Ashley Gorley Takes No. 1 Spot On MusicRow Top Songwriter Chart

Ashley Gorley. Photo: Katie Kauss

Ashley Gorley has taken the No. 1 spot on the MusicRow Top Songwriter Chart this week, moving Zach Bryan to No. 2.

Gorley has eight songs on the country charts this week, including “Young Love & Saturday Nights,” “Last Night,” “Thinkin’ Bout Me,” “World On Fire,” “Truck Bed,” “Save Me The Trouble,” “All I Need Is You” and “This Town’s Been Too Good To Us.”

Bryan holds the No. 2 position this week with hits “I Remember Everything,” “Hey Driver,” “Sarah’s Place” and “El Dorado.”

Randy Montana has cracked into the top three this week with “This Is My Dirt,” “Where the Wild Things Are” and “Different ‘Round Here.” Chayce Beckham and Jelly Roll hold the No. 4 and No. 5 spots, respectively.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

Charles Esten Delivers Truth, Gratitude & Perspective On Debut Album [Interview]

Acclaimed entertainer Charles Esten has continued to attract an array of audiences with his storytelling skills. Whether he’s on your screen, on stage in front of you or coming through your speaker, the artist and actor always aims to tell stories in the most authentic and truthful manner possible.

For over a decade, Esten devoted himself to cultivating a collection of songs that emphasize the beauty of love and life even during hard times. On Friday (Jan. 26), he finally shared that full collection with the world when he released his independent debut album, Love Ain’t Pretty.

Serving as a co-writer on all 14 tracks with acoustic guitar credits, Esten spoke candidly with MusicRow about the time and care poured into the project.

From the time he was little boy, Esten loved to sing and make his own music. This love led him to win his school’s third-grade songwriting competition, and join a band during his college days at William & Mary. When the rest of the group parted ways to pursue other careers after graduation, Esten still wanted to chase his musical dream. He had a few actors friends in Los Angeles and decided to move there and try that, in hopes of meeting and joining another band.

Although he never met that desired other group—and grew quite busy when he found success in acting—Esten never stopped writing and always had instruments in his home, even teaching his kids how play to guitar and piano. It was when he scored the role of Deacon Claybourne on ABC/CMT’s television series Nashville and made his way to Music City that his first love and passion came back into his life full-force.

“I had been practicing on my own for so long that suddenly coming into this world, where you could co-write with an incredible songwriter and be surrounded by great musicians who would hop on [the song] and record it with you, felt like I was walking into heaven. This is where I felt like I was meant be,” he shares. “I began making music immediately, but took some time before deciding what kind of album I wanted to make.

“[Nashville] is built in such a way that people can quickly get up and perform, whether it’s on Broadway or at writers’ rounds. As a young actor in Los Angeles, it’s brutal trying to be heard or seen, and often takes a long time. But here, people can easily be heard or seen. I’m not saying it’s easy to make it, but it’s easy to be seen.”

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During his time on the television series, Esten started to piece together Love Ain’t Pretty with producer and title track co-writer Marshall Altman and other great musicians. While filming Nashville, he learned that the truth within a scene and song is what connects them to their audience. The charismatic creator divulges the realness he and Jeffrey East infused into track “When Love Ain’t Love,” tapping into truthfulness to accurately articulate evolving feelings that can be difficult to describe. “That song is clean and simple. It’s a little poetic, but it’s mostly just something that is very real and true. I believe [those lyrics]—there’s not a word in there that I don’t believe.”

Known for his roles as Claybourne and Outer Banks‘ Ward Cameron, Esten’s acting skills help him to switch his view on life to a different lens in the music world.

“As an actor, you have to get good at putting yourself in someone else’s boots and walking in them for a while. So when writing from different perspectives, I become [those people] in the same way that I become Ward or Deacon,” he notes. “You have to use as much empathy and emotional intelligence as you can muster to [present ideas] from a different point of view.”

“One Good Move” marked the first Love Ain’t Pretty single release, which Esten spontaneously wrote with Sam Backoff, Zarni deVette and Elise Hayes while on a writing retreat after he disclosed his younger, more rebellious behavior back in the day to them, deeming his wife Patty his “one good move” during that time. “I call my wife ‘the blessing from which all others derive.’ It started with her, so why not start the releases with my ‘One Good Move’?”

Another single from the album is “Down The Road (feat. Eric Paslay).” Esten says that once he, Paslay and Dylan Altman got the concept down and rock gusto going, things took off and they developed the hopeful anthem that encourages listeners to look towards the future and the good times to behold. When writing, Esten likes his songs to be both “singable and sayable,” and is constantly asking himself and/or his collaborators “What do we want to say here?”

It was the answer to this question that ultimately determined the title track. While penning the last of the record’s tunes, Esten, Marshall Altman and Jimmy Year posed it to one another and sought to find the response until one of them said, “It’s hard, it’s tough, it’ll wreck you, love ain’t pretty.” The artist states that the following line, “but it’s beautiful,” is what he believes completed the answer to that faithful question, and says the song as a whole seems to sum up everything the album touches on.

“You have to write what you love and write what moves you,” says Esten. “Love ain’t pretty, life is hard—those are a given—but I would love if any of these songs became something that people could go to during hard times, or something that could make them laugh on their road back to happiness. If this was a part of that soundtrack for somebody, that would mean everything to me.”

Anthem Entertainment Purchases Selection Of Creative Nation & Luke Laird Copyrights

Luke & Beth Laird. Photo: Spencer Combs

Creative Nation co-founders Beth and Luke Laird have sold certain copyrights in the Creative Nation and Luke Laird song catalogs to Anthem Entertainment.

With Beth at the helm, Creative Nation has become a leader in the Nashville music publishing scene over the last 11 years, with 20 No. 1 songs and over 60 radio singles. The Creative Nation catalog includes back-to-back country and pop No. 1s with Sam Hunt’s “Hard To Forget” and Harry Styles’ smash “Watermelon Sugar.” It also includes cuts across multiple genres such as No. 1 hit “Adore You” by Styles and other releases by Lady Gaga, Sam Smith, Carrie Underwood, Miranda Lambert, Little Big Town, Parmalee, The Highwomen, Tim McGraw, Sara Bareilles, Jon Pardi, Luke Combs, Jordan Davis, Morgan Wallen, Kacey Musgraves, Maren Morris, Thomas Rhett and more.

The company is made up of publishing, management, artist development and records sectors, and counts songwriters Kassi Ashton, Barry Dean, Lori McKenna, Steve Moakler, Travis Wood and Ben West on its publishing roster.

“Luke and I have worked hard to sign quality people and songwriters and continue to commit to that. We are excited to announce that Anthem Music Publishing purchased Creative Nation’s exploited songs from the past 11 years,” Beth shares. “I’m grateful to Jason Klein, Sal Fazzari, Andrew Jamal, Adrian Battiston and Gilles Godard, and everyone at Anthem who worked with our team (Derek Crownover, Megan Pekar, John Rolfe, Chris King and Kella Farris) for making this such a smooth and transparent process. It’s great to know our past copyrights are being taken care of by a great publisher and we are excited to continue building Creative Nation.”

Luke is a three-time Grammy-nominated songwriter, was named BMI’s Country Songwriter of the Year in 2023 and ACM’s Songwriter of the Year in 2015. He has amassed 24 No. 1 songs and won six CMA Triple Play Awards.

Of the acquisition, he adds, “Over the years I have been fortunate to have songs recorded by so many incredible artists. I’m grateful that a company as renowned as Anthem sees the value in these songs, and I’m excited my exploited copyrights have been sold to Anthem alongside the Creative Nation songs.”

The acquisition continues the momentum of the Anthem Nashville publishing team, who recently celebrated Davis’ recent re-signing and No. 1 “What My World Spins Around.” The company also recently charted four songs in the top 30 on the country charts with No. 1 hit “Wild as Her” co-written by Kelly Archer, “Next Thing You Know” by Davis, “You, Me, And Whiskey” co-written by Cole Taylor and “How It Oughta Be” by Shane Profitt.

Godard, President of Anthem Music Publishing Nashville, shares, “I have watched Luke and Beth build a world class catalog over the last decade with iconic copyrights and amazing diversity from country to global pop hits. It is an honor and a privilege to now represent this impressive legacy body of work.”

Crownover, Pekar and Rolfe of Loeb & Loeb handled the transaction on behalf of Creative Nation and Luke Laird.

Charges Against Chris Young Dropped After Review Of Evidence

Chris Young. Photo: John Shearer

The charges brought against Chris Young earlier this week after his arrest at a Nashville bar have been dropped, according to a statement from District Attorney General Glenn Funk.

Young was arrested on Monday night (Jan. 22) and charged with disorderly conduct, assaulting an officer and resisting arrest after an altercation with a Tennessee Alcoholic Beverage Commission (TABC) agent who was checking IDs at a downtown bar in Nashville. By Tuesday (Jan. 23), security video footage from the bar was released, showing that the agent initiated the physical altercation with Young.

“After a review of all the evidence in this case, the Office of the District Attorney has determined that these charges will be dismissed,” Funk said.

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Though the singer has been unable to comment directly on the incident, his attorney, Bill Ramseyspoke out on Tuesday.

Morgan Wallen Shares Statement & ‘Spin You Around (1/24)’

While on a duck hunting trip last night (Jan. 25), country star Morgan Wallen shared a statement with fans disclosing regret surrounding a past record and artist management deal. He notified fans that a 10th anniversary edition of his EP Stand Alone was set to be released today (Jan. 26) without his consent.

“I’m writing y’all from a duck hunting trip because I want to fill you in on something happening tonight,” he states.

“Back in 2014, I went to Florida to try my hand at making original music and songwriting for the first time. This led to a recording deal with a local investor and an artist management deal that I deeply regret. Unfortunately, I signed both deals without any legal representation.

“We made 13 songs. Some were ok, most were terrible as I was just learning how to write in general and figuring it all out. I was not the only collaborator, so many of these songs were not my idea nor to my standards. We deemed five worthy-enough to make the Stand Alone EP which includes a fan-favorite, ‘Spin You Around.’

“Tonight, those colleagues I parted ways with almost 10 years ago plan to release a ’10th Anniversary’ edition of Stand Alone against my wishes and include eight unreleased songs, distributing it with the assistance of my former managers. For months I’ve been exploring every avenue possible to acquire the rights to this old music and keep the quality of my catalog consistent with songs I choose to release & believe in.

“It’s gross, greedy and an example of how the dark side of the music business can suck the soul out of artists.

“I want you to know this is NOT my new music and I don’t want to see this happen to anyone else. I cringe when I listen to these songs and I’m concerned my fans may mistakenly believe this is a new release by me. I begin recording my next project at the end of February. I’m feeling inspired creatively and super excited to make more music I’m proud of.”

In response to the unwanted release, Wallen has dropped a new version of the song, “Spin You Around (1/24),” which he recorded this week. He also shared that he created the re-recorded track’s artwork while hunting, and will be donating $100,000 from the Morgan Wallen Foundation to the Volunteer Lawyers & Professionals for the Arts (VLPA) program in hopes that young aspiring musicians read his story and know they should never have to give up their creative freedoms for an opportunity in the industry.

“Trust me, when new music is ready, you’ll hear it directly from me,” concluded Wallen.

Luke Combs Notches Four-Week No. 1 On MusicRow Chart With ‘Where The Wild Things Are’

Luke Combs At Nissan Stadium. Photo: Courtesy of David Bergman.

Luke Combs‘ “Where The Wild Things Are” has notched its fourth week at No. 1 on the MusicRow CountryBreakout Radio Chart this week, making it Combs’ longest consecutive run at No. 1 on the MusicRow chart. His hit “The Kind Of Love We Make” spent four non-consecutive weeks at No. 1 in 2022.

“Where The Wild Things Are” is also Combs’ 20th MusicRow No. 1 as an artist, including collaborations. It was written by Randy Montana and Dave Turnbull and appears on Combs’ Gettin’ Old album.

Combs will perform on the annual Grammy Awards telecast on Feb. 4, where he is also up for an award for Best Country Solo Performance with “Fast Car.”

“Where The Wild Things Are” currently sits at No. 7 on the Billboard Country Airplay chart and No. 5 on the Mediabase chart.

Click here to view the latest edition of the MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

Lisa Harless Retires After More Than 38 Years With Regions Bank [Exclusive]

Lisa Harless

Music Row veteran Lisa Harless has retired from her position as Sr. VP/Wealth Advisor, Entertainment and Sports Division of Regions Bank. She was with the company for more than 38 years.

“When I reflect on the past three and half decades, I am incredibly blessed to have known and worked with the legendary and incredibly talented individuals I have worked with—and how fulfilling to have been involved in helping them achieve their financial and career goals,” Harless tells MusicRow. “How fortunate I have been to work with a company like Regions which gives back to our community in countless ways, is an annual corporate sponsor of key music industry organizations, and is the title sponsor of the NSAI’s Tin Pan South Songwriters Festival.”

Harless, a graduate of Lipscomb University, joined Regions in 1985 following time at Aetna Casualty and Surety. In her executive post at the bank, she assisted clients with a wide range of financial services including deposit and credit needs, investments and estate and financial planning.

Private Wealth Advisor Chase Chapman and Music Row Branch Manager Melodie Zack will now head Regions’ Music Row leadership team.

“I have tremendous confidence in our Regions Music Row leadership team,” Harless says. “Chapman and Zack share my passion for meeting the financial needs of those in the entertainment industry, and this is the ideal time to turn the banking leadership reins over to them to carry on our tradition of outstanding client service!”

In retirement, Harless will enthusiastically continue her involvement with music and songwriter events, supporting the non-profits close to her heart and serving on Boards and Advisory Councils of key organizations. She also plans to travel with her husband and spend time with her family.

In recognition of her retirement, the Regions Foundation of TN has honored Harless with a $10,000 donation to W.O. Smith Music School in her honor, an organization she holds dear.

Harless describes this transitional season as “reFIREment,” as she is “fired up” about her future plans and all she wants to accomplish in this next chapter.

BMG Promotes Jon Loba To President Frontline Recordings, North America

Pictured (L-R): Jon Loba, Thomas Coesfeld and Thomas Scherer. Photo: Courtesy of BMG

BMG is now increasing investment in its U.S. record labels as it “doubles down” on its North America operation, which already accounts for more than 50 percent of its revenue. As part of the plan, BMG Nashville President Jon Loba will become President Frontline Recordings, North America, taking charge of BMG’s entire North American frontline records business across Nashville, Los Angeles, New York and Canada. His other responsibilities include the Rise (Spiritbox, Sum 41) and RBC (Chief Keef, Run The Jewels) imprints as well as the main BMG label.

Additionally, Thomas Scherer, who oversaw publishing and recordings in Los Angeles and New York, will become President Global Catalog Recordings, while retaining his responsibilities as President, Music Publishing, North America. Alongside CFO North America Joe Gillen, they will comprise BMG’s U.S.-based leadership.

BMG CEO Thomas Coesfeld says, “We are making good on our promise to double down on our U.S. operation with a distinctive new approach: an integrated frontline operation spanning the whole of North America plus a Global Catalog business steered from Los Angeles. BMG is stepping up. This is an integral part of our new strategy to deliver for artists and songwriters and go for growth.”

Loba joined BMG in 2017 when the company acquired Nashville-based BBR Music Group. He has since grown a roster that already included country superstars Jason Aldean and Dustin Lynch to breakout artists such as Blanco Brown, Parmalee and 2024 Grammy nominees Jelly Roll and Lainey Wilson. In 2023, Loba played a key role in BMG receiving its first Billboard Hot 100 No. 1 with Aldean’s “Try That In A Small Town,” and Jelly Roll and Wilson accounted for six of the 12 awards presented at the CMA Awards.

“Under Jon Loba, BMG Nashville has exceeded our expectations year after year. Jon is not only one of the most accomplished record executives in Nashville, the multi-genre success he has achieved with Jelly Roll makes him the ideal person to take additional responsibility for our Los Angeles, New York and Canada recordings business as we further pursue our objective of making BMG the most effective and artist-friendly destination for artists, both established and new,” says Coesfeld. “Jon is a true entrepreneur and combines music savvy with an instinctive and well-rounded managerial style. I am delighted he is stepping up to take on this challenge.”

“We have created something special with our artists in Nashville. I am excited at the opportunity to apply the timeless formula we have employed there–genuine partnership with authentic new artists–to BMG’s broader North American recorded business,” shares Loba. “I am grateful to Thomas Coesfeld for his constant inspiration and trust and to the broader BMG team. It’s been an exciting six months since Thomas was named CEO. His energetic and strategic approach to the business has been very inspirational for all of us, because that’s the way our Nashville team runs. I’m looking so forward to working even closer with our staff throughout North America and as important, helping bring the visions of our amazing artists to life.”

Dean Dillon Signs Publishing Deal With River House Artists & Sony Music Publishing

River House’s Zebb Luster, Dean Dillon and River House’s Lynn Oliver-Cline

Iconic country songwriter Dean Dillon has signed a worldwide publishing deal with River House Artists, in partnership with Sony Music Publishing.

Dillon is a member of the Nashville Songwriters Hall of Fame and the Country Music Hall of Fame. Having penned many iconic hits for chart-topping artists including George Strait, Kenny Chesney, Lee Ann Womack, Toby Keith and many more, Dillon was named the BMI Country Icon in 2013 and has amassed a combined total of 31 BMI Country and Pop Awards.

His association with Strait over the years has brought him to an icon status in country music with over 76 hits together, including the Grammy-nominated “Breath You Take” as well as “The Chair,” “I’ve Come to Expect it From You,” “Easy Come, Easy Go,” “She Let Herself Go,” “The Best Day” and endless more.

“We are thrilled to have Dean Dillon join our River House roster. His songwriting is unparalleled, and this is such an exciting time for us,” says Zebb Luster, VP/GM of River House Artists. “I have been a true fan of his songwriting for years and how it has forged a path in country music history. We are honored that he trusts us to continue to further his incredible songwriting legacy.”

Dillon adds, “I’m so excited to be part of the River House family. The team has an excellent track record and are such thoughtful stewards of great songs. I’m looking forward to working with them to further my lasting legacy as a songwriter.”

Dillon moved to Nashville in 1973, and his career has been one that most Music City songwriters aspire to have. His first No. 1 was “Lying Here in Love With You,” recorded by Jim Ed Brown and Helen Cornelius and co-written with Gary Harrison.

Dillon’s latest hits have included George Strait’s “Here for a Good Time” and “Livin’ For the Night” as well as “It’s a Little Too Late” performed by Keith and “I’m Alive” by Chesney and Dave Matthews. In addition to his songbook of hits for other artists, he has charted eight of his songs as a recording artist, with “I’m Into the Bottle (To Get You Out of My Mind)” breaking into the Top 30.

Chris Young’s Attorney Releases Statement

Chris Young. Photo: Jeff Johnson

Chris Young‘s attorney Bill Ramsey has issued a statement denouncing the singer’s arrest earlier this week, when he was charged with disorderly conduct, assaulting an officer and resisting arrest after an altercation at a bar in Nashville.

After his arrest on Monday night (Jan. 22), Young’s mugshot was shared across social media and national media outlets. Reports shared that he had allegedly assaulted a Tennessee Alcoholic Beverage Commission (TABC) agent who was checking IDs at a downtown bar in Nashville.

Video evidence that surfaced on Wednesday (Jan. 24) seemed to show that the agent initiated the physical altercation with Young.

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Though the singer has been unable to comment directly on the incident, his attorney has spoken out.

“What happened to my client Chris Young at a bar in Nashville on Monday night was wrong and he never should have been arrested and charged in the first place,” Ramsey says. “In light of the video evidence, Tennessee ABC needs to drop the charges and apologize for the physical, emotional and professional harm done towards my client.”