
Have you ever wanted something really bad in your career, but you didn’t get it?
I’m not just talking about a strong desire, I’m talking about a maniacal, unrelenting, full-throttle quest for something—only to watch it slip through your fingers forever. In other words, a want for a specific outcome that is so strong that you have convinced yourself that your want has transformed into a real need?
I’m pretty sure many of you responded quickly with a ‘yes’ on this somewhat rhetorical question. And I admit, I’ve had it happen many times throughout my career. So many times.
And here’s another question a lot of people will also answer with a ‘yes’. After you didn’t receive that desired outcome, perhaps months or even years down the road, do you now look back and it all makes sense on why that particular outcome didn’t happen? You can often see, in retrospect, that the outcome wasn’t what you really needed after all. In fact, you may even be thinking at this point that you’re actually glad you didn’t receive that result. Because if you had, you would not have received the abundance of what you have today.
It’s funny how things work out, or in some cases, don’t work out for the better. But a lot of times we don’t see that realization at the time and aren’t able to connect the dots until much later.
After my finance position ended at Arista Records in 2000, my career took, shall we say, a rather non-linear path. Think of the Waze app on crack, circling around, going out of the way, traveling repeatedly down the same streets. It was a mess. Sometimes interesting, but still a mess. I’ll spare you all the details and the twists and turns. But to give you a sample, it included a move to Los Angeles, quitting the same job 3 times, a move back to Nashville, many interviews, many empty job promises, a failed attempt at working for a garbage dump (yes, a literal dump), and a clothing store which was kinda fun, but didn’t produce any money.
But why is it better to put my blood, sweat and tears into something and not be attached to the outcome? On the surface it seems to be counterproductive, but it actually helps you with the process. And it’s the process that you actually control, not the outcome, and that’s how you achieve success. It’s all about the process.
Those days back in 2000 would have gone so much smoother and they would have been so much easier to navigate if I had not been attached to my desired outcomes. Think about it. In every one of those predicaments, I had become completely attached to a very specific outcome, and I didn’t see any of them come to fruition. That’s a lot of rejection and stress. None of those outcomes were under my control. But when you are attached to them, you start thinking, “Damn, maybe it is me.” And you know what? It wasn’t.
I had not lost any of my skills I had acquired. I was still smart. I still had a C.P.A. I still knew stuff. It was just a crazy, unexplainable period in my life, when I just couldn’t get the outcomes I wanted. At some point, after feeling beat up, my attitude and behavior also negatively contributed to me not reaching those goals. My self esteem had taken a hit. But I could have avoided a lot of agony and self doubt over those outcomes if I only had known to un-attach myself to them. It created baggage. Baggage I carried with me down every new path. It took me a long time to realize why that was such a rough time for me in my career. I was going about it all wrong.
It’s still a challenge for me to always separate my drive and ambition from my desired result. These days, I even keep a hand-written note taped to my laptop that reads “I’m not attached to the outcome,” so that every time I open my laptop, I am reminded to not be attached to the results. That philosophy doesn’t reduce any of my efforts. On the contrary, if I execute it properly, it should magnify and enhance my efforts. When you become attached to a specific outcome, you can actually be sabotaging yourself from receiving something even greater, or clinging to something that isn’t in your highest good.
“Is this in my highest good?” is a question I often ask myself.
That’s what I want the outcome to always be. Every time. Sometimes it means the outcome is bigger than my goals. Sometimes it means I need to fail at a particular thing, so I will move on away from it and in a completely different direction. Sometimes, it’s a timing issue– I’m just not ready. And sometimes it means the factors that are outside of my control that will determine the outcome do not align with my own desires, and I should be okay with that. My philosophy is to work my ass off. Enjoy it. Set goals. Try to achieve them. Repeat. All while being unattached.
While I set goals to help me form strategy and develop my playbook, I don’t let those goals constrict my ambition. I’ve learned that being attached to a specific outcome is not in my highest good. It’s too narrow and too confining. It doesn’t mean I don’t have very specific goals, and it doesn’t mean that I’m not hyper-focused on achieving them. But it’s the attachment to them that I want to avoid as it often gets in the way. It’s not easy to do, but I keep trying. I keep being mindful.
The process is what I try to be attached to, not the outcome. That’s what you have control over. That’s where you can engage your skills and execute plans to achieve your goals. Along the way, you make improvements and adjustments to better accomplish your objectives. And that’s where you find the joy– in the process. Putting attention on the process doesn’t mean I don’t have clarity on what I want. In fact, the more that I can imagine, the more that I can visualize, the more I can attract the end result. But placing that mindfulness on the process and not the outcome, reduces any resistance that can come from stress, doubt, worry, or fear of me not achieving it. Those things can be deal breakers.
Most of us know the importance of enjoying the journey, not just the destination. The same doctrine also rings true in business.
So let’s enjoy the journey and keep reaching for the prize. Unattached.
Off The Record is a recurring column from MusicRow Owner and Publisher, Sherod Robertson. After 10 years heading the publication, he shares some of the nuggets of wisdom he’s acquired throughout the years that have helped him in his journey. The views and opinions expressed here are solely those of the author and do not necessarily reflect the views of MusicRow Magazine nor its team members.
Prior Installments:
Off The Record: What Is Your Word For 2021?
Off The Record: Show Me The Receipts!
Off The Record: Is It Time To Cut The Net?
Industry Ink: Outback Presents, Nettwerk Records, Side Hustle Records
/by LB CantrellOutback Presents Hires Amy Helberg
Amy Helberg
Outback Presents, based in Nashville, Tennessee, has announced the hiring of Amy Helberg as Director of Atlanta Operations. Helberg began her career at Concert/Southern Promotions under Alex Cooley and Peter Conlon. Starting as house manager at the iconic Chastain Park Amphitheatre, Helberg’s most recent position was Vice President of Booking for Live Nation in Atlanta. Among the many highlights as a concert promoter, Helberg also booked the highly successful Music Midtown Festival for its first 10 years.
“We are so lucky to find someone with Amy’s booking experience and history in the industry,” said Outback Presents President Mike Smardak. “Especially someone who’s worked hand in hand with Peter Conlon, Alex Cooley, Wilson Howard, Charlie Brusco, and the likes of such great promoters. Really looking forward to working with her.”
Portair Signs Long Term Deal with Nettwerk Records
Portair
Portair, also known as Drew Southwell, has signed a long team deal to Nettwerk Music. He first caught the attention of Nettwerk when he joined current label-mate and fellow Australian Harrison Storm for a livestream lockdown concert in the summer of 2020. Nettwerk CEO Terry McBride tuned in from his office, where the music caught the attention of co-founder Ric Arboit.
“I heard a song playing in Terry’s office and wandered in as the vocals were mesmerizing. I just fell in love with his voice and was determined to sign him.” Portair is the latest addition to Nettwerk’s label roster, which also includes SYML, Fletcher Reed, LEISURE, Neil Frances, Mallrat, OSKA, Hollow Coves, and more.
James Levy Signs with Side Hustle Records
James Levy. Photo: Jimmy Giannopoulos
Nashville-based singer-songwriter, multi-instrumentalist and producer, James Levy has signed to Side Hustle Records / The Orchard, with a new album, Solider, due out on March 12, 2021. Solider follows Levy’s debut solo record, Somebody, which came out in 2019 and was produced by Paul Defiglia (The Avett Brothers).
Founded in 2019, Side Hustle Records is a digital label comprised of the music industry veterans at Big Hassle Media.
UK Americana Award Winners Announced
/by Sarah SkatesCourtney Marie Andrews received International Album of the Year.
The sixth annual UK Americana Awards were presented Thursday (Jan. 28) via livestream. The event wrapped up the three-day AmericanaFest UK 2021.
Hosted by Bob Harris OBE, the ceremony welcomed performers American Aquarium, Emily Barker, Charley Crockett, Ferris & Sylvester, Mary Gauthier, Lucinda Williams, Gillian Welch and David Rawlings.
There was also a tribute to the late John Prine featuring performances by Billy Bragg, Ida Mae and many more.
Below is a list of winners for the annually presented “Of the Year” awards, which were voted on by the AMA-UK membership.
UK Album of the Year
In This Town You’re Owned by Robert Vincent (Produced by Ethan Johns)
International Album of the Year
Old Flowers by Courtney Marie Andrews (Produced by Andrew Sarlo)
UK Song of the Year
“I Don’t Wanna Lie” by Yola (Written by Yola, Dan Auerbach, Bobby Wood)
International Song of the Year
“Hand Over My Heart” by The Secret Sisters (Written by Laura Rogers, Lydia Rogers)
UK Artist of the Year
Robert Vincent
International Artist of the Year
Courtney Marie Andrews
UK Instrumentalist of the Year
Anna Corcoran
Yola accepts UK Song of the Year for “I Don’t Wanna Lie.”
The following honorees were recognized with their special awards:
Lifetime Achievement Award
Elvis Costello
International Lifetime Achievement Award
Mavis Staples
Trailblazer Award
Christine McVie
International Trailblazer Award
Steve Earle
Songwriter Legacy Award
John Prine
Bob Harris Emerging Artist Award
Robbie Cavanagh & Demi Marriner
Best Selling Americana Album (By a UK Artist)
Song for Our Daughter by Laura Marling
Grassroots Award
Music Venue Trust – Mark Davyd and Beverly Whitrick
Volunteer Jam Reschedules Daniels Tribute Show For August 18
/by Lorie HollabaughCharlie Daniels. Photo: Erick Anderson / eafoto
This year’s Volunteer Jam has been pushed back a bit and rescheduled due to COVID-19 concerns, David Corlew and Associates announced today (Jan. 29). The 2021 Volunteer Jam: A Musical Salute to Charlie Daniels, previously scheduled for Feb. 22, will now take place Wednesday, Aug. 18 at 7 p.m. CT at Nashville’s Bridgestone Arena.
“As much as we are disappointed that we have to move the Volunteer Jam, we appreciate the fans sticking with us,” explains Daniels’ longtime manager David Corlew. “We want to make sure everyone stays safe.”
Six additional artists will join the Jam lineup this August: Randy Travis, Chris Young, Michael W. Smith, Lorrie Morgan, Exile and rising Nashville star Anthony Castagna. Tickets are on sale now via ticketmaster.com and the Bridgestone Arena box office. Previously purchased tickets will be honored at the rescheduled date.
The salute to the late Charlie Daniels will also include performances by The Marshall Tucker Band, ALABAMA, Ricky Skaggs, Trace Adkins, Larry, Steve & Rudy: The Gatlin Brothers, Cece Winans, Gretchen Wilson, Cowboy Troy, Delbert McClinton, Keb’ Mo’, The Outlaws, 38 Special, Junior Brown, The Allman Betts Band, Cedric Burnside, Jenny Tolman, the Atlanta Rhythm Section, Travis Denning, Mickey Gilley, Johnny Lee, Rhett Akins, Scooter Brown Band, The SteelDrivers, Pure Prairie League and comedian Dusty Slay. Daniels’ longtime band, The Charlie Daniels Band, will also perform to honor its legendary frontman.
Chart Action: HARDY Most Added At Country Radio
/by Alex ParryBig Loud Records’ HARDY earns the most added position at country radio this week receiving 56 total adds across the charts with single, “Give Heaven Some Hell.” Receiving 13 of those adds from MusicRow reporting stations, HARDY moved 22 positions on the CountryBreakout Radio Chart gaining 140 spins this week.
“Give Heaven Some Hell” was co-written by HARDY, Ashley Gorley, Ben Johnson, and Hunter Phelps, this is the second single from his debut album A ROCK. “It’s an honor to be No. 1 most-added this week,” shares HARDY. “It’s an accomplishment that I had yet to achieve, so I am very proud of the songwriters and the radio team for making this happen. I really hope that taking this song to radio will help reach a wider audience than it already has, so that the song may help people get through losing a loved one. Thank y’all!”
Label mate Morgan Wallen ranked at No. 1 on this week’s CountryBreakout Radio Chart. Click here to see more chart action in the latest issue of The MusicRow Weekly.
Off The Record: I’m Not Attached To The Outcome
/by Sherod RobertsonHave you ever wanted something really bad in your career, but you didn’t get it?
I’m not just talking about a strong desire, I’m talking about a maniacal, unrelenting, full-throttle quest for something—only to watch it slip through your fingers forever. In other words, a want for a specific outcome that is so strong that you have convinced yourself that your want has transformed into a real need?
I’m pretty sure many of you responded quickly with a ‘yes’ on this somewhat rhetorical question. And I admit, I’ve had it happen many times throughout my career. So many times.
And here’s another question a lot of people will also answer with a ‘yes’. After you didn’t receive that desired outcome, perhaps months or even years down the road, do you now look back and it all makes sense on why that particular outcome didn’t happen? You can often see, in retrospect, that the outcome wasn’t what you really needed after all. In fact, you may even be thinking at this point that you’re actually glad you didn’t receive that result. Because if you had, you would not have received the abundance of what you have today.
It’s funny how things work out, or in some cases, don’t work out for the better. But a lot of times we don’t see that realization at the time and aren’t able to connect the dots until much later.
After my finance position ended at Arista Records in 2000, my career took, shall we say, a rather non-linear path. Think of the Waze app on crack, circling around, going out of the way, traveling repeatedly down the same streets. It was a mess. Sometimes interesting, but still a mess. I’ll spare you all the details and the twists and turns. But to give you a sample, it included a move to Los Angeles, quitting the same job 3 times, a move back to Nashville, many interviews, many empty job promises, a failed attempt at working for a garbage dump (yes, a literal dump), and a clothing store which was kinda fun, but didn’t produce any money.
But why is it better to put my blood, sweat and tears into something and not be attached to the outcome? On the surface it seems to be counterproductive, but it actually helps you with the process. And it’s the process that you actually control, not the outcome, and that’s how you achieve success. It’s all about the process.
Those days back in 2000 would have gone so much smoother and they would have been so much easier to navigate if I had not been attached to my desired outcomes. Think about it. In every one of those predicaments, I had become completely attached to a very specific outcome, and I didn’t see any of them come to fruition. That’s a lot of rejection and stress. None of those outcomes were under my control. But when you are attached to them, you start thinking, “Damn, maybe it is me.” And you know what? It wasn’t.
I had not lost any of my skills I had acquired. I was still smart. I still had a C.P.A. I still knew stuff. It was just a crazy, unexplainable period in my life, when I just couldn’t get the outcomes I wanted. At some point, after feeling beat up, my attitude and behavior also negatively contributed to me not reaching those goals. My self esteem had taken a hit. But I could have avoided a lot of agony and self doubt over those outcomes if I only had known to un-attach myself to them. It created baggage. Baggage I carried with me down every new path. It took me a long time to realize why that was such a rough time for me in my career. I was going about it all wrong.
It’s still a challenge for me to always separate my drive and ambition from my desired result. These days, I even keep a hand-written note taped to my laptop that reads “I’m not attached to the outcome,” so that every time I open my laptop, I am reminded to not be attached to the results. That philosophy doesn’t reduce any of my efforts. On the contrary, if I execute it properly, it should magnify and enhance my efforts. When you become attached to a specific outcome, you can actually be sabotaging yourself from receiving something even greater, or clinging to something that isn’t in your highest good.
“Is this in my highest good?” is a question I often ask myself.
That’s what I want the outcome to always be. Every time. Sometimes it means the outcome is bigger than my goals. Sometimes it means I need to fail at a particular thing, so I will move on away from it and in a completely different direction. Sometimes, it’s a timing issue– I’m just not ready. And sometimes it means the factors that are outside of my control that will determine the outcome do not align with my own desires, and I should be okay with that. My philosophy is to work my ass off. Enjoy it. Set goals. Try to achieve them. Repeat. All while being unattached.
While I set goals to help me form strategy and develop my playbook, I don’t let those goals constrict my ambition. I’ve learned that being attached to a specific outcome is not in my highest good. It’s too narrow and too confining. It doesn’t mean I don’t have very specific goals, and it doesn’t mean that I’m not hyper-focused on achieving them. But it’s the attachment to them that I want to avoid as it often gets in the way. It’s not easy to do, but I keep trying. I keep being mindful.
The process is what I try to be attached to, not the outcome. That’s what you have control over. That’s where you can engage your skills and execute plans to achieve your goals. Along the way, you make improvements and adjustments to better accomplish your objectives. And that’s where you find the joy– in the process. Putting attention on the process doesn’t mean I don’t have clarity on what I want. In fact, the more that I can imagine, the more that I can visualize, the more I can attract the end result. But placing that mindfulness on the process and not the outcome, reduces any resistance that can come from stress, doubt, worry, or fear of me not achieving it. Those things can be deal breakers.
Most of us know the importance of enjoying the journey, not just the destination. The same doctrine also rings true in business.
So let’s enjoy the journey and keep reaching for the prize. Unattached.
Off The Record is a recurring column from MusicRow Owner and Publisher, Sherod Robertson. After 10 years heading the publication, he shares some of the nuggets of wisdom he’s acquired throughout the years that have helped him in his journey. The views and opinions expressed here are solely those of the author and do not necessarily reflect the views of MusicRow Magazine nor its team members.
Prior Installments:
Off The Record: What Is Your Word For 2021?
Off The Record: Show Me The Receipts!
Off The Record: Is It Time To Cut The Net?
Heath Sanders Finds Some ‘Common Ground’ On New Valory Project
/by Lorie HollabaughHeath Sanders is releasing his four-song collection, Common Ground, on the Valory Music Co. today (Jan. 29). The first single from the project, “Old School’s In” will officially arrive at country radio on March 8.
Sanders delves into subjects like the core of his upbringing (“Old School’s In”), the value of your word (“Can’t Undo I Do”), and the timely topic of finding ways to bring us all together on “Common Ground,” with its message of unity in spite of our differences. The set finishes on the romp “Love Needs Makin’.”
In early 2018 Sanders filmed a version of Chris Stapleton’s “Either Way” from his living room, posting the cover on Facebook and quickly transforming his life as an overnight viral sensation among the working-class communities in the Midwest and Rust Belt. After seeing the reaction, he sold one of his deer hunting rifles and used the money to buy a PA system to play in bars around the region. His buddies in the oil fields encouraged him to dream bigger, but it was his mother’s final push in a letter listing reasons why he should seriously consider a new career that prompted Heath to give the gas company his two-week notice. He was invited to Nashville shortly thereafter for an opportunity that would ultimately solidify his path — an appearance on The Bobby Bones Show.
“While I didn’t appreciate it at the time, I’m grateful that I can honestly sing about the experience. I don’t think there’s enough people who’ve swung a hammer, milked cows, hauled hay or cut logs for a living,” Sanders says of his life before music. “If people want to hear a working dude up there singing the realities of small town community or life lessons learned from conversations on a riverbank, I can give them that.”
Common Ground Track List:
1. “Old School’s In” – Heath Sanders, Casey Beathard, Houston Phillips
2. “Can’t Undo I Do” – Heath Sanders, Kyle Jacobs, Anthony McVaney
3. “Common Ground” – Heath Sanders, Jay Brunswick, Jeremy Bussey
4. “Love Needs Makin’” – Heath Sanders, Ben Hayslip, Chris Stevens
Blake Nixon Rises To Director Of Promotion & Streaming At Show Dog Nashville
/by Lorie HollabaughBlake Nixon
Blake Nixon has been promoted to the newly-created position of Director of Promotion & Streaming at Show Dog Nashville.
In his expanded duties outside of promotion, Nixon will also guide the overall streaming strategy while implementing and executing national streaming programs for the label’s releases. He joined Show Dog Nashville in 2018 as Regional Mgr./Southeast after earlier stints with In2une and Warner Music Nashville.
“The streaming world has become very much front and center as part of our promotions strategy,” said Show Dog Nashville’s Senior VP/Promotion Rick Moxley. “Blake’s expertise in this area is a valuable asset for Show Dog Nashville.”
“I absolutely love working with this incredible team and I’m very excited for the opportunity to further contribute towards the growth of our amazing artists and partners,” said Nixon.
Nixon’s expanded role continues the growth of the label’s promotion department with the recent hiring of Teddi Bonadies to VP/Promotion, and the promotion of Moxley to Senior VP of the department. Now heading into its 16th year, Show Dog Nashville, founded and owned by Toby Keith, is looking ahead to a big 2021. Artist Clay Walker is experiencing a career resurgence with his single “Need A Bar Sometimes,” and will release a full-length album later this year. Also on the docket for 2021 are new releases from Krystal Keith and Toby Keith, who is co-producing a new album with celebrated producer/guitar player Kenny Greenberg.
Tunedly Inks Global Administration Deal With Spirit Music Group
/by LB CantrellTunedly, a global innovative online music production and publishing source, has announced a new partnership with Spirit Music Group, one of the world’s leading independent music publishers. Through the deal, Spirit Music Group will administer Tunedly’s growing music catalog worldwide.
Tunedly (www.tunedly.com) is an online music recording studio, that connects songwriters and other music creators with session musicians for professional music production and music publishing services. Started by musicians and music managers, the idea for a live collaboration music production and publishing solution came out of a need to remove the barriers faced by many who want to succeed at music, but either lack the means to make it happen, or are unable to connect with the right talent and resources. Tunedly, which began its digital operations in 2015, aims to simplify the process of connecting creators with vetted session musicians, trained singers, skilled sound engineers, or noted producers and also to create increased royalty collections for creators through its partnerships with sub-publishers.
“We could not be more excited to work with Spirit,” says Chris Erhardt, CEO and co-founder of Tunedly. “Leveraging the strengths of Spirit Music Group’s administration platforms will help Tunedly users tremendously with monetizing their music, starting in Q1 of 2021. We’re proud to work in collaboration with such a renowned and respected company.”
Tunedly has already been embraced by some of the biggest names in the music industry. Serving as company advisors are Mathew Knowles, founder of Music World Entertainment Corp. and Artist Management, executive producer for more than 100 award-winning, Platinum and Gold albums in multiple genres, and father of Grammy winners Beyoncé and Solange; and record producer, songwriter and movie producer Harvey Mason jr., Chair and Interim President/CEO of the Recording Academy, who has written and produced songs for successful artists including Aretha Franklin, Michael Jackson, Justin Timberlake, Britney Spears, Chris Brown and Taemin.
Morgan Wallen Dominates On ‘MusicRow’ CountryBreakout Radio Chart
/by MusicRow StaffChampioning sales and streaming charts, Morgan Wallen continues the reign this week on the MusicRow CountryBreakout Radio Chart with his single “7 Summers.” The single appears on his sophomore effort Dangerous: The Double Album, which broke the record for largest streaming week for a country album among other streaming records.
“7 Summers” was written by Wallen, Josh Osborne, and Shane McAnally, also landing Wallen the top spot on the MusicRow Top Songwriter Chart.
Wallen’s chart success marks 84 No. 1 singles for secondary radio promotion team, Jerry Duncan Promotions. “7 Summers” adds to their extensive list of No. 1’s, including career breakthrough hits for Wallen, Florida Georgia Line, Blake Shelton, and Billy Ray Cyrus among others.
Click here or above to view the latest issue of The MusicRow Weekly.
Songfluencer Hires Three, Names Nathan Pyle As General Manager
/by LB CantrellNathan Pyle
Songfluencer, the Nashville-based music tech startup using data-driven technology to earn music success on TikTok, has hired three new staffers. Nathan Pyle has been tapped as General Manager; Chelsea Kent as Director, European Operations; and Sydney Kamm as Campaign Manager.
Pyle, originally Columbus, Ohio, previously spent time at Monument Records and The Recording Academy Nashville Chapter. He oversees all daily operations of the business, develops and implements growth strategies, and works to synergize the three Songfluencer departments: Business Development, Campaign Management, and Creative Production.
“Nathan’s history helping lead complex teams and manage multi-faceted operations make him a natural fit as the General Manager of Songfluencer,” says CEO Johnny Cloherty. “To add, I’ve always admired Nathan’s passion for artists, entrepreneurship, and, especially, his love for people.”
Chelsea Kent, Sydney Kamm
Originally from Waco, Texas, Kent was previously with Stefan Dabruck Management and Still Working Music. She acts as liaison for all Songfluencer business in Europe and identifies cross-Atlantic opportunities for Songfluencer clients, as well as nurtures relationships with Songfluencer’s European clients and influencers, and is responsible for building out future endeavors in the European arena.
“Everyone that knows Chelsea Kent knows that she is a thought-leader and innovator,” says Cloherty. “She’s also the warmest and most welcoming person on the planet! As our presence in the European arena has grown in 2020, 2021 is requiring us to bring someone to the team that possesses European-specific expertise, a business leader that understands the global music marketplace, and a charismatic music-lover to help our clients understand how to use new technology to build and break artists.”
Kamm, who is a recent Belmont graduate, creates and executes influencer campaigns, develops relationships with influencers on multiple social media platforms.
“I’m humbled by our growth over the last year and couldn’t be more excited to learn from and become family with all of our new team members,” adds Cloherty. “Here’s to 2021!”