Jameson Rodgers Peaks On MusicRow CountryBreakout Radio Chart

Jameson Rodgers’ single featuring Luke Combs, “Cold Beer Calling My Name,” cruises to No. 1 this week on the MusicRow CountryBreakout Radio Chart, rising three positions and earning +184 spins. The tune was written by Rodgers, Brett Tyler, Hunter Phelps, and Alysa Vanderhym and appears on his latest EP, In It For The Money.

Rodgers recently announced his headlining tour, Cold Beer Calling My Name Tour 2021, which will begin this month. He will be joined on select dates by Drew Green, Brandon Lay, Drew Parker, Hunter Phelps, Jordan Rowe, and Rodgers’ fiancé Sarah Allison Turner.

Rodgers is also nominated for Breakthrough Artist of the Year at the 2021 MusicRow Awards. Winners will be announced on Aug. 19 across all MusicRow platforms.

Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

DISClaimer Single Reviews: Brandi Carlile, Amythyst Kiah, Joy Oladokun, Allison Russell

Clockwise: Allison Russell, Amythyst Kiah, Joy Oladokun, Brandi Carlile

This is some kind of landmark day.

DisClaimer’s round-up of current Americana releases is completely dominated by Black Nashvillians. Three of them—Amythyst Kiah, Joy Oladokun and Allison Russell—are newcomers to the column, so they share the DisCovery Award.

Keb’ Mo’ has long been a community standout. He is an enduring DisClaimer column fave, as are Tiera, Yola and Gramps Morgan. By the way, former Memphian Valerie June is now a Nashvillian, and she is up for Album of the Year at next month’s Americana Awards.

Speaking of those awards, non-Nashvillians Brandi Carlile and Rhiannon Giddens are longtime AMA award favorites, and both are here with new music. Representing the alt-country side of things are Rodney Crowell, Grant Maloy Smith and John Scott Sherrill.

In this embarrassment of riches, Brandi Carlile gets the Disc of the Day, but it could have just as easily gone to any of her 11 Americana compatriots here.

YOLA / “Stand For Myself”
Writers: Dan Auerbach/Hannah Vasanth/Natalie Hemby/Yola; Producer: Dan Auerbach; Label: Easy Eye
— This British-born, Nashville-based troubadour reunited with Dan Auerbach to produce her sophomore CD. Yola has been showcasing its single “Diamond Studded Shoes” everywhere from the Newport Folk Festival to NPR’s “All Things Considered,” from a live stream today (www.momenthouse.com/yola) to her tour with Chris Stapleton. She recently performed “Stand For Myself,” the disc’s title tune (and her latest video), on Stephen Colbert (with Oscar winner Jon Batiste on piano, no less). The empowering ode reflects the album’s emphasis on nouveau funk-groove and stakes her claim as one of today’s greatest soul singers. This has intense fire.

BRANDI CARLILE / “Right On Time”
Writers: Brandi Carlile/Dave Cobb/Phil Hanseroth/Tim Hanseroth; Producer: Dave Cobb/Shooter Jennings; Label: Low Country Sound/Elektra
— This is the advance single from Brandi’s In These Silent Days, an album due Oct. 1. The six-time Grammy winner sounds even more lustrous and evocative on the gorgeous ballad of loss, regret and relief. Her alto shimmers and her Nashville production team shines in every note. Watch for her to rule the Americana Music Awards next month.

RHIANNON GIDDENS / “Si Dolce e’l Tormento”
Writers: Claudio Monteverdi; Producer: Francesco Turrisi/Rhiannon Giddens; Label: Nonesuch
— The song is a 17th-century Italian composition that is included on her latest album, They’re Calling Me Home. Her performance is a revelation and a tour de force of classical control. Giddens glides easily between genres as she explores everything from old-time music to blues, from opera to folk. Her exquisite phrasing here is a window into a continually creative spirit.

RODNEY CROWELL / “Triage”
Writers: Rodney Crowell; Producer: Rodney Crowell/Dan Knobler; Label: RC1/Thirty Tigers
— A dark, doomy percussive thump accompanies Rodney’s ruminations on love and wisdom. It’s the title tune of his new album, and is an absolutely hypnotic, riveting listening experience. His maturity as a composer and his weathered richness as a vocal stylist are both fabulously rewarding here as the song moves from somber musings to hopeful uplift. Essential.

ALLISON RUSSELL / “Nightflyer”
Writers: Allison Russell/Jeremy Lindsay; Producer: Dan Knobler; Label: Fantasy
Outside Child, the debut solo album from this Our Native Daughters alumna is a singer-songwriter treasure. Its single is a fever dream of pain and glory that contrasts images of violence and peace in a swirl of airy harmonies and light acoustic instrumentation. It begs you to close your eyes and drift away to a better place. This is the birthplace of a major new voice in Americana music. Take heed, everyone.

KEB’ MO’ / “Sunny and Warm”
Writers: Keb’ Mo’/Steve Dorff; Producer: Tom Hambridge/Keb’ Mo’; Label: Rounder
— Nashville’s resident bluesman teamed up with established pop-country meister and new Music City resident Dorff to craft this lilting ditty. As its title implies, it’s a floating, gently wafting confection that sings the praises romance in the summer season. Mellow is the word.

JOY OLADOKUN / “Judas”
Writers: Joy Oladokun/James Droll/Steven Colyer; Producer: Joy Oladokun; Label: Amigo/Verve/Republic
In Defense of My Own Happiness came out last year as the debut album by this Nigerian-American songsmith. Previously self released, it has been picked up by a major label and reissued in a deluxe edition featuring this new track. The East Nashville resident is a folkie at heart. Armed with her acoustic guitar, she touches your heart with its plain-spoken, soul-baring, confessional poetry. Classic sounding.

JOHN SCOTT SHERRILL / “Five Generations of Rock County Wilsons”
Writers: John Scott Sherrill; Producer: John Scott Sherrill/ Ronnie Bowman & Scott Paschall; Label: Lobo Libre
— This enduringly great craftsman is going into the Nashville Songwriters Hall of Fame this year in recognition of the zillions of hits he’s written for John Anderson, Brooks & Dunn, Strait, Wariner, Patty, Allison, Buffett and more. Scotty also makes consistently cool records, himself. His latest is titled Copper Tears, and its single is this terrific story song about the destruction of a boy’s countryside and its signal to escape on the next Grayhound Bus. The instrumentation is bluegrassy while his vocal is an effortless honky-tonk croon. This fellow is such a wonderful artist.

GRAMPS MORGAN / “If You’re Looking For Me”
Writers: Gramps Morgan/Johnny Reid/Morry Trent; Producer: Johnny Reid; Label: Halo/WAMA/Orchard
— The leader of the Grammy-winning reggae band Morgan Heritage has a new solo album titled Positive Vibration. The Jamaican-American artist demonstrates here the influences that living in Nashville have brought him. His reggae groove has acquired some production polish, extra melodic gloss and layered vocal harmonies. He’s such a marvelously expressive singer and the groove is so addictive that you don’t want it to ever stop. I’m a major fan.

AMYTHYST KIAH / “Black Myself”
Writers: Amythyst Kiah; Producer: Tony Berg/Amythyst Kiah/Will Maclellan; Label: Rounder
— Her vocal alto is a thing of wonder. Here, she applies it to an accusatory lyric addressing the hypocrisy of Christians who condoned slavery. The rocking track blends electronic thunder with acoustic punch and is way, way gripping. This Nashvillian is a gigantic addition to our songwriting community. Like Allison Russell and Joy Oladokun, Amythyst is nominated as Emerging Artist of the Year at next month’s Americana Awards. In addition, “Black Myself” is up for Song of the Year.

TIERA & BRASSVILLE / “Found It In You”
Writers: Tiera/Cameron Bendell; Producer: Cameron Bendell; Label: Songs & Daughters
— This fan-favorite track has a studio version, an acoustic version and now a live version featuring an eight-piece brass band. No matter how you frame it, the sweetly lilting tune is a highly successful fusion of her R&B and country influences. The Birmingham native is one of the flagship songwriters of Nicolle Galyon’s Songs & Daughters female collective in Music City, and this week she signed with Big Machine/Valory. Yippee.

GRANT MALOY SMITH / “I Found Faith”
Writers: Grant Maloy Smith; Producer: Jeff Silverman & Grant Maloy Smith; Label: Suburban Cowboy
— One of the year’s most ambitious productions is Smith’s Appalachia: American Stories. The vinyl version comes in a box with a 40-page color-illustrated book of lyrics, liner notes and background information on every song. He is accompanied by a who’s-who of acoustic musicians during its 43-minute running time. in addition to its “The Coal Comes Up” single, the set includes this searing gospel outing. Smith’s captivating tenor is joined by the soul harmonies of Kim Fleming and Kim Mount, plus a recitation by the Rev. Janice Brown, a Nashvillian famed for her smash “Rough Side of the Mountain.”

Tiera Joins The Valory Music Co. Roster

Pictured (L-R): McGlinchey Stafford’s Brenner McDonald, Kam Studios’ Kamren Kennedy, OH Creative Management’s Olivia Hanceri, Big Machine Label Group’s Scott Borchetta, Tiera, Big Machine Label Group’s Allison Jones, The Valory Music Co.’s George Briner, Big Machine Label Group’s Darielle Schroeder, Big Machine Label Group’s Carly Strickland. Photo Credit: Seth Hellman for The Valory Music Co.

Breakout artist Tiera has signed with the Valory Music Co.

She released her debut, self-titled EP earlier this year, and is paving her own path with standout R&B/country tracks “Found It In You” and “Shut It Down.” She was inducted into CMT’s Next Women of Country Class of 2020 and was honored by AIMP for their Rising Songwriters Class of 2020. When not in the writer’s room or recording studio, the Alabama-native hosts a daily radio show on Apple Music Country, The Tiera Show. Tiera is set for her next milestone moment on Aug. 17, when the budding young artist makes her Grand Ole Opry debut.

“When Tiera walks into a room she instantly brightens it with her charm, wit and amazing talent,” says Big Machine Label Group President/CEO Scott Borchetta. “I was knocked out the moment I met her and cannot wait for the world to discover her. This is a very special new talent.”

“When I first moved to Nashville I had this vision of what the perfect record deal would be,” says Tiera. “Above all, I wanted to be somewhere where they loved and understood the music and brand that I had built as an independent artist. I wanted to work with people that worked just as hard as I do for my music. I didn’t want to just gain a team, I wanted to gain a family. That’s exactly what I found in the Valory team. They were so enthusiastic from the moment I met them and I just couldn’t be more thrilled to be a part of The Valory Music Co.!”

Tiera was the flagship songwriter for Nicolle Galyon’s Songs & Daughters publishing company. She is represented by OH Creative Management and WME in Nashville.

Big Loud Records Launches Rock/Alternative Imprint, Big Loud Rock

Big Loud Records, the home to country acts Morgan Wallen, Jake Owen, Chris Lane, Hardy and many more, has announced the formation of a new rock/alternative imprint, Big Loud Rock.

The emerging label will bring on A.J. Kasen as Senior Vice President of A&R. Kasen started his career at Lava Records in 2011, where he worked with artists Lorde, Jessie J and Black Veil Brides. In 2015, he joined Better Noise Music as the Director of A&R, then bumped up to Vice President in 2017, working directly with artists including Motley Crüe, AWOLNATION, Dirty Heads, Five Finger Death Punch, The Hu, and more. He now joins President and Partner, Greg Thompson, and fellow SVP, Lloyd Aur Norman.

A.J. Kasen. Photo: Lara Schweller

“We’re honored to have A.J. join the Big Loud family,” says Thompson. “It’s exciting to have someone with his pedigree to continue and grow our commitment in the Rock world. Having him team up with Lloyd will give us the best leadership we could imagine.”

Big Loud Rock recently announced its first signed act as Blame My Youth— a new band fronted by former rock band Empires member, Sean Van Vleet. The group’s current single, “Fantastic,” just hit the Top 30 on both the MediaBase Active Rock and BDS Mainstream Rock charts, with a debut EP due this fall.

Meanwhile, Hardy’s cover of the Puddle of Mudd classic, “Blurry,” was released on Big Loud Rock earlier this year.

Tim McGraw And Faith Hill Tapped To Star In Upcoming ‘Yellowstone’ Prequel

Pictured (L-R): Sam Elliott (Courtesy of Deadline/REX/Shutterstock); Faith Hill; Tim McGraw

Tim McGraw and Faith Hill are set to star in the Paramount + prequel to the Emmy-nominated series Yellowstone, in a new series called 1883. 101 Studios and Bosque Ranch Productions will serve as production partners on the new drama.

Created by Taylor Sheridan, 1883 follows the Dutton family as they embark on a journey west through the Great Plains toward the last bastion of untamed America. The episodes offer a stark retelling of Western expansion, and a study of one family fleeing poverty to seek a better future in America’s promised land of Montana.

Academy Award-nominated actor Sam Elliott will star alongside McGraw and Hill in the prequel as Shea Brennan, a tough-as-nails cowboy with immense sadness in his past who has the task of guiding a group from Texas to Montana including James and Margaret Dutton, portrayed by McGraw and Hill.

“This is truly a dream job,” says McGraw. “Taylor has found a way of storytelling that brilliantly creates these epic dramas and family sagas with so much depth and creativity.  The Duttons are tremendous characters and it’s so thrilling to be able to bring them to life. As a kid growing up riding horses, you think about dream jobs like this and I am just so excited to work with this amazing cast and crew.”

“This is the opportunity of a lifetime,” says Hill. “The Duttons are a formidable family and it is an absolute dream to bring such a strong female character like Margaret Dutton to life. I am humbled and honored to work with Taylor and his entire team.”

“Yellowstone is a massive hit show with tens of millions of fans – with 1883, we are taking those fans back to the origin story, and in the process, turning the Yellowstone world into a global hit franchise to fuel the growth of Paramount+,” says Chris McCarthy, President/CEO, MTV Entertainment Group. “We are thrilled to have Sam, Tim and Faith as the stars of Taylor Sheridan’s new series exclusively for Paramount+ around the world.”

Applications Now Open: MusicRow’s 2021 Publisher Issue Directory

New applicants for inclusion in the Publisher company directory for the upcoming MusicRow Publisher Issue print magazine are now being accepted through Aug. 13. Along with the directory with contact information for Nashville’s publishing community, the issue also features exclusive editorial content focused on this essential segment of our business.

To submit your company for consideration, complete and submit this form.

For questions, please contact LB Cantrell at lbcantrell@musicrow.com. To reserve ad space in the 2021 Publisher issue, contact srobertson@musicrow.com. Rate card information is available here.

Become a subscribed member of MusicRow here to make sure you don’t miss the annual Publisher Issue.

Carly Pearce Officially Becomes A Grand Ole Opry Member

Carly Pearce. Photo: Chris Hollo

Carly Pearce was officially inducted as the newest member of the Grand Ole Opry family last night (Aug. 3) by Opry member Trisha Yearwood. The show will air on Circle Television on Saturday, Aug. 14.

Pearce was introduced on stage by Opry member Jeannie Seely who shared, “Carly has all the obvious wonderful traits, but she has that one extra thing, determination. She has the sincerest dedication and strongest work ethic of anyone I’ve ever known in my life. And she never strayed from her path of wanting to be a member of the Opry.”

During the special evening Pearce performed her hit “I Hope You’re Happy Now,” and during a press conference earlier in the evening, Big Machine Label Group President/CEO Scott Borchetta and RIAA Vice President, Artist & Industry Relations Jackie Jones surprised Pearce with a plaque commemorating the 2X Platinum certification for the hit. As she sang the chart-topper solo for the Opry crowd, duet partner Lee Brice was also presented the honor at the Ryman Auditorium.

Pictured (L-R): Big Machine Label Group President/CEO, Scott Borchetta; Carly Pearce; RIAA Vice President, Artist & Industry Relations, Jackie Jones. Photo: Chris Hollo

Pearce also performed a duet with Yearwood on “How Do I Live,” before Yearwood officially inducted her, saying “This is a very special place, and when you are invited it’s an invitation to the family. So, with much pride and joy, Carly you are now an official member of the Grand Ole Opry.”

The newest member of the Opry also performed a new song to commemorate her special moment, “Dear Miss Loretta,” an acknowledgement she wrote to one of her profound influences she debuted on the Opry stage. Expressing a true understanding for Loretta Lynn’s pain and life in the song, she enlisted fellow Kentuckian Patty Loveless for a doleful pairing that spans three generations and will be featured on her upcoming album 29: Written in Stone. The evening culminated with Pearce, Yearwood and Seely blending three generations of traditional country harmonies on the Kitty Wells classic “Making Believe.”

Pictured (L-R): Trisha Yearwood, Jeannie Seely, Carly Pearce. Photo: Chris Hollo

“What makes this family something special to be a part of is you can have hit records and sell out shows, but all of that can fade and this is something I will have forever,” said Pearce. “It’s a stage to sing on, a circle to stand in and a forever family. This is super special to me. All I ever wanted to do was sing country music. This isn’t another accolade or feather in my cap but a promise that I will do my due diligence to make sure the circle is never broken.”

Garth Brooks To Assess Remainder Of Stadium Tour Dates Due To COVID Spike

Garth Brooks at a press conference on Friday (July 30). Photo: Sherod Robertson

Days after Garth Brooks‘ scheduled stop at Nashville’s Nissan Stadium was rained out on Saturday night (July 31), Brooks has announced he is planning to use an upcoming break in his stadium tour to re-assess the tour’s continuation with respect to the COVID infection risk.

Numbers of COVID cases have been on the rise due to the highly contagious Delta variant, with the CDC reporting more than 35 million cases in the last 30 days.

Brooks is scheduled to play Kansas City, Missouri on Aug. 7 and Lincoln, Nebraska on Aug. 14. Following the Nebraska show, the Garth Brooks Stadium Tour will have a three-week window without a concert scheduled in which the tour will assess the remainder of the dates this year.

Brooks’ Seattle, Washington stop on Sept. 4 will be the first show back after those three weeks. Due to uncertainty about the remainder of the tour, the tickets for Seattle, which were supposed to go on sale this Friday, Aug. 6, will not be going on sale yet.

“It breaks my heart to see city after city go on sale and then have to ask those sweet people and the venues to reschedule,” says Brooks. “We have a three week window coming up where we, as a group, will assess the remainder of the stadium tour this year. It’s humbling to see people put this much faith in you as an artist, and it kills me to think I am letting them down.”

Details Announced For CRS 2022 In-Person Gathering

Country Radio Seminar (CRS), country music’s largest industry gathering, will return in person at the Omni Nashville Hotel in Nashville, Tennessee, on Feb. 23 – 25, 2022.

CRS 2022 will also see the return of the CRS Streaming Summit on Wednesday, Feb. 23—which will likely address the online music listening and streaming subscriptions surge that took place during the pandemic. A one-day pass to attend the streaming summit will be available for $249 per person.

CRS Executive Director, RJ Curtis, says “CRS ’22 will open Wednesday, February 23rd with our 2nd annual, all-day Streaming Summit; enhanced and customized to give attendees a live, unforgettable experience. And, we’ll be revealing additional blockbuster content in the next two weeks that will make CRS ’22 an important, necessary destination for everyone determined to preserve our format’s continued success and longevity. We’ll see you in February!”

Registration for CRS 2022 opens Aug. 17 at 10 a.m. CT at the Early Bird Rate of $549 per person and will be available for purchase at countryradioseminar.com. Effective Aug. 19, the rate will increase to $649 per person. A ticket to the annual New Faces of Country Music Showcase is only included with in-person registration packages and will only be available until full capacity is reached.

Following the success of CRS 2021: The Virtual Experience livestreams, CRS will also be offering a virtual track featuring livestream sessions and on-demand content from the 3-day event. Musical performances will only be available in-person and not available through the virtual experience. The Early Bird rate for a CRS Virtual pass is $99 per person, and effective Aug.19, the rate will increase to $129 per person. Full in-person registrants will also be provided access to the virtual experience and receive the on-demand session library.

CRS Board President, Kurt Johnson, adds, “We’re back—live, in-person and better than ever for CRS ’22. This will indeed be the greatest family reunion ever in country music, and it just wouldn’t be the same without you. So, make plans to join us at the Omni in February!”

Marty Stuart Signs With Sheltered Music Publishing

Pictured (L-R): Lance Freed (President Sheltered Music Publishing), Marty Stuart, Darrell Franklin (SVP Sheltered Music Publishing)

Marty Stuart has signed an exclusive publishing deal with Sheltered Music Publishing.

A five-time Grammy-winner, Platinum recording artist, Lifetime Achievement Award recipient from the Americana Music Association, Grand Ole Opry star, country music archivist, photographer, musician, and songwriter, Stuart was also most recently inducted into the Country Music Hall of Fame’s class of 2020 in the Modern Era Artist category.

Among his current projects are Songs I Sing In The Dark, a collection of songs recorded acoustically at Stuart’s former home outside of Nashville. An upcoming project Altitude, with his Fabulous Superlatives band, is also ready for release, and he and the Fabulous Superlatives are also putting the finishing touches on a yet-untitled cinematic surf record.

“When I met with Marty to ask him to join us at Sheltered Music with our promise to collaborate and help him in all of his future songwriting endeavors, he reached out with open arms and didn’t hesitate to say yes” says Sheltered Music SVP, Darrell Franklin. “Marty hasn’t lost a step as a writer or as a performer and we are honored and privileged that he has agreed to join us.”

“Humility and grace are part of the enduring character of people who have achieved greatness in their chosen field. Marty Stuart has already had a lasting, historical impact on country music,” says Sheltered Music President, Lance Freed.  “We are excited to be part of his next chapter as he continues to add to that legacy as a great musician and songwriter.”

“When it’s all said and done, the most important thing is the song,” states Stuart. “What often invites a great song into the room is an inviting, creative atmosphere, hosted by caring, musical people. You will not find any more loved and respected song men than Lance Freed and Darrell Franklin. Such pros, their track records say it all. It is such an honor to join forces with them.”