On The Row: Dreams Come True for Quartz Hill Records Flagship Artist Nate Barnes

Nate Barnes. Photo: Jason Myers

Singer-songwriter Nate Barnes was working at a nuclear power plant in Michigan when his musical dreams came to fruition. He spent years playing bars, coffee shops, small venues and festivals in and around his hometown until one fateful day when he met chart-topping songwriter Jason Sellers while passing through Nashville.

Now he’s the flagship artist on Quartz Hill Records, helmed by industry veteran Benny Brown alongside Sellers and Paul Brown.

“A year and a half ago, I was living up in Michigan working in a nuclear power plant and blueberry farms on the side, playing and gigging anywhere I could. I took a vacation to Gatlinburg around that time. On my way to Gatlinburg, I stopped at Nashville to meet a buddy for the first time,” Barnes recalled to MusicRow in a recent artist visit. The songwriter he met was Rob Hatch, he had been referred to him by a buddy at the power plant.

“It was an amazing thing to be able to sit there and meet him. Jason Sellers comes walking in the door, randomly. He didn’t know I was going to be there, and I didn’t know he was going to be there. Me and Jason just hit it off. I played him a few songs and he said, ‘Nate, I’ve got a guy you need to meet.’ And that guy was Benny Brown.”

Barnes went to meet Benny and Paul, they signed him on the spot.

“I had a week and a half to make a decision and get all my affairs in order to leave everything, with the power plant. I had to move away from my 12-year-old boy, which was really hard. I had to sell everything I could and pack everything else up with me, my dog and my truck. I moved down here and lived in a hotel room for over a year.”

A year and a half later, Barnes is working in the studio with producers Mickey Jack Cones (Jason Aldean, Thomas Rhett) and Derek George (Dustin Lynch, Randy Houser) on his Quartz Hill Records album debut. He released his debut single, “You Ain’t Pretty,” which earned him a DisCovery Award from MusicRow‘s Robert K. Oermann for its “warmth and sincerity.” The single impacts country radio on Feb. 16.

The brand new artist on the new Quartz Hill label has made a significant entry. The lyric video for “You Ain’t Pretty” has surpassed 400,000 views, and Barnes’ TikTok streams have surpassed 13.7 million at press time.

YouTube video

Brett Young Peaks On CountryBreakout Radio Chart

Brett Young’s “Lady” reaches the chart pinnacle this week, marking his 7th No. 1 on the MusicRow CountryBreakout Radio Chart. Young co-wrote the single with Ross Copperman and Jon Nite shortly before his first daughter’s birth in October 2019.

Young’s “Caliville Weekend” is slated to take place this June in Palm Springs, California. The experience will feature daily live performances, wellness activities, pool parties and more.

“Bringing us all together for a weekend in one of my favorite places in the world is definitely a dream come true for me,” Young said. “I can’t wait for everyone to see what we have planned for them next summer!”

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Byron Kennedy Inks with Marathon Talent Agency and Spielberg Entertainment

Pictured (clockwise): Byron Kennedy, Marathon Talent Agency’s Peter Strickland, Spielberg Entertainment’s Neal Spielberg. Illustration: Marjory Boyer

Comedian Byron Kennedy has signed with Spielberg Entertainment for management representation and Marathon Talent Agency.

Kennedy spent the past two decades channeling his comedic colors through the airwaves as a major market broadcast personality and programming executive. He transitioned his skills to a major Nashville based label, where he quarterbacked the careers of international Platinum recording artists. Now, less than two years removed from a career in the music business, Kennedy draws from life experiences working in entertainment and having served in the U.S. Army in a comedy trajectory that has taken him from open mic nights to being featured in Las Vegas and beyond.

Both Spielberg Entertainment’s Neal Spielberg and Marathon Talent Agency’s Peter Strickland were firmly entrenched at Warner Bros Records Nashville/Warner Music Group when they launched the careers of Jeff Foxworthy and Bill Engvall. Spielberg spent 21 years at the label in sales working with Randy Travis, Hank Williams Jr., Faith Hill, Dwight Yoakam, and more. He opened Spielberg Consulting and later Spielberg Entertainment in 2003. Spielberg hired Strickland as Director of Sales for Warner Music Nashville, moving him from WEA Distribution in Boston to Nashville in 1995. Strickland handled brand management for artists like Blake Shelton, Faith Hill, and Big & Rich. Strickland launched two comedy labels under the Warner umbrella, and Executive-Produced Jimmy Fallon’s Grammy award-winning comedy album Blow Your Pants Off and more. He left Warner in 2017 and launched Marathon Talent Agency the following year.

“I could not be more excited about working with Neal and Peter,” said Kennedy. “When I look at the long list of insanely talented comedians and artists they have worked with, I am beyond humbled and thankful for their belief in me. Their passion for comedy along with their understanding of the business is something I am beyond blessed to have in my corner. I look forward to all the amazing things we will be able to accomplish together!”

Jameson Rodgers Re-Signs With Combustion Music

Pictured (L-R, front row): Combustion Music President Chris Farren, Jameson Rodgers, Combustion Music VP Chris Van Belkom; (L-R, back row): Combustion Music’s Kelly Lyons and Blake Duncan. Photo: Johnny McGuire

Jameson Rodgers has extended his exclusive multi-year publishing agreement with Combustion Music.

The Batesville, Mississippi native released his first EP in 2016, featuring the streaming hit “Midnight Daydream.” In 2018, he followed that up with his self-titled EP featuring his No. 1 single, “Some Girls”, which has amassed over 120 million streams. Rodgers spent most of 2019 opening for Luke Combs on his Beer Never Broke My Heart Tour, hitting over 60 cities internationally. He’s had cuts by Florida Georgia Line, Jason Aldean, Luke Bryan and more, and scored his first No. 1 as a writer in 2019 with Chris Lane’s “I Don’t Know About You.” Rodgers was named the Robert K. Oermann Discovery Artist of the Year at the 32nd annual MusicRow Awards.

He signed with Combustion Music in 2014, and recently celebrated his first No. 1 as an artist with his debut Gold certified single, “Some Girls.” His latest single, “Cold Beer Calling My Name” featuring Luke Combs, is currently climbing up the charts.

“We couldn’t be happier to be extending our relationship with Jameson. He is an artist of immense talent and character, and to watch his growth over the past 6 years has been incredibly satisfying”, says Combustion President Chris Farren.

“I’m very excited to continue working with everyone at Combustion,” said Rodgers. “They are like family to me and I couldn’t imagine working with anyone else. Looking forward to three more years of beating Chris Farren on the golf course.”

BREAKING: WME Drops Morgan Wallen

Morgan Wallen. Photo: John Shearer

Morgan Wallen has been dropped from WME’s roster, MusicRow has confirmed.

The talent agency’s decision to drop Wallen is the latest development since a video surfaced on Feb. 2 of him using a racial slur. The video was reportedly shot Sunday (Jan. 31) night outside Wallen’s Nashville home by neighbors and shows him yelling profanities, including the N-word. Wallen has since been suspended from his label (Big Loud Records), and his music has been removed from iHeartMedia, Cumulus, and CMT, as well as major playlists on Spotify and Apple Music, and other organizations’ platforms. Read more here.

The Academy of Country Music also announced they will halt Wallen’s potential involvement and eligibility for this year’s ACM Awards.

Wallen issued an apology to TMZ, “I’m embarrassed and sorry. I used an unacceptable and inappropriate racial slur that I wish I could take back. There are no excuses to use this type of language, ever. I want to sincerely apologize for using the word. I promise to do better.” MusicRow confirmed its authenticity.

DISClaimer Single Reviews: Miranda Lambert, Eric Church, Hailey Whitters & Brent Cobb, More

Miranda Lambert. Photo: Ellen von Unwerth

It’s “duet day” here at DISClaimer.

Collaborations rule the roost with discs by Alex Hall & Tenille Townes, Luke Combs & Billy Strings, Ryan Kinder & Brandy Clark and Hailey Whitters & Brent Cobb. I had a ball listening.

There’s nobody new here, so the DisCovery Award is dormant this week.

As for the Disc of the Day, take your pick. I honestly can’t decide among Kinder & Clark, Kelly Lang, Eric Church, HARDY, Granger Smith and Miranda Lambert. They all thrilled me. There’s never been a six-way tie before, but there’s a first time for everything….

SOUTHERLAND / “Along Those Lines”
Writers: Chris Rogers/Greg Bates/Joseph Driver Williams III/Matt Chase; Publishers: none listed; Producer: Greg Bates; Label: River House Artists/Sony Music Nashville
– Gentle nostalgia for the small town of one’s youth, nicely harmonized and sympathetically produced. This duo (Matt Chase & Chris Rogers) manages to effectively blend traditionalist vocals with echoey electronic arrangements.

LUKE COMBS & BILLY STRINGS / “The Great Divide”
Writers: Luke Combs/Billy Strings/Wyatt Durrette; Publishers: none listed; Producer: Chip Matthews; Label: River House Artists/ Columbia Nashville
– This is so pleasurable on so many levels. The rippling, bluegrassy, acoustic backing is enchanting. The lyric is a poignant plea for unity. The vocals are so comfortingly sincere that you can practically warm your hands by them.

HAILEY WHITTERS & BRENT COBB / “Glad to Be Here”
Writers: Brent Cobb/Brent Rupard/Neil Medley; Publishers: none listed; Producer: Jake Gear/Hailey Whitters; Label: Pigasus Records/Big Loud Records/Songs & Daughters
– Whitters turns in her usual, pure-country vocals and winsome charm. Cobb matches her for down-home friendliness and warmth. The expertly mixed track blends organ, twang guitars, Dobro, rock electronics and frisky percussion. Her current single ( “Fillin’ My Cup” ) with LBT is a gem, and this makes me even more eager to hear the whole album.

RYAN KINDER, BRANDY CLARK & JERRY DOUGLAS / “Tired of Flying”
Writers: Ryan Kinder/Jenn Schott/Luke Sheets; Publishers: none listed; Producer: none listed; Label: Warner
– The presence of one of the greatest female country artists alive, plus an instrumental living legend, ought to be enough to pique your interest. Kinder sings in a haunting, airy tenor, and his writing in this gorgeously poetic, wistful meditation is superb. The ballad has you hanging on every line. I think I am becoming a major, major fan.

ALEX HALL & TENILLE TOWNES / “Heart Shut”
Writers: none listed; Publishers: none listed; Producer: none listed; Label: Monument
– Hall’s Six Strings EP features collaborations with Vince Gill, Brad Paisley, Kassi Ashton, John Osborne and Brad Tursi. The best companion to his “broken” vocal style is perhaps the always heart-tugging Townes. However, the song could be stronger.

MIRANDA LAMBERT / “Tequila Does”
Writers: Miranda Lambert/Jon Randall/Jack Ingram; Publishers: Sony-ATV Tree/Pink Dog/Beat Up Ford/Platinum Songs US/BMG/Lonesome Vinyl, BMI; Producer: Jay Joyce; Label: Vanner Records/RCA Records Nashville
– Oh, hell yeah! A honky-tonk moaner that shifts into a barroom toe tapper. With border-town Texas lyrics, no less. It goes without saying that her vocal is as tangy as a twist of lime.

KELLY LANG / “I’m Not Going Anywhere”
Writers: Kelly Lang; Publishers: Kelly Lang Music, BMI; Producer: Kelly Lang; Label: Kelly Lang
– I have been fixated on this song ever since I first heard it in an Ascension Hospitals TV ad and have long been wondering who is singing it so brilliantly. Now it can be told. This is heart-gripping, inspirational stuff. A balm for those who are aching. A comforting ballad for the ages.

ERIC CHURCH / “Heart On Fire”
Writers: Eric Church; Publishers: none listed; Producer: Jay Joyce; Label: EMI Music Nashville
– It has a jangly country-rock vibe with a heartland-roots lyric to match. The soundtrack for a ride on back roads with the windows rolled down and the radio turned up. Does anybody in country music do it better than this guy? I don’t think so.

GRANGER SMITH / “Hate You Like I Love You”
Writers: Justin Wilson/Rodney Clawson/Granger Smith/Kyle Fishman; Publishers: Play It Again/Round Hill/Ford Drives a Chevy/Shirt at Work/Kyle Fishman; Producer: Derek Wells/Granger Smith/Scott Johnson; Label: Wheelhouse Records
– Tuneful and hooky. This extremely well-written breakup song sung with heart sure sounds like a Big Hit to me. Play it.

SAM WILLIAMS / “Can’t Fool Your Own Blood”
Writers: Jaimee Harris/Mary Gauthier/Samuel Williams; Publishers: none listed; Producer: Tommy Cecil; Label: Samuel Williams
– It’s an anguished-sounding ballad about escaping self-destructive ways. Mama’s drinking again and can’t hide it. Hank Jr.’s boy sounds like he has his own highly creative soul.

HARDY / “Give Heaven Some Hell”
Writers: HARDY/Hunter Phelps/Ben Johnson/Ashley Gorley; Publishers: Relative Music Group, BMI/Rednecker Music, BMI/Round Hill Songs II, ASCAP/Caleb’s College Fund, ASCAP/8 Minutes Twenty Seconds Publishing, BMI/Artist Publishing Group West, ASCAP/Big Blue Nation Music, ASCAP/Nontypical Music, ASCAP/Who Wants To Buy My Publishing, ASCAP/ WC Music Corp., ASCAP; Producer: Joey Moi/Derek Wells; Label: Big Loud Records
– Very cool. A loving send-off to a running buddy who’s passed on. It manages to have deep sentimental affection and rocking attitude at the same time. “I’ll see you again/But ‘til then give Heaven some Hell.” Can you pump your fist at a funeral? This guy can, and I dig him the most.

JAY DEMARCUS / “Music Man”
Writers: Jay DeMarcus; Publishers: none listed; Producer: Jay DeMarcus; Label: Big Machine
– This super-gifted Rascal Flatts member penned this ballad in homage to his mentor father when he recently died. It’s an airy, soaring atmospheric creation with a lyric and a tenor vocal that tug at the heartstrings in all the right ways.

Kellie Pickler Appointed USO Global Ambassador

Kellie Pickler (right) on one of her twelve USO Tours. Photo: courtesy DOD and USO.

Kellie Pickler has been named a USO Global Ambassador in support of the organization’s 80th anniversary.

Pickler, alongside USO Global Ambassador actor Wilmer Valderrama, will support the organization’s Give More Than Thanks initiative, a campaign encouraging Americans to find actionable ways to express their gratitude for the service and sacrifice of our troops and their families. Throughout the year, Pickler and Valderrama will participate in events and engagements for service members, raise awareness of our military’s needs, and share ways Americans can help the USO give more than thanks.

Pickler performed on her first USO Tour in 2007 to Iraq and has since completed 12 total tours, visiting 13 international locations including Afghanistan, Germany, Iraq, Kosovo, United Kingdom, Iraq, Kuwait, Bahrain, Kyrgyzstan, Italy, Spain, Turkey, Norway; a ship at sea; and three domestic locations.

“I am honored to join the USO as a Global Ambassador for their 80th anniversary of supporting America’s military and especially this campaign encouraging all Americans to give more than thanks,” shares Pickler. “The USO has allowed me so many opportunities to serve those who serve us, and this is another way I can help shine a light on something that matters…supporting our servicemen, servicewomen, their families and letting them know we don’t take what they do for granted.”

Sony Music Corporation Releases Q3 Results: Revenue Surges

On Feb. 3, Sony Corporation released its financial results for its third quarter, which ended Dec. 31, 2020.

According to the report:

Overall consolidated sales and operating revenue increased 9 percent, compared to the same quarter of the previous fiscal year, rising to 2 trillion 696.5 billion yen, approximately $26 billion.

Consolidated operating income increased a significant 59.1 billion yen year-on-year to 359.2 billion yen or approximately $3.5 billion.

In the music division, sales increased 22 percent year-on-year to 264.5 billion yen (approx. $2.5 billion), and operating income increased 23.4 billion yen to 59.7 billion yen (approx. $566 million).

In recorded music, streaming revenue grew at the high rate of 21 percent year-on-year, which the company attributed to discovering and developing new artists, including Doja Cat and other global hitmakers.

See the full report.

Activist Artists Management Promotes Caitlin Stone

Activist Artists Management Partner Caitlin Stone

Activist Artists Management has promoted Caitlin Stone from Senior Artist Manager to Partner. She has been with the company 11 years and is the day-to-day manager for acclaimed musician and humanitarian Michael Franti.

The promotion has Stone joining the current Activist Partners: Bernie Cahill, Greg Suess, Matt Maher, Liz Norris and Tony Khan.

Based in Nashville, Stone is Activist’s Head of Activism, and serves as the day-to-day management lead for the Activist Artists Fellowship.

As a Co-Chair of The Activist Foundation, her work was instrumental in raising millions of dollars in COVID-19 related emergency relief, including providing over 350,000 meals to desperate Nepali families during the COVID-19 crisis.

“We are delighted to announce the promotion of Caitlin Stone to Partner,” said Maher. “Just over 11 years ago, we hired Caitlin straight out of college when she resourcefully submitted her website HireCaitlinStone.com. Her leadership, dedication and passion for making positive change in the world are the embodiment of everything that Activist stands for.”

Stone also leads Activist’s Health & Wellness program and is a Grammy U mentor for the class of 2021.

Paul Kingsbury Joins Country Music Hall of Fame and Museum as Managing Editor

Paul Kingsbury

Author and editor Paul Kingsbury has joined the Country Music Hall of Fame and Museum staff as managing editor. In this role, Kingsbury will manage the development of written content for the museum’s website, exhibitions, public programs, publications, educational materials and online offerings. He reports to Brenda Colladay, the museum’s vice president of museum services.

Kingsbury has written extensively about country music throughout his career, writing or co-authoring several books including: Patsy Cline: Crazy for Loving You; Woodstock: Three Days That Rocked the World; The Grand Ole Opry History of Country Music; Hatch Show Print: The History of a Great American Poster Shop; BMI: The Explosion of American Music, 1940-1990; and Vinyl Hayride: Country Music Album Covers, 1947-1989.

In addition, he served as the editor-in-chief for the Country Music Hall of Fame and Museum’s Encyclopedia of Country Music, first published in 1998, and co-editor for the museum’s pictorial history Will the Circle Be Unbroken: Country Music in America, published in 2006. Kingsbury most recently served as communications manager for North America Agriculture for The Nature Conservancy where he was responsible for the organization’s agriculture marketing and communications.