
Alabama. Photo: Alan Messer
Alabama‘s long-awaited 50th Anniversary Tour, which was mostly delayed due to COVID-19, is picking back up after nearly two years. Nashville will be the first stop on the milestone tour, which kicks off July 2-3 at Nashville’s Bridgestone Arena. These two concerts mark the band’s first arena performance in Nashville in nearly two decades, and will be the first full-capacity concerts held at Bridgestone since the start of the pandemic in early March of 2020.
The 25-date arena and amphitheater tour will take place throughout 2021 and early 2022, and will feature special guests Martina McBride, The Marshall Tucker Band,Travis Tritt, Sara Evans, America, Grits & Glamour (Lorrie Morgan and Pam Tillis), Tracy Lawrence, The Beach Boys, The Frontmen of Country, and Jake Hoot on select dates.
“We are very thankful that we can play our music for our loyal fans of the past 50 years and introduce our songs to a new 3rd and 4th generation of new fans,” says Alabama lead singer Randy Owen. “We have rehearsed an all-new show that we are having fun performing, but you never know, we might even take requests from time to time. There’s nothing like the roar of the crowd, and we can’t wait to get back on the road.”
“This tour, that we are blessed to have, has the most amazing group of musicians and vocalists that we have ever had on the road,” explains Alabama bass player/vocalist Teddy Gentry. “In addition, we wanted to bring along some special friends to join us on tour each night. From The Marshall Tucker Band to Travis Tritt and Martina McBride to The Beach Boys, what a party we are going to have. I can’t tell you how ready we are to see and play for you.”
Tickets for the tour are on sale now and information can be found on the band’s official website thealabamaband.com. Previously purchased tickets for rescheduled dates will be honored at each show, and fans who are now unable to attend may request a refund. Eligibility for a refund requires a previous purchase through Ticketmaster—tickets that were transferred, posted, or sold will not be honored.
2021 – 2022 ALABAMA “50th Anniversary Tour” Schedule:
July 2 – Nashville, TN – Bridgestone Arena (w/ Martina McBride)
July 3 – Nashville, TN – Bridgestone Arena (w/ Martina McBride)
July 23 – Wilkes-Barre, PA – Mohegan Sun Arena at Casey Plaza (w/ Tracy Lawrence)
July 24 – Salisbury, MD – Wicomico Youth & Civic Center (w/ Tracy Lawrence)
July 25 – York, PA – York State Fair (w/ Jake Hoot)
Aug 6 – Orange Beach, AL – The Wharf Amphitheater (w/ Martina McBride)
Aug 7 – Pelham, AL – Oak Mountain Amphitheatre (w/ The Marshall Tucker Band)
Aug 13 – Charlotte, NC – Spectrum Center (w/ Martina McBride)
Aug 14 – Bristol, TN – Thunder Valley Amphitheatre (w/ America)
Aug 27 – Madison, WI – Coliseum at Alliant Energy Center (w/ Travis Tritt)
Aug 28 – Grand Rapids, MI – Van Andel Arena (w/ The Frontmen of Country: Richie McDonald formerly of Lonestar, Tim Rushlow formerly of Little Texas & Larry Stewart of Restless Heart)
Sept 4 – Stateline, NV – Lake Tahoe Outdoor Arena at Harveys
Sept 5 – Laughlin, NV – Rio Vista Outdoor Amphitheater at Harrah’s
Sept 16 – Lincoln, NE – Pinnacle Bank Arena (w/ The Marshall Tucker Band)
Sept 17 – Oklahoma City, OK – Chesapeake Energy Arena (w/ The Marshall Tucker Band)
Sept 25 – Pittsburgh, PA – PPG Paints Arena
Oct 7 – Raleigh, NC – PNC Arena (w/ Tracy Lawrence)
Oct 8 – North Charleston, SC – North Charleston Coliseum (w/ Sara Evans)
Oct 22 – Forth Worth, TX – Dickies Arena (w/ Grits & Glamour: Lorrie Morgan & Pam Tillis)
Oct 23 – Tulsa, OK – BOK Center (w/ Grits & Glamour: Lorrie Morgan & Pam Tillis)
Dec 5 – Savannah, GA – Savannah Civic Center (w/ The Marshall Tucker Band)
Jan 15 – Indianapolis, IN – Bankers Life Fieldhouse (w/ Martina McBride)
Jan 21 – Columbia, SC – Colonial Life Arena (w/ Martina McBride)
Jan 22 – Tallahassee, FL – Donald L. Tucker Civic Center (w/ The Marshall Tucker Band)
Feb 12 – Wichita, KS – Intrust Bank Arena (w/ The Beach Boys)
*More dates to be announced
Recording Academy Bolsters Membership With 2,710 Music Professionals
/by LB CantrellIn an effort to grow and diversify its membership body, the Recording Academy recently invited 2,710 music creators and professionals to be members.
According to the press release, the invitations were extended to members of “wide-ranging backgrounds, genres and disciplines.” The 2021 class of invitees is 48 percent female, 32 percent Black or African American+, 13 percent Hispanic or Latino/a/x+, and four percent Asian or Pacific Islander+.
The Academy’s existing membership represents 26 percent female and 27 percent from traditionally underrepresented groups. Since setting the goal of adding 2,500 women voting members by 2025, 831 women have joined the Academy’s voting membership, putting the organization 33 percent closer to reaching that milestone.
“Membership is the Academy’s change agent — our members drive everything we do,” says Ruby Marchand, Chief Industry Officer at the Recording Academy. “I’m inspired by the potential for each invited music creator and business professional to lend their creativity and passion to our organization. We are immensely proud of our accomplishments and the strides we’ve made toward equitable representation. We look forward to welcoming our new invitees as they help us shape the future of the Academy and the music industry.”
Riley Green Goes ‘Behind The Bar’ On New Album Out July 2
/by Lorie HollabaughRiley Green is offering up some new music to fans this Friday, July 2, with Behind The Bar, a seven-song collection on BMLG Records.
The Alabama native co-wrote each track on the new set, which also features writers Randy Montana, Bobby Pinson, Jonathan Singleton, Thomas Rhett, and more. Opening with the rowdy “Behind The Bar” before transitioning to the life lessons in “That’s What I’ve Been Told,” Green also gets nostalgic with his current single “If It Wasn’t For Trucks.” The project also includes “Put ‘Em On Mine” and a Jessi Alexander duet “That Was Us,” as well as “That’s My Dixie,” and “I Let A Damn Good Woman Leave,” a fan favorite since Green debuted the unreleased track during his Golden Saw Series last fall.
“I’ve always enjoyed writing songs and one of the biggest tools I’ve used over the years to shape my songwriting is playing those songs on the road for fans and gauging their reactions,” Green explains. “I’m looking forward to releasing Behind The Bar and getting to play those songs on the road this summer.”
Celebrating the release in partnership with BRUT, Green will be hosting a livestream of his sold-out show Thursday, July 1 at Joe’s on Weed Street in Chicago. To watch the show, click here.
1. Behind The Bar (Riley Green, Erik Dylan, Randy Montana)
2. That’s What I’ve Been Told (Riley Green, Chris Dubois, Bobby Pinson)
3. If It Wasn’t For Trucks (Riley Green, Erik Dylan, Randy Montana)
4. Put ‘Em On Mine (Riley Green, Wyatt McCubbin, Jonathan Singleton)
5. That Was Us (featuring Jessi Alexander) (Riley Green, Jessi Alexander, Thomas Rhett)
6. I Let A Damn Good Woman Leave (Riley Green, Brent Cobb, Adam Hood, Scotch Taylor)
7. That’s My Dixie (Riley Green, Jessi Alexander, Randy Montana)
Industry Member Ben Ewing Passes
/by LB CantrellBen Ewing
Music industry member Ben Ewing passed away on Sunday (June 27), according to a post on his Facebook. He was 67.
He was General Manager at Plowboy Records, the Nashville-based label established in 2012 to promote and further the legacy of the late singer Eddy Arnold. Plowboy has released projects by Country Music Hall of Fame member Bobby Bare, as well as JD Wilkes & The Dirt Daubers, Buzz Cason, The Ghost Wolves and more. Ewing most recently oversaw management of punk artists The Dead Boys/Cheetah Chrome and The Bad Signs, and guided Plowboy Records releases from The Kentucky Headhunters, Chuck Mead, Paul Burch, Smoky White Devils and Richard Lloyd of Television.
Before joining Plowboy Records, he owned and operated Ewing Management, where he managed the careers of Brandon Jenkins, Johnny Solinger, Michael Lattanzi, and more. Prior to that Ewing was General Manager at the artist management, music publishing, and record distribution company, Red Dirt Music Company.
He also spent time at Progression Music Group and Artist Envoy Agency in Nashville, and was CEO of the radio and television broadcasting company South Eastern Communications in Bowling Green, Kentucky for 10 years.
Ewing was a veteran of the Vietnam War and got his start in the music business working for Phil Walden at Capricorn Records.
A memorial service will be held Monday, July 12 at 6 p.m. at Sellars Funeral Home at Mt. Juliet. Visitation with the family will be held on Monday, July 12 from 4-6 pm.
Weekly Register: Luke Combs’ ‘Forever After All’ Stays On Top
/by Lydia FarthingLuke Combs. Photo: Zack Massey
River House/Columbia Nashville’s Luke Combs keeps the top spot this week on the top country song streaming chart with “Forever After All,” garnering 9.6 million streams this week and 282 million RTD, according to Nielsen. On the all-genre chart the song is at No. 25.
Following Combs in the second position on the country streaming songs chart is “Lil Bit'” from Nelly & Florida Georgia Line with 7.4 million streams this week, and “Famous Friends” by Chris Young & Kane Brown is in third with 6.5 million streams. Gabby Barrett sits at No. 4 with her hit “The Good Ones” at 5.5 million, while Chris Stapleton re-enters the top 5 with his 2015 smash single, “Tennessee Whiskey,” at 5.3 million streams.
On the top country albums chart, Morgan Wallen continues to dominate the chart with Dangerous: The Double Album on Big Loud Records. This week the album, which ranks No. 5 overall, racked up 48,000 streams contributing to an overall 58 million RTD, according to Nielsen. Wallen also maintains his fourth spot on the chart with If I Know Me gaining 15,000 streams. What You See Is What You Get and This One’s For You by Combs stay in the second and third spots this week with 28,000 and 18,000 streams, respectively. Meanwhile, making her return to the top five, Taylor Swift gains 14,000 streams on Fearless (Taylor’s Version) putting her squarely at No. 5.
‘CMT Music Awards’ Moving To CBS In 2022
/by LB CantrellViacomCBS has announced that the CMT Music Awards will have its global premiere exclusively on the CBS network starting in 2022.
The annual ViacomCBS owned event will broadcast live from Nashville on CBS on a date to be announced. It was also revealed that for the 2022 event, CMT will kick off the company’s first ever Country Music Week by hosting week-long special programming and events capped by exclusive director’s cut airings of the CMT Music Awards later on CMT and various ViacomCBS platforms.
The CMT Music Awards, as country music’s only entirely fan-voted award show, have aired live since 2005. The 2021 show, hosted by superstars Kelsea Ballerini and Kane Brown, featured the most ever first-time collaborations and blended-genre pairings in show history. Standout performances included H.E.R. and Chris Stapleton; Gladys Knight, Mickey Guyton and Breland; and Needtobreathe and Carrie Underwood. The 2021 show saw more than a 10% increase in total viewers and was the No. 1 most social program across all of television for the night.
Industry Ink: Brooke Eden & Trisha Yearwood, Dailey & Vincent, Steve Dorff, Eddie Garcia
/by Lydia FarthingBrooke Eden Surprises Opry Crowd With Special Trisha Yearwood Duet
Brooke Eden & Trisha Yearwood at the Grand Ole Opry on June 25, 2021. Photo: Ford Fairchild
Country singer-songwriter Brooke Eden surprised a packed Opry House last Friday, June 25, with a guest appearance from Trisha Yearwood during her set.
After a performance of her latest songs, “No Shade” and “Sunroof,” Eden began her performance of her country classic pick, “She’s In Love With The Boy.” After the first chorus, Yearwood appeared and suggested they do a gender flip of the song to highlight Pride month and Brooke’s recent engagement to Hilary Hoover, a radio representative for Yearwood and Garth Brooks. Eden and Yearwood continued their duet as “She’s In Love With The Girl.”
“Never in my wildest dreams did I imagine I’d ever share the stage with one of my heroes, Trisha Yearwood,” said Eden. “Her idea of changing the words of ‘She’s In Love With The Boy’ to include Hilary and my love story is such a beautiful way of putting action behind the quote, ‘Love Is Love.’ Thank you to Trisha and the Opry for helping to create a community of love and acceptance. This is country music.”
Eden made her triumphant return to country music earlier this year. Marking the end of her four-year hiatus, she shared three new songs—“No Shade,” “Sunroof,” and now “Got No Choice.” Collaborating with director Ford Fairchild, Eden was able to incorporate her fiancée, her hometown, and even the bar she grew up singing at, into the music videos that give the viewer a glimpse into Eden’s world.
Dailey & Vincent To Be Recognized At 50th Annual Smithville Fiddlers’ Jamboree
Dailey & Vincent
Multi-Grammy nominated duo Dailey & Vincent will be recognized at the 50th Annual Smithville Fiddlers’ Jamboree and Crafts Festival for their contributions as one of the most popular bands in contemporary American music, embracing bluegrass, country, and gospel. The festival is set to take place on Saturday, July 3 in Downtown Smithville, Tennessee.
Darrin Vincent will be celebrated by the State of Tennessee with an unveiling of his “Tennessee Music Pathways” marker on the square in his hometown during the event. Launched by the Tennessee Department of Tourist Development in 2018, Tennessee Music Pathways is an online planning guide that connects visitors to the state’s rich musical heritage. Tennessee Music Pathways stretches across all 95 counties and features hundreds of landmarks from the seven genres of music that call Tennessee home.
Jamie Dailey will also be honored at the event as the recipient of the Fiddlers’ Jamboree’s 2021 Blue Blaze Award. The Blue Blaze Award is designed to honor an individual or group that keeps the embers of bluegrass music burning for future generations. The Blue Blaze Panel Committee voted unanimously for Dailey’s nomination citing his long-running contributions to bluegrass music. Following the presentations, Dailey & Vincent will perform a mini-concert on the main stage.
Although the pair only began performing regularly as a duo in 2008, they’d both had extensive careers in bluegrass and had sung together informally since 2001. Their first show together was at the Grand Ole Opry, staged at the Ryman Auditorium, on Dec. 29, 2007. Their debut self-titled album was released in January 2008 and won Entertainer of the Year, Vocal Group of the Year, Emerging Artist of the Year, Album of the Year, and Gospel Recorded Performance of the Year award at the 2008 IBMA Awards. In March 2017, Dailey and Vincent were inducted as the 213th members of the Grand Ole Opry. As of 2021, they have received five Grammy Awards individually, three Grammy nominations collectively, six Dove Awards from the Gospel Music Association, and 35 IBMA Awards altogether.
Steve Dorff Elected To Songwriters Hall Of Fame Board Of Directors
Steve Dorff
Demolition Music Publishing’s Steve Dorff has been elected to the board of directors for the prestigious Songwriter’s Hall of Fame. Dorff, an inductee to the Songwriters Hall of Fame himself, will serve a three year term on the board.
Dorff will serve alongside other elected board members Desmond Child, Paul Williams, Hal David Starlight Award Recipient Ne-Yo, Martin Bandier, Caroline Bienstock, Donna Caseine, Samantha Cox, Charlie Feldman, Fletcher Foster, Pete Ganbarg, Randy Grimmett, John Josephson, Jody Klein, Evan Lamberg, Carianne Marshall, Nancy Munoz, Jon Platt, Irwin Z. Robinson, Patrice Rushen and John Titta.
The Bobby Bones Show’s Eddie Garcia Completed 100-Mile Walk For Charity
Eddie Garcia on the 100-mile walk for National Angels
Eddie Garcia of iHeartRadio’s The Bobby Bones Show completed a nearly 100 mile walk from Bluefield, West Virginia to Bristol, Tennessee on Wednesday, June 23. The four day journey was part of a fundraiser for National Angels, a national non-profit organization dedicated to supporting children, youth, and families in the foster care community. To date, listeners of The Bobby Bones Show have donated more than $275K in support of National Angels.
“I did it! I walked all the way from West Virginia down to Tennessee,” shares Garcia. “We raised so much money for National Angels and met a ton of great humans out here. Thank you for all the support and encouragement along the way. I didn’t do this alone!”
Garcia, who is a foster parent to two young children and is on the National Advisory Council for the non-profit organization, was inspired by the George Strait song, “Carrying Your Love With Me,” in which he sings: “‘Cause I’m carryin’ your love with me, West Virginia down to Tennessee…”
“Eddie did it! The Bobby Bones Show did it. The more than 8,800 contributors did it. Together, people from all over our country collectively came together and said, ‘We can make a difference and we can be a part of the change!’ The response and support have been nothing short of a miracle!” says Susan Ramirez, founder and CEO at National Angels.
Alabama To Kick Off 50th Anniversary Tour At Nashville’s Bridgestone Arena
/by Lorie HollabaughAlabama. Photo: Alan Messer
Alabama‘s long-awaited 50th Anniversary Tour, which was mostly delayed due to COVID-19, is picking back up after nearly two years. Nashville will be the first stop on the milestone tour, which kicks off July 2-3 at Nashville’s Bridgestone Arena. These two concerts mark the band’s first arena performance in Nashville in nearly two decades, and will be the first full-capacity concerts held at Bridgestone since the start of the pandemic in early March of 2020.
The 25-date arena and amphitheater tour will take place throughout 2021 and early 2022, and will feature special guests Martina McBride, The Marshall Tucker Band,Travis Tritt, Sara Evans, America, Grits & Glamour (Lorrie Morgan and Pam Tillis), Tracy Lawrence, The Beach Boys, The Frontmen of Country, and Jake Hoot on select dates.
“We are very thankful that we can play our music for our loyal fans of the past 50 years and introduce our songs to a new 3rd and 4th generation of new fans,” says Alabama lead singer Randy Owen. “We have rehearsed an all-new show that we are having fun performing, but you never know, we might even take requests from time to time. There’s nothing like the roar of the crowd, and we can’t wait to get back on the road.”
“This tour, that we are blessed to have, has the most amazing group of musicians and vocalists that we have ever had on the road,” explains Alabama bass player/vocalist Teddy Gentry. “In addition, we wanted to bring along some special friends to join us on tour each night. From The Marshall Tucker Band to Travis Tritt and Martina McBride to The Beach Boys, what a party we are going to have. I can’t tell you how ready we are to see and play for you.”
Tickets for the tour are on sale now and information can be found on the band’s official website thealabamaband.com. Previously purchased tickets for rescheduled dates will be honored at each show, and fans who are now unable to attend may request a refund. Eligibility for a refund requires a previous purchase through Ticketmaster—tickets that were transferred, posted, or sold will not be honored.
*More dates to be announced
Big Machine Music Signs Songwriter/Producer Matt Dragstrem
/by LB CantrellPictured (L-R, back row): BMM‘s Sr. Director of Royalties and Finance Grayson Stephens, Creative Coordinator Lizzy Gallatin, Creative Director Michelle Attardi, Catalog Manager Taylor Courtney; (L-R, front row): BMM’s General Manager Mike Molinar, Matt Dragstrem, BMM’s Vice President Alex Heddle; not pictured: BMM’s Vice President Tim Hunze. Photo: Courtesy of Big Machine Music
Big Machine Music has signed an exclusive co-publishing agreement with songwriter/producer Matt Dragstrem, which includes the acquisition of his Matt Drag Music catalog.
Dragstrem has written No. 1 hits such as “I’ll Name The Dogs” (Blake Shelton), “One Margarita” (Luke Bryan), “Why We Drink” (Justin Moore), “Sippin’ On Fire” (Florida Georgia Line), and “Be A Light” (Thomas Rhett ft. Reba McEntire, Hillary Scott, Chris Tomlin and Keith Urban) as well as landed cuts by artists Maren Morris, David Guetta, Jake Owen, Jason Aldean, Dan + Shay, G- Eazy, Charlie Puth, Dierks Bentley, Brothers Osborne, and more. He also has nearly a dozen songwriting and producer credits on Rhett’s Country Again: Side A and Morgan Wallen’s Dangerous: The Double Album.
“I am excited to join the Big Machine Music team! I’ve known this talented crew for many years and it’s good to finally get to work with them. I’m eager to see what the future holds,” shares Dragstrem.
Dragstrem officially joins the reigning AIMP Nashville Publisher of the Year’s roster, which includes Laura Veltz, Jessie Jo Dillon, Ryan Hurd, Brett Young, Brandy Clark, Eric Paslay, Maddie & Tae and more.
BMM General Manager Mike Molinar says, “Drag has already established himself as a hit songwriter and producer while still at the beginning of what will be a legendary career. Alex Heddle, the rest of the team and I are so proud to welcome him to the Big Machine Music family!”
Charlie Worsham Releases Personal New Track From Upcoming EP ‘Sugarcane’
/by Lorie HollabaughCharlie Worsham. Photo: Jason Myers
Charlie Worsham is gearing up for the release of his brand new EP, Sugarcane, on July 16 via Warner Music Nashville. The first three releases from the new project, “Fist Through This Town,” “Believe In Love,” and the most recent track,“Half Drunk,” are available now.
Produced by Grammy Award-winning producer Jay Joyce (Eric Church, Miranda Lambert, Little Big Town), Sugarcane is an emotional homecoming for Worsham. The origins of the new EP stem from his personal reflections from a daily writing exercise that grew into something much more universal. The six new songs celebrate the love, perseverance, struggle, and joy experienced through life and the people who are there with you through it all.
“‘Half Drunk’ tells the story of the first time I told my wife I loved her,” recalls Worsham. “I’d just been fired by my publisher and my manager had quit management that week, but I was singing that day in one of my favorite rooms in all the world, the Station Inn. Powered by Yazoo Pale Ale, applause, and a sense that this girl I was crazy about might just be more special and more permanent than the whole music industry thing, I turned to Kristen, said those three magic words, and she said ‘I love you too.’ I hope this song inspires a lot of drunken making out and maybe a few last-time-saying-I-love-you- for-the-first-time moments.”
Since the release of his 2013 debut, Rubberband, Worsham has established himself as not only a solo talent but also a frequent collaborator with artists including Dierks Bentley, Eric Church, Brandy Clark, Luke Combs, Kacey Musgraves, Carrie Underwood, Keith Urban and more. He’s toured extensively including numerous shows performing as of part of Old Crow Medicine Show as well as dates with Miranda Lambert, Little Big Town, Tim McGraw and Faith Hill and more.
Sugarcane Track List:
1. Sugarcane
2. For The Love
3. Half Drunk
4. Fist Through This Town
5. Believe In Love
6. Hang On To That
Rockabilly Pioneer Wanda Jackson To Give Her ‘Encore’
/by Lydia FarthingWanda Jackson. Photo: Emma Lee Photography
Rock & Roll, International Gospel, and Rockabilly Hall of Famer Wanda Jackson has teamed up with fellow Rock & Roll Hall of Famers Joan Jett and Kenny Laguna on her 32nd album, Encore, due out on Aug. 20 via Big Machine Records/Blackheart Records. To give fans a taste of the set, Jackson’s take on Johnny Tillotson’s 1962 Rhythm & Blues smash “It Keeps Right On A Hurtin’” is available now.
The vocalist known for “Hot Dog! That Made Him Mad,” “Mean, Mean Man,” “Fujiyama Mama,” and “Let’s Have A Party” wrote half of Encore’s songs, with an array of co-writers including triple Grammy Award winner Lori McKenna; ACM, CMA, and Grammy nominees Will Hoge and Luke Laird; Angaleena Presley; and Sonia Leigh.
“Real, authentic rock and roll is something you have to have inside. It can’t be taught, it can’t be faked. Wanda Jackson has it. Joan Jett has it. Encore has it. It is rare,” says Laguna.
Encore walks listeners through the rockabilly, country, and even punk colors of Jackson’s career and vocals over the years. Recorded just before announcing her retirement, Jackson’s signature tease delivers a resounding thump on “Big Baby.” On the jaunty “Can’t Keep A Good Girl Down,” she’s joined by Presley and Candi Carpenter, while Jett’s garage grunge comes out on “You Drive Me Wild.” Whether the funk “Treat Me Like A Lady” or the giddyup rockabilly of “Two Shots” with Elle King and Jett, Jackson remains every bit as in charge as ever. The album’s closing ballad, “That’s What Love Is,” also offers listeners a dose of clear-eyed tenderness.
“Right around the time I retired from performing and what I thought was the end of my career, I found myself back to writing songs with some of the great writers in Nashville. The songs you hear are truly my life story. This is the first time I have ever inserted so much of my personal life into my music. You’ll get a picture of my early life and have a peak into the closeness that my late husband Wendell and I had in our life together. I’m happy to share this with all of you. Your constant love and support has seen me through the ups and downs of my 64-year career. I love you all and God bless you,” shares Jackson.
Encore Tracklist:
1. Big Baby – Christopher Casello, Robin Lynn Grant
2. Two Shots (featuring Elle King and Joan Jett) – David Ryan Harris, Tanner Elle Schneider
3. You Drive Me Wild” – Joan Jett
4. Good Girl Down (featuring Angaleena Presley and Candi Carpenter) – Wanda Jackson, Vanessa Olivarez, Angaleena Presley
5. It Keeps Right On A Hurtin’ – Johnny Tillotson
6. We Gotta Stop – Wanda Jackson, Will Hoge, Vanessa Olivarez
7. Treat Me Like A Lady (featuring Joan Jett) – Wanda Jackson, Sonia Leigh, Vanessa Olivarez, Jordan Breanne Simpson
8. That What Love Is (featuring Joan Jett) – Wanda Jackson, Luke Laird, Lori McKenna, Jordan Breanne Simpson