Hecht, Amy Black and SESAC’s Tim Fink. Photo: Peyton Hoge

Once again it’s time for some twang, because the Americana Music Festival is upon us. The week-long festival and conference, held every October, is above all a celebration of music and, buddy, they’ve got that in spades.

Candi Station at Muscle Shoals tribute, Courtesy of the Americana Music Association. Photo: Stacie Huckeba

One need only check out the Alabama-themed lineup at Cannery Ballroom Wednesday night (Oct. 12) for evidence that Americana is a big tent with doors open. The performance schedule included a two-hour Muscle Shoals tribute, followed by gospel legends the Blind Boys of Alabama, and indie success story of the year the Civil Wars, who had to cancel last minute over John Paul White’s vocal woes.

Alabama Music Hall of Fame director Wiley Barnard greeted the crowd before introducing Renaissance man Webb Wilder, who hosted the Muscle Shoals tribute. The outstanding band was a revolving cast of Shoals session pros including Spooner Oldham, Jimmy Johnson, Clayton Ivey, Charles Rose, David Hood and many others.

The music started on an adorable note with AMA Exec Dir. Jed Hilly’s young son Charlie singing the Osmonds’ Jackson 5-channeling “One Bad Apple,” digging into the soulful choruses with gusto. Lake Street Dive singer Rachael Price came out to tackle Aretha Franklin’s 1967 hit “I Never Loved A Man (The Way I Loved You).” That song’s B-Side “Do Right Woman, Do Right Man” was performed by sultry alto belter Sherrie Phillips later in the show. Lake Street Dive was also on the bill over at The Basement.

Host Wilder tackled Arthur Alexander’s timeless “Anna (Go To Him),” also covered by The Beatles on Please Please Me. Musician, songwriter, and actor Donnie Fritts came out to perform his song “We Had It All,” which Waylon Jennings recorded on his 1973 album Honky Tonk Heroes.

Connie Smith and Marty Stuart at the Rutledge, Courtesy of the Americana Music Association. Photo: Erika Goldring

Across town, AMA-related Tweets were blowing up about Brian Wright’s 8 pm performance at the Basement, as well as the sets Marty Stuart and Connie Smith delivered at The Rutledge.

At Cannery, the Muscle Shoals performances continued to impress. T. Graham Brown, with a full-on white Santa beard, growled out a spirited version of Wilson Pickett’s “Mustang Sally.” Then R&B legend Candi Staton came to the stage to perform her 1969 song “He Called Me Baby.” In a just world, Staton could have been just as famous as Aretha Franklin. And you know what? She’s still that good nearly 40 years later. Screaming Cheetah Wheelies singer Mike Farris stole the show however, with his devastating from-the-gut performance of Etta James’ “I’d Rather Go Blind,” which was recorded at FAME in Muscle Shoals.

Kenny Vaughan at Mercy Lounge, Courtesy of the Americana Music Association. Photo: Erika Goldring

Other guests included Nashville soul man Charles Walker on Luther Ingram’s “If Loving You Is Wrong (I Don’t Want To Be Right),” former Prince & the Revolution member (and Nashville resident) Dez Dickerson on the Rolling Stones hit “Brown Sugar,” former Wet Willie leader Jimmy Hall on Pickett’s “Land of 1000 Dances” and Solomon Burke’s “Everybody Needs Somebody To Love,” singer/songwriter Dan Penn performing his “I’m Your Puppet” (a hit for James & Bobby Purify), and Billy Burnette leading the ensemble cast through Bob Seger’s “Old Time Rock N’ Roll.”

Meanwhile the Kenny Vaughan Organ Trio was upstairs in the Mercy Lounge, wowing the crowds with virtuosic chops that fused blues, jazz, country and the kitchen sink. Vaughan is also a member of Marty Stuart’s Fabulous Superlatives, and his first solo album V was just released in September.

Foster & Lloyd at the Mercy Lounge, courtesy of the Americana Music Association. Photo: Kim Jameson

While the Blind Boys of Alabama showcased downstairs in the Cannery, a reunited Foster & Lloyd took the stage at Mercy Lounge. The duo’s set started with “It’s Already Tomorrow” from the independently-released 2011 album of the same name. After working out some initial guitar sound troubles, Radney and Bill rocked through a quick collection that included “Fair Shake,” “It’s Already Tomorrow,” “Something ‘Bout Forever,” “Hiding Out,” and “Picasso’s Mandolin.”

Hayes Carll, Courtesy of the Americana Music Association. Photo: Kim Jameson

Americana favorite Hayes Carll rounded out the lineup at Mercy Lounge, leading his band through a rollicking set of alternately hilarious and sad songs including “The Letter,” “Faulkner Street,” “Wish I Hadn’t Stayed So Long,” “KMAG YOYO” (title track from his latest album), “Grand Parade,” the unrecorded “Ain’t Enough Of Me To Go Around” (with help from Austin musician John Evans), “The Lovin’ Cup,” “Hard Out Here,” “Stomp and Holler,” and the Tom Waits classic “Bad Liver and a Broken Heart.”

His encore consisted of KMAG YOYO cut “Another Like You,” with Carll singing both his and duet partner Cary Ann Hearst’s parts, followed by “I Don’t Wanna Grow Up” and “Little Rock.”

Carll made a point to thank everyone for supporting his music and all Americana acts. “I’ve been coming to the Americana festival for 10 years now, and it gets better every year,” he said.

So far, I have no argument with that.

Coming up tonight: the Americana Honors & Awards, followed by venue showcases from Lori McKenna, Will Hoge, The Jayhawks, JD Souther and many more.