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FCC Chairman Keynotes At CES



FCC Chairman Julius Genachowski



Julius Genachowski, FCC Chairman will deliver the keynote address at the Consumer Electronics Show, (1/7/11) starting at 1:30 PT. in Las Vegas. The Chairman has been a proponent of net neutrality and actively working toward a more efficient use of radio wave spectrum. His remarks were released in advance. TV and terrestrial radio, which currently hold large chunks of wireless spectrum are carefully watching to see if/how the FCC’s vision may effect their industries going forward.
“The consumer electronic industry is going wireless, and the future success of this wide-ranging industry and others depends on whether our government acts quickly to unleash more spectrum—the oxygen that sustains our mobile devices,” Genachowski says.
“To seize the opportunities of our mobile future, we need to tackle the challenges of our invisible infrastructure. We need to free up more spectrum. If we do, we can drive billions of dollars in new private investment, fueling world-leading innovations, creating millions of new jobs, and enabling endless new products and services that can help improve the lives of all Americans. If we don’t tackle the spectrum challenge, network congestion will grow, and consumer frustration will grow with it. We’ll put our country’s economic competitiveness at risk, and squander the opportunity to lead the world in mobile. That’s why unleashing spectrum to support mobile innovation is at the top of the FCC’s 2011 agenda.”
The Chairman cited advances in the past year in the market for tablets, eBooks and the “app economy” as proof of how swiftly these markets can evolve.
“Thanks to Skype, Facebook, Twitter and many others, mobile has become an incredible platform for connecting friends and families, kids on one end of the country to grandparents on the other,” Genachowski’s remarks continue. “Mobile broadband can empower people not only in 21st century economies, but can promote 21st century democracy. We’ve seen this around the world. Here’s the issue: All of these wireless innovations require an invisible infrastructure that is up to the task. They require something we can’t see—spectrum, the airwaves—the signals that beam from towers and quietly carry digital information—data, voice, video—until they light up those devices we increasingly rely on.
“This invisible infrastructure is the backbone of a growing percentage of our economy and our lives. And whether or not most Americans know the physics of spectrum, they know what it feels like to have a slow connection or a call dropped. This coming spectrum crunch is not just a real issue for the future of gadgets, it’s a vital strategic issue for the future of our economy and job creation, our global competitiveness, and our quality of life. Failure to tackle the spectrum challenge could have disastrous consequences.”
Calling the current U.S. spectrum policies “outdated,” the FCC Chairman outlined some of the general changes he’d like to see take place including incentive auctions to redirect spectrum use more efficiently.
“We need to make more spectrum available for mobile broadband,” stated Genachowski. “So we are eliminating unnecessary restrictions on use of spectrum—all toward our goal for freeing up 500 megahertz of spectrum for mobile broadband, almost double what is currently available.
Since the Digital TV transition, some broadcasters are making effective use of the capabilities of their spectrum, but some are not. For those who are not, their spectrum could be put to higher use for other purposes. What we need is a mechanism to enable market forces to unleash the value of that spectrum for broadband use, and we believe that incentive auctions are that mechanism. It’s time to take the necessary steps to ensure that spectrum will be the great enabler of mobile innovation in the 21st century, not a chokepoint. I believe incentive auctions are a test of whether the U.S. can make the right strategic choices in a complex and fast-moving digital economy.”
The Chairman also noted that, “…just this week, the Consumer Electronics Association, the Information Technology Industry Council, the Semiconductor Industry Association and the Telecommunication Industry Association wrote a joint-letter to Congressional leaders calling on Congress to ‘swiftly pass legislation allowing the FCC to conduct voluntary incentive auctions.'”

peer Acquires Foster Catalogs

Ralph Peer II (Chairman and CEO, peermusic) and David Foster.


peermusic has announced it will acquire over 500 songs, the majority of songwriter/producer David Foster’s works. The acquisition encompasses all of Foster’s songs in Foster Frees Music, Air Bear Music and One Four Three Music. peermusic has been administering most of Foster’s publishing for more than fifteen years. The new agreement also includes exclusive publishing representation for the writer’s future works.
Included in the deal are hits such as “I Have Nothing,” “St. Elmo’s Fire,” “Hard To Say I’m Sorry,” “Glory Of Love,” “The Power Of The Dream,” “My Grown Up Christmas List” and “Color Of My Love.”
David Foster is one of the great American songwriters and a special colleague. We are thrilled to acquire the works of such a noted talent as working with him is truly a gift,” said Ralph Peer, II. “It is a joy and privilege to continue our longstanding relationship with a much valued friend, and we look forward to many future endeavors with him.”
Kathy Spanberger, peermusic President Anglo American Region commented, “This agreement was not only propelled by passion for great music, but also because of a close personal relationship between two great musical families. I am proud to have played a role in bringing the deal to fruition as I know it will benefit the Foster and Peer families for generations to come.”
David Foster was inducted into the Songwriters Hall of Fame in June 2010. He has earned 15 Grammy Awards plus a remarkable 47 Grammy Nominations, including one this year for his work on Michael Bublé’s album, Crazy Love. He has helped to shape and sustain careers of the music industry’s brightest stars including Earth Wind & Fire, Chicago, Celine Dion, Madonna, Andrea Bocelli and Barbra Streisand. Foster has also worked with talents such as Josh Groban, and new Filipina singing sensation and “Glee” star, Charice.
peermusic was founded by Ralph Peer in 1928 and has 35 offices in 28 countries.

Weekly Chart Report (1/07/11)


Colt Ford (R) played the Dixie Dancehall in Beaumont, TX and KYKR’s Mark Guzman (L) was in attendance. Radio stations across the country are currently offering a free download of Ford’s new single “Hip Hop In A Honky Tonk,” featuring Kevin Fowler. Find it at www.coltford.com.


Bigger Picture Group sibling trio The Harters were in their hometown of Phoenix over the holidays to play a set at Toby Keith's I Love This Bar And Grill. (L-R): Michael Harter, KNIX’s Barrel Boy, Leslie Harter and Scott Harter.


In the first CountryBreakout Chart of 2011, Keith Urban stays in control of the No. 1 position with “Put You In A Song” and Luke Bryan’s “Someone Else Calling You Baby” and Tim McGraw’s “Felt Good On My Lips” unseated at spots 2 and 3. Kenny Chesney’s “Somewhere With You” is the big mover in the Top 5, as it gains 315 spins and moves ahead of Toby Keith’s “Bullets In The Gun” to No. 4.
Positions 10-20 are a veritable battlefield, with practically every title pushing for power rotation. Brad Paisley’s “This Is Country Music” is the juggernaut among them, already at No. 15 in the short period since the CMA Awards. But also noteworthy are big moves from Chris Young’s “Voices” at No. 12, Billy Currington’s “Let Me Down Easy” at No. 13, and Darius Rucker’s “This” at No. 16.
With the new year comes new singles, and many programmers are already giddily spinning them. Miranda Lambert’s “Heart Like Mine” is a particularly hot item, making its big CountryBreakout debut at No. 58. Also making impressive first chart appearances are Rascal Flatts’ “I Won’t Let Go” at No. 64, Zac Brown Band’s “Colder Weather” at No. 72 and The Band Perry’s “You Lie” at No. 75.
Frozen Playlists: KICR, KITX, KVAY, KVVP, KYYK, KZZY, Sirius XM, WAXX, WBKR, WPPL, WXFL
RADIO NEWS
Chandra Hunter has stepped into the role of Music Director for Beacon Broadcasting’s KVAY/Lamar, CO. This move follows the exit of previous MD/On-air talent Thadeus Steele, who accepted a job outside the radio industry. Hunter will begin taking music calls 2-3 pm CT on Tuesdays after January 17 and she can be reached via email at chandra@kvay.com. Contact Steele at thadeus.steele@yahoo.com.
Longtime Maverick Media WAXX/Eau Claire, WI Station Manager/Morning Co-host George House retired on December 30 after a 22-year tenure with the station. Afternoon personality Alex Edwards has shifted to co-host the morning show with Becca, and Phil Tripper has come over from sister station WBCV to fill the afternoon slot.
Upcoming Singles
January 10
Miranda Lambert/Heart Like Mine/Columbia
Rascal Flatts/I Won’t Let Go/Big Machine
Trace Adkins/Brown Chicken Brown Cow/Show Dog-Universal
January 18
Band Perry/You Lie/Republic Nashville
David Adam Byrnes/Sweet Distraction/Better Angels/Ride


New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Miranda Lambert/Heart Like Mine/Columbia — 58
Rascal Flatts/I Won’t Let Go/Big Machine — 64
Zac Brown Band/Colder Weather/Bigger Picture — 72
The Band Perry/You Lie/Republic Nashville — 75
Taylor Made/Quiet Kind of Crazy — 76
Chuck Wicks/Old School/RCA Nashville — 77
Greatest Spin Increase
Artist/song/label — spin+
Brad Paisley/This Is Country Music/Arista — 465
Rascal Flatts/I Won’t Let Go/Big Machine — 451
Taylor Swift/Back To December/Big Machine — 438
Jason Aldean w/Kelly Clarkson/Don’t You Wanna Stay/Broken Bow — 427
Miranda Lambert/Heart Like Mine/Columbia — 419
On Deck—Soon To Be Charting
Artist/song/label — spins
Jimmy White/Katy Did — 178
JB & The Moonshine Band/Perfect Girl/Average Joe’s — 159
Ashton Shepherd/Look It Up/MCA — 158
Lathan Moore/Love In Your Life/Blue Steel Records — 156
Emma King & The Heartsets/I’m Not Forgotten/PLC — 151
Most Added—Week 1
Artist/song/label — New Adds
Rascal Flatts/I Won’t Let Go/Big Machine — 32
Zac Brown Band/Colder Weather/Bigger Picture — 30
Miranda Lambert/Heart Like Mine/Columbia — 27
The Band Perry/You Lie/Republic Nashville — 25
Trace Adkins/Brown Chicken, Brown Cow/Show Dog-Universal — 17
Steel Magnolia/Last Night Again/Big Machine — 11
Sugarland/Little Miss/Mercury — 9
Steve Holy/Love Don’t Run/Curb — 9

A recent tour stop in Seattle gave The Adam Craig Band a chance to visit with Albright & O’Malley’s Jaye Albright about their latest single, “Nothin’ Wrong.” The local marina must have known the group was coming, which explains the sign. (L-R): Johnny Duke, Adam Craig, Albright, Ryan Jones, Jimi Hendrix and Brian Smith.

Grammy Nominee CD, AES Golf Tourney and New Mallory Video

19-Song Grammy Nominee CD • Yallwire releases Daisy Mallory video • Nashville’s AES Announces Audio Masters Golf Tourney
>>The Recording Academy and Jive Records have pacted to release a 19-song collection to spotlight the 53rd Annual Grammy Awards nominees. The album will be released Jan. 25. A portion of the proceeds from the sale of the album will benefit the MusiCares® Foundation (www.musicares.com) and the GRAMMY Foundation® (www.grammyfoundation.com) — two charitable organizations established by The Recording Academy. For more information on the nominees album, please visit www.2011grammycd.com. “The exceptional mix of recordings contained on this preeminent compilation provides an incredible playlist from some of this year’s remarkable and talented GRAMMY nominees,” said Neil Portnow, President/CEO of The Recording Academy. “With 19 diverse selections, the nominees album offers quality recordings for all music fans. We are proud and excited to, for the first time, collaborate with Jive Records on this project and we look forward to another successful chart-topping GRAMMY album.” Nashville acts on the disc include Lady Antebellum, Miranda Lambert and Paramore.
>>The Nashville chapter of the Audio Engineering Society has set the dates of May 26th and 27th for The 14th Annual Audio Masters. The popular golf tournament that benefits the Nashville Engineer Relief Fund will be held at Harpeth Hills golf course. For sponsorship or player information contact Nicole Cochran nicole@nicoftimepr.com or 615-293-0260.

Daisy Mallory


>>Yallwire.com, a leading independent country music video site has debuted “Don’t Grow Up Too Fast” by 17-year old Daisy Mallory. The video was filmed in Nashville and directed by Neil McCormack of Revolution Pictures. Mallory is signed to FrontWater Records. Launched in 2006, Yallwire features music videos and HD original productions including live concert footage, behind-the-scenes interviews, and an inside look at the industry’s most renowned events. Yallwire also has broadened its reach beyond the net by striking distribution partnerships with Verizon FiOS TV, Roku and indoorDIRECT.

2010 Sales Wrap; Top Albums, Artists and Songs

In the year’s top selling digital song, “California Gurls” Snoop Dog says, “Katy I’m all up on ya, cause you’re representing California.” This writer says to Taylor, Lady A, Ke$ha and ZBB, “To brag I’m not bashful, cause you’re cranking it loud for Nashville.”
OK, with lines like that, perhaps this writer’s rap career will remain a well kept secret. But Nielsen SoundScan’s Year-End U.S. shows that Nashville music did not play second fiddle in 2010. Below we will note the year’s Top Artists, Albums and Digital Tracks plus mention the Top country Artists of the SoundScan era (1991-1/02/2011). All the lists below are Top 10.
Albums
Lady Antebellum’s Need You Now (No. 2; 3.089 million units) and Taylor Swift’s Speak Now (No. 3; 2.96 million) finished behind the year’s top sales album—Eminem’s Recovery (No. 1; 3.415 mm). Ke$ha, also with Nashville roots, earned the No. 10 spot on the Top Ten list with sales of 1.143 million for her debut Animal. Country earned 30% of the units on the all genre Top Ten Selling albums. (Including Ke$ha, Nashville earned 35%.)
Looking at the digital component of the above album sales, Eminem, Taylor, Ke$ha and Lady A were the Top 4 in that order.
Artists
Taylor Swift gently moved Em down a notch for the overall Top Selling Artist stats. Swift’s 4.47 million units placed her ahead of Eminem’s 4.317 million. Lady A followed in third place with combined sales of 3.848 million. And congrats to Zac Brown Band who shifted 1.824 million units for a No. 9 position on the Top 10.
Looking at Nashville’s contribution to the Top Ten selling artists of the SoundScan era we find Garth Brooks in the No. 1 spot with 68.513 million units, George Strait at No. 6 (42.396 million), Tim McGraw (No. 8; 39.396 million) and Alan Jackson (No. 9; 38.275). With album sales declining, the members of this club are unlikely to greatly change. For example, Eminem, currently at No. 7 on this exalted list (39.643 million total) sold 3.4 million units this year. At that rate it would take almost 9 years to catch Garth Brooks—assuming Mr. Brooks’ total doesn’t grow.
Songs
As discussed in 2010 Sales Wrap: Country Slide, there is a digital gap between country consumers and the average of all music consumers, with respect to buying digital albums. This “divide” also applies to tracks, and as a result only one lone country song shows up on the year’s Top Ten Digital Songs list. Congrats to Lady A and “Need You Now” which downloaded a total 3.182 million units to gain the No. 10 spot and be named Top Digital Country Song. Katy Perry’s “California Gurls” featuring Snoop Dog topped the list with 4.398 million units.
Looking at the Top Selling Digital Songs for the entire SoundScan era (7/04/2004-1/02/2011) Ke$ha’s “Tik Tok” rides No. 6 with 5.483 million downloads and Taylor Swift’s “Love Story” is No. 10 with 4.853 million.
Summary
Tracking and charting annual unit counts, while important to navigating our industry, is not the entire story. Profits are much harder to document. Over the past few years we have seen CD list prices and sale prices drop while marketing and other costs increased. This adversely effects margins and profits. However, offsetting the bad news, track prices have gone up at iTunes and as the percentage of digital albums grows, there should be cost savings realized since there is no physical product involved.
Added Nielsen SoundScan Factoids
Lady Antebellum
—Finishes the year as the biggest selling group of 2010 with more than 3.8 million album sales.
—Need You Now album finishes the year as the top selling physical album with 2.7 million sales.
—Song “Need You Now”  is the most played song of the year with 600,000 spins over the airways.
Taylor Swift
—For the second time in three years is the biggest selling artist for 2010 with more than 4.4 million album sales.
—If it wasn’t for the passing of Michael Jackson in 2009, Swift would have been the best selling artist for three consecutive years; she came in second behind Michael in 2009 with 4.6 million album sales and was the best selling artist in 2008.
—Has sold more than 4 million album sales for three consecutive years; the only artist to sell 4+ million albums each of the last three years.
—Speak Now in the best selling Internet album in 2010 with 185,000 sales.
—Ends the year as the most played artist over the airways in 2010 with more than 1.1 million spins; edging out  Lady Antebellum, by 1,000 spins.

2010 Sales Wrap: Country Slide Continues


Today is an especially robust data day for Nielsen SoundScan watchers since the week ending 1/2/2011 closes the door on 2010. Pundits will continue squeezing out details over the next few weeks in an effort to fully understand the past and perhaps peer into what lies ahead, but simply stated the industry overall continued its decline, with CD sales (both physical and digital) dropping 12.8% compared with 2009. Country CD sales for the same period fell a kinder, gentler 5.2% affording the format a slightly stronger market share of total CD sales— 13.4%—up from last year’s 12.3%. (As the album sales graph shows, country CD sales have plummeted almost 50% since this decade’s highpoint in 2004.)

Keeping this year’s decline in the 5% range required a massive fourth quarter full court press on the consumer. (As late as 9/5/10 country was behind 13.2%.) The ten Top Selling Q4 Country CD releases shown in the colorful graph [above] show how much superstar product was launched into the marketplace. The Sales Percent graph [top] shows how the numbers (and consumers) responded. Six artists were able to shift more than a half million units each in the 15 week (or less) holiday season leading to year end. Lady Antebellum’s Need You Now also must be mentioned. Although the trio debuted 49 weeks earlier this year and therefore didn’t make our Q4 chart, they racked up 3.09 million units YTD.
Taylor Swift’s spotlight continued to shine brightly this year, eclipsing all but a very few other artists worldwide. Her 1.05 million unit Speak Now debut week (10/31) exploded and she ended the year selling just shy of 3 million units over a 10 week period. The colorful Q4 graph tells the tale and explains why the young singer/songwriter continues to reap large editorial coverage.
As we wonder about 2011, insiders project that retail shelf space will continue to shrink, and marketers will therefore continue to place a premium on prospecting for new sales opportunities.
In 2010 country digital album sales grew to about 15% of the total up from 11% in 2009. However, all genre digital album purchases equal 26% (up from about 20% last year). This 15/26 gap shows that country consumers still have a lot of catching up to do as they travel toward the digital frontier. However, with the amazingly rapid integration of smartphones, tablets and more, 2011 may well be the year that country’s fans narrow the format’s “technology gap.”

Brad Howell Joins Show Dog-Universal

Brad Howell


Show Dog-Universal Music has added Brad Howell as VP of National Field Promotion. His extensive experience ranges from radio programming, to promo exec positions at Warner Bros. and Equity, as well as GM of Broken Bow Records. Howell will report to Show Dog-Universal VP of Promotion Rick Moxley.
“Brad has been both an innovative promoter and a rock-solid record executive for several years now,” commented Moxley. “His experience and leadership will greatly benefit our team as the New Year unfolds.”

Macy Morgenthaler


In addition, Moxley announced the promotion of Macy Morgenthaler to Northeast Regional Promotion & Marketing Manager. Morgenthaler, a Belmont graduate and Arkansas native, previously served as A&R Coordinator for the label as well as executive assistant to label Pres. Mark Wright for four years.
Morgenthaler’s previous position will be filled by Laurel Kittleson who has worked as Production/Creative Services Assistant at the label for the past year. Her new title is A&R/Production Coordinator. A Belmont graduate and Seattle native, Kittleson held previous positions at Elevation Music Publishing and served as personal assistant to award–winning songwriter Rivers Rutherford. She will continue performing her previous duties as well as assisting Wright.

Laurel Kittleson


Brad Howell / VP National Field Promotion/615.324.7779/ brad.howell@sdumusic.com
Macy Morgenthaler 615.324.7768/ macy.morgenthaler@sdumusic.com
Laurel Kittleson/ 615.324.7763/ laurel.kittleson@sdumusic.com

DISClaimer Single Reviews (1/5/11)

Happy New Year.
What a great way to start 2011: There’s not a stinker in this stack of platters.
You’ll find two DisCovery Award contenders here, The Don Ray Band and our winners, Brother Slade. Both of them are Nashvillians, by the way.
Similarly, we have two pop veterans in attendance, Johnny Mathis and Johnny Rivers.
But the Disc of the Day has no companions. The Zac Brown Band stands alone in its greatness.
BROTHER SLADE/Tom Petty Song
Writer: Marc Christian; Producer: Marc Christian; Publisher: Brother Slade, SESAC; Sully Boy (traqck) (www.brotherslade.com)
—This winsome four-piece band is based south of Music City in Franklin. On its debut single, the group sports a jangling, jaunty sound that’s mighty fine. The rootsy, drawling, conversational vocals are just right for the down-home lyric. The album is called No Relation, and it’s recommended.
THE BAND PERRY/You Lie
Writer: Brian Henningsen/Chris Henningsen/Aaron Henningsen; Producer: Paul Worley; Publisher: EMI Blackwood/How Bout That Skyline/Cactus Moser, BMI; Republic Nashville
—This trio of siblings broke through with a tender ballad in 2010. The follow-up is a slab of sass. Don’t be misled by the acoustic mandolin intro—this little doggie bites with sharp teeth. Attitude with a capital A.
MIKE DEKLE/Ode To Bob Dylan
Writer: Mike Dekle; Producer: Byron Hill; Publisher: Square D, ASCAP; Parlay (track) (www.mikedekle.com)
—Dekle is a Georgia songwriter noted for “Scarlet Fever” (Kenny Rogers), “Don’t Love Make a Diamond Shine” (Tracy Byrd), “Size Matters” (Joe Nichols) and “A Day in the Life of a Fool” (George Jones, Keith Whitley, Mark Chesnutt). His new Nashville-produced album is called Tributes. He sings with great country “heart.” Despite his hillbilly grit, he says in this song that he was inspired to become a songwriter by Dylan, rather than Haggard. It’s totally cool that he “wanted to be Mr. Tambourine Man.”
ZAC BROWN BAND/Colder Weather
Writer: Zac Brown/Wyatt Durrette/Levi Lowrey/Coy Bowles; Producer: Keith Stegall & Zac Brown; Publisher: Weimerhound/Lil’ Dub/Angelika/Southern Ground/Poppsolotamus, BMI; Atlantic (track)
—Zac sounds like a hillbilly James Taylor on this highly-melodic, folkie ballad. And, man, can his bandmates harmonize. Hang on to your hat when they get to the soaring midsection. I can’t get over how fantastic this group is. We are not worthy.
DON RAY BAND/On Top Of The Heap
Writer: Don Ray/Curt Ryle; Producer: Don Ray; Publisher: Margdon/Big Matador, BMI; Margdon (track) (www.donrayband.com)
—This Nashvillian has a growling, bluesy, bruiser delivery. On the title tune to his current CD, he is a working-class moaner with more than a little Southern-rock punch. For some grins, spin “Perfect Ten,” wherein he digs a fat chick to a rocking backbeat. “So Wicked” is voodoo swamper. “Boom Chika Wah Wah” and “Good Bad Boy” are irresistibly sexy. Heck, this whole album rawks. I bet these guys are great live.
JOHNNY RIVERS/New Home
Writer: Eric C. Bibb; Producer: Johnny Rivers & Oren Waters; Publisher: Bug, no performance rights listed; Soul City (www.johnnyrivers.com)
—This pop legend’s second country-leaning single is written by nouveau blues practitioner Eric Bibb (the son of folk star Leon Bibb), and that gives the lyric tremendous believability. Johnny has always enacted the poor boy effectively, and he continues that tradition here.
DANIELLE CAR/Walk Of Shame
Writer: Danielle Car; Producer: Chuck Alkazian & Danielle Car; Publisher: none listed; DC (track) (www.daniellecarmusic.com)
—I first encountered this Detroit country gal in last year’s Christmas column. It turns out that she also has a five-song EP that kicks off with this blistering, breakneck country rocker. Promising in the extreme.
JOHNNY MATHIS & ALISON KRAUSS/Let It Be Me
Writer: Gilbert Becaud/Mann Curtis; Producer: Fred Mollin; Publisher: France/Universal, ASCAP/SDRM; Columbia (track)
—This legendary crooner came to Nashville last year to make his latest CD. But despite the Music Row players and Music City repertoire (”Make the World Go Away,” “Crazy,” “I Can’t Stop Loving You,” “Please Help Me, I’m Falling,” “You Don’t Know Me” etc.), this is not an attempt at a “country” record. However, it is—as this string-embellished Everly Brothers remake perfectly illustrates—very, very pretty.
D.J. MILLER/A Little Naughty Is Nice
Writer: Charlie Black/Don Goodman/Robert Resnick; Producer: Morris, Goodman & Resnick; Publisher: none listed; Evegreen (615-327-3213)
—With its merry tempo and insistent guitar groove, it has the feel of a fun-ride Tilt-a-Whirl. Miller sings with verve and gusto while the track spins along.
PETE ANDERSON/Even Things Up
Writer: Pete Anderson; Producer: Pete Anderson, Michael Murphy & Tony Rambo; Publisher: Jessee Lee, BMI; Little Dog (track) (www.peteanderson.com)
—Guitar wonder and Dwight Yoakam hit producer Pete Anderson sings with a cool, sandpapery whisper on his current Even Things Up CD. The bluesy title tune has rumbling percussion and plenty of Pete-played harmonica and electric guitar. Music City’s Becca Bramlett is the esteemed guest lead vocalist on “Still in Love,” but otherwise this is Mr. Anderson’s showcase from top to bottom.

WSIX's New Morning Team


Billy Greenwood and Karla Lawson


Billy Greenwood and Karla Lawson have taken over the morning shift at WSIX following the end of Gerry House’s long-running “House Foundation” show.
Their first day with the new gig was Jan. 3, 2011.
Lawson previously handled traffic duties for the “House Foundation.” She has 30 years of experience in the entertainment industry, and has spent 15 years in broadcast radio.
Greenwood has been in radio for 20 years, and was nominated for R&R’s Personality of the Year in 2007. He was also a judge on USA Network’s Nashville Star in 2004.
Zak is on board as the show’s producer. Check out the show’s blog.
In other Gerry House news, expect details this week about an invitation-only roast of the DJ Hall of Fame inductee, set for Feb. 3.

Nashville Songwriters Hall of Fame New Board

John Van Mol


The Nashville Songwriters Hall of Fame Foundation (NaSHOF) has elected John Van Mol Chairman of the Foundation, and elected NaSHOF inductee Pat Alger, and veteran songwriter Steve Bogard to its 2011-12 Board of Directors.
Van Mol succeeds Roger Murrah who is stepping down after five years as Chairman.
NaSHOF Board officers:
Chair: John Van Mol, CEO, Dye, Van Mol & Lawrence
Vice Chair: Wayland Holyfield, Nashville Songwriters Hall of Fame member
Treasurer: Pete Fisher, VP/GM, Grand Ole Opry, Gaylord Entertainment
Secretary: Layng Martine, Jr., songwriter
Also serving on the Board of Directors are: Mike Dye, Managing Partner, GroupXcel; Kye Fleming, Nashville Songwriters Hall of Fame member; Becky Judd, Exec. Asst. to Mike Curb, Curb Records; Dr. Bethel Thomas, VP of University Advancement, Belmont University; Troy Tomlinson, Pres. and CEO of Sony/ATV Music Nashville; and Mike Vaden, Director, Decosimo/Vaden.
Ex-officio members serving on the board are entertainment attorney David L. Maddox as Counsel; and author/critic/MusicRow contributor Robert K. Oermann as Historian. Jeff Skillen is the board’s Director of Development, while NSAI’s Mark Ford serves as Manager of Affairs.