Industry Ink: ACM, Dylan Scott, JAM Roundtable

ACM Staff & Board Visit Texas Ahead of 58th ACM Awards

ACM Staff and ACM Board Members gather in Frisco, TX ahead of the 58th ACM Awards on May 11

The Academy of Country Music and ACM Lifting Lives leadership, staff, and board members made a trip to Frisco, Texas last week to visit the site of the 58th ACM Awards. There, teams met with partners to work logistics for the upcoming awards and surrounding events. They also walked through venues for ACM Awards week, including Topgolf, The Omni Hotel, the Ford Center, and more.

Topgolf in The Colony will host the ACM Lifting Lives Topgolf Tee-Off and Rock On Fundraiser and concert. The Omni Frisco Hotel will house this year’s Media Row and Ford Center will host the ACM Awards show.

Academy Staff worked closely with representatives from Amazon, The Dallas Cowboys, Dick Clark Productions, Legends, Topgolf, and other groups involved in the planning and production of the ACM Awards.

Dylan Scott Celebrates Three New RIAA Certifications

Curb Records recording artist Dylan Scott is celebrating three new RIAA certifications. “Can’t Have Mine” and “New Truck” hav been certified Gold, while “My Girl” has been certified triple-Platinum.

Scott’s current radio single, “Can’t Have Mine,” continues to climb the country radio charts, sitting inside the Top 40 on the Billboard and Mediabase charts. Fans can catch Scott out on the road throughout the summer.

 

Underground Music Collective Introduces Jazz Appreciation Month Events

Underground Music Collective, the Nashville-based digital music resource center and multimedia services company, has announced its latest virtual event focused on the upcoming Jazz Appreciation Month in April.

Jazz Appreciation Month (JAM) Roundtable, scheduled for April 19 at 6 P.M., will feature Kevin L. Robertson (Soloist, The Isley Brothers, TSU Jazz Band); Ragan Whiteside (Flutist, Randis Music, Billboard); Rick Scott (Great Scott PR); and Nicole Zuraitis (Musician/Vocalist, Grammys, New Orleans Jazz & Heritage Festival). Brandi Sims, CEO of Brandinc PR, is set to moderate.

The virtual panel roundtable is free to attend, and attendees will have the opportunity to submit questions to the panelists in a Q&A portion of the event.

“Each month this year, we’ve explored a new genre or experience in the music industry that has captured extensive interest of emerging and indie artists seeking to learn more about the examples of successful careers in this industry,” says Gerard Longo, Underground Music Collective Founder and CEO. “Our goal is to continue exploring these stories and experiences through the digital lens, and truly redefine what it means to be Underground.”

Scotty McCreery Hits The Top Of The MusicRow Radio Chart With ‘It Matters to Her’

Scotty McCreery moves up two positions to the top of the MusicRow CountryBreakout Radio Chart this week with “It Matters to Her.”

The tune appears on McCreery’s fifth studio album Same Truck, and was written by McCreery, Rhett Akins and Lee Thomas Miller.

In late 2022, McCreery released his Same Truck: The Deluxe Album, containing “It Matters To Her” as well as two No. 1 RIAA Gold-certified hit songs “You Time” and “Damn Strait.”

Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

Tin Pan South Night Two Features Ashley Gorley, Laura Veltz, Ingrid Andress, More

Pictured (L-R): Caylee Hammack, Keelan Donovan and Tenille Townes. Photo: Courtesy of NSAI

Tin Pan South attendees were treated to more great music Wednesday night (March 29) at bars and listening rooms across Nashville.

Ian Munsick, Jacob Davis, Will Jones and Marc Scibilia took on the early show at The Listening Room, while Madison Kozak, Griffen Palmer and Mark Trussell took on The Vinyl Lounge. Ben Burgess, Josh Kerr, Brandon Paddock and Parker Welling played the Analog at the Hutton Hotel. Madeline Edwards and Laura Veltz had some special guests at The Bluebird Cafe.

Pictured (L-R): Melodie Zack, Jordan Rowe, Chase Chapman, Brad Clawson, Hunter Phelps and Ashley Gorley. Photo: Courtesy of NSAI

Casey Brown, Brad Clawson, Hunter Phelps, Jordan Rowe and Will Weatherly played the 6 p.m. show at 3rd & Lindsley before Ashley Gorley, Ben Johnson, Wyatt McCubbin and Taylor Phillips took over at 9 p.m.

Harper Grace, Alex Kline, Joe Leathers and Bobby Tomberlin took the stage at the Commodore Grille for the late show; while Ingrid Andress, Carter Faith and Adam James played at The Listening Room.

Tin Pan South attendees and performers. Photo: Courtesy of NSAI

Keelan Donovan, Caylee Hammack and Tenille Townes closed out The Vinyl Lounge with some music; as did Renee Blair, Kevin Griffin, Zac Maloy and Adam Sanders at the Hard Rock Cafe.

Among the songwriters who will be featured at tonight’s rounds (March 30) are Liz Rose, Bob DiPiero, Chris Young, Ross Copperman, Justin Ebach, Daniel Tashian, Emily Weisband, Victoria Shaw, Paul Overstreet, Allen Shamblin and many more. See the full schedule here.

Jason Isbell Documentary Set For April On HBO Max

Jason Isbell and the 400 Unit. Photo: Danny Clinch

A new Sam Jones-directed documentary, Jason Isbell: Running with Our Eyes Closed, will be released on HBO Max April 7.

In his own words, Isbell takes fans on an unexpected journey through his musical evolution and creative process as he goes into the studio to record his album Reunions with the 400 Unit. He dives into his difficult childhood, his struggles with addiction and relationships, and funneling all his pain and private battles into his music. When the pandemic forces him and his family into lockdown, Isbell confronts the self-doubt and fears that isolation brings to a recovering addict and artist, even as the album releases to rave reviews.

Isbell is currently prepping for his new album, Weathervanes, out June 9, with the release of a brand new track from the album, “Middle of the Morning.” “It was about trying to keep my mind from unraveling over the couple of years there,” says Isbell of the new song.

Isbell and the 400 Unit are currently on the road throughout the summer, and will head down under to Australia next week before bringing their show back to the states.

DISClaimer Single Reviews: Brandy Clark Proves Why She’s One Of ‘Our Greatest Living Country Songwriters’

Brandy Clark. Photo: Victoria Stevens

Today’s country survey is dominated by our mainstream male up-and-comers, but the award winners come from left field.

From our enduringly creative songwriting community comes a stellar effort by Warner singer-songwriter Brandy Clark, who wins the Disc of the Day. Also representing this population is today’s Luke Laird release.

From outer space—or somewhere in Florida—comes Will Thompson, who is a triumphant DisCovery Award winner.

Also in the mix are two baseball tunes belonging to Bryan Ruby and Grant Gilbert, two star-confirming performances belonging to Randall King and Tyler Rich and two fine female-duo outings belonging to Tigirlily Gold and Rissi Palmer with Miko Marks.

WILL THOMPSON / “Checklist”
Writers: Ashley Watson/William Paul Grant Thompson; Producer: Will Thompson; Label: Will Thompson Music
– Full stop. Proceed no further. Go to YouTube. RIGHT NOW. This song and performance are priceless hilarity. It’s a brilliant satire of current country songwriting, the gist being that you can follow a checklist to write a hit. Ripe for skewering are hometown, boots, beer, county line, neon sign, dirt roads, bonfire, tailgate, back roads, whiskey, American flag, huntin’ & fishin,’ football game and more. “Sound just like a rap song,” Thompson advises. To write “The anthem of our lives….Words don’t even matter / Hit the chorus and they’ll sing along.” Furthermore, “Do auto tune / To make this a hit we need 10 writers in a room.” Oh, and wear sunglasses, get an accent, make your voice more gritty and “network in Nashville.” This thing is genius!

RISSI PALMER & MIKO MARKS / “Still Here”
Writers: Rissi Palmer/Miko Marks/Deanna L. Walker/Steve Wyreman/Justin Phipps; Producers: Steve Wyreman/Justin Phipps; Label: Rissi Palmer
– Palmer remains a shining light in the format with her “Color Me Country” radio series and a new American Masters: In the Making documentary on PBS. This anthem salutes the perseverance that her career illustrates. She’s been on the country scene since 2005, and as the song says, she’s still here. So is her duet partner, Miko Marks, who arrived around the same time. The two enduring country women of color are launching a historic tour together this year. They’ll be at City Winery on May 18.

BRANDY CLARK / “Buried “
Writers: Brandy Clark, Jessie Jo Dillon; Producer: Brandi Carlile; Label: Warner Records
– This is a stunning ballad of ache and loss by one of our greatest living country songwriters. Clark’s broken-hearted delivery is shadowed by gentle acoustic guitar plucking and soft vocal harmonies. Among the many brilliant touches in the writing is the artful placing of the song’s title as the song’s very last word. She is just so awesome. It’s an advance track from her forthcoming fourth album. With Shane McAnally, Clark is also the cowriter of the Broadway musical Shucked, which opens in New York on April 4. Last Sunday’s New York Times had an extensive piece about it.

BRANDON DAVIS / “Jesus and Jesse James”
Writers: Richard Brandon Davis, Clay Mills, Peter Daniel Newman; Producer: Daniel Agee; Label: Big Yellow Dog
– The country outlaw sentiment is fine, but the production is kinda thin. A little percussive bite would help.

TYLER RICH/ “I Know You Do”
Writers: Tyler Rich/Jaron Boyer/Micah Wilshire; Producer: Jaren Johnston; Label: The Valory Music Co.
– I like the reverb-twang guitar licks and the muffled thump in the percussion. As always, he’s a model country singer with plenty of heart-in-throat sincerity. The lyric of a loving yet complex relationship is a winner. In fact, it is his best yet.

ZAC BROWN BAND / “Paint It Black”
Writers: Mick Jagger/Keith Richards; Producer: Robert Deaton, Danny Rader; Label: Broken Bow Records
– The new Rolling Stones tribute CD Stoned Cold Country has a number of highlights. This is one of ‘em, since it gives this usually mellow band some rock edge. A beloved classic, thoroughly revived. Play it.

ANDREW JANNAKOS / “Meet My Maker”
Writers: Andrew Jannakos/Andrew Albert/Karen Kosowski/Emma-Lee; Producer: Derek Wells; Label: RCA Nashville
“Ain’t no church like nature,” he sings in this wafting, lovely, pastoral ode. Amen, bro.

BRYAN RUBY / “Baseball Country “
Writers: Bryan Ruby/Chad Albert Sellers/Shane David Smith; Producers: Smith Curry; Label: Rubies In The Rough Music
– Play ball! Today is opening day in the major leagues. Ruby has crafted a rocking anthem designed for blasting over ballpark loudspeakers while teams take the field. He’s been professional ballplayer, himself, so he knows just how to get the dugout riled up.

GRANT GILBERT / “Take Me Out to the Bar”
Writers: Grant Gilbert/Brad Clawson/Blake Bollinger; Producers: Jonathan Singleton; Label: River House Artists
– Our second baseball-themed single of the week is just as dandy as “Baseball Country.” Gilbert’s got a busted heart, so he adopts the 1908 chestnut “Take Me Out to the Ballgame” as his new anthem, with re-written lyrics. The seventh-inning stretch was never so honky-tonking and fun.

RANDALL KING / “Green Eyes Blue”
Writers: Randall King/Randy Montana; Producers: Jared Conrad; Label: Warner Music Nashville
– One of my favorite current neo-traditionalists is back with a highly listenable romantic meditation. Deep-twang guitar and sighing steel back him as he muses about leaving his wild ways behind to fall in love. I remain a fan.

LUKE LAIRD, LORI McKENNA & BARRY DEAN / “Give Me Back My Hometown”
Writers: Luke Laird/Eric Church; Producers: Luke Laird/Lori McKenna/Barry Dean; Label: CN Records
– These three Music Row songwriting champs are issuing a collection called The Songwriter Tapes containing their versions of mega hits they’re written for others. The advance track is Laird’s gentle-voiced rendition of a hit he cowrote with the great Eric Church. He lacks the superstar’s fire and vocal charisma, but the soft, echoey production throws a real spotlight on the song’s marvelous lyrics.

TIGIRLILY GOLD / “Blonde”
Writers: Scott Stepakoff/Alex Kline/Kendra Jo Slaubaugh/Krista Jade Slaubaugh; Producers: Alex Kline; Label: Monument Records
– The feisty sister duo struts a sassy pace on the title tune of their new EP. Packed with delightful attitude, cool beats, tight harmonies, a Dolly shout-out and gal-pal sing-alongs. Highly recommended.

UTA Signs Singer-Songwriter Emily Ann Roberts

Pictured (L-R): Starstruck Entertainment’s Narvel Blackstock, UTA’s Jaime Roberts, Starstruck Entertainment’s Berkley Kriz, Emily Ann Roberts, UTA’s Nick Barnes, Lolo McClusky, Curt Motley and Cass Scripps.

Country artist Emily Ann Roberts has signed with UTA for global representation in all areas.

The Knoxville native is currently managed by Starstruck Entertainment’s Narvel Blackstock and Berkley Kriz, and first gained notability with her runner-up finish on season nine of The Voice as a member of Blake Shelton’s team in 2015. In 2019, she released her debut EP Someday Dream, which landed at No. 2 on the Billboard Album charts.

Roberts has since amassed more than 20 million cumulative streams to date. Her latest single “He Set Her Off” earned over 16,000 pre-saves and more than 500,000 streams in two weeks. She has also graced the Grand Ole Opry stage 16 times and opened for artists including Reba McEntire, Shelton, Sara Evans, Josh Turner, Scotty McCreery, Ricky Skaggs and more.

“We were immediately drawn to Emily Ann’s soaring vocals, natural musicianship and authentic personality,” says UTA’s Curt Motley and Cass Scripps. “Emily Ann has a unique sound, that honors traditional influences, and blends in a fresh current sound that sets her music apart. We are thrilled to add Emily Ann Roberts to the UTA Family of Artists and can’t wait for all the new chapters of her career to unfold.”

“UTA’s reputation speaks for itself, and it is truly an honor to be added to its list of renowned clients,” says Roberts. “I look forward to working with the incredible team at UTA and I’m excited about all of the things we can accomplish together.”

Rodney Crowell Preps ‘The Chicago Sessions’ For May

Rodney Crowell. Photo: Claudia Church

Rodney Crowell is releasing a new album, The Chicago Sessions, on May 5 via New West Records, and has shared the video for the album highlight “Loving You Is the Only Way to Fly.”

Produced by Jeff Tweedy and recorded at Wilco’s Loft in Chicago, the 10-song collection touches on everything from love and mortality to race and religion. While most of The Chicago Sessions consists of newly-written material, Crowell revisits two tracks from the 1970s. The first, “You’re Supposed to Be Feeling Good,” is a Crowell original that was recorded by Emmylou Harris on her 1977 Luxury Liner record. The second, Townes Van Zandt’s “No Place to Fall,” has always held a special place in Crowell’s heart.

“The first time I heard that song, Townes was sitting across the table from me at Guy and Susanna Clark’s house,” Crowell recalls. “He said, ‘Hey, I’ve got a new song for you,’ and it’s been imprinted on my psyche ever since. I wanted to record it as an homage to somebody that I learned a lot about songwriting from.”

Crowell previously released the video for the album’s first single, “Everything at Once,” which features footage from The Loft during recording. A co-write with Tweedy, the song walks a tightrope between hope and despair as it wrestles with overstimulation in an overcrowded world.

Additionally, Crowell has announced his tour dates in support of The Chicago Sessions. Launching May 2 in New York City at Sony Hall, the initial run features stops at the Old Town School of Folk Music in Chicago and Gruene Hall in New Braunfels, Texas. He also announced dates for his annual songwriting camp “It Starts With A Song 2023,” which is set to take place Aug. 21-24 in Nashville.

CMA To Livestream Country Music Hall Of Fame Inductees Announcement

CMA is hosting a livestream to announce the 2023 Country Music Hall of Fame inductees on April 3. The livestream will be hosted by Vince Gill and can be watched on CMA’s YouTube channel here

Established by CMA as an institution devoted to recognizing and honoring noteworthy individuals for outstanding contributions to country music. Last year’s inductees included Joe Galante, Keith Whitley and Jerry Lee Lewis.

Miranda Lambert Announces Multi-Year Partnership With Lone River Beverage Company

Pictured (L-R): Miranda Lambert, Katie Beal Brown. Photo: Courtesy of Lone River

Superstar Texas native Miranda Lambert has announced a multi-year partnership with Lone River, Texas’ tequila cocktail-inspired beverage brand founded in 2019 by Katie Beal Brown.

Debuting on the heels of Women’s History Month, the multimedia campaign highlights the entrepreneurial “do-it-your-own way” ethos and honors the rich traditions of the west with the spirit of modern country. Throughout the partnership, Lambert and Beal Brown will team up to empower like-minded entrepreneurial women (21+) in various cities through a series of luncheons, networking events and beyond.

“I don’t do a ton of partnerships, but I was drawn to Katie’s story, and found so many similarities with my own, so working with Lone River is really special for me,” Lambert shares. “I’m a storyteller first and foremost, and that’s exactly what Katie set out to do with this brand. Lone River was built on honoring her family’s roots and sharing an authentic way of life in West Texas. I’m excited to see what kind of noise us Texas women can make together!”

“Miranda Lambert is the kind of person that makes me proud to be a Texan and I am so honored to have her as a partner on this journey as we continue to grow Lone River. She is the embodiment of the trailblazing spirit that built our business, and it is a dream to have the opportunity to see our brand through her eyes,” adds Beal Brown. “Through her iconic career in country music and beyond she’s played such an important part in modernizing the ideals of the American West. I am so grateful to be a small part of this through Lone River.”

Tenille Townes To Roll Out ‘Train Track Worktapes’ In April

Tenille Townes channeled her inner gypsy on her upcoming new project, the Train Track Worktapes, due out April 21.

The new five-song collection was conceptualized, written, and recorded on a charity train trip that covered nearly 3,000 miles. A tradition in her native country, the CP Holiday Train benefits Canadian food banks when their need is greatest, with each attendee bringing donations to catch the free concert that occurs right on the train cars. During their 15 days onboard last December, Townes and her band played 65 shows to crowds ranging from dozens to thousands in communities across southern Canada.

“Being in motion is my favorite state. I love the hum of the engines and the blur of the evergreens out the window, in any mode of transportation. I really do believe that home is not a place, but a feeling that you get,” says Townes. “And being on the road, singing songs for people and feeling a part of a collective brought together through music, that feels like home to me. This collection of songs will always represent that traveling spirit. I hope anyone who listens feels like they are riding right there with us.”

Across the five tracks, Townes explores concepts such as what defines home, living life in motion, quenching a troubadour spirit and feeling all-consuming joy. She produced the project alongside guitarist Jaxon Hargrove, and her band got resourceful with their train setup. A suitcase turned into a kickdrum. Tin foil and paper bowls became a shaker. Teacups made the perfect substitute for a triangle. They borrowed equipment and microphones from the train cars housing the stage and gear. Recording mainly in the train’s caboose, sometimes capturing takes in 20-minute spurts between shows, the group allowed the rattle and rhythm of the train to sink into each song.

“The generosity of everyone bringing donations to their local food banks as we travelled along was a reminder to me of how much good there is in the world, especially in the heart of the smaller, remote communities,” she continues. “In between all these shows, I made it my mission to write about what it felt like to witness that, ride the high and capture what I was feeling on the trip.”