Terrestrial Radio Technology Challenge Rising

Terrestrial radio, like many media properties, has recently faced sobering economic challenges, not the least of which could be a fast approaching showdown with Internet radio. There are those that cry the sky is falling for terrestrial radio—because Internet radio in cars is already on the horizon and because the costs of setting up a pure-play online signal are significantly lower than the cost of entry into the land-based radio business.

However, radio’s future may still be very much alive. “One of Internet radio’s greatest challenges has been brand awareness,” says a Bridge Ratings Report titled Is Terrestrial Radio Ready For A Digital Future? “Compared to its terrestrial simulcast brothers whose Internet brands are well-known to a good percentage of its AM/FM audience, pure-play Internet radio can get lost in the mix of over 65,000 streams around the world.”

But the Bridge Ratings report warns that social media networking can be very effective and warns stations that fail to harness its power of being left behind. “Terrestrial radio management in general seem to be getting the message that leveraging the Internet’s tools to further its business is a critical component of future growth and success. Intellectually it is clear. In the old days, the speed of change was manageable in an environment where the ability to act was sometimes detained due to operational limitations. In 2010 the luxury of waiting to act is more of a detriment.” The Bridge Ratings study cites that 91% of Americans own cell phones and names Internet radio streaming as the fourth most popular activity used with those phones after social networking (29%), text messaging (25%), and Tweeting (22%).

Edison Research VP Tom Webster’s recent study (with Arbitron) The Infinite Dial 2010 claims, “The Internet has nearly usurped radio as the primary source for music discovery.” Webster comforts programmers saying they too can, “put up a website.” He also adds, “The curation of music is still based upon credibility and branding. Terrestrial radio brands have every bit as much right to earn and retain a credible claim to an image for music discovery as Internet outlets.” He cites music discovery as being important because, “Music is important.”

What Are You Waiting For?

Bridge Ratings spoke with 242 GMs at the top 150 radio markets to find out what might be preventing them from transitioning or transitioning faster toward a digital future. Budget was the most popular response (92%). Another concern was “having the know-how or specially trained personnel dedicated to digital efforts (91%).” However, considering the stacks of research which prove the growing importance of a coordinated digital strategy, should these answers be viewed as justifiable roadblocks, or merely excuses for poor implementation?

Country Radio Broadcasters, which will host its annual CRS country radio event again on March 2-4, 2011 recently held a One-on-One event devoted to New Media marketing opportunities. It’s encouraging that CRB is using its leadership role to focus on the future. According to its new website, CRB’s event is “an annual convention designed to educate and promote the exchange of ideas in the Country music industry.” One can only hope that included in the CRS 2011 Agenda will be ample time devoted to understanding the challenge of Internet radio, social networking and discussion of various strategies for leveraging your brand and staying competitive in this about-to-explode new marketplace.

According to CRB Executive Director Bill Mayne, “The 2011 agenda is taking shape, but not yet complete.” Mayne insists however, that social networking and Internet Radio are on the Agenda Committee’s radar. That’s great news, because country radio’s support for the country music industry remains critical and the record industry has a vested interest in its continued health. But just like Gulf Coast store front owners who board the windows when a hurricane approaches, country radio had best begin facing tomorrow head on, lest the future sweep it off its feet.

Adkins and Petty Go Head to Head For Headache Powder

Longtime competitors BC Powder and Goody’s Headache Powders have recruited country star Trace Adkins and NASCAR legend Richard Petty for what has been dubbed the Pick A Powder campaign. As part of the campaign, the two celebrities will play out a humorous rivalry of one-upsmanship about who experiences the toughest pain, with their respective brands leading the charge. 

The BC and Goody’s Pick A Powder campaign plays off the fierce and generational loyalty users have to either Goody’s or BC.

Both Adkins and Petty will try to get their fans around the country to pick their team online at www.pickapowder.com to support either Team Richard for Goody’s or Team Trace for BC. The man who gets the most fans to join his team will get to see the other “perform” live at the Goody’s 500 in Martinsville, VA next spring. The campaign also features a charity component with a donation being made to the Wounded Warrior Project on behalf of Adkins and BC, and Victory Junction Camp for seriously ill children on behalf of Petty and Goody’s.

Through a series of spoofs, jabs, challenges and contests, Adkins and Petty take on new experiences in each other’s profession that sometimes work and sometimes don’t. The funny moments were captured on film and will be posted to www.pickapowder.com. Fans will be able to watch 6-foot-6 Trace try to get in and out of Petty’s race car, and you’ll be able to hear Petty sing Karaoke. Fans of either or both men will be brought into the fold to help decide which brand is the favorite among powders users and which one of the two men truly suffers from the toughest pain.

Once registered, fans can vote daily through September 30, 2010. Fans and supporters will be able to participate in various contests and win prizes, including an all expense paid VIP trip for four to The Goody’s 500 at Martinsville Speedway (race tickets, air and hotel) for the Team Richard winner, and an all-expense paid VIP trip for four to a Trace Adkins concert stop (concert tickets, air and hotel) in early 2011 (location TBD) for the Team Trace winner. Winners will be announced in early October.

“I want to win and I want my fans to win, so I encourage everyone to join Team Trace,” said Adkins. “I want to see Richard feel some of my pain for a change. He thinks we have it so easy out here on the road, but he has no idea.”

Nashville Music Council Outlines Goals For Future

Mayor Karl Dean Photo: Alan Mayor

The Nashville Music Council is made up of 50 of the industry’s most experienced players who are working with Mayor Karl Dean’s office to turn this city into a “Global Music Capital.” After a year of assessing the situation, the Mayor and Music Council leaders presented their goals to a group assembled at the W.O. Smith Music School Tuesday (6/29) afternoon.

The Mayor organized the council to spur communication between the industry and the government; to work together to build Nashville’s brand as Music City. Council head Mary Ann McCready credits him with unprecedented efforts in reaching out to the music industry.

McCready said that the Council quickly realized one of its main functions would be as a place for “ideas to land and be vetted and implemented.” Dean highlighted the Music Council’s four focuses: music education, branding and jobs, live music, and creative talent. “Nashville’s music business attracts the kind of creative people our city needs to build a strong future,” he explained.

As co-head of the Branding and Jobs subcommittee, Mark Montgomery is also honed in on the future. “Nashville has the potential to be the epicenter of the new music business,” he said. One way he wants to achieve that is to nurture the relationship between music and technology.

Tim Dubois, co-head of the Creative Talent subcommittee, explained his group’s initiatives which include starting a one-stop resource center for those interested in relocating to Nashville, and then providing them with a support infrastructure once they arrive, such as housing. To that end, meetings with the Metro Development and Housing Authority have already taken place. Helping people maintain employment is another focus. However, during the Q&A, a struggling musician in the crowd questioned how the city can support an influx of more creative types when many who are already here are struggling to make a living.

Rod Essig’s Live Music subcommittee exemplifies the diversity of the Council, and is made up of genre-spanning artists like Emmylou Harris, Kix Brooks, and Jack White and industry stalwarts such as producer Tony Brown. Essig noted that a variety of genres already host annual conferences and festivals here, and for three years starting in 2011, Nashville can add the National Folk Festival to that list. He touted the city’s desperate need for an amphitheater for outdoor summer music, as well as the need for a 1500-seat venue, adding that the latter void could be filled as early as six months from now. As for immediate progress, the Council’s Musician’s Corner opens July 10 at Centennial Park.

Essig noted that sponsorships and partnerships would be important to many of the Council’s projects, and Music Education subcommittee head Nancy Shapiro has already scored in that area. She raised enough funding to hire a consultant for her cause, which is to make Nashville public school music education the best in the world. “When we found the right people to achieve this, and brought them to the table,” she said, “the energy was palpable.” She admitted she was preaching to the choir, but still explained the importance of music education, specifically to lowering the drop-out rate. One way to do this she added “is to reach kids where their interests are, with a variety of genres and options.”

The interested crowd represented all facets of the industry, such as publicity guru Jeff Walker, business manager Charles Sussman, GAC boss Ed Hardy, publisher Tracy Gershon, manager Denise Stiff and songwriter Bob Regan.

Read additional reactions to the meeting here:
Craig Havighurst on String Theory Media
Nashville Scene’s Nashville Cream blog

This NMC video was recently posted on YouTube

Songwriter Joshua Ragsdale Passes

Joshua Ragsdale

Former Lyric Street artist, singer/songwriter Joshua Ragsdale passed away today in a Nashville hospital after battling leukemia. He was 32.

Ragsdale was a staff writer with Sony/ATV. His song, “Ain’t Much Left Of Lovin’ You,” was the recent debut for Mercury Records artist Randy Montana. Along with legendary songwriter Bill Anderson, Ragsdale co-wrote “Papaw’s Sunday Boots,” which Anderson recently released.

“I’ve never seen anybody that remains so positive and so concerned about others through such personal adversity,” said Ragsdale’s manager, Bob Titley. “With every bit of bad news, he’ll react with three minutes of crying and praying, and then it’s back to this positive energy.”

Ragsdale inspired many people to be tested as potential bone marrow donors during his illness, saying that he knew of five people who had been told they were matches for someone because of his encouragement. Visit www.marrow.org to find out more about joining the bone marrow registry.

Journalist Peter Cooper has written a tribute to Joshua Ragsdale in the Tennessean. Read it here.

John Simson To Exit SoundExchange

John Simson

Last month, Executive Director John Simson announced to the SoundExchange Board that he would be leaving the role he’s held for the past ten years in order to return to his creative roots. The Board has requested that he remain in his current position until a successor can be found and Simson said he would he would be pleased to assist in the
transition to new leadership.

“After ten years of working with digital services, we’ve achieved many of our important goals,” Simson says. “We’ve established fair rates for performers and labels and built the largest performer and recording label society in the world. It is time for me to return to different creative pursuits that I‘ve been putting off these past few years. This has been a thrilling journey, blazing a brand new path, but I know I’m leaving a strong organization poised for continued success.”

Simson also informed the Board that the second quarter distribution would be the largest in the organization’s history.

“In the past 10 months we’ve distributed over $220 million to artists and labels and this will only continue to grow in the coming months and years,” Simson adds.

“For the last ten years and more, John Simson has been a critically important force for uniting artists, session performers, indie labels and major labels as we worked together for our common good,” says American Federation of Musicians International President Thomas F. Lee. “We are grateful to him for all his pioneering work.”

Simson, the first full-time employee of SoundExchange, was hired to launch the new collecting society in 2000. As a manager in the 1990’s, Simson had assisted in the lobbying to pass the Digital Performance Rights in Sound Recording Act of 1995 and a terrestrial performance right has been a key goal all throughout his career working as an artist manager.

“We are hopeful that we will finally get what’s rightfully owed to America’s recording artists and copyright owners,” Simson says. “I’ve told the Board that I will be there to finish this task whenever required.”

Simson was instrumental in making SoundExchange an independent, free-standing non-profit trade association governed by a Board of 18, an equal number of artist and label representatives.

“John and his team have built from nothing, the first true coalition of artists and indies and majors working towards the same goal,” said Tom Silverman, founder of Tommy Boy Records and SoundExchange Board member. “The many hurdles they have overcome and the momentum that SoundExchange enjoys are a tribute to his hard work and vision.”

Fontanel To Host Songwriters Flood Benefit

On Saturday, July 17 between 4:30 PM and 8:00 PM, Nashville Songwriters Hall of Fame members will gather at Fontanel Mansion for “Songwriters Sing For Nashville,” a benefit for flood relief. The benefit show will also serve as the inaugural event for the new Woods at Fontanel amphitheater.

Currently confirmed performers include Matraca Berg, Kye Fleming, Dallas Frazier, Dickey Lee, Dennis Morgan, Roger Murrah, Hugh Prestwood, Mark D. Sanders, Don Wayne, Jim Weatherly and Mike Reid, and there will likely be a few surprise celebrities hitting the stage as well.

In addition to those Hall of Famers, hit songwriters Chuck Cannon, Rafe Van Hoy, Lari White, Billy Burnette, Danny Myrick, James Slater, Marc Beeson, James House and more will  playing their songs that same day on the “Gibson Tunesmith Stage” at the Farmhouse Restaurant on between 12:00 PM-4:00 PM before the main concert at The Woods. Admission to the Gibson Tunesmith Stage is free.

The Woods at Fontanel has a capacity of 2500, and a quick sell out is anticipated. Tickets are $19.99 per person and children under 12 are admitted free. Tickets can be purchased here. All ticket proceeds and all receipts from the day’s tours at the Fontanel Mansion will be donated to First Tennessee Bank for flood relief.

(l-r): Marc Oswald, co-owner of Fontanel Mansion and Farm; Karen Graves of First Tennessee Bank; Councilman Walter Hunt; Ken Hoskins CPA; John Stancil of Anchor Trailways & Tours; Vice Mayor Diane Neighbors; Alex Marks of Tower Investments; Jared Stancil of Anchor Trailways & Tours; Tom Morales of TomKats, Inc.; and Roger Murrah of the Nashville Songwriters Hall of Fame Foundation.

Grant And Gill Plan Christmas Tour

When the holiday season comes around,  superstar couple Amy Grant and Vince Gill will embark on their fifth Christmas tour. The Twelve Days of Christmas Tour kicks off December 8 in Sarasota, FL and wraps with two shows in Nashville at the Ryman Auditorium.

“Christmas audiences are special,” explains Grant. “They tend to involve the whole family, and their emotions are a wonderful mix of anticipation and reverence. It’s a thrilling experience for both of us.”

“These holiday tours have become our favorites,” Gill agrees. In their two hour program, the Grammy-winning team will present cherished standards and newer seasonal fare as well as some of their biggest hits.

Grant’s career spans over 30 years and stretches from her roots in gospel into an iconic pop star, songwriter, television personality, and philanthropist. She has sold more than 30 million albums and won six Grammy® Awards in multiple categories, beginning with the platinum selling Age to Age in 1982.

One of the most popular singers in modern country music, Gill has a love for country music, top-notch songwriting, and world-class guitar playing, all wrapped in a warm tenor and a quick and easy wit. He achieved his breakthrough with “When I Call Your Name,” which won the CMA’s Single of the Year award. Since then, he has won 17 more CMA honors, including Song of the Year four times. Since 1990, Gill has walked away with 20 Grammy awards and has racked up sales in excess of 26 million.

2010 Christmas Tour Dates:

Dec. 8              Van Wezel Performing Arts Hall / Sarasota, FL www.vanwezel.org
Dec. 9              King Center For The Performing Arts / Melbourne, FL www.kingcenter.com
Dec.10             Barbara B. Mann Performing Arts Hall / Ft. Myers, FL www.bbmannpah.com
Dec.11             Ruth Eckerd Hall / Clearwater, FL     www.rutheckerdhall.com
Dec.13             Peace Center For The Performing Arts /Greenville, SC www.peacecenter.org
Dec.14             Durham Performing Arts Center / Durham, NC  www.dpacnc.com/
Dec.17             Crown Theatre / Fayetteville, NC  www.crowncoliseum.com
Dec.18             War Memorial Auditorium / Greensboro, NC  www.greensborocoliseum.com
Dec.19             Cabarrus Arena / Concord, NC  www.cabarrusarena.com
Dec.20             Fox Theatre / Atlanta, GA  www.foxtheatre.org
Dec.21             Ryman Auditorium / Nashville, TN  www.ryman.com
Dec.22             Ryman Auditorium / Nashville, TN www.ryman.com

MCN Promotes Dunn To VP Client Services

Craig Dunn

Web design and e-commerce shop Music City Networks has named Craig Dunn as Vice President of Client Services.

After spending seven years on the road with Sara Evans, Dunn served as Music City Network’s Senior Account Manager, leading MCN’s internal team in the brainstorming and execution of online creative, marketing and community building strategies for clients such as Evans, Josh Turner, Lady Antebellum, Brad Paisley, Eric Church, Michael Franti & Spearhead, Little Big Town, Alison Krauss, and several more. Dunn also started MCN’s burgeoning ticketing division, now offering ticketing services to over 10 industry clients.

Along with his work at MCN, Dunn is the SOLID 2010 Communications Committee Chairperson.

Dunn can be reached at 615-250-2130 ext. 224 or via email [email protected].

Producer Worley Launches Skyville Records

Paul Worley

Renowned music producer Paul Worley, along with partners Wally Wilson and Glen Morgan, have formed a new record label, Skyville Records. The label is the latest venture of the threesome who formed Skyline Music Publishing six years ago.

“This label is a natural extension of the artist development that we have always done,” Worley says. “It makes more sense now than ever as the music industry must create new ways of doing business.”

Wally Wilson

Records produced by Worley have sold more than 125 million units worldwide and have generated over one billion dollars in sales. He previously served as Executive VP at Sony Music Nashville and later as the VP and CCO at Warner Bros. Records in Nashville. Worley has discovered, developed and produced some of the most successful acts in country music history, such as the Dixie Chicks, Martina McBride, Big & Rich and most recently, Lady Antebellum.

Wilson is a Grammy-nominated hit record producer, music publisher and an accomplished musician, receiving numerous BMI and ASCAP Awards for his musical accomplishments. He is also a songwriter, penning hits for artists as diverse as Rascal Flatts, The Neville Brothers, Joe Cocker, Amy Grant, Vince Gill and many more.

Glen Morgan

Morgan is the co-founder of a prominent law firm in Beaumont, Texas and has  worked directly with Worley and Wilson in a business management role.  Joining executives Worley, Wilson and Morgan at Skyville will be Katie Voorhis (Head of Operations and Administration),Tristan Lora (Mgr.Tour Operations), Padget Crossman (Mgr. New Media Marketing), Paige Conners (A&R Administration), Peggy Fernandez (Executive Assistant Financial) and Jeremy Witt (Mgr. Studio Operations).

Larry Pareigis and his Nine North team will coordinate all national radio promotion activities for Skyville.

The first signing on the label’s artist roster is Stealing Angels. The trio will debut their first single, “He Better Be Dead” on July 12. They are currently on a national radio promotion tour and playing fairs and festivals around the country this summer.

Skyville Records is located at 2603 Westwood Drive in Nashville and can be reached at (615) 320-7052 or [email protected].

Trailer Choir Releases Debut CD

Show Dog-Universal Music will release Trailer Choir’s debut CD, Tailgate, on July 6. The group’s first full-length CD features its upcoming new single release, “Shakin’ That Tailgate,” a song they premiered on the recent CMT Music Awards.

Fans that loved their signature song, “Rockin’ the Beer Gut,” won’t be disappointed, as that song as well as “Last Man Standing” and “Off the Hillbilly Hook,” and six new tracks make up Tailgate. Produced by Toby Keith and Mark Wright, the CD continues with the feel good type of music Trailer Choir has come to be known for and what band member Butter calls “cold beer country.”

Over the course of the next few weeks, the band will be profiled in Country Weekly and the new People Country special. Trailer Choir will be GAC’s Artist of the Month for July. They will also be featured on GAC’s On The Streets and CMT Insider and Top 20.

For additional information on the band, as well as concert dates, visit www.trailerchoir.com.