The Chicks Announce New Summer Tour

The Chicks. Photo: Robin Harper

The Chicks are returning to the road this summer on “The Chicks Tour.” Patty Griffin and Jenny Lewis will open select dates on the trek.

The 27-city tour kicks off on June 14 in St. Louis and will visit Chicago, Toronto, Boston, LA, Detroit and more before wrapping in George, Washington at The Gorge on Aug. 13.

General ticket on sale for the tour is set to begin March 4 on ticketmaster.com.

The Chicks have also partnered with environmental nonprofit REVERB.org to make this year’s tour more environmentally sustainable while engaging fans to take action for people and the planet.  At each show, The Chicks/REVERB Action Village will be set up for fans to take action on important environmental and social causes, fill up at the free #RocknRefill water stations, and more.

After nearly 14 years, The Chicks released their fifth studio album Gaslighter in July 2020 via Columbia Records. The 12-track record was co-produced by singer-songwriter and producer Jack Antonoff. One of the biggest-selling U.S. female bands of all time, The Chicks have sold more than 30.5 million albums and achieved multiple Diamond releases. The trio also boasts 13 Grammy awards, six Billboard Music Awards, four American Music Awards, and numerous CMA Awards, among other accolades.

‘Georgia On My Mind’ Returns To Ryman With Amy Grant, Butch Walker, The Lone Bellow & More

Brent Cobb and Amy Ray in Macon, GA in front of the mural of Duane Allman, Gregg Allman and Phil Walden outside of Capricorn Sound Studios and Museum. Photo: Philip Wages

The ninth annual “Gretsch Presents Georgia on My Mind” benefit concert, hosted by Brent Cobb and Amy Ray, is returning to the Ryman Auditorium on May 10. Artists set to perform on the lineup include Amy Grant, Amythyst Kiah, Alison Brown, Butch Walker, Charlie Starr, Elizabeth Cook, Katie Pruitt, Kevn Kinney, Jontavious Willis, The Lone Bellow, O.N.E The Duo and Patterson Hood.

Stringonometry, an accomplished bluegrass band featuring four high school seniors from Thomasville, Georgia, will highlight the power of music education performing on the Ryman’s PNC Plaza ahead of the show.

Proceeds from the show benefit the Georgia Music Foundation and its music grants, which fund music programs at schools, after-school programs and summer camps. Tickets for the annual benefit show go on sale at ryman.com on Friday, March 4. The Georgia Music Foundation has awarded nearly $600,000 in Georgia Music Grants since the first “Georgia On My Mind” in 2014.

Says Cobb, “I can’t wait to get on the Ryman stage with Amy and a bunch of our friends to make music in honor of Georgia and all its musicians who came before us.” Ray adds, “This show is a very special offering of some of our state’s finest artists and some of our neighbors, all bringing their gifts together to help us raise money for the Georgia Music Foundation.”

“We see value in coming to Nashville—a sales mission, if you will—to acknowledge and celebrate the musicians and songwriters from Georgia who have long had such an impact on American music,” shares Executive Director Lisa Love. “To create a Georgia sense of place inside the Ryman is already special, but to be able to do it help fund music education for future generations is golden.”

Dashboard Confessional Shares New Level Of Vulnerability & Introspection On New Record [Interview]

Dashboard Confessional’s Chris Carrabba. Photo: Nick Fancher

Celebrated Nashville-based rock band Dashboard Confessional has exploded back onto the scene with its first album of new material in four years. Helmed by frontman, songwriter and founder Chris Carrabba, the group recently released their ninth studio album, All The Truth That I Can Tell, via Hidden Note Records/AWAL.

Since making their debut in 2000 with their acclaimed The Swiss Army Romance, Dashboard Confessional has spent more than 20 years as an influential force in the pop punk and rock genres. With hits such as “Screaming Infidelities,” “We Fight,” “Vindicated,” “Hands Down,” and more, the band has returned with their signature blend of vulnerable, honest and relatable lyrics laced over hard-hitting production.

“[This album] was not a four year writing process itself. As it works for me, and probably like every songwriter, you’re writing songs all the time. You’re probably writing many records worth of songs, and then, for a brief window, you write a bunch of songs that make sense to each other,” Carrabba tells MusicRow. “I found myself in that kind of window and I knew, ‘Okay, not only am I making the record, but I’m finally making the record I’ve been hoping to make since my second album, The Places You Have Come To Fear The Most, came out in 2001.’ I’ve been waiting a long time for this specific brand of introspection. It’s very hard to come by, even when you commonly trade in introspection as a songwriter.”

All The Truth That I Can Tell came about from a relatively intense writing process. First taking shape through a transformative moment in a Manchester greenroom in the UK, Carrabba felt the full creative force of the album in the fall of 2019. As he notes, he wrote the entirety of the 11-track record in the span of about 10 days, with the exception of one or two songs.

“It was the kind of thing when a creative person finds themself deep in the wave,” he explains. “When a creative person finds themself there, I think they probably discover that it’s after many years of waiting for the right wave. When someone finds themself there, that’s when they just ride it out for all it’s worth, which was the case for me.”

The first song came when he had woken up in the middle of the night. Pattering over to his guitar, a song rushed out. Hunkering down, he began to repeat the same daily routine, down to waking up at 3 a.m. each day. “I was waking up at a time when the world doesn’t seem real on some level and you feel like you’re the only one in it because everybody’s sleeping. It’s this long, fruitful isolation, for lack of a better word.”

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For the album’s production, the group tapped longtime collaborator John Paul Wiser who produced the band’s first two albums, which Carrabba credits as his most personal and profound projects to date. Since those early years, Carrabba shares that he has been waiting to be in that same place of honesty and introspection, and he believes with All The Truth That I Can Tell, that’s exactly where he’s landed.

“I would say this record is set apart, or it at least sits in rank with my first two records [in that respect],” he says. “I’ve been hoping and waiting for the kind of songs that I felt in my early days to make their way back to me, which is not a place you can force, apparently. I know from trying that you just have to wait.”

From mapping out how he sees himself, how he sees the world, and more, Carrabba’s hope for the new record is that its songs resonate with his listeners, whether through their experiences or through depth of feeling. Most of all, he hopes that the 11 songs can serve as some kind of shared territory that someone may find useful to their own circumstances.

After over two decades, nine albums, countless shows, two anniversary tours and an immeasurable impact on a generation, Carrabba explains that for him, nothing throughout these twenty years has felt like repetition, but rather a story that continually felt like new chapters in the same book.

Dashboard Confessional’s Chris Carrabba. Photo: Lupe Bustos

“That 20-year span is impressive in a sentence, but it doesn’t feel like that’s what it’s been. It just feels like I’ve been going to the same job I’ve loved every day and hoping that maybe I’ll be lucky enough to still have this job tomorrow or next week,” he explains with a smile. “I remember doing about six shows to celebrate the 10th year anniversary and thinking it was weird, but I didn’t think it was as weird [when we did the 20th anniversary tour]. I thought, ‘Oh, we’re celebrating with the audience being in each other’s lives in some fashion,’ which is genuinely worth celebrating.”

In tandem with the band’s new music, Dashboard Confessional is also gearing up for a busy touring year as they join forces with Jimmy Eat World for their co-headlining “Surviving The Truth Tour.”

Carrabba and the band will also be performing at the sold out “When We Were Young” festival, slated for Oct. 22-24 at the Las Vegas Festival Grounds. Featuring some of the biggest names in the pop punk format, Dashboard Confessional will take the stage alongside My Chemical Romance, Paramore, Avril Lavigne, Bring Me the Horizon, All-American Rejects, We the Kings, and more for the nostalgic weekend event.

“I’m excited because I get to be with all my friends and watch them all be celebrated, some of them in a way that I know they haven’t had the opportunity to be or haven’t felt in a long time,” Carrabba shares.

“I’m a pop punk kid and an emo kid, so you will see me out there in the audience,” he sums. “You won’t only see me on stage or side stage. I will be out there, as I often do, watching the bands with the people I feel most like, which are the people on that side of the barricade.”

Concord Music Publishing Acquires Catalog Of Songwriter Josh Miller

Pictured (L-R): Ashley Nite, Garrett Stephenson, Matt Turner, Brad Kennard, Josh Miller, Scott Safford, Courtney Allen, Jen Hubbard, Melissa Spillman, Jim Selby. Photo: Audrey Spillman

Concord Music Publishing has announced the signing and catalog acquisition of multi-Platinum songwriter Josh Miller. The worldwide publishing deal covers Miller’s full catalog as well as his future works.

“We are beyond thrilled to have the opportunity to represent this incredible catalog, as well as work alongside Josh going forward,” says Brad Kennard, SVP A&R, Concord Music Publishing in Nashville. “He’s an incredibly respected craftsman, a driven competitor, and a first-class human being. We could not be more fired up!”

A Jackson, Tennessee native, Miller signed his first publishing deal in 2016 with Cornman Music via Warner Chappell. His first country radio hit came in 2017 with Kip Moore‘s “More Girls Like You.” Later that year Miller collaborated with Bebe Rexha and Florida Georgia Line on the RIAA Diamond certified single “Meant To Be.”

Miller has continued to climb the country charts in recent years with additional hit songs, including Florida Georgia Line’s “Long Live,” Carrie Underwood’s “Southbound,” Thomas Rhett’s “Be A Light,” and Chris Lane’s “Take Back Home Girl” ft. Tori Kelly. He has also been nominated for MusicRow’s Breakthrough Songwriter of the Year Award and Spotify’s Secret Genius: Country Songwriter of the Year Award in 2018.

“I’m really excited and thankful to be a new member of the Concord family,” Miller states.” Brad and his team’s energy, passion, and love of songs is infectious and has me fired up to keep doing what I love to do!”

“It is such an honor to work with a brilliant songwriter like Josh Miller,” adds Jim Selby, Chief Publishing Executive at Concord. “Josh has already seen so much success in the country genre, and we are thrilled to add him to our growing roster in Nashville and help nurture his talents to take him even further.”

The dual agreement was negotiated on behalf of Concord by Duff Berschback, EVP of Legal and Business Affairs, with Miller represented by Scott Safford of Safford Motley PLC in Nashville.

Kane Brown Lands Seventh Chart-Topper With ‘One Mississippi’

Kane Brown has earned his seventh No. 1 with his latest single, “One Mississippi,” which takes the top slot on the Billboard and Country Aircheck/Mediabase charts this week. The single hit the top of the MusicRow CountryBreakout Radio Chart for the first time on Dec. 3, then made its return to the No. 1 spot on Jan. 14.

Brown debuted his current hit in April with a career-high first-week add total of 112 stations. Dann Huff produced the song, which was co-written by Brown with Jesse Frasure, Levon Gray and Ernest K. Smith.

On March 4, he’ll drop his newest track, “Leave You Alone,” which he’ll perform on the 57th ACM Awards in Las Vegas on Amazon Prime Video on March 7.

He’s also gearing up for the next leg of his “Blessed & Free Tour,” which kicks off with his first-ever stadium show in his hometown of Chattanooga on May 7 at Finley Stadium.

HYBE America’s BMLG Adds Rick Myers As Sr. VP, Finance

Rick Myers

Big Machine Label Group, a HYBE America company, has added Rick Myers as Senior Vice President, Finance. Myers will oversee the company’s finance and royalty departments, reporting to BMLG CEO and Chairman Scott Borchetta and HYBE America CFO Eric Holden.

Myers’ 25-year experience comprises business consulting, mergers, acquisitions, and advisory services. His previous roles include being the Founder and President of 12South Financial; Vice President, Corporate Controller/Program Management Officer for Integrity Music; Owner and Operator of Solomon Financial, Inc. and most recently Chief Operating Officer/Managing Director of Courage Music.

Myers has formed over 100 entities and served as contract CFO/COO for over 40 different companies through his accounting practices. His clients have collectively won over ten Grammy awards, secured many top radio hits, ran multiple profitable tours under his oversight and leveraged business aviation to become more efficient.

“Rick has an incredible reputation for leading successful finance teams with integrity,” says Borchetta. “He will be a great asset to our team, our artists and our partners as we continue to grow our footprint in music and beyond.”

“I am excited to join Big Machine Label Group and continue the legacy that Scott Borchetta, Andrew Kautz and the rest of the team have built. I am honored to serve this dream team,” shares Myers.

Shane McAnally Moves Up On MusicRow Top Songwriter Chart

Shane McAnally

With six songs on the country charts, Shane McAnally moves up to the No. 2 spot on the MusicRow Top Songwriter Chart this week.

McAnally is a co-writer on “Everyone She Knows” (Kenny Chesney), “23” (Sam Hunt), “Half Of My Hometown” (Kelsea Ballerini feat. Kenny Chesney), “AA” (Walker Hayes), “Never Wanted To Be That Girl” (Carly Pearce & Ashley McBryde), and “No Hard Feelings” (Old Dominion).

For the fifth consecutive week, Ashley Gorley takes the top spot on the MusicRow Top Songwriter Chart.

Gorley is a co-writer on “New Truck” (Dylan Scott), “You Should Probably Leave” (Chris Stapleton), “Sand In My Boots” (Morgan Wallen), “Beers On Me” (Dierks Bently, Hardy & Breland), “Slow Down Summer” (Thomas Rhett), “Give Heaven Some Hell” (Hardy), “Steal My Love” (Dan + Shay), and “Take My Name” (Parmalee).

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

In Pictures: CRS 2022 Makes Return To Live, In-Person Event

Country Radio Seminar returned as a live, in-person event in 2022, held Wednesday, Feb. 23 through Friday, Feb. 25.

Some of this year’s event highlights include a full-day Streaming Summit, eighteen panels, six CRS Heads of State sessions, four mentoring breakfasts, three label-sponsored luncheons, and a featured artist interview with Blake Shelton. Additionally, anchor events such as the Amazon Music Presents: Country Heat at CRS showcase, Warner Music Nashville’s Luncheon, Bob Kingsley’s Acoustic Alley, Team UMG at the Ryman, Big Machine Label Group’s Luncheon, New Faces of Country Music Show and Dinner, and the 2nd annual Paddle Royale Ping Pong Tournament also made their return to the programming this year.

CRS 2023 is set for March 13–15, 2023. Registration for next year’s event will open later this year.

CRS Heads of State

Pictured (L-R): Bob Proffitt, Jon Loba, and Lon Helton. Photo: Courtesy of CRB/CRS/Kayla Schoen Photography

The series featured a mix of the industry’s most prominent leaders and highest-profile CEOs, including Caroline Beasley (CEO/Beasley), Ginny Morris (CEO/Hubbard), David Field (Chairman and CEO/Audacy), Bob Proffitt (CEO/Alpha Media), and Bill Wilson (CEO/Townsquare) representing radio. Scott Borchetta (President/CEO, BMLG), Mike Dungan (Chairman/CEO, UMG), John Esposito (Chairman/CEO, WMN), Randy Goodman (Chairman/CEO, Sony), and Jon Loba (President, BMG) represented record labels.

Serving as moderators were Joel Denver (All Access Media Group), Erica Farber (RAB), Lon Helton (Country Aircheck/Country Countdown USA), Sarah Trahern (CEO/CMA), and Mike McVay (McVay Media).

The CRS Heads Of State Series gave attendees a peek into the biggest radio and label companies for daily exclusive, one-on-one conversations.

Bob Kingsley’s Acoustic Alley

Pictured (L-R): Rhett Akins, Neil Thrasher, and Victoria Shaw. Photo: Courtesy of CRB/CRS/Kayla Schoen Photography

Hit songwriters, artists, and CRS 2022 attendees came together for Bob Kingsley’s Acoustic Alley.

Hosted by Fitz of Country Top 40 with Fitz, the evening featured songwriters telling their stories and performing some of county music’s biggest hits, including Rhett Akins, Neil Thrasher, Victoria Shaw, and more. The event was sponsored by Country Top 40 with Fitz, Skyview Networks, and First Horizon Bank, and the bar was sponsored by ASCAP.

Big Machine Label Group Luncheon

Pictured (L-R, front row): Lady A’s Charles Kelly, Jimmy Harnen (President and CEO, Big Machine Records), Lady A’s Hillary Scott, Scott Borchetta (President/CEO, BMLG), Carly Pearce, Kurt Johnson (SVP/Townsquare Media & CRB/CRS Board President); (L-R, middle row): George Briner (President/The Valory Music Co.), Lady A’s Dave Haywood, Callista Clark, Riley Green, Clay Hunnicutt (General Manager, Big Machine Records); (L-R, back row): Conner Smith, Tiera Kennedy, Laci Kaye Booth, Jackson Dean.
Photo Courtesy of CRB/CRS/Kayla Schoen Photography

Big Machine Label Group showcased eight of its superstars and in-demand newcomers on Friday afternoon (Feb. 25). The showcase included performances from Lady A, Carly Pearce, Riley Green, Callista Clark, Laci Kaye Booth, Jackson Dean, and Tiera Kennedy.

The Artist Interview With Blake Shelton

Blake Shelton. Photo: Courtesy of CRB/CRS/Kayla Schoen Photography

Award-winning country superstar, Blake Shelton, appeared as the featured artist for The Artist Interview, sponsored by BMI. Shelton sat down with Country Aircheck Publisher/CEO and host of Westwood One’s CountryCountdown USA, Lon Helton, and spoke candidly on his career, artistic process, and what’s on the horizon.

New Faces Of Country Music Showcase

Pictured: (L-R) Parker McCollum, Lainey Wilson, Jameson Rodgers, Gabby Barrett, and Walker Hayes. Photo: Courtesy of CRB/CRS/Kayla Schoen Photography

The CRS 2022 New Faces of Country Music Show closed out the 3-day event, with performances by Parker McCollum, Lainey Wilson, Jameson Rodgers, Gabby Barrett, and Walker Hayes.

The show was co-sponsored by the Academy of Country Music and St. Jude Children’s Research Hospital.

Weekly Register: Luke Combs Rises Back Into Top 5 Country Streaming Songs

Luke Combs. Photo: Zack Massey

Luke Combs has re-entered the top five streaming songs this week as “Doin’ This” rises back to No. 5. The reigning CMA Entertainer of the Year’s current single added 5.2 million streams this week, contributing to 64 million RTD, according to MRC Data. Combs also has two of the most consumed country albums this week: What You See Is What You Get comes in at No. 3 with 17K in total consumption and No. 4 with This One’s For You gaining 15K.

Morgan Wallen continues to have the most consumed country album as Dangerous: The Double Album sees 41K in total consumption (1.7K album only/49 million song streams). Taylor Swift follows at No. 2 with Red (Taylor’s Version) earning 21K. Walker Hayes rounds out the top five with Country Stuff: The Album adding 14K in total consumption.

On the songs side, Cody Johnson remains in the top spot as “‘Til You Can’t” earns 6.6 million streams. Jordan Davis and Luke Bryan come in at the second spot with “Buy Dirt” adding 5.7 million. Hayes takes up the final two spots with “Fancy Like” at No. 3 and “AA” at No. 4 gaining 5.6 million and 5.4 million streams, respectively.

Jackson Dean Gives Nod To The Untamed On New Project ‘Greenbroke’

Jackson Dean is set to release his Big Machine Records debut, Greenbroke, on March 11. “Don’t Come Lookin’” is the driving first single from the project.

Working with songwriter and producer Luke Dick, Dean crafted the new album filled with tracks like the courageous “Fearless,” the hushed benediction “Wings,” and the breezy “Don’t Take Much.” Writers contributing to the project include Cary Barlowe, Jesse Frasure, JT Harding, Jeff Hyde, and more.

“Never lose your wild. You can be tame enough to be in the room, but never let go of that untamed sense of who you are. That’s where your truest self lives,” Dean explains. “We were raised to live without fear, to look what you had to do in the eye–and get on with it. There’s a freedom that comes with living that way. You know whatever happens, you’re gonna find a way. It goes back to the idea of being greenbroke; you can go anywhere, but that doesn’t mean you have to surrender your untamed self.”

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Greenbroke Track List:
1. Don’t Come Lookin’ | Jackson Dean, Luke Dick
2. Trailer Park | Jackson Dean, Cary Barlowe, Jesse Frasure
3. Fearless | Jackson Dean, Luke Dick, Jonathan Scott Sherwood
4. Don’t Take Much | Jackson Dean, Marv Green, JT Harding
5. Superstitions | Jackson Dean, Luke Dick, Dan Tyminski
6. Love You Anymore | Jackson Dean, Brian Bunn, Phillip Lammonds
7. Red Light | Jackson Dean, Jonathan Scott Sherwood, Ryan Tyndell
8. Other Than Me | Jackson Dean, Bryan Simpson, Ryan Tyndell
9. Wings | Jackson Dean, Park Chisolm
10. Greenbroke | Jackson Dean, Jeff Hyde