DISClaimer Single Reviews: Ryan Hurd, Jackson Michelson, Rachel Wammack, Tyler Braden, And More

Rachel Wammack

Willie Nelson celebrated his 87th birthday yesterday (April 29). We have two tunes this week saluting the Red Headed Stranger. We should all rejoice in his enduring greatness.

Despite the presence of some major country stars, this listening session belongs to the up-and-comers. Vying for Disc of the Day are Ryan Hurd, Jackson Michelson and our winner, Rachel Wammack.

The DISCovery Award belongs to Tyler Braden. I can’t wait to hear more from this extraordinary new voice.

NATHANIEL RATELIFF/Willie’s Birthday Song
Writers: Nathaniel Rateliff; Producers: Patrick Reese/James Barone/Rateliff; Publisher: none listed; Stax
-He had me from the opening lines: “Pass me that joint. It’s Willie’s birthday.” Usually noted as an Americana blue-eyed soulman, Rateliff turns in a straight-ahead country vocal on this sing-along ditty. I still say he’s one of the finest singers around. His great Night Sweats band is along for the ride, as are Willie stalwarts Bobbi Nelson and Mickey Raphael. Proceeds benefit Rateliff’s charity Marigold Project (in this case, FarmAid and StrongHearts Native Helpline).

EDIE BRICKELL & WILLIE NELSON/Sing To Me Willie
Writer: Edie Brickell; Producers: Edie Brickell/Kyle Crusham; Publisher: none listed; Shuffle/Thirty Tigers
– Native Texan Brickell shucks her pop duds for country trappings on this sparely-produced duet with the living legend. He provides his distinctive guitar picking as well as a well-seasoned vocal that offers Lone Star State local color. Proceeds benefit the MusicCares COVID-19 fund.

KANE BROWN/Cool Again
Writers: Kane Brown/Josh Hoge/Matthew McGinn/Lindsay Rimes; Producers: Dann Huff/Lindsay Rimes; Publisher: none listed; RCA
-Very catchy and well sung. There’s not much that’s “country” about it, but it is highly listenable. Besides, he’s on an unstoppable roll.

RACHEL WAMMACK/When I Say Amen
Writers: Rachel Wammack/Matt Maher/Sam Ellis; Producer: Sam Ellis; Publisher: none listed; RCA
– It’s a piano ballad that works as a spiritual balm for a world that has plunged into pandemic darkness. Heartfelt and very, very moving. This lady always rules.

KEITH URBAN/Polaroid
Writers: Steph Jones/Geoff Warburton/Griffen Palmer/Mark Trussell/Sam Fischer; Producers: Joey Moi/Keith Urban; Publisher: none listed; Capitol Nashville
– Bubbling memories of summers gone by. Bopping and endearing.

RYAN HURD/Every Other Memory
Writers: Ryan Hurd/Nathan Spicer/Cole Taylor; Producer: Aaron Eshuis; Publisher: UMPG; RCA
– Nostalgia with a kick-drum backbeat. It rumbles along so beautifully that you’d be a fool not to fall under its spell and roll with it. Ryan’s wife Maren Morris is on harmony vocals.

HIGH VALLEY/River’s Still Running
Writers: Brad Rempel/Randy Montana/Corey Crowder; Producers: Mike “X” O’Conner/Seth Mosley; Publisher: none listed; Warner
– Upbeat and anthemic, this engaging thumper definitely looks on the bright side. The gist of it is, “Everything’s gonna be okay.” The “gang” vocals are particularly rousing.

JACKSON MICHELSON/One Day
Writers: Jackson Michelson/Justin Ebach/Matta Alderman; Producer: Jeff Pardo; Publisher: none listed; Curb
– Charming. It’s about watching your kids grow up. His performance is loaded with sincerity, and the twirling, swirling production around him infuses the whole thing with a warm glow. Absolutely worth your attention. Listen.

WALKER HAYES/Trash My Heart
Writers: Walker Hayes/Josh Jenkins/Josh Osborne/Jimmy Robbins; Producers: Sam Sumser/Sean Small/Shane McAnally; Publisher: none listed; Monument
– Kinda hip-hoppy, lotsa rhythmic. There are so many novelty audio touches in the arrangement and production that you can almost forget the absence of melody. Even without one, he manages to be highly personable throughout.

TYLER BRADEN/Brother
Writers: William Rinehart/Nathaniel Rinehart/Gavin DeGraw; Producer: Randy Montana; Publishers: Bear Lee Breathing Music (BMI), NeedToBreathe Music (BMI), G DeGraw Music Inc. (BMI), All rights administered by Downtown DMP Songs (BMI); Warner
– This stirring tune comes from the rock band NEEDTOBREATHE. Newcomer Braden has a commanding delivery, with power and grit to spare. Hang on when he swings into the choruses with wailing, chesty oomph. I dig this guy.

Trace Adkins, Dustin Lynch, Blake Shelton, Gwen Stefani To Play Opry May 9

Trace AdkinsDustin Lynch and Blake Shelton will perform on the Grand Ole Opry’s 4,923rd consecutive Saturday night broadcast on Saturday, May 9. Gwen Stefani will also make her Grand Ole Opry debut that night, joining Shelton for their duet performance of his current single “Nobody But You.”

Due to the COVID-19 crisis, the Opry will stage a remote broadcast performance as part of a regularly scheduled show. Adkins and Lynch will perform on stage at the Opry House, after which Shelton and Stefani will play for fans around the world via a remote broadcast from Shelton’s farm in Oklahoma, where the two artists are safely sheltered at home. Adkins, Lynch, and Shelton all share an Opry bond: Adkins invited Shelton to become an official Opry member in 2010, and extended the same invitation to Lynch in 2018.

The show will be broadcast live on Circle, and Gray TV stations, DISH Studio Channel 102, Sling TV and other TV affiliates in addition to a companion live stream on Circle All Access Facebook and YouTube channels. Those tuning into the Livestream on the Circle All Access YouTube and Facebook channels this week can watch a special Mother’s Day episode of Circle Sessions with Sara Evans at 6:30 p.m. CT immediately prior to the live Opry and catch the premiere of Circle Sessions: At Home featuring Wynonna, Evans and more at 8 p.m. CT after the Opry.

The Mechanical Licensing Collective Announces New Hires

Pictured (clockwise from top left): Ellen Truley, Leigh McCorkle, Dae Bogan, Lindsey Major, and Serona Elton

The Mechanical Licensing Collective has announced new hires including Leigh McCorkle, Dae Bogan, Ellen Truley, Serona Elton, and Lindsey Major, who will help lead the company’s customer experience, marketing and communications, education and outreach, human resources, and third-party partnerships efforts.

MLC Chief People Officer McCorkle was most recently Executive Director of Human Resources for BMI, and will lead The MLC’s efforts to build a diverse team of professionals who are passionate about the MLC’s mission of serving songwriters and music publishers and providing them with exceptional service.

MLC Head of Third-Party Partnerships Bogan is a well-known music creators’ rights advocate, founder of several music technology companies, and adjunct lecturer at the UCLA Herb Alpert School of Music. Bogan will lead The MLC’s strategy of engaging third-party entities that provide support to creators and publishers in the areas of rights administration, data management, operations, and education.

Head of Education Partnerships Elton is a professor, Director of the Music Business & Entertainment Industries Program, and Associate Dean of Administration at the University of Miami’s Frost School of Music.  A lawyer by background, she also possesses extensive operational experience dealing with music royalties, mechanical licensing, and data standards. Elton will lead The MLC’s effort to engage future members of the industry currently studying music business and related subjects at colleges and universities across the country and around the world in support of The MLC’s outreach and education efforts.

Chief Marketing Officer Truley will leverage her experience in marketing, brand strategy, digital initiatives, advertising, and public relations on behalf of The MLC to build a robust and proactive communications operation that will engage and inform the music community and the public at large.

Head of Customer Experience Major will be responsible for designing an effective customer experience strategy and leading a customer experience team for The MLC. Previously, Major helped companies such as SmileDirectClub and Lyft develop and enhance their customer service operations, developing effective staff training programs and building innovative support tools to improve quality interactions.

“We’re excited to build our team of knowledgeable experts who are passionate about helping to improve the licensing, administration, and payments process for digital audio mechanicals and provide greater transparency to songwriters and publishers,” said Chief Executive Officer Kris Ahrend. “Our newest employees bring a wealth of valuable experience and insight that will be incredibly helpful as we continue to build The MLC in the coming months. Their leadership and contributions will help ensure we assemble a talented and diverse team that can communicate effectively with the many constituencies that will be interested in learning more about The MLC and provide a high-quality user experience for the songwriters and publishers we will serve.”

Radio Cares Radiothon Raising Funds For Feeding America

Cumulus and Westwood One are helping those in need today by leading the Radio Cares: Feeding America Emergency Radiothon. The companies are asking for all radio stations to get involved and help raise money for Feeding America and its 200-member network of local food banks across the U.S. with donations at RadioCares.org. The event will be heard on stations across the U.S. today (April 30) until 11:59 p.m. ET and contributions will accepted through Sunday.

Over 10,000 stations are currently participating either directly, via syndication, or by network affiliation, and stations wanting to get involved can still go to radiocares.org. Cumulus is airing the radiothon across its 424 stations, and Westwood One is promoting the event across all of its 24/7 formats and on its shows as well.

Feeding America established the COVID-19 Response Fund in mid-March, and since then have distributed $112.4 million and over 94 million pounds of food to food banks across the U.S., helping provide nearly 79 million meals to people facing hunger. The organization announced earlier this month that an estimated $1.4 billion in additional resources will be needed over the next six months to sustain operations and continue to provide food for people struggling with hunger.

NEEDTOBREATHE Announces New Project For 2020


NEEDTOBREATHE is releasing their seventh studio album Out of Body later this year on Elektra Records/Centricity Music.Out of Body follows NEEDTOBREATHE’s 2016’s H A R D L O V E, which debuted at No. 1 on the Billboard Top Current Album Sales Chart, and featured the Gold-certified title track “Hard Love.” The new album marks the beginning of the next chapter for NEEDTOBREATHE, as prior to entering the studio last year, longtime member Bo Rinehart departed the group.

Two new songs from the upcoming album, “Hang On” and “Seasons” are available to stream and download beginning today. “Hang On” inspires with a timely message that doubles as a clarion call for a world in need of a little hope.

“Sometimes it’s nice to look back and reminisce on some of the best parts of growing up: when you were a kid and there were no limits in the world, when you first fell in love, or when you first left your small town for something new,” the band shared. “It’s good to look back to those moments and grab hold of that energy. ‘Hang On’ is about taking the magic of going through life for the first time and believing it can happen again. I think it’s a refreshing way to view the world in these tough times.”

Recording Academy Adds Valeisha Butterfield Jones As Chief Diversity & Inclusion Officer

Photo: grammy.com

The Recording Academy has added its first Chief Diversity & Inclusion Officer, naming Valeisha Butterfield Jones to the role, effective May 11. Butterfield Jones will report to Academy Chair and Interim President/CEO Harvey Mason Jr.

“We are thrilled to welcome Valeisha Butterfield Jones into the Recording Academy family,” said Harvey Mason Jr. “Valeisha has been a force in driving systemic change and enhancing equal opportunities for underrepresented groups across entertainment, technology and politics. I’m excited to work with her to continue evolving the Recording Academy as an organization that represents our music community and a place where all voices are welcomed, supported and nurtured. We are so fortunate to have Valeisha’s leadership in this crucial area.”

Butterfield Jones’ appointment follows recommendations set forth by the Recording Academy Diversity & Inclusion Task Force in December 2019 with a request for the Academy to hire a Diversity & Inclusion Officer at the executive level responsible for enterprise-wide diversity and inclusion efforts by May 1, 2020. The move also follows the very public departure of former Recording Academy CEO Deborah Dugan.

“It’s imperative that the music industry continue to make strides toward a more equitable and inclusive industry, and I am pleased to see the Recording Academy take this important step toward change within its own walls today by appointing Valeisha Butterfield Jones as its first-ever Chief Diversity & Inclusion Officer,” said Tina Tchen, chair of the Recording Academy Diversity & Inclusion Task Force and president and CEO of TIME’S UP. “Creating this executive-level position was a principal recommendation of our Task Force because it is one significant way the Academy can demonstrate that issues of diversity are mission-critical and will be prioritized in the future.”

“The Recording Academy has an opportunity and responsibility to ensure that diversity and inclusion is embedded in its core values. I’m deeply honored to join the Academy as we enter a new chapter of transformational growth, leadership and change,” said Butterfield Jones. “During this unprecedented time in world history, together we will double-down on our focus to drive systemic change and equitable outcomes for underrepresented communities and creators.”

Butterfield Jones previously served as global head of inclusion for Google, Inc. Prior to her work at Google, she served as the national youth vote director for the Obama for America campaign, deputy director of public affairs for international trade at the U.S. Department of Commerce in the Obama Administration, executive director at Rush Communications (Def Jam Enterprises, Baby Phat, Phat Farm, Hip-Hop Summit Action Network) and as the national director of diversity and inclusion for the Alzheimer’s Association. Her two decades-long career began at Home Box Office (HBO Sports). As a philanthropist, Butterfield Jones co-founded the Women in Entertainment Empowerment Network (WEEN) in 2007, a nonprofit, global coalition of women and men committed to the balanced, positive portrayal of women in the entertainment industry. She also serves on the National Board of Directors of ColorComm, MC Lyte’s Hip Hop Sisters Network and iVote.

Got A Job Or Open Position In The Music Industry? Let Us Know


As the COVID-19 pandemic has swept through the nation, it has left many music industry workers unemployed. While organizations like Music Health Alliance, the Recording Academy and MusiCares, and more have launched relief resources, many of those affected are looking for work.

MusicRow wants to encourage its members and readers who have full-time, part-time or temporary job needs that can be filled while still following governmental COVID-19 guidelines, to post it on our Marketplace page. To post a job/task listing please complete this formListings on the site are free and will be posted for 60 days.

Navigate to the MusicRow Marketplace by clicking the “Marketplace” tab in the menu bar at the top of MusicRow.com.

Country Music Association Launches COVID-19 Webinar Series

The Country Music Association is launching a series of webinars, with each centered on an aspect of living and doing business as the COVID-19 pandemic continues.

CMA offers year-round, member-only tools and resources to those working in the country music industry, but this series of webinars will be available for public access as well.
See the full webinar schedule and registration links below.

YOUR CHANGING AUDIENCE AND CONSUMER – NEW RESEARCH
Thursday, April 30 at 11:00 AM/CT
It is often said the most valuable question any business should be able to answer is “How is my customer changing?” Be the first to see the latest COVID-19 research insights on consumer behavior in a study done in partnership with the international research and consulting company SmithGeiger – who surveyed 1,300 Americans to uncover their shifts in media and shopping behavior during this unique time.
You should tune in if: You want to hear from experts on what to expect of the consumer landscape, spending behavior, and more. CLICK HERE TO REGISTER

LEADING WITH CLARITY – COVID-19 COMMUNICATIONS
Thursday, May 7 at 12:00 PM/CT
The need to effectively communicate with employees and customers has never been more important. Join CMA and experts on crisis communications to hear the latest insights into some of the unique employee and management communication challenges created by COVID-19. Learn some of the topics you need to be prepared for and how to effectively get any message across to an audience during this time of uncertainty.
You should tune in if: You’re looking for helpful tips and advice on how to effectively communicate with your employees and customers regarding COVID-19. CLICK HERE TO REGISTER

GETTING BACK TOGETHER – VENUE AND EVENT HEALTH PLANNING
Thursday, May 12 at 1:00 PM/CT
Your audiences are anxious to get back to being together – but what is the new normal today for safe events?
The reopening of venues and the events that will start to take place require new thinking and preparation in the time of COVID-19. Join CMA and the team at SmithGeiger to explore what the top issues are in staging events and group activities (including those in your place of business). Learn about respected resources that your team can turn to and how to stay up to date on the latest guidance.
You should tune in if: You have your eyes set toward the future and want to be proactive in thinking through what “recovery” looks like. CLICK HERE TO REGISTER

MARKETING TO AUDIENCES – WHAT ARE THE CREATIVE APPROACHES
Tuesday, May 19 at 1:00 PM/CT
Smart brands and companies know that now is not the time to hide from the audience – instead it is a time for leadership. Connecting with audiences requires you understand the three concepts of successful advertising in the stressful world of COVID-19. Join us as SmithGeiger walks you through examples and ideas of advertising today. Learn some of the top concepts in connecting with consumers with the right approach that reflects their personal needs.
You should tune in if: You are looking for creative ways to connect with your audience and tips for navigating “advertising” in a time of crisis. CLICK HERE TO REGISTER

Walker Hayes Reaches Double Platinum With "You Broke Up With Me"


Walker Hayes’ single “You Broke Up With Me” has reached double platinum status. The achievement makes Hayes’ hit one of only 25 double platinum country songs and one of only five debut singles to reach that status in the past three years.

The RIAA’s Jackie Jones was on hand to tell Hayes about his achievement, as well as Bobby Bones, who was originally set to surprise Hayes on his “Bobby Bones Super Easy Trivia Show,” but Hayes was eliminated during an early trivia round, so Bones didn’t have a chance to surprise Hayes on the show. Ultimately, Bones had Hayes on The Bobby Bones Show today (April 29) to present him with the plaque.

“It seriously feels like a miracle,” said Hayes. “I’ve been on quite a long journey, and getting this affirmation is huge. Excited doesn’t even begin to cover how I felt when I first found out, and truthfully how I still feel thinking about It. I used to intro ‘You Broke Up With Me’ at shows by saying ‘This went platinum’ and now I can be like ‘This is a multi-platinum record.’ Grateful for this song’s success and now I am ready to do it all over again with my new one ‘Trash My Heart.’”

Mechanical Licensing Collective To Be Headquartered In Nashville

Kris Ahrend.

The Mechanical Licensing Collective has chosen Nashville as the home base for the organization, with plans to add up to 100 full-time employees, with the majority of those to be based in Nashville.
The Mechanical Licensing Collective is still determining a specific office location within Nashville. In January, it was announced the organization would be led by CEO Kris Ahrend.

“Locating The MLC’s headquarters in Nashville further cements the city’s reputation as the national hub for the music industry,” Ahrend said in a statement. “Nashville is an extraordinary city with a strong talent pool and a terrific entrepreneurial spirit, and we’re excited to build a brand new, globally recognized data and technology startup right here in Music City.”

A graduate of Binghamton University and the Washington & Lee School of Law, Ahrend worked as a law clerk for the Western District of the Virginia District Court and the Second Circuit Court of Appeals before joining the Intellectual Property & Litigation Group of Simpson Thacher & Bartlett, LLP in New York. Ahrend began his career in the music industry working in the Law Department at Sony Music, where he provided legal services to all of Sony’s US divisions, including its publishing company. He subsequently worked in the business and legal affairs department at Sony BMG Music Entertainment before accepting a senior executive role at Rhino Entertainment.

In 2013, Ahrend left Rhino to assume a senior executive role within Warner Music Group, where he led a large legal, financial, and administrative shared services organization that he helped to create. In 2016, Ahrend was promoted to President of U.S. Shared Services and tapped to lead the development and launch of Warner Music’s new Center of Excellence for Shared Services in Nashville, where he oversaw the operations of 15 different functional teams providing a variety of administrative, financial, and legal services to Warner Music’s U.S.-based publishing teams, record labels, and corporate divisions.

He serves on the boards of the Nashville Chamber of Commerce and the Nashville Downtown Partnership, and is a member of the Music City Music Council.

The Mechanical Licensing Collective was designated by the United States Copyright Office, and created by U.S. music publishers and songwriters (backed by the National Music Publishers’ Association, the Nashville Songwriters Association International and the Songwriters of North America), as a new entity to license and administer rights under the Music Modernization Act which was signed into law in 2018. The law ensures that the mechanical rights of songwriters and music publishers are properly licensed and royalties fully paid by digital services, and it improves how those royalty rates are determined. It also establishes a publicly accessible mechanical rights database to ensure accurate, transparent copyright ownership information.