Bob Dylan on stage in 1974. Photo: Barry Feinstein

The Bob Dylan Center (BDC) and Universal Music Publishing Group (UMPG) have joined forces to launch the new Bob Dylan Center Songwriter Fellowship.

Awarded to two recipients annually, the fellowship was created to mentor and develop aspiring songwriters. Each fellowship encompasses a $40,000 project stipend, public engagement and presentation opportunities, dedicated time in BDC’s Bob Dylan Archive to study Dylan’s creative process, roundtrip airfare to Tulsa and accommodations in the city, mentorship from UMPG songwriters and executives and recording time in Tulsa’s historic The Church Studio, the famous studio of Leon Russell.

In addition to being reviewed by BDC and UMPG executives, annual fellowship recipients will be selected by a global panel of artists including singer-songwriter Juliette Armanet, singer-songwriter Patty Griffin, singer-songwriter John Mellencamp, singer-songwriter Carla Morrison and rapper and songwriter Nas.

Now through Oct. 18, eligible talent from around the world can submit entries for fellowship consideration. To be eligible, entrants must be 18 years or older and unsigned to a publishing agreement of any kind at the time of the fellowship start date, May 1, 2024.

“The Bob Dylan Center Songwriter Fellowship is core to our mission of educating, motivating and inspiring visitors to engage their own capacity as creators, and we cannot wait to hear the entries from undiscovered talent around the world,” says BDC Director Steven Jenkins. “We are grateful to continue our partnership with UMPG—the world’s leading music publisher is already such a great supporter of the BDC—and we know that this panel of extraordinary songwriters will select deserving Fellows for our inaugural year.”

“This is an unprecedented opportunity to connect developing talent with the works of one of the greatest songwriters of all time,” says UMPG Chief Operating Officer Marc Cimino.”Beyond access to meaningful mentorship and special resources, the archives at the Bob Dylan Center are indescribable and I can only imagine how much creative inspiration they will draw. With the support of the fantastic BDC team and panel of world-class artists, we look forward to developing a new group of songwriters in this unique environment.”

Ken White

The International Bluegrass Music Association (IBMA) Board of Directors has named Ken White as the association’s new Executive Director, effective Oct. 2, following the completion of IBMA World of Bluegrass in Raleigh, North Carolina.

White joins the IBMA with a wealth of experience in bluegrass music and business leadership. Raised on the music of Bill Monroe, Ralph Stanley and Tony Rice, the Kentucky native fell asleep many nights with an ear next to the family hi-fi. As a result, he cinched the Kentucky State Banjo Championship at age 14.

He studied guitar with the late, great jazz icon Jimmy Raney at the University of Louisville Music School, while continuing to record, perform and tour with bluegrass and Americana luminaries in acclaimed venues such as the Grand Ole Opry, Telluride Bluegrass Festival, RockyGrass, Walnut Valley Festival, IBMA World of Bluegrass and The Station Inn, where he spent many nights listening, playing or helping restock the bar.

White has written for and performed with the Louisville Mandolin Orchestra, the Nashville Mandolin Ensemble and the Wichita Symphony Orchestra. His multi-instrumental prowess can be heard on many recordings, most recently, a catalog of music he has co-written with his wife, Robin Macy, inspired by Bartlett Arboretum, in Belle Plaine, Kansas, the place they’ve called home for over two decades.

In 2002, he and award-winning designer Nicole Howerton formed Howerton+White, an integrated marketing agency. For over 20 years, White has led the company’s expansion and ongoing integration of marketing and media platforms. Under his leadership, Howerton+White has become a multimillion-dollar business with more than 40 active clients on the roster.

White has also been actively involved in several community organizations. He has served as President of the Wichita Jazz Festival, and has co-produced a popular seasonal concert series at Bartlett Arboretum for 17 years. White currently serves on the Wichita Symphony Orchestra Board as well.

“IBMA is an enthusiastic international organization with a diverse and welcoming membership,” says Dan Boner, IBMA Board Chair. “That was on our minds throughout the interview and selection processes, and Ken demonstrated, very naturally, that he understands the needs and interests of all people who love bluegrass music and work to make it their livelihood.”

White will assume the position currently held by Paul Schiminger, the Interim Executive Director. Schiminger, an IBMA board member, was asked in March to temporarily step back into the role he held for six years before retiring in 2021.

“There were a handful of excellent candidates for the role, but Ken’s knowledge of our music and its community, along with his demonstrated business skills, made him stand out. I’ve thoroughly enjoyed getting to know Ken through the process, and I’m excited to know the IBMA will be in excellent hands going forward,” says Schiminger.

“A vocation that tethers both heart and mind becomes purposeful work. I have loved bluegrass music since I was a small child. My 22-year career as a business owner has defined both technology and marketing strategies. I feel fortunate to have this opportunity to lead IBMA forward, fueled by these two life-long passions,” shares White.

Pictured (L-R): Chip Petree (Ritholz Levy Fields, LLP), Aubrey Daniels (KP Entertainment), Davis Corley, Kerri Edwards (KP Entertainment), Rusty Gaston (CEO, Sony Music Publishing Nashville)

Rising songwriter Davis Corley has signed a worldwide publishing agreement with Sony Music Publishing Nashville and KP Entertainment.

An east Tennessee native, Davis moved to Nashville eight years ago to hone his craft as a writer and multi-instrumentalist. In addition to two Texas-chart-topping singles, “Not Too Far To Reach” by Jake Ward and “Tractor Town” by Jake Bush, Corley has had cuts by Will Jones, Dan Smalley, Trey Lewis, Ella Langley, Josh Gallagher, Spencer Crandall and others.

“Davis is a true songwriter. His unique approach creates an element in his writing that genuine and timeless. I’m absolutely honored to get to work side by side with Davis and excited for the magic that is yet come,” says Aubrey Daniels, Creative at KP Publishing.

“This is an exciting time in the ever-changing world of country music, and I’m grateful to be taking it on with a team of Nashville’s most talented and genuinely admirable people. The chance to work with Kerri Edwards and Aubrey Daniels, in addition to Rusty [Gaston] and the amazing team at Sony, feels like joining a dream team, and I couldn’t feel more blessed to have the opportunity,” shares Corley.

Casey Thomas & Joel Beaver. Photos: Robert Chavers

Monument Records has promoted two of its team members. Casey Thomas has risen to Senior Director of Marketing, Publicity and Creative, while Joel Beaver has been upped to Associate Director of Marketing.

In her expanded role, Thomas will continue to oversee publicity and creative services while taking a more active role in marketing strategy. Beaver will be responsible for marketing, brand partnerships, international and sync relations for the labels’ roster including artists Alex Hall, Walker Hayes, Pillbox Patti, Brandon Ratcliff, Caitlyn Smith and Tigirlily Gold.

Monument’s GM Katie McCartney says, “Casey’s strategic view has broadened extensively over the years she has been with us which led to this natural expansion of her role. Her passion for our artists and work ethic are unmatched and her energy is contagious.” She adds, “It’s been a joy to watch Joel’s growth since our launch. From student to project lead, his attention to detail and precision have been vital for our success. Both Casey and Joel see the whole picture which is critical to Monument’s mission”

Thomas notes, “I couldn’t dream up a better company to work for than Monument Records. I’ve been so fortunate to get to learn from Katie McCartney, Shane McAnally and Jason Owen every day for the last five years. Their vision, not only for this company and our artists, but for country music as a genre, is so inspiring. I’m grateful for the many opportunities they have trusted me with in my time here, and couldn’t be more excited for what the future holds.”

“From launching Tigirlily Gold, to marketing the success of Walker Hayes’ global hit ‘Fancy Like,’ it’s so exciting to be a part of the artistry and innovation that the Monument artist roster and staff embody,” Beaver adds. “It feels like we’re just getting started with so much immense talent on our roster.”

Thomas, a Boston, Massachusetts native, earned her her Bachelor’s degree from Colby College and Master’s degree from Boston College. She joined Monument from the Country Music Hall of Fame and Museum. Starting as a manager of PR in 2018, she was later elevated to Publicist and, until recently, Director of PR and Creative. Thomas has been responsible for the press operations and working on behalf of the label to help manage communications and press strategy for Monument artists.

Beaver moved to Nashville from West Virginia in 2015. After some time at Middle Tennessee State University (MTSU), he finished his degree at Belmont. He joined Monument Records in 2017 as the label’s first intern shortly after its re-launch and quickly got hired as a staff member before graduating college in 2018. During his nearly seven years at Monument, Beaver has been in the center of marketing campaigns across the artist roster, most notably with superstar Hayes and his multifaceted “Fancy Like” campaign with Applebee’s, as well as launching sister-duo Tigirlily Gold. Beaver was selected for the Recording Academy’s 2023 New Member Class and has been involved in CMA EDU, the Country Music Hall of Fame’s Troubadour Society and SOLID.

Congratulate Thomas at casey.thomas@sonymusic.com and Beaver at joel.beaver@sonymusic.com.