
Butch Waugh
[Press Release] NASHVILLE, TN – To earn the right to be called a “music man” or a “record man” has always been a proud distinction in the business of music, and in a 37-year career, Sony Music Nashville Executive Vice President Butch Waugh has earned that privilege and much more. Now, after devoting the past 27 years to the artists and music of what is today the Sony Music Entertainment family, Waugh has announced that he will be retiring, effective December 31.
Sony Music Nashville Chairman Joe Galante has worked with him for nearly three decades, from Waugh’s earliest days in RCA promotion in Atlanta, on to New York, and every day in Nashville for the past dozen years. With the retirement of his longtime colleague and friend, Galante offered, “Butch’s contributions and leadership have left an indelible mark on our artists’ careers and our team. His passion touched everything in the company. His humorous phrases should be trademarked and will continue to be used every day. There are no words that could explain how much I will miss him on a day-to-day basis.”
Following Waugh’s retirement, label group Marketing VP Tom Baldrica and Promotion VP Skip Bishop will report directly to Galante. Paul Barnabee, Senior VP, Sales & Operations, currently reports to Galante and will continue to oversee Sales & Operations, including Finance and Digital Business.
In roles that have spanned pop, urban, and country, Waugh has been instrumental in the careers of countless artists and projects, from his involvement in the landmark Frampton Comes Alive! and the 11-times Platinum Dirty Dancing soundtrack to the early development of the Dave Matthews Band and the multi-Platinum success and superstar emergence of such artists as Kenny Chesney, Martina McBride, Brad Paisley, and Carrie Underwood.
Waugh’s career began at London Records in 1972, which led to sales for Together Distributing (A&M/Motown) before Waugh moved into radio promotion, first with A&M in 1978 and subsequently with Capitol Records. He joined RCA Records in 1982 and was brought to New York in 1987, where he ultimately served as Senior Vice President, Promotion, before advancing to Senior Vice President of the label.
In 1997, Waugh relocated from New York to Nashville, with wife Belinda and daughter Drew, as he shifted full-force into country music as Senior Vice President/General Manager of what was then the RCA Label Group/Nashville and is currently Sony Music Nashville. In 2001, his accomplishments earned him his current title of Executive Vice President, a first-time appointment in the history of the Nashville operation. The year of his appointment also coincided with the first of seven country label of the year honors in the past eight years for the label group’s Arista Nashville, which has remained #1 for the past three years in a row. In 2002, the label group was named top country label (reflecting year-end sales and airplay as charted by Billboard), marking the first of six wins in seven years, including the past three years consecutively.
With the announcement of his retirement, Waugh offered the following reflection on his career and the people who’ve shared this journey with him.
“I have been in the music industry for four decades, and every day has been better than the day before. I never wanted to do anything else with my life except be surrounded by music. I thank God I have been allowed to be a part of this amazing business. Three things I know made a difference in my life: I listen to the people I worked with, I show up every day with a positive attitude, and I have a wife Belinda and family that support and believed in me.
“I have been blessed to work for and with such creative, passionate, driven, visionary people. Not sure why so many people chose to be a part of my life and take a huge interest in my career but they did. I was given the gift and honor to work with Joe Galante for almost thirty years, and I could not ask for a better friend and teacher. I could not have found my path without the help and guidance of Barry Jones, Harry Clark, Ole Bear Davenport, Carole Davenport, Terry Lawson, John Young, Herb Alpert, Jerry Moss, Harold Childs, Heavy Lenny, Al Cafaro, Don Toole, Ron Howie, Bruce Wendell, Dave Fitch, Steve Meyer, Eddie Mascolo, Randy Goodman, Skip Bishop, Bruce Stevens, Barry Weiss, Charlie Minor, Hugh Surratt, Ron Fair, Jim McKeon, Bobby Kraig, Tyler Waugh, Bonnie Goldner, Dave Novik, Skip Miller, Strauss Zelnick, Cheri Martin, Steve Rifkin, Clint Higham, Bobby Poe, Dave Loncao, Bob Romeo, Clarence Spalding, Brian Philips, Coran Capshaw, all the wonderful people here at Sony Music Nashville, and Bob Buziak and Rick Dobbis for believing in me and changing my life by bringing me to N.Y. where I spent eleven fantastic years.
“I want to thank everyone who served on any and all of my staffs over the years as we strategized and worked together to overcome obstacles, ignored walls, invented new tactics, and accomplished incredible feats. I have to thank so many artists who I worked with and who have made me a better executive and person: Bob Seger, Styx, Supertramp, The Beach Boys, Commodores, Rick James, Lita Ford, ZZ Top, Natalie Cole, Hall & Oates, Pablo Cruise, LTD, Gino Vannelli, Dr. Hook, Moody Blues, Peter Frampton, Al Green, The Knack, Anne Murray, The Captain & Tennille, The Carpenters, Chuck Mangione, Stevie Wonder, Marvin Gaye, Carole King, April Wine, The Tubes, Rick Springfield, SWV, The Wu-Tang Clan, The Verve Pipe, Carrie Underwood, Ronnie and Kix, Jake Owen, Brad Paisley, Alan Jackson, Chris Young, Miranda Lambert, and of course, two of the most gifted and talented people I have ever encountered: Dave Matthews and Kenny Chesney.
“There are so many others who have had a positive impact on my my life and my family’s lives, and I want to thank you all. Not only have I been blessed to have these people in my life, but the music industry was built on the backs of these people and many like them. I look forward to new amazing music, new artist breakthroughs, many more innovations to come as our industry has always led the way and pushed the limits but I am not certain the music industry will ever experience the same energy, growth, excitement, competitiveness, friendships, and celebrations I have enjoyed the past four decades.”
Friends and colleagues will be able to stay in touch with Waugh at butch.waugh@gmail.com.
Sony’s Waugh Announces Retirement
/by Sarah SkatesButch Waugh
[Press Release] NASHVILLE, TN – To earn the right to be called a “music man” or a “record man” has always been a proud distinction in the business of music, and in a 37-year career, Sony Music Nashville Executive Vice President Butch Waugh has earned that privilege and much more. Now, after devoting the past 27 years to the artists and music of what is today the Sony Music Entertainment family, Waugh has announced that he will be retiring, effective December 31.
Sony Music Nashville Chairman Joe Galante has worked with him for nearly three decades, from Waugh’s earliest days in RCA promotion in Atlanta, on to New York, and every day in Nashville for the past dozen years. With the retirement of his longtime colleague and friend, Galante offered, “Butch’s contributions and leadership have left an indelible mark on our artists’ careers and our team. His passion touched everything in the company. His humorous phrases should be trademarked and will continue to be used every day. There are no words that could explain how much I will miss him on a day-to-day basis.”
Following Waugh’s retirement, label group Marketing VP Tom Baldrica and Promotion VP Skip Bishop will report directly to Galante. Paul Barnabee, Senior VP, Sales & Operations, currently reports to Galante and will continue to oversee Sales & Operations, including Finance and Digital Business.
In roles that have spanned pop, urban, and country, Waugh has been instrumental in the careers of countless artists and projects, from his involvement in the landmark Frampton Comes Alive! and the 11-times Platinum Dirty Dancing soundtrack to the early development of the Dave Matthews Band and the multi-Platinum success and superstar emergence of such artists as Kenny Chesney, Martina McBride, Brad Paisley, and Carrie Underwood.
Waugh’s career began at London Records in 1972, which led to sales for Together Distributing (A&M/Motown) before Waugh moved into radio promotion, first with A&M in 1978 and subsequently with Capitol Records. He joined RCA Records in 1982 and was brought to New York in 1987, where he ultimately served as Senior Vice President, Promotion, before advancing to Senior Vice President of the label.
In 1997, Waugh relocated from New York to Nashville, with wife Belinda and daughter Drew, as he shifted full-force into country music as Senior Vice President/General Manager of what was then the RCA Label Group/Nashville and is currently Sony Music Nashville. In 2001, his accomplishments earned him his current title of Executive Vice President, a first-time appointment in the history of the Nashville operation. The year of his appointment also coincided with the first of seven country label of the year honors in the past eight years for the label group’s Arista Nashville, which has remained #1 for the past three years in a row. In 2002, the label group was named top country label (reflecting year-end sales and airplay as charted by Billboard), marking the first of six wins in seven years, including the past three years consecutively.
With the announcement of his retirement, Waugh offered the following reflection on his career and the people who’ve shared this journey with him.
“I have been in the music industry for four decades, and every day has been better than the day before. I never wanted to do anything else with my life except be surrounded by music. I thank God I have been allowed to be a part of this amazing business. Three things I know made a difference in my life: I listen to the people I worked with, I show up every day with a positive attitude, and I have a wife Belinda and family that support and believed in me.
“I have been blessed to work for and with such creative, passionate, driven, visionary people. Not sure why so many people chose to be a part of my life and take a huge interest in my career but they did. I was given the gift and honor to work with Joe Galante for almost thirty years, and I could not ask for a better friend and teacher. I could not have found my path without the help and guidance of Barry Jones, Harry Clark, Ole Bear Davenport, Carole Davenport, Terry Lawson, John Young, Herb Alpert, Jerry Moss, Harold Childs, Heavy Lenny, Al Cafaro, Don Toole, Ron Howie, Bruce Wendell, Dave Fitch, Steve Meyer, Eddie Mascolo, Randy Goodman, Skip Bishop, Bruce Stevens, Barry Weiss, Charlie Minor, Hugh Surratt, Ron Fair, Jim McKeon, Bobby Kraig, Tyler Waugh, Bonnie Goldner, Dave Novik, Skip Miller, Strauss Zelnick, Cheri Martin, Steve Rifkin, Clint Higham, Bobby Poe, Dave Loncao, Bob Romeo, Clarence Spalding, Brian Philips, Coran Capshaw, all the wonderful people here at Sony Music Nashville, and Bob Buziak and Rick Dobbis for believing in me and changing my life by bringing me to N.Y. where I spent eleven fantastic years.
“I want to thank everyone who served on any and all of my staffs over the years as we strategized and worked together to overcome obstacles, ignored walls, invented new tactics, and accomplished incredible feats. I have to thank so many artists who I worked with and who have made me a better executive and person: Bob Seger, Styx, Supertramp, The Beach Boys, Commodores, Rick James, Lita Ford, ZZ Top, Natalie Cole, Hall & Oates, Pablo Cruise, LTD, Gino Vannelli, Dr. Hook, Moody Blues, Peter Frampton, Al Green, The Knack, Anne Murray, The Captain & Tennille, The Carpenters, Chuck Mangione, Stevie Wonder, Marvin Gaye, Carole King, April Wine, The Tubes, Rick Springfield, SWV, The Wu-Tang Clan, The Verve Pipe, Carrie Underwood, Ronnie and Kix, Jake Owen, Brad Paisley, Alan Jackson, Chris Young, Miranda Lambert, and of course, two of the most gifted and talented people I have ever encountered: Dave Matthews and Kenny Chesney.
“There are so many others who have had a positive impact on my my life and my family’s lives, and I want to thank you all. Not only have I been blessed to have these people in my life, but the music industry was built on the backs of these people and many like them. I look forward to new amazing music, new artist breakthroughs, many more innovations to come as our industry has always led the way and pushed the limits but I am not certain the music industry will ever experience the same energy, growth, excitement, competitiveness, friendships, and celebrations I have enjoyed the past four decades.”
Friends and colleagues will be able to stay in touch with Waugh at butch.waugh@gmail.com.
Briefs: ZBB/Buffett “Crossroads”; Ride Records Hiring
/by Sarah SkatesKnown for his high-energy sold-out shows, beach inspired tropical tunes and devoted and enthusiastic fans, singer-songwriter Jimmy Buffett will share the stage with this year’s breakout artist known for its Southern Rock and dynamic stage show, the Zac Brown Band. They team up for the latest episode of the critically-acclaimed CMT Crossroads series. The show will tape before an invitation only audience next month in Nashville. The episode will premiere in March 2010 on CMT.
——————-
Mark Westcott
Ride Records, the independent label founded by artist Steve Azar, has added Mark Westcott as Midwest Regional. Westcott’s recent experience includes regional promotion duties for Curb and Epic. Prior to moving to country promotion in 1994, he served in various local and regional posts for Columbia Records and Motown Records. Based in Chicago, Westcott takes office at Ride on Tuesday, December 1. He can be reached at mark.westcott@comcast.net or 847.397.6860.
The Ride promotion team also includes VP David Shaw and Harry Nelson. Azar’s new single “Sunshine” will be out in January 2010.
Updated: Kidnappers’ Demands
/by Sarah SkatesPhoto taken 11/19
[UPDATED 11/19]
Miss Doris
[11/16] Miss Doris, the smiling face who stood guard at the ASCAP elevator for the last 17 years, was abducted over the weekend. The MusicRow staff received a mysterious ransom note this morning from the bandits.
Connie Bradley, ASCAP’s Nashville leader and longtime friend to Miss Doris, was so distraught she was not able to comment on the situation.
ACM Brings Stars To Rodeo, Gets Visit From Gokey
/by Sarah SkatesAt the ACM offices in Los Angeles, staffers enjoyed a recent visit from Danny Gokey (L). While there he signed up for professional membership and performed songs from his 19 Recordings/RCA Nashville debut album, set for release in spring 2010. Pictured with ACM Executive Director Bob Romeo (R). Photo: Getty Images/Courtesy of ACM
For the fourth consecutive year, the Academy of Country Music will host a stage at the Wrangler National Finals Rodeo in Las Vegas. A mix of rising talent and stars will perform at the event, which opens Dec. 3 with Heidi Newfield and closes Dec. 12 with Joe Nichols.
The Academy of Country Music Stage will include performances from Ash Bowers, Easton Corbin, Halfway to Hazard, LoCash Cowboys, Sean Patrick McGraw, David Nail, Sunny Sweeney, and Josh Thompson.
Kix Plays Tootsie’s; Band Perry Opry Debut
/by Sarah SkatesKix Brooks dropped into legendary country bar Tootsie’s Orchid Lounge on Nov. 17 and thrilled patrons with performances on both the front and back stages.
Famed honky-tonk Tootsie’s scored an impromptu performance by Kix Brooks on Tuesday night (11/17). While a few nights earlier, next door at the Ryman Auditorium, up-and-comers The Band Perry made their Opry debut.
The Band Perry made their Grand Ole Opry debut on Fri., Nov. 13. The Republic Nashville trio, comprised of siblings Kimberly, Neil and Reid Perry, performed their first single, “Hip to My Heart,” along with another self-penned song, “If I Die Young.” Kimberly called the experience on the Ryman stage "a holy moment." (l to r) Kimberly, Reid and Neil Perry, warming up backstage
Stephen Allen Davis, Mark Brown Start Publishing Co.
/by Sarah SkatesPictured are (l-r): BMI’s Jody Williams, Stephen Allen Davis, and Molet Music’s Mark Brown. Photo by Drew Maynard
Longtime Music Row publisher Mark Brown and songwriter Stephen Allen Davis recently stopped by BMI to affiliate their new publishing venture, Molet Music. While the two were in the organization’s Music Row offices, BMI’s Jody Williams surprised the Grammy-nominated Davis with a Million-Air certificate recognizing more than 3 million performances of his composition “Stand Beside Me,” recorded by Jo Dee Messina. The song marks just one of Davis’s accomplishments as a songwriter: The impressive list of artists who have recorded his work also includes Frank Sinatra, Joe Cocker, Meatloaf, Tom Jones, Alabama, Reba McEntire, and Charlie Rich.
Video Sites: Vevo Launching, Hulu Expanding
/by Sarah SkatesM
usic video site Vevo has set a Dec. 8 launch date, while the already popular Hulu, which offers mostly films and TV shows, is gearing up to become a music destination.
Hulu already shows some music videos, but a new agreement with EMI is the site’s first wide-ranging deal with a major label. Exclusive material from EMI’s Norah Jones will be the first content featured under the new arrangement.
Superstar Strait Tour With Lee Ann Womack And Reba
/by Sarah SkatesT
he upcoming George Strait tour will be a huge outing, with Lee Ann Womack just added to the dates, alongside previously announced superstar Reba McEntire. The arena tour kicks off in early 2010 and continues through late Spring. On the schedule are more than 20 nationwide dates, starting in late January, and going through April.
“’Does Ft Worth Ever Cross Your Mind’? ‘Whoever’s In New England’? ‘The Fireman’? ‘Little Rock’? ‘Wrapped’? ‘The Last To Know’? We’re talking classic country from the source,” praises Womack. “I can’t
imagine a better tour to be on than George Strait and Reba McEntire — and now I’m not imagining!”
2010 TOUR DATES
Date City
22-Jan Baltimore, MD
23-Jan Greensboro, NC
29-Jan Knoxville, TN
30-Jan Charlottesville, VA
5-Feb Phoenix, AZ
6-Feb Las Vegas, NV
18-Feb St Louis, MO
19-Feb Wichita, KS
20-Feb Tulsa, OK
25-Feb Atlanta, GA
26-Feb Orlando, FL
4-Mar Memphis, TN
5-Mar New Orleans, LA
6-Mar Little Rock, AR
26-Mar Portland, OR
27-Mar Tacoma, WA
8-Apr Omaha, NE
9-Apr Kansas City, MO
10-Apr Des Moines, IA
File Sharing Harms Paid Music Purchases
/by Sarah SkatesSome observers believe that music file sharing can fuel paid purchases because it exposes listeners to new music they might not have heard otherwise. To test this theory, Jupiter Research surveyed 5000 European consumers to see how illegal trading affects music spending and found that the overall impact of file sharing is negative.
The results show that a majority of illegal music sharers do not buy music, and were deemed “freeloaders” because they showed little willingness or ability to pay for music. Jupiter said this group would be a good target for ad-supported “free” music services and subsidized “feels like free” offerings.
Elsewhere, the survey showed that physical CDs still dominate over digital product and that converting physical-format buyers to digital buyers, rather than losing them as paying customers, is a key goal for the future of the industry. Physical-only buyers represent 44% of European consumers.
Other findings show that a third of those who pay for digital music also share files illegally, spending an average of €98 per year, or $165.