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Industry Photos (10/20/11)

Frances Preston Honored as Giant of Broadcasting

Frances Williams Preston made history as the President & CEO of BMI, and on Friday, October 14, her contributions were celebrated by the Library of American Broadcasting Foundation. Named one of the foundation’s Giants of Broadcasting, Preston joined 2011 honorees Christiane Amanpour; Rick Buckley; CBS Sunday Morning’s team comprising Charles Kuralt, Rand Morrison, Robert “Shad” Northshield, and Charles Osgood; John F. Dille, III; Brian Lamb; Dawson B “Tack” Nail; Frederick S. Pierce; and Brian Williams.

Preston was selected to open BMI’s Music City outpost in 1958, where she helped define the golden era of the music industry. As BMI’s New York-based president & CEO from 1986 until 2004, she oversaw the company’s unprecedented growth. Preston was inducted into the Country Music Hall of Fame in 1992. (L-R): BMI’s Alison Smith; Preston; and Susan Davenport Austin, Chairman BMI Board of Directors, Sr. VP/CFO Sheridan Broadcasting Corporation and Pres. Sheridan Gospel Network.

Photo: R. Arhold

 

7th Annual Stars For Second Harvest A Smashing Success

A variety of Nashville celebrities came together to support and participate in the 7th annual Stars For Second Harvest concert which benefits the Second Harvest Food Bank of Middle Tennessee. The event helped to raise nearly $50,000 this year. Host Craig Wiseman, Kix Brooks and Dallas Davidson kicked off the evening with a rockin’ songwriters round. The evening included performances by pop artist Martin Johnson of Boys Like Girls, indie artist Dave Barnes and a surprise appearance by country recording artist Jake Owen. Tennessee Titans football players Rob Bironas and Cortland Finnegan were there to auction off autographed memorabilia including jerseys, footballs and even a few penalty flags. Presenting sponsor O’Charley’s underwrote the entire event to ensure that all proceeds benefit the food bank. Also, Nissan Americas, Vice Chairman Bill Krueger presented Second Harvest Pres./CEO Jaynee Day a brand new 2012 Nissan NV stocked with food items. The donated van will be used to help collect and distribute food around Middle Tennessee. Left: (L-R): KK Wiseman and Craig Wiseman. Right: (L-R): Jake Owen, Jaynee Day, Dave Barnes.

Photos: Peyton Hoge

Australian Invasion at 2011 Americana Music Festival

Twenty of Australia’s finest roots artists descended on Music City’s annual Americana Music Festival and Conference last week, held in and around downtown Nashville Oct. 12-15. This year’s Australian lineup included Kirsty Akers, James Blundell, Ange Boxall, Catherine Britt, O’Shea, Chris Pickering, Henry Wagons,  3rd Wheel, Chris Altmann, Lachlan Bryan, Kristy Cox, Mia Dyson, Gleny Rae Virus and Her Tamworth Playboys, Caitlin Harnett, The McMenamins, Shandell and Duke Wilde Band. 2011 Telstra Road to Discovery Songwriter winner David Garnham and Telstra Road to Discovery Performer winner Harry Hookey also made the trip and performed at events throughout the week.

The artists participated in several AMA-related activities, including the Tamworth Presents “A Taste of Australia” showcase at the legendary Bluebird Cafe, the “Are You Prepared To Be Known As A Country Artist Down Under?” seminar panel at the AMA conference, the Maton Presents “Lunch With the Aussies” luncheon and performance at famed Broadway honkytonk The Second Fiddle and a free Aussie BBQ at The Basement.

For the second year in a row, Australian music industry and government-supported organization Sounds Australia sponsored the overseas trip through its strategic partnership with the Nashville-based Americana Music Association. (L-R): Jay O’Shea, Mark O’Shea, Troy Cassar-Daley, Sounds Australia Project Manager Dobe Newton, Catherine Britt, AristoMedia Pres./CEO Jeff Walker, and record producer Mark Moffatt.

Photo: Bev Moser

Country Idols Earn Winning Sales

Lauren Alaina visits WYCD (L-R): MD Jack Shell, Lauren’s Mom Kristy, PM Drive Linda Lee, Lauren, PM Drive Chuck Edwards

The country American Idols are repeating history. After finishing No. 1 and 2 on the popular TV show, Scotty McCreery and Lauren Alaina are back in that same configuration after this week’s sales.

According to Nielsen SoundScan, McCreery’s Clear As Day moved 88,000 units in its second week to head the country albums chart, following first week sales of 197,000. Idol runner-up Lauren Alaina’s debut Wildflower generated an impressive 69,000 in its first week out, 29% of which was digital product.

About 15,000 people attended McCreery’s album release party and birthday celebration in hometown Raleigh, N.C. He was presented with a gold record by Mercury Nashville and Interscope staffers during the event for the digital gold certification of “I Love You This Big.”

Martina McBride’s new release Eleven made a fine first week showing following her cross-country Amtrak tour, ringing in 40,000 units and landing her at No. 4 on the country albums chart.

Also performing well this week was Atlantic artist Hunter Hayes, whose self-titled debut landed at No. 7 on the country albums chart with 18,000 units sold. 65 percent of Hayes’ album sales were digital.

Following the successful theatrical premiere of the Footloose remake last week, the new soundtrack (classified as country) moved to No. 6 on the country albums chart and No. 16 in the Top 200 by selling 18,000 units.

Hank Williams Jr. seems to have parlayed his disagreement with ESPN into something positive, as his track “Keep The Change” rang in 19,000 purchases to land at No. 14 among country digital tracks. Adele’s “Someone Like You” still leads the overall digital tracks chart.

Country album sales are still on the up, showing a YTD increase of 9.8%. Contrast that with overall album sales, which are rising more slowly at 3.5%.

Hard rockers Evanescence had the No. 1 album in all genres, selling 127,000 units, as well as the No. 1 digital album.

By The Numbers: Martina’s Train Trek

Team Martina at the Empire State Building on Friday night. (L- R) Back row: John McBride, Mark Hively, Jake Basden, Stacy Blythe, Megan Knutson, Matthew Hargis, Brandon Gill, Mike Betterton. Middle row: Mandy McCormak, Jackie Campbell, Brittney McKenna, Randi Lesnick, John Zarling. Front row: Sandi Spika Borchetta, Scott Borchetta, Martina McBride, Jimmy Harnen, Clint Higham. Photo: Becky Fluke.

Martina McBride’s “ELEVEN Across America powered by Amtrak” came to a close Friday night (10/14) in Manhattan when she became the first artist to perform a concert from the Empire State Building’s 80th floor. Hundreds of VIP guests, music industry executives, media and fans were in attendance at the private concert presented by Stanford Women’s Cancer Center. McBride flipped a switch to turn the world-famous building “pink” for the weekend in association with National Breast Cancer Awareness Month and her latest single, “I’m Gonna Love You Through It.” The train trek launched her new album, Eleven, which debuted today with sales of 40,000 units.

By the numbers
• 80 million+ impressions
• $11,000 donated by McBride and PinkTogether.com to the Susan G. Komen Foundation
• 2,446 miles traveled
• 750 fans at her 2:00 AM performance at Albuquerque’s Union Station
• 80th floor of Empire State building
• 70 interviews
• 30+ radio contest winners onboard the train
• 11 cities
• 11 breast cancer survivors honored in each city

Kevin Griffin Blurs Musical Boundaries From New Base In Nashville

Photo Credit: Piper Ferguson

A few years ago songwriter Kevin Griffin was at his base in the Hollywood Hills setting up writing appointments with fellow pop/rock hitmakers when he kept running into a problem—they were all out of town, writing in Nashville.

Griffin, who got his start in music as frontman for Better Than Ezra, parlayed the success as principal songwriter and producer for his own band into a strong career doing the same for others. He co-wrote Howie Day’s monster hit “Collide,” and racked up cuts and/or production credits with Train, James Blunt, David Cook, Augustana and more.

Living in Los Angeles while many of his co-writers were based elsewhere made the collaborative process difficult. From L.A., Griffin and Shy Carter worked via Skype with Jennifer Nettles and Kristian Bush on one writing session. That afternoon resulted in the Sugarland hit “Stuck Like Glue,” nonetheless, songwriting via video chat didn’t cut it.

Originally from New Orleans, Griffin had moved to California post-Hurricane Katrina. But after realizing he could write with the same people in L.A. or Nashville, Griffin and his wife, both native Southerners, decided to move with their three sons to Franklin, Tenn. at the beginning of 2011.

He recalls his thought process: “So I can live in Nashville, be near SEC football, have a better standard of living, save money, and work with the same artists. It was a no-brainer. I continue to do the work I did in L.A.

Click to visit KevinGriffinMusic.com

“The past couple of years I’ve really seen a shift where pop and rock songwriters and managers have moved to Nashville,” he continues. “Not necessarily to carpetbag on the country world, but because it is a great place to live and do what they do. There’s a great support system with the labels, studios, press and media. Plus, everywhere you go there’s a stage for music. It’s really refreshing.”

Upon arrival, Kevin Spellman, a friend working at Vector Management, helped Griffin find a studio to base his operations. He took over the Franklin recording space from TobyMac, and eventually plans to build a home studio on his property in historic downtown.

Blair Daly, Craig Wiseman, Andrew Dorff, and Jeffrey Steele are just a few of the local tunesmiths Griffin has been writing with. “It’s surprising how many of the traditionally country writers want to do pop,” he notes. “And not only want to do it, but are really great at it. Some of them are almost closet hip-hop artists like Luke Laird. They also like to stretch the traditional boundaries and do something that is a little more lyrically poetic.”

Griffin appreciates Nashville’s reverence for songwriters and has taken some of Music Row’s traditions out west. “I love that the height of the songwriting craft is in Nashville. My friend Monty Powell says, ‘songwriters are at the top of the food chain’ here.

“There is a real discipline and craft to writing that bulletproof Nashville lyric—you know exactly what it’s about and all the loose ends are tied up. In rock it’s the opposite, you get away with a lot more non sequiturs and open ended themes—lines that don’t mean anything but sound good. Now when I go back to L.A., I’m the song police, saying ‘I’m not quite sure about that line, or let’s go back to the first verse.’ Everyone else has moved on, but I’m worried about the lyric that isn’t clear.

“I always said that where I live wouldn’t affect my songwriting, nonetheless, it always has,” he muses. Increasingly he says those Music City influences include world-class musicians like pedal steel and mandolin master Russ Pahl, recurring song themes, and collaborating with other writers for the first time on the upcoming Better Than Ezra album.

In the midst of shifting influences, Griffin remains focused on the song. “Ultimately I think that if the melody and the feel of the song don’t pull you in, then the lyric is irrelevant. My success has been with the simple songs, and the hardest thing to do as a writer is to remember that when you keep it simple, it’s a song everybody loves—whether it is ‘Collide,’ which is four chords, or [BTE breakout hit] ‘Good’ which is the same four chords.”

Griffin and Collective Soul’s Ed Roland are showcasing their songwriting chops and love of the South this fall on the aptly named Southern Gentleman tour, though Griffin laughs, “the irony of the name wasn’t lost on either one of us.” The run launches Sunday (10/23) in New York, and hits the Franklin Theatre Nov. 5.

DISClaimer Single Reviews (10/19/11)

Look beyond our famous stars like Kings of Leon, Paramore, Sheryl Crow, Ke$ha, Ben Folds, Kim Carnes, Michael McDonald, Steve Cropper, Leon Russell, Donna Summer, Keb’ Mo’ and The Black Keys, and you’ll find that they are just the tip of a very, very large pop/rock iceberg in Music City.

The community is incredibly diverse, so that made choosing award winners especially tough this week. There are two DisCovery Award artists. One, Shane Dwight, comes from the R&B column. The other, Nashville newcomer Parachute, is a straight-ahead rock band.

Similarly, the two Disc of the Day winners come from different genres. Legendary singer-songwriter John Hiatt is a rocker at heart. The McCrary Sisters have a disc that showcases their gospel roots.

TONY BENNETT & FAITH HILL/The Way You Look Tonight
Writer: Jerome Kern/Dorothy Fields; Producer: Phil Ramone & Dae Bennett; Publisher: Universal PolyGram/Shapiro Bernstein/Aldi, ASCAP; Columbia (track)
—I am told that Faith is finally finishing a new album (her last was a Christmas album three years ago). Meanwhile, fans needing a Faith fix will have to make do with her Sunday football tunes and this track from Tony’s Duets II collection. Performed with a light jazz combo and sighing strings, this has a lushly romantic vibe. Tony sounds terrific at 85, and Faith proves to be a solid saloon stylist and harmony vocalist. Other Nashville-oriented folks on this justly celebrated set include Carrie Underwood, Sheryl Crow and Willie Nelson.

J.D. SOUTHER/I’ll Be Here At Closing Time
Writer: John David Souther; Producer: Fred Mollin; Publisher: none listed; Entertainment One (track)
—The last outing by this former country-rocker was a surprisingly jazzy affair. On his new Natural History CD, he revisits his distinguished catalog, reworking “Faithless Love,” “New Kid in Town,” “You’re Only Lonely,” “Prisoner of Love,” “Best of My Love” and the like. And, let’s face it, song writing doesn’t come much better than those classics. This finale ballad is a sweet, wistful pledge of devotion sung in an intimate whisper with a gentle, simple piano/guitar accompanying track. It’s as lovely a ballad as he’s ever done, and he reportedly killed with it at a recent showcase at The Basement.

THE FEATURES /Rambo
Writer: Matthew Pelham/The Features; Producer: Brian Carter & The Features; Publisher: Bug/Bughouse/Silent But Violent/This Is Daiglenetics/Ghost Riding, BMI/ASCAP; Bug Music (track) (www.thefeatures.com)
—This durable Nashville rock institution is back with a collection titled Wilderness. Its calling-card single is a rattling, jangling stomper with a passionate, sky-high, lead vocal that rides above super guitar work and a ferocious rhythm track. These four guys can still deliver a mighty big sound.

JACK WHITE/You Know That I Know
Writer: Hank Williams/Jack White; Producer: Jack White III; Publisher: Sony-ATV Acuff-Rose/Third String, BMI; Columbia (track)
—The Lost Notebooks
CD has today’s stars writing melodies and/or finishing lyrics left behind nearly 60 years ago by the late Hank Williams. The restlessly creative Jack White seems to always have a Raconteurs, Third Man or other project in the works. Here, he channels Hank both vocally and instrumentally. I’m serious: He sounds surprisingly like the country icon, and Donnie Heron’s steel guitar tingles just like a Drifting Cowboy should. Other participants on this extraordinary record include Sheryl Crow, Merle Haggard, Lucinda Williams,  Vince Gill & Rodney Crowell, Alan Jackson, Patty Loveless and granddaughter Holly Williams, not to mention Bob Dylan.

PARACHUTE /Something To Believe In
Writer: Will Anderson; Producer: John Fields; Publisher: How It Should Be/Warner Chappell, BMI; Mercury (track)
—This five-piece band has recently moved to Music City from Charlottsville, VA. You say you’re sick of dance-pop, hip-hop, emo and “alternative” anything? Step right up, because these guys are old-school pop-rock with real melodies, throbbing electric guitars and pumping rhythm. This track from its The Way It Was CD has a big, U2-ish sound, multi-voiced choral singing on the choruses and a honking sax to top it off. Catchy and uplifting, to say the least.

DAVID MEAD /Twenty Girls Ago
Writer: Bill DeMain/David Mead; Producer: Brad Jones; Publisher: Tin Panda/Bug/Da Wei Phonetic, ASCAP/BMI; Cheap Lullaby (track)
—Mike Grimes at Grimey’s says this is his very favorite pop song today. That’s a good enough endorsement for me, so I spun it. As a long-time David Mead fan, I expected to be delighted and was. It’s a sweetly melodic ballad sung in his trademark tenor with rippling acoustic guitar, fluttering mandolin, sighing clarinet and tinkling piano backing. Romantic regret is set to a deliciously quirky and complex tune. The description that comes to mind is “chamber pop.” It is on last year’s Almost and Always CD, but it’s never too late to buy any Mead music. I remain a completely smitten fan.

THE McCRARY SISTERS/Give Him My All
Writer: Bob Dylan/Regina McCrary; Producer: Tommy Sims; Publisher: none listed; McC (track)
—Regina McCrary has sung on three Dylan CDs and toured with him as well, hence the unusual songwriting credit. The four sisters front a funk track with stately horn blasts and a bass line that pulses righteously. Alfreda, Ann, Deborah and Regina are arguably Nashville’s greatest soul sisters. Just ask Stevie Wonder, Bobby Jones, Wynonna, Ray Stevens (that’s them on “Everything Is Beautiful”), Buddy Miller, Patty Griffin, Mike Farris or the late Johnny Cash and Elvis Presley, all of whom have recorded with them. The new McCrary CD is titled Our Journey. Buy it the moment it drops next Tuesday.

JOHN HIATT/Damn This Town
Writer: John Hiatt; Producer: Kevin Shirley; Publisher: Warner-Tamerlane/Oral Track Tunes, BMI; New West (track) (www.johnhiatt.com)
—This enduring Music City treasure kicks off his Dirty Jeans and Mudslide Hymns CD with this doom-soaked, bluesy rocker. The track rumbles and cries in deep mystery while he wails to the heavens of trials and tribulations. Absolutely addictive and undeniably great.

TOM HAMBRIDGE/I Keep Things
Writer: Tom Hambridge; Producer: Tom Hambridge; Publisher: Tom Hambridge, ASCAP; Superstar (track) (www.tomhambridge.com)
—Tom produced Buddy Guy’s 2010 Grammy winning blues CD and co-wrote Gretchen Wilson’s “I Got Your Country Right Here” his version of which is included on his new Boom! album. The disc begins with this rollicking rocker, sung with a gutsy, drawling rasp and featuring stinging guitar. Tom is a drummer, so you know the “bottom” of the sound is solid.

SHANE DWIGHT/A Hundred White Lies
Writer: Shane Dwight; Producer: Kevin McKendree & Shane Dwight; Publisher: Robert Vincent Zolezzi, ASCAP; R-Tist (track) (www.shanedwight.com)
—This R&B guitar slinger and songwriter has been a Nashvillian since 2008. The title track of his new CD is a bluesy meditation with a serious stomp attack. The McCrarys moan mournfully in the background while Dwight’s guitar underscores every line of broken-home misery. Cool in the extreme.

Warner/Chappell Turns 200

Earlier this year Warner/Chappell and Combustion Music signed hitmaker Brett James. (L-R): BJ Hill (Sr. Director A&R WCM Nashville), Steve Markland (VP A&R WCM Nashville), Nate Lowery (Creative Director for Cornman Music), Brett James, Chris Farren (President Combustion Music), Phil May (VP & GM WCM Nashville), Alicia Pruitt (Sr. Director A&R WCM Nashville), Chris Van Belkom (Sr. Creative Director Combustion Music), Kenley Flynn (Catalog/Office Manager, Combustion Music). Photo: LeeAnn Carlen.

Warner/Chappell Music is celebrating its 200th anniversary this year. Since its beginning in 1811 as Chappell & Co. the publisher has grown to a catalogue of more than one million copyrights and a diverse roster of 65,000 composers. A video tells the Warner/Chappell story, which began at a family music shop on London’s Bond Street, and continued through the rise of sheet music, a devastating fire, the merger with Warner Bros. and beyond. Included in the video are Nashville hitmakers Tim James, and Lady Antebellum’s Dave Haywood and Charles Kelley.

The local office has had recent hits with “Honey Bee,” and “Dirt Road Anthem.” Among the Nashville writers are Ben Hayslip, Little Big Town, Marv Green, Marcus Hummon, Randy Rogers, Tim Nichols, Wendell Mobley, Brantley Gilbert, Joel Shewmake, Deana Carter and many more. The Nashville branch is headed by VP/GM Phil May, and VP Steve Markland.

Design by Nick Bell, words and music by Jimmy Page and Robert Plant

Throughout its history, Warner/Chappell has been home to legendary songwriters Cole Porter, George & Ira Gershwin, Irving Berlin, and Rodgers and Hammerstein.

Some of the contemporary hitmakers include Dave Grohl, Daryl Hall, John Oates, Eric Clapton, Katy Perry, Michael Buble, R.E.M., Green Day, Muse, Timbaland, Red Hot Chili Peppers, and Bruno Mars.

Warner/Chappell Chairman & CEO, Cameron Strang, said, “This major milestone is testament to the enduring talent of our songwriters, our culture of innovation, and the dedication of the people at Warner/Chappell. We’re thrilled to be celebrating this unique anniversary and we are looking forward to finding new ways of expanding our leaadership position and building our reputation as the industry’s most passionate and creative music publishing company.”

As part of the celebration, Warner/Chappell has commissioned leading graphic designers to transform well-known lyrics from its catalogue into works of art. The artwork is being featured at London’s StolenSpace gallery and can be purchased, with the proceeds being donated to the Save the Children charity. Also in the works is a limited-edition commemorative songbook.

Photos: Musica Shreds For Gill

It’s been said that everybody in Nashville owns a guitar, so this was probably bound to happen at some point. But credit Vince Gill and team for executing the clever concept, decorating the dancers of Musica with oversize Telecasters to promote his album Guitar Slinger, due out next Tuesday, Oct. 25.

Americana Fest: Saturday Showcases

My sleep schedule has (almost) returned to normal after four straight days of Americana Music Festival showcases. I’m happy to say that the genre is quite healthy and still capable of surprising jaded music nerds like me. You can also read about my experiences here, here and here.

Nanci Griffith performs at Musician’s Corner in Centennial Park, courtesy of the Americana Music Association. Photo: Stacie Huckeba

On Saturday (10/15), festival attendees and members of the public were rewarded with an absolutely perfect day for outdoor musical enjoyment.

The Southern Festival of Books, held at Legislative Plaza, hosted the Civil War-inspired 1861 Project. Over at Musician’s Corner in Centennial Park, the impressive lineup included “I Love”: A Tom T. Hall Tribute, Ben Sollee, and Nanci Griffith.

When the evening showcases rolled around, I decided to get away from the Mercy Lounge for at least one night. With no headlining performer scheduled for the Cannery Ballroom, it was an ideal opportunity to check out some of Americana’s new faces.

It was a packed house when I arrived at the Basement, and Deep Dark Woods was already onstage. The Canadian band played a highly melodic brand of folk-rock, recalling The Band and Neil Young along with contemporaries like Midlake. They’ve got another Nashville show tonight (10/17) at 3rd & Lindsley, and their album The Place I Left Behind comes out in the U.S. tomorrow (Oct. 18) via Sugar Hill.

Nashville-via-Ohio singer-guitarist Patrick Sweany was up next, offering up retro-styled blues rock. His his songs like “Shoestring,” “Oh Temptation,” and “Them Shoes” recall gritty ‘60s soul and the scuzz of fellow Ohio-to-Nashville ex-pats The Black Keys. Appropriately, two of Sweany’s album’s were produced by the Keys’ Dan Auerbach. His latest album is That Old Southern Drag.

Jim Lauderdale joins Bobby Keys (L) onstage at the Mercy Lounge, courtesy of the Americana Music Association. Photo: Stacie Huckeba

The crowd had started thinning by this point, perhaps to catch James McMurtry, saxman Bobby Keys, or Deadman at the Mercy Lounge. Across the train tracks at the Station Inn, showcasers included Sierra Hull and Highway 111, Tara Nevins, Catherine Britt, and Brigitte DeMeyer. I stayed the course at the Basement, and was handsomely rewarded for my inaction.

Hymn For Her

Hymn For Her, the musical guise of Lucy Tight and Wayne Waxing, played a trash can symphony of demented country blues and punk attitude turned up to 11. Lucy sang and played an instrument comprised of a cigar box and broom handle that had one bass and two treble strings on it. Wayne handled everything else. While seated he sang, played an acoustic guitar (or banjo) and harmonica, and used his feet to keep time on a kick drum and high hat.

Their own songs like “Slips” and “Fiddlesticks” crackled with energy, and they added a nightmarish cover of Bob Dylan’s “Ballad of Hollis Brown,” for which Wayne requested a “dark, murderous reverb” from the sound man. They closed the set with a pedal-to-the-floor run through Led Zeppelin’s “Bron-Y-Aur Stomp” and announced they’d be back in town on Halloween weekend.

Hymn For Her was one of the strangest bands during Americana fest, which is perhaps indicative of its evolution and inherently inclusive nature. The genre occasionally has a dignified, too-serious air around it, so it was a nice surprise to see a band flip that notion on its head by playing music that was brash, snotty, and undeniably fun. According to Hymn For Her’s website, the pair recorded their album Lucy & Wayne and The Amairican Stream in a 16 foot Airstream trailer, which also serves as a rolling home for them, their baby, and dog.

And by golly, what’s more American than that?

Bobby Karl Works the Nashville Songwriters Hall of Fame

(L-R): Inductees Alan Jackson and Thom Schuyler; Mentor Award winner David Conrad; and inductees John Bettis, Allen Shamblin and Garth Brooks. Photo: Alan Mayor

Chapter 379

Just about everyone you know in the music business turned out for the sold-out, 41st annual Nashville Songwriters Hall of Fame ceremony at the Renaissance Hotel Sunday (10/16).

The attractions were the inductions of Alan Jackson, Garth Brooks, Thom Schuyler, Allen Shamblin and John Bettis. Not to mention the companionship galore.

After welcoming remarks by host John Van Mol, the current chairman of the Nashville Songwriters Hall of Fame Foundation board, NSAI’s Bart Herbison and Steve Bogard took the stage.

“We’re going to have a spectacular night tonight,” Steve promised. His prophecy was fulfilled.

The annual “10 Songs I Wish I’d Written” NSAI honors went to “American Honey” by Shane Stevens, Cary Barlowe and Hillary Lindsey; “Are You Gonna Kiss Me Or Not” by Jim Collins and David Lee Murphy; “Hello World” by Tom Douglas, Tony Lane and David Lee; “Homeboy” by Casey Beathard and Eric Church; “Honey Bee” by Ben Hayslip and Rhett Akins; “Mean” by Taylor Swift; “Pretty Good at Drinkin’ Beer” by Troy Jones; “The Boys of Fall” by Casey Beathard and Dave Turnbull; and “Who Are You When I’m Not Looking” by Earl Bud Lee and John Wiggins; plus the Song of the Year winning “If I Die Young” by Kimberly Perry.

The Band Perry was on the road, but Kimberly sent a video saying, “Thank-you to the Good Lord for whispering it in my ear.”

For the fourth time in five years, Taylor Swift received a standing ovation as the Artist/Writer of the Year. “Just the fact that the people in this room were standing up is overwhelming for me,” she said. “I can’t believe I’m here with my heroes.”

Frequent Brad Paisley collaborator Chris DuBois won his second straight NSAI Songwriter of the Year award. “There’s no award that means more to me as a songwriter,” he said.

The NSHoF’s Van Mol retook the podium to recognize board members, sponsors and the 2011 passings of Hall of Famers Charlie Louvin and Don Wayne. “Their work lives on in our memories,” he said.

Lance Freed presented David Conrad with the Frances Williams Preston Mentor Award. When Almo-Irving wanted to open a Nashville office in 1981, Frances recommended David as its leader. “Over the next 22 years, David Conrad was responsible for 186 top-10 country hits,” Lance recalled. “David worked for the songwriter, not the other way around. He trusted them. They trusted him. He’s a special man who cares deeply about people.”

“This can’t be right: When did I do this?” David blurted, adding that when he was informed of the honor, “Just to be safe, I ran out that week and mentored the hell out of everybody.” He thanked, “My best friend, my best mentor and my true love, my wife Karen.” David also recalled Chet Atkins, Owen Bradley, Harlan Howard and Tom Collins as his own mentors. “You’re really lucky when you have people like that in your life [especially] the ‘serial mentor,’ Frances Williams Preston.

“There was love there: I loved writers and I love songs,” David added. “It’s a circle, as the song says, and I hope we never break it.”

The 2011 Hall of Famers were inducted alphabetically. That meant John Bettis came first. Michael Clark spoke at length about his collaborator, saying, “John is the consummate psychologist, and he’s a communicator.”

Brett James and Wayne Kirkpatrick sang a medley of Bettis hits, including “Heartland,” “Yesterday Once More,” “Slow Hand” and “Human Nature.” Lynn Anderson vividly reprised her 1973 chart-topper “Top of the World.”

“This is the room, isn’t it?” said John in accepting. “This is where we want to be. This is where we all belong. I’m glad we have this room. It’s nice to know we can get together like this and appreciate each other. I thank you very much for the greatest honor I’ve ever gotten. God bless you.”

Allen Reynolds and Bob Doyle did the honors for Garth Brooks. “Who can measure the impact of the songs that have come from Garth’s own pen?” asked Allen. “You’ve been a blessing and an inspiration to many, and we thank you.”

“The songs you’ve written have endured and stayed relevant,” added Bob.

Jenny Yates saluted the inductee with “When You Come Back to Me Again.” Pat Alger sang “The Thunder Rolls.” Stephanie Davis offered “We Shall Be Free.” Kent Blazy did “If Tomorrow Never Comes.” Victoria Shaw sang “The River” and invited the crowd to join her in its last chorus.

“I’m already choked up, because these are my friends, and I love them so much,” Garth responded. He thanked God, his co-writers, his mentors, his parents and his wife, Trisha Yearwood. “This is the home of songwriters. In the music business, the greatest award you can receive is to be called a songwriter.”

Mike Dungan recited Alan Jackson’s accomplishments and hits, adding “This man has made his mark on the world. He has moved away from, but never out of, his humble beginnings. Thank you for making the world a better place.”

The Wrights performed a medley of “Good Time,” “Remember When,” “Chattahoochie,” “Don’t Rock the Jukebox” and “Here in the Real World.” (Adam Wright is Alan’s nephew and was the ring bearer at his wedding.) Taylor Swift sang “Where Were You (When the World Stopped Turning).”

(L-R): The Wrights (Shannon and Adam Wright), Alan Jackson, Taylor Swift and Capitol Nashville Pres./CEO Mike Dungan. Photo: Alan Mayor

Alan reminisced, “I was just stupid enough not to be scared, so we just came up here….and it’s been goin’ pretty good….I just write whatever I feel….It’s just life, and that’s what country music has always been to me. I can’t stand up here and feel worthy when I see that list of names [of prior inductees]. Thank y’all for including me. I feel blessed.”

Don Schlitz and Thom Schuyler are BFF’s, and Don was clearly moved by Thom’s long overdue induction. “There are so many of us who consider him their best friend,” said Don. “For all the songwriters who ever walked on Music Row, he wrote our anthem.”

J. Fred Knobloch kicked off the musical tribute with “Love Will Turn You Around.” Tony Arata followed with “My Old Yellow Car” and “Years After You,” then Fred returned with “Long Line of Love.” Lacy J. Dalton drew cheers with the aforementioned anthem, “16th Avenue.” Jellyroll Johnson backed all three on harmonica.

The always-eloquent Thom responded, “I am honored more than you can know to be a part of this community of songwriters on Music Row. This is the greatest songwriting community on God’s Green Earth. Thank you for setting a place for me at your lovely table.”

Mike Reid lauded Allen Shamblin for writing, “songs that do more than entertain.” Lionel Cartwright provided a medley of Shamblin’s “He Walked on Water,” “Don’t Laugh at Me” and “The House That Built Me.” Wynonna sang “I Can’t Make you Love Me.”

“This is amazing,” said Allen. “It’s a miracle I’m here tonight….For me, growing up, there was food, water, air and songs.” Echoing the theme of companionship and camaraderie that ran through the evening, he added, “You are my families and my friends. I love y’all. This means more to me than I can ever say.”

Like I said, everyone who is anyone was there. That would include such world-class fabulons as Troy Tomlinson, Fletcher Foster, Jerry Foster, Jerry Chestnut, Bonita Hill, Dan Hill, Bobby Braddock, Bobby Rymer, Bob Regan, Tim Wipperman, Tim Fink, Tim DuBois, Gretchen Peters, Pete Fisher, Bucky Wilkin, Becky Harris, Ted Harris, Emmylou Harris, Judy Harris and Harry Chapman.

Luke Laird has four songs on the charts right now, including the current No. 1, “Take a Back Road.” He was schmoozing, as were Dickie Lee, Rick Sanjek, John Scott Sherrill, Sherrill Blackmon, Kenny O’Dell, Kerry O’Neill, Kye Fleming, Kyle Lehning, Paul Kennerley, Shelby Kennedy, Ron Stuve, Ron Cox, Dean Dillon, Mayor Karl Dean, Nashville first lady Anne Davis, Mac Davis, Caroline Davis, Mark Bright, Mark D. Sanders, Pat Higdon, Pam Tillis, Dave Loggins, Dennis Morgan, Dwight Wiles, Dallas Frazier, Dene Anton, Wayne Carson, Wayne Halper, Bill Rice, Barry Coburn, Brett Eldredge, Bernie Nelson, Gary Burr, Holly Bell, Steve & Ree Guyer Buchanan, Woody Bomar, R.C. Bannon and Max T. Barnes.

Don’t say I didn’t warn you: The ballroom also held Joey + Rory, Jody Williams, Andrew Kintz, Andy Childs, Rattlesnake Annie, Anthony Smith, Tia Sillers, Even Stevens, Whitey Shafer and Gilles Godard, whose “Trains I Missed” was recently named the bluegrass Song of the Year at the IBMA awards. Not to mention Celia Froelig, Amy Kurland, Wayland Holyfield, Tracy Gershon, Lori Badgett, Hugh Prestwood, Diane Pearson, Chip Petrie, Roger Murrah, Melanie Howard, Perry Howard, Kathy Louvin, Karen Oertley, Jewel Coburn, Ralph Murphy, Deborah Allen and the irrepressible Shawn Camp.

We dined on huge roast beef portions, scalloped potatoes, asparagus and a julienned vegetable medley, followed by chocolate cake and/or banana pudding cups topped with whipped cream.

It’s a good thing we love each other. The cocktail hour was at 5:00 p.m., and we didn’t leave the ballroom until 10:30. Now that’s companionship.

Americana Fest: Friday Night Showcases

Buddy Miller performs with Jim Lauderdale at Cannery Ballroom, courtesy of the Americana Music Association. Photo: Kim Jameson

Experience and youth shared the spotlight during the Friday (Oct. 14) night Americana Fest showcases. I’m pleased to report that both camps performed exceedingly well, so let’s call it a draw.

In one corner was Alabama sister duo The Secret Sisters, who were a late addition to the Cannery Ballroom lineup. Laura and Lydia Rogers just released their first recordings in 2010, but sound like they could have been transported via time machine directly from the 1950s.

But it’s not fair to dismiss them as a nostalgia act. Sure, they have a genuine affection for and knowledge of classic country, but their original compositions fit seamlessly between covers of The Davis Sisters’ “I Forgot More Than You’ll Ever Know” and Jim Reeves’ “Four Walls.” Their set consisted of only their two voices and an acoustic guitar, but that was enough. They harmonized beautifully, recalling the Everlys or Louvins, and finished with a stunning a capella version of Patience & Prudence’s “Tonight You Belong To Me” just to drive the point home.

In the other corner performing later on the Cannery stage were Americana all-stars Buddy Miller and Jim Lauderdale. Both have built singular, long-lasting careers as songwriters, musicians, guest performers, and recording artists. Add producer to the list in Miller’s case, and radio personality/emcee to Lauderdale’s. They’ve been to a few rodeos, to be sure. Seeing them play together, pooling their experiences, was thrilling.

First off, there’s not another guitar player in Nashville—nay, the world—like Buddy Miller. Instead of playing the ever-popular Telecaster, Les Paul or ES-335, he’s usually armed with an obscure but unmistakable-sounding Wandre instrument. He can also change his playing style like a chameleon, channeling countrified chicken-picking or gale-force noise with equal ease. Is it any wonder that Robert Plant loves him or that he keeps sweeping the Americana Honors?

Backed by pros Chris Donohue, Greg Liesz, and Brian Mullins, the two sang together like they’ve been doing it since childhood, tossing covers of George Jones (“Why Baby Why,” “Race Is On”) and Webb Pierce (“Poison Blood”) in with their own work like “I’m Pretending,” “King Of Broken Hearts,” “Hold On My Love,” “Halfway Down,” and a righteous “Hole In My Head,” which they penned together. It was an energetic, honky tonk tour de force.

By the end, Lauderdale had begun to overheat. “We’re sweatin’ up here like Rush Limbaugh at a Steve Earle concert,” he joked.

Luther Dickinson of North Mississippi Allstars at Cannery Ballroom, Courtesy of the Americana Music Association. Photo: Kim Jameson

Elsewhere during the evening Memphis artist Amy LaVere displayed a jazzy, almost avant garde sensibility, skillfully handling her upright bass on numbers like “Cry My Eyes Out,” “Washing Machine” and Tom Waits’ “Green Grass.” Elizabeth Cook showcased the different sides of her personality on “El Camino,” and “Heroin Addict Sister.” A solo John Oates showed his soulful side on Leiber/Stoller’s “Searchin’” and the Hall & Oates smash “Maneater.” North Mississippi Allstars showed tremendous instrumental prowess on their funky, bluesy jam rock, including an instrumental requiring drummer Cody Dickinson to keep time with his feet while picking complex leads on an acoustic guitar.

Will Kimbrough performs at the Rutledge, courtesy of the Americana Music Assocation. Photo: Tacy Judd

Showcasing across town at the Rutledge were The Vespers, Matraca Berg, Eric Brace & Peter Cooper, The Bottle Rockets and a midnight set by Will Kimbrough. Station Inn featured David Wax Museum, The Farewell Drifters, and the Black Lillies. At the Basement were Tommy Womack & the Rush to Judgment, Ian McLagan, Henry Wagons, and New Country Rehab.

One more night to go. Scheduled to perform are James McMurtry, Farewell Milwaukee, Blackie and the Rodeo Kings, Sieraa Hull and Highway 111, and Sam Llanas of the BoDeans. Come on out and hear some tunes, y’all.