The Nashville Music Council is made up of 50 of the industry’s most experienced players who are working with Mayor Karl Dean’s office to turn this city into a “Global Music Capital.” After a year of assessing the situation, the Mayor and Music Council leaders presented their goals to a group assembled at the W.O. Smith Music School Tuesday (6/29) afternoon.
The Mayor organized the council to spur communication between the industry and the government; to work together to build Nashville’s brand as Music City. Council head Mary Ann McCready credits him with unprecedented efforts in reaching out to the music industry.
McCready said that the Council quickly realized one of its main functions would be as a place for “ideas to land and be vetted and implemented.” Dean highlighted the Music Council’s four focuses: music education, branding and jobs, live music, and creative talent. “Nashville’s music business attracts the kind of creative people our city needs to build a strong future,” he explained.
As co-head of the Branding and Jobs subcommittee, Mark Montgomery is also honed in on the future. “Nashville has the potential to be the epicenter of the new music business,” he said. One way he wants to achieve that is to nurture the relationship between music and technology.
Tim Dubois, co-head of the Creative Talent subcommittee, explained his group’s initiatives which include starting a one-stop resource center for those interested in relocating to Nashville, and then providing them with a support infrastructure once they arrive, such as housing. To that end, meetings with the Metro Development and Housing Authority have already taken place. Helping people maintain employment is another focus. However, during the Q&A, a struggling musician in the crowd questioned how the city can support an influx of more creative types when many who are already here are struggling to make a living.
Rod Essig’s Live Music subcommittee exemplifies the diversity of the Council, and is made up of genre-spanning artists like Emmylou Harris, Kix Brooks, and Jack White and industry stalwarts such as producer Tony Brown. Essig noted that a variety of genres already host annual conferences and festivals here, and for three years starting in 2011, Nashville can add the National Folk Festival to that list. He touted the city’s desperate need for an amphitheater for outdoor summer music, as well as the need for a 1500-seat venue, adding that the latter void could be filled as early as six months from now. As for immediate progress, the Council’s Musician’s Corner opens July 10 at Centennial Park.
Essig noted that sponsorships and partnerships would be important to many of the Council’s projects, and Music Education subcommittee head Nancy Shapiro has already scored in that area. She raised enough funding to hire a consultant for her cause, which is to make Nashville public school music education the best in the world. “When we found the right people to achieve this, and brought them to the table,” she said, “the energy was palpable.” She admitted she was preaching to the choir, but still explained the importance of music education, specifically to lowering the drop-out rate. One way to do this she added “is to reach kids where their interests are, with a variety of genres and options.”
The interested crowd represented all facets of the industry, such as publicity guru Jeff Walker, business manager Charles Sussman, GAC boss Ed Hardy, publisher Tracy Gershon, manager Denise Stiff and songwriter Bob Regan.
https://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.png00Sarah Skateshttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngSarah Skates2010-07-02 07:25:142010-07-02 07:25:14Nashville Music Council Outlines Goals For Future
Former Lyric Street artist, singer/songwriter Joshua Ragsdale passed away today in a Nashville hospital after battling leukemia. He was 32.
Ragsdale was a staff writer with Sony/ATV. His song, “Ain’t Much Left Of Lovin’ You,” was the recent debut for Mercury Records artist Randy Montana. Along with legendary songwriter Bill Anderson, Ragsdale co-wrote “Papaw’s Sunday Boots,” which Anderson recently released.
“I’ve never seen anybody that remains so positive and so concerned about others through such personal adversity,” said Ragsdale’s manager, Bob Titley. “With every bit of bad news, he’ll react with three minutes of crying and praying, and then it’s back to this positive energy.”
Ragsdale inspired many people to be tested as potential bone marrow donors during his illness, saying that he knew of five people who had been told they were matches for someone because of his encouragement. Visit www.marrow.org to find out more about joining the bone marrow registry.
Journalist Peter Cooper has written a tribute to Joshua Ragsdale in the Tennessean. Read it here.
Last month, Executive Director John Simson announced to the SoundExchange Board that he would be leaving the role he’s held for the past ten years in order to return to his creative roots. The Board has requested that he remain in his current position until a successor can be found and Simson said he would he would be pleased to assist in the
transition to new leadership.
“After ten years of working with digital services, we’ve achieved many of our important goals,” Simson says. “We’ve established fair rates for performers and labels and built the largest performer and recording label society in the world. It is time for me to return to different creative pursuits that I‘ve been putting off these past few years. This has been a thrilling journey, blazing a brand new path, but I know I’m leaving a strong organization poised for continued success.”
Simson also informed the Board that the second quarter distribution would be the largest in the organization’s history.
“In the past 10 months we’ve distributed over $220 million to artists and labels and this will only continue to grow in the coming months and years,” Simson adds.
“For the last ten years and more, John Simson has been a critically important force for uniting artists, session performers, indie labels and major labels as we worked together for our common good,” says American Federation of Musicians International President Thomas F. Lee. “We are grateful to him for all his pioneering work.”
Simson, the first full-time employee of SoundExchange, was hired to launch the new collecting society in 2000. As a manager in the 1990’s, Simson had assisted in the lobbying to pass the Digital Performance Rights in Sound Recording Act of 1995 and a terrestrial performance right has been a key goal all throughout his career working as an artist manager.
“We are hopeful that we will finally get what’s rightfully owed to America’s recording artists and copyright owners,” Simson says. “I’ve told the Board that I will be there to finish this task whenever required.”
Simson was instrumental in making SoundExchange an independent, free-standing non-profit trade association governed by a Board of 18, an equal number of artist and label representatives.
“John and his team have built from nothing, the first true coalition of artists and indies and majors working towards the same goal,” said Tom Silverman, founder of Tommy Boy Records and SoundExchange Board member. “The many hurdles they have overcome and the momentum that SoundExchange enjoys are a tribute to his hard work and vision.”
https://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.png00contributorhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngcontributor2010-07-01 15:05:452010-07-01 15:05:45John Simson To Exit SoundExchange
On Saturday, July 17 between 4:30 PM and 8:00 PM, Nashville Songwriters Hall of Fame members will gather at Fontanel Mansion for “Songwriters Sing For Nashville,” a benefit for flood relief. The benefit show will also serve as the inaugural event for the new Woods at Fontanel amphitheater.
Currently confirmed performers include Matraca Berg, Kye Fleming, Dallas Frazier, Dickey Lee, Dennis Morgan, Roger Murrah, Hugh Prestwood, Mark D. Sanders, Don Wayne, Jim Weatherly and Mike Reid, and there will likely be a few surprise celebrities hitting the stage as well.
In addition to those Hall of Famers, hit songwriters Chuck Cannon, Rafe Van Hoy, Lari White, Billy Burnette, Danny Myrick, James Slater, Marc Beeson, James House and more will playing their songs that same day on the “Gibson Tunesmith Stage” at the Farmhouse Restaurant on between 12:00 PM-4:00 PM before the main concert at The Woods. Admission to the Gibson Tunesmith Stage is free.
The Woods at Fontanel has a capacity of 2500, and a quick sell out is anticipated. Tickets are $19.99 per person and children under 12 are admitted free. Tickets can be purchased here. All ticket proceeds and all receipts from the day’s tours at the Fontanel Mansion will be donated to First Tennessee Bank for flood relief.
(l-r): Marc Oswald, co-owner of Fontanel Mansion and Farm; Karen Graves of First Tennessee Bank; Councilman Walter Hunt; Ken Hoskins CPA; John Stancil of Anchor Trailways & Tours; Vice Mayor Diane Neighbors; Alex Marks of Tower Investments; Jared Stancil of Anchor Trailways & Tours; Tom Morales of TomKats, Inc.; and Roger Murrah of the Nashville Songwriters Hall of Fame Foundation.
https://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.png00contributorhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngcontributor2010-07-01 14:19:172010-07-01 14:19:17Fontanel To Host Songwriters Flood Benefit
When the holiday season comes around, superstar couple Amy Grant and Vince Gill will embark on their fifth Christmas tour. The Twelve Days of Christmas Tour kicks off December 8 in Sarasota, FL and wraps with two shows in Nashville at the Ryman Auditorium.
“Christmas audiences are special,” explains Grant. “They tend to involve the whole family, and their emotions are a wonderful mix of anticipation and reverence. It’s a thrilling experience for both of us.”
“These holiday tours have become our favorites,” Gill agrees. In their two hour program, the Grammy-winning team will present cherished standards and newer seasonal fare as well as some of their biggest hits.
Grant’s career spans over 30 years and stretches from her roots in gospel into an iconic pop star, songwriter, television personality, and philanthropist. She has sold more than 30 million albums and won six Grammy® Awards in multiple categories, beginning with the platinum selling Age to Age in 1982.
One of the most popular singers in modern country music, Gill has a love for country music, top-notch songwriting, and world-class guitar playing, all wrapped in a warm tenor and a quick and easy wit. He achieved his breakthrough with “When I Call Your Name,” which won the CMA’s Single of the Year award. Since then, he has won 17 more CMA honors, including Song of the Year four times. Since 1990, Gill has walked away with 20 Grammy awards and has racked up sales in excess of 26 million.
2010 Christmas Tour Dates:
Dec. 8 Van Wezel Performing Arts Hall / Sarasota, FL www.vanwezel.org
Dec. 9 King Center For The Performing Arts / Melbourne, FL www.kingcenter.com
Dec.10 Barbara B. Mann Performing Arts Hall / Ft. Myers, FL www.bbmannpah.com
Dec.11 Ruth Eckerd Hall / Clearwater, FL www.rutheckerdhall.com
Dec.13 Peace Center For The Performing Arts /Greenville, SC www.peacecenter.org
Dec.14 Durham Performing Arts Center / Durham, NC www.dpacnc.com/
Dec.17 Crown Theatre / Fayetteville, NC www.crowncoliseum.com
Dec.18 War Memorial Auditorium / Greensboro, NC www.greensborocoliseum.com
Dec.19 Cabarrus Arena / Concord, NC www.cabarrusarena.com
Dec.20 Fox Theatre / Atlanta, GA www.foxtheatre.org
Dec.21 Ryman Auditorium / Nashville, TN www.ryman.com
Dec.22 Ryman Auditorium / Nashville, TN www.ryman.com
https://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.png00contributorhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngcontributor2010-07-01 11:40:522010-07-01 11:40:52Grant And Gill Plan Christmas Tour
Web design and e-commerce shop Music City Networks has named Craig Dunn as Vice President of Client Services.
After spending seven years on the road with Sara Evans, Dunn served as Music City Network’s Senior Account Manager, leading MCN’s internal team in the brainstorming and execution of online creative, marketing and community building strategies for clients such as Evans, Josh Turner, Lady Antebellum, Brad Paisley, Eric Church, Michael Franti & Spearhead, Little Big Town, Alison Krauss, and several more. Dunn also started MCN’s burgeoning ticketing division, now offering ticketing services to over 10 industry clients.
Along with his work at MCN, Dunn is the SOLID 2010 Communications Committee Chairperson.
Dunn can be reached at 615-250-2130 ext. 224 or via email craig@musiccitynetworks.com.
https://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.png00contributorhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngcontributor2010-07-01 10:07:072010-07-01 10:07:07MCN Promotes Dunn To VP Client Services
Renowned music producer Paul Worley, along with partners Wally Wilson and Glen Morgan, have formed a new record label, Skyville Records. The label is the latest venture of the threesome who formed Skyline Music Publishing six years ago.
“This label is a natural extension of the artist development that we have always done,” Worley says. “It makes more sense now than ever as the music industry must create new ways of doing business.”
Wally Wilson
Records produced by Worley have sold more than 125 million units worldwide and have generated over one billion dollars in sales. He previously served as Executive VP at Sony Music Nashville and later as the VP and CCO at Warner Bros. Records in Nashville. Worley has discovered, developed and produced some of the most successful acts in country music history, such as the Dixie Chicks, Martina McBride, Big & Rich and most recently, Lady Antebellum.
Wilson is a Grammy-nominated hit record producer, music publisher and an accomplished musician, receiving numerous BMI and ASCAP Awards for his musical accomplishments. He is also a songwriter, penning hits for artists as diverse as Rascal Flatts, The Neville Brothers, Joe Cocker, Amy Grant, Vince Gill and many more.
Glen Morgan
Morgan is the co-founder of a prominent law firm in Beaumont, Texas and has worked directly with Worley and Wilson in a business management role. Joining executives Worley, Wilson and Morgan at Skyville will be Katie Voorhis (Head of Operations and Administration),Tristan Lora (Mgr.Tour Operations), Padget Crossman (Mgr. New Media Marketing), Paige Conners (A&R Administration), Peggy Fernandez (Executive Assistant Financial) and Jeremy Witt (Mgr. Studio Operations).
Larry Pareigis and his Nine North team will coordinate all national radio promotion activities for Skyville.
The first signing on the label’s artist roster is Stealing Angels. The trio will debut their first single, “He Better Be Dead” on July 12. They are currently on a national radio promotion tour and playing fairs and festivals around the country this summer.
Skyville Records is located at 2603 Westwood Drive in Nashville and can be reached at (615) 320-7052 or wally@skynash.com.
https://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.png00contributorhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngcontributor2010-07-01 09:31:422010-07-01 09:31:42Producer Worley Launches Skyville Records
Show Dog-Universal Music will release Trailer Choir’s debut CD, Tailgate, on July 6. The group’s first full-length CD features its upcoming new single release, “Shakin’ That Tailgate,” a song they premiered on the recent CMT Music Awards.
Fans that loved their signature song, “Rockin’ the Beer Gut,” won’t be disappointed, as that song as well as “Last Man Standing” and “Off the Hillbilly Hook,” and six new tracks make up Tailgate. Produced by Toby Keith and Mark Wright, the CD continues with the feel good type of music Trailer Choir has come to be known for and what band member Butter calls “cold beer country.”
Over the course of the next few weeks, the band will be profiled in Country Weekly and the new People Country special. Trailer Choir will be GAC’s Artist of the Month for July. They will also be featured on GAC’s On The Streets and CMT Insider and Top 20.
For additional information on the band, as well as concert dates, visit www.trailerchoir.com.
https://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.png00contributorhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngcontributor2010-07-01 09:08:102010-07-01 09:08:10Trailer Choir Releases Debut CD
In a high profile crackdown, federal authorities seized the domain names of nine websites accused of illegally distributing first run movies such as Toy Story 3 and The A-Team. All nine sites had domain names that were registered via U.S. registration services according to a report in the Wall Street Journal. Some computers used to run the sites were located in Colorado, Florida, Illinois, however others were stored in Germany, the Netherlands, the U.K. and the Czech Republic.
The Immigration and Customs Enforcement Agency announced it had seized assets, funds and equipment in what it termed an ongoing investigation. ICE Assistant Secretary John Morton admitted that the foreign based websites might reappear at different addresses. Sites included in the shut down were TVShack.net, Movies-Links.tv, Filespump.com, ZML.com, Now-Movies.com, ThePirateCity.org, PlanetMoviez.com, NinjaVideo.net and NinjaThis.net.
Business models for the non-licensed sites were not all download based. Some of them featured streaming and sold advertising. Morton told the WSJ that distribution technologies like BitTorrent that do not not store copies in a central location are much more difficult to control. “It’s a challenge,” Morton said. “There’s a level of sophistication government can’t always match. I don’t think we’ve stopped Internet piracy in a day, but this is going to be a sustained effort.”
According to TorrentFreak.com, a blog “dedicated to bringing the latest news about BitTorrent and everything that is closely related to this popular filesharing protocol,” movies-links.tv is already operational under the new domain name of watch-movies.tv.info and TVshack.net has now moved to TVshack.cc.
The piracy shutdown and reopening is reminiscent of the cat and mouse game which authorities have played with illegal music downloaders and copyright pirates which to date have failed to stem the growth of illegal downloads. According to the IFPI Digital Music Report 2010, illegal distribution of TV content is growing faster than music and movie piracy. Los Angeles manager Simon Renshaw is quoted in the study saying, “The music industry was hit first, but now with increased broadband you have a situation where all the creative industries are at a tipping point. You can see it in the collapsing DVD market; you can see what’s going on in TV, newspapers and magazines. And now we’re seeing the same thing in the book publishing business. You’re going to start seeing piracy of novels and reference books.”
The MPA, which represents movie studios, estimates that illegal streaming and film downloads—digital piracy— now accounts for 40 percent of of its piracy problem by volume and is growing.
https://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.png00adminhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngadmin2010-07-01 07:54:452010-07-01 07:54:45ICE Slams Movie Pirates
Acclaimed singer/songwriter/guitarist Buddy Miller will bring his guitar, his songs and some of his favorite collaborators when he takes the Ford Theater stage as the Country Music Hall of Fame® and Museum’s 2010 Artist-in-Residence. Miller will serve as host and curator for the intimate evening performances, which are slated for August 10, 17 and 24 at 7:00 PM.
Miller’s residency marks the official re-opening of the Museum’s Ford Theater, which was damaged in the catastrophic flood that hit Nashville in May. And, for the first time, attendees will have a choice of ticket options for each performance, including exclusive packages that provide dinner, reserved parking and a commemorative Hatch Show Print poster. In addition, the Museum’s galleries will be open to all ticket holders prior to each performance beginning at 5:15 PM. Miller is featured in the Museum’s newly expanded core exhibit, “Sing Me Back Home: A Journey Through Country Music.”
Established in 2003, the Museum’s residency program annually honors a musical master who can be credited with contributing a large and significant body of work to the canon of American popular music. Honorees are given a blank canvas – the Museum’s acoustically pristine, 213-seat Ford Theater – to deliver an up-close-and-personal musical experience. Previous honorees include Cowboy Jack Clement, Earl Scruggs, Tom T. Hall, Guy Clark, Kris Kristofferson, Jerry Douglas and Vince Gill.
“Buddy Miller is a one of those rare, gifted musicians who has not only built an impressive resume of relevant, multilayered compositions and recordings that document the pain, joy and triumph of the human experience, but who also possesses a genuine passion for facilitating the visions of others through producing, songwriting and musical accompaniment,” said Museum Director Kyle Young. “His unflinching dedication to his craft, along with his collaborative spirit, makes him a perfect fit for the Museum’s artist-in-residence series.”
Buddy Miller residency event tickets can be purchased exclusively by Museum members for $40 beginning Friday, July 16, at 9:00 AM by visiting the Museum’s website (a one-year Museum membership is $35, and ticket buyers must purchase membership prior to the on-sale date). Tickets will go on sale for $45 to the general public at 9:00 AM Tuesday, July 20, and should be purchased via the museum’s website. There is a four-ticket limit, per show, to each order. For more information, call (615) 416-2001 or visit the museum’s website.
https://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.png00contributorhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngcontributor2010-06-30 16:13:152010-06-30 16:13:15Buddy Miller Is Hall of Fame’s Artist in Residence
Nashville Music Council Outlines Goals For Future
/by Sarah SkatesMayor Karl Dean Photo: Alan Mayor
The Mayor organized the council to spur communication between the industry and the government; to work together to build Nashville’s brand as Music City. Council head Mary Ann McCready credits him with unprecedented efforts in reaching out to the music industry.
McCready said that the Council quickly realized one of its main functions would be as a place for “ideas to land and be vetted and implemented.” Dean highlighted the Music Council’s four focuses: music education, branding and jobs, live music, and creative talent. “Nashville’s music business attracts the kind of creative people our city needs to build a strong future,” he explained.
As co-head of the Branding and Jobs subcommittee, Mark Montgomery is also honed in on the future. “Nashville has the potential to be the epicenter of the new music business,” he said. One way he wants to achieve that is to nurture the relationship between music and technology.
Tim Dubois, co-head of the Creative Talent subcommittee, explained his group’s initiatives which include starting a one-stop resource center for those interested in relocating to Nashville, and then providing them with a support infrastructure once they arrive, such as housing. To that end, meetings with the Metro Development and Housing Authority have already taken place. Helping people maintain employment is another focus. However, during the Q&A, a struggling musician in the crowd questioned how the city can support an influx of more creative types when many who are already here are struggling to make a living.
Rod Essig’s Live Music subcommittee exemplifies the diversity of the Council, and is made up of genre-spanning artists like Emmylou Harris, Kix Brooks, and Jack White and industry stalwarts such as producer Tony Brown. Essig noted that a variety of genres already host annual conferences and festivals here, and for three years starting in 2011, Nashville can add the National Folk Festival to that list. He touted the city’s desperate need for an amphitheater for outdoor summer music, as well as the need for a 1500-seat venue, adding that the latter void could be filled as early as six months from now. As for immediate progress, the Council’s Musician’s Corner opens July 10 at Centennial Park.
Essig noted that sponsorships and partnerships would be important to many of the Council’s projects, and Music Education subcommittee head Nancy Shapiro has already scored in that area. She raised enough funding to hire a consultant for her cause, which is to make Nashville public school music education the best in the world. “When we found the right people to achieve this, and brought them to the table,” she said, “the energy was palpable.” She admitted she was preaching to the choir, but still explained the importance of music education, specifically to lowering the drop-out rate. One way to do this she added “is to reach kids where their interests are, with a variety of genres and options.”
The interested crowd represented all facets of the industry, such as publicity guru Jeff Walker, business manager Charles Sussman, GAC boss Ed Hardy, publisher Tracy Gershon, manager Denise Stiff and songwriter Bob Regan.
Read additional reactions to the meeting here:
Craig Havighurst on String Theory Media
Nashville Scene’s Nashville Cream blog
This NMC video was recently posted on YouTube
Songwriter Joshua Ragsdale Passes
/by contributorJoshua Ragsdale
Former Lyric Street artist, singer/songwriter Joshua Ragsdale passed away today in a Nashville hospital after battling leukemia. He was 32.
Ragsdale was a staff writer with Sony/ATV. His song, “Ain’t Much Left Of Lovin’ You,” was the recent debut for Mercury Records artist Randy Montana. Along with legendary songwriter Bill Anderson, Ragsdale co-wrote “Papaw’s Sunday Boots,” which Anderson recently released.
“I’ve never seen anybody that remains so positive and so concerned about others through such personal adversity,” said Ragsdale’s manager, Bob Titley. “With every bit of bad news, he’ll react with three minutes of crying and praying, and then it’s back to this positive energy.”
Ragsdale inspired many people to be tested as potential bone marrow donors during his illness, saying that he knew of five people who had been told they were matches for someone because of his encouragement. Visit www.marrow.org to find out more about joining the bone marrow registry.
Journalist Peter Cooper has written a tribute to Joshua Ragsdale in the Tennessean. Read it here.
John Simson To Exit SoundExchange
/by contributorJohn Simson
Last month, Executive Director John Simson announced to the SoundExchange Board that he would be leaving the role he’s held for the past ten years in order to return to his creative roots. The Board has requested that he remain in his current position until a successor can be found and Simson said he would he would be pleased to assist in the
transition to new leadership.
“After ten years of working with digital services, we’ve achieved many of our important goals,” Simson says. “We’ve established fair rates for performers and labels and built the largest performer and recording label society in the world. It is time for me to return to different creative pursuits that I‘ve been putting off these past few years. This has been a thrilling journey, blazing a brand new path, but I know I’m leaving a strong organization poised for continued success.”
Simson also informed the Board that the second quarter distribution would be the largest in the organization’s history.
“In the past 10 months we’ve distributed over $220 million to artists and labels and this will only continue to grow in the coming months and years,” Simson adds.
Simson, the first full-time employee of SoundExchange, was hired to launch the new collecting society in 2000. As a manager in the 1990’s, Simson had assisted in the lobbying to pass the Digital Performance Rights in Sound Recording Act of 1995 and a terrestrial performance right has been a key goal all throughout his career working as an artist manager.
“We are hopeful that we will finally get what’s rightfully owed to America’s recording artists and copyright owners,” Simson says. “I’ve told the Board that I will be there to finish this task whenever required.”
Simson was instrumental in making SoundExchange an independent, free-standing non-profit trade association governed by a Board of 18, an equal number of artist and label representatives.
“John and his team have built from nothing, the first true coalition of artists and indies and majors working towards the same goal,” said Tom Silverman, founder of Tommy Boy Records and SoundExchange Board member. “The many hurdles they have overcome and the momentum that SoundExchange enjoys are a tribute to his hard work and vision.”
Fontanel To Host Songwriters Flood Benefit
/by contributorCurrently confirmed performers include Matraca Berg, Kye Fleming, Dallas Frazier, Dickey Lee, Dennis Morgan, Roger Murrah, Hugh Prestwood, Mark D. Sanders, Don Wayne, Jim Weatherly and Mike Reid, and there will likely be a few surprise celebrities hitting the stage as well.
In addition to those Hall of Famers, hit songwriters Chuck Cannon, Rafe Van Hoy, Lari White, Billy Burnette, Danny Myrick, James Slater, Marc Beeson, James House and more will playing their songs that same day on the “Gibson Tunesmith Stage” at the Farmhouse Restaurant on between 12:00 PM-4:00 PM before the main concert at The Woods. Admission to the Gibson Tunesmith Stage is free.
The Woods at Fontanel has a capacity of 2500, and a quick sell out is anticipated. Tickets are $19.99 per person and children under 12 are admitted free. Tickets can be purchased here. All ticket proceeds and all receipts from the day’s tours at the Fontanel Mansion will be donated to First Tennessee Bank for flood relief.
(l-r): Marc Oswald, co-owner of Fontanel Mansion and Farm; Karen Graves of First Tennessee Bank; Councilman Walter Hunt; Ken Hoskins CPA; John Stancil of Anchor Trailways & Tours; Vice Mayor Diane Neighbors; Alex Marks of Tower Investments; Jared Stancil of Anchor Trailways & Tours; Tom Morales of TomKats, Inc.; and Roger Murrah of the Nashville Songwriters Hall of Fame Foundation.
Grant And Gill Plan Christmas Tour
/by contributor“Christmas audiences are special,” explains Grant. “They tend to involve the whole family, and their emotions are a wonderful mix of anticipation and reverence. It’s a thrilling experience for both of us.”
“These holiday tours have become our favorites,” Gill agrees. In their two hour program, the Grammy-winning team will present cherished standards and newer seasonal fare as well as some of their biggest hits.
Grant’s career spans over 30 years and stretches from her roots in gospel into an iconic pop star, songwriter, television personality, and philanthropist. She has sold more than 30 million albums and won six Grammy® Awards in multiple categories, beginning with the platinum selling Age to Age in 1982.
One of the most popular singers in modern country music, Gill has a love for country music, top-notch songwriting, and world-class guitar playing, all wrapped in a warm tenor and a quick and easy wit. He achieved his breakthrough with “When I Call Your Name,” which won the CMA’s Single of the Year award. Since then, he has won 17 more CMA honors, including Song of the Year four times. Since 1990, Gill has walked away with 20 Grammy awards and has racked up sales in excess of 26 million.
2010 Christmas Tour Dates:
Dec. 8 Van Wezel Performing Arts Hall / Sarasota, FL www.vanwezel.org
Dec. 9 King Center For The Performing Arts / Melbourne, FL www.kingcenter.com
Dec.10 Barbara B. Mann Performing Arts Hall / Ft. Myers, FL www.bbmannpah.com
Dec.11 Ruth Eckerd Hall / Clearwater, FL www.rutheckerdhall.com
Dec.13 Peace Center For The Performing Arts /Greenville, SC www.peacecenter.org
Dec.14 Durham Performing Arts Center / Durham, NC www.dpacnc.com/
Dec.17 Crown Theatre / Fayetteville, NC www.crowncoliseum.com
Dec.18 War Memorial Auditorium / Greensboro, NC www.greensborocoliseum.com
Dec.19 Cabarrus Arena / Concord, NC www.cabarrusarena.com
Dec.20 Fox Theatre / Atlanta, GA www.foxtheatre.org
Dec.21 Ryman Auditorium / Nashville, TN www.ryman.com
Dec.22 Ryman Auditorium / Nashville, TN www.ryman.com
MCN Promotes Dunn To VP Client Services
/by contributorCraig Dunn
Web design and e-commerce shop Music City Networks has named Craig Dunn as Vice President of Client Services.
After spending seven years on the road with Sara Evans, Dunn served as Music City Network’s Senior Account Manager, leading MCN’s internal team in the brainstorming and execution of online creative, marketing and community building strategies for clients such as Evans, Josh Turner, Lady Antebellum, Brad Paisley, Eric Church, Michael Franti & Spearhead, Little Big Town, Alison Krauss, and several more. Dunn also started MCN’s burgeoning ticketing division, now offering ticketing services to over 10 industry clients.
Along with his work at MCN, Dunn is the SOLID 2010 Communications Committee Chairperson.
Dunn can be reached at 615-250-2130 ext. 224 or via email craig@musiccitynetworks.com.
Producer Worley Launches Skyville Records
/by contributorPaul Worley
“This label is a natural extension of the artist development that we have always done,” Worley says. “It makes more sense now than ever as the music industry must create new ways of doing business.”
Wally Wilson
Records produced by Worley have sold more than 125 million units worldwide and have generated over one billion dollars in sales. He previously served as Executive VP at Sony Music Nashville and later as the VP and CCO at Warner Bros. Records in Nashville. Worley has discovered, developed and produced some of the most successful acts in country music history, such as the Dixie Chicks, Martina McBride, Big & Rich and most recently, Lady Antebellum.
Wilson is a Grammy-nominated hit record producer, music publisher and an accomplished musician, receiving numerous BMI and ASCAP Awards for his musical accomplishments. He is also a songwriter, penning hits for artists as diverse as Rascal Flatts, The Neville Brothers, Joe Cocker, Amy Grant, Vince Gill and many more.
Glen Morgan
Morgan is the co-founder of a prominent law firm in Beaumont, Texas and has worked directly with Worley and Wilson in a business management role. Joining executives Worley, Wilson and Morgan at Skyville will be Katie Voorhis (Head of Operations and Administration),Tristan Lora (Mgr.Tour Operations), Padget Crossman (Mgr. New Media Marketing), Paige Conners (A&R Administration), Peggy Fernandez (Executive Assistant Financial) and Jeremy Witt (Mgr. Studio Operations).
Larry Pareigis and his Nine North team will coordinate all national radio promotion activities for Skyville.
The first signing on the label’s artist roster is Stealing Angels. The trio will debut their first single, “He Better Be Dead” on July 12. They are currently on a national radio promotion tour and playing fairs and festivals around the country this summer.
Skyville Records is located at 2603 Westwood Drive in Nashville and can be reached at (615) 320-7052 or wally@skynash.com.
Trailer Choir Releases Debut CD
/by contributorFans that loved their signature song, “Rockin’ the Beer Gut,” won’t be disappointed, as that song as well as “Last Man Standing” and “Off the Hillbilly Hook,” and six new tracks make up Tailgate. Produced by Toby Keith and Mark Wright, the CD continues with the feel good type of music Trailer Choir has come to be known for and what band member Butter calls “cold beer country.”
Over the course of the next few weeks, the band will be profiled in Country Weekly and the new People Country special. Trailer Choir will be GAC’s Artist of the Month for July. They will also be featured on GAC’s On The Streets and CMT Insider and Top 20.
For additional information on the band, as well as concert dates, visit www.trailerchoir.com.
ICE Slams Movie Pirates
/by adminThe Immigration and Customs Enforcement Agency announced it had seized assets, funds and equipment in what it termed an ongoing investigation. ICE Assistant Secretary John Morton admitted that the foreign based websites might reappear at different addresses. Sites included in the shut down were TVShack.net, Movies-Links.tv, Filespump.com, ZML.com, Now-Movies.com, ThePirateCity.org, PlanetMoviez.com, NinjaVideo.net and NinjaThis.net.
Business models for the non-licensed sites were not all download based. Some of them featured streaming and sold advertising. Morton told the WSJ that distribution technologies like BitTorrent that do not not store copies in a central location are much more difficult to control. “It’s a challenge,” Morton said. “There’s a level of sophistication government can’t always match. I don’t think we’ve stopped Internet piracy in a day, but this is going to be a sustained effort.”
According to TorrentFreak.com, a blog “dedicated to bringing the latest news about BitTorrent and everything that is closely related to this popular filesharing protocol,” movies-links.tv is already operational under the new domain name of watch-movies.tv.info and TVshack.net has now moved to TVshack.cc.
The piracy shutdown and reopening is reminiscent of the cat and mouse game which authorities have played with illegal music downloaders and copyright pirates which to date have failed to stem the growth of illegal downloads. According to the IFPI Digital Music Report 2010, illegal distribution of TV content is growing faster than music and movie piracy. Los Angeles manager Simon Renshaw is quoted in the study saying, “The music industry was hit first, but now with increased broadband you have a situation where all the creative industries are at a tipping point. You can see it in the collapsing DVD market; you can see what’s going on in TV, newspapers and magazines. And now we’re seeing the same thing in the book publishing business. You’re going to start seeing piracy of novels and reference books.”
The MPA, which represents movie studios, estimates that illegal streaming and film downloads—digital piracy— now accounts for 40 percent of of its piracy problem by volume and is growing.
Buddy Miller Is Hall of Fame’s Artist in Residence
/by contributorMiller’s residency marks the official re-opening of the Museum’s Ford Theater, which was damaged in the catastrophic flood that hit Nashville in May. And, for the first time, attendees will have a choice of ticket options for each performance, including exclusive packages that provide dinner, reserved parking and a commemorative Hatch Show Print poster. In addition, the Museum’s galleries will be open to all ticket holders prior to each performance beginning at 5:15 PM. Miller is featured in the Museum’s newly expanded core exhibit, “Sing Me Back Home: A Journey Through Country Music.”
Established in 2003, the Museum’s residency program annually honors a musical master who can be credited with contributing a large and significant body of work to the canon of American popular music. Honorees are given a blank canvas – the Museum’s acoustically pristine, 213-seat Ford Theater – to deliver an up-close-and-personal musical experience. Previous honorees include Cowboy Jack Clement, Earl Scruggs, Tom T. Hall, Guy Clark, Kris Kristofferson, Jerry Douglas and Vince Gill.
“Buddy Miller is a one of those rare, gifted musicians who has not only built an impressive resume of relevant, multilayered compositions and recordings that document the pain, joy and triumph of the human experience, but who also possesses a genuine passion for facilitating the visions of others through producing, songwriting and musical accompaniment,” said Museum Director Kyle Young. “His unflinching dedication to his craft, along with his collaborative spirit, makes him a perfect fit for the Museum’s artist-in-residence series.”
Buddy Miller residency event tickets can be purchased exclusively by Museum members for $40 beginning Friday, July 16, at 9:00 AM by visiting the Museum’s website (a one-year Museum membership is $35, and ticket buyers must purchase membership prior to the on-sale date). Tickets will go on sale for $45 to the general public at 9:00 AM Tuesday, July 20, and should be purchased via the museum’s website. There is a four-ticket limit, per show, to each order. For more information, call (615) 416-2001 or visit the museum’s website.