WMN Announces Promotions and Hires

Warner Music Nashville has announced a round of promotions and new hires.

In the publicity department, Sarah Lai has been promoted to Publicity Coordinator where she will continue to report to VP Publicity Tree Paine.

Victoria Nugent has joined the Brand Management department in the newly created position of Director of Revenue and Research. Additionally, Tyler Wall will shift from the WMN Promotions department to the role of Marketing Coordinator under VP Brand Management Kelli Cashiola.

Previous Marketing Coordinator Carden Grissom has been named the label’s Manager of E-commerce, and will work under VP Strategic Partnerships Leigh Holt.

Wall’s previous position of Promotions Coordinator has been filled with Ann Jurasek, who will work under Sr. VP of Promotion Chris Stacey and the WMN Promotions team.

Following Rebekah Sterk’s recent appointment to Director of A&R, Film/TV and Special Projects, Stephanie Haymes will take over as the new A&R Coordinator.

Signing Photos: Randy Houser, LiveWire

Stoney Creek Records has announced the addition of Randy Houser to its roster. The surprise announcement was made Nov. 8 by Broken Bow/Stoney Creek President Benny Brown and Senior VP of Operations Rick Shedd at the label group’s CMA Pre-Party at the Hard Rock Café in Nashville. Houser will begin work on new music for his new album, and his first single with Stoney Creek will be released in early 2012.

(L-R): Rick Shedd; Benny Brown; Randy Houser; Broken Bow/ Stoney Creek SVP Jon Loba; Fitzgerald Hartley's Nick Hartley; Stoney Creek GM of Operations April Rider.

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Way Out West Records has signed rising country band LiveWire to an exclusive recording contract. The label will assume U.S. and European promotion of the single “Tater Fed” which is climbing MusicRow’s CountryBreakout Chart and currently sits at No. 2 on the Hotdisc chart in Europe. Last week, Way Out West released a video for “Tater Fed,” from LiveWire’s self-titled debut EP. The group also recently signed for management representation with the Clif Doyal Agency. LiveWire is currently touring regionally in the Midwest and working on a full-length album slated for release in the second quarter of 2012.

Seated (L-R): LiveWire’s Bobby DeGonia; Way Out West Managing Partner/Clif Doyal Agency owner Clif Doyal. Standing (L-R): LiveWire’s Cory Shultz; Danny Bell; Adam Hagerman; Andy Eutsler; Way Out West artist/co-owner Shawna Russell; LiveWire’s Landon Rolfe, and Way Out West VP Artist Development, Promotion & Marketing Mike Severson

Apple Launches iTunes Match

Apple unveiled its anticipated iTunes Match service yesterday (Nov. 14), a move that aims to make the company the undisputed leader in the cloud music battle.

For an annual fee of $24.99, iTunes Match will scan a user’s library and reserve a 256 kbps DRM-free AAC music file through its new iCloud service for any corresponding titles. These files will be playable/downloadable to any iTunes and web-enabled device, such as the iPad, Touch, iPhone, Apple TV and more. This applies not only to songs originally purchased through iTunes but to songs ripped from CDs or acquired by other means. Any songs not matched through iTunes can also be manually uploaded to iCloud.

The reveal of iTunes Match takes place just as Google is preparing to launch its Google Music service, which may be debuting without the approval of all the majors. Amazon has also been heavily pushing its new Kindle Fire for the holiday season, a tablet device that can play and/or purchase media from its large selection of products.

In short, the iTunes Match service is attempting to combine the future of access-based cloud music consumption with consumers’ history of file-sharing and hoarding. As more and more media-friendly devices hit the market, neatly managing libraries and files between them will be a growing concern.

Summer Signs of Success

Here’s a few banners that were waving ’round the Row around the beginning of Oct. (Photos: BossRoss)

 

 

“Used” Digital Tracks 4 Sale

A new company, www.redigi.com, is drawing fire from copyright owners as it attempts to create a marketplace to buy and sell previously owned digital files. A New York Times article, Site To Resell Music Files Has Critics notes, “The service has already drawn concern from music executives and legal scholars, who say it is operating in a gray area of the law. Last Thursday the Recording Industry Association of America, which represents the major record companies, sent ReDigi a cease-and-desist letter, accusing it of copyright infringement.” MusicRow first reported on the company on Oct. 17, 2011.

Here’s how the Cambridge, Mass. company works. ReDigi sells music downloads for 79¢ per song and users get a 20¢ coupon for each song they upload. Consumers swapping music actually pay only 59¢ per song after figuring in the coupon discount. “ReDigi is a marketplace that gives users tools to be in compliance with copyright law,” says ReDigi head John Ossenmacher. “Before I put a file up for sale ReDigi says you will need to delete them, and if not it won’t take them.” The company also has plans to resell e-books.

According to the web site, “Only tracks purchased from legal download sites such as; iTunes, etc. are eligible. But hey, don’t sweat it. If you aren’t sure where it came from, we will help you figure it out, all from the privacy of your own computer. Your ReDigi account grows with every song you sell. So your old music helps you buy the new music you want, no cash required. Once you buy songs on ReDigi, you can sell them back at any time! Store your music in our FREE cloud. When you’re done listening to them, sell them back with the click of a button.”

Also mentioned on the site are payments to artists and labels. “The musician and label get a percentage of every sale, often netting more than they get from a new music site and a lot more than they get from streaming music.” However, numbers are not mentioned. The site already has almost 77,000 Twitter followers (@ReDigiMusic) and close to 44,000 Facebook fans (http://www.facebook.com/ReDigi).

At issue is the legality of this new business model which is based mostly upon the first-sale doctrine which gives consumers the right to resell a copyrighted work. However, legal scholars are not in agreement, according to the NYT article because ReDigi’s method involves making a digital copy, something not allowed under the first-sale rules. The concept is largely untested with respect to digital goods. According to the article, Ossenmacher claims he has “a process called, ‘atomic transaction’ that can transfer files between users without copying.”

The web site addresses the question of its legality:

“We are law-abiding citizens here at ReDigi. The thing that sets ReDigi apart from any company that has attempted to do what we are doing is our revolutionary patent pending technology that facilitates the ‘verification’ and ‘hand off’ of a digital music file from the seller to the buyer, ensuring both that the file is from a legitimate source and eligible for resale on ReDigi, and that any additional copies of a sold file that may have been made by the seller (e.g., for use on multiple devices in accordance with ‘fair use’ limitations on copying for personal use), are also deleted. In this way, ReDigi brings the familiar process of selling a physical good (CD, Vinyl, Pink Cadillac, etc.) into the digital age. Let’s use the Pink Cadillac as an example. You bought that outrageous gas-guzzler, you own the title, and by all means you have the right to sell it. However, once you hand over the keys, it’s no longer yours to drive. The same concept applies to a used song sold through ReDigi. Once you sell a song, you no longer have access to it. ReDigi removes the song from your hard drive and all synced devices as soon as your legally obtained digital song is confirmed for sale. This is how ReDigi stays legit, and how you now have access to an incredible marketplace where rights long accepted in the physical world may now be applied to digital goods.”

Musicians Union Re-Elects Pomeroy and Krampf

Dave Pomeroy

The Nashville Musicians Union re-elected Dave Pomeroy as President and Craig Krampf as Secretary-Treasurer by acclimation yesterday (Nov. 14) at the organization’s quarterly membership meeting. Pomeroy and Krampf were unopposed and will begin their new terms in January 2012.

Pomeroy took his current leadership role three years ago and was also elected to the AFM’s governing board at the union’s convention in June 2010.

“I am very humbled and gratified to be re-elected as president of the Nashville Musicians Association, AFM Local 257. Nashville is truly Music City and an amazing place to live and work. While I am proud of our history and what we have accomplished, I am more excited about the prospects ahead of us, as Secretary-Treasurer Krampf and I look forward to continuing to represent the finest musicians in the world,” Pomeroy said.

Lady Antebellum Sells Out Opening Night

Lady Antebellum performing at the Knoxville Coliseum.

CMA Vocal Group of the Year Lady Antebellum kicked off the headlining Own The Night 2011 Tour sponsored by GAC this weekend with a sold out concert at the Knoxville Coliseum.

“Lady A has taken their tour to the next level,” said WIVK/Knoxville PD Mike Hammond. “Their energy, enthusiasm, stage presence, big screens, the music, the stage, etc. This is definitely on the must see list this fall.”

Lady A is currently nominated for Favorite Country Band, Duo or Group for the 2011 American Music Awards and will be honored as one CMT’s five Artists of the Year December 13.

The Own The Night 2011 Tour continues this week in El Paso, TX (11/16), Phoenix, AZ (11/17) and Las Vegas, NV (11/18).

UMPG Shuffles Top National Execs.

(Top) UMPG EVP/Head of Pop & Rock Music, Creative, Monti Olson. (Bottom) UMPG Head of Business & Legal Affairs/Business Development, David Kokakis (Photos: PRNewsFoto/Universal Music Publishing Group)

Monti Olson and David Kokakis both received promotions today (11/14) from Universal Music Publishing Group, North America’s President, Evan Lamberg. Olson to Executive Vice President/Head of Pop & Rock Music, Creative and Kokakis to Senior Vice President, Head of Business & Legal Affairs/Business Development.

Both positions report directly to Lamberg and will be based in the company’s world-wide headquarters in Santa Monica. These promotions follow today’s exits of Tom Sturges, EVP/Head of Creative, and Robert Allen, SVP/Head of Business and Legal Affairs.

Olson will oversee the Pop and Rock creative operations as he co-leads U.S. creative teams in Los Angeles and New York with Ethiopia Habtemariam, Executive Vice President/Head of Urban Music. Olson previously served as VP of A&R. His career also includes a similar post at BMG.

Kokakis’ newly appointed position will head UMPG’s Business Affairs operations in North America, which includes overseeing all contract negotiations and legal matters concerning new and existing songwriter signings, monitoring all copyright infringement matters, and negotiating new digital media agreements.

CRS Early Bird Registration Ends Tuesday

Only one day remains before the $399 Early Bird registration expires for CRS 2012. The event will be held Feb. 22-24 in downtown Nashville. Beginning Wednesday, Nov. 16, the CRS 2012 registration price increases to the $499 Regular Rate.

Country Radio Seminar continues to improve the CRS experience for its attendees with this year’s addition of a new Internet café, after-hours songwriters in the round and an updated, professionally redesigned lounge.

For the first time ever, Country Radio Seminar is offering free, on-site Internet with its new St. Jude Internet Café. Sponsored by St. Jude Children’s Research Hospital, the café serves coffee and beverages and provides free wireless or wired Internet access for all CRS attendees. Cell phone charging stations are also available in the café.

On the Wednesday and Thursday night of the seminar, Bob Kingsley’s Acoustic Alley will be open for after-hours acoustic entertainment. Hosted by radio legend Bob Kingsley, the venue will showcase performances from some of Nashville’s top songwriters.

The private CRS Badge Bar has been expanded and completely redesigned for CRS 2012 by nationally recognized Nashville party planner Randi Lesnick. Featuring new décor and furniture, a fully stocked bar and a modern, relaxed atmosphere, the Badge Bar is open to CRS attendees only.

“These new destinations at CRS 2012 were created to provide greater conveniences and more entertainment options for our attendees. People no longer have to go back to their room at the hotel to charge their phone or get online,” says CRS Executive Director Bill Mayne.

The limited time, $399 Early Bird registration expires Nov. 15. Register at www.CountryRadioSeminar.com or by calling (615) 327-4487.

Garth & Trisha Rebuild In Haiti

Country music artists Garth Brooks and Trisha Yearwood joined Habitat for Humanity in Haiti this month to help build 100 homes during the 28th Annual “Jimmy and Rosalynn Carter Work Project.”

The 7.0-magnitude earthquake that struck Haiti in January 2010 caused widespread devastation, destroying 105,000 homes. This project is being held in Haiti in 2011 and 2012 to build homes and raise awareness of the need for ongoing support for Haiti’s recovery.

For more information, to donate or to volunteer, please visit www.habitat.org.

 

LEOGANE, HAITI—Trisha Yearwood (right) works alongside Rosalynn Carter in the Santo community in Haiti. Photo: Gregg Pachkowski

EOGANE, HAITI—Garth Brooks helps move a wall into place in the Santo community in Haiti. Photo: Gregg Pachkowski