Tag Archive for: featured-2

Kacey Musgraves, Lil Nas X, Billy Ray Cyrus Celebrate Early CMA Award Wins

Three early CMA trophy winners were announced Wednesday morning (Nov. 13) via Good Morning America.

Kacey Musgraves‘ “Rainbow” won Music Video of the Year. The clip was directed by Hannah Lux Davis. Musgraves is nominated in three categories this year, also up for Female Vocalist of the Year, and Song of the Year (“Rainbow”). Musgraves previously won the CMA Song of the Year in 2014 with “Follow Your Arrow.” Last year, her album Golden Hour was named Album of the Year at the CMA Awards; the album would go on to also win the all-genre Album of the Year honor at the 2019 Grammy Awards.

Lil Nas X and Billy Ray Cyrus’ record-breaking hit “Old Town Road” won the CMA’s Musical Event of the Year honor. In July, the track made chart history, spending 17 weeks atop the Billboard Hot 100, making it the longest-running No. 1 hit in the history of the chart, and besting a previous tie set by the 1995 hit “One Sweet Day” from Mariah Carey and Boyz II Men, as well as the 2017 hit “Despacito” from Luis Fonsi and Daddy Yankee (ft. Justin Bieber), each with a 16-week reign. The track was produced by YoungKio, Trent Reznor and Atticus Matthew Ross.

The 53rd Annual CMA Awards will be held this evening (Nov. 13), airing live on ABC from Nashville’s Bridgestone Arena.

Bobby Karl Works The Room: Ashley Gorley Wins Seventh ASCAP Songwriter of The Year Honor

Ashley Gorley is honored with his seventh ASCAP Songwriter of the Year award. Photo: Ed Rode

BOBBY KARL WORKS THE ROOM

Chapter 638

This year’s ASCAP Awards gala on Monday eve (Nov. 11) was packed with stars and superstars, but the best story of the night belonged to an unknown.

The organization gave awards to Randy Travis, Brothers Osborne, Brett Young, Kelsea Ballerini & Morgan Evans, Old Dominion, Midland and other big celebs. During the banquet, Carrie Underwood, Garth Brooks, Dan + Shay, Dierks Bentley and Little Big Town performed.

ASCAP CEO Beth Matthews, Song of the Year “One Number Away” winner Steven Battey, and ASCAP EVP of Membership John Titta. Photo: Ed Rode

But the evening’s crowning moment was the presentation of its Song of the Year to Steven Battey for penning the Luke Combs smash “One Number Away.”

Battey is a Georgia native who lost his parents when he was a teen. He went to L.A., where he was an impoverished busking street performer. He worked his way up to becoming an in-demand pop and hip-hop writer. Then he chucked it all to move to Music City to write country music. “One Number Away” is his first country hit and his first ASCAP awarded song.

“This is surreal right now,” he said when he was handed the Song of the Year trophy. “I lost my parents when I was 18, 19 years old. I went to L.A. to sing on the streets.

“This is ‘One to Remember.’ This is a testament that anything is possible.” Adding to the accomplishment is the fact that he is self-published, rather than being affiliated with a big song firm.

ASCAP CEO Beth Matthews presents Warner Chappell Music with their seventh consecutive Publisher of the Year Award. Photo: Ed Rode

ASCAP’s Publisher of the Year was Warner Chappell. “I really want to say thank-you to this entire team,” said Ben Vaughn in accepting. “What we’re most thankful for is being in this room with all of you tonight. We all know that we are fortunate and blessed to do this together. Hug a publisher. Let’s enjoy this success together.”

This is the seventh consecutive win for Warner Chappell at the annual ASCAP country banquet, and seven seemed to be the evening’s lucky number.

Winning his seventh ASCAP Songwriter of the Year award was Ashley Gorley. Seven songs earned him the honor this year – “Life Changes,” “Eyes on You,” “Love Ain’t,” “What Makes You Country,” “I Lived It,” “Rumor” and “Hide the Wine.” Ashley and cowriters Jon Nite and Dierks Bentley performed “Living” together, each taking a verse.

“It’s an epic night, so amazing,” said a grateful Gorley. “It all comes back to God’s gift of songwriting. I do not ever take that for granted. I thank God for creating the songs and for creating the people I get to write them with.”

Little Big Town, Kelsea Ballerini and ASCAP VP of Membership Mike Sistad honor Hillary Lindsey with the Global Impact Award. Photo: Ed Rode

Trevor Rosen and Matthew Ramsey were named ASCAP’s country Songwriter-Artists of the Year. They write songs for others as well as for their band, Old Dominion.

“Songwriting is like magic to me,” said Trevor. “It still fascinates me every day.”

“This room is full of people who helped me and Trevor get to where we are,” added Matthew. “In this room, with this talent, I am intimidated. But I am also inspired to be better. Thank you all for supporting us as a band and for not letting go of us as writers.”

The show began with an expertly curated video montage of winning songs. Then Dan + Shay appeared to sing “Tequila” with Dan Smyers’ cowriter Jordan Reynolds. The trio’s harmonies and string-quartet backing made the performance sound even better than the hit record. The finale, sustained, high-tenor note by Shay Mooney sure didn’t hurt.

Dan + Shay perform their hit “Tequila” with songwriter Jordan Reynolds. Photo: Ed Rode

Elizabeth Matthews and Paul Williams greeted the crowd of nearly 800, giving a shout-out to military personnel, since this was Veteran’s Day. They also noted the passing of veteran ASCAP exec Ralph Murphy.

John Titta and Mike Sistad congratulated Sharon Vaughn and Rivers Rutherford on their inductions into the Nashville Songwriters Hall of Fame.

Hillary Lindsey, who is a goddess, was presented with the ASCAP Global Impact Award by Ballerini. The honor is in recognition of Hillary’s work with/for Lady Gaga, Florida Georgia Line, Taylor Swift and others. Little Big Town sang “Girl Crush” to salute her.

“I’m really honestly very thankful for tonight,” said Hillary. “It’s honestly mind blowing to me. You’ve touched me more than you’ll ever know.

“I feel like we all came from somewhere far away from this town. But we all had a massive, massive love for music….And thank God for the gift of music.”

Garth Brooks, Carrie Underwood, and ASCAP President and Chairman Paul Williams present the ASCAP Founders Award to Randy Travis. Photo: Ed Rode

The Founder’s Award was presented to Randy Travis. In his honor, Carrie Underwood sang “Promises,” and Garth Brooks performed “Forever and Ever Amen.”

“This man saved country music!” exclaimed Garth. “I wouldn’t be standing here if it weren’t for Randy Travis.”

“Your music became a symphony to the lives of millions,” Mary Davis Travis said to her husband. “The songs that you left us before your stroke six-and-a-half years ago will remain the soundtrack of our lives Forever and Ever, Amen.”

ASCAP’s Vanguard Award was presented to Brothers Osborne by Ted Danson & Mary Steenburgen, who referred to Nashville as “our adopted city.”

“From the time I was a little boy, I always had a hard time believing in myself,” said charismatic front man T.J. Osborne. “Even after achieving everything, I still question myself daily….But I would like to thank ASCAP, because having this in my house will help.”

Ted Danson and Mary Steenburgen present the ASCAP Vanguard Award to Brothers Osborne. Photo: Ed Rode

“How in the hell am I getting a songwriting award with such a horrible vocabulary?” quipped guitar slinger John Osborne. He said that he had to look the word “vanguard” up. “We’re just being ourselves. To all of you new songwriters in the room, this is your award, too. Just keep f—king going.”

Steven Battey’s performance of “One Number Away” served as the gala’s finale. He was rewarded with one of the evening’s many standing ovations.

Entertainers spotted in the crowd included Desmond Child, Charles Esten, Lee Brice, Rory Feek, Carl Jackson, David Lee Murphy, Carly Pearce & Michael Ray, Tenille Townes, The Cadillac Three, Jordan Davis and Lady A’s Dave Haywood.

The Sisterhood Band’s Alyssa Bonagura and Ruby Stewart were resplendent in cowgirl chapeaux. Alyssa and I noted that we were sporting complimentary bolo ties. Cassadee Pope chose a coral-hued ensemble featuring a bra with matching mini and flouncy jacket.

Trevor Rosen and Matthew Ramsey of Old Dominion accept the ASCAP Songwriter-Artist of the Year Awards. Photo: Ed Rode

C.J. Solar rocked a leopard-patterned tux jacket. Kelsea Ballerini glowed in a vivid yellow jacket and matching mini, beautifully embellished with silver appliques. Rachel Wammack was lovely in a black feathered crop top. Bodacious newcomer Hannah Dasher was a total charmer in her rhinestone-trimmed black outfit and big, retro hair.

David Garcia, David Ray, Dave Pomeroy, David Malloy, Tony Conway, Tony Brown, Brett Jones, Brett James, Chris Farren, Chris DeStefano, Doug Casmus, Doug Johnson, John Allen, John Esposito, John Ozier, John Marks, Marc Beeson, Mark Bright, Mark Brown, Mike Hollandsworth, Jacob Davis, Caroline Davis, Craig Campbell, Corey Crowder, Ronna Rubin, Susan Stewart, Fletcher Foster and Michael Martin schmoozed.

Fearless females working the room included Liz Rose, Carla Wallace, Cyndi Forman, Robin Palmer, Ree Guyer, Carmella Ramsey, LeAnn Phelan, Leslie DiPiero, Allison Jones, Whitney Daane, Susan Niles, Sandi Spika Borchetta, Erika Wollam Nichols, Stephanie Wright, Julie Boos and Alicia Warwick.

Marching in the male brigade were Josh Kear, Chuck Wicks, Frank Rogers, Scott Borchetta, Seth Ennis, Wes Vause, Blake Chancey, Wayland Holyfield, Pat Alger, Byron Hill, Craig Wiseman, Eddie Bayers, Bart Herbison, Earle Simmons, Biff Watson, Josh Van Valkenburg, Tim DuBois, Patrick Clifford, Andrew Kintz, Shelby Kennedy, Rusty Jones, Scooter Carusoe, Brad Tursi, Will Hitchcock and my groovy dinner companion Jim Catino. By the way, today is the great Catino’s birthday.

Tables were set with roasted beet salad including candied pecans, goat cheese, greens and pickled red onions. The entrée was surf-and-turf with herbed beef filet medallions, pan-seared snapper, roasted root vegetables and Asiago mashed potatoes. Dessert trays held macaroons, bourbon chocolate tarts, pecan-pie squares and blackberry mousse tartlets.

The setting was the ballroom of the Renaissance Hotel. Round banquet tables were elegantly draped in black with white rose and blue hydrangea centerpieces. The massive stage was splashed with gold and pale blue spotlights. The video display work on the backdrop was outstanding throughout the night.

By the time we exited, the temperature had plunged and rain had turned to sleeting snow. But that couldn’t dampen the music in our memories.

Bobby Karl Works The Room: SESAC Honors Justin Ebach, “Beautiful Crazy,” Warner Chappell

Pictured (L-R): SESAC VP of Creative Services Shannan Hatch, Dustin Lynch, Justin Ebach, SESAC Sr. Director Creative Services ET Brown and SESAC Sr. Director Creative Services Lydia Schultz. (Photo by Ed Rode/Getty Images for SESAC)

BOBBY KARL WORKS THE ROOM

Chapter 637

If you want to make a black-tie awards banquet feel like a comfy evening at home, take a few tips from SESAC.

The smallest of the performance rights organizations used its size to its advantage to craft an event that was short on formality and long on warmth and intimacy. Staged at the Country Music Hall of Fame’s event hall on Sunday (Nov. 10), the ceremony saluted the writers and publishers of its top 16 country and Americana songs of 2018-19.

SESAC’s Songwriter of the Year was Justin Ebach. He was presented with the night’s big honor by singer Dustin Lynch.

“Songwriter of the Year goes down in history,” said Dustin. “It’s Big Stuff.”

“Holy shit,” exclaimed Justin. “You don’t get here by yourself. My wife, Janine, she handles my world….I’m a little caught off guard and not good at speaking, but Thank You So Much.” This is the second time that he has been given this honor.

“Beautiful Crazy” won Song of the Year for its SESAC composer Wyatt Durrette III. Singer Luke Combs congratulated him via video. Warner Chappell Music was named SESAC’s Country Publisher of the Year.

Pictured (L-R): Jimmie Allen, Justin Wilson and Josh Hoge attend the 2019 SESAC Nashville Music Awards at Country Music Hall of Fame and Museum on Nov. 10, 2019 in Nashville, Tennessee. (Photo: Erika Goldring/Getty Images for SESAC)

Executives E.T. Brown, Lydia Schultz and Shannan Hatch played tag-team in presenting the awards. During the evening, there were several fond tributes to SESAC veteran Hatch, who is leaving there to become president of the new Fourward Music publishing division.

The casual vibe of the awards banquet was evident from the start. There were no assigned tables or seats. Guest mingled comfortably throughout the cocktail hour, then gathered in informal groups. Dinner was served buffet style, with a wait staff circulating constantly with tasty snacks and glasses of wine.

Working the red carpet were Jenny Tolman, a vision in a fringed ivory mini-dress, alongside Calaway, Keith Burns, Olivia Lane, Jimmie Allen, Blanco Brown, turquoise jacketed Erin Enderlin, Runaway June, Ryan Kinder and the sartorially splendid Seaforth with member Mitch Thompson in a fabulous bejeweled jacket.

Victoria Shaw had Cooper Alan in tow. He is a new artist she is co-producing whose “Climate Change” country single has already garnered half a million streams. Victoria is also hosting the new PBS TV series, Songwriters Under the Covers. I recommend it.

Georgia Middleman was celebrating a new CD that she released last week. Gifted hubby Gary Burr was celebrating repaired knees, as well as enduring songwriting greatness.

Pictured (L-R): SESAC VP of Creative Services Shannan Hatch, Rosest Music’s Richard Blackstone, Wyatt Durrette III and SESAC SVP of Creative Operations Sam Kling. (Photo by Ed Rode/Getty Images for SESAC)

Jim Ed Norman confessed that he’s way behind on any Nashville news. He’s been on the road conducting orchestras on The Eagles tour.

Webb Wilder, Steve Bogard, Dallas Davidson, Josh Hoge and Cary Barlowe were working the room, too.

The ceremony began with a bang. Blanco Brown performed a mash-up of “A Change Is Gonna Come” and “Tennessee Whiskey” to illustrate how close classic r&b and classic country are to each other. He was searingly soulful, with stratospheric scatted falsetto notes. Who knew that “The Git Up” chart-topping novelty artist was such a phenomenal vocalist? Blanco’s mini set concluded with the whole crowd on its feet and shaking it to his groove-soaked “The Git Up” dance commands.

“Welcome,” said SESAC chairman & CEO John Josephson. “I’m always honored to be part of an event that honors our songwriters and publishers. We look forward to applauding each of you tonight.”

“Tonight is a party, and I’m so glad that Blanco started it off,” added Shannan Hatch. She pointed out that SESAC writer Jerry Salley had just won his second consecutive Songwriter of the Year honor from the IBMA and that SESAC fiddler Jenee Fleenor is the first woman to be nominated as Musician of the Year by the CMA. Both were present and given hearty rounds of applause.

The first group of awards went to “Not Many Miles to Go,” penned by Rosanne Cash, plus Casey Brown’s “Blue Tacoma” (Russell Dickerson), Kevin Welch’s “Millionaire” (Chris Stapleton), Wyatt Durrette III’s “Beautiful Crazy” (Luke Combs), Cary Barlowe’s “Raised on Country” (Chris Young) and Josh Hoge’s “Hangin’ On” (Chris Young).

Pictured (L-R): SESAC Sr. Director Creative Services ET Brown, BMG Silver Songs US Jake Gear, Ray Wylie Hubbard, Eric Church, Kos Weaver and SESAC Sr. Director Creative Services Lydia Schultz. (Photo by Ed Rode/Getty Images for SESAC)

Then Jimmie Allen and co-writer Josh London drew a standing ovation for their superb performance of “Best Shot.” Jimmie looked splendiferous in a wide red bolero hat.

Next up in the winner’s circle were Runaway June’s “Buy My Own Drinks,” written by the group’s Naomi Cooke, Hannah Mulholland and Jennifer Wayne, plus the Niko Moon/Cary Barlowe “Back to Life” (Rascal Flatts), Justin Wilson’s “Drunk Me” (Mitchell Tenpenny) and “Rumor,” written, sung, produced and published by Lee Brice. What a guy.

Justin Ebach’s “Good Girl” (Dustin Lynch), the Jason Boyer/Michael Tyler tune “Girl Like You” (Jason Aldean), Alysa Vanderheym’s “Talk You Out of It” (FGL’s so-called “baby making” ballad) and Ebach’s “Here Tonight” (Brett Young) paved the way for Ray Wylie Hubbard to perform “Desperate Man.” He slowed it down to a bluesy drawl, vamping on his own guitar and harmonica. The song’s co-writer and hit maker Eric Church staged a surprise appearance to present Hubbard’s honor. Loved him for that.

All of this took place in serene surroundings. The room was dominated by a massive center lighting fixture with multiple strings of white lumens arranged in a cube. The black-backed stage with pin lights was also lit by rectangular graphics of the award-winning songs. Tables wore black or red brocade cloths centered by arrangements of dark red roses or black-glass columns with tea lights. The room contained seated tables, high cocktail tables and black leather lounging couches. Take your pick.

Pictured (L-R): Blanco Brown performs onstage during the 2019 SESAC Nashville Music Awards. (Photo by Ed Rode/Getty Images for SESAC)

Terry Wakefield, Terry Hemmings, Charlie Monk, Capucine Monk, Ed Morris, Jason Morris & Jewel Coburn, David & Carolyn Corlew, Dave Brainard, Dave Pacula (who is now working for Liz Rose), Clay Myers, Clay Bradley, Fletcher Foster, Maurice Miner, Susan Stewart, Karen Clark, Gilles Godard, Troy Tomlinson, Tom Luteran, Tom Roland, Tim Fink, Tim Wipperman, plus Ron Stuve, John Huie, Dale Bobo, Woody Bomar, Diane Pearson, Daniel Miller, Erika Wollam Nichols, Allen Brown, Bob Doyle, Shannon McCombs, Larry McCormick, Peyton Hoge, Mark Ford, Amy Smartt, Ree Guyer, Stephanie Langston, Richard Blackstone, Ash Bowers, B.J. Hill,Lori Badgett, Katharine Richardson, Debbie Carroll, Pat Higdon, John Beiter and Cliff Audretch schmoozed.

Our buffet dining featured a roast beef carving station, Asian shrimp and rice, chicken lemon grass dumplings, soba noodles, pork pot stickers, shrimp salad spring rolls and chilled steamed asparagus, squash, cauliflower, red pepper and other veggies. Cookies and candies were offered as desserts.

Pictured: SESAC’s Sam Kling, SESAC’s John Josephson, SESAC’s Lydia Schultz, Casey Brown, Hannah Mulholland, Jimmie Allen, Naomi Cooke, Josh Hoge, Rob Hatch, Dan Hatef, SESAC’s Shannan Hatch, Justin Wilson, Cary Barlowe, Michael Tyler, Josh London, Justin Ebach, SESAC’s ET Brown, Jennifer Wayne, Jaron Boyer. (Photo by Erika Goldring/Getty Images for SESAC)

Weekly Radio Report (11/8/19)

Click here or above to access MusicRow’s weekly CountryBreakout Radio Report.

DISClaimer: Kane Brown’s “For My Daughter” Tops New Releases

Kane Brown

Variety is the spice of life.

This is an adage that all country radio programmers should take to heart, because back in the day, their stations’ playlists were a lot more diverse than they are today. And everyone liked terrestrial radio a whole lot more than they do now.

So in today’s column we have everything from bluegrass to pop, from neo-rockabilly to hardcore honky tonk, from tender emotionalism to party-hearty romps. Sample them all.

The Disc of the Day goes to Kane Brown, who has the sweetest song about fatherhood that I’ve heard in ages. Give Mike Alan Ward a DisCovery Award.

STEPHANIE QUAYLE/Whatcha Drinkin’ ‘Bout
Writers: none listed; Producer: none listed; Publisher: none listed, ASCAP/BMI; Rebel Engine
-A sprightly barroom anthem, delivered with verve and abetted by some dandy guitar twanging. I’m in.

MONTGOMERY GENTRY/Outskirts
Writers: Dallas Davidson/Rodney Clawson/Ashley Gorley; Producers: Noah Gordon/Shannon Houchins; Publishers: Big Red Tow/EMI Blackwood/Round Hill Compositions/Round Hill Works/Shirt at Work/Two Chord Georgia/Copyright Control Ashley Gorley, BMI/ASCAP; Average Joes
– Nicely thumping and sung with conviction. The topic isn’t exactly news — it’s the one about partying in the countryside after work with a honey. “Heartland,” “ball cap,” “hot girl in a t-shirt,” “red dirt,” “cold beer” “simple life,” it’s all here.

MIKE ALAN WARD & DIERKS BENTLEY/No Getting Over You
Writers: Ward/Bentley; Producers: Carl Jackson/Randy Kohrs/Ken Triphan; Publishers: Colonel Rebel/Wooteeny/Blue Nugget/Big White Tracks/Sony-ATV, ASCAP; Twang-Gang
– If you ask me, every country playlist needs a splash of bluegrass. The two voices are the calling cards of this dandy toe-tapper, but the picking will dazzle you just as much. The supporting cast is a who’s-who of instrumentalists. Ward’s album is titled Whiskey, Trains and Lonesome, and it is simply stellar from top to bottom.

KANE BROWN/For My Daughter
Writers: Kane Brown/Tom Douglas/Chase McGill; Producer: none listed; Publisher: none listed; RCA
– Kane became a first-time Daddy on Oct. 29, and he’s wasted no time in celebrating the event in song. “I grew up without a dad/I’m gonna be the best one I can be.” That’s just one of the honest lyrics in this heart-tugging mini-masterpiece. A lump-in-throat performance of a song packed with truth and beauty.

DANIELLE BRADBURY/Blackout
Writers: none listed; Producer: none listed; Publisher: none listed; BMLG
– Drawn from the Charlie’s Angels soundtrack, this sounds like a big bid for pop stardom. The echoey atmosphere, stately keyboard work, crashing rhythms and layered, multi-part vocals all are very, very involving. There’s a richness of vocal tone here (reminiscent of Sia) that’s a long way from her days as a contestant on The Voice.

CLINT BLACK/This Old House
Writers: none listed; Producer: none listed; Publishers: none listed; CB
– Clint enlists eight buddies as vocal collaborators here — Trace Adkins, Dierks Bentley, Sara Evans, Cody Jinks, Michael Ray, Darius Rucker, Travis Tritt and Steve Wariner. The song is a ballad about nostalgia for a homeplace. It’s solidly country, but the tempo plods a bit. There’s an extremely effective music video that equates the “house” with the Grand Ole Opry, with memories coming alive off the photos on the walls, in visions in dressing rooms and hallways and via historic clips on the storied stage. Recommended.

ADAM DOLEAC/Famous
Writers: Adam Doleac/Andy Skib/Bobby Hamrick; Producer: none listed; Publishers: none listed; Arista Nashville
– Smooth. His gently persuasive vocal is right on the money in this pop-country slow jam. The overall vibe is a kinda bland, yet kinda pleasant.

HOOTIE & THE BLOWFISH/Hold On
Writers: Jim Beavers/Chris Stapleton; Producer: Frank Rogers; Publishers: Sony-ATV Tree/Dontcallmebrett/WB/Ken Tucky, BMI/ASCAP; Capitol
– Despite the seeming hopelessness of our modern world, this jaunty ditty advises us that love will see us through. Optimistic and upbeat. The band “gang” vocals as the song reaches its finale are just the right touch.

GRANGER SMITH/That’s Why I Love Dirt Roads
Writers: Chris DeStefano/Jon Nite/Brad Rempel/Granger Smith; Producers: none listed; Publishers: none listed; Wheelhouse/BBR
– Stirring and anthemic. It’s hard to produce an up-tempo tune with this much crispness, while maintaining its rushing forward momentum. This does all that and more. Charisma on the hoof.

CHUCK MEAD/Shake
Writers: Charles Mead/Paul Cebar; Producer: Matt Ross Spang; Publishers: Pagan Idol/Groovesburg Joys, BMI; Plowboy
– The latest single from Chuck’s fine Close to Home CD is a swampy, groove-a-minute outing with dollops of blues, rockabilly and roots-rock in its countryboy DNA. This guy is a one-of-a-kind talent, and more power to that.

Vince Gill, Sonny Curtis, Kye Fleming, Dennis Morgan, Bob McDill Among Songwriters Hall Of Fame Nominees

The Songwriters Hall of Fame has announced its slate of nominees to be voted upon for induction at its 51st Annual Induction & Awards Gala on June 11, 2020, in New York City.

Among the nominees are 21-time Grammy winner Vince Gill, Sonny Curtis (who penned Keith Whitley’s “I’m No Stranger To The Rain,” among other hits), Kye Fleming and Dennis Morgan (Barbara Mandrell’s “I Was Country When Country Wasn’t Cool” and Ronnie Milsap’s “Smokey Mountain Rain” among other hits), and Bob McDill (Alan Jackson’s “Gone Country,” Mel McDaniel’s “Baby’s Got Her Blue Jeans On,” among others).

The Songwriters Hall of Fame is dedicated to recognizing the work and lives of those composers and lyricists who create music around the world. A songwriter with a notable catalog of songs qualifies for induction 20 years after the first significant commercial release of a song. Eligible voting members will have until midnight on Dec. 16, 2019 to turn in ballots with their choices of three nominees from a songwriter and three from a performing songwriter category.

Songwriters

Lynn Ahrens / Stephen Flaherty
Lyricist Lynn Ahrens and composer Stephen Flaherty have been collaborators in musical theater since 1983. Selected credits include the hit Broadway musical Ragtime, for which they received Tony, Drama Desk, Outer Critics Circle Awards and two Grammy nominations. They were nominated for two Academy Awards, two Golden Globes and earned a Gold Record for their score of Twentieth Century Fox’s animated feature Anastasia, which they also adapted for its recent long run on Broadway. Seussical earned their third Grammy nomination and is one of the most performed shows in America. And Once On This Island won the 2018 Tony Award for Best Musical Revival, garnering their fourth Grammy nomination. Ahrens is an Emmy winner and mainstay songwriter for ABC-TV’s Schoolhouse Rock. Flaherty’s work has been performed in Carnegie Hall, the Guggenheim, and he scored the dance musical In Your Arms. Together, they received the Oscar Hammerstein Award for Lifetime Achievement, and in 2015, were inducted into the Theater Hall of Fame. Key songs in the Ahrens/Flaherty catalog include: Scores for: * Ragtime * Once On This Island * Anastasia * Seussical * Rocky
Tommy Boyce (d) / Bobby Hart
The songwriting team of Tommy Boyce and Bobby Hart were responsible for such classic hits by the Monkees as their TV theme song “Hey, Hey We’re the Monkees,” “Last Train to Clarksville” and “(I’m Not Your) Steppin’ Stone,” which was also a hit for Paul Revere and the Raiders and covered by the likes of the Sex Pistols and Tom Petty & the Heartbreakers. The duo’s first hit came in 1964 when Jay and the Americans reached No. 3 with “Come a Little Bit Closer.” Boyce & Hart eventually signed with A&M Records, where they recorded such hits as “I Wonder What She’s Doing Tonight” and “Alice Long (You’re Still My Favorite Girlfriend)” and toured with the Monkees. Key songs in the Boyce/Hart catalog include: *  Come A Little Bit Closer *  I’m Not Your Steppin’ Stone *  I Wonder What’s She’s Doing Tonight?  *  Last Train To Clarksville *  Valleri
L. Russell Brown / Irwin Levine (d)
The team of the late Irwin Levine and L. Russell Brown wrote some 40 songs, including “Tie a Yellow Ribbon,” a 1973 chart-topper for Tony Orlando and Dawn that was covered by Frank Sinatra and Bing Crosby. It took a life of its own following the American hostage crisis in Iran and has now been recorded over 2,000 times. Levine and Brown also wrote other big hits for Orlando and Dawn, including “Knock Three Times” and “Candida,” while Brown also co-wrote hits for others like Mitch Ryder and the Detroit Wheels’ “Sock it to Me, Baby!” and the Four Seasons’ “C,mon Marianne.” Key songs in the Brown / Levine catalog include: *  Tie A Yellow Ribbon *  Knock Three Times *  I’m Gonna Boogie Tonight *  Say Has Anybody Seen My Sweet Gypsy Rose *  I Woke Up In Love This Morning
Sonny Curtis
Inducted into The Rock and Roll Hall of Fame as a member of his friend Buddy Holly’s band The Crickets, Sonny Curtis played on some of Holly’s early recordings and co-wrote his single “Rock Around With Ollie Vee.” Taking over Holly’s lead vocal and guitar role in the Crickets after his death, he and the band recorded what would become two of his best-known compositions: “I Fought the Law,” which would be a big hit for the Bobby Fully Four in 1966 and was also covered by scores of other artists, and “More Than I Can Say,” a future hit for both Bobby Vee and Leo Sayer. With other hit compositions like Andy Williams’ “A Fool Never Learns,” The Mary Tyler Moore Show’s theme song “Love Is All Around,” “Walk Right Back” (a hit for the Everly Brothers, and later Anne Murray), and Keith Whitley’s 1989 hit “I’m No Stranger to the Rain,” Curtis was inducted into the Nashville Songwriters Hall of Fame, and in 2012, The Rock and Roll Hall of Fame. Key songs in the Curtis catalog include: *  Theme from The Mary Tyler Moore Show; Love Is all Around *  I Fought The Law *  Walk Right Back *  More Than I Can Say *  I’m No Stranger To The Rain
Kye Fleming / Dennis Morgan
Both signed separately to Charley Pride’s Pi-Gem Music publishing company headed by Nashville producer/publisher Tom Collins, Kye Fleming and Dennis Morgan began writing together in 1978 and quickly churned out “Sleeping Single in a Double Bed,” which became Barbara Mandrell’s first country chart-topper that year. That the team had the magic touch was soon borne out by such country hits as Mandrell’s “Years” and “I Was Country When Country Wasn’t Cool,” Ronnie Milsap’s “Smoky Mountain Rain” and “I Wouldn’t Have Missed It for the World,” and Sylvia’s “Nobody” and “Tumbleweed.” Morgan was inducted into the Nashville Songwriters Hall of Fame in 2004, and Fleming joined him there in 2009. Key songs in the Fleming / Morgan catalog include: *  Sleeping Single In A Double Bed *  I Was Country When Country Wasn’t Cool *  Nobody *  I Wouldn’t Have Missed It For The World *  Smokey Mountain Rain
Jerry Fuller
Fort Worth native Jerry Fuller, whose father sang with Bob Wills, performed with his brother Bill as a duo before pursuing a solo career as a versatile pop singer-songwriter and producer. Fuller has penned over 40 top 10 hits, and his song “Travelin’ Man,” which was intended for Sam Cooke, became a huge hit for Ricky Nelson—for whom he wrote 19 songs including “It’s Up to You” and “Young World.” He discovered the pop group Gary Puckett and The Union Gap, for whom he wrote the big hits “Young Girl,” “Lady Willpower” and “Over You.” Key songs in the Fuller catalog include: *  Young Girl *  Travelin’ Man *  Lady Willpower *  Show And Tell *  Over You
Tony Macaulay
A much-awarded songwriter in England, Tony Macaulay was a staff producer at Pye Records, where he supplied The Foundations with his co-written song “Baby Now That I’ve Found You” and follow-up “Build Me Up Buttercup.” Other hits followed for the likes of Herman’s Hermits (“I Can Take or Leave Your Lovin’”), The Hollies (“Sorry Suzanne”) and the Flying Machine (“Smile a Little Smile for Me”). His hitmaking ways continued in the 1970s with songs like “Love Grows (Where My Rosemary Goes)” (Edison Lighthouse) and “Here Comes that Rainy Day Feeling Again” (The Fortunes). Key songs in the Macaulay catalog include: *  Baby Now That I’ve Found You *  Build Me Up Buttercup *  Don’t Give Up On Us *  Last Night I Couldn’t Get To Sleep At All *  Love Grows (Where My Rosemary Goes)
Bob McDill
After scoring a few hits in the late 1960s for Perry Como and Sam the Sham and the Pharaohs, Bob McDill found his place in country music, especially with Don Williams. His big hits for Williams included “Say It Again,” “She Never Knew Me” and “Amanda,” which was also a major hit for Waylon Jennings. The prodigious writer, who wrote one song a week for 30 years, also placed major hits for the likes of Anne Murray, The Kendalls, Alan Jackson and Bobby Bare, who recorded a full album of McDill songs entitled Me and McDill. The Nashville Songwriters Hall of Fame inductee’s catalog includes over 30 No. 1 hits, and his shelf displays numerous BMI Songwriter of the Year trophies. Key songs in the McDill catalog include: *  Amanda *  Baby’s Got Her Blue Jeans On *  Gone Country *  It Must Be Love *  Song Of The South
Chad Hugo / Pharrell Williams, p/k/a The Neptunes
Friends and collaborators since meeting at a summer camp in Virginia Beach, the songwriter-producer team of Chad Hugo and Pharrell Williams, who are professionally known as The Neptunes, are among the most successful producers ever, often producing songs they’ve written. After being discovered and signed as a group by Teddy Riley, they wrote a verse for Wreckx-N-Effect’s 1992 hit “Rump Shaker,” then wrote or co-wrote others including Mase’s “Lookin’ At Me,” Ol’ Dirty Bastard’s “Got Your Money,” Jay-Z’s “I Just Wanna Love U (Give It 2 Me),” Usher’s “U Don’t Have to Call,” Britney Spears’ “I’m a Slave 4 U” and Nelly’s “Hot in Herre”; in 2003, they released The Neptunes Present…Clones, an album of songs and remixes from various artists signed to their Star Trak label and featuring Busta Rhymes, Snoop Dogg, and Pharrell Williams himself—that topped the Billboard albums chart. Key songs in The Neptunes catalog include:  *  Hot In Herre *  Beautiful *  Hollaback *  Rock Your Body *  Give It To Me (I Just Wanna Love You)
Roger Nichols
After Roger Nichols was recruited to UCLA on a basketball scholarship and legendary coach John Wooden forced him to choose between basketball and music, he chose the latter.  He studied songwriting, and after college signed with Herb Alpert’s A&M publishing company, where he met future Songwriters Hall of Fame inductee Paul Williams and co-wrote hits including The Carpenters’ “We’ve Only Just Begun,” “I Won’t Last a Day Without You” and “Rainy Days and Mondays,” Art Garfunkel’s “Traveling Boy,” Barbra Streisand’s “I Never Had It So Good” and Three Dog Night’s “Out in the Country”—later covered by R.E.M. He co-wrote Paul Anka’s hit “Times of Your Life” with lyricist Bill Lane, and also worked with lyricist Tony Asher; he later wrote music for TV shows including “Love Theme From Hart to Hart.” Key songs in the Nichols catalog include: *  We’ve Only Just Begun *  Rainy Days And Mondays *  I Won’t Last A Day Without You *  The Times of Your Life *  Out In The Country
Rick Nowels
A prolific songwriter since age 13, Grammy-winner Rick Nowels has co-written over 60 Top 20 singles in the U.S. and Europe—Belinda Carlisle’s “Heaven is a Place on Earth” and Circle in the Sand” among the most notable. His breakthrough came when Stevie Nicks heard his songs, then teamed with him in writing “Rooms on Fire” and other tunes. His numerous other credits include songs written for the likes of John Legend, Colbie Caillat, Nelly Furtado, Santana and Madonna. Key songs in the Nowels catalog include: *  Heaven Is A Place On Earth *  White Flag *  Summertime Sadness *  You Get What You Give *  The Power Of Goodbye
William “Mickey” Stevenson
Motown A&R director William “Mickey” Stevenson teamed with the late Detroit songwriter/producer/singer George Ivy Hunter in co-writing some of the greatest songs to come out of the Motown hit factory. Among their most memorable compositions were Martha & the Vandellas’ “Dancing in the Street” and the Four Tops’ “Ask the Lonely.” Hunter and Stevenson also found songwriting success independent of each other, with Stevenson co-writing Mitch Ryder and the Detroit Wheels’ “Devil with the Blue Dress On.” Key songs in the Stevenson catalog include: *  Beechwood 4-5789 *  Dancing In The Street *  Devil With The Blue Dress *  It Takes Two *  Pride And Joy

Performing Songwriters

Mariah Carey
Besides her record sales and concerts, superstar Mariah Carey stands apart from her other contemporary divas in that she co-writes—and produces—her own songs. Indeed, scanning through her immense hit singles catalog reveals that such No. 1 hits as “We Belong Together,” “Always Be My Baby,” “Fantasy,” “Touch My Body” and “Hero,” were all co-written by her. In addition to being the solo artist with the most ever pop No. 1 hits (18), Carey, who has collaborated with the likes of Gavin Christopher, Ben Margulies, Walter Afanasieff, David Cole, Robert Clivillés, Jermaine Dupri, Sean Combs, Kamaal Fareed, David Foster, Diane Warren, Bryan-Michael Cox, Babyface, Jay-Z and Jimmy Jam and Terry Lewis, has also been credited for incorporating R&B and hip-hop collaborations into mainstream pop. Key songs in the Carey catalog include: *  Vision Of Love *  One Sweet Day *  Hero *  Always Be My Baby *  All I Want For Christmas Is You
Gloria Estefan
Combined with her voice, Gloria Estefan’s songwriting has made her one of the biggest Latin music crossover stars ever, and the embodiment of the “Miami Sound.” She wrote the No. 1 pop hits “Don’t Wanna Lose You” (the Spanish version, “Si Voy a Perderte,” topped the Hot Latin Songs charts) and “Anything for You,” as well as the chart-topping Adult Contemporary hit “Words Get in the Way.” She also had a hand in co-writing Hot Latin No. 1 hits including “Tradición,” which despite being in Spanish, reached No. 1 on the U.S. Hot Dance Club Songs chart. Key songs in the Estefan catalog include: *  Broadway Musical On Your Feet!  *  Anything For You *  Words Get In The Way *  Rhythm Is Gonna Get You *  Don’t Wanna Lose You Now
David Gates
Keyboardist/vocalist David Gates founded the hugely successful soft-rock group Bread in 1968 as a vehicle for singing his own songs. He wrote most of their trademark hits including “Make It With You,” “Baby I’m-a Want You” and “Everything I Own.” His songs have been covered extensively by others and also include The Murmaids’ 1963 Top 10 entry “Popsicles and Icicles.” Key songs in the Gates catalog include: *  Baby I’m-a Want You *  Diary *  Everything I Own *  If *  Make It With You
Vince Gill
One of the most celebrated songwriters—and artists—in country music history, Vince Gill first came to fame as songwriter and performer in Pure Prairie League. After going solo as a country artist, he broke ground in winning three straight CMA Awards for Song of the Year from 1991 to 1993 for “When I Call Your Name,” “Look at Us” and “I Still Believe in You” (he won it again in 1996 for “Go Rest High on That Mountain”). Inducted into the Nashville Songwriters Hall of Fame in 2005, Gill, who was also named the Nashville Songwriters Association International’s Songwriter/Artist of the Decade for 1990-1999 and was inducted into the Country Music Hall of Fame in 2007, has had his songs covered by many others ranging from Alabama to Rosanne Cash. Key songs in the Gill catalog include: *  Go Rest High On That Mountain *  When I Call Your Name *  Don’t Let Our Love Start Slippin’ Away *  I Still Believe In You *  If You Ever Have Forever In Mind
Ernie Isley / Marvin Isley (d) / O’Kelly Isley (d) / Ronald Isley / Rudolph Isley d), Chris Jasper, p/k/a The Isley Brothers
Initially a vocal trio made up of brothers O’Kelly Isley Jr., Rudolph Isley and Ronald Isley, the Isley Brothers broke in 1959 with their first composition “Shout,” also a big UK hit for Lulu. The first single for their own T-Neck label, 1964’s “Testify,” also stands out for being one of Jimi Hendrix’s first recordings, as Hendrix recorded and toured with the Rock and Roll Hall of Fame vocal group. Following the Grammy-winning “It’s Your Thing” (1969), younger brothers Ernie and Marvin Isley and brother-in-law Chris Jasper joined in 1971, and the Isley Brothers, in varying configurations and incorporating different styles, wrote and recorded such hits as “Pop That Thang,” “That Lady,” “Fight the Power,” “For the Love of You” and “Caravan of Love,” with Ice Cube sampling their song “Footsteps in the Dark” for his hit “It Was a Good Day” and Notorious B.I.G. likewise sampling “Between the Sheets” for his hit “Big Poppa.” Key songs in the Isley catalog include: *  Fight The Power *  It’s Your Thing *  Nobody But Me *  Shout *  That Lady
Jonathan Cain / Steve Perry / Neal Schon, p/k/a Journey
As members of Journey, keyboardist Jonathan Cain, lead singer Steve Perry and guitarist Neal Schon, each had a hand in writing some of the hugely successful arena rock band’s monster hits. These include the anthem “Don’t Stop Believin’” (all three shared songwriting credits), the much-covered (Mariah Carey, Barry Manilow, Boyz II Men, Celine Dion) power ballad “Open Arms” (Cain and Perry), “Who’s Crying Now” (Cain and Perry), and “Wheel in the Sky” (Schon)—also notable for its unusual structure (it opens with a 28-second instrumental). Such songs and Journey’s stature as a major concert draw led to its induction in 2017 into The Rock and Roll Hall of Fame. Key songs in the Journey catalog include: *  Don’t Stop Believin’  *  Who’s Crying Now *  Open Arms *  Separate Ways *  Faithfully
Annie Lennox / David Stewart
As the hugely successful Eurythmics, Annie Lennox and Dave Stewart brought an innovative sound and plenty of style to the 1980s. After “Sweet Dreams (Are Made of This)” topped the charts in 1983, they achieved international fame, their career buoyed by follow-up hits like “Here Comes the Rain Again” and “Would I Lie To You?” The pair went on hiatus in the 1990s and pursued successful solo careers before reteaming at the end of the decade for a final studio album, Peace, featuring the hits “I Saved the World Today” and the U.S. dance chart No. 1 “17 Again.” Key songs in the Lennox / Stewart catalog include: *  Here Comes The Rain Again *  Sweet Dreams (Are Made Of This)  *  Would I Lie To You *  Missionary Man *  Sisters Are Doin’ It For Themselves
Mike Love
Inducted with his fellow Beach Boys into The Rock and Roll Hall of Fame in 1988, Mike Love brought his love of poetry and lyric inspiration from Chuck Berry and the team of Felice and Boudleaux Bryant to his own estimable songwriting. With fellow Beach Boy Brian Wilson, he co-wrote such classic 1960s hits as “Fun, Fun, Fun,” “California Girls” and “Good Vibrations.” While these songs epitomized the Southern California youth culture of cars, surfing and romance, his later work reflected his study of Transcendental Meditation and touched on themes like astrology, meditation, politics and ecology. Key songs in the Love catalog include: *  California Girls *  Good Vibrations *  Help Me Rhonda *  I Get Around *  Fun, Fun, Fun
Steve Miller
Steve Miller has been an enlivening presence on the American music scene for more than half a century. Miller crafted a brand of pure pop that was smart, polished, exciting and irresistible – and that dominates radio in a way that few artists have ever managed. Hit followed hit in what seemed like an endless flow: “The Joker,” “Take the Money and Run,” “Rock’n Me,” “Fly Like an Eagle,” “Living in the USA” and “Abracadabra” among them. ​Running through Miller’s distinctive catalog is a combination of virtuosity and song craft. In the course of his long, full career, Miller has sold tens of millions of records and with each listen the beauty and immediacy of his work, whether at its most playful or most serious, is palpable.
Key songs in the Miller catalog include: *  Abracadabra *  Fly Like An Eagle *  Living In The USA *  Take The Money And Run *  The Joker
André “André 3000” Benjamin / Antwan “Big Boi” Patton, p/k/a Outkast
Hip-hop duo André “André 3000” Benjamin and Antwan “Big Boi” Patton, professionally known as Outkast, have stood out in the genre by popularizing the Southern hip-hop style and bringing genres including funk, psychedelia, jazz and techno into their unique mix. Their impactful 2003 single “Hey Ya!” was a No.1 hit in the U.S. as well as Australia, Canada, Norway and Sweden, and delivered the phrase “shake it like a Polaroid picture”—picked up by the Polaroid Corporation in using the song to rejuvenate its public image. Outkast also scored chart-topping hits with “The Way You Move,” and “Ms. Jackson,” which won the Grammy Award for Best Rap Performance by a Duo or Group in 2002, along with the BET Award for Video of the Year and MTV Video Music Award for Best Hip-Hop Video. Key songs in the Benjamin / Patton catalog include:  *  Hey Ya!  *  So Fresh, So Clean *  The Way You Move *  Ms. Jackson   *  B.O.B.
Bill Berry / Peter Buck / Mike Mills / Michael Stipe, p/k/a R.E.M.
With 1980s and ‘90s pop hits like “Losing My Religion,” “Shiny Happy People,” “The One I Love” and “Stand,” R.E.M.’s Bill Berry (drums), Peter Buck (guitar), Mike Mills (bassist/backing vocalist) and Michael Stipe (lead vocalist) took the band out of its alternative rock band placement to a mainstream pop audience. All four members shared songwriting credit, though Stipe generally wrote lyrics and melodies, Buck pointed the musical direction, and Mills and Berry smoothed out the edges. The pioneering and influential band often dealt with serious themes including political activism and pollution, and were inducted into the Rock and Roll Hall of Fame in 2007. Key songs in the R.E.M. catalog include: *  Losing My Religion *  It’s The End Of The World As We Know It *  Stand *  Everybody Hurts *  Man On The Moon
Patti Smith
Patti Smith was a published poet before putting her words to music in the 1970s and becoming one of the leading voices of New York’s punk rock scene, mixing poetry and music in her landmark 1975 debut album Horses. Her songs “1959” and “Glitter in Their Eyes” earned Grammy nominations for Best Female Rock Vocal Performance, and her biggest hit, “Because the Night,” was a collaboration with Bruce Springsteen. A major influence on artists including Madonna, U2, Michael Stipe and Courtney Love, Smith has been tributed in recordings by the likes of Sonic Youth, The Waterboys, KT Tunstall and Florence & the Machine; has been honored with the Commander of the Ordre des Arts et des Lettres by the French Ministry of Culture; has received the National Book Award for her memoir Just Kids and the 2011 Polar Music Prize; and was inducted into The Rock and Roll Hall of Fame in 2007. Key songs in the Smith catalog include: *  Free Money *  Dancing Barefoot *  Frederick *  Blakean Year *  People Have The Power

Weekly Radio Report (11/1/19)

Click here or above to access MusicRow’s weekly CountryBreakout Radio Report.

Dave Barnes Inks New Publishing Deal

Pictured (L-R): Jessi Vaughn (WCM), Dave Barnes, Ben Vaughn (WCM)

Grammy-nominated singer-songwriter Dave Barnes, known for penning songs including “God Gave Me You,” which became a Grammy and CMA-nominated hit for Blake Shelton, has a signed a worldwide publishing agreement with Warner Chappell Music (WCM), the music publishing arm of Warner Music Group.

“Dave is one of the most talented, respected, and well-liked people in Nashville, not to mention one of the funniest,” said Ben Vaughn, President and CEO of WCM Nashville. “Anyone who is lucky enough to work with Dave has been a part of something magical. We’re stoked to have him be part of our ever-growing Warner Chappell family.”

“I’ve admired Warner Chappell for a long time,” added Barnes. “So many of my friends write there and I have so much respect for Ben and Jessi. I’m really proud to be a part of the team.”

Barnes also co-wrote the No. 1 hit “Craving You,” recorded by Thomas Rhett and featuring Maren Morris, as well as Bethany Dillon’s “All I Need,” a Top 5 hit on the Christian songs chart. He also has several tracks on Lady Antebellum’s upcoming album Ocean. Carrie Underwood and Reba McEntire are also among the artists who have recorded Barnes’ songs.

As a recording artist, Barnes has issued eight studio albums, three EPs and two Christmas projects. His recorded version of “God Gave Me You” hit the Top 15 on the Christian songs chart in 2010; the next year, Shelton released his own version of the track to country radio. Barnes will hit the road soon for his A Very Merry Christmas Tour, which launches Dec. 8 at Nashville’s Schermerhorn Symphony Center.

BREAKING: Kos Weaver Exits BMG Nashville

Kos Weaver

BMG Nashville Executive VP Kos Weaver has exited the company as part of a reorganization, MusicRow has confirmed. Also exiting are three BMG support staffers; the move does not affect staff at BBR Music Group, or BMG’s royalties/copyright teams located in Nashville.

Weaver joined BMG in 2013, overseeing Nashville operations for BMG Publishing and Records, with a roster that has included Alabama, Brett Beavers, busbee, Clare Dunn, Danny Gokey, Hilary Lindsey, Buddy Miller, JD Souther and Jon Paul White.

Weaver’s career has also included VP roles at Disney Music Publishing and Warner Chappell Music.

“Kos’s success over the past years speaks for itself and we wish him well,” BMG says in a statement. “Nashville is a major growth market for BMG. The restructuring is consistent with our ongoing US strategy—maintaining our core strength and position in publishing while increasing our investment in writer-performers (case in point: Lewis Capaldi going to Number One in the US). We are now extending that approach to Nashville and it requires a different skillset and experience, hence the reorganization.”

Jammber Unveils Splits Platform With Song Registration, Royalty Tracking

Music payment and workflow management company, Jammber, has announced the release of North America’s first end-to-end royalty management platform, Jammber Splits. Comprised of three main components: tracking the people working on a song and their ownership, automatically registering that song and ownership across North American agencies, and collecting royalties via Jammber Money, Splits is the first and only complete rights management service on the market. The mission of Jammber Splits is to simplify proper credit and faster royalty payments for creators.

Designed specifically with the creator in mind, the Splits app settles ownership percentages and captures all the necessary metadata needed to collect royalties from the conception of the song. Jammber’s Splits is the first to offer built-in song registration, offering writers and publishers the ability to register their songs with their PRO, Sound Exchange, and HFA directly from their phone for just $.50 per song. 

“The song is at the center of the universe of music, and ownership is at the center of the song. It drives recognition, powers payments and royalties and even inspires further creation. When people are creating music together the conversations around ownership are incredibly nuanced. At Jammber we want to continually demonstrate how the psychology of great design can simplify complicated tasks and empower creatives and the entire industry to be more efficient,” explains Jammber CoFounder and CEO Marcus Cobb. “What makes Jammber Splits different is how simple it is to use while also being flexible. Anyone can get started within a few clicks. The idea of writing a song with your friends one moment and registering it to get paid the next moment from the palm of your hand was thought to be impossible until now.”

For more, visit jammber.com.