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Weekly Chart Report (1/17/19)

Click here or above to access MusicRow’s weekly CountryBreakout Radio Report.

DISClaimer: Ashley McBryde, Brandy Clark, Jessi Alexander, Drew Fish Top New Releases

Ashley McBryde. Photo: Daniel Meigs

This day belongs to country’s new breed.

Jordan Davis, Brandon Lay, Logan Mize and Filmore are all here with new sounds. I have expressed my affection for all of them in the past, and I am happy to report that they are starting the new year off with audio excellence.

Three of my favorite new female artists are with us today as well. Ashley McBryde, Brandy Clark and Disc of the Day winner Jessi Alexander all belong on your playlists. Do this now.

Texan Drew Fish wins this week’s DisCovery Award.

BRANDON LAY/For My Money
Writers: Brandon Lay/Andrew DeRoberts; Producer: none listed; Publisher: none listed; EMI
– Pretty funky. Pretty groovy. Pretty infectious. Pretty dang good. He’s fakin’ it ‘til he makes it, because she thinks he’s got money that he ain’t.

ASHLEY McBRYDE/Martha Divine
Writers: Ashley McBryde/Jeremy Spillman; Producer: Jay Joyce; Publisher: none listed; Warner
– This dark ditty rocks. She’s out for revenge against Miss Martha because that Jezebel is Daddy’s lover. It’s been awhile since we had a good murder lyric in country music, hasn’t it? Not to mention a solid story song.

JORDAN DAVIS/Heads Carolina, Tails California
Writers: Mark D. Sanders/Tim Nichols; Producer: none listed; Publisher: none listed; Amazon/MCA
– Jordan takes the Jo Dee Messina oldie at a slower, bluesier pace. It has a rump-shaking, head bobbing vibe. Which is mighty attractive and also shines a light on how well written the song is. I could definitely get used to this addictive groove.

LOGAN MIZE/I Ain’t Gotta Grow Up
Writers: none listed; Producer: none listed; Publisher: none listed; Big Yellow Dog
– I dig this guy. Everything he does is just so listenable….. and so country. This is a party bopper with an itchy beat, a jaunty vocal and a smiling attitude. In other words, a hit. There’s an equally delightful version with country up-and-comer Willie Jones.

BRANDY CLARK/Who You Thought I Was
Writers: none listed; Producer: Jay Joyce: Publisher: none listed; Warner
– This woman is just awesome, that’s all. Her liquid vocal, her lovely melody, her pristinely constructed song and her overall artistry are all perfectly in place here. She is a country queen if I have ever heard one in my life.

DREW FISH & PAM TILLIS/Every Damn Time
Writers: Drew Fish/Roger Brown/Chris Colston; Producer: none listed; Publisher: none listed; DF
– Tennessee meets Texas on this shiny, shimmery, romantic waltz. It’s on Lone Star State traditionalist Drew’s CD Wishful Drinkin.’

FILMORE/State I’m In
Writers: none listed; Producer: none listed; Publisher: none listed; Curb
– He can’t outrun her memory, but at least he’s rocking out. I particularly like the way the drums are miked in this fresh sounding track. Filmore’s tenor vocal is also well recorded. Who produced this?

JESSI ALEXANDER/Mama Drank
Writers: Jessi Alexander/Jon Randall; Producers: Jessi Alexander/Jon Randall Stewart/Leslie Richter; Publisher: none listed; JA
– This is the “workin’ mom blues,” complete with a solid backbeat, a hillbilly soul-sister vocal, lotsa guitar twang and a minor key moan or two. I have always been a super fan of this woman. But this something else from this brilliant creator, a stone masterpiece.

CODY PURVIS/Drinkin’ Terms
Writers: none listed; Producer: none listed; Publisher: none listed; CP
– Well, it’s a novel idea for a song. An ex tries to contact him, but he tells her, “We ain’t on drinkin’ terms.” In other words, it’s over, babe.

A THOUSAND HORSES/Drinking Song
Writers: none listed; Producer: Dave Cobb; Publisher: none listed; Low Country
-Sounds like an anthem to me. The combination here is a solidly country song with searing electric guitar work.

Weekly Radio Report (1/10/20)

Click here or above to access MusicRow’s weekly CountryBreakout Radio Report.

Bobby Karl Works The Room: Celebrating Nashville’s Grammy Nominees

Pictured: GRAMMY® Nominees Shay Mooney (Dan + Shay), Pistol Annies members Miranda Lambert, Angeleena Presley, and Ashley Monroe, and Dan + Shay’s Dan Smyers. Courtesy of the Recording Academy®/photos by Ed Rode & Frederick Breedon, Getty Images © 2020

Chapter 641

The annual Music Row social calendar always begins with the fabulous Grammy-nominees party, so that’s what transpired on Tuesday eve (Jan. 7) as we welcomed a new year, a new 365 days of schmoozing.

There was actually a lot “new” to celebrate. This is the first year of a new decade. The party was held at a new venue, The Hutton Hotel’s elegant Vista Ballroom. And the event celebrated a newly impressive and seldom-equaled diversity of Music City nominees.

Several attendees lined up to take selfies with enduring star Billy Ray Cyrus, nominated for his Lil Nas X phenomenon. Walking the red carpet and doing press were such other nominated greats as Miranda Lambert, Jerry Salley, Keb Mo, Matthew West, Dan + Shay, for KING & COUNTRY, Tim Menzies and Steven Curtis Chapman.

Pictured: for King & Country’s Luke Smallbone, Steven Curtis Chapman, for King & Country’s Joel Smallbone with wife Moriah Peters. Courtesy of the Recording Academy®/photos by Ed Rode & Frederick Breedon, Getty Images © 2020

The CCM world was out in force, as illustrated by the presence of nominees Andrew Ripp, Chris Stevens, Colby Wedgeworth and Ethan Hulse. Our bluegrass community was represented by nominees Doyle Lawson, Frank Solivan & Dirty Kitchen, Missy Raines and The Po’ Ramblin’ Boys.

Nashville has an unprecedented number of blues nominees this year, which is why Delbert McClinton, Lenesha Randolph and Larkin Poe members Rebecca & Megan Lovell were there, as well as Keb Mo. Our children’s-music nominee Daniel Tashian attended, as did rock nominees The Rival Sons (but alas not fellow Nashville rock nominees Cage the Elephant).

Among the country attendees were Ashley Monroe and Angaleena Presley of the nominated Pistol Annies, plus their compatriot Miranda, Dan +Shay and the other country folks mentioned above. That genre’s top nominee is Tanya Tucker, who was a disappointing no-show.

Pictured: Recording Academy Nashville Chapter Executive Director, Alicia Warwick, GRAMMY® Nominees Sam Ashworth and Ruby Amanfu. Courtesy of the Recording Academy®/photos by Ed Rode & Frederick Breedon, Getty Images © 2020

One of the Song of the Year nominees is H.E.R.’s “Hard Place,” co-written by our own Ruby Amanfu and Sam Ashworth. Nominated engineer John Baldwin also attended, as did such stellar secular songwriting nominees as Liz Rose, Bobby Pinson and Hillary Lindsey.

“We are proud that our nominees this year are so diverse,” said chapter executive director Alicia Warwick. “Our chapter leads,” added Nashville board president Jennifer Hanson, pointing out that Nashvillians have 118 nominees spread across 34 Grammy categories. By the way, Jennifer is our third female NARAS chapter prez; Katie Gillon served in the role from 1994-1996, while Trey Fanjoy held the role from 2017-2019.

“A Grammy nomination is a true symbol of dedication to your craft,” quoth Jen. “We are so excited to have so many of these nominees with us here tonight.”

Pictured (L-R): GRAMMY® Nominees Matthew West, Liz Rose, Billy Ray Cyrus and Hillary Lindsey. Courtesy of the Recording Academy®/photos by Ed Rode & Frederick Breedon, Getty Images © 2020

This party is always a great way to wish a “Happy New Year” to your pals. Fabulons working the room included Mark Bright, Mark Brown, Chris Keaton, Chris Farren, Christy Walker Watkins, Dan Hill, Dan Rogers, Daniel Miller, Leslie Fram, Leslie DiPiero, Leslie Roberts, David Macias, David Preston, Pat McMakin, Pat Higdon, Terry Hemmings, Terry Wakefield, Fletcher Foster, Troy Tomlinson, Ronna Rubin and Susan Stewart.

Oh, I’m just getting started, gentle readers. Also grooving at the gig were such industry women as Chandra LaPlume, Tracy Gershon, Lisa Harless, Kris Wilkinson, Allison Jones, Marion Kraft, Diane Pearson, Cyndi Forman, Debbie Carroll, Whitney Daane, Susan Niles, Joanna Carter, Carol Ann Ford and Claire Ratliff.

Men of valor working the room included Mason Hunter, Joe Baldridge, Shane Tarleton, Earle Simmons, Frank Liddell, Rod Essig, B.J. Hill, Ed Morris, James Elliott (who has a song on the nominated Steven Curtis Chapman CD), Brad Kennard, Wes Vause, Kos Weaver, Tom Roland, Scott Robinson, Kerry O’Neill and Lightning 100’s Gary Kraen.

Pictured: Recording Academy Nashville Chapter Executive Director, Alicia Warwick, GRAMMY® Nominees Rival Sons, Nashville Chapter President Jennifer Hanson. Courtesy of the Recording Academy®/photos by Ed Rode & Frederick Breedon, Getty Images © 2020

“It would be easier to have a list of everybody in the industry and cross off the names that AREN’T here,” Mark Ford sagely observed.

How about adding some power couples to the mix? Like Erika Wollam & Roger Nichols, Trey Fanjoy & Eddie Perez, Joe & Linda Chambers and Ron & Regina Stuve.

I met Lij Shaw. He’s the guy notable for activism on behalf of home recording studios. Alan Valentine introduced me to the Nashville Symphony’s new CEO Steve Brosvik. Steve was behind the “Violins of Hope” exhibit at the Library, and now those Holocaust instruments are becoming a Symphony recording.

Pictured: Recording Academy Nashville Chapter Board President Jennifer Hanson, Pistol Annies members Angeleena Presley, Ashley Monroe, Miranda Lambert and
Recording Academy Nashville Chapter Executive Director, Alicia Warwick. Courtesy of the Recording Academy®/photos by Ed Rode & Frederick Breedon, Getty Images © 2020

I greeted Sister Sadie’s Tina Adair, who says that she and bluegrass queen (and fellow bandmember) Dale Ann Bradley are recording a guitar-mandolin “sister duet” album. Can’t wait.

Alecia asked for a round of applause for John Prine, who was not in attendance. Prine is this year’s Lifetime Achievement honoree from Music City.

The Hutton proved more than up to the challenge of feeding the throng. The cocktail-party fare included sliced pork loin, pimento-cheese croquettes, lump crabcakes, a charcuterie spread, mushroom-and-goat-cheese torts and assorted cheeses and veggies. Not to mention sweets.

We were serenaded throughout the gala by the smooth jazz stylings of The Birdsong Trio. Breezy and tasteful, this ensemble was the perfect accompaniment to a luscious event.

Gigantic golden Grammy statues flanked the stage. Guests merrily posed for snapshots with them, as well as in front of the Grammy backdrop in the ballroom lobby. We all got souvenir Grammy posters.

 

 

Save The Date: MusicRow Awards And Inaugural Music Row Summit

MusicRow Magazine is proud to announce the date for its 2020 invite-only MusicRow Awards, to be held Tuesday, August 11, 2020 at the War Memorial Auditorium in Nashville, Tennessee.

The 32nd annual event will feature award presentations for an expanded group of category winners. Winners of these categories will be determined by the votes of subscribed members of MusicRow.

In addition to the annual awards, MusicRow is also excited to reveal a new event coming next year. In 2020, an informative, one-day conference, the Music Row Summit will be held the day before the Awards on Monday, August 10, 2020 at Cambria Hotel in Nashville.

This conference is laser-focused on the Nashville music industry, will enhance the connectivity of industry members, highlight a variety of key issues affecting our business segments and optimize the brain trust on Music Row. Attendance will be limited to 300 registrants to enhance the quality of engagement of the attending industry members.

Both the MusicRow Awards and the Music Row Summit are supported by title sponsor, City National Bank.

Invitations and voter ballots for the 32nd Annual MusicRow Awards will be sent to MusicRow members in 2020. To become a subscribed member to MusicRow, click here. Read more about last year’s exciting event here: Bobby Karl Works The Room: The 31st Annual MusicRow Awards.

Pictured: Alecia Davis, Kathie Lee, Sherod Robertson on stage at the 2019 MusicRow Awards. Photo: Steve Lowry

Registrations for the Music Row Summit will go on sale early 2020.

For additional sponsorship opportunities, contact MusicRow Publisher Sherod Robertson at srobertson@musicrow.com.

YouTube video

Country Music and Lifestyle Network Circle Details January Launch, 16 Original Programs

 

Circle, a new country music and lifestyle television network, will launch Jan. 1, 2020, with 16 original shows.

Circle will be available in 56 markets via Gray Television, as well as in markets including New York, Los Angeles, Dallas-Fort Worth, Tampa and Detroit through a separate agreement with CBS Television, ultimately reaching 50% of U.S. television households. The Nashville market will be one of several additional markets and distribution that are in the works, with more announcements to be released. Circle enjoys a partnership with Opry Entertainment Group.

The original programming slate is designed to offer viewers a look into the music and lives of their favorite country performers in a way that has both depth and breadth.

Craig Morgan will host Craig’s World, which will offer insight into his life as both a music artist and a family man, both on the road and at home.

“We feel we are a platform that is by the artist and for the fan. We want to be a platform that facilitates that and connects artists with fans,” Circle Media’s General Manager Drew Reifenberger tells MusicRow. “Craig’s story—his military career, professional music career and outdoor pursuits—just immediately lent itself to offering an amazing experience for a fan. The episodes we’ve done and are planning are just good television. He’s a great guy and has the biggest heart in the world, and the world needs more shows like that. It’s a very collaborative process.”

Phil Vassar, Elizabeth Cook, Natalie Stovall, and bluegrass duo Dailey & Vincent will also host programs.

Drew Reifenberger

As previously announced, Circle will feature segments of Grand Ole Opry performances, via the program Opry Live, which will begin in February 2020 as a compilation of new live-recorded Grand Ole Opry performances to be released each week.

“Today’s audience is passionate about authenticity and transparency and the Opry is the most authentic, real thing I’ve been a part of,” Reifenberger says. “So we get to be part of telling that story. One defining moment for country music fans is the live Opry experience, but there are a lot of nights where people can’t be there live and that’s where we get to help bring that to people.

“We think it comes down to really understanding the artist and audience, and that relationship. The fan just wants to get closer to the artists they love. They love experiences, we live in an experience economy, and those experiences also include access to their favorite artist’s stories—stories about their families, stories about their hobbies, their lives. We find the artist wants the same thing—they want that one-to-one relationship with their fans to help build their brand.”

A couple of segments that previously lived as digital features on the Grand Ole Opry’s official site have been expanded as part of Circle’s programming. The Write Stuff features the songwriters behind several of country music’s recent hits, while Opry Debut takes viewers inside artists’ very first performances on the Grand Ole Opry stage.

With the January launch, Circle will also bring older episodes of Hee Haw, which aired from 1971-1993, and 1996-1997, and was led by Buck Owens and Roy Clark.

In addition to artist-focused programming, other shows will be dedicated to delving into some of country music’s most loyal fan bases (Fandom), acoustic songwriter rounds at Nashville’s Bluebird Café (Bluebird Café Sessions), and a look inside the lives of the spouses of some of country music’s most-loved artists (Better Half). Nan Kelley and husband Charlie Kelley will host Authentic America, which explores some of America’s backroads, and rural routes, spotlighting some of America’s lesser-known attractions.

According to Reifenberger, the programming will also include a live morning show.

“We are doing a three-hour live morning show, hosted by Bill Cody. There will be other co-hosts, correspondents involved. That will be a great laboratory to do some fun things. Of course we will do interviews and things, but we hope it will be way more than that, where artists can have regular sessions and bring their interests in. The beauty of live is it lends itself so well to social. Things can start off on-air and pay off in the social sphere.”

Ultimately, Circle aims to be a fun, encouraging experience for both fans and artists.

“The world is a divisive place, and you won’t find that here. There won’t be politics and ‘gotcha interviews,’ that kind of stuff. This is a fun, friendly place where you come to escape all that kind of stuff,” he sums. “We have at least another dozen developments and we are already starting to plot out next summer, so it just gets started on Jan. 1.”

Original programs at launch include:

Opry Live: Beginning in February, Opry Live is a compilation of new live-recorded Grand Ole Opry performances that will be released each week. In the Opry tradition, this show will be a mix of today’s top stars, up-and-comers and all-time greats.

Fandom: The artist-fan relationship is unlike any other. Fandom is a series that explores the impact and intimacy of the artist-fan relationship from the perspective of fans as well as some of country music’s biggest stars, like Eric Church and Zac Brown.

Bluebird Café Sessions: Each year, thousands of fans flock to see artists and songwriters at the world-famous Bluebird Café. The Bluebird Café Sessions is a viewer’s ticket in – without the line! In this series, viewers will enjoy performances and storytelling from one of Nashville’s most iconic venues.

Southern Weekend: Hosted by singer and musician Natalie Stovall, each episode will highlight the best in southern living by visiting all the great attractions of the South including restaurants, museums, unique stores, and music venues. Country music artists will join in along the journey and share some of their favorite places.

Backstage at the Opry: Peek behind-the-scenes of the Grand Ole Opry, alongside artists as they go from rehearsals to the stage – and everything in between.

Craig’s World: Follow Opry member and Army Veteran Craig Morgan at home and on the road as he and his tight-knit family navigate triumphs and challenges while developing businesses, writing hit songs and balancing a country music career.

Authentic America: Hosted by veteran TV host Nan Kelley and her Grammy- nominated husband Charlie Kelley, Authentic America takes viewers on a two-wheeled version of the classic American road trip by way of backroads and rural routes exploring some of the country’s best kept secrets – including lesser known attractions, off-the-beaten path eateries, and most interesting of all, the people who make America one of the most colorful and eclectic nations in the world. Guests include Blake Shelton and Alabama.

Upstream: Join Elizabeth Cook as she invites artist guests to a new fishing location each episode. While the fishing may be good, the real catch is the conversation. Early guests include Cam and Shooter Jennings.

Opry Debut: Enjoy mini follow-documentaries that chronicle the moments and emotions that artists experience leading up to the memorable career milestone every country music artist dreams of achieving – their Grand Ole Opry debut. Debuts include Opry NextStage 2019 picks Tennille Townes, Travis Denning and Riley Green as well as the Opry debut of Ashley McBryde.

The Write Stuff: Viewers get a peek inside the inspiration and creation of some of country music’s greatest songs. Join country music hit makers as they walk step-by-step – from the initial concept to the final chord – and share the key licks and lyrics that brought their stories to life. Episodes feature Little Big Town, Old Crow Medicine Show and Travis Tritt.

Opry Docs: Hosted by contemporary artists like Brad Paisley, Charlie Daniels and Amy Grant, Opry Docs is a series of documentaries on country greats like Johnny Cash, Bill Monroe, George Jones and Minnie Pearl.

Better Half: Meet the larger-than-life spouses of some of today’s brightest stars and find out what gives them their own star power. Featured spouses include Samantha Busch (wife of NASCAR driver Kyle Busch), Kate Moore (wife of Justin Moore) and Christine Ballard (wife of Frankie Ballard).

Dailey & Vincent: Join Dailey & Vincent – the world-renowned bluegrass, country and gospel duo – as they host and perform in front of a live audience along with some notable friends like Vince Gill and the Oak Ridge Boys.

Stand Up Nashville!: Shot before a live audience at Nashville’s legendary Zanies Comedy Club, each episode of Stand Up Nashville! features a well-known comedian host as well as four up-and-coming comedians. Laugh along with a packed Zanies’ house and the most brilliant comics the South has to offer.

Family Traditions: Follow the next generation of country’s legendary families as they honor their roots while forging their own path. Episodes include Sam Williams (grandson of Hank Williams and son of Hank Williams Jr.) and Ashley Campbell (daughter of Glen Campbell).

Phil Vassar’s Songs from the Cellar: Join country music hit-maker, Phil Vassar, as he welcomes artists, songwriters, entertainers, athletes, and wine enthusiasts into his favorite place to write songs – his wine cellar! Each episode will feature conversation and collaboration along with a shared drink. Simple in concept yet rich in content, Phil’s laid-back style and quick-witted personality brings out the best in his guests as they share entertaining stories about their interesting lives. Guests include Kelsea Ballerini, Charles Esten, Mike Tyson and Hunter Hayes.

Rodney Crowell Signs Co-Publishing/Admin Deal With Sheltered Music

Rodney Crowell has signed a co-publishing and administration deal with Sheltered Music, a division of Blackbird Music Publishing Group, with a joint venture to develop new artist writers. 

With more than 40 years of American roots music under his belt, Crowell has a rich history of songwriting excellence and has written hits for Johnny Cash, Waylon Jennings, Emmylou Harris, Tim McGraw, Keith Urban and more. The Texas native is a member of the Nashville Songwriters Hall of Fame, has written 15 number one hits, won two Grammys, and is the author of the acclaimed memoir, Chinaberry Sidewalks. In addition, he is the co-author of the New York Times best-selling book, Kin: Songs by Mary Karr and Rodney Crowell. Beyond working with some of the biggest names in country, he has also penned songs for Bob Seger, the Grateful Dead, Etta James, John Denver, and Jimmy Buffett, among others. In 2017, Crowell was honored with ASCAP’s prestigious Founder’s Award.

“It’s a privilege to get to work with Rodney, as writing great songs has always been a major part of his legacy,” commented SVP Darrel Franklin. “It is our goal to add to that iconic resume of success by creating strategic songwriting collaborations and placements for Rodney with major country artists. In addition, we will also be supporting his creative vision in developing new artist talent.” 

“It is my good fortune to collaborate with Lance Freed and Darrell Franklin in a new song publishing venture with Sheltered Music,” said Crowell. “I’m anticipating a thoroughly enjoyable ride.”

Sheltered Music, founded by The Raine Group, Keith Wortman and Blackbird Presents, formed in July 2019 and recently announced an A&R Partnership and creative development deal with producer Dann Huff.

Academy Of Country Music Appoints Damon Whiteside As CEO

Damon Whiteside

The Academy of Country Music has named its new Chief Executive Officer. Damon Whiteside will take the helm beginning Jan. 6, as the Academy’s third CEO in its 55-year history. Whiteside will split his time between Nashville and Los Angeles.

Whiteside previously spent six years as the Country Music Association’s Sr. VP, Marketing and Strategic Partnerships, prior to being promoted to his current role as Chief Marketing Officer. He has 23 years of career experience in the music and entertainment industries.

“I am extremely proud of the monumental accomplishments that our dedicated team at CMA has been able to achieve these last six years thanks to the support and guidance of the CMA Board and Sarah Trahern,” Whiteside said. “It has been an honor to help shape the successes of this rich genre, and to be part of a respected organization like CMA and its mission to grow country music globally while shaping positive perceptions about the industry and its artists.

“I am honored and humbled to now be given the responsibility to shape the future of the Academy. I am excited to draw upon my deep passion, unique experience and important relationships across the country music and mainstream entertainment media industries to reinforce the organization’s mission, rejuvenate its influence, and redefine its purpose to benefit the entire country music ecosystem.”

“We are fortunate to welcome Damon as the Academy’s new CEO,” shares Ed Warm, chairman of the ACM Board of Directors. “His experience, commitment and enthusiasm in the country music world are well documented and we are confident that he will enhance the Academy’s ability to bring together fans, artists and the industry while enabling the organization’s charitable arm, ACM Lifting Lives, to impact more lives than ever before.”

“Damon joining the ACM is exactly what the Academy needs right now,” adds RAC Clark, the executive producer of the ACM CBS broadcast and interim executive director for the Academy. “I’ve been part of the ACM Awards since 1979, and I can’t wait to pass along everything I can to Damon from my experience as an ACM board member, Interim Executive Director and Executive Producer of the telecast.”

In his time at CMA, Whiteside has been responsible for overseeing the development of multi-million-dollar marketing and media campaigns for CMA’s three annual television properties and strengthening the partnership with CMA’s exclusive broadcast partner ABC Television Network and The Walt Disney Company. Additionally, Whiteside dedicated efforts to identify and build strategic partnerships with multi-platform media partners, digital companies, and Fortune 500 brands. Notable accomplishments include increased ratings for the 53rd Annual CMA Awards in November 2019, his leadership role in the year-long campaign for The 50th Annual CMA Awards and the groundbreaking “Forever Country” single and music video campaign; serving as the lead country strategist for the release of the Ken Burns Country Music documentary; award-winning creative campaigns positioning the CMA Awards as the leader in music awards shows; the launch of CMA Brand Marketing Summits in New York, Toronto and London; dramatic growth across CMA digital platforms; the launch of CMA’s content creation efforts; integrated media partnerships with top digital/DSPs, radio, and cable television partners; re-branding of CMA Music Festival and Fan Fair X; 40% increase in annual sponsorship revenue; supporting the CMA Board of Directors’ expansion of international efforts; and the overall re-tooling of the CMA marketing, research, communications and strategic partnerships teams to better serve the needs of the country music industry.

Whiteside launched his career in 1996 at The Walt Disney Company, where he was responsible for award-winning marketing, creative productions, live events, and digital partnership programs for various Disney-owned companies including Disney Music Group, The Walt Disney Studios, Disney Channel, and Disney Consumer Products.

He led marketing and partnership campaigns that earned more than 100 No. 1 films, TV series, album releases and/or concert tours. He also helped develop strategies for film and television programs including Hannah Montana, High School Musical, Cars, Toy Story, Pirates of the Caribbean, Mickey Mouse, Disney Princess and more, with each producing more than $3 billion in retail sales. Whiteside secured more than $100 million annually in media value via brand partnerships with networks including ABC, ABC Family, CMT, MTV, VH-1, Disney Channel, ESPN, HGTV, GAC, PBS, VH1 and more. Whiteside was part of Disney’s Corporate Brand Management and Synergy Executive Committees, which determined strategies for the top franchise as well as company-wide marketing focuses. He also represented the three Disney Music Group labels, including Walt Disney Records, Hollywood Records and Lyric Street Records, to integrate artists into initiatives throughout the company.

In 2011, Whiteside formed Nomad Entertainment Group to represent an array of music artists, producers and songwriters and to develop marketing and digital campaigns and strategies for clients.

Whiteside has been part of Leadership Music, The Recording Academy, Music Business Association, Digital LA, CMO Club, LA Office, American Marketing Association and Promotion Marketing Association. He serves on the boards of the Nashville Entrepreneur Center, Nashville Cares and the T.J. Martell Foundation. In 2013, he completed the Executive Program at the UCLA Anderson School of Management.

MusicRow Radio Report (12/6/19)


Click here or above to access MusicRow’s weekly CountryBreakout Radio Report.

‘MusicRow’ Reveals 2020 Next Big Thing Artists List

MusicRow is proud to reveal its list of artists, who in 2020, are predicted to become the Next Big Thing (NBT). The annual NBT list features 11 artists, who are each profiled in MusicRow‘s latest 2020 Touring Issue print magazine, which hits shelves today (Dec. 3).

MusicRow Magazine’s Next Big Thing Class of 2020 has set itself apart from today’s artists with talent and hard work. Some of these NBT artists have just released their first singles, while others are celebrating chart-topping hits. All have broken through by bringing unique styles and by surrounding themselves with team members who champion them.

Single copies of MusicRow’s Touring Issue are available for purchase at musicrow.com for $45, and are included with yearly MusicRow memberships.

MusicRow Magazine’s 2020 Next Big Thing Artists:

INGRID ANDRESS

Atlantic Records/Warner Music Nashville / Arthouse/UMPG Nashville / WME / bluejacket / BMI

After establishing herself as a pop songwriter, Ingrid Andress chipped away at expectations of herself and her sound with her debut single at country radio, “More Hearts Than Mine.” The tune about bringing a potential new lover home to her parents is thrillingly honest and a refreshing perspective. Likewise, her first major label radio track, “Lady Like,” bucks the stereotypical gender roles placed on women.

With several co-writer credits to her name, including Charli XCX’s “Boys” and FLETCHER’s “About You,” Andress first honed her skills writing with heavy hitters in the music community such as Sam Hunt and Alicia Keys. Sonically, the Colorado native’s music is interesting and fresh, but not distracting from the message of the songs. With the release of her latest tracks “Both” and “We’re Not Friends,” Andress’ new music continues to prove her depth and skill as a songwriter.

 

AVENUE BEAT

BMLG (Valory Music Co.)/Tape Room Records / Tape Room Music / CAA / Dennis Entertainment / ASCAP

Sami Bearden, Savana Santos and Sam Backoff of Avenue Beat are the brash, witty, and wildly melodic pop trio that the world didn’t know it needed. I got more pop than a shook up Mountain Dew / If that’s not what you like, There must be something wrong with you, the trio sings with a cheeky grin in their single “Delight.” The three wrote all four songs on their debut, self-titled EP, which includes “Delight,” a girl power salute in “Be A Bro,” a Gen-Z post-break-up anthem in “Ruin That For Me” and a self-induced euphoria in “Broke.”

Now in their early 20s, childhood friends Santos and Backoff met Bearden at a summer theater camp and ultimately formed Avenue Beat. They claim Taylor Swift and Billie Eilish as musical influences, and are making their way as clever songwriters with charmingly raw lyrics and ear candy harmonies.

 

GABBY BARRETT

Warner Music Nashville / WME / Red Light Management / BMI

Gabby Barrett hit the ground running after rising to national prominence as a finalist on ABC’s American Idol. Wasting no time, the powerhouse vocalist showed off her depth with her ingenious first single, “I Hope,” which quickly claimed the No. 1 spot on SiriusXM’s The Highway Hot 30 Countdown and on Radio Disney’s Country Top 50 chart. The ear catching tune throws the listener for a loop at its chorus, I hope you spend your last dime to put a rock on her hand / I hope she’s wilder than your wildest dreams, she’s everything you’re ever gonna need / And then I hope she cheats, like you did on me, Barrett reveals.

The Pennsylvania native began singing in her local gospel choir at nine years old before auditioning for Idol at just 17 where her dynamic voice, paired with her bold stage presence, propelled her to the Top 3. Barrett is currently in the studio with Grammy-nominated producer Ross Copperman working on her debut full-length album.

 

BLANCO BROWN

BBR Music Group / Blanco Theory / UTA / BlackBox Entertainment / SESAC

In a blended version of country and hip-hop music, Blanco Brown proudly calls his musical stylings “TrailerTrap.” His musical concoction can be heard in his multi-week No. 1 hit, “The Git Up,” which has been certified Platinum by the RIAA. The Georgia native got his start in music as a background singer, artist and Grammy-nominated engineer, working with talent including Fergie, Childish Gambino, Kane Brown and Chris Brown. 

Brown has the unique gift of seeing colors when creating music. His debut album Honeysuckle & Lightning Bugs is a colorful reflection of his upbringing, from his school days in Atlanta to his summers in rural Georgia, and draws upon the rawness and storytelling abilities of his two biggest musical influences, Johnny Cash and Outkast. Brown wrote or co-wrote, as well as produced, every track on his debut record.

 

CAYLEE HAMMACK

UMG Nashville (Capitol Records Nashville) / UMPG Nashville / WME / Red Light Management / ASCAP

Growing up in the tiny town of Ellaville, Georgia made Caylee Hammack feel like a self-described “hippie in a hillbilly town.” At just 25, her life experiences and cultivated style have given her a unique perspective and approach to songwriting. 

From using fake IDs to get gigs around South Georgia, to watching a love that she’d given everything for burn out, to sleeping in her car when she arrived in Nashville and then losing her home in an electrical fire, Hammack’s morphed into a spunky, resilient and sensible singer-songwriter. Her current Top 40 breakout single “Family Tree,” co-written and co-produced by Hammack, shows off that spunk and earned wisdom. The track was also the most-added single at country radio by a female artist in over three years. 

Hammack’s new groovy tune, “Preciatcha” further speaks to that spunky soul with its lyrics Momma always said broken hearts are a blessing and every hand that you hold, holds one hell of a lesson / Guess I’m rambling a little but there’s something that I gotta say / Preciatcha, every time you made me cry, I preciatcha even how you said goodbye.

 

HARDY

Big Loud Records/Tree Vibez Music / Relative Music Group / WME / Maverick (Big Loud) / BMI

You have heard it from his own mouth, HARDY is “REDNECKER” than you. The hit songwriter has already made his mark on the Nashville music business having co-written multiple No. 1 hits for other artists, including  “Up Down” (Morgan Wallen feat. Florida Georgia Line), “Simple” (FGL), and “God’s Country” (Blake Shelton). When it came time for the Mississippi native to dip his toes into his own artistry, the music that followed was radio ready and charmingly unique.

HARDY launched as an artist with two four-song EPs, THIS OLE BOY and WHERE TO FIND ME. Fans gravitated to swampy-party jams like “4X4” and “THROWBACK,” and were impressed with the tender songwriting of “SIGNED, SOBER YOU.” HARDY’s clever lyrical expertise paired with his bold presence made an appearance again in his 2019 collaborative album Hixtape, Vol. 1; which features duets with traditional favorites Tracy Lawrence and Joe Diffie, along with modern country singers Devin Dawson, Thomas Rhett, Jake Owen and more.

 

TREA LANDON

Warner Music Nashville / Play It Again Music / WME / G Major Management/Play It Again Music / BMI

Trea Landon grew up on classic music by George Strait and Alan Jackson, and from his hometown in Claxton, Georgia, he started writing songs inspired by his upbringing. His songs caught the attention of hit songwriter Dallas Davidson, who quickly signed Landon to a publishing deal. Landon then released an EP independently and with more than three million streams, joined the Warner Music Nashville label family.

Landon’s debut single is a simple, easy-listening piece of ear candy called “Loved By A Country Boy.” Have you ever felt a June like kiss? Make summer burn a little hotter / Have you ever fell faster than a Chevrolet rollin’ ‘round the bend?, left a t-shirt hanging on a hickory limb ‘fore you jumped in /Girl you ain’t been loved, ‘til you been loved by a country boy, Landon sings. His unique voice, paired with his apt song choice, make Landon stand out. Put simply, Landon is a country boy.

 

PARKER McCOLLUM

UMG Nashville (MCA Records) / Warner Chappell / WME / 377/Red Light Management / BMI

Road warrior and Texas native Parker McCollum began building a following with 2015’s The Limestone Kid. The then 22-year old watched a track from the album, “Meet You in The Middle,” become a hit on Texas regional radio. His follow up record, Probably Wrong, found McCollum’s success blossoming, playing to venues like San Angelo’s RiverStage and Billy Bob’s Texas. 

McCollum soon found himself in Nashville, signing a record deal with Universal Music Group. His tune “I Can’t Breathe” shows off McCollum’s rich tone, and heartbreakingly honest songwriting. “Pretty Heart” is further evidence of his authentic sound. McCollum will continue his hard-won road life with select dates on Miranda Lambert’s Wildcard Tour in 2020.

 

MATT STELL

Sony Music Nashville (RECORDS/Arista Nashville) / Wide Open Music / UTA / Wide Open Music / ASCAP

What do you get when you cross a college basketball star with an accepted applicant into Harvard University’s Extension School Pre-Med program? A rising country artist with a No. 1 song. Matt Stell, who made the choice to follow his passion for country music, reaped the benefits of that risk with his first country chart topper, “Prayed For You.” Since he moved to Nashville in 2014, the Arkansas native garnered a publishing deal, a recording contract, a No. 1 song and a debut performance on the Grand Ole Opry. 

Stell co-wrote every track on his debut EP, Everywhere But On, including “Home In A Hometown,” which features fellow country standout and MusicRow Next Big Thing Class of 2019 artist, Jimmie Allen.

 

JENNY TOLMAN

Old Sol Records / Old Sol Music / Kinkead Entertainment /Old Sol Entertainment / SESAC

Jenny Tolman is a songwriter’s songwriter. Her debut album, There Goes The Neighborhood, paints the picture of a small town, full of lifelike characters who go through heartbreak and struggle, as well as hilarious circumstances. 

With songwriting influences like Roger Miller, Bobby Bare and Shel Silverstein; and sonic influences like Dolly Parton, Alicia Keys and Miranda Lambert, Tolman crafts a magical world of her own in her music. Her comical “High Class White Trash” and “Work It” show off her femininity and sass, and her “Till My Tank Is Empty” and “So Pretty” show her intense depth and skill as a communicator.

My welcome mat don’t care if you’re white or black, don’t care if you’re thin or fat, it ain’t there to judge all that / My heart is an open door, don’t care if you’re rich or poor, ain’t the world just a big front porch anyway? she sings in “My Welcome Mat.” Tolman’s music feels much like a big front porch: all-inclusive, retrospective, fun and touchingly real.

 

TENILLE TOWNES

Sony Music Nashville (Columbia Nashville) / Big Yellow Dog Music / WME / ShopKeeper Management / ASCAP

Tenille Townes grew up singing along to the lyrics of U2 and Shania Twain. Before long, she was writing her own songs and taking singing lessons in her hometown of Grande Prairie, Alberta, Canada. When she got a little older, Townes was coming to Nashville and learning to write songs that speak directly to the heart. Her single “Somebody’s Daughter” brought a story of compassion to country radio. Additional tracks “Jersey On The Wall” and “White Horse” set Townes apart for her wise-beyond-her-years communicator ability.

Townes was honored with the Robert K. Oermann Discovery Artist of the Year Award at the 2019 MusicRow Awards, and is seeing both critical and commercial success. In addition to her work as a musician and songwriter, Townes remains committed to her charitable initiative, Big Hearts For Big Kids, which has raised over $1.5 million to date, benefiting a youth shelter in her hometown of Grande Prairie.