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Dolly Makes “Joyful Noise” on Big Screen

Dolly Parton stars alongside Queen Latifah in the upcoming movie Joyful Noise, set to open nationwide Jan. 13, 2012. The superstar divas portray church choir leaders in a small Georgia town who are having a hard time working together to win the National Joyful Noise Competition.

The major motion picture from Alcon Entertainment and Warner Bros. Pictures also features Kris Kristofferson and Courtney B. Vance (Law & Order).

The musically driven story brings together a cross-section of genres with songs performed by the cast as well as Michael Jackson, Usher, Chris Brown, Paul McCartney, Sly & the Family Stone and Stevie Wonder. Parton penned original songs for the film, including “Not Enough (Love)” and “From Here to the Moon.” Five-time Grammy Award winner Mervyn Warren composed the score.

Todd Graff (Bandslam) directed Joyful Noise from his original screenplay. The film is produced by Oscar® nominee Michael Nathanson (L.A. Confidential), Joseph Farrell, Catherine Paura, and Oscar® nominees Broderick Johnson and Andrew A. Kosove (The Blind Side). The executive producers are Timothy M. Bourne, Queen Latifah and Shakim Compere, with Yolanda T. Cochran and Steven P. Wegner serving as co-producers.

 

Visiting With Paul Brandt

“Nashville definitely had a huge role in shaping where I am today,” Paul Brandt told MusicRow in a phone interview last week. “Pete Fisher managed me before he started managing the Opry. The biz was changing then so much, but his great management style set a lot of firm foundations to build the successes that we have accomplished. Nashville was a big part of that for us.”

Brandt, the most awarded male Canadian country artist in history, was in Music City (10/25) rehearsing at SoundCheck for his upcoming Now Tour, scheduled for November and December across Canada. He was also recording a theme song for the World Junior Hockey Tournament, an event that helps youngsters get discovered and move into the big leagues.

The singer/songwriter was signed to Nashville’s Warner/Reprise Records in the early ‘90s. His first big break came in 1996 with the single, “My Heart Has A History” from the Gold selling album Calm Before The Storm. “I Do” followed and topped the charts. Through the end of the decade Brandt released a total five albums and enjoyed multiple chart successes on the Nashville-based label.

“We actually returned to Calgary about six years ago,” Brandt said. “I was talking with my business manger Cheryl Harris of O’Neil and Hagaman, and she said, ‘Well Paul, after you left Warner Bros. everyone thought you went and got a job at Wal-Mart.’ Of course, even before my wife Liz and I moved back to Canada we started doing things up there professionally.”

It took some time and courage to change course from major to independent label. “We’d been going back and forth for quite a while, with me asking to get out of the deal with Warner/Reprise,” says Brandt. “Finally they saw fit to let me go. I’ve never been more terrified and more excited both at the same time when I got the call. Suddenly there was a blank slate and I had the opportunity to do what I wanted. That’s when my own label began.”

Brandt started Brand-T Records and his first release was awarded Album of The Year by the Canadian Country Music Association. In fact, every album he has released on the label has earned that title, which is remarkable in itself. “The added control of having your own label is great,” laughs Brandt, “but you still have to pay your dues and pay for it as well. There’s a lot of risk that comes with that.”

Brandt’s career spans across many channels, but perhaps most notable is his new NOW box set. “It has four Brand-T catalog discs,” Brandt explains. “Plus it also includes our new album Give It Away. That was something I wanted to celebrate. There’s also some musical extras, a DVD to remind people of what we’ve been up to for the last 15 years and a book I wrote which tells the story as well. There’s even a blank space in the box set with a QR code discount for the upcoming Bluegrass/Gospel album, Just As I Am that will arrive early next year.”

I asked, was NOW a retrospective or finale of some sort? “I think it would be a bad marketing plan to call it a ‘retrospective’ at this time in my career [I hope],” laughed Brandt. “In some ways the theme of it can be wrapped up in a song we had out in Canada called ‘Didn’t Even See The Dust.’ The idea is that it is OK to look back at the past, but not a good idea to dwell in it. And that’s really what I hope the spirit of this project is all about. It’s about reminding people where we’ve been together, thanking them for being along on the journey and then giving some hints as to where we might be moving next. For me music is always going to be part of the equation. I love doing what I’m doing and can’t imagine doing anything else.”

CountryBreakout No. 1 Song

Probably goes without saying, but country music isn’t just for rural Southerners. It’s populist art, and unless you’ve managed to completely escape heartbreak or never bothered to form basic human relationships, then you can relate to at least some of the songs.

And so we’ve hit upon the central thesis of Brantley Gilbert’s “Country Must Be Country Wide,” which is now No. 1 on MusicRow’s CountryBreakout Chart. A defiant mass of thudding drums and metallic guitars, “Country Wide” wears the rural badge with pride and menacingly dares you (while brandishing brass knuckles) to say something about it.  Turns out he’s exactly right: country music is indeed country wide, regardless of whatever our geographical differences might be. Need further confirmation? Look to decidedly not rural places like Minneapolis/St. Paul, Chicago, and Seattle, where country stations have long been thriving. They’re playing this song like crazy too.

“Country Wide” is the Gilbert’s first single since signing to Valory Music, who re-released the Athens, Georgia native’s 2010 album Halfway to Heaven (plus a Deluxe version) in September 2011. Also included on the Deluxe release are a re-imagined version of “Dirt Road Anthem,” which Jason Aldean recently turned into a huge hit. Valory also re-released Gilbert’s 2009 debut A Modern Day Prodigal Son on Tuesday, October 25.

Weekly Chart Report (10/27/11)

 

 

 

 

Skyville Records’ Trent Tomlinson (R) visits WUSH/Norfolk’s Brandon O’Brien (L) to share his new single “A Man Without A Woman,” which lands at No. 41 on MusicRow’s CountryBreakout Chart this week.

 

 

 

RADIO NEWS
KYYK/Palestine, TX Music Director Amanda Hardy has departed her position with the station, which she joined in 2007. GM Lee Parkinson will handle music duties in the meantime. Hardy is seeking her next opportunity and can be reached here or at 903-330-5880.

SPIN ZONE
It’s always exciting to see up-and-coming stars land a No. 1 song. Like Brantley Gilbert, for example, whose Valory Music debut “Country Must Be Country Wide” is the young artist’s first No. 1 song. Gilbert is 100 spins ahead of No. 2—ranking “We Owned The Night” by Lady Antebellum, which will probably soon own the top spot considering it’s only 11 weeks old. Also battling for chart supremacy is Miranda Lambert’s “Baggage Claim,” which edges up to No. 3.

A parade of largely male singles are gobbling up programmers’ spins as we head toward the CMA Awards and the ensuing holiday season. Dierks Bentley’s “Home” refuses to sit still for long, moving on to No. 18 after five weeks. Close behind are Kenny Chesney’s “Reality” at No. 20 and Brad Paisley’s “Camouflage” at No. 21. Toby Keith’s “unofficial” single “Red Solo Cup” has gotten everyone in the party spirit, and it jumps to No. 30 after two weeks. Keith Urban’s “You Gonna Fly” is also two weeks old, and swoops in at No. 34. One spot behind at No. 35 is Billy Currington’s three-week-old “Like My Dog.” New male singles charting ahead of their official add dates include Trace Adkins’ “Million Dollar View” at No. 55 and Rodney Atkins’ “He’s Mine” at No. 69.

Frozen Playlists: KMKS, KWWR, KYYK, WTCR

Upcoming Singles
October 31
Trace Adkins/Million Dollar View/Show Dog-Universal
Katie Armiger/Scream/Cold River
Uncle Kracker/My Hometown/Top Dog/Atlantic/BPG

November 7
Rodney Atkins/He’s Mine/Curb

• • • • •

New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Trace Adkins/Million Dollar View/Show Dog-Universal — 55
Rodney Atkins/He’s Mine/Curb — 69
Landon Michael/Might As Well Be Me/Big Dog Records — 75
Corey Wagar/I Hate My Boyfriend/GTR — 76
Sean Patrick McGraw/What I’d Do/Little Engine Records — 79
Casey James/Let’s Don’t Call It A Night/BNA — 80

Greatest Spin Increase
Artist/song/label — spin+
Keith Urban/You Gonna Fly/Capitol — 534
Toby Keith/Red Solo Cup /Show Dog-Univeral — 489
Jake Owen/Alone With You/RCA — 333
Kenny Chesney/Reality/BNA — 327
Trace Adkins/Million Dollar View/Show Dog-Universal — 324

Most Added
Artist/song/label — New Adds
Toby Keith/Red Solo Cup/Show Dog-Univeral — 42
Keith Urban/You Gonna Fly/Capitol — 30
Billy Currington/Like My Dog/Mercury — 25
Brad Paisley/Camouflage/Arista — 21
Kenny Chesney/Reality/BNA — 19
Neal McCoy/A—Ok/Blaster Records — 13
Trace Adkins/Million Dollar View/Show Dog-Universal — 13
Rodney Atkins/He’s Mine/Curb — 12
Jake Owen/Alone With You/RCA — 11

On Deck—Soon To Be Charting
Artist/song/label — spins
Erica Nicole/Shave/Heaven Records — 151
Vince Gill/Threaten Me With Heaven/MCA — 142
David Bradley/If You Can’t Make Money/Gecko Music Productions — 136
Mark Wayne Glasmire/Going Home/Traceway — 132
Burns & Poe/I Need a Job/Blue Steel — 130

Trace Adkins made a recent tour stop and spent a little face time with KYGO’s John Thomas and KMLE’s Jeff Garrison. His new single “Million Dollar View” debut on this weeks chart at #55. (L-R) Lisa Owen (SDU), Adkins, John Thomas (KYGO PD), Jeff Garrison (KMLE PD)

Mercury’s Canaan Smith and BNA’s Casey James recently played at the WKLB/Boston New Artist Spotlight show. (L-R): WKLB’s Dawn Santolucito, Mercury’s Sally Green and Canaan Smith, Ginny Rogers (WKLB), Casey James (BNA), Lori Grande (WKLB), and Buffy Cooper (BNA).

Before headlining the 28th Annual Love Ride in Los Angeles, Average Joe’s duo Montgomery Gentry toured the motorcycle museum at Glendale Harley-Davidson with KKGO evening personality Ginny Harman. (L-R): Eddie Montgomery, Troy Gentry, Ginny Harman

The McClymonts recently visited with Captain Jack of Renegade Radio Nashville. The Aussie sister trio’s “Wrapped Up Good” is currently at No. 32 on MusicRow’s CountryBreakout Chart. (L-R): Sam McClymont, Mollie McClymont, Captain Jack, and Brooke McClymont

 

 

 

 

Charlie Cook On Air

Halloween is right around the corner. It’s not my favorite holiday. I may be the only American who does not like Halloween. It’s cold out. Even in California, I would stand by the front door handing out candy to cute little kids, but it was always cold.

There is nothing cuter than a 3-4 year-old looking through a poorly-fitted mask, in a costume five sizes too big, with a huge bag pointed towards the sky, knowing that they get smiles and candy. But it’s always cold.

I also don’t love candy. You know, “Lead us not into temptation.”

I grew up in Detroit and it is really cold there. Which is one reason people in the Detroit area start fires on what is known as “Devil’s Night,” the night before Halloween. Because it is cold. They should move Halloween to July. It stays light longer, and it’s not cold.

Now that I have established I am not a fan of Halloween, let’s talk about some things that we should be afraid of as Halloween approaches. It is the scariest holiday, after all.

It’s when companies start doing their budgets for the upcoming year. They look back on the current year, which was not good for many people in our businesses, and they start looking for shortcuts. Radio had a tough revenue year, the record industry has had another challenging year.

More than cold weather at Halloween, I hate that managers lack the creativity of finding non-traditional revenue sources and deciding that they can save their way out of problems.

I do not spend money willy nilly. I worked for Westwood One for 10 years (post Norm Pattiz). I have been a partner in a privately held consulting company for close to 30 years. Every dime spent came out of our pockets. I have never worked for a company that spent frivolously. I am careful with costs, but trying to win with three less people than you failed to win with this year is generally a formula for failure.

If you have the wrong people, replace them, don’t eliminate the position. If you’re not accomplishing your goals with the people you have in those positions, is it the people, and not necessarily the position, that is the problem?

I have always believed that you find what works and you just repeat it over and over until it doesn’t work again, all the while evolving the process so that you’re prepared for the change when it is inevitable.

In radio the template has been to put the best product on the air, generate the biggest ratings you can and then send station representatives into the market to find sponsors that can benefit from using your station to reach consumers. This takes people.

In the record business you record the best music you can. Then you send representatives out to radio stations to convince them that this record will help them generate those ratings so that their representatives can go out into the market and, you get the idea. At the same time the record people are using the station to “advertise” the record to the audience. It is a win/win. Or should be. And it takes people.

A lot of stations are doing good radio today. In our format there are a ton of stations doing good radio. Boston, Detroit, LA, Minneapolis and others are seeing real ratings successes.

The music, in our format, and in CHR, is as good as it has ever been. Miranda Lambert is amazing. So are Chris Young and Justin Moore and Lady A and many more. In CHR, I love Katy Perry and Bruno Mars. The new Maroon 5 song is stuck in my head.

How tough is it to be good in a bad time? It’s like wearing the best Halloween costume to the Christmas Party.

Some people are afraid of change. They are afraid of innovation. The Country Music business is under attack. Radio is being attacked by Pandora and Spotify. The record industry is being attacked by dot edu accounts, and single track instead of full-album sales.

The problem with having radio and records partnering to fight these challenges is that we are at cross purposes on some of this stuff. Radio has run ads saying that stealing music is like stealing food from the Piggly Wiggly. Records continue to help radio with promotional tools in order to make sure that their music is presented in an exciting fashion.

But when it comes to Pandora and Spotify I am afraid that we part company. I mentioned a couple of weeks ago that a pipe is a pipe is a pipe to an artist. Anything that gets the music out to the consumer is good.

I know some record executives who would love to diminish the influence of radio in the music/consumer equation. That is wrong-headed because it is the relationships, built over years and years, that can finally get over these problems.

I have a Pandora account. I really don’t listen much because I have to listen to radio for work. I hear 12 hours of radio a day. Not much time for Pandora. When I do listen I hear unfamiliar music but I am not sure if I hear a lot of new music. I know that I hear new music on the radio.

I have said in past columns that radio should do a better job of teaching the listener about new music and new artists and keeping the established artist’s profiles current. I mentioned months ago that providing tools for stations to use in order to introduce the artist information was imperative to continued success.

But most labels have cut the people who did this. How is that working out for building new acts? When it takes three CDs for an artist to break through, you don’t really make that up in volume.

Well sorry, I have gone long this week but I have to go to Target and buy some candy. Monday is Halloween.

Google Music Nears Launch

Google’s music offering is nearing launch according to numerous reports including the New York Times.

The MP3 store is expected to have ties to the company’s growing social network, Google+, allowing users to share the music they buy with friends/followers. There is also supposed to be a cloud-based storage component.

Reportedly, EMI Music is close to agreeing to license its catalog, but NYT reports that the other majors are not yet on board with Google Music.

More from cnet.

Bobby Karl Works The Room

Chapter 380
Photos: Alan Mayor

On Tuesday evening (10/25), it was all about “giving back” at the Ben Folds Studio on Music Row.

The occasion was the fourth annual presentation of The Cecil Scaife Visionary Award. The salute was to the Mike Curb College of Entertainment and Music Business at Belmont University. The honorees were Norbert Putnam and David Briggs. Both of them, especially Norbert, were so kind to me when I was a pup in Music City.

LaQuela Scaife Cude, Sherytha Scaife, Norbert Putnam, David Briggs, LaRawn Scaife Rhea and Joe Scaife.

Cecil’s daughter, LaRawn Scaife Rhea, welcomed everyone and introduced music journalist Dan Daley as the evening’s host. He, in turn, introduced Jaci Wisot. The singer/pianist was the inaugural recipient of Cecil Scaife Belmont scholarship money and proved her worth by performing her original and award-winning ballad “Firefly.”

Second daughter LaQuela Scaife Cude recounted her late father’s vision for a music-business school in Nashville. She said that Cecil helped create the first Belmont music curriculum with his 1971 class on music marketing.

Tony Brown

Tony Brown praised Norbert and David as pioneers of non-country recording on Music Row. “Nashville is more than country music,” he said. “These two guys did it years ago and didn’t need to tell anybody.” Neil Young, Joan Baez, Dan Fogelberg and Jimmy Buffett all recorded at their Quadraphonic Studio, not to mention R.E.M. David’s House of David publishing company was the home of hits for Whitney Houston, Steve Winwood and more.

Tony called the honorees, “two of my heroes and two of my best friends.” He was also hilarious, recalling Elvis Presley anecdotes from the days when he and David both played in The King’s band.

Ray Stevens

Ray Stevens called the honorees, “some of the major boys who made the noise on 16th Avenue.” John Briggs and Dan Daley read letters of congratulation from Kris Kristofferson, Dolly Parton, Joan Baez and Barbara Mandrell, plus a proclamation from Rep. Marsha Blackburn.

The 2011 Cecil Scaife Scholarship recipient is singer and mandolin player Jena Rickards. She performed her lovely pop song “Waiting Up.”

“I had a nightmare last night, because I dreamed I would follow Tony Brown and Ray Stevens and two beautiful singing ladies,” said Harold Bradley. “And it was true.” He presented David’s award.

“Thanks to all the guys who told all the lies about us,” David said. “Thanks to all you people tonight for coming, but you’re not here for us. You’re here for the future.” He sagely remarked that there aren’t enough jobs in the music business for the Belmont grads, but added that there weren’t enough slots when he and Norbert arrived, either.

Cecil’s widow Sherytha Scaife and son Joe Scaife presented Norbert’s award. David Pomeroy presented an AFM 50th anniversary pin to David. “The thing that makes Nashville unique is the give-back and the pass-through,” he noted.

Jena Rickards, Harold Brdley and Jaci Wisot.

Cecil Scaife, who died in 2009 at age 81, was the first sales and promotion director at Sun Records in Memphis when Elvis began his career there in 1954. In Nashville, he co-founded the Gospel Music Association, worked as a CBS executive, was a radio entrepreneur, served as a president of the NARAS chapter (1971-72), established one of the city’s first multi-track studios, produced records, was a song publisher and urged the creation of the Belmont music-biz program.

The prior winners of the Visionary award in his name have been Mike Curb, Tony Brown and Wynonna Judd. The honor is given annually, “to a an individual whose life and work have made it possible for future generations to realize careers in the music industry.”

The historic host studio, formerly RCA Studio A and Javalena, was transformed into a nightclub for the eve. Black-draped tables with turquoise-hued candle centerpieces were arrayed in front of a stage set with elegant living-room furniture. The invitations said that this was to be a “reception” from 6-8 p.m. That turned out to mean continuous hors d’oeuvres. To wit: burger sliders, chicken skewers, pork sandwiches, shrimp cocktail, spicy hot cheese mini-balls, cupcakes and bacon, basil and tomato on toast points.

Working the room were Don Goodman, Don Cusic, Susan Stewart, Suzi Ragsdale, Becky Judd, Bob Fisher, Ben Folds (it was, after all, the pop star and Sing Off TV judge’s studio), Sharon Corbitt-House (she manages it), Diane Pearson, Harold Shedd, Lisa Harless, Lori Badgett, Rick Sanjek, Pamela Johnson, Gilles Godard, Steve Gibson, Jay Orr, Randy Moore, Pat Alger and Fletcher Foster.

McCreery’s Big Grin Lifts Country Sales

This week’s SoundScan report is about Scotty McCreery’s big grin as he stays in the No. 1 position atop Nielsen SoundScan’s Country Current Albums list for a third consecutive week. To date he has notched impressive weekly sales of 197k, 88k and 57k for total sales of about 342k. Lovely Lauren Alaina, the Idol runner up has also made a strong showing, moving from No. 2 to No. 3 this week. After two weeks she has total sales of about 95k.

Lady Antebellum’s Own The Night, No. 2 this week, has been out for six weeks shifting a total of 687k units. (The trio’s last outing, Need You Now sold 1,285,000 in its first six weeks.)

Power duo Montgomery Gentry are back with a new album, Rebels On The Run and a new label Average Joes Entertainment. Their debut lands at No. 9 on the country list with sales of almost 12k units.

Looking at the remaining ten weeks till the end of the sales year, it is hard to predict exactly how the numbers will end up. YTD country has moved 31.18 million albums. The 2010 full year total was 43.72 million. That means we need to sell an average of 1.25 million for each of the ten weeks  till year end. (This week we sold 706k.)

Number crunchers know that country album sales are YTD ahead 9.3%. (All genre is ahead 3.3%) But next week’s tally (week ending 10/30/11) will be up against a slam bam outing by Taylor Swift who sold 1.05 million units (10/31/10). Next week will be bolstered by new debuts from Toby Keith and Vince Gill, but it is unlikely they will completely offset Swift’s impact in calculating the comparison percentage. The following week’s numbers will contain Miranda Lambert’s new collection. So stay tuned.

Tracking
The top five selling country track downloads are Blake Shelton “God Gave Me You” (50k); Luke Bryan “…This Night To End” (39.5k); Band Perry “If I Die Young” (36.7k); Lady Antebellum “Just A Kiss” (35k); and Eli Young Band “Crazy Girl” (34.5k).

YTD country coffers have received payments on 118 million track downloads. TEA albums (11.8 million) added to regular album sales would yield a YTD country total of 42.98 million.

DISClaimer Single Reviews (10/26/11)

Toby, Trace, Blake, Dolly, Merle and more—it’s all stars and no waiting in this week’s column.

Our Female Vocalist Disc of the Day goes to the indomitable Dolly Parton. Long may she sing. Trace Adkins, Toby Keith, Merle Haggard and our surprise winner, Billy Currington, vied for the Male Disc of the Day. Billy was the one who was smart enough to dip into the catalog of the late, great Harley Allen for his new single.

Owing to the glut of big-name record makers, there was, alas, no room for any worthy DisCovery Award.

TOBY KEITH/Red Solo Cup
Writer: Jim Beavers/Brett Beavers/Brad Warren/Brett Warren; Producer: Toby Keith; Publisher: Sony-ATV Tree/Beavertime/BMG/Chestnut Barn/Chrysalis One/EMI Blackwood/StyleSonic, BMI; Show Dog (track)
—It’s sing-along drinking song with a spare banjo-guitar accompaniment. The recording sounds strikingly “live” and un-produced, and is therefore quite refreshing.

RODNEY ATKINS/He’s Mine
Writer: Casey Beathard/Phil O’Donnell/Tim James; Producer: Ted Hewitt & Rodney Atkins; Publisher: Sony-ATV Acuff-Rose/Sixteen Stars/Immokalee/Hodges House of Songwriters/Warner-Tamerlane/T-Bird’s, BMI; Curb (track)
—This, on the other hand, is totally compressed, auto-tuned and electro-produced within an inch of its life. The lyric has the Dad showing pride in his boy no matter what happens, good or bad.

KEITH URBAN/You Gonna Fly
Writer: Jaren Johnston/Chris Lucas/Preston Brust; Producer: Dann Huff & Keith Urban; Publisher: Sony-ATV Harmony/Texa Rae/Sony-ATV Cross Keys/Sony-ATV Tree, ASCAP/BMI; Capitol Nashville (track)
—The fourth single from Keith’s Get Closer collection is an upbeat, uplifting ode to escape and hope. His singing is super convincing, and the guitar solo blisters.

DOLLY PARTON/The Sacrifice
Writer: Dolly Parton; Producer: Kent Wells; Publisher: Velvet Apple, BMI; Dolly/Warner (track) (www.dollypartonmusic.net)
—The woman’s ongoing creativity is one of the wonders of our time. Five decades into her career, she is still writing and singing as powerfully as ever. This pulse-quickening little rocker is an autobiographical tale of how she willed herself to be a winner. And, boy, did she.

BILLY CURRINGTON/Like My Dog
Writer: Scotty Emerick/Harley Allen; Producer: Carson Chamberlain & Billy Currington; Publisher: Florida Room/BPJ/Coburn/Harley Allen, BMI; Mercury Nashville (track)
—For locating great songs, Currington has some of the best ears in Music City. This wickedly clever ditty praises the affections of a pooch, as compared to the judgmental attitudes of his gal. I grinned. So will you.

MERLE HAGGARD/Working In Tennessee
Writer: Merle Haggard; Producer: Merle Haggard & Lou Bradley; Publisher: Merle Haggard, BMI; Hag/Vanguard (track) (www.merlehaggard.com)
—The title tune to the Hag’s new CD is a quick-step western swinger. Guitarist Reggie Young, pianist Doug Colosio and fiddler Scott Joss all get in some hot licks while the vocalist offers some light-hearted, bluesy digs at Tune Town.

TRACE ADKINS/Million Dollar View
Writer: David Lee Murphy/George Teren; Producer: Kenny Beard & Mark Wright; Publisher: Old Desperados/Carol Vincent & Associates/EMI Blackwood/Terenator/Done and Dusted, ASCAP/BMI; Show Dog Universal
—As you might expect, the finest view isn’t from a beach, a mountaintop, a high rise or a vacation spot. It’s gazing at his baby in their humble, little living room. The band cooks with gas on this mid-tempo bopper, and Trace totally owns it, vocally.

HAYES CARLL/Stomp And Holler
Writer: Hayes Carll; Producer: Brad Jones; Publisher: Highway 87/Bug, SESAC; Lost Highway
—Perennial Americana fave Carll wails the bad-boy lyric like a wounded honky-tonk survivor. Guitars crash and scream all around this catchy rocker.

BLAKE SHELTON/Footloose
Writer: none listed; Producer: none listed; Publisher: none listed; Warner Bros. (track)
—I have said it before, many times: There is absolutely no point to remaking an oldie unless you’re going to put your own stamp on it and reinvent it. This merely apes the 1984 Kenny Loggins arrangement, right down to the grinding guitar licks.

CLAY DUSTIN/I’ll Take That Job
Writer: David Chamberlain/Mark Sherrill; Producer: David Chamberlain; Publisher: Handle It/Key/Mark, SESAC; PureHeart (track)
—The full title is “I’ll Take That Job That Johnny Paycheck Shoved.” His singing isn’t particularly distinctive, but Dustin is country right down to his boots.

Industry Ink: Green Hills Music Group Signing

(L-R): Grin Like A Dog Songs’ Leslie Mitchell, Steve Mitchell and Green Hills Music Group’s Woody Bomar

Green Hills Music Welcomes Steve Mitchell
Green Hills Music Group is partnering with Grin Like A Dog Songs to promote the catalog of songwriter Steve Mitchell. The Canadian hitmaker recently relocated to Nashville from Vancouver, BC where he was a member of the Juno Award winning band The Paperboys. He is an international touring act whose music has been included in documentaries, film and TV.

Green Hills president Woody Bomar shares, “I am so impressed with Steve’s unique writing as well as his musicianship and his passion for developing new artist talent. He is a joy to work with.”

Green Hills Music Group started in 2007 and markets the music of Bob Regan, Bonnie Baker, Rick Giles, Georgia Middleman, Steve Williams, Paul Duncan, Patricia Summers and Dave Rivers. The company’s current releases include cuts by Hunter Hayes, The Dirt Drifters, Jaclyn North, Matt Stillwell and Six West.

Publisher Mickey Goldsen Passes
Publisher Mickey Goldsen died Oct. 19 at home in Encino, Calif. He was 99. His career included heading Capitol Records’ publishing division in the 1940s, where he worked alongside such legends as Johnny Mercer, Frank Sinatra, and Nat King Cole. In 1950 Goldsen founded Criterion Music Corp., where he served as CEO until his death. The publisher is home to classics including “These Boots are Made for Walkin’,” “Tiny Bubbles,” “Doctor My Eyes,” “Dream,” “Moonlight in Vermont,” “Papa Oom Mow Mow,” “Seven Year Ache,” and dozens of Charlie Parker compositions. Services were held Mon., Oct. 24 in Mission Hills, Calif. In lieu of flowers, the family requests donations to MusiCares, The Child and Family Guidance Center of Northidge, or the Society of Singers. More here.

Avery Earls Arrives
Sr. VP of Universal Music Publishing Group Nashville, Kent Earls, and Martha Earls, Partner and co-GM of Effusion Entertainment are happy to announce the birth of their baby girl. Avery Caroline Earls was born Oct. 19, weighing 6 pounds, 8 ounces and measuring 15 1/2 inches long.

Strong Ratings For Canadian Country Awards
Last month’s broadcast of The Canadian Country Music Awards was another smash-hit for the Canadian Broadcasting Channel, with the show attracting an average audience of nearly 750,000 viewers. At its peak, the two-hour broadcast pulled in almost one million viewers and more than 3.1 million Canadians watched some part of the show. Among the performers at Copps Coliseum in Hamilton, Ontario were Johnny Reid, Ronnie Dunn, Luke Bryan, and Dean Brody. Country Music Week 2012 is happening in Saskatoon, SK from Sept. 6-9.

UMPG Promotes Brian Lambert
Universal Music Publishing Group, North America has promoted Brian Lambert to Executive Vice President/Head of Film & Television Music. From the company’s Santa Monica, Calif. headquarters, Lambert will report directly to President of Universal Music Publishing Group, North America Evan Lamberg.

Matt Mahaffey Moves To Nashville
Pop/rock artist/writer/producer Matt Mahaffey has relocated to Franklin, Tenn. following a decade in Los Angeles working on projects including DreamWorks’ Shrek, and his own releases under the Self moniker. The Murfreesboro native has built a new studio and recently finished work on an album by Atlantic Records artists I Fight Dragons. He is also working on a new Self project. Reach Mahaffey via David Surnow at Solid Music Company, [email protected] or (213) 610-1065.