Morgan Wallen Announces ‘One Night At A Time World Tour’

Morgan Wallen. Photo: David Lehr

Beginning next spring, Morgan Wallen will embark on his “One Night At A Time World Tour,” kicking off overseas on March 15. Hardy, Ernest, Bailey Zimmerman and Parker McCollum will serve as support on the dates, both in the states and internationally.

The new tour will visit New Zealand and Australia with Hardy in March before returning stateside on April 15 at Milwaukee’s American Family Field. Wallen will play 39 dates, including 17 stadiums, amphitheaters and arenas on the tour, making stops at New Jersey’s MetLife Stadium, Chicago’s Wrigley Field and Boston’s Fenway Park, as well as Philadelphia, Detroit, San Diego, Austin and more before wrapping Oct. 7 in Washington.

Tickets will go on sale beginning Friday, Dec. 9. As on his “Dangerous Tour,” $3 of every ticket sold for U.S. dates will benefit the Morgan Wallen Foundation.

“Man, what a year 2022 has been with the ‘Dangerous Tour.’ I had the time of my life, and I cannot begin to express how grateful I am that my fans connected with the Dangerous album the way they did,” Wallen shares. “I’ve had so many people ask me if I wanted to take some time off, but the truth is–I have been writing and making so much music in my off-time because I feel as inspired as I ever have. It feels like new songs are pouring out of me, and I love that feeling. We are going to run it back next year with the ‘One Night At A Time World Tour.’ Bigger venues. New countries. Bigger memories. See y’all there.”

Wallen named his tour after one of three new songs dropping tonight (Dec. 1) at midnight on his One Thing At A Time – Sampler, which includes “One Thing At A Time,” “Tennessee Fan,” and “Days That End In Why.” The three tracks serve as the first taste of what’s to come from his time in the studio and arrive on the heels of his new single at country radio, “Thought You Should Know,” co-written with Miranda Lambert and Nicolle Galyon. The tune currently sits in the top 20, as his latest No. 1 “You Proof” returns to the top of the charts for a sixth, non-consecutive week on the Country Airplay chart.

Wallen’s 2022 “Dangerous Tour” spanned over 50 shows and broke records in 30 venues across the country during its eight-month run. Highlights include his historic Globe Life Field show, which became the fastest sellout in the venue’s history and surpassed attendance records. He also held the fastest sellouts in history at 11 venues.

Aaron Chafin Inks Co-Pub Deal With Concord Music Publishing & Chromatic

Pictured (L-R): Melissa Spillman (Concord), Garrett Stephenson (Concord), Courtney Allen (Concord), Tofer Brown (Chromatic), Aaron Chafin, Brad Kennard (Concord), Kourtney Kirkpatrick (Concord), Ashley Nite (Concord), Jaclyn McDonald (Concord)

Multi-genre songwriter and producer Aaron Chafin has signed a new co-publishing agreement with Concord Music Publishing and Chromatic Music. The deal includes Chafin’s full catalog and future works.

Chafin’s recent songwriting credits include Rozes’ “Halfway There,” Kyd the Band’s “Easy (feat. Elley Duhe),” Cassadee Pope’s “Tomorrow Night” and Sam Tinnesz’s “Loser (feat. Bryce Fox),” among others. He also co-wrote Drake White’s single “Hurts The Healing” and produced Micah Tyler’s “Amen,” which reached the No. 2 spot on Christian radio.

Other Chafin cuts include singles with Kshmr, Sarah Reeves, Jared James Nichols, Leah Nobel, Trella, Kierra Luv, and Svrcina. He has recently collaborated with the X Ambassadors, The Score, Shawn Hook, gnash, Willie Jones, Tofer Brown, The Brummies, Sarah Buxton, Trent Dabbs, Bear Rinehart, Anderson East, Amy Stroup and more.

On the sync side, Chafin’s work can be heard in ads for Dell, Intel, Amazon and Samsung, as well as in TV series such as American Kingdom, Almost Family, The Bold Type, and Selling Sunset. He’s had placements across MTV, FOX, ABC, CBS, NBC, Fox Sports, and promos/trailers for films, including Upload, Last Christmas, After, Countdown and more.

“We, alongside Tofer Brown and Chromatic Music, are incredibly excited to work with Aaron Chafin!” says Brad Kennard, SVP A&R at Concord Music Publishing Nashville. “Aaron is a uniquely gifted songwriter and producer, who’s already having success across country, pop, alternative, and in the film & television world. He’s a perfect match for Concord’s desire to win in every musical arena.”

“After our first time working together a couple of years ago, I knew I had to be a part of Aaron’s musical journey,” Brown adds. “He is one of the most talented producer/writers that I’ve worked with. I am so impressed by his diversity in production and his ability to jump from genre to genre–and to do it all so well is so inspiring. There is no limit to his talent and professionalism, and I am excited to work with him, alongside my Concord family.”

“Super excited to be joining Chromatic Music and Concord for my publishing,” shares Chafin. “The opportunities presented from the team were undeniable from the beginning, and I feel more than confident within their worldwide network of collaborations!”

This marks the second signing under the new joint venture with Chromatic Music, founded by songwriter Tofer Brown. The new creative endeavor was founded to develop, mentor and partner with artists, producers, and songwriters of all genres. Chromatic’s first signing earlier this year was songwriter Lauren Hungate.

ACM Shares Voting Timeline For 2023, Changes & Additions To Award Categories

The Academy of Country Music has made announcements regarding the membership voting timeline for the 58th Academy of Country Music Awards, as well as changes and additions to its award categories.

First, submissions for the 58th Academy of Country Music Awards will open at 11 a.m. CT on Jan. 9 through Jan. 27 at 7 p.m. CT. The eligibility period for submissions is Nov. 16, 2021 through Dec. 31, 2022. Key dates for Academy members for the 2022 ACM Awards cycle can be found below.

Among the changes approved by the ACM Board of Directors are the Entertainer of the Year category will expand the final round nominees from five to seven. The Songwriter of the Year category will also be split into two categories: Songwriter of the Year and Artist-Songwriter of the Year. Meanwhile, criteria for the Album of the Year category has changed to increase the required amount of previously unreleased content from 51% to 75%. Similarly, the release window has been updated to better accommodate gradual release schedules. The Video of the Year category has been expanded into Visual Media of the Year to include additional formats of visual content.

Additionally, the Radio Award criteria for National Personality of the Year will now require that show submissions are distributed across all continental time zones. This impacts both National Weekly On-Air Personality of the Year, as well as National Daily On-Air Personality of the Year. For more details on the full category additions and updates, click here.

“The 58th ACM Awards cycle brings thoughtful and well-considered changes to numerous awards categories to better match the landscape of our industry’s music, visual content, and radio broadcasts and, specifically, how they have changed and grown with the times,” notes Kelly Rich, Chair of the ACM Awards, Voting, and Membership committee. “I’d like to thank the awards committee members, board members, and board officers for their active and invaluable contributions in joining these important conversations and helping to shape the categories for this coming year to reflect our evolving industry.”

“Making these changes clarifies eligibility and allows artists, songwriters, and radio broadcasters to put their best foot forward in having their accomplishments recognized by their peers and celebrated by the Academy,” adds Tommy Moore, VP Artist and Industry Relations, Governance and Board Administration. “We’re thrilled to be able to expand our Entertainer of the Year category, introduce a Songwriter of the Year category specifically for artists, and expand the scope of the visual media able to be considered. We look forward to robust submissions from our industry in the new year and a stellar selection of exceptional creative work to celebrate in Texas in May.”

The 58th Academy of Country Music Awards will livestream exclusively on Prime Video from Ford Center at The Star in Frisco, Texas on May 11.

Key Dates for the 2022 ACM Awards Cycle:
Submissions Period Opens: Jan. 9
Submissions Period Closes: Jan. 27
First Round Voting Main Awards: Feb. 27 – March 6
First Round Voting Radio Awards: Feb. 27 – March 13
Second Round Voting Main Awards: March 27 – April 3
Final Round Voting Radio Awards: March 27 – April 10
Final Round Voting Main Awards: April 17 – April 24
*All submission/voting windows close at 7 p.m. CT

Emmylou Harris, Steve Wariner, More To Play Nashville Unlimited Christmas Benefit

The Nashville Unlimited Christmas benefit concert, benefiting Room in the Inn, will return for its 23rd consecutive year on Dec. 13 at Christ Church Cathedral.

Musical guests for this year’s show include Emmylou Harris, Steve Wariner, Billy Dean, Riders in the Sky, Don Schlitz, The McCrary Sisters and other surprise guests. The event is produced and hosted by Dave Pomeroy, with singer-songwriter Don Henry serving as co-host.

“In addition to our wonderful musical guests, we are fortunate to have Brad Hall and a world class video and audio team to record this special concert honoring the work of Room in the Inn,” Pomeroy shares. “Everyone involved is donating their time and skills to help raise money for this great cause, and we hope to exceed $500,000 in total donations since 2000.”

He adds, “We are very grateful to Christ Church Cathedral for this ongoing opportunity to help our community through music, and Room in the Inn for the amazing work they do to help those who are less fortunate than ourselves. That’s the Christmas Spirit and the Nashville way!”

The concert is free with a $20 suggested minimum donation. Over the years, the shows have raised $497,000 for the work that Room in the Inn does to support Nashville’s homeless community.

Seaforth Sells Out First Nashville Headline Show

Seaforth at The Basement East. Photo: Trea Allen

Seaforth, the country-pop duo made up of songwriters Mitch Thompson and Tom Jordan, sold out well-known venue The Basement East with their first Music City headline show on Monday night (Nov. 28) alongside opener Jordan Harvey.

Hailing from Sydney, Australia, lifelong childhood friends Thompson and Jordan joined forces while on a songwriting trip together in Nashville. Paying tribute to their roots, they named the band after their hometown, the Sydney suburb Seaforth. The two traveled between the U.S. and Australia while creating their sound before permanently landing stateside.

They released their EP, What I Get For Loving You, on Aug. 26. Their Basement East performance was a full-circle moment for Seaforth, having earned their record deal with Sony Music Nashville after a showcase at The Basement, The Basement East’s sister venue. When the doors opened Monday evening, the energy was high yet relaxing as the crowd trickled into the intimate space.

Harvey kicked off the show, treating the audience to a few unreleased tracks. The former King Calaway member’s upbeat sound mixed with his infectious tunes had everyone jamming along with him.

“I can’t thank you all enough for coming this evening,” said Harvey. “This is amazing, honestly. Tom and Mitch have been like brothers to me. It was such an honor when they called and asked me to open for them on one of the biggest nights of their lives.”

Pictured (L-R): Jordan Davis, Seaforth’s Mitch Thompson, Mitchell Tenpenny, and Seaforth’s Tom Jordan. Photo: Trea Allen

He continued to sing their praises and express his gratitude before performing “Even If It Breaks My Heart.” The Scotland native also shared “one of [his] favorite songs [he’s] ever written,” a catchy track titled “Single At The Same Time,” which he created with Seaforth and Michael Whitworth. Harvey got personal as he described his inspiration for his debut song “Alabama Girl,” his muse among the crowd, smiling and swaying along. His debut album It Is What It Is is set for release on Jan. 20.

Seaforth then took the stage, electrifying the room with their mesmerizing harmonies. Mitchell Tenpenny made a surprise appearance, accompanying the pair for their Gold-certified collaboration “Anything She Says.” The crowd was taken by surprise once again when Jordan Davis hopped on stage for duet “Good Beer.”

Seaforth continued to entrance Basement East with their rendition of Drake’s “Hotline Bling,” showing their musical range and flexibility.

They took back to where it all began, with acoustic jams, and soothed the audience with their raw instrumental skills and vocals with songs including “Break Ups.” They performed their sunny “Queen of Daytona Beach” before closing with their earworm debut single, “Love That.”

“When we were 18 years old we started writing music together, and now we’re here,” Seaforth shared. “Thank you all, if you’re new fans, old fans, anyone, thank you for being here.”

Seaforth recently finished their headlining “About Time Tour” in Australia, capping with a homecoming show in Sydney. The trek will extend to the U.S. beginning Feb. 2 in Athens, Georgia with stops in New York City, Boston, Washington, D.C., Chicago, and more.

“About Time Tour” U.S. Dates:
Feb. 2 / Warehouse / Athens, GA
Feb. 3 / The Blue Room / Statesboro, GA
Feb. 4 / Smith’s Olde Bar / Atlanta, GA
Feb. 15 / Brick Street / Oxford, OH
Feb. 16 / Bluebird / Bloomington, IN
Feb. 17 / HiFi / Indianapolis, IN
Feb. 18 / Crusens / Peoria, IL
Feb. 23 / Joe’s on Weed Street / Chicago, IL
Feb. 24 / High Noon Saloon / Madison, WI
Feb. 25 / Amsterdam / St. Paul, MN
March 2 / Rose Music Hall / Columbia, MO
March 3 / Encore / Kansas City, MO
March 4 / The Waiting Room / Omaha, NE
March 5 / Old Rock House / St. Louis, MO
March 9 / Crafthouse / Pittsburgh, PA
March 10 / Jammin’ Java / Washington, D.C.
March 11 / Wonder Bar / Asbury Park, NJ
March 12 / Brighton Music Hall / Boston, MA
March 15 / Mercury Lounge / New York, NY
March 16 / Spotlight / Huntington, NY
March 23 / Rumba Café / Columbus, OH
March 24 / The Cambridge Room a HOB / Cleveland, OH
March 25 / Blind Pig / Ann Arbor, MI

MusicRow Highlights The Next Generation Of Leaders With 2023 N.B.T. Industry Directory

Rising Nashville music industry leaders have been selected for MusicRow Magazine’s 2023 N.B.T. Industry Directory.

Now in its fourth year, MusicRow’s N.B.T. Industry Directory is the first and only list of its kind, showcasing Nashville music business professionals who occupy important roles at their respective companies. This class of professionals are on a trajectory of excellence to successfully lead the Nashville music industry into the future.

All members of the N.B.T. Industry Directory are featured in MusicRow’s current 2023 Touring & Next Big Thing Issue, which releases today (Nov. 30). Single copies of MusicRow’s Touring & Next Big Thing Issue are available for purchase at musicrow.com for $45, and are included with yearly MusicRow subscriptions.

YouTube video

The 84 members of MusicRow Magazine’s 2023 N.B.T. Industry Directory are:

Kayla Adkins, Creative Mgr./Publishing – River House Artists

Michelle Attardi, Dir., Publishing – Big Machine Music

Jacee Badeaux, Creative Dir., A&R – Big Yellow Dog Music

Bennett Beckner, Music Agent – CAA

Chelsey Block, Managing Partner – Homestead Music

Nikki Boon, Artist Manager – Neon Coast

Branden Bosler, Dir. of Account Relations, Digital Licensing – BMI

Jaclyn D. Carter, Vice President – Shore Fire Media

Julianne Cassidy, Publicist – Sweet Talk Publicity

Victoria Chaitoff, Dir., Publicity – Warner Music Nashville

Chase Chapman, Wealth Advisor & VP, Music Row Office – Regions Bank

Emily Cohen, Principal Music Curator – Amazon Music

Elice Cuff, Publicist – The GreenRoom

Jen Danielson, Sr. Dir., Streaming – Warner Music Nashville

Stephanie Davenport, Sr. Dir., A&R – Warner Music Nashville

David DeVaul, Sr. VP Music Sports and Entertainment – Pinnacle Financial Partners

Crystal Dishmon, Artist Manager – ShopKeeper Management

Leah Ducey, Dir. of Digital Marketing – UMG Nashville

Blake Duncan, Sr. Creative Dir. – Combustion Music

Chris Fabiani, National Dir., Radio – Warner Music Nashville

Michael Farris, Business Intelligence Lead – Country Music Association

Lindsey Feinstein, Sr. Account Mgr. – Girlilla Marketing

Kailyn Finnegan, Manager & Artist Operations – The AMG

Nina Jenkins Fisher, Sr. Dir., Creative – Jody Williams Songs

Kenley Flynn, Sr. Creative Dir. – Sony Music Publishing

Lauren Funk, Sr. Creative Dir. – Endurance Music Group

Katie Germano, Music Agent – CAA

Michael Giangreco, Sr. Dir. of A&R – Big Loud Publishing

Emilie Gilbert, Dir. of Label Analytics – Sony Music Nashville

Jeremy Groves, Creative Dir. – SMACK

Olivia Hanceri, Owner – OH Creative

Justin Hill, Music Agent – UTA

Jarrod Holley, Manager – Make Wake Artists

Laura Hostelley, VP of Marketing – Triple Tigers Records

Kara Jackson, Sr. Creative Dir. – Spirit Music Nashville

Ashley Jeanette, Dir. of Transition – Tri Star Sports and Entertainment Group

Evyn Mustoe Johnston, Sr. Dir. of Membership – ASCAP

Nick Kaper, Dir. of Promotion & Radio Marketing – UMG Nashville

Kristen Kee, Sr. Dir., Marketing & Events – SESAC Music Group

MaryAnn Keen, Assoc. Dir., Creative, Nashville – BMI

Jess Keifer, Dir., Digital Marketing – Sony Music Nashville

Morgan Kenney, Agent, Country – WME

Daniel Killian, Business Manager – FBMM

Heather Kinder, Chief Of Staff – Tri Star Sports and Entertainment Group

Roxy King, Dir., A&R – Universal Music Publishing Group

Basak Kizilisik, Owner & Artist Manager – Eighteen Company

Lauren Lieu, Creative Dir. – Play It Again Music Group

Kaitlin Madewell, Artist Manager – Red Light Management

Ritz McCain, Sr. Editor – Spotify

Steve Mekler, Dir., Brand Marketing & Partnerships – Academy of Country Music

Mallory Michaels, Sr. Dir., Promotion & Artist Development – Sony Music Nashville/RCA Nashville

Matt Michiels, Sr. Creative Dir. – peermusic

Jen Morgan, VP, Creative & Imaging – BBR Music Group

Austin Mullins, Agent, Country – WME

Matt Najdowski, Royalty Mgr. – Farris, Self & Moore

Spencer Nohe, Sr. Dir., A&R – Warner Chappell Music

Kayla Ott, Dir. of Outreach & Engagement – Mechanical Licensing Collective (The MLC)

Shelby Paul, Dir., Communications – Big Machine Label Group

Emily Peacock, Sr. Creative Dir. – Tree Vibez Music

Allie Petko, Artist Manager – WHY&HOW

Jacoby Plyler, Dir. of Marketing & Digital Strategy – KP Entertainment

Kelcie Roberts, Dir. of Marketing – Big Loud Records

Carter Robinson, Sr. VP, Music Entertainment and Sports Group – Pinnacle Financial Partners

Matt Runner, Agent – Wasserman Music

Aubrey Rupe, Creative Dir. – Sony Music Publishing

Sophia Sansone, Manager – Make Wake Artists

Kayleigh Shoemaker, Sr. Public Programs Mgr. – Country Music Hall of Fame

Harrison Sokoloff, Dir. of Publishing & A&R – King Pen Music/Red Street Records

Jessica Sonquist, Head of Tour Marketing – Maverick Nashville

Jessi Vaughn Stevenson, Sr. Dir., A&R/Digital – Warner Chappell Music

Alex Strong, Vice President – First Horizon Music Industry Group

Candice Surrency, Assoc. Dir., Release Planning & Production – Sony Music Nashville

Brittni Talley, Dir. of Communications & Creative – Nashville Songwriters Association International

Alex Tamashunas, Creative Dir. – Creative Nation

Amanda Terranova, Dir., Content & Creative – SESAC Music Group

Alina Thompson, Assoc. Dir., Strategy & Operations – SiriusXM/Pandora

Joshua Tomlinson, Dir., Creative, Nashville – BMI

Matt Turner, Sr. Dir., A&R – Concord Music Publishing

Torianne Valdez, Sr. Program Mgr. – Musicians On Call

Alec Vidmar, Music Agent – UTA

Rachel Wein, A&R Mgr. – Prescription Songs

Franklin Willis, Community Impact Dir. – Country Music Association

Taylor Wolf, Manager – ACM Lifting Lives

Kelsey Worley, Sr. Creative Dir. – BMG

MusicRow Reveals Next Big Thing Artists Class Of 2023

MusicRow is proud to reveal its list of artists who, in 2023, are predicted to become the Next Big Thing (NBT). The ninth annual NBT list features 11 artists, who are each profiled in MusicRow‘s latest 2023 Touring & Next Big Thing print issue, which releases today (Nov. 30).

MusicRow‘s Next Big Thing Class of 2023 boasts a stand-out group of artists on the rise. They are diverse in sound, style, and level of success, but what they have in common is extraordinary talent and a passion for today’s ever-evolving country music format. These future stars will expand the boundaries of country music, carrying the torch of the format both to its fans and into the mainstream.

Single copies of MusicRow’s Touring & Next Big Thing print issue are available for purchase at musicrow.com for $45, and are included with yearly MusicRow subscriptions.

MusicRow Magazine’s 2023 Next Big Thing Artists:

Chayce Beckham

19 Recordings/BBR Music Group/Wheelhouse Records | KP Entertainment | UTA | BMG | BMI

Chayce Beckham impressed the nation when he won season nineteen of American Idol, becoming the first artist to win the competition with an original song. The winning track, “23,” is a semi-autobiographical tune the California-native wrote about his struggles with alcohol. “23” topped numerous viral charts upon release, and has since racked up more than 122 million on-demand streams. Fresh off his win, he signed with BBR Music Group’s Wheelhouse Records and 19 Recordings, and subsequently released a duet with label-mate Lindsay Ell, “Can’t Do Without Me.” Beckham followed that success with a six-track debut EP Doin It Right, which featured the singer-songwriter flexing his gritty yet clear vocals on songs such as “Tell Me Twice,” “Doin’ It Right,” and “Where The River Goes,” all of which he co-wrote. The EP skyrocketed to No. 1 on the iTunes All Genre and Country charts, signaling a consistent hunger for the artist’s music. Beckham joined Jimmie Allen’s “Down Home Tour 2022” earlier this year, as well as some dates opening for Luke Combs. Beckham’s rabid fanbase will only grow as the artist continues down his path to success.

 

Tyler Braden

Warner Music Nashville | WHY&HOW | WME | 50 Egg Music/Sony Music Publishing | BMI

Tyler Braden grew up in Slapout, Alabama with parents who loved country music and friends who loved rock ‘n’ roll. Combining those influences, he started playing local shows and touring in his twenties, all while serving as a first responder in Montgomery, Alabama. When a gig in Music City prompted Braden to move north, he continued firefighting in the suburbs of Nashville while working on his music. After capturing the attention of industry executives, Braden signed with Warner Music Nashville in 2019. Since then he’s earned more than 120 million streams with songs such as “Secret,” “What Do They Know,” “Ways To Miss You,” and his No. 1 on SiriusXM’s The Highway Hot 30 Countdown “Try Losing One” is currently at U.S. country radio. He released his label debut EP, What Do They Know (WDTK), in late 2021. Braden joined David Nail on tour this fall after opening for Brooks & Dunn on the 2022 “Reboot Tour.” He recently hosted his annual Engine Co. 18 Golf Outing, which raised more than $20,000 for first responders. Braden’s talent as a songwriter and performer, as well as his heart of gold, will undoubtedly propel him forward into a successful career.

 

ERNEST

Big Loud Records | Big Loud Management | The Neal Agency | Big Loud Publishing/UMPG | BMI

ERNEST has come into his own as an artist in the past few years. While enjoying massive success as a songwriter, celebrating No. 1 hits for Morgan Wallen, Chris Lane, Sam Hunt, Florida Georgia Line, and Kane Brown, ERNEST was building an arsenal of songs suited for his own unique artistry. After releasing a few EPs and singles as an artist, ERNEST broke through with his George Jones-inspired “Flower Shops” featuring label-mate Wallen. The song took off, becoming the most-added single on its add week at country radio and hitting No. 1 on MusicRow‘s CountryBreakout Radio Chart. The tune led to the release of ERNEST’s Big Loud Records debut album Flower Shops (The Album), which also included fan favorites such as “Some Other Bar,” “Tennessee Queen,” and “Feet Wanna Run.” After touring on Wallen’s “Dangerous Tour,” ERNEST hit the road this fall for his “Sucker For Small Towns Tour.” The charming artist also hosts a podcast, Just Being ERNEST, welcoming guests such as Keith Urban, Diplo, Jason Aldean, Bobby Bones, and Craig Wiseman. Between his hit-making penmanship and charisma, ERNEST is headed for country music stardom.

 

Chapel Hart

JT3D | JT3D Management | APA | Hyperphlyy Music | BMI

Made up of sisters Danica and Devynn Hart, along with their cousin Trea Swindle, Chapel Hart blend their Mississippi roots and Louisiana spunk to make their music. After working hard for many years, the trio was lifted up by CMT’s Next Women of Country program, which has helped up-and-coming country females rise to fame such as Kelsea Ballerini and Ashley McBryde. They released their second album, The Girls Are Back in Town, shortly after. The 12-track project included “You Can Have Him Jolene,” a response to Dolly Parton’s iconic “Jolene” that twists the lyric to say that no one should fight over a man. The trio’s infectious three-part harmonies have earned Chapel Hart notoriety overseas, but the United States fell in love with them when they competed on America’s Got Talent earlier this year. With their “You Can Have Him Jolene,” Chapel Hart earned the coveted Golden Buzzer on the show, sending them straight to the final, live performance stage. Following their performance, Darius Rucker invited the women to sing on his redemptive ballad “Ol’ Church Hymn.” With their infectious harmonies, sharp songwriting ability, and charm, this lovable trio stands out among their peers.

 

Kylie Morgan

UMG Nashville (EMI Records Nashville) | SMACK Management | CAA | SMACKSongs | BMI

Kylie Morgan’s unique vocal tone paired with her relatable songwriting set her apart from the rest. The Oklahoma native spent many years grinding as a singer-songwriter before signing with UMG in 2019. Since her signing, Morgan released her Love, Kylie EP, which contained fan-favorites “Shoulda” and “I Only Date Cowboys.” Morgan found a strong hunger for her music when she started engaging with TikTok, going viral with songs such as “Independent With You,” a tune about being in a relationship without losing your independence, and “If He Wanted To He Would,” a brutally honest track about self-worth. Both appeared on her next EP, P.S. In October, Morgan released another EP Songs To Say I Do to commemorate her tying the knot—which included another viral hit, “Bridesmaids.” The singer-songwriter joined Tyler Rich on the road this fall for his “Thinkin’ We’re In Love Tour” after previously opening for acts such as Dan + Shay, Little Big Town, Maren Morris, Brett Eldredge, and more. Morgan’s bold penmanship and accessible stories will only grow her already eager fanbase.

 

MacKenzie Porter

Big Loud Records | Big Loud Management | CAA | Sony Music Publishing | SOCAN

With five No. 1 songs north of the border, MacKenzie Porter has already made her mark on the Canadian country market. She moved to Nashville in 2014 hoping to translate that success to Music City. Her hard work began to pay off when she began to release successful pop-country tracks such as “These Days” and “Seeing Other People” via Big Loud Records. In the spring of 2021, Porter was recruited by country star Dustin Lynch as his duet partner on “Thinking ‘Bout You.” The track became a six-week No. 1, and made history as the longest-running top 10 single at 27 weeks since the Billboard Country Airplay chart launched in January 1990. As the massive duet was introducing Porter to country radio, the talented singer released her single “Pickup.” The glittery track hit the top of the Canadian charts and has garnered more than 30 million streams across the U.S. and Canada. Porter was direct support on Walker Hayes’ “Fancy Like Tour” and has opened for Blake Shelton, Kenny Chesney, Brad Paisley, Jordan Davis, and more. We will definitely be seeing more of Porter in 2023.

 

Conner Smith

Big Machine Label Group (The Valory Music Co.) | HOMESTEAD/Red Light | WME | Warner Chappell Music/Home Team Music/Miller Crow Music | BMI

Conner Smith was introduced to the music industry via his mother, who interviewed songwriters as part of her work when he was a small child. He started writing songs at age six and was aligned with BMI by the time he was nine. The songwriter signed a record deal with The Valory Music Co. in 2019. It’s no surprise he co-wrote five of the six songs on his debut project, Didn’t Go Too Far. The collection included his first top 40 hit “Learn From It” and fan-favorite single “Take It Slow,” which has already amassed nearly 60 million global streams to date. Smith followed its success with another viral sensation, “I Hate Alabama,” where he laments that everything about the Crimson Tide reminds him of a love lost. He doubled down with another football analogy song that took off on social media, “Orange And White.” Smith joined Thomas Rhett on his “Bring The Bar To You Tour” this summer. The tunesmith will undoubtedly make his mark on the genre with his clever tunes and far-reaching popularity.

 

Nate Smith

Sony Music Nashville (Arista Nashville) | The CORE Entertainment | WME | Sony Music Publishing | ASCAP

Nate Smith’s powerful voice with a unique vocal tone could make any head turn. He first attracted industry attention with his debut EP Reckless and the popular single “Wildfire,” inspired by a devastating fire that struck his home of Paradise, California and destroyed everything he owned. He followed the success of “Wildfire” with “Sleeve” and “Under My Skin,” which have amassed over 60 million on-demand streams to date. He signed with Sony Music Nashville in 2021 and shipped his new single, “Whiskey On You,” to country radio. The tune took off. It has garnered over 128 million total on-demand streams, was recently certified Gold, hit No. 1 on SiriusXM The Highway’s Hot 30 Countdown, and is currently climbing the country radio charts. Smith went viral with label-mate Tenille Townes on the powerful “I Don’t Wanna Go To Heaven.” The duet, as well as “Whiskey On You,” will appear on Smith’s self-titled debut album, out in February. He went on his first headlining run this summer with the “Whiskey On You Tour,” and will hit the road with Thomas Rhett and Cole Swindell on Rhett’s “Home Team Tour 23” in May. Smith is powering through his own lane and will only go up from here.

 

Alana Springsteen

Columbia Records New York/Sony Music Nashville | Eighteen Company | UTA | Warner Chappell Music | BMI

Alana Springsteen picked up the guitar at age seven and wrote her first song at age nine. From then, the Virginia Beach native felt the pull to Nashville. She moved to Music City when she was 14 and landed a publishing deal almost immediately. After years of grinding as a singer-songwriter, Springsteen began to independently release music. With nearly 40 million streams under her belt, she put out a seven-song EP, History Of Breaking Up (Part One), in 2021. She followed its success with an eight-song collection, History Of Breaking Up (Part Two). The project featured popular tracks “Trust Issues,” “New Number” and “Me Myself and Why.” On her 22nd birthday in October, Springsteen made her Grand Ole Opry debut and announced her label signing with Columbia Records NY/Sony Music Nashville. She has since notched her stream-count up to over 71 million. Springsteen has opened for Mitchell Tenpenny and pop band LANY, and will support Adam Doleac’s “Barstool Whiskey Wonderland Tour” in 2023. With her songwriting chops and unique vocal stylings, Springsteen is on the fast-track to stardom.

 

Morgan Wade

Sony Music Nashville (Arista Nashville) | Hillpeople Artist Management | WME | UMPG | ASCAP

Morgan Wade is one of the most unique artists to have signed a major label record deal in Nashville in many years. She kept her voice hidden until she started singing in public at 19. The Virginia native’s blend of country, bluegrass, and pop-rock first caught the industry’s eye with her 2021 debut album Reckless. The 10-song collection featured illustrious songs such as “Last Cigarette,” “Don’t Cry,” and “Take Me Away,” but the clear fan-favorite was “Wilder Days,” a tune about a relationship with a large age gap. Wade signed with Sony Music Nashville following the success of Reckless. The label sent “Wilder Days” to country radio where it hit No. 1 on SiriusXM The Highway’s Top 30 Countdown. Wade released a deluxe edition of Reckless in January with six additional songs. She joined Luke Combs, Chris Stapleton, and Brooks & Dunn on the road throughout 2022 and will hit the road on her own headlining “No Signs of Slowing Down Tour” in February. As an artist assuredly in her own unique lane, we will definitely be seeing more of Wade in 2023.

 

Bailey Zimmerman

Warner Music Nashville/Elektra Records | The CORE Entertainment/10th Street Entertainment | WME | Warner Chappell | BMI

Bailey Zimmerman’s rise to his breakthrough is a story of manifestation. The Illinois native grew up listening to country radio on long hauls across state lines with his father, who owned a trucking business, while his mother instilled in him a love of rock ‘n’ roll. He got his first job, a gig at the local meat processing plant, at 16, and continued to work from then on. After friends encouraged him to try singing, Zimmerman uploaded the tune “Never Comin’ Home” on TikTok, creating a viral sensation. He did it again with “Fall In Love,” which caught the eye of Warner Music Nashville and Elektra Music Group who signed him. Zimmerman dropped his debut full-length release, Leave The Light On, in October. Upon release, the nine-song project became the most-streamed all-genre debut of the year, as well as the biggest streaming country debut of all time. Leave The Light On arrived at No. 2 on Billboard’s Top Country Albums chart and No. 9 on the all-genre Billboard 200 chart. With a passion for tricked out trucks, Zimmerman played his first headlining show in Nashville at a lifted truck show block party. Zimmerman’s rabid fanbase will only grow as he continues to rise to success.

Trace Adkins Graces The Cover Of MusicRow’s 2023 Touring & Next Big Thing Print Issue

MusicRow Magazine has released its 2023 Touring & Next Big Thing Issue, featuring Verge Records’ Trace Adkins on the cover.

With more than 25 years in the industry under his belt and an impressive list of RIAA certifications, Adkins has been fusing his booming baritone and commanding stage presence with sounds from across the country music spectrum for a while. Since his 1996 debut, he has sold over 11 million albums, charted 20 songs on Billboard’s all-genre Hot 100, earned 15 top 10 country radio hits, and added film/TV to his credits. Along the way, he’s also racked up two billion streams, multiple Grammy nominations and numerous awards.

The multi-Platinum country artist recently celebrated the 25th anniversary of his debut album, Dreamin’ Out Loud, with the release of his 25-track The Way I Wanna Go. Marking his 13th studio album, the project finds Adkins leaning into a lone-wolf spirit and continuing down the road which made him a member of the Grand Ole Opry. Produced by Mickey Jack Cones and Derek George, the project also brings a who’s who of special guests with it, including Blake Shelton, Luke Bryan, Stevie Wonder, Snoop Dogg, Pitbull, Keb’ Mo’ and Melissa Etheridge. With his headline “The Way I Wanna Go Tour” extending into 2023, he is currently starring in Fox’s drama series, Monarch.

Featured in this issue is MusicRow’s ninth annual Next Big Thing class of artists, consisting of Chayce Beckham (19 Recordings/BBR Music Group/Wheelhouse Records), Tyler Braden (Warner Music Nashville), Ernest (Big Loud Records), Chapel Hart (JT3D), Kylie Morgan (EMI Records Nashville), MacKenzie Porter (Big Loud Records), Conner Smith (The Valory Music Co.), Nate Smith (Arista Nashville), Alana Springsteen (Columbia Records New York/Sony Music Nashville), Morgan Wade (Arista Nashville), and Bailey Zimmerman (Warner Music Nashville/Elektra Records).

This issue also features the N.B.T. Industry Directory Class of 2023, which spotlights rising Nashville music business professionals who are having a major impact on the industry. MusicRow’s N.B.T. Industry Directory is the first and only list of its kind. These industry members occupy important roles at their respective companies, and are on a trajectory of excellence to successfully lead the Nashville music industry into the future.

MusicRow‘s Touring/N.B.T. Issue spotlights new and upcoming artists in our 2023 Next Big Thing Artist list, showcasing our top editorial picks for acts destined to reach new levels in their career,” shares MusicRow Owner/Publisher Sherod Robertson. “Additionally, our N.B.T. Music Industry Directory is a coveted one-of-a-kind list of talent that recognizes the industry’s music business professionals who are rising through the ranks.”

The Touring & Next Big Thing Issue explores the growing theme of multi-genre touring with CAA’s Meredith Jones and WME’s Aaron Tannenbaum, and also dives into the recent expansions of Messina Touring Group and the re-launch of The Neal Agency. This issue also catches up with industry icon Joe Galante to look at the importance of mentorship. The Touring & Next Big Thing Issue also discusses Taylor Swift‘s massive return to the road with her upcoming “The Eras Tour,” which kicks off in March 2023.

Elsewhere in this issue, MusicRow sits down with TNDV’s Nic Dugger, who shares his unwavering love for Music City and his story from starting at a local TV station in Jackson, Tennessee, to bringing productions like ACM Honors, the CMA Awards, and more to life. This issue also puts a spotlight on the newly-formed Reliant Talent Agency, as its founders—Steve Lassiter, Matt McGuire and Heath Baumhor—look back on their first two years and ahead to the company’s many decades to come.

Single copies of MusicRow’s 2023 Touring & Next Big Thing Issue are available for purchase at musicrow.com for $45, and are included with yearly MusicRow subscriptions.

Naomi Cooke Johnson Signs With Warner Chappell Music

Pictured (L-R, front row): Ben Vaughn (Warner Chappell Music), Naomi Cooke Johnson, and Jess Rosen (Greenberg Traurig); (L-R, back row): Daniel Miller (Fusion Music), Christina Wiltshire (Warner Chappell Music), and Alexa Morris (Warner Chappell Music).

Singer-songwriter Naomi Cooke Johnson has signed a worldwide music publishing deal with Warner Chappell Music.

Johnson, who was once part of the country trio Runaway June, co-wrote the group’s Gold-certified top 10 hit, “Buy My Own Drinks,” among others. She announced she had stepped away from the group in early 2022 to pursue a solo career. Johnson then aligned with Fusion Music for management.

“Naomi is intuitive, smart, forward-thinking, and knows exactly who she is,” says Christina Wiltshire, Senior Director A&R, Warner Chappell Music. “We’re very excited to be on her team as she takes this next step in her artist career.”

Ian Munsick Plots ‘Long Live Cowgirls Tour’ For First Quarter Of 2023

Ian Munsick. Photo: Christopher Douglas

Ian Munsick is kicking off 2023 with his “Long Live Cowgirls 2023 Tour.” Ashland Craft will join him on the 15-city trek.

Kicking off at the legendary Gruene Hall in New Braunfels, Texas on Jan. 20, the tour will visit Fort Worth, Knoxville, Indianapolis, Baton Rouge, St. Louis and more before wrapping the first leg in Georgia on March 16.

“We’re hitting a ton of places we’ve never played before this winter/spring,” explains Munsick. “That’s probably what I’m most excited about. There’s nothing in the world quite like the first time you play in a city or town and have no idea what’s gonna happen when you hit that stage. Sharing that first time energy with the crowd is something that only happens once.”

The tour follows the news of Munsick’s sophomore album, slated for release early next year through Warner Music Nashville. He will wrap 2022 with a performance at the National Finals Rodeo for Rodeo Vegas on Dec. 10.